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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Shirley, James -- Contention of Ajax and Ulysses for Achilles&#8217;s Armour, sc. 3, st. 1 (1659)</title>
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		<pubDate>Mon, 16 Mar 2026 16:49:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[The glories of our blood and state Are shadows, not substantial things; There is no armour against fate; Death lays his icy hand on kings: Scepter and crown Must tumble down, And, in the dust, be equal made With the poor crooked scythe and spade. Sung by Calchas over the body of Ajax. The poem [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The glories of our blood and state<br />
<span class="tab">Are shadows, not substantial things;<br />
There is no armour against fate;<br />
<span class="tab">Death lays his icy hand on kings:<br />
<span class="tab"><span class="tab">Scepter and crown<br />
<span class="tab"><span class="tab">Must tumble down,<br />
And, in the dust, be equal made<br />
With the poor crooked scythe and spade.</span></span></span></span></span></span></p>
<br><b>James Shirley</b> (1596–1666) English poet, playwright<br><i>Contention of Ajax and Ulysses for Achilles&#8217;s Armour</i>, sc. 3, st. 1 (1659) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Dramatic_Works_and_Poems_of_James_Sh/nMwdkZhFDQYC?hl=en&gbpv=1&bsq=%22blood%20and%20state%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Sung by Calchas over the body of Ajax.<br><br>

The poem was eventually set to music by Edward Coleman.  It was said to be <a href="https://www.gutenberg.org/files/45939/45939-h/45939-h.htm#:~:text=have%20been%20a-,favourite%20song,-with%20K.%20Charles">a favorite of England's King Charles II</a>, perhaps because it was said by some to have <a href="https://www.google.com/books/edition/Hoyt_s_New_Cyclopedia_of_Practical_Quota/JvJIAAAAYAAJ?hl=en&gbpv=1&bsq=%22terrified%20cromwell%22">terrified Oliver Cromwell</a>.<br><br>

Titled as "Death's Final Conquest" in Thomas Percy, <i>Reliques of Ancient English Poetry</i>, Book 3, No. 2 (1885).  There <a href="https://www.gutenberg.org/files/45939/45939-h/45939-h.htm#:~:text=The%20glories%20of%20our%20birth%20and%20state">the first line is given</a> as "birth and state."						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Shirley, James -- Poem (1639), &#8220;Fatum Supremum,&#8221; Facetiae: Wits Recreations, Epigram 170 (1640)</title>
		<link>https://wist.info/shirley-james/82604/</link>
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		<pubDate>Mon, 09 Mar 2026 18:15:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[All buildings are but monuments of death, All clothes but winding-sheets for our last knell, All dainty fattings for the worms beneath, All curious musique, but our passing bell; Thus death is nobly waited on, for why? All that we have is but death&#8217;s livery. The piece is also known as &#8220;The Passing Bell.&#8221; The [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>All buildings are but monuments of death,<br />
All clothes but winding-sheets for our last knell,<br />
All dainty fattings for the worms beneath,<br />
All curious musique, but our passing bell;<br />
<span class="tab">Thus death is nobly waited on, for why?<br />
<span class="tab">All that we have is but death&#8217;s livery.</span></span></p>
<br><b>James Shirley</b> (1596–1666) English poet, playwright<br>Poem (1639), <i>&#8220;Fatum Supremum,&#8221; Facetiae: Wits Recreations</i>, Epigram 170 (1640) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Musarum_Deliciae/4TEJAAAAQAAJ?hl=en&gbpv=1&dq=%22dainty+fattings+for+the+worms%22&pg=PA64&printsec=frontcover" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The piece is also known as "The Passing Bell." The connection of this epigram to Shirley seems faint; he is labeled (probably) as <a href="https://www.google.com/books/edition/Musarum_Deliciae/4TEJAAAAQAAJ?hl=en&gbpv=1&bsq=%22ja:%20s%201656%22">a co-author</a> of another part of this book (with John Mennes the clear lead author of the collection).  However, he was labeled as the author in the influential 19th Century <a href="https://www.google.com/books/edition/The_Cyclop%C3%A6dia_of_Practical_Quotations/fkMBXg3KKDUC?hl=en&gbpv=1&dq=%22dainty+fattings+for+the+worms%22+hoyt&pg=PA85&printsec=frontcover">Hoyt, <i>Cyclopædia of Practical Quotations</a>, English and Latin</i> (1882), and the attribution was picked up and carried on from there in other books of quotations. Hoyt, in turn, may have cross-attributed a reference to Shirley in <a href="https://www.google.com/books/edition/The_Epigrammatists/n7o4AQAAMAAJ?hl=en&gbpv=1&dq=%22dainty+fattings+for+the+worms%22&pg=PA222&printsec=frontcover">Dodd, <i>The Epigrammatists</i></a> (1870). 

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