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	<title>WIST Quotations</title>
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		<title>Wilbur, Richard -- &#8220;Some Opposites,&#8221; Opposites (1973)</title>
		<link>https://wist.info/wilbur-richard/54926/</link>
		<comments>https://wist.info/wilbur-richard/54926/#respond</comments>
		<pubDate>Thu, 21 Jul 2022 17:30:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilbur, Richard]]></category>
		<category><![CDATA[alone]]></category>
		<category><![CDATA[couple]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[relationship]]></category>
		<category><![CDATA[separation]]></category>
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		<description><![CDATA[What is the opposite of two? A lonely me, a lonely you.]]></description>
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			<content:encoded><![CDATA[<p>What is the opposite of <i>two? </i><br />
<i>A lonely me, a lonely you.</i></p>
<br><b>Richard Wilbur</b> (1921-2017) American poet, literary translator<br>&#8220;Some Opposites,&#8221; <i>Opposites</i> (1973) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Oxford_Book_of_Children_s_Verse_in_A/B2N2CAAAQBAJ?hl=en&gbpv=1&dq=richard+wilbur+%22opposite+of+two%22&pg=PA271&printsec=frontcover" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Wilbur, Richard -- &#8220;The Bottles Become New, Too&#8221; (1953), Responses: Prose Pieces, 1953-1976 (1976)</title>
		<link>https://wist.info/wilbur-richard/55208/</link>
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		<pubDate>Thu, 04 Aug 2022 16:12:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilbur, Richard]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means. Originally published in Quarterly Review of Literature, Vol. 7, No. 3 (1953).]]></description>
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			<content:encoded><![CDATA[<p>The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.</p>
<br><b>Richard Wilbur</b> (1921-2017) American poet, literary translator<br>&#8220;The Bottles Become New, Too&#8221; (1953), <i>Responses: Prose Pieces, 1953-1976</i> (1976) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/responsesprosepi0000wilb_s8l0/mode/2up?q=%22indirect+means%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Originally published in <em>Quarterly Review of Literature</em>, Vol. 7, No. 3 (1953).

						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Wilbur, Richard -- &#8220;Walking to Sleep&#8221; (1967)</title>
		<link>https://wist.info/wilbur-richard/53699/</link>
		<comments>https://wist.info/wilbur-richard/53699/#respond</comments>
		<pubDate>Tue, 21 Jun 2022 19:37:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilbur, Richard]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[passion]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[self-control]]></category>

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		<description><![CDATA[Try to remember this: what you project Is what you will perceive; what you perceive With any passion, be it love or terror, May take on whims and powers of its own. Published in The New Yorker (23 Dec 1967).]]></description>
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			<content:encoded><![CDATA[<p>Try to remember this: what you project<br />
Is what you will perceive; what you perceive<br />
With any passion, be it love or terror,<br />
May take on whims and powers of its own.</p>
<br><b>Richard Wilbur</b> (1921-2017) American poet, literary translator<br>&#8220;Walking to Sleep&#8221; (1967) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.brinkerhoffpoetry.org/poems/walking-to-sleep#:~:text=Try%20to%20remember%20this%3A%20what%20you%20project%0AIs%20what%20you%20will%20perceive%3B%20what%20you%20perceive%0AWith%20any%20passion%2C%20be%20it%20love%20or%20terror%2C%0AMay%20take%20on%20whims%20and%20powers%20of%20its%20own." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://www.newyorker.com/magazine/1967/12/23/walking-to-sleep">Published</a> in <>The New Yorker</i> (23 Dec 1967).						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Wilbur, Richard -- Acceptance Speech, National Book Award (1957)</title>
		<link>https://wist.info/wilbur-richard/55478/</link>
		<comments>https://wist.info/wilbur-richard/55478/#respond</comments>
		<pubDate>Tue, 16 Aug 2022 16:30:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilbur, Richard]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[artistry]]></category>
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		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">https://wist.info/?p=55478</guid>
		<description><![CDATA[When a poet is being a poet &#8212; that is, when he is writing or thinking about writing &#8212; he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>When a poet is being a poet &#8212; that is, when he is writing or thinking about writing &#8212; he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.</p>
<br><b>Richard Wilbur</b> (1921-2017) American poet, literary translator<br>Acceptance Speech, National Book Award (1957) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Wilbur, Richard -- Acceptance Speech, National Book Award (1957)</title>
		<link>https://wist.info/wilbur-richard/56300/</link>
		<comments>https://wist.info/wilbur-richard/56300/#respond</comments>
		<pubDate>Thu, 29 Sep 2022 15:41:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilbur, Richard]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[poet]]></category>
		<category><![CDATA[poetry]]></category>
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		<description><![CDATA[It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men. And he speaks not in private grunts and mutterings but in the public language of the dictionary, of literary tradition, and of the street. Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product&#8217;s something that, though it may not be for everybody, is about everybody.</p>
<br><b>Richard Wilbur</b> (1921-2017) American poet, literary translator<br>Acceptance Speech, National Book Award (1957) 
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