Three Failures denote uncommon strength. A weakling has not enough grit to fail thrice.
Minna Antrim (1861-1950) American epigrammatist, writer
At the Sign of the Golden Calf (1905)
(Source)
Quotations by:
Antrim, Minna
To jest at physical deformities is to prove Yourself Unfit to breathe the air of Decency.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Debt is the sort of Bedfellow who is forever pulling all the Covers his way.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Don’t be afraid to thank a servant. Do so quietly, but unmistakably, whenever thanks are in order.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Better be known as a Rampant Iconoclast than as a sonorous Echo.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
The guest who deliberately wounds his Host strikes a Manacled Man.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Never acquire the “all hands ’round” habit. Shake hands with your host, but a bow to the rest is sufficient.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Don’t be a man of “Intentions.” The world gives a man credit only for his deeds and, often, not even for them.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Don’t use the vulgaria’s patois. “Swell,” “Gent,” “Shine” and “Cop” are among his most common expressions.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Don’t rush madly into Matrimony. Those who do are as mad to rush out.
Minna Antrim (1861-1950) American epigrammatist, writer
Don’ts for Bachelors and Old Maids (1908)
(Source)
Experience is a good teacher, but she sends in terrific bills.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
An epigram is a flashlight of a truth; a witticism, truth laughing at itself.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
The drama of life begins with a wail and ends with a sigh.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
The very women who object to the morals of a notoriously beautiful actress, grow big with pride when an admirer suggests their marked resemblance to this stage beauty in physique.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
Illusion is the dust the devil throws in the eyes of the foolish.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
Man forgives woman anything save the wit to outwit him.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
To laughter! The bright coinage of the bank of good will.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1901)
A fool bolts pleasure, then complains of moral indigestion.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Allusions (1902)
(Source)
If you cannot be clever, be careful.
Minna Antrim (1861-1950) American epigrammatist, writer
Naked Truth and Veiled Illusions (1901)
(Source)
At twenty, men love women; at forty, girls; at fifty, themselves.
Minna Antrim (1861-1950) American epigrammatist, writer
Phases, Mazes, and Crazes of Love (1904)
(Source)