Quotations about:
    indolence


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Dear indolent, I love to see,
in your body bright,
How like shimmering silk the skin
Reflects the light!
[…]
When you walk in rhythm, lovely
With abandonment,
You seem to be swayed by a wand,
A dancing serpent.

Que j’aime voir, chère indolente,
De ton corps si beau,
Comme une étoffe vacillante,
Miroiter la peau!
[…]
À te voir marcher en cadence,
Belle d’abandon,
On dirait un serpent qui danse
Au bout d’un bâton.

Charles Baudelaire
Charles Baudelaire (1821-1867) French poet, essayist, art critic
Les Fleurs du Mal [The Flowers of Evil], Part 1, #29 “Le Serpent qui danse [The Dancing Serpent],” st. 1, 5 (1857) [tr. Gibbs (1947)]
    (Source)

These phrases use very similar imagery to the previous poem in the collection. (Source (French)). Alternate translations:

I love to watch, while you are lazing,
Your skin. It iridesces
Like silk or satin, smoothly-glazing
The light that it caresses.
[...]
To see you rhythmically advancing
Seems to my fancy fond
As if it were a serpent dancing
Waved by the charmer’s wand.
[tr. Campbell (1952), #28 "The Snake That Dances"]

Indolent darling, how I love
To see the skin
Of your body so beautiful
Shimmer like silk!
[...]
To see you walking in cadence
With fine abandon,
One would say a snake which dances
On the end of a staff.
[tr. Aggeler (1954) "The Dancing Serpent"]

Indolent love, with what delight
I watch the tawny flesh
Of your sweet body shimmer bright
As a bright silken mesh.
[...]
Your sinuous cadenced walk enhancing
Your slim proud gait, a frond
Swaying, you are, or a snake dancing
Atop a fakir's wand.
[tr. LeClercq (1958) "Dancing Serpent"]

How I love to watch, dear indolent creature,
The skin of your so
Beautiful body glisten, like some
Quivering material!
[...]
Seeing your harmonious walk,
Abandoned beauty,
One would say a snake was dancing
At the end of a stick.
[tr. Wagner (1974) "The Dancing Serpent"]

Dear indolent! I love to see
with every move you make
the iridescence of your skin
gleam like watered silk.
[...]
And when you walk to cadences
of sinuous nonchalance,
it looks as if a serpent danced
in rhythm to a wand.
[tr. Howard (1982) "As If A Serpent Danced"]

How I adore, dear indolent,
Your lovely body, when
Like silken cloth it shimmers --
Your sleek and glimmering skin!
[...]
Viewing the rhythm of your walk,
Beautifully dissolute,
One seems to see a serpent dance
Before a wand and flute.
[tr. McGowan (1993), "The Dancing Serpent"]

How love to look, dear indolent one, at your beautiful body and see, like a shot silk, the changing gleam of your skin! [...]
Seeing your rhythmic walk, beautiful in its abandon, one thinks of a serpent dancing at the head of a stick.
[tr. Clark (1995), #18 "The Dancing Serpent"]

How I love, dear lazybones, to see how the skin of your beautiful body sparkles like cloth billowing [...]
To see you walk in cadence, fair unconstrained, brings to mind a serpent dancing at the prodding of a stick.
[tr. Waldrop (2006), "Dancing Serpent"]

 
Added on 10-Feb-22 | Last updated 10-Feb-22
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I divide my officers into four classes: the clever, the lazy, the industrious, and the stupid. Each officer possesses at least two of these qualities. Those who are clever and industrious are fitted for the highest staff appointments. Use can be made of those who are stupid and lazy. The man who is clever and lazy however is for the very highest command; he has the temperament and nerves to deal with all situations. But whoever is stupid and industrious is a menace and must be removed immediately!

Kurt von Hammerstein-Equord (1878-1943) German general
(Attributed)

Possibly apocryphal. Quoted (unconfirmed) in Horst Poller, Bewältigte Vergangenheit. Das 20. Jahrhundert, erlebt, erlitten, gestaltet [Conquered Past. The 20th century, witnessed, endured, shaped] (2010). Sometimes cited to Truppenführung [Troop Leading] (1933), the German Army Field Manual, but not found there. Also attributed to Erich von Manstein.
 
Added on 4-May-20 | Last updated 4-May-20
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Indolence is a delightful but distressing state; we must be doing something to be happy. Action is no less necessary than thought to the instinctive tendencies of the human frame.

William Hazlitt (1778-1830) English writer
Table Talk, “On the Pleasure of Painting” (1821-22)
 
Added on 29-Jun-15 | Last updated 24-Jun-15
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