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		<title>Doyle, Arthur Conan -- Story (1890-02), &#8220;The Sign of the Four,&#8221; ch.  1 [Holmes], Lippincott&#8217;s Monthly Magazine, Vol. 45 (US) / 1 (UK)</title>
		<link>https://wist.info/doyle-arthur-conan/83762/</link>
		<comments>https://wist.info/doyle-arthur-conan/83762/#respond</comments>
		<pubDate>Thu, 30 Apr 2026 21:11:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Doyle, Arthur Conan]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[brainwork]]></category>
		<category><![CDATA[cogitation]]></category>
		<category><![CDATA[commonplace]]></category>
		<category><![CDATA[intellect]]></category>
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		<description><![CDATA[I cannot live without brain-work. What else is there to live for? Stand at the window here. Was ever such a dreary, dismal, unprofitable world? See how the yellow fog swirls down the street and drifts across the dun-coloured houses. What could be more hopelessly prosaic and material? What is the use of having powers, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I cannot live without brain-work. What else is there to live for? Stand at the window here. Was ever such a dreary, dismal, unprofitable world? See how the yellow fog swirls down the street and drifts across the dun-coloured houses. What could be more hopelessly prosaic and material? What is the use of having powers, doctor, when one has no field upon which to exert them? Crime is commonplace, existence is commonplace, and no qualities save those which are commonplace have any function upon earth. </p>
<br><b>Arthur Conan Doyle</b> (1859-1930) British writer and physician<br>Story (1890-02), &#8220;The Sign of the Four,&#8221; ch.  1 [Holmes], <i>Lippincott&#8217;s Monthly Magazine</i>, Vol. 45 (US) / 1 (UK) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=uc1.b5213365&seq=176&q1=%22cannot+live+without%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The <a href="https://www.arthur-conan-doyle.com/wiki/Lippincott%27s_Monthly_Magazine">original publication</a>, and <a href="https://www.arthur-conan-doyle.com/wiki/The_Sign_of_Four#Manuscript">Doyle's manuscript</a> (along with many other iterations across media) use "The Sign of <i>the</i> Four" as the title, while others (including the first book publications) use "The Sign of Four."  The five-word form is used most commonly in the story, but the four-word form does show up. (<a href="https://en.wikipedia.org/wiki/The_Sign_of_the_Four#cite_ref-redmond14_1-1:~:text=Different%20editions%20over,of%20the%20story.">More info</a>.)<br><br>

<a href="https://www.arthur-conan-doyle.com/wiki/The_Sign_of_Four#:~:text=I%20cannot%20live,function%20upon%20earth.">Published in novel form</a> as <a href="https://www.arthur-conan-doyle.com/wiki/Spencer_Blackett"><i>The Sign of Four</i> (1890-10)</a>.						</span>
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		<title>Johnson, Samuel -- Essay (1753-11-27), The Adventurer, No. 111</title>
		<link>https://wist.info/johnson-samuel/81032/</link>
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		<pubDate>Fri, 26 Dec 2025 23:41:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Johnson, Samuel]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[ennui]]></category>
		<category><![CDATA[estate]]></category>
		<category><![CDATA[inheritance]]></category>
		<category><![CDATA[licentiousness]]></category>
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		<description><![CDATA[When we observe the lives of those whom an ample inheritance has let loose to their own direction, what do we discover that can excite our envy? Their time seems not to pass with much applause from others, or satisfaction to themselves: many squander their exuberance of fortune in luxury and debauchery, and have no [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When we observe the lives of those whom an ample inheritance has let loose to their own direction, what do we discover that can excite our envy? Their time seems not to pass with much applause from others, or satisfaction to themselves: many squander their exuberance of fortune in luxury and debauchery, and have no other use of money than to inflame their passions, and riot in a wide range of licentiousness; others, less criminal indeed, but surely not much to be praised, lie down to sleep, and rise up to trifle, are employed every morning in finding expedients to rid themselves of the day, chase pleasure through all the places of publick resort, fly from London to Bath, and from Bath to London, without any other reason for changing place, but that they go in quest of company as idle and as vagrant as themselves, always endeavouring to raise some new desire, that they may have something to pursue, to rekindle some hope which they know will be disappointed, changing one amusement for another which a few months will make equally insipid, or sinking into languor and disease for want of something to actuate their bodies or exhilarate their minds.</p>
<br><b>Samuel Johnson</b> (1709-1784) English writer, lexicographer, critic<br>Essay (1753-11-27), <i>The Adventurer</i>, No. 111 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/12050/pg12050-images.html#:~:text=When%20we%20observe,exhilarate%20their%20minds." target="_blank">Source</a>)
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		<title>Milne, A. A. -- Winnie-the-Pooh, ch.  8 &#8220;Christopher Robin Leads an Expotition&#8221; (1926)</title>
		<link>https://wist.info/milne-a-a/80986/</link>
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		<pubDate>Tue, 23 Dec 2025 19:48:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Milne, A. A.]]></category>
		<category><![CDATA[anecdote]]></category>
		<category><![CDATA[blather]]></category>
		<category><![CDATA[bore]]></category>
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		<category><![CDATA[conversation]]></category>
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		<category><![CDATA[long words]]></category>
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		<description><![CDATA[Owl was telling Kanga an Interesting Anecdote full of long words like Encyclopædia and Rhododendron to which Kanga wasn&#8217;t listening.]]></description>
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			<content:encoded><![CDATA[<p>Owl was telling Kanga an Interesting Anecdote full of long words like Encyclopædia and Rhododendron to which Kanga wasn&#8217;t listening.</p>
<br><b>A. A. Milne</b> (1882-1956) English poet and playwright [Alan Alexander Milne]<br><i>Winnie-the-Pooh</i>, ch.  8 &#8220;Christopher Robin Leads an Expotition&#8221; (1926) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/67098/pg67098-images.html#:~:text=Owl%20was%20telling%20Kanga%20an%20Interesting%20Anecdote%20full%20of%20long%20words%20like%20Encyclop%C3%83%C2%A6dia%20and%20Rhododendron%20to%20which%20Kanga%20wasn%27t%20listening." target="_blank">Source</a>)
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		<title>Russell, Bertrand -- Conquest of Happiness, Part 2, ch. 14 &#8220;Work&#8221; (1930)</title>
		<link>https://wist.info/russell-bertrand/80830/</link>
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		<pubDate>Wed, 17 Dec 2025 17:45:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[Work, therefore, is desirable, first and foremost, as a preventive of boredom, for the boredom that a man feels when he is doing necessary though uninteresting work is as nothing in comparison with the boredom that he feels when he has nothing to do with his days.]]></description>
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			<content:encoded><![CDATA[<p>Work, therefore, is desirable, first and foremost, as a preventive of boredom, for the boredom that a man feels when he is doing necessary though uninteresting work is as nothing in comparison with the boredom that he feels when he has nothing to do with his days.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br><i>Conquest of Happiness</i>, Part 2, ch. 14 &#8220;Work&#8221; (1930) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.222834/page/n13/mode/2up?q=%22work+therefore+is+desirable%22" target="_blank">Source</a>)
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		<title>McLaughlin, Mignon -- The Second Neurotic&#8217;s Notebook, ch.  4 (1966)</title>
		<link>https://wist.info/mclaughlin-mignon/80697/</link>
		<comments>https://wist.info/mclaughlin-mignon/80697/#respond</comments>
		<pubDate>Mon, 08 Dec 2025 21:35:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McLaughlin, Mignon]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[chaos]]></category>
		<category><![CDATA[highs and lows]]></category>
		<category><![CDATA[humdrum]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[living]]></category>
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		<description><![CDATA[There&#8217;s no such thing as a humdrum life; to the person living it, it&#8217;s all peaks and abysses.]]></description>
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			<content:encoded><![CDATA[<p>There&#8217;s no such thing as a humdrum life; to the person living it, it&#8217;s all peaks and abysses.</p>
<br><b>Mignon McLaughlin</b> (1913-1983) American journalist and author<br><i>The Second Neurotic&#8217;s Notebook</i>, ch.  4 (1966) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/secondneuroticsn00mcla/page/40/mode/2up?q=abysses" target="_blank">Source</a>)
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		<title>Montesquieu -- Pensées Diverses [Assorted Thoughts], # 1632 / 1143 (1720-1755) [ed. Guterman (1963)]</title>
		<link>https://wist.info/montesquieu/78314/</link>
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		<pubDate>Mon, 11 Aug 2025 21:31:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Montesquieu]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[delight]]></category>
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		<category><![CDATA[reading]]></category>

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		<description><![CDATA[To delight in reading is to trade life&#8217;s dreary moments for moments of pure joy. [Aimer à lire, c&#8217;est faire un échange des heures d&#8217;ennui que l&#8217;lon doit avoir en sa vie contre des heures délicieuses.] (Source (French)). Other translations: A fondness for reading changes the inevitable dull hours of our life into exquisite hours [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>To delight in reading is to trade life&#8217;s dreary moments for moments of pure joy.</p>
<p><em>[Aimer à lire, c&#8217;est faire un échange des heures d&#8217;ennui que l&#8217;lon doit avoir en sa vie contre des heures délicieuses.]</em></p>
<p><a href="https://wist.info/wp/wp-content/uploads/2025/08/montesquieu-to-delight-in-reading-is-to-trade-life-s-dreary-moments-for-moments-of-pure-joy-wist-info-quote.png"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2025/08/montesquieu-to-delight-in-reading-is-to-trade-life-s-dreary-moments-for-moments-of-pure-joy-wist-info-quote.png" alt="Montesquieu - To delight in reading is to trade life s dreary moments for moments of pure joy - wist.info quote" title="Montesquieu - To delight in reading is to trade life s dreary moments for moments of pure joy - wist.info quote" width="800" height="450" class="aligncenter size-full wp-image-78315" srcset="https://wist.info/wp/wp-content/uploads/2025/08/montesquieu-to-delight-in-reading-is-to-trade-life-s-dreary-moments-for-moments-of-pure-joy-wist-info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2025/08/montesquieu-to-delight-in-reading-is-to-trade-life-s-dreary-moments-for-moments-of-pure-joy-wist-info-quote-300x169.png 300w, https://wist.info/wp/wp-content/uploads/2025/08/montesquieu-to-delight-in-reading-is-to-trade-life-s-dreary-moments-for-moments-of-pure-joy-wist-info-quote-768x432.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Charles-Lewis de Secondat, Baron de Montesquieu</b> (1689-1755) French political philosopher<br><i>Pensées Diverses [Assorted Thoughts]</i>, # 1632 / 1143 (1720-1755) [ed. Guterman (1963)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/anchorbookoffren00gute/page/178/mode/2up?q=%22delight+in+reading%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Pens%C3%A9es_et_Fragments_in%C3%A9dits_de_Montesquieu/VI#:~:text=Aimer%20%C3%A0%20lire%2C%20c%E2%80%99est%20faire%20un%20%C3%A9change%20des%20heures%20d%E2%80%99ennui%20que%20l%E2%80%99on%20doit%20avoir%20en%20sa%20vie%2C%20contre%20des%20heures%20d%C3%A9licieuses.">Source (French)</a>). Other translations:<br><br>

<blockquote>A fondness for reading changes the inevitable dull hours of our life into exquisite hours of delight.<br>
[<a href="https://www.google.com/books/edition/A_New_Dictionary_of_Foreign_Phrases_and/WWUUAAAAYAAJ?hl=en&gbpv=1&dq=%22fondness+for+reading+changes%22&pg=PA186&printsec=frontcover">E.g.</a> (1900)]</blockquote><br>

<blockquote>To love to read is to exchange hours of ennui for hours of delight.<br>
[<a href="https://www.google.com/books/edition/The_Scottish_Educational_Journal/9IrKJnxDrysC?hl=en&gbpv=1&bsq=montesquieu+%22exchange+hours+of+ennui%22&dq=montesquieu+%22exchange+hours+of+ennui%22&printsec=frontcover">E.g.</a> (1936)]</blockquote><br>

<blockquote>To love to read is to make an exchange of the inevitable hours of boredom in one's life, for some delightful hours.<br>
[tr. <a href="https://archive.org/details/mythoughts0000mont/page/474/mode/1up?q=%22%5B1632%5D+To+love%22">Clark</a> (2012)]</blockquote><br>
						</span>
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		<title>Franklin, Benjamin -- Poor Richard (1740 ed.)</title>
		<link>https://wist.info/franklin-benjamin/76844/</link>
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		<pubDate>Thu, 12 Jun 2025 15:05:21 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Franklin, Benjamin]]></category>
		<category><![CDATA[age]]></category>
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		<description><![CDATA[Happy that nation, fortunate that age, whose history is not diverting.]]></description>
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			<content:encoded><![CDATA[<p>Happy that nation, fortunate that age, whose history is not diverting.</p>
<br><b>Benjamin Franklin</b> (1706-1790) American statesman, scientist, philosopher, aphorist<br><i>Poor Richard</i> (1740 ed.) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://founders.archives.gov/documents/Franklin/01-02-02-0053#:~:text=Happy%20that%20nation%2C%20fortunate%20that%20age%2C%20whose%20history%20is%20not%20diverting." target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Russell, Bertrand -- Conquest of Happiness, Part 1, ch.  2 &#8220;Byronic Unhappiness&#8221; (1930)</title>
		<link>https://wist.info/russell-bertrand/76408/</link>
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		<pubDate>Wed, 30 Apr 2025 16:31:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
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		<description><![CDATA[If one lived for ever the joys of life would inevitably in the end lose their savour. As it is, they remain perennially fresh.]]></description>
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			<content:encoded><![CDATA[<p>If one lived for ever the joys of life would inevitably in the end lose their savour. As it is, they remain perennially fresh.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br><i>Conquest of Happiness</i>, Part 1, ch.  2 &#8220;Byronic Unhappiness&#8221; (1930) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.222834/page/n35/mode/2up?q=%22joys+of+life+would%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Wilcox, Ella Wheeler -- Poem (1879), &#8220;Advice,&#8221; st.  4, Maurine and Other Poems (1882 ed.)</title>
		<link>https://wist.info/wilcox-ella-wheeler/76128/</link>
		<comments>https://wist.info/wilcox-ella-wheeler/76128/#respond</comments>
		<pubDate>Wed, 09 Apr 2025 16:37:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilcox, Ella Wheeler]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[destination]]></category>
		<category><![CDATA[dullness]]></category>
		<category><![CDATA[homogeneity]]></category>
		<category><![CDATA[lifetime]]></category>
		<category><![CDATA[living]]></category>
		<category><![CDATA[orthodoxy]]></category>
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		<description><![CDATA[’T were a dull old world, methinks, my friend, If we all just went one way; Yet our paths will meet no doubt at the end, Though they lead apart today.]]></description>
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			<content:encoded><![CDATA[<p>’T were a dull old world, methinks, my friend,<br />
<span class="tab">If we all just went one way;<br />
Yet our paths will meet no doubt at the end,<br />
<span class="tab">Though they lead apart today.</p>
<br><b>Ella Wheeler Wilcox</b> (1850-1919) American author, poet, temperance advocate, spiritualist<br>Poem (1879), &#8220;Advice,&#8221; st.  4, <i>Maurine and Other Poems</i> (1882 ed.) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/maurineotherpoem01wilc/mode/2up?q=%22dull+old+world%2C+methinks%22" target="_blank">Source</a>)
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		<title>Montaigne, Michel de -- Essays, Book 1, ch.  8 (1.8), &#8220;Of Idleness [De l’Oisiveté]&#8221; (1572) [tr. Screech (1987)]</title>
		<link>https://wist.info/montaigne-michel-de/74577/</link>
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		<pubDate>Thu, 06 Feb 2025 00:49:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Montaigne, Michel de]]></category>
		<category><![CDATA[agitation]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[concentration]]></category>
		<category><![CDATA[fancy]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[idleness]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[madness]]></category>
		<category><![CDATA[raving]]></category>
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		<description><![CDATA[So too with our minds. If we do not keep them busy with some particular subject which can serve as a bridle to rein them in, they charge ungovernably about, ranging to and fro over the wastelands of our thoughts. Then, there is no madness, no raving lunacy, which such agitations do not bring forth. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>So too with our minds. If we do not keep them busy with some particular subject which can serve as a bridle to rein them in, they charge ungovernably about, ranging to and fro over the wastelands of our thoughts. Then, there is no madness, no raving lunacy, which such agitations do not bring forth.</p>
<p><em>[Ainsi est-il des esprits, si on ne les occupe à certain sujet, qui les bride &#038; contraigne, ils se jettent desreglez, par-ci par là, dans le vague champ des imaginations. Et n’est follie ny réverie, qu’ils ne produisent en cette agitation.]</em></p>
<br><b>Michel de Montaigne</b> (1533-1592) French essayist<br><i>Essays</i>, Book 1, ch.  8 (1.8), &#8220;Of Idleness <i>[De l’Oisiveté]&#8221;</i> (1572) [tr. Screech (1987)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/the-complete-essays-montaigne-michel-de-1533-1592/page/n85/mode/2up?q=%22keep+them+busy%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This essay was in the 1st ed. (1595); though the essay was revised for later editions, this text was not. The <em>Essays</em> themselves were begun to cure the melancholy and unrestrained thoughts caused by Montaigne's moving to his country estates, retiring from public life, and isolating himself in the château library for some time. This essay speaks to that experience.<br><br> 

(<a href="https://hyperessays.net/gournay/book/I/chapter/8/#:~:text=ainsi%20est%2Dil,en%20cette%20agitation.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>So is it of minds, which except they be busied about some subject, that may bridle and keepe them under, they will here and there wildely scatter themselves through the vaste field of imaginations. And there is no follie, or extravagant raving, they produce not in that agitation.<br>
[tr. <a href="https://hyperessays.net/florio/book/I/chapter/8/#:~:text=so%20is%20it%20of%20minds%2C%20which%20except%20they%20be%20busied%20about%20some%20subject%2C%20that%20may%20bridle%20and%20keepe%20them%20under%2C%20they%20will%20here%20and%20there%20wildely%20scatter%20themselves%20through%20the%20vaste%20field%20of%20imaginations.">Florio</a> (1603)]</blockquote><br>

<blockquote>So it is with Wits, which if not applyed to some certain Study that may fix and restrain them, run into a thousand Extravagancies, and are eternally roving here and there in the inextricable Labyrinth of restless Imagination. In which wild and irregular Agitation, there is no Folly, nor idle Fancy they do not light upon.<br>
[tr. <a href="https://hyperessays.net/cotton/book/I/chapter/8/#:~:text=so%20it%20is%20with%20Wits%2C%20which%20if%20not%20applyed%20to%20some%20certain%20Study%20that%20may%20fix%20and%20restrain%20them%2C%20run%20into%20a%20thousand%20Extravagancies%2C%20and%20are%20eternally%20roving%20here%20and%20there%20in%20the%20inextricable%20Labyrinth%20of%20restless%20Imagination">Cotton</a> (1686)] </blockquote><br>

<blockquote>So it is with our minds, which, if not applied to some particular subject to check and restrain them, rove about confusedly in the vague expanse of imagination. In which agitation there is no folly nor idle fancy which they do not create.<br>
[tr. <a href="https://www.google.com/books/edition/Essays_of_Montaigne/TlnCcrHXoYgC?hl=en&gbpv=1&bsq=%22with%20our%20minds%22">Friswell</a> (1868)] </blockquote><br>

<blockquote>So it is with minds, which if not applied to some certain study that may fix and restrain them, run into a thousand extravagances, eternally roving here and there in the vague expanse of the imagination -- in which wild agitation there is no folly, nor idle fancy they do not light upon.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Essays_of_Montaigne/Book_I/Chapter_VIII#:~:text=so%20it%20is%20with%20minds%2C%20which%20if%20not%20applied%20to%0Asome%20certain%20study%20that%20may%20fix%20and%20restrain%20them%2C%20run%20into%20a%20thousand%0Aextravagances%2C%20eternally%20roving%20here%20and%20there%20in%20the%20vague%20expanse%20of%0Athe%20imagination">Cotton/Hazlitt</a> (1877)]</blockquote><br>

<blockquote>So it is with our minds. If we do not apply them to some sort of study that will fix and restrain them, they will drift into a thousand extravagances, and will sternly run here and there in an inextricable labyrinth of restless imagination. In this wild and irregular agitation there is no folly nor idle fancy they do not touch upon. <br>
[tr. <a href="https://www.google.com/books/edition/Montaigne/-4KcAAAAMAAJ?hl=en&gbpv=1&bsq=agitation">Rector</a> (1899)]</blockquote><br>

<blockquote>So it is with our minds: if we do not keep them occupied with a distinct subject, which curbs and restrains them, they run aimlessly to and fro, in the undefined field of imagination.  And there is no folly or fantasy to which they do not give birth in this agitation.<br>
[tr. <a href="https://www.google.com/books/edition/Book_I/Myt1MG8XBqYC?hl=en&gbpv=1&bsq=%22with%20our%20minds%22">Ives</a> (1925)]</blockquote><br>

<blockquote>So it is with minds. Unless you keep them busy with some definite subject that will bridle and control them, they throw themselves in disorder hither and yon in the vague field of imagination. And there is no mad or idle fancy that they do not bring forth in this agitation.<br>
[tr. <a href="https://archive.org/details/completeworksofm0000mont/page/20/mode/2up?q=%22so+it+is+with+minds%22">Frame</a> (1943)] </blockquote><br>

<blockquote>So it is with our minds. If we do not occupy them with some definite subject which curbs and restrains them, they rush wildly to and fro in the ill-defined field of the imagination. And there is no folly or fantasy that they will not produce in this restless state.<br>
[tr. <a href="https://archive.org/details/isbn_9780140178975/page/26/mode/2up?q=%22so+it+is+with+our+minds%22">Cohen</a> (1958)]</blockquote><br>

<blockquote>If [minds] have no object to busy themselves with, something to check and restrain them, they will run free and ramble through the open field of their imagination. And in this state of excitement, minds will come up with all kinds of foolishness and fantasies. <br>
[tr. <a href="https://hyperessays.net/essays/on-idleness/#:~:text=If%20they%20have%20no%20object%20to%20busy%20themselves%20with%2C%20something%20to%20check%20and%20restrain%20them%2C%20they%20will%20run%20free%20and%20ramble%20through%20the%20open%20field%20of%20their%20imagination.">HyperEssays</a> (2025)] </blockquote><br>
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		<title>Nietzsche, Friedrich -- The Gay Science [Die fröhliche Wissenschaft], Book 1, §  14 (1882) [tr. Kaufmann (1974)]</title>
		<link>https://wist.info/nietzsche-friedrich/72055/</link>
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		<pubDate>Thu, 05 Sep 2024 22:34:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Nietzsche, Friedrich]]></category>
		<category><![CDATA[avarice]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[familiarity]]></category>
		<category><![CDATA[greed]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[novelty]]></category>
		<category><![CDATA[possession]]></category>
		<category><![CDATA[scenery]]></category>
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		<description><![CDATA[Gradually we become tired of the old, of what we safely possess, and we stretch out our hands again. Even the most beautiful scenery is no longer assured of our love after we have lived in it for three months, and some more distant coast attracts our avarice: possessions are generally diminished by possession. &#160; [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Gradually we become tired of the old, of what we safely possess, and we stretch out our hands again. Even the most beautiful scenery is no longer assured of our love after we have lived in it for three months, and some more distant coast attracts our avarice: possessions are generally diminished by possession.<br />
&nbsp;<br />
<em>[Wir werden des Alten, sicher Besessenen allmählich überdrüssig und strecken die Hände wieder aus; selbst die schönste Landschaft, in der wir drei Monate leben, ist unserer Liebe nicht mehr gewiss, und irgend eine fernere Küste reizt unsere Habsucht an: der Besitz wird durch das Besitzen zumeist geringer.]</em></p>
<br><b>Friedrich Nietzsche</b> (1844-1900) German philosopher and poet<br><i>The Gay Science [Die fröhliche Wissenschaft]</i>, Book 1, §  14 (1882) [tr. Kaufmann (1974)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/gaysciencewithpr0000niet/page/88/mode/2up?q=months" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Also known as <i>La Gaya Scienza</i>, <i>The Joyful Wisdom</i>, or <i>The Joyous Science</i>.<br><br>

(<a href="https://archive.org/details/bub_gb_LNEuAAAAYAAJ/page/n53/mode/2up?q=%22sicher+Besessenen+allm%C3%A4hlich%22">Source (German)</a>). Alternate translations:<br><br>

<blockquote>We gradually become satiated with the old, the securely possessed, and again stretch out our hands; even the finest landscape in which we live for three months is no longer certain of our love, and any kind of more distant coast excites our covetousness: the possession for the most part becomes smaller through possessing.<br>
[tr. <a href="https://gutenberg.org/cache/epub/52881/pg52881-images.html#:~:text=We%20gradually%20become,smaller%20through%20possessing.">Common</a> (1911)]</blockquote><br>

<blockquote>We slowly grow tired of the old, of what we safely possess, and we stretch our our hands again; even the most beautiful landscape is no longer sure of our love after we have lived in it for three months, and some more distant coast excites our greed: possession usually diminishes the possession.<br>
[tr. <a href="https://www.google.com/books/edition/Nietzsche_The_Gay_Science/Vf8KETLiKXMC?hl=en&gbpv=1&bsq=%22three%20months%22">Nauckhoff</a> (2001)]</blockquote><br>

<blockquote>We gradually grow weary of the old, familiar things we securely hold, and again stretch forth our hands; even the most beautiful landscape lived in for three months is no longer assured of our love, and some more distant shore excites our avarice: what is had loses much in the having.<br>
[tr. <a href="https://www.google.com/books/edition/The_Joyous_Science/hn5bDwAAQBAJ?hl=en&gbpv=1&bsq=gradually%20%22three%20months%22">Hill</a> (2018)]</blockquote><br>
						</span>
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		<title>Billings, Josh -- Everybody&#8217;s Friend, Or; Josh Billing&#8217;s Encyclopedia and Proverbial Philosophy of Wit and Humor, ch. 155 &#8220;Affurisms: Ink Lings&#8221; (1874)</title>
		<link>https://wist.info/billings-josh/72047/</link>
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		<pubDate>Thu, 05 Sep 2024 21:44:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Billings, Josh]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[get tired]]></category>
		<category><![CDATA[novelty]]></category>

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		<description><![CDATA[We all git tired pretty soon looking at a goose standing on one leg.]]></description>
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			<content:encoded><![CDATA[<p>We all git tired pretty soon looking at a goose standing on one leg.</p>
<br><b>Josh Billings</b> (1818-1885) American humorist, aphorist [pseud. of Henry Wheeler Shaw]<br><i>Everybody&#8217;s Friend, Or; Josh Billing&#8217;s Encyclopedia and Proverbial Philosophy of Wit and Humor</i>, ch. 155 &#8220;Affurisms: Ink Lings&#8221; (1874) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Everybody_s_Friend_Or_Josh_Billing_s_Enc/7rA8AAAAYAAJ?hl=en&gbpv=1&bsq=%22we%20all%20git%20tired%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Montesquieu -- Persian Letters [Lettres Persanes], Letter 126, Rica to *** (1721) [tr. Davidson (1891)]</title>
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		<pubDate>Tue, 04 Jun 2024 19:49:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Montesquieu]]></category>
		<category><![CDATA[afterlife]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[eternity]]></category>
		<category><![CDATA[heaven]]></category>
		<category><![CDATA[paradise]]></category>
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		<description><![CDATA[I have seen descriptions of Paradise sufficient to make all sensible people give up their hopes of it: some make the happy shades play incessantly on the flute; others condemn them to the torture of an everlasting promenade; while others, who represent them as dreaming on high of their mistresses below, are of opinion that [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I have seen descriptions of Paradise sufficient to make all sensible people give up their hopes of it: some make the happy shades play incessantly on the flute; others condemn them to the torture of an everlasting promenade; while others, who represent them as dreaming on high of their mistresses below, are of opinion that a period of a hundred millions years is not sufficient to overcome a taste for the pains of love.</p>
<p><em>[J’ai vu des descriptions du paradis, capables d’y faire renoncer tous les gens de bon sens: les uns font jouer sans cesse de la flûte ces ombres heureuses; d’autres les condamnent au supplice de se promener éternellement; d’autres enfin, qui les font rêver là-haut aux maîtresses d’ici-bas, n’ont pas cru que cent millions d’années fussent un terme assez long pour leur ôter le goût de ces inquiétudes amoureuses.]</em></p>
<br><b>Charles-Lewis de Secondat, Baron de Montesquieu</b> (1689-1755) French political philosopher<br><i>Persian Letters [Lettres Persanes]</i>, Letter 126, Rica to *** (1721) [tr. Davidson (1891)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Persian_Letters/Letter_126#:~:text=I%20have%20seen,pains%20of%20love." target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Lettres_persanes/Lettre_126#:~:text=J%E2%80%99ai%20vu%20des,ces%20inqui%C3%A9tudes%20amoureuses.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>I have seen descriptions of paradise capable of disgusting all men of right understanding: some represent the happy shades incessantly playing on the flute: others condemn them to the punishment of eternally walking about: others again will have those above to be always musing on their mistresses here below, not thinking a hundred millions of years term long enough to make them lose the relish of these amorous inquietudes.<br>
[tr. <a href="https://www.google.com/books/edition/Persian_Letters_Translated_by_Mr_Ozell_T/LEZiAAAAcAAJ?gbpv=1&bsq=%22others%20condemn%22">Ozell</a> (1760  ed.), # 123] </blockquote><br>

<blockquote>I have read descriptions of Paradise, capable of disgusting every sensible person. The happy shades, according to the fancy of some, are continually playing on the flute, others condemn them to the punishment of eternally walking about; others in short make  those above to be always raving after their mistresses here below, not thinking a hundred millions of years long enough to make them get quit of their amorous inquietudes.<br>
[tr. <a href="https://archive.org/details/bim_eighteenth-century_persian-letters-by-m-_montesquieu-charles-de-_1762_2/page/72/mode/2up?q=%22Paradi%C5%BFe%2C+capable%22">Floyd</a> (1762), # 125]</blockquote><br>

<blockquote>I have read descriptions of Paradise that would lead all sensible people to renounce it at once: some persons would have the happy shades play eternally on the flute; others condemn them to the torture of a never ending promenade; others who make them dream in heaven of their mistresses on earth, have expressed their belief that even a hundred millions of years would not be long enough to take from them the zest for amatory excitements.<br>
[tr. <a href="https://archive.org/details/persianletters00degoog/page/n280/mode/2up?q=%22read+descriptions+of+Paradise%22">Betts</a> (1897), # 125]</blockquote><br>

<blockquote>I have seen descriptions of paradise that would have made any sensible person reject it. Some would have the joyous shades play incessantly upon the flute; others would condemn them to the torture of an eternal promenade; others, who would have them dream on high of their mistresses down below, have assumed that even in a hundred million years they will not lose their taste for such uneasy affairs.<br>
[tr. <a href="https://archive.org/details/montesquieu-persian-letters-healy/page/210/mode/2up?q=%22descriptions+of+paradise%22">Healy</a> (1964), # 125]</blockquote><br>

<blockquote>I have seen descriptions of paradise that would make any man of sense avid going there. Some say the happy spirits in the afterlife engage in an endless bout of flute playing; others that it is an interminable walking about. Others depict them as endlessly dreaming about their mistresses down here, apparently thinking that a hundred million years is too short a time for us to lose our taste for these amorous adventures.<br>
[tr. <a href="https://www.google.com/books/edition/Persian_Letters/UK5aBAAAQBAJ?gbpv=1&bsq=%22i%20have%20seen%20descriptions%22">MacKenzie</a> (2014)]</blockquote><br>
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		<title>Ebner-Eschenbach, Marie von -- Aphorisms [Aphorismen], No. 283 (1880) [tr. Wister (1883)]</title>
		<link>https://wist.info/von-ebner-eschenbach-marie/68168/</link>
		<comments>https://wist.info/von-ebner-eschenbach-marie/68168/#respond</comments>
		<pubDate>Wed, 27 Mar 2024 15:38:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ebner-Eschenbach, Marie von]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[partner]]></category>

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		<description><![CDATA[It is bad when a married pair bore each other, but far worse when only one of them bores the other. [Es ist schlimm, wenn zwei Eheleute einander langweilen, viel schlimmer jedoch ist es, wenn nur Einer von ihnen den Andern langweilt.] (Source (German)). Alternate translation: It&#8217;s bad enough when married people bore one another; [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It is bad when a married pair bore each other, but far worse when only one of them bores the other.</p>
<p><em>[Es ist schlimm, wenn zwei Eheleute einander langweilen, viel schlimmer jedoch ist es, wenn nur Einer von ihnen den Andern langweilt.]</em></p>
<br><b>Marie von Ebner-Eschenbach</b> (1830-1916) Austrian writer<br><i>Aphorisms [Aphorismen]</i>, No. 283 (1880) [tr. Wister (1883)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Aphorisms/pwEbAAAAYAAJ?q=proof&gbpv=1&bsq=%22bore%20each%20other%22#f=false" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.google.com/books/edition/Aphorismen/oTo9AQAAMAAJ?hl=en&gbpv=1">Source (German)</a>). Alternate translation:<br><br>

<blockquote>It's bad enough when married people bore one another; but it's far worse when only one of them bores the other.<br>
[tr. <a href="https://www.google.com/books/edition/Aphorisms/BeEnAAAAYAAJ?hl=en&gbpv=1&bsq=%22bores%20the%20other%22">Scrase/Mieder</a> (1994)]</blockquote><br>



						</span>
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		<title>Austen, Jane -- Pride and Prejudice, ch. 42 (1813)</title>
		<link>https://wist.info/austen-jane/65627/</link>
		<comments>https://wist.info/austen-jane/65627/#respond</comments>
		<pubDate>Wed, 20 Dec 2023 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Austen, Jane]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[equanimity]]></category>
		<category><![CDATA[pastime]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[resiliency]]></category>

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		<description><![CDATA[Where other powers of entertainment are wanting, the true philosopher will derive benefit from such as are given.]]></description>
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			<content:encoded><![CDATA[<p>Where other powers of entertainment are wanting, the true philosopher will derive benefit from such as are given.</p>
<br><b>Jane Austen</b> (1775-1817) English author<br><i>Pride and Prejudice</i>, ch. 42 (1813) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Pride_and_Prejudice/Chapter_42#:~:text=where%20other%20powers%20of%20entertainment%20are%20wanting%2C%20the%20true%20philosopher%20will%20derive%20benefit%20from%20such%20as%20are%20given." target="_blank">Source</a>)
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		<title>Baudelaire, Charles -- Journaux Intimes [Intimate Journals], &#8220;Mon cœur mis à nu [My Heart Laid Bare],&#8221; §  40 (1864–1867; pub. 1887) [tr. Sieburth (2022)]</title>
		<link>https://wist.info/baudelaire-charles/64599/</link>
		<comments>https://wist.info/baudelaire-charles/64599/#respond</comments>
		<pubDate>Mon, 13 Nov 2023 20:36:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Baudelaire, Charles]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[ennui]]></category>
		<category><![CDATA[keeping busy]]></category>
		<category><![CDATA[occupation]]></category>
		<category><![CDATA[work]]></category>

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		<description><![CDATA[One must work, if not out of inclination, at least out of despair. All things considered, work is far less boring than entertaining oneself. &#160; [Il faut travailler, sinon par goût, au moins par désespoir, puisque, tout bien vérifié, travailler est moins ennuyeux que s&#8217;amuser.] (Source (French)). Alternate translations: One must work, if not from [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>One must work, if not out of inclination, at least out of despair. All things considered, work is far less boring than entertaining oneself.<br />
&nbsp;<br />
<em>[Il faut travailler, sinon par goût, au moins par désespoir, puisque, tout bien vérifié, travailler est moins ennuyeux que s&#8217;amuser.]</em></p>
<br><b>Charles Baudelaire</b> (1821-1867) French poet, essayist, art critic<br><i>Journaux Intimes [Intimate Journals]</i>, <i>&#8220;Mon cœur mis à nu</i> [My Heart Laid Bare],&#8221; §  40 (1864–1867; pub. 1887) [tr. Sieburth (2022)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Late_Fragments/8D5nEAAAQBAJ?hl=en&gbpv=1&bsq=18%20inclination" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Mon_c%C5%93ur_mis_%C3%A0_nu#:~:text=Il%20faut%20travailler%2C%20sinon%20par%20go%C3%BBt%2C%20au%20moins%20par%20d%C3%A9sespoir%2C%20puisque%2C%20tout%20bien%20v%C3%A9rifi%C3%A9%2C%20travailler%20est%20moins%20ennuyeux%20que%20s%E2%80%99amuser.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>One must work, if not from inclination at least from despair, since, as I have fully proved, to work is less wearisome than to amuse oneself.<br>
[tr. <a href="https://archive.org/details/intimatejournals0000char/page/30/mode/2up?q=%22one+must+work%22">Isherwood</a> (1930)]</blockquote><br>

<blockquote>It is necessary to work, if not from inclination, at least from despair. As it turns out, work is less boring than amusing oneself.<br>
[<a href="https://www.google.com/books/edition/Forbes_Book_of_Quotations/h4qDCgAAQBAJ?hl=en&gbpv=1&dq=%22work+is+less+boring+than+amusing%22&pg=PT1688&printsec=frontcover">Source, e.g.</a>]</blockquote><br>

<blockquote>One must work, if not from inclination, at least out of despair -- since it proves, on close examination, that work is less boring than amusing oneself.<br>
[<a href="https://archive.org/details/bookofunusualquo00fles/page/316/mode/2up?q=%22work+is+less+boring+than+amusing%22">Source, e.g.</a>]</blockquote><br>
						</span>
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		<title>Martin, Judith -- &#8220;Miss Manners,&#8221; syndicated column (1982-04-18)</title>
		<link>https://wist.info/martin-judith/62652/</link>
		<comments>https://wist.info/martin-judith/62652/#respond</comments>
		<pubDate>Mon, 21 Aug 2023 17:32:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Judith]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[lunch]]></category>
		<category><![CDATA[luncheon]]></category>
		<category><![CDATA[party]]></category>

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		<description><![CDATA[Traditionally, a luncheon is a lunch that takes an eon. Reprinted in Miss Manners&#8217; Guide for the Turn-of-the-Millennium, Part 6 &#8220;Genuine Social Life,&#8221; &#8220;Social Occasions&#8221; (1989). Often incorrectly attributed to Miss Manners&#8217; Guide to Excruciatingly Correct Behavior (1983).]]></description>
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			<content:encoded><![CDATA[<p>Traditionally, a luncheon is a lunch that takes an eon.</p>
<br><b>Judith Martin</b> (b. 1938) American author, journalist, etiquette expert [a.k.a. Miss Manners]<br>&#8220;Miss Manners,&#8221; syndicated column (1982-04-18) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.washingtonpost.com/archive/lifestyle/style/1982/04/18/notes-from-all-over-lets-have-a-luncheon-sometime/d12ba71a-7bfa-4b86-8414-a061d791cefb/#:~:text=TRADITIONALLY%2C%20a%20luncheon%20is%20a%20lunch%20that%20takes%20an%20eon." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/missmannersguide0000mart_o8x2/page/452/mode/2up?q=%22takes+an+eon%22">Reprinted</a> in <i>Miss Manners' Guide for the Turn-of-the-Millennium</i>, Part 6 "Genuine Social Life," "Social Occasions" (1989). Often incorrectly attributed to <i>Miss Manners' Guide to Excruciatingly Correct Behavior</i> (1983).						</span>
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		<title>Fleming, Ian -- From Russia with Love, Part 2, ch. 11 (1957)</title>
		<link>https://wist.info/fleming-ian/62010/</link>
		<comments>https://wist.info/fleming-ian/62010/#respond</comments>
		<pubDate>Mon, 17 Jul 2023 22:12:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fleming, Ian]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[divine punishment]]></category>
		<category><![CDATA[ennui]]></category>
		<category><![CDATA[gods]]></category>
		<category><![CDATA[self-destruction]]></category>

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		<description><![CDATA[Those whom the Gods wish to destroy, they first make bored. A &#8220;curious bastard quotation&#8221; (variant of a phrase attributed to Euripides) that crosses Bond&#8217;s mind when wondering if ennui is driving him to tank his own career.]]></description>
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			<content:encoded><![CDATA[<p>Those whom the Gods wish to destroy, they first make bored.</p>
<br><b>Ian Fleming</b> (1908-1964) British writer, journalist, intelligence officer<br><i>From Russia with Love</i>, Part 2, ch. 11 (1957) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/fromrussiawithlo0000flem/page/138/mode/2up?q=%22first+make+bored%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

A "curious bastard quotation" (variant of a phrase <a href="https://wist.info/euripides/38254/">attributed to Euripides</a>) that crosses Bond's mind when wondering if ennui is driving him to tank his own career.						</span>
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		<title>Franklin, Benjamin -- Poor Richard (1733)</title>
		<link>https://wist.info/franklin-benjamin/61003/</link>
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		<pubDate>Mon, 05 Jun 2023 17:18:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Franklin, Benjamin]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[company]]></category>
		<category><![CDATA[dalliance]]></category>
		<category><![CDATA[date]]></category>
		<category><![CDATA[enough]]></category>
		<category><![CDATA[guest]]></category>
		<category><![CDATA[hospitality]]></category>
		<category><![CDATA[overstaying]]></category>
		<category><![CDATA[rain]]></category>
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		<category><![CDATA[weariness]]></category>
		<category><![CDATA[weather]]></category>

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		<description><![CDATA[After 3 days men grow weary, of a wench, a guest, and weather rainy. See Plautus.]]></description>
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			<content:encoded><![CDATA[<p>After 3 days men grow weary,<br />
of a wench, a guest, and weather rainy.</p>
<br><b>Benjamin Franklin</b> (1706-1790) American statesman, scientist, philosopher, aphorist<br><i>Poor Richard</i> (1733) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://founders.archives.gov/documents/Franklin/01-01-02-0093#:~:text=After%203%20days%20men%20grow%20weary%2C%20of%20a%20wench%2C%20a%20guest%2C%20and%20weather%20rainy." target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="https://wist.info/plautus/4978/">Plautus</a>.						</span>
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		<title>Shakespeare, William -- Coriolanus, Act 4, sc. 5, l. 244ff (4.5.244-249) (c. 1608)</title>
		<link>https://wist.info/shakespeare-william/57947/</link>
		<comments>https://wist.info/shakespeare-william/57947/#respond</comments>
		<pubDate>Wed, 28 Dec 2022 18:28:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[excitement]]></category>
		<category><![CDATA[peace]]></category>
		<category><![CDATA[war]]></category>

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		<description><![CDATA[FIRST SERVINGMAN: Let me have war, say I. It exceeds peace as far as day does night. It&#8217;s sprightly walking, audible, and full of vent. Peace is a very apoplexy, lethargy; mulled, deaf, sleepy, insensible; a getter of more bastard children than war&#8217;s a destroyer of men.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">FIRST SERVINGMAN: Let me have war, say I. It exceeds peace as far as day does night. It&#8217;s sprightly walking, audible, and full of vent. Peace is a very apoplexy, lethargy; mulled, deaf, sleepy, insensible; a getter of more bastard children than war&#8217;s a destroyer of men.</p>
<p></p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Coriolanus</i>, Act 4, sc. 5, l. 244ff (4.5.244-249) (c. 1608) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/coriolanus/entire-play/#:~:text=Let%20me%20have,of%0A%C2%A0men." target="_blank">Source</a>)
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		<title>Clark, Kenneth -- Civilisation, A Personal View, ch. 1 &#8220;The Skin of Our Teeth&#8221; (1969)</title>
		<link>https://wist.info/clark-kenneth/57085/</link>
		<comments>https://wist.info/clark-kenneth/57085/#respond</comments>
		<pubDate>Wed, 09 Nov 2022 21:12:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Clark, Kenneth]]></category>
		<category><![CDATA[barbarism]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[civilization]]></category>

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		<description><![CDATA[People sometimes tell me that they prefer barbarism to civilisation. I doubt if they have given it a long enough trial. Like the people of Alexandria, they are bored by civilisation; but all the evidence suggests that the boredom of barbarism is infinitely greater. Quite apart from the discomforts and privations, there was no escape [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>People sometimes tell me that they prefer barbarism to civilisation. I doubt if they have given it a long enough trial. Like the people of Alexandria, they are bored by civilisation; but all the evidence suggests that the boredom of barbarism is infinitely greater. Quite apart from the discomforts and privations, there was no escape from it. </p>
<br><b>Kenneth Clark</b> (1903-1983) British art historian, museum director, broadcaster<br><i>Civilisation, A Personal View</i>, ch. 1 &#8220;The Skin of Our Teeth&#8221; (1969) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/civilisationpers0000clar_k4j7/page/22/mode/2up?q=%22people+of+alexandria%22" target="_blank">Source</a>)
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		<title>Della Casa, Giovanni -- Galateo: Or, A Treatise on Politeness and Delicacy of Manners [Il Galateo overo de’ costumi], ch.  3 (1558) [tr. Graves (1774)]</title>
		<link>https://wist.info/della-casa-giovanni/55897/</link>
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		<pubDate>Mon, 12 Sep 2022 17:33:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Della Casa, Giovanni]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[carelessness]]></category>
		<category><![CDATA[disrespect]]></category>
		<category><![CDATA[impoliteness]]></category>
		<category><![CDATA[laziness]]></category>
		<category><![CDATA[yawn]]></category>

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		<description><![CDATA[Now, as in the Latin and other languages, a yawning fellow is synonymous or equivalent to a negligent and sluggish fellow; this idle custom ought certainly to be avoided; being (as was observed) disagreeable to the sight, offensive to the ear, and contrary also to that natural claim, which every one has, to respect. For [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Now, as in the Latin and other languages, a yawning fellow is synonymous or equivalent to a negligent and sluggish fellow; this idle custom ought certainly to be avoided; being (as was observed) disagreeable to the sight, offensive to the ear, and contrary also to that natural claim, which every one has, to respect. For when we indulge ourselves in this listless behaviour, we not only intimate that the company we are in does not greatly please us; but also make a discovery, not very advantageous to ourselves; I mean, that we are of a drowsy, lethargic disposition: which must render us by no means amiable or pleasing to those with whom we converse.</p>
<p><em>[Et ho io sentito molte volte dire a’ savi litterati che tanto viene a dire in latino «sbadigliante» quanto ’neghittoso’ e ’trascurato’. Vuolsi adunque fuggire questo costume, spiacevole -come io ho detto- agli occhi et all’udire et allo appetito; perciò che, usandolo, non solo facciamo segno che la compagnia con la qual dimoriamo ci sia poco a grado, ma diamo ancora alcun indicio cattivo di noi medesimi, cioè di avere addormentato animo e sonnacchioso; la qual cosa ci rende poco amabili a coloro co’ quali usiamo.]</em></p>
<br><b>Giovanni della Casa</b> (1503-1556) Florentine poet, author, diplomat, bishop<br><i>Galateo: Or, A Treatise on Politeness and Delicacy of Manners [Il Galateo overo de’ costumi]</i>, ch.  3 (1558) [tr. Graves (1774)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Galateo_or_a_Treatise_on_politeness_and/gzdcAAAAcAAJ?hl=en&gbpv=1&bsq=%22as%20in%20the%20Latin%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://it.wikisource.org/wiki/Galateo_overo_de%27_costumi/III#:~:text=Et%20ho%20io,co%E2%80%99%20quali%20usiamo.">Source (Italian)</a>). Alternate translations:<br><br>

<blockquote>A yawner meaneth as much in Latin as a careles and Idle bodie. Let us then flye these condicions, that loathe (as I said) the eyes, the Eares, & the Stomacke. For in using these fashions, we doe not only shewe that we take litle pleasure in the company, but we geve them occasion withall, to judge amis of us : I meane yt we have a drowsye & hevie nowle, which makes us ill wellcom, to all companies we come unto.<br>
[tr. <a href="https://archive.org/details/arenaissancecou00spingoog/page/n50/mode/2up?q=latin">Peterson</a> (1576)]</blockquote><br>

<blockquote>Many times have I heard learned men say that in Latin the word for yawning is the same as that for lazy and careless. It is therefore advisable to avoid this habit which, as I have said, is unpleasant to the ear, the eyes, and the appetite, because by indulging in it we show that we are not pleased with our companions, and we also give a bad impression of ourselves, that is to say, that we have a drowsy and sleepy spirit which makes us little liked by those with whom we are dealing.<br>
[tr. <a href="https://archive.org/details/galateo0000dell/page/6/mode/2up?q=%22Latin+the+word+for+yawning%22">Einsenbichler/Bartlett</a> (1986)]</blockquote><br>						</span>
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		<title>Zappa, Frank -- The Real Frank Zappa Book, ch. 13 &#8220;All About Schmucks&#8221; (1989) [with Peter Occhiogrosso]</title>
		<link>https://wist.info/zappa-frank/54785/</link>
		<comments>https://wist.info/zappa-frank/54785/#respond</comments>
		<pubDate>Thu, 14 Jul 2022 17:56:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Zappa, Frank]]></category>
		<category><![CDATA[authority]]></category>
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		<description><![CDATA[If you wind up with a boring, miserable life because you listened to your mother, your Dad, your priest, to some guy on television, to any of the people telling you how to do your shit, then you deserve it. Frequently quoted with variations (perhaps from other occasions when Zappa said it), e.g.,: If you [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>If you wind up with a boring, miserable life because you listened to your mother, your Dad, your priest, to some guy on television, to any of the people telling you how to do your shit, then <b>you deserve it.</b></p>
<br><b>Frank Zappa</b> (1940-1993) American singer-songwriter<br><i>The Real Frank Zappa Book</i>, ch. 13 &#8220;All About Schmucks&#8221; (1989) [with Peter Occhiogrosso] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/realfrankzappabo0000zapp_s4p0/page/232/mode/2up?q=%22then+you+deserve+it%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Frequently quoted with variations (perhaps from other occasions when Zappa said it), e.g.,:<br><br>

<blockquote>If you end up with a boring, miserable life because you listened to your mom, your dad, your teacher, your priest, or some guy on television telling you how to do your shit, then you deserve it.</blockquote>





						</span>
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		<title>Schopenhauer, Arthur -- Parerga and Paralipomena, Vol. 1, &#8220;Aphorisms on the Wisdom of Life [Aphorismen zur Lebensweisheit],&#8221; ch. 5 &#8220;Counsels and Maxims [Paränesen und Maximen],&#8221; § 2.17 (1851) [tr. Saunders (1890)]</title>
		<link>https://wist.info/schopenhauer-arthur/54143/</link>
		<comments>https://wist.info/schopenhauer-arthur/54143/#respond</comments>
		<pubDate>Wed, 29 Jun 2022 19:42:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Schopenhauer, Arthur]]></category>
		<category><![CDATA[activity]]></category>
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		<category><![CDATA[challenge]]></category>
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		<category><![CDATA[lotus-eaters]]></category>
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		<description><![CDATA[There is always something pleasurable in the struggle and the victory. And if a man has no opportunity to excite himself, he will do what he can to create one, and according to his individual bent, he will hunt or play Cup and Ball: or led on by this unsuspected element in his nature, he [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>There is always something pleasurable in the struggle and the victory. And if a man has no opportunity to excite himself, he will do what he can to create one, and according to his individual bent, he will hunt or play Cup and Ball: or led on by this unsuspected element in his nature, he will pick a quarrel with someone, or hatch a plot or intrigue, or take to swindling and rascally courses generally &#8212; all to put an end to a state of repose which is intolerable.</p>
<p><em>[Der Kampf mit ihnen und der Sieg beglückt. Fehlt ihm die Gelegenheit dazu, so macht er sie sich, wie er kann: je nachdem seine Individualität es mit sich bringt, wird er jagen, oder Bilboquet spielen, oder, vom unbewußten Zuge seiner Natur geleitet, Händel suchen, oder Intriguen anspinnen, oder sich auf Betrügereien und allerlei Schlechtigkeiten einlassen, um nur dem ihm unerträglichen Zustande der Ruhe ein Ende zu machen.]</em></p>
<br><b>Arthur Schopenhauer</b> (1788-1860) German philosopher<br><i>Parerga and Paralipomena</i>, Vol. 1, &#8220;Aphorisms on the Wisdom of Life <i>[Aphorismen zur Lebensweisheit]</i>,&#8221; ch. 5 &#8220;Counsels and Maxims <i>[Paränesen und Maximen]</i>,&#8221; § 2.17 (1851) [tr. Saunders (1890)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Counsels_and_Maxims/Chapter_II#SECTION_16:~:text=There%20is%20always,which%20is%20intolerable." target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/files/47406/47406-h/47406-h.htm#C_Unser_Verhalten_gegen_andere_betreffend:~:text=der%20Kampf%20mit,Ende%20zu%20machen.">Source (German)</a>). Alternate translation:<br><br>

<blockquote>The struggle with [obstacles] and the triumph make him happy. If he lacks the opportunity for this, he creates it as best he can; according to the nature of his individuality, he will hunt or play cup and ball; or, guided by the unconscious urge of his nature, he will pick a quarrel, hatch a plot, or be involved in fraud and all kinds of wickedness, merely in order to put an end to an intolerable state of repose.<br>
[tr. <a href="https://archive.org/stream/23341891SchopenhauerParergaAndParalipomenaV2/23341915-Schopenhauer-Parerga-and-Paralipomena-V-1_djvu.txt#:~:text=The%20struggle%20with%20%0Athem,intolerable%20state%20of%20repose%2C">Payne</a> (1974)]</blockquote><br>						</span>
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		<title>Addison, Joseph -- Cato, Act 1, sc. 4 (1713)</title>
		<link>https://wist.info/addison-joseph/51303/</link>
		<comments>https://wist.info/addison-joseph/51303/#respond</comments>
		<pubDate>Mon, 07 Feb 2022 17:05:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Addison, Joseph]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[familiarity]]></category>
		<category><![CDATA[habit]]></category>
		<category><![CDATA[lover]]></category>
		<category><![CDATA[novelty]]></category>
		<category><![CDATA[stagnation]]></category>

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		<description><![CDATA[JUBA: Beauty soon grows familiar to the lover, Fades in his eye, and palls upon the sense.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">JUBA: Beauty soon grows familiar to the lover,<br />
Fades in his eye, and palls upon the sense.</p>
<p></p>
<br><b>Joseph Addison</b> (1672-1719) English essayist, poet, statesman<br><i>Cato</i>, Act 1, sc. 4 (1713) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Cato,_a_Tragedy/Act_I#:~:text=Beauty%20soon%20grows,upon%20the%20sense." target="_blank">Source</a>)
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		<title>Foglio, Phil -- Agatha H and the Voice of the Castle (2014)</title>
		<link>https://wist.info/foglio-phil/50742/</link>
		<comments>https://wist.info/foglio-phil/50742/#respond</comments>
		<pubDate>Mon, 10 Jan 2022 16:12:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Foglio, Phil]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[excitement]]></category>
		<category><![CDATA[tourism]]></category>

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		<description><![CDATA[Tiny Monster Island is one of the more boring Mechanicsburg landmarks. Unless, of course, one is foolish &#8212; or unfortunate &#8212; enough to leave the path. Then it becomes very exciting indeed.]]></description>
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			<content:encoded><![CDATA[<p>Tiny Monster Island is one of the more boring Mechanicsburg landmarks. Unless, of course, one is foolish &#8212; or unfortunate &#8212; enough to leave the path. Then it becomes very exciting indeed.</p>
<br><b>Phil Foglio</b> (b. 1956) American writer, cartoonist<br><i>Agatha H and the Voice of the Castle</i> (2014) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Agatha_H_and_the_Voice_of_the_Castle/sTltDwAAQBAJ?hl=en&gbpv=1&dq=agatha%20h%20and%20the%20voice%20of%20the%20castle&pg=PP1&printsec=frontcover&bsq=%22tiny%20monster%20island%22" target="_blank">Source</a>)
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		<title>Sarnoff, Dorothy -- Speech Can Change Your Life (1970)</title>
		<link>https://wist.info/sarnoff-dorothy/47805/</link>
		<comments>https://wist.info/sarnoff-dorothy/47805/#respond</comments>
		<pubDate>Thu, 15 Jul 2021 19:51:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Sarnoff, Dorothy]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[oration]]></category>
		<category><![CDATA[public speaking]]></category>
		<category><![CDATA[speech]]></category>

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		<description><![CDATA[Make sure you have finished speaking before your audience has finished listening.]]></description>
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			<content:encoded><![CDATA[<p>Make sure you have finished speaking before your audience has finished listening.</p>
<br><b>Dorothy Sarnoff</b> (1914-2008) American opera singer, actress, image consultant<br><i>Speech Can Change Your Life</i> (1970) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Speech_Can_Change_Your_Life/LS655iIcQp4C?hl=en&gbpv=1&bsq=%22finished%20listening%22" target="_blank">Source</a>)
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		<title>Doyle, Arthur Conan -- Journal of Arctic voyage (19 Jul 1880)</title>
		<link>https://wist.info/doyle-arthur-conan/47220/</link>
		<comments>https://wist.info/doyle-arthur-conan/47220/#respond</comments>
		<pubDate>Fri, 04 Jun 2021 22:25:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Doyle, Arthur Conan]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[idleness]]></category>
		<category><![CDATA[journey]]></category>
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		<category><![CDATA[trip]]></category>

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		<description><![CDATA[Blowing a gale all day. Nothing to do and we did it.]]></description>
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			<content:encoded><![CDATA[<p>Blowing a gale all day. Nothing to do and we did it.</p>
<br><b>Arthur Conan Doyle</b> (1859-1930) British writer and physician<br>Journal of Arctic voyage (19 Jul 1880) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Dangerous_Work/ujIycMUmaAwC?hl=en&gbpv=1&dq=doyle%20journal%20arctic&pg=PT132&printsec=frontcover&bsq=%22nothing%20to%20do%20and%20we%20did%20it%22" target="_blank">Source</a>)
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		<title>Fromm, Erich -- &#8220;Medicine and the Ethical Problem of Modern Man,&#8221; The Dogma of Christ and Other Essays (1931)</title>
		<link>https://wist.info/fromm-erich/47019/</link>
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		<pubDate>Thu, 20 May 2021 02:38:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fromm, Erich]]></category>
		<category><![CDATA[afterlife]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[I am convinced that boredom is one of the greatest tortures. If I were to imagine Hell, it would be the place where you were continually bored. See Hugo (1862).]]></description>
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			<content:encoded><![CDATA[<p>I am convinced that boredom is one of the greatest tortures. If I were to imagine Hell, it would be the place where you were continually bored.</p>
<br><b>Erich Fromm</b> (1900-1980) American psychoanalyst and social philosopher<br>&#8220;Medicine and the Ethical Problem of Modern Man,&#8221; <i>The Dogma of Christ and Other Essays</i> (1931) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Dogma_of_Christ/7naCAgAAQBAJ?hl=en&gbpv=1&dq=fromm%20%22dogma%20of%20christ%22&pg=PP1&printsec=frontcover&bsq=%22convinced%20that%20boredom%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="https://wist.info/hugo-victor/1987/">Hugo</a> (1862).

						</span>
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		<title>Brodsky, Joseph -- &#8220;Less Than One,&#8221; Less Than One: Selected Essays (1986)</title>
		<link>https://wist.info/brodsky-joseph/46839/</link>
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		<pubDate>Tue, 04 May 2021 15:16:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brodsky, Joseph]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[confinement]]></category>
		<category><![CDATA[constraint]]></category>
		<category><![CDATA[options]]></category>
		<category><![CDATA[predictability]]></category>
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		<description><![CDATA[The formula for prison is a lack of space counterbalanced by a surplus of time. This is what really bothers you, that you can&#8217;t win. Prison is lack of alternatives, and the telescopic predictability of the future is what drives you crazy.]]></description>
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			<content:encoded><![CDATA[<p>The formula for prison is a lack of space counterbalanced by a surplus of time. This is what really bothers you, that you can&#8217;t win. Prison is lack of alternatives, and the telescopic predictability of the future is what drives you crazy.</p>
<br><b>Joseph Brodsky</b> (1940-1996) Russian-American poet, essayist, Nobel laureate, US Poet Laureate [Iosif Aleksandrovič Brodskij] <br>&#8220;Less Than One,&#8221; <i>Less Than One: Selected Essays</i> (1986) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Less_Than_One/N5Nzm2uihkAC?hl=en&gbpv=1&dq=brodsky%20%22space%20counterbalanced%20by%20a%20surplus%22&pg=PA23&printsec=frontcover&bsq=brodsky%20%22space%20counterbalanced%20by%20a%20surplus%22" target="_blank">Source</a>)
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		<title>De Vries, Peter -- Comfort Me With Apples (1956)</title>
		<link>https://wist.info/de-vries-peter/46678/</link>
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		<pubDate>Wed, 21 Apr 2021 16:33:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[De Vries, Peter]]></category>
		<category><![CDATA[adventure]]></category>
		<category><![CDATA[annoyance]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[bother]]></category>
		<category><![CDATA[effort]]></category>
		<category><![CDATA[safety]]></category>
		<category><![CDATA[security]]></category>

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		<description><![CDATA[We pay for security with boredom, for adventure with bother.]]></description>
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			<content:encoded><![CDATA[<p>We pay for security with boredom, for adventure with bother. </p>
<br><b>Peter De Vries</b> (1910-1993) American editor, novelist, satirist<br><i>Comfort Me With Apples</i> (1956) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Comfort_Me_with_Apples/XrJiBAAAQBAJ?hl=en&gbpv=1&dq=%22comfort%20me%20with%20apples%22%20de%20vries&pg=PP1&printsec=frontcover&bsq=%22security%20with%20boredom%22" target="_blank">Source</a>)
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		<title>Bellow, Saul -- The Adventures of Augie March (1953)</title>
		<link>https://wist.info/bellow-saul/46572/</link>
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		<pubDate>Wed, 14 Apr 2021 16:25:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bellow, Saul]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[end]]></category>
		<category><![CDATA[goal]]></category>
		<category><![CDATA[ideal]]></category>
		<category><![CDATA[inactivity]]></category>
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		<category><![CDATA[purposelessness]]></category>

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		<description><![CDATA[Boredom therefore can arise from the cessation of habitual functions, even though these may be boring too. It is also the shriek of unused capacities, the doom of serving no great end or design, or contributing to no master force.]]></description>
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			<content:encoded><![CDATA[<p>Boredom therefore can arise from the cessation of habitual functions, even though these may be boring too. It is also the shriek of unused capacities, the doom of serving no great end or design, or contributing to no master force.</p>
<br><b>Saul Bellow</b> (1915-2005) Canadian-American writer<br><i>The Adventures of Augie March</i> (1953) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Adventures_of_Augie_March/n9_XAAAAMAAJ?hl=en&gbpv=1&bsq=%22Boredom%20therefore%20can%20arise%22&kptab=overview" target="_blank">Source</a>)
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		<title>Peter, Lawrence J. -- Peter&#8217;s Quotations: Ideas for Our Time (1977)</title>
		<link>https://wist.info/peter-lawrence-j/43117/</link>
		<comments>https://wist.info/peter-lawrence-j/43117/#respond</comments>
		<pubDate>Fri, 04 Sep 2020 17:49:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Peter, Lawrence J.]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[disinterest]]></category>
		<category><![CDATA[politeness]]></category>
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		<category><![CDATA[yawn]]></category>

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		<description><![CDATA[The most useful of all social graces is the ability to yawn with your mouth closed. Variant: As quoted in The Wall Street Journal (9 Aug 1984): &#8216;At board meetings, &#8220;the one unmatched asset is the ability to yawn with your mouth closed,&#8221; says Robert Mueller in a new book, &#8216;Behind the Boardroom Door.'&#8221;]]></description>
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			<content:encoded><![CDATA[<p>The most useful of all social graces is the ability to yawn with your mouth closed.</p>
<br><b>Lawrence J. Peter</b> (1919-1990) American educator, management theorist<br><i>Peter&#8217;s Quotations: Ideas for Our Time</i> (1977) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.memphisdailynews.com/news/2011/jun/2/quote-unquote-lj-peter" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Variant: As <a href="https://www.google.com/books/edition/The_Wall_Street_Journal/NQNBAQAAIAAJ?hl=en&gbpv=1&bsq=%22ability%20to%20yawn%20with%20your%20mouth%22">quoted</a> in <em>The Wall Street Journal</em> (9 Aug 1984): 'At board meetings, "the one unmatched asset is the ability to yawn with your mouth closed," says Robert Mueller in a new book, 'Behind the Boardroom Door.'"



						</span>
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		<title>Forster, E. M. -- A Passage to India, ch. 14 (1924)</title>
		<link>https://wist.info/forster-e-m/38767/</link>
		<comments>https://wist.info/forster-e-m/38767/#respond</comments>
		<pubDate>Wed, 08 Aug 2018 20:18:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Forster, E. M.]]></category>
		<category><![CDATA[alertness]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[dull]]></category>
		<category><![CDATA[ennui]]></category>
		<category><![CDATA[excitement]]></category>
		<category><![CDATA[inconsequential]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[numbness]]></category>
		<category><![CDATA[thrill]]></category>

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		<description><![CDATA[Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, &#8220;I do enjoy myself,&#8221; or, &#8220;I am horrified,&#8221; we are insincere. &#8220;As far as I feel anything, it is enjoyment, horror&#8221; &#8212; it&#8217;s no more than that, really, and a perfectly adjusted organism would be silent.</p>
<br><b>E. M. Forster</b> (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]<br><i>A Passage to India</i>, ch. 14 (1924) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=9ULVCwAAQBAJ&lpg=PT112&vq=%22am%20horrified%22&pg=PT112#v=snippet&q=%22am%20horrified%22&f=false" target="_blank">Source</a>)
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		<title>Bronte, Charlotte -- Jane Eyre, ch. 12 [Jane] (1847)</title>
		<link>https://wist.info/bronte-charlotte/37191/</link>
		<comments>https://wist.info/bronte-charlotte/37191/#respond</comments>
		<pubDate>Fri, 09 Jun 2017 04:23:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bronte, Charlotte]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[excitement]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[lotus-eaters]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[peace]]></category>
		<category><![CDATA[purpose]]></category>
		<category><![CDATA[serenity]]></category>
		<category><![CDATA[tranquility]]></category>

		<guid isPermaLink="false">http://wist.info/?p=37191</guid>
		<description><![CDATA[It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote.png" alt="" width="1320" height="790" class="aligncenter size-full wp-image-37192" srcset="https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote.png 1320w, https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote-300x180.png 300w, https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote-768x460.png 768w, https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote-1024x613.png 1024w, https://wist.info/wp/wp-content/uploads/2017/06/Bronte-vain-to-say-human-beings-ought-to-be-satisfied-with-tranquility-wist_info-quote-60x36.png 60w" sizes="(max-width: 1320px) 100vw, 1320px" /></a></p>
<br><b>Charlotte Brontë</b> (1816-1855) British novelist [pseud. Currer Bell]<br><i>Jane Eyre</i>, ch. 12 [Jane] (1847) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Jane_Eyre" target="_blank">Source</a>)
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		<title>Parker, Robert -- Walking Shadow (1994)</title>
		<link>https://wist.info/parker-robert/36803/</link>
		<comments>https://wist.info/parker-robert/36803/#respond</comments>
		<pubDate>Wed, 19 Apr 2017 21:42:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Parker, Robert]]></category>
		<category><![CDATA[auteur]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[modern art]]></category>
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		<category><![CDATA[theater]]></category>

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		<description><![CDATA[&#8220;What&#8217;s the play about?&#8221; &#8220;Nobody seems to know.&#8221; &#8220;What do the actors say it&#8217;s about?&#8221; &#8220;They don&#8217;t know,&#8221; Susan said. She was as close to embarrassed as she gets. &#8220;The actors don’t know what it&#8217;s about?&#8221; &#8220;No.&#8221; &#8220;How about the Director?&#8221; &#8220;Lou says that a play is not required to be about anything.&#8221; &#8220;And it [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>&#8220;What&#8217;s the play about?&#8221;<br />
&#8220;Nobody seems to know.&#8221;<br />
&#8220;What do the actors say it&#8217;s about?&#8221;<br />
&#8220;They don&#8217;t know,&#8221; Susan said. She was as close to embarrassed as she gets.<br />
&#8220;The actors don’t know what it&#8217;s about?&#8221;<br />
&#8220;No.&#8221;<br />
&#8220;How about the Director?&#8221;<br />
&#8220;Lou says that a play is not required to be about anything.&#8221;<br />
&#8220;And it runs how long?&#8221;<br />
&#8220;Four and a half hours with an intermission.&#8221; Susan smiled encouragingly. &#8220;It&#8217;s very controversial,&#8221; she said.<br />
&#8220;Excellent,&#8221; I said. &#8220;Maybe a fight will break out.&#8221;</p>
<br><b>Robert B. Parker</b> (1932-2010) American writer<br><i>Walking Shadow</i> (1994) 
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		<title>King, Stephen -- &#8220;Stephen King&#8217;s Most Memorable Books of 2007,&#8221; Entertainment Weekly (21 Dec 2007)</title>
		<link>https://wist.info/king-stephen/35776/</link>
		<comments>https://wist.info/king-stephen/35776/#respond</comments>
		<pubDate>Thu, 15 Dec 2016 06:08:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Stephen]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[interlude]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[pass times]]></category>

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		<description><![CDATA[Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn&#8217;t carry a book around for those inevitable dead spots in life.]]></description>
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			<content:encoded><![CDATA[<p>Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why <em>everybody </em>doesn&#8217;t carry a book around for those inevitable dead spots in life.</p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/12/King-books-perfect-entertainment-wist_info-quote.jpg" alt="king-books-perfect-entertainment-wist_info-quote" width="900" height="472" class="alignright size-full wp-image-35781" srcset="https://wist.info/wp/wp-content/uploads/2016/12/King-books-perfect-entertainment-wist_info-quote.jpg 900w, https://wist.info/wp/wp-content/uploads/2016/12/King-books-perfect-entertainment-wist_info-quote-300x157.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/12/King-books-perfect-entertainment-wist_info-quote-768x403.jpg 768w, https://wist.info/wp/wp-content/uploads/2016/12/King-books-perfect-entertainment-wist_info-quote-60x31.jpg 60w" sizes="(max-width: 900px) 100vw, 900px" /></p>
<br><b>Stephen King</b> (b. 1947) American author<br>&#8220;Stephen King&#8217;s Most Memorable Books of 2007,&#8221; <i>Entertainment Weekly</i> (21 Dec 2007) 
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		<title>Scalzi, John -- The End of All Things (2015)</title>
		<link>https://wist.info/scalzi-john/35423/</link>
		<comments>https://wist.info/scalzi-john/35423/#respond</comments>
		<pubDate>Wed, 19 Oct 2016 04:58:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Scalzi, John]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[disinterest]]></category>
		<category><![CDATA[narcissism]]></category>

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		<description><![CDATA[I knew he was done when he said &#8220;But I must be boring you&#8221; to me, which is narcissist-speak for &#8220;Now I&#8217;m bored.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>I knew he was done when he said &#8220;But I must be boring you&#8221; to me, which is narcissist-speak for &#8220;Now I&#8217;m bored.&#8221;</p>
<br><b>John Scalzi</b> (b. 1969) American writer<br><i>The End of All Things</i> (2015) 
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		<title>Schopenhauer, Arthur -- Parerga and Paralipomena, Vol. 1, &#8220;Aphorisms on the Wisdom of Life [Aphorismen zur Lebensweisheit],&#8221; ch. 2 &#8220;Of What One Is&#8221; [Von dem, was einer ist]&#8221; (1851) [tr. Saunders (1890)]</title>
		<link>https://wist.info/schopenhauer-arthur/33212/</link>
		<comments>https://wist.info/schopenhauer-arthur/33212/#respond</comments>
		<pubDate>Wed, 06 Apr 2016 14:54:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Schopenhauer, Arthur]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[ennui]]></category>
		<category><![CDATA[extremes]]></category>
		<category><![CDATA[happiness]]></category>
		<category><![CDATA[human nature]]></category>
		<category><![CDATA[pain]]></category>
		<category><![CDATA[unhappiness]]></category>

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		<description><![CDATA[The most general survey shows us that the two foes of human happiness are pain and boredom. [Der allgemeinste Überblick zeigt uns, als die beiden Feinde des menschlichen Glückes, den Schmerz und die Langeweile.] (Source (German)). Alternate translation: The most general survey shows that pain and boredom are the two foes of human happiness. [tr. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The most general survey shows us that the two foes of human happiness are pain and boredom.</p>
<p><em>[Der allgemeinste Überblick zeigt uns, als die beiden Feinde des menschlichen Glückes, den Schmerz und die Langeweile.]</em></p>
<br><b>Arthur Schopenhauer</b> (1788-1860) German philosopher<br><i>Parerga and Paralipomena</i>, Vol. 1, &#8220;Aphorisms on the Wisdom of Life <i>[Aphorismen zur Lebensweisheit]</i>,&#8221; ch. 2 &#8220;Of What One Is&#8221; <i>[Von dem, was einer ist]</i>&#8221; (1851) [tr. Saunders (1890)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Wisdom_of_Life/Chapter_II#:~:text=The%20most%20general%20survey%20shows%20us%20that%20the%20two%20foes%20of%20human%20happiness%20are%20pain%20and%20boredom." target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/files/47406/47406-h/47406-h.htm#Kapitel_II:~:text=Der%20allgemeinste%20%C3%9Cberblick%20zeigt%20uns%2C%20als%20die%20beiden%20Feinde%20des%20menschlichen%20Gl%C3%BCckes%2C%20den%20Schmerz%20und%20die%20Langeweile.">Source (German)</a>). Alternate translation:<br><br>

<blockquote>The most general survey shows that pain and boredom are the two foes of human happiness.<br>
[tr. <a href="https://www.google.com/books/edition/Parerga_and_Paralipomena/aXFsb2UogOkC?hl=en&gbpv=1&printsec=frontcover&bsq=%22two%20foes%22">Payne</a> (1974)]</blockquote>

						</span>
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		<title>Updike, John -- &#8220;Confessions of a Wild Bore,&#8221; Assorted Prose (1965)</title>
		<link>https://wist.info/updike-john/33081/</link>
		<comments>https://wist.info/updike-john/33081/#respond</comments>
		<pubDate>Wed, 23 Mar 2016 16:36:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Updike, John]]></category>
		<category><![CDATA[bore]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[patience]]></category>

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		<description><![CDATA[A healthy male adult bore consumes each year one and a half times his own weight in other people&#8217;s patience.]]></description>
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			<content:encoded><![CDATA[<p>A healthy male adult bore consumes each year one and a half times his own weight in other people&#8217;s patience.</p>
<br><b>John Updike</b> (1932-2009) American writer<br>&#8220;Confessions of a Wild Bore,&#8221; <i>Assorted Prose</i> (1965) 
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		<title>Lebowitz, Fran -- &#8220;Children: Pro or Con,&#8221; Metropolitan Life (1978)</title>
		<link>https://wist.info/lebowitz-fran/33019/</link>
		<comments>https://wist.info/lebowitz-fran/33019/#respond</comments>
		<pubDate>Wed, 16 Mar 2016 13:31:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lebowitz, Fran]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[conversation]]></category>
		<category><![CDATA[interest]]></category>
		<category><![CDATA[observation]]></category>
		<category><![CDATA[obsession]]></category>
		<category><![CDATA[trivia]]></category>

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		<description><![CDATA[Notoriously insensitive to subtle shifts in mood, children will persist in discussing the color of a recently sighted cement-mixer long after one&#8217;s interest in the topic has waned.]]></description>
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			<content:encoded><![CDATA[<p>Notoriously insensitive to subtle shifts in mood, children will persist in discussing the color of a recently sighted cement-mixer long after one&#8217;s interest in the topic has waned.</p>
<br><b>Fran Lebowitz</b> (b. 1950) American journalist, essayist<br>&#8220;Children: Pro or Con,&#8221; <i>Metropolitan Life</i> (1978) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/metropolitanlife00fran/page/34/mode/2up?q=%22discussing+the+color%22" target="_blank">Source</a>)
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		<title>Dubois, Jean-Antoine -- (Attributed)</title>
		<link>https://wist.info/dubois-jean-antoine/32644/</link>
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		<pubDate>Fri, 12 Feb 2016 17:01:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dubois, Jean-Antoine]]></category>
		<category><![CDATA[amusement]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[Men love better books which please them than those which instruct. Since their ennui troubles them more than their ignorance, they prefer being amused to being informed. Earliest found attribution in The New Era (Jan 1873).]]></description>
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			<content:encoded><![CDATA[<p>Men love better books which please them than those which instruct. Since their ennui troubles them more than their ignorance, they prefer being amused to being informed.</p>
<br><b>Jean-Antoine Dubois</b> (1765-1848) French Catholic missionary in India [Abbe J. A. Dubois]<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=Zz4DAAAAYAAJ&pg=PA48" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Earliest found attribution in <i>The New Era</i> (Jan 1873).
						</span>
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		<title>Shaw, George Bernard -- Treatise on Parents and Children, &#8220;Children&#8217;s Happiness&#8221; (1914)</title>
		<link>https://wist.info/shaw-george-bernard/31882/</link>
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		<pubDate>Thu, 17 Dec 2015 15:12:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shaw, George Bernard]]></category>
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		<description><![CDATA[The secret of being miserable is to have leisure to bother about whether you are happy or not. The cure for it is occupation, because occupation means pre-occupation; and the pre-occupied person is neither happy nor unhappy, but simply alive and active, which is pleasanter than any happiness until you are tired of it.]]></description>
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			<content:encoded><![CDATA[<p>The secret of being miserable is to have leisure to bother about whether you are happy or not. The cure for it is occupation, because occupation means pre-occupation; and the pre-occupied person is neither happy nor unhappy, but simply alive and active, which is pleasanter than any happiness until you are tired of it.  </p>
<p><a href="https://wist.info/wp/wp-content/uploads/2015/12/Shaw-miserable-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2015/12/Shaw-miserable-wist_info-quote.jpg" alt="Shaw - miserable - wist_info quote" title="Shaw - miserable - wist_info quote" width="605" height="209" class="aligncenter size-full wp-image-31891" srcset="https://wist.info/wp/wp-content/uploads/2015/12/Shaw-miserable-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2015/12/Shaw-miserable-wist_info-quote-300x104.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>George Bernard Shaw</b> (1856-1950) Irish playwright and critic<br><i>Treatise on Parents and Children</i>, &#8220;Children&#8217;s Happiness&#8221; (1914) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/Bernard_Shaw_-_A_Treatise_on_Parents_and_Children/page/n27/mode/2up?q=%22being+miserable%22" target="_blank">Source</a>)
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		<title>De Stael, Germaine -- Letter to Claude Hochet (Summer 1800)</title>
		<link>https://wist.info/de-stael-germaine/31848/</link>
		<comments>https://wist.info/de-stael-germaine/31848/#respond</comments>
		<pubDate>Tue, 15 Dec 2015 14:37:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[De Stael, Germaine]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[One must, in one&#8217;s life, make a choice between boredom and suffering. Quoted in J. Christopher Herold, Mistress to an Age: A Life of Madame de Staël (1958). Herold added, &#8220;Her decision was emphatically in favor of suffering, which after all was a pleasure compared to boredom.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>One must, in one&#8217;s life, make a choice between boredom and suffering.</p>
<br><b>Germaine de Staël</b> (1766-1817) Swiss-French writer, woman of letters, critic, salonist [Anne Louise Germaine de Staël-Holstein, Madame de Staël, Madame Necker]<br>Letter to Claude Hochet (Summer 1800) 
														<br><br><span class="cite">
						

Quoted in J. Christopher Herold, <em>Mistress to an Age: A Life of Madame de Staël</em> (1958). Herold added, "Her decision was emphatically in favor of suffering, which after all was a pleasure compared to boredom."
						</span>
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		<title>Johnson, Samuel -- Essay (1759-09-01), The Idler, No.  72</title>
		<link>https://wist.info/johnson-samuel/29381/</link>
		<comments>https://wist.info/johnson-samuel/29381/#respond</comments>
		<pubDate>Tue, 19 May 2015 12:03:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Johnson, Samuel]]></category>
		<category><![CDATA[bitterness]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[gloom]]></category>
		<category><![CDATA[gloominess]]></category>
		<category><![CDATA[idle hands]]></category>
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		<description><![CDATA[The gloomy and the resentful are always found among those who have nothing to do or who do nothing.]]></description>
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			<content:encoded><![CDATA[<p>The gloomy and the resentful are always found among those who have nothing to do or who do nothing.</p>
<br><b>Samuel Johnson</b> (1709-1784) English writer, lexicographer, critic<br>Essay (1759-09-01), <i>The Idler</i>, No.  72 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_Samuel_Johnson_LL_D_The_Adv/vkgJAAAAQAAJ?hl=en&gbpv=1&bsq=%22gloomy%20and%20the%20resentful%22" target="_blank">Source</a>)
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		<title>Astor, Nancy -- In the Daily Express (12 Jan 1956)</title>
		<link>https://wist.info/astor-nancy/27543/</link>
		<comments>https://wist.info/astor-nancy/27543/#respond</comments>
		<pubDate>Fri, 21 Nov 2014 13:14:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Astor, Nancy]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[The penalty of success is to be bored by people who used to snub you.]]></description>
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			<content:encoded><![CDATA[<p>The penalty of success is to be bored by people who used to snub you.</p>
<br><b>Nancy Astor</b> (1879-1964) American socialite and English politician [Nancy Witcher Langhorne; Viscountess Astor; Lady Astor]<br>In the <i>Daily Express</i> (12 Jan 1956) 
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		<title>Schopenhauer, Arthur -- Parerga and Paralipomena, Vol. 2, ch. 11 &#8220;The Vanity of Existence [Der Nichtigkeit des Daseins],&#8221; § 146 (1851)</title>
		<link>https://wist.info/schopenhauer-arthur/26899/</link>
		<comments>https://wist.info/schopenhauer-arthur/26899/#respond</comments>
		<pubDate>Tue, 16 Sep 2014 12:43:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Schopenhauer, Arthur]]></category>
		<category><![CDATA[adversity]]></category>
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		<category><![CDATA[existence]]></category>
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		<description><![CDATA[Human life must be some kind of mistake. The truth of this will be sufficiently obvious if we only remember that man is a compound of needs and necessities hard to satisfy; and that even when they are satisfied, all he obtains is a state of painlessness, where nothing remains to him but abandonment to [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Human life must be some kind of mistake. The truth of this will be sufficiently obvious if we only remember that man is a compound of needs and necessities hard to satisfy; and that even when they are satisfied, all he obtains is a state of painlessness, where nothing remains to him but abandonment to boredom. This is direct proof that existence has no real value in itself; for what is boredom but the feeling of the emptiness of life? If life &#8212; the craving for which is the very essence of our being &#8212; were possessed of any positive intrinsic value, there would be no such thing as boredom at all: mere existence would satisfy us in itself, and we should want for nothing. But as it is, we take no delight in existence except when we are struggling for something; and then distance and difficulties to be overcome make our goal look as though it would satisfy us &#8212; an illusion which vanishes when we reach it; or else when we are occupied with some purely intellectual interest &#8212; when in reality we have stepped forth from life to look upon it from the outside, much after the manner of spectators at a play. And even sensual pleasure itself means nothing but a struggle and aspiration, ceasing the moment its aim is attained. Whenever we are not occupied in one of these ways, but cast upon existence itself, its vain and worthless nature is brought home to us; and this is what we mean by boredom. The hankering after what is strange and uncommon &#8212; an innate and ineradicable tendency of human nature &#8212; shows how glad we are at any interruption of that natural course of affairs which is so very tedious.</p>
<p><em>[Daß das menschliche Daseyn eine Art Verirrung seyn müsse, geht zur Genüge aus der einfachen Bemerkung hervor, daß der Mensch ein Konkrement von Bedürfnissen ist, deren schwer zu erlangende Befriedigung ihm doch nichts gewährt, als einen schmerzlosen Zustand, in welchem er nur noch der Langenweile Preis gegeben ist, welche dann geradezu beweist, daß das Daseyn an sich selbst keinen Werth hat: denn sie ist eben nur die Empfindung der Leerheit desselben. Wenn nämlich das Leben, in dem Verlangen nach welchem unser Wesen und Daseyn besteht, einen positiven Werth und realen Gehalt in sich selbst hätte; so könnte es gar keine Langeweile geben: sondern das bloße Daseyn, an sich selbst, müßte uns erfüllen und befriedigen. Nun aber werden wir unsers Daseyns nicht anders froh, als entweder im Streben, wo die Ferne und die Hindernisse das Ziel als befriedigend uns vorspiegeln, welche Illusion nach der Erreichung verschwindet; oder aber in einer rein intellektuellen Beschäftigung, in welcher wir jedoch eigentlich aus dem Leben heraustreten, um es von außen zu betrachten, gleich Zuschauern in den Logen. Sogar der Sinnengenuß selbst besteht in einem fortwährenden Streben und hört auf, sobald sein Ziel erreicht ist. So oft wir nun nicht in einem jener beiden Fälle begriffen, sondern auf das Daseyn selbst zurückgewiesen sind, werden wir von der Gehaltlosigkeit und Nichtigkeit desselben überführt, und Das ist die Langeweile. Sogar das uns inwohnende und unvertilgbare, begierige Haschen nach dem Wunderbaren zeigt an, wie gern wir die so langweilige, natürliche Ordnung des Verlaufs der Dinge unterbrochen sähen.]</em></p>
<br><b>Arthur Schopenhauer</b> (1788-1860) German philosopher<br><i>Parerga and Paralipomena</i>, Vol. 2, ch. 11 &#8220;The Vanity of Existence <i>[Der Nichtigkeit des Daseins],&#8221;</i> § 146 (1851) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/files/10732/10732-h/10732-h.htm#:~:text=Human%20life%20must,so%20very%20tedious" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.digitale-sammlungen.de/en/view/bsb10932313?page=252,253&q=%22Das+Leben+stellt+sich+zun%C3%A4chst%22">Source (German)</a>). Alternate translation:<br><br>

<blockquote>That human life must be a kind of mistake is sufficiently clear from the fact that man is a compound of needs, which are difficult to satisfy; moreover, if they are satisfied, all he is granted is a state of painlessness, in which he can only give himself up to boredom. This is a precise proof that existence in itself has no value, since boredom is merely the feeling of the emptiness of life. If, for instance, life, the longing for which constitutes our very being, had in itself any positive and real value, boredom could not exist; mere existence in itself would supply us with everything, and therefore satisfy us. But our existence would not be a joyous thing unless we were striving after something; distance and obstacles to be overcome then represent our aim as something that would satisfy us -- an illusion which vanishes when our aim has been attained; or when we are engaged in something that is of a purely intellectual nature, when, in reality, we have retired from the world, so that we may observe it from the outside, like spectators at a theatre. Even sensual pleasure itself is nothing but a continual striving, which ceases directly its aim is attained. As soon as we are not engaged in one of these two ways, but thrown back on existence itself, we are convinced of the emptiness and worthlessness of it; and this it is we call boredom. That innate and ineradicable craving for what is out of the common proves how glad we are to have the natural and tedious course of things interrupted.<br>
[tr. <a href="https://www.gutenberg.org/files/11945/11945-h/11945-h.htm#link2H_4_0008:~:text=That%20human%20life,of%20things%20interrupted.">Dircks</a>]</blockquote><br>

<blockquote>That human existence must be some kind of error, is sufficiently clear from the simple observation that man is a concretion of needs and wants. Their satisfaction is hard to attain and yet affords him nothing but a painless state in which he is still abandoned to boredom. This, then, is a positive proof that, in itself, existence has no value; for boredom is just that feeling of its emptiness. Thus if life, in the craving for which our very essence and existence consist, had a positive value and in itself a real intrinsic worth, there could not possibly be any boredom. On the contrary, mere existence in itself would necessarily fill our hearts and satisfy us. Now we take no delight in our existence except in striving for something when the distance and obstacles make us think that the goal will be satisfactory, an illusion that vanishes when it is reached; or else in a purely intellectual occupation where we really step out of life in order to contemplate it from without, like spectators in the boxes. Even sensual pleasure itself consists in a constant striving and ceases as soon as its goal is attained. Now whenever we are not striving for something or are not intellectually occupied, but are thrown back on existence itself, its worthlessness and vanity are brought home to us; and this is what is meant by boredom. Even our inherent and ineradicable tendency to run after what is strange and extraordinary shows how glad we are to see an interruption in the natural course of things which is so tedious.<br>
[tr. <a href="https://archive.org/details/23341891SchopenhauerParergaAndParalipomenaV2/23341891-Schopenhauer-Parerga-and-Paralipomena-V-2/page/n293/mode/2up?q=%22kind+of+error%22">Payne</a> (1974)]</blockquote><br>


						</span>
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		<title>Helgoe, Laurie -- Introvert Power, ch. 1 (2008)</title>
		<link>https://wist.info/helgoe-laurie/25371/</link>
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		<pubDate>Fri, 16 May 2014 13:26:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Helgoe, Laurie]]></category>
		<category><![CDATA[alone]]></category>
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		<description><![CDATA[I&#8217;m rarely bored alone; I am often bored in groups and crowds.Usually attributed to Helgoe, but cited in the book to &#8220;Don, Minnesota.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>I&#8217;m rarely bored alone; I am often bored in groups and crowds.</p>
<br><b>Laurie Helgoe</b> (b. 1960) American psychologist and author<br><i>Introvert Power</i>, ch. 1 (2008) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://books.google.com/books?id=oR372phmdeIC&pg=PT24" target="_blank">Source</a>)
										<br><br><span class="cite">
						Usually attributed to Helgoe, but cited in the book to "Don, Minnesota."						</span>
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		<title>Virgil -- Eclogues [Eclogae, Bucolics, Pastorals], No.  9 &#8220;Lycidas and Moeris,&#8221; l.  64ff (9.64) [Lycidas] (42-38 BC)</title>
		<link>https://wist.info/virgil/19683/</link>
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		<pubDate>Mon, 26 Nov 2012 13:40:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Virgil]]></category>
		<category><![CDATA[boredom]]></category>
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		<category><![CDATA[singing]]></category>
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		<category><![CDATA[travel]]></category>
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		<description><![CDATA[Let us go singing as far as we go: the road will be less tedious. [Cantantes licet usque (minus via laedit) eamus.] (Source (Latin)). Alternate translations: Singing lets goe, the way shall better please. [tr. Ogilby (1649)] A Song will help the beating Storm to bear. [tr. Dryden (1709), l. 89] Light song will ease [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Let us go singing as far as we go: the road will be less tedious.</p>
<p><em>[Cantantes licet usque (minus via laedit) eamus.]</em></p>
<br><b>Virgil</b> (70-19 BC) Roman poet [b. Publius Vergilius Maro; also Vergil]<br><i>Eclogues [Eclogae, Bucolics, Pastorals]</i>, No.  9 &#8220;Lycidas and Moeris,&#8221; l.  64ff (9.64) [Lycidas] (42-38 BC) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=W3SG1hJSArIC&newbks=0&printsec=frontcover&pg=RA2-PR25&dq=%22Let+us+go+singing+as+far+as+we+go%22&hl=en&source=newbks_fb#v=onepage&q=%22Let%20us%20go%20singing%20as%20far%20as%20we%20go%22&f=false" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0056%3Apoem%3D9#:~:text=cantantes%20licet%20usque%20(minus%20via%20laedit)%20eamus">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>Singing lets goe, the way shall better please.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo2/A65106.0001.001/1:4.9?rgn=div2;view=fulltext#:~:text=Singing%20lets%20goe%2C%20the%20way%20shall%20better%20please">Ogilby</a> (1649)]</blockquote><br>

<blockquote>A Song will help the beating Storm to bear.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Works_of_Virgil_(Dryden)/Pastorals_(Dryden)/Book_9#:~:text=A%20Song%20will%20help%20the%20beating%20Storm%20to%20bear.">Dryden</a> (1709), l. 89]</blockquote><br>

<blockquote>Light song will ease the road of half its care.<br>
[tr. <a href="https://archive.org/details/virgilgeorgics00virggoog/page/n78/mode/2up?q=%22light+song%22">Wrangham</a> (1830), l. 76]</blockquote><br>

<blockquote>Yet we may still go on singing; the way will be less tedious.<br>
[tr. <a href="https://www.google.com/books/edition/Works_of_Virgil/GuFCAQAAMAAJ?hl=en&gbpv=1&bsq=%22less%20tedious%22">Davidson</a> (1854)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab">Singing let us journey on --<br>
(The way will seem less tedious).<br>
[tr. <a href="https://archive.org/details/eclogues00virg/page/88/mode/2up?q=%22singing+let+us+journey%22">Calverley</a> (c. 1871)]</blockquote><br>

<blockquote>We may as well sing -- it makes the journey less irksome.<br>
[tr. <a href="https://www.google.com/books/edition/A_Literal_Translation_of_the_Eclogues_an/ZghPAQAAIAAJ?hl=en&gbpv=1&bsq=%22may%20as%20well%20sing%22">Wilkins</a> (1873)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab">Move on, and should the way seem long, <br>
Shorten the distance with a song.<br>
[tr. <a href="https://archive.org/details/dli.bengal.10689.18134/page/n51/mode/2up?q=%22way+seem+long%22">King</a> (1882), ll. 915-916]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Walk on, and make <br>
The road less tedious with our verse.<br>
[tr. <a href="https://archive.org/details/englishversionof00virg/page/n155/mode/2up?q=%22walk+on+and+make%22">Palmer</a> (1883)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab">Then singing let us go,<br>
our way to lighten.<br>
[tr. <a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0057%3Apoem%3D9#:~:text=then%20singing%20let%20us%20go%2C%0Aour%20way%20to%20lighten">Greenough</a> (1895)]</blockquote><br>

<blockquote>Let us go on still singing; the way is less tedious.<br>
[tr. <a href="https://archive.org/details/bucolicsgeorgics0000aham/page/46/mode/2up?q=%22let+us+go+on%22">Bryce</a> (1897)]</blockquote><br>

<blockquote>We may go singing all the way, and the road weary us the less.<br>
[tr. <a href="https://en.wikisource.org/wiki/Eclogues_and_Georgics_(Mackail_1910)/Eclogue_9#:~:text=we%20may%20go%20singing%20all%20the%20way%2C%20and%20the%20road%20weary%20us%20the%20less">Mackail</a> (1899)]</blockquote><br>

<blockquote>Let us go singing to beguile our way.<br>
[tr. <a href="https://en.wikisource.org/wiki/Eclogues_of_Virgil_(1908)/Eclogue_9#:~:text=Let%20us%20go%20singing%20to%20beguile%20our%20way.">Mackail/Cardew</a> (1908)]</blockquote><br>

<blockquote>Let us go forward singing, for the path <br>
Tires us less so.<br>
[tr. <a href="https://archive.org/details/georgicsandeclo01palmgoog/page/n170/mode/2up?q=%22forward+singing%22">Williams</a> (1915)]</blockquote><br>

<blockquote>We may yet go singing on our way -- it makes the road less irksome.<br>
[tr. <a href="https://www.theoi.com/Text/VirgilEclogues.html#9:~:text=we%20may%20yet%20go%20singing%20on%20our%20way%20%E2%80%93%20it%20makes%20the%20road%20less%20irksome.">Fairclough</a> (Loeb) (1916)]</blockquote><br>

<blockquote>Let us sing carols all the way: 'twill be<br>
Less tedious.<br>
[tr. <a href="https://www.google.com/books/edition/The_Eclogues_Bucolics_Or_Pastorals_of_Vi/V__fAAAAMAAJ?hl=en&gbpv=1&bsq=%22sing%20carols%22">Royds</a> (1922)]</blockquote><br>

<blockquote>Why not go forward singing all the way? It makes the going easier.<br>
[tr. <a href="https://archive.org/details/pastoralpoemstex0000virg/page/108/mode/2up?q=%22forward+singing%22">Rieu</a> (1949)]</blockquote><br>

<blockquote>We still may sing as we go and lighten the journey.<br>
[tr. <a href="https://archive.org/details/pastoralsversetr0000virg/page/54/mode/2up?q=%22still+may+sing%22">Johnson</a> (1960)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">We can press on,<br>
Singing as we go: a song lightens a long road.<br>
[tr. <a href="https://archive.org/details/ecloguesgeorgics0000unse_l5h3/page/68/mode/2up?q=%22we+can+press+on%22">Day Lewis</a> (1963), ll. 63-64]</blockquote><br>

<blockquote>Let's keep on going, but singing as we go.<br>
Sing makes the journey easier.<br>
[tr. <a href="https://archive.org/details/ecloguesofvirgil0000virg_q3t0/page/76/mode/2up?q=%22keep+on+going%22">Ferry</a> (1999)]</blockquote><br>

<blockquote>We might go along singing (the road will be less tedious).<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/VirgilEclogues.php#:~:text=we%20might%20go%20along%20singing%20(the%20road%20will%20be%20less%20tedious)">Kline</a> (2001)]</blockquote><br>
						</span>
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		<title>Twain, Mark -- Hannibal Courier-Post (6 Mar 1835)</title>
		<link>https://wist.info/twain-mark/18054/</link>
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		<pubDate>Tue, 29 May 2012 12:48:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Twain, Mark]]></category>
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		<description><![CDATA[No sinner is ever saved after the first twenty minutes of a sermon.]]></description>
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			<content:encoded><![CDATA[<p>No sinner is ever saved after the first twenty minutes of a sermon.</p>
<br><b>Mark Twain</b> (1835-1910) American writer [pseud. of Samuel Clemens]<br><i>Hannibal Courier-Post</i> (6 Mar 1835) 
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		<title>Jerome, Jerome K. -- Idle Thoughts of an Idle Fellow, &#8220;On Being Idle&#8221; (1886)</title>
		<link>https://wist.info/jerome-jerome-k/7889/</link>
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		<pubDate>Thu, 02 Jul 2009 12:59:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jerome, Jerome K.]]></category>
		<category><![CDATA[avoidance]]></category>
		<category><![CDATA[backlog]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[idleness]]></category>
		<category><![CDATA[lollygagging]]></category>
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		<category><![CDATA[wasting time]]></category>
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		<description><![CDATA[It is impossible to enjoy idling thoroughly unless one has plenty of work to do. There is no fun in doing nothing when you have nothing to do. Wasting time is merely an occupation then, and a most exhausting one. Idleness, like kisses, to be sweet must be stolen.]]></description>
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			<content:encoded><![CDATA[<p>It is impossible to enjoy idling thoroughly unless one has plenty of work to do. There is no fun in doing nothing when you have nothing to do. Wasting time is merely an occupation then, and a most exhausting one. Idleness, like kisses, to be sweet must be stolen.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2009/07/Jerome-Idleness-like-kisses-to-be-sweet-must-be-stolen-wist.info-quote.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2009/07/Jerome-Idleness-like-kisses-to-be-sweet-must-be-stolen-wist.info-quote.png" alt="jerome idleness like kisses to be sweet must be stolen wist.info quote" title="jerome idleness like kisses to be sweet must be stolen wist.info quote" width="800" height="535" class="aligncenter size-full wp-image-67164" srcset="https://wist.info/wp/wp-content/uploads/2009/07/Jerome-Idleness-like-kisses-to-be-sweet-must-be-stolen-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2009/07/Jerome-Idleness-like-kisses-to-be-sweet-must-be-stolen-wist.info-quote-300x201.png 300w, https://wist.info/wp/wp-content/uploads/2009/07/Jerome-Idleness-like-kisses-to-be-sweet-must-be-stolen-wist.info-quote-768x514.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Jerome K. Jerome</b> (1859-1927) English writer, humorist [Jerome Klapka Jerome]<br><i>Idle Thoughts of an Idle Fellow</i>, &#8220;On Being Idle&#8221; (1886) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Idle_Thoughts_of_an_Idle_Fellow/On_being_idle#:~:text=It%20is%20impossible%20to%20enjoy%20idling%20thoroughly%20unless%20one%20has%20plenty%20of%20work%20to%20do.%20There%20is%20no%20fun%20in%20doing%20nothing%20when%20you%20have%20nothing%20to.%20Wasting%20time%20is%20merely%20an%20occupation%20then%2C%20and%20a%20most%20exhausting%20one.%20Idleness%2C%20like%20kisses%2C%20to%20be%20sweet%20must%20be%20stolen." target="_blank">Source</a>)
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		<title>Smith, Sydney -- Letter (1842-09-13) to Lady Holland</title>
		<link>https://wist.info/smith-sydney/6954/</link>
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		<pubDate>Fri, 27 Mar 2009 10:00:58 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Smith, Sydney]]></category>
		<category><![CDATA[afterlife]]></category>
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		<category><![CDATA[complaints]]></category>
		<category><![CDATA[death]]></category>
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		<description><![CDATA[It is a bore, I admit, to be past seventy, for you are left for execution, and are daily expecting the death-warrant; but, as you say, it is not anything very capital we quit. We are, at the close of life, only hurried away from stomach-aches, pains in the joints, from sleepless nights and unamusing [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It is a bore, I admit, to be past seventy, for you are left for execution, and are daily expecting the death-warrant; but, as you say, it is not anything very capital we quit. We are, at the close of life, only hurried away from stomach-aches, pains in the joints, from sleepless nights and unamusing days, from weakness, ugliness, and nervous tremors; but we shall all meet again in another planet, cured of all our defects.</p>
<br><b>Sydney Smith</b> (1771-1845) English clergyman, essayist, wit<br>Letter (1842-09-13) to Lady Holland 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/A_Memoir_of_the_Rev_Sydney_Smith_by_his/DAoTNnd5lBIC?hl=en&gbpv=1&bsq=%22past%20seventy%22" target="_blank">Source</a>)
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		<title>Propertius -- Elegies, Book 2, No. 33C, &#8220;To Cynthia,&#8221; ll. 41-44 [tr. Moore (1870); 3.25]</title>
		<link>https://wist.info/propertius/6952/</link>
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		<pubDate>Thu, 26 Mar 2009 10:48:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Propertius]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[affection]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[heart]]></category>
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		<description><![CDATA[Yet loneliness shall weary thee, and still Love torture thee with longings nought can fill. Absence makes passion&#8217;s tide have double sway, Possession cloys the love of every day. [Nulla tamen lecto recipit se sola libenter: Est quiddam, quod vos quaerere cogat Amor. Semper in absentes felicior aestus amantes: Elevat assiduos copia longa viros.] This [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Yet loneliness shall weary thee, and still<br />
Love torture thee with longings nought can fill.<br />
<span class="tab">Absence makes passion&#8217;s tide have double sway,<br />
Possession cloys the love of every day.</p>
<p><em>[Nulla tamen lecto recipit se sola libenter:<br />
<span class="tab">Est quiddam, quod vos quaerere cogat Amor.<br />
Semper in absentes felicior aestus amantes:<br />
<span class="tab">Elevat assiduos copia longa viros.]</span></span></em></span></p>
<br><b>Propertius</b> (50-16 BC) Roman elegiac poet [Sextus Propertius]<br><i>Elegies</i>, Book 2, No. 33C, &#8220;To Cynthia,&#8221; ll. 41-44 [tr. Moore</a> (1870); 3.25] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_elegies_of_Propertius_tr_into_Engl_v/3GQCAAAAQAAJ?hl=en&gbpv=1&bsq=%22double%20sway%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This quote (the third line) appears to be the origin of the English proverb, "Absence makes the heart grow fonder."  The first use of those exact words appear to be from a song by T. H. Bayly, "Isle of Beauty, Fare Thee Well" (1826?). For more discussion of the origin (and variants) of that phrase see <a href="https://english.stackexchange.com/questions/139744/who-is-the-author-of-absence-makes-the-heart-grow-fonder" title="etymology - Who is the author of &quot;Absence makes the heart grow fonder&quot;? - English Language &amp; Usage Stack Exchange">etymology - Who is the author of &quot;Absence makes the heart grow fonder&quot;? - English Language &amp; Usage Stack Exchange</a>.<br><br>

Not surprisingly, the idea of absence increasing (or decreasing) ardor is a a frequently discussed theme. See this <a href="https://wist.info/proverbs/37870/">English Proverb</a>; <a href="https://wist.info/cervantes-miguel-de/37551/">Cervantes</a> (1605); <a href="https://wist.info/rabutin-roger/801/">Rabutin</a> (1660); <a href="https://wist.info/la-rochefoucauld-francois/2384/">La Rochefoucauld</a> (1678); <a href="https://wist.info/johnson-samuel/37697/">Johnson</a> (1758); <a href="https://wist.info/mirabeau-victor-de/42400/">Mirabeau</a> (1770); <a href="https://wist.info/ouida/37905/">Ouida</a> (1878); <a href="https://wist.info/antrim-minna/74843/">Antrim</a> (1905); <a href="https://wist.info/other/38028/">Shaw</a> (1931); <a href="https://wist.info/bowen-elizabeth/37298/">Bowen</a> (1938); <a href="https://wist.info/stark-freya-madeline/38092/">Stark</a> (1953).<br><br>

Propertius' elegies, as handed down, are something of a mess, and the assignment to them in particular books has been of sharp debate.  This passage is currently considered a fragment, connected to 2.33 (and called 2.33A, or 2.33B, or 2.33C by different translators); similarly, the line numbering in sometimes carried across the entire 2.33, other times broken between the fragments. This fragmentary nature is also why the two couplets here appear in different order between different translations.<br><br>

Nineteenth Century sources, based on the manuscript traditions of the time, assign this as 3.25.<br><br>

(<a href="https://www.thelatinlibrary.com/prop2.html#33a:~:text=nulla%20tamen%20lecto%20recipit%20se%20sola%20libenter%3A%0A%C2%A0%C2%A0%C2%A0%C2%A0est%20quiddam%2C%20quod%20vos%20quaerere%20cogat%20Amor.%0Asemper%20in%20absentis%20felicior%20aestus%20amantis%3A%0A%C2%A0%C2%A0%C2%A0%C2%A0elevat%20assiduos%20copia%20longa%20viros.">Source (Latin)</a>). Other translations:<br><br>

<blockquote>Yet loath to bed her way lone maiden wends,<br>
<span class="tab">Love keeps her brooding o'er forbidden joys;<br>
More deeply yearns the heart for absent friends:<br>
<span class="tab">Even of the leal [loyal] the long possession cloys.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.32044010369999&seq=374&q1=%22loath+to+bed%22">Cranstoun</a> (1875); 3.25]</blockquote><br>

<blockquote>But no one retires with good will to her solitary couch. There is something that Love forces you to miss. There is always a more favourable disposition towards absent lovers; long possession lowers the value even of the devoted. <br>
[tr. <a href="https://archive.org/details/elegies00prop/page/70/mode/2up?q=%22always+a+more%22">Gantillon</a> (1880);  3.25]</blockquote><br>

<blockquote><span class="tab">No woman takes herself cheerfully to bed alone though: there is something which Love makes you fain to look for.<br>
<span class="tab">Desire always burns kindlier toward absent lovers: long plenty of opportunity makes cheap the never-failing suitor.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t83j3gr9k&seq=104&q1=%22burns+kindlier%22">Phillimore</a> (1906); 2.33]</blockquote><br>

<blockquote>Yet no woman ever betakes her willingly to a lonely bed; there is a somewhat that Love compels all to seek. Woman's heart is kinder always towards absent lovers; long possession takes from the worth of the persistent wooer.<br>
[tr. <a href="https://archive.org/details/LoebClassicalLibraryL018/page/n185/mode/2up?q=%22absent+lovers%22">Butler</a> (1912); 2.33]</blockquote><br>

<blockquote>Woman's heart is ever fonder towards an absent lover: long possession lessens the appeal of the persistent wooer. Yet no woman willingly retires to bed alone: there is something which Love compels you all to seek.<br>
[tr. <a href="https://archive.org/details/elegiespropertiu0000prop/page/208/mode/2up?q=%22towards+an+absent+lover%22">Goold</a> (Loeb) (1990); frag. 2.33C]</blockquote><br>

<blockquote>No girl ever willingly goes to bed alone: something there is desire leads us all to search for.  Passion is often greater in absent lovers: endless presence reduces the man who’s always around.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/PropertiusBkTwo.php#anchor_Toc201112290:~:text=No%20girl%20ever%20willingly%20goes%20to%20bed%20alone%3A%20something%20there%20is%20desire%20leads%20us%20all%20to%20search%20for.%20Passion%20is%20often%20greater%20in%20absent%20lovers%3A%20endless%20presence%20reduces%20the%20man%20who%E2%80%99s%20always%20around.">Kline</a> (2008); 2.33A]</blockquote><br>

<blockquote>Passion helps the absent lover: long persistence <br>
<span class="tab">elevates the assiduous man.<br>
No man gladly goes to bed alone, for Amor<br>
<span class="tab">gives us something all must seek. <br>
[tr. <a href="https://www.ocasopress.com/pdf/sextus_propertius_elegies_translation.pdf#page=193">Holcombe</a> (2009); frag. 2.33C]</blockquote><br>						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Smith, Sydney -- Memoir of the Reverend Sydney Smith, by His Daughter, Lady Holland, Vol. 1, ch.  3 (1855)</title>
		<link>https://wist.info/smith-sydney/6929/</link>
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		<pubDate>Fri, 20 Mar 2009 10:34:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Smith, Sydney]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[Preaching has become a bye-word for long and dull conversation of any kind; and whoever wishes to imply, in any piece of writing, the absence of everything agreeable and inviting, calls it a sermon.]]></description>
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			<content:encoded><![CDATA[<p>Preaching has become a bye-word for long and dull conversation of any kind; and whoever wishes to imply, in any piece of writing, the absence of everything agreeable and inviting, calls it a sermon.</p>
<br><b>Sydney Smith</b> (1771-1845) English clergyman, essayist, wit<br><i>Memoir of the Reverend Sydney Smith, by His Daughter, Lady Holland</i>, Vol. 1, ch.  3 (1855) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Memoir/s6kvAAAAIAAJ?hl=en&gbpv=1&bsq=%22preaching%20has%20become%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Addison, Joseph -- The Drummer, Act 4, sc. 6 (1716)</title>
		<link>https://wist.info/addison-joseph/6118/</link>
		<comments>https://wist.info/addison-joseph/6118/#respond</comments>
		<pubDate>Thu, 24 Jul 2008 04:58:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Addison, Joseph]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[dull]]></category>
		<category><![CDATA[seriousness]]></category>

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		<description><![CDATA[TINSEL: We are growing serious, and, let me tell you, that&#8217;s the very next step to being dull.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">TINSEL: We are growing serious, and, let me tell you, that&#8217;s the very next step to being dull.</p>
<p></p>
<br><b>Joseph Addison</b> (1672-1719) English essayist, poet, statesman<br><i>The Drummer</i>, Act 4, sc. 6 (1716) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Drummer_Or_The_Haunted_house/GeYErvde72sC?hl=en&gbpv=1&bsq=%22growing%20serious%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Emerson, Ralph Waldo -- &#8220;Uses of Great Men,&#8221; Representative Men Lecture 1, Boston (1845-12-11)</title>
		<link>https://wist.info/emerson-ralph-waldo/5071/</link>
		<comments>https://wist.info/emerson-ralph-waldo/5071/#respond</comments>
		<pubDate>Wed, 16 May 2007 21:34:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[celebrity]]></category>
		<category><![CDATA[disinterest]]></category>
		<category><![CDATA[fame]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[interest]]></category>
		<category><![CDATA[passe]]></category>
		<category><![CDATA[public opinion]]></category>

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		<description><![CDATA[But a new danger appears in the excess of influence of the great man. His attractions warp us from our place. We have become underlings and intellectual suicides. Ah! yonder in the horizon is our help; &#8212; other great men, new qualities, counterweights and checks on each other. We cloy of the honey of each [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>But a new danger appears in the excess of influence of the great man. His attractions warp us from our place. We have become underlings and intellectual suicides. Ah! yonder in the horizon is our help; &#8212; other great men, new qualities, counterweights and checks on each other. We cloy of the honey of each peculiar greatness. Every hero becomes a bore at last.</p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>&#8220;Uses of Great Men,&#8221; <i>Representative Men</i> Lecture 1, Boston (1845-12-11) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Representative_Men/Uses_of_Great_Men#:~:text=But%20a%20new,bore%20at%20last." target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Russell, Bertrand -- Conquest of Happiness, Part 1, ch.  4 &#8220;Boredom and Excitement&#8221; (1930)</title>
		<link>https://wist.info/russell-bertrand/3388/</link>
		<comments>https://wist.info/russell-bertrand/3388/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[distraction]]></category>
		<category><![CDATA[diversion]]></category>
		<category><![CDATA[excitement]]></category>
		<category><![CDATA[moral leadership]]></category>
		<category><![CDATA[moralist]]></category>
		<category><![CDATA[sin]]></category>

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		<description><![CDATA[Boredom is therefore a vital problem for the moralist, since at least half the sins of mankind are caused by the fear of it.]]></description>
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			<content:encoded><![CDATA[<p>Boredom is therefore a vital problem for the moralist, since at least half the sins of mankind are caused by the fear of it.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br><i>Conquest of Happiness</i>, Part 1, ch.  4 &#8220;Boredom and Excitement&#8221; (1930) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.222834/page/n63/mode/2up?q=%22problem+for+the+moralist%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Hitchcock, Alfred -- Interview (1962-08) by François Truffaut</title>
		<link>https://wist.info/hitchcock-alfred/1891/</link>
		<comments>https://wist.info/hitchcock-alfred/1891/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hitchcock, Alfred]]></category>
		<category><![CDATA[abridgment]]></category>
		<category><![CDATA[banality]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[commonplace]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[dramaticism]]></category>
		<category><![CDATA[dull parts]]></category>
		<category><![CDATA[dullness]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[film-making]]></category>
		<category><![CDATA[improbability]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[movie]]></category>
		<category><![CDATA[mundanity]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[storytelling]]></category>

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		<description><![CDATA[Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out. Why he avoids making &#8220;slice of life&#8221; films. Sometimes paraphrased as &#8220;Drama [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out. </p>
<br><b>Alfred Hitchcock</b> (1899-1980) English film director<br>Interview (1962-08) by François Truffaut 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/alfredhitchcockd0000fran/page/70/mode/2up?q=%22all+to+tell+a+story%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Why he avoids making "slice of life" films. Sometimes paraphrased as "Drama is life with the dull bits cut out."<br><br>

From a series of interviews (with Helen Scott as the translator) of Hitchcock by Truffaut, edited and collected in the Truffaut book <i>Hitchcock: A Definitive Study [Le Cinéma Selon Hitchcock]</i>, ch.  4 (1966) [tr. Truffaut (1967)]. 


						</span>
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		<title>Hugo, Victor -- Les Misérables, Part 2 &#8220;Cosette,&#8221; Book  4 &#8220;The Gorbeau Tenement,&#8221; ch.  1 (2.4.1) (1862) [tr. Donougher (2013)]</title>
		<link>https://wist.info/hugo-victor/1987/</link>
		<comments>https://wist.info/hugo-victor/1987/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[ennui]]></category>
		<category><![CDATA[hell]]></category>
		<category><![CDATA[suffering]]></category>
		<category><![CDATA[torture]]></category>

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		<description><![CDATA[It is possible to imagine something more terrible than a hell of suffering, and that is a hell of boredom. [On peut rêver quelque chose de plus terrible qu’un enfer où l’on souffre, c’est un enfer où l’on s’ennuierait.] See Fromm (1931). (Source (French)). Alternate translations: Something more terrible than a hell of suffering may [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It is possible to imagine something more terrible than a hell of suffering, and that is a hell of boredom.</p>
<p><em>[On peut rêver quelque chose de plus terrible qu’un enfer où l’on souffre, c’est un enfer où l’on s’ennuierait.]</em></p>
<br><b>Victor Hugo</b> (1802-1885) French writer<br><i>Les Misérables</i>, Part 2 &#8220;Cosette,&#8221; Book  4 &#8220;The Gorbeau Tenement,&#8221; ch.  1 (2.4.1) (1862) [tr. Donougher (2013)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/lesmiserables0000hugo_j4t0/page/392/mode/2up?q=%22hell+of+suffering%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="/fromm-erich/47019/">Fromm</a> (1931). <br><br>

(<a href="https://fr.wikisource.org/wiki/Les_Mis%C3%A9rables/Tome_2/Livre_4/01#:~:text=On%20peut%20r%C3%AAver%20quelque%20chose%20de%20plus%20terrible%20qu%E2%80%99un%20enfer%20o%C3%B9%20l%E2%80%99on%20souffre%2C%20c%E2%80%99est%20un%20enfer%20o%C3%B9%20l%E2%80%99on%20s%E2%80%99ennuierait.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>Something more terrible than a hell of suffering may be conceived; to wit, a hell of ennui. <br>
[tr. <a href="https://archive.org/details/in.ernet.dli.2015.43835/page/n379/mode/2up?q=%22hell+of+suffering%22">Wilbour</a> (1862)]</blockquote><br>

<blockquote>It is possible to imagine something more horrible than an Inferno in which people suffer; it is on in which they are bored.<br>
[tr. <a href="https://archive.org/details/lesmiserables0000vict_z1p0/page/n459/mode/2up?q=%22horrible+than+an+inferno%22">Wraxall</a> (1862)]</blockquote><br>

<blockquote>Something more terrible than a hell where one suffers may be imagined, and that is a hell where one is bored. <br>
[tr. <a href="https://en.wikisource.org/wiki/Les_Mis%C3%A9rables/Volume_2/Book_Fourth/Chapter_1#:~:text=Something%20more%20terrible%20than%20a%20hell%20where%20one%20suffers%20may%20be%20imagined%2C%20and%20that%20is%20a%20hell%20where%20one%20is%20bored.">Hapgood</a> (1887)]</blockquote><br>

<blockquote>It is possible to conceive of something even more terrible than a hell of suffering, and that is a hell of boredom.<br>
[tr. <a href="https://archive.org/details/lesmiserables0000tran/page/388/mode/2up?q=%22hell+of+suffering%22">Denny</a> (1976)]</blockquote><br>

<blockquote>There is something more terrible than a hell of suffering -- a hell of boredom.<br>
[tr. <a href="https://archive.org/details/lesmisrabl1987hugo/page/432/mode/2up?q=%22hell+of+suffering%22">Wilbour/Fahnestock/MacAfee</a> (1987)] </blockquote><br>

<blockquote>One can dream of something more terrible than a hell where one suffers; it’s a hell where one would get bored.<br>
[<a href="https://www.google.com/books/edition/The_Demon_of_Noontide/uIorDgAAQBAJ?hl=en&gbpv=1&dq=%22One+can+dream+of+something+more+terrible%22&pg=PA301&printsec=frontcover">E.g.</a>]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Wilde, Oscar -- Lady Windemere&#8217;s Fan, Act 1 [Lord Darlington] (1892)</title>
		<link>https://wist.info/wilde-oscar/4190/</link>
		<comments>https://wist.info/wilde-oscar/4190/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilde, Oscar]]></category>
		<category><![CDATA[bad people]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[charm]]></category>
		<category><![CDATA[engagement]]></category>
		<category><![CDATA[good people]]></category>
		<category><![CDATA[morality]]></category>
		<category><![CDATA[socializing]]></category>
		<category><![CDATA[tediium]]></category>

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		<description><![CDATA[It is absurd to divide people into good and bad. People are either charming or tedious.]]></description>
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			<content:encoded><![CDATA[<p>It is absurd to divide people into good and bad.  People are either charming or tedious.</p>
<br><b>Oscar Wilde</b> (1854-1900) Irish poet, wit, dramatist<br><i>Lady Windemere&#8217;s Fan</i>, Act 1 [Lord Darlington] (1892) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Lady_Windermere_s_Fan/b-VMAQAAMAAJ?hl=en&gbpv=1&dq=wilde%20%22lady%20windermere's%20fan%22&pg=PA5&printsec=frontcover&bsq=%22charming%20or%20tedious%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Pascal, Blaise -- Pensées #139 &#8220;Diversion&#8221; (1670)</title>
		<link>https://wist.info/pascal-blaise/3093/</link>
		<comments>https://wist.info/pascal-blaise/3093/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pascal, Blaise]]></category>
		<category><![CDATA[alone]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[home]]></category>
		<category><![CDATA[impatience]]></category>
		<category><![CDATA[solitude]]></category>
		<category><![CDATA[trouble]]></category>
		<category><![CDATA[unhappiness]]></category>

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		<description><![CDATA[When I have occasionally set myself to consider the different distractions of men, the pains and perils to which they expose themselves at court or in war, whence arise so many quarrels, passions, bold and often bad ventures, etc., I have discovered that all the unhappiness of men arises from one single fact, that they [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When I have occasionally set myself to consider the different distractions of men, the pains and perils to which they expose themselves at court or in war, whence arise so many quarrels, passions, bold and often bad ventures, etc., I have discovered that all the unhappiness of men arises from one single fact, that they cannot stay quietly in their own chamber.</p>
<br><b>Blaise Pascal</b> (1623-1662) French scientist and philosopher<br><i>Pensées</i> #139 &#8220;Diversion&#8221; (1670) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=KDvCAgAAQBAJ&pg=PA48" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Alt. trans.: "I have often said that man's unhappiness springs from one thing alone, his incapacity to stay quietly in one room."<br><br>

Alt. trans.: "All the trouble in the world is due to the fact that a man cannot sit still in a room."						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Watterson, Bill -- Calvin and Hobbes (1992-08-08)</title>
		<link>https://wist.info/watterson-bill/4087/</link>
		<comments>https://wist.info/watterson-bill/4087/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Watterson, Bill]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[bullying]]></category>
		<category><![CDATA[confrontation]]></category>
		<category><![CDATA[disrespect]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[rudeness]]></category>

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		<description><![CDATA[CALVIN: A little rudeness and disrespect can elevate a meaningless interaction to a battle of wills and add drama to an otherwise dull day.]]></description>
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			<content:encoded><![CDATA[<p><a href="https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1992-08-08-excerpt.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1992-08-08-excerpt.png" alt="calvin &amp; hobbes 1992 08 08 excerpt" title="calvin &amp; hobbes 1992 08 08 excerpt" width="267" height="353" class="alignright size-full wp-image-73209" srcset="https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1992-08-08-excerpt.png 267w, https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1992-08-08-excerpt-227x300.png 227w" sizes="(max-width: 267px) 100vw, 267px" /></a></p>
<p class="hangingindent">CALVIN: A little rudeness and disrespect can elevate a meaningless interaction to a battle of wills and add drama to an otherwise dull day.</p>
<p></p>
<br><b>Bill Watterson</b> (b. 1958) American cartoonist<br><i>Calvin and Hobbes</i> (1992-08-08) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gocomics.com/calvinandhobbes/1992/08/08" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Russell, Bertrand -- Conquest of Happiness, Part 1, ch.  4 &#8220;Boredom and Excitement&#8221; (1930)</title>
		<link>https://wist.info/russell-bertrand/3376/</link>
		<comments>https://wist.info/russell-bertrand/3376/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[monotony]]></category>
		<category><![CDATA[slowness]]></category>

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		<description><![CDATA[A certain power of enduring boredom is therefore essential to a happy life, and is one of the things that ought to be taught to the young. [&#8230;] A generation that cannot endure boredom will be a generation of little men, of men unduly divorced from the slow processes of nature, of men in whom [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>A certain power of enduring boredom is therefore essential to a happy life, and is one of the things that ought to be taught to the young.  [&#8230;] A generation that cannot endure boredom will be a generation of little men, of men unduly divorced from the slow processes of nature, of men in whom every vital impulse slowly withers, as though they were cut flowers in a vase.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br><i>Conquest of Happiness</i>, Part 1, ch.  4 &#8220;Boredom and Excitement&#8221; (1930) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.222834/page/n63/mode/2up?q=%22certain+power+of+enduring+boredom%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Maugham, W. Somerset -- The Summing Up, ch. 15 (1938)</title>
		<link>https://wist.info/maugham-william-somerset/2724/</link>
		<comments>https://wist.info/maugham-william-somerset/2724/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Maugham, W. Somerset]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[excess]]></category>
		<category><![CDATA[habit]]></category>
		<category><![CDATA[moderation]]></category>
		<category><![CDATA[restraint]]></category>
		<category><![CDATA[self-control]]></category>
		<category><![CDATA[temperance]]></category>

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		<description><![CDATA[I have not been afraid of excess: excess on occasion is exhilarating. It prevents moderation from acquiring the deadening effect of a habit.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>I have not been afraid of excess: excess on occasion is exhilarating. It prevents moderation from acquiring the deadening effect of a habit.</p>
<br><b>W. Somerset Maugham</b> (1874-1965) English novelist and playwright [William Somerset Maugham]<br><i>The Summing Up</i>, ch. 15 (1938) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/summingup00maug/page/42/mode/2up?q=%22afraid+of+excess%22" target="_blank">Source</a>)
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