WIST Quotations

Colton, Charles Caleb -- Lacon: Or, Many Things in Few Words, Vol. 1, § 517 (1820)

Dave — Sat, 22 Mar 2025 23:18:29 +0000

Most of our misfortunes are more supportable than the comments of our friends upon them.

Charles Caleb "C. C." Colton (1780-1832) English cleric, writer, aphorist
Lacon: Or, Many Things in Few Words, Vol. 1, § 517 (1820)
(Source)

Chamfort, Nicolas -- Products of Perfected Civilization [Produits de la Civilisation Perfectionée], Part 1 “Maxims and Thoughts [Maximes et Pensées],” ch. 3, ¶ 243 (1795) [tr. Siniscalchi (1994)]

Dave — Mon, 16 Oct 2023 18:04:52 +0000

The art of the parenthesis is one of the great secrets of eloquence in society.

[L’art de la parenthèse est un des grands secrets de l’éloquence dans la Société.]

Nicolas Chamfort (1741-1794) French writer, epigrammist (b. Nicolas-Sébastien Roch)
Products of Perfected Civilization [Produits de la Civilisation Perfectionée], Part 1 “Maxims and Thoughts [Maximes et Pensées],” ch. 3, ¶ 243 (1795) [tr. Siniscalchi (1994)]
(Source)

(Source (French)). Alternate translations:

The art of the parenthesis is one of the great secrets of social eloquence.
[tr. Mathers (1926)]

The art of parenthesis is one of the great secrets of eloquence in society.
[tr. Merwin (1969)]

Serling, Rod -- “The Challenge of the Mass Media to the 20th Century Writer,” Speech, Library of Congress (15 Jan 1968)

Dave — Mon, 01 May 2017 22:10:00 +0000

The writer’s role is to menace the public’s conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.

Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
“The Challenge of the Mass Media to the 20th Century Writer,” Speech, Library of Congress (15 Jan 1968)

Bradbury, Ray -- Interview, Playboy (1996)

Dave — Mon, 12 May 2014 16:05:38 +0000

Science fiction is also a great way to pretend you are writing about the future when in reality you are attacking the recent past and the present.

Ray Bradbury (1920-2012) American writer, futurist, fabulist
Interview, Playboy (1996)
(Source)

Schopenhauer, Arthur -- Parerga and Paralipomena, Vol. 1, “Aphorisms on the Wisdom of Life [Aphorismen zur Lebensweisheit],” ch. 5 “Counsels and Maxims [Paränesen und Maximen],” § 2.8 (1851) [tr. Saunders (1890)]

Dave — Thu, 28 Jan 2010 13:44:05 +0000

Experience of the world may be looked upon as a kind of text, to which reflection and knowledge form the commentary. Where there is great deal of reflection and intellectual knowledge, and very little experience, the result is like those books which have on each page two lines of text to forty lines of commentary. A great deal of experience with little reflection and scant knowledge, gives us books like those of the editio Bipontina where there are no notes and much that is unintelligible.

[Auch läßt die eigene Erfahrung sich ansehn als der Text; Nachdenken und Kenntnisse als der Kommentar dazu. Viel Nachdenken und Kenntnisse, bei wenig Erfahrung, gleicht den Ausgaben, deren Seiten zwei Zeilen Text und vierzig Zeilen Kommentar darbieten. Viel Erfahrung, bei wenig Nachdenken und geringen Kenntnissen, gleicht den bipontinischen Ausgaben, ohne Noten, welche Vieles unverstanden lassen.]

Arthur Schopenhauer (1788-1860) German philosopher
Parerga and Paralipomena, Vol. 1, “Aphorisms on the Wisdom of Life [Aphorismen zur Lebensweisheit],” ch. 5 “Counsels and Maxims [Paränesen und Maximen],” § 2.8 (1851) [tr. Saunders (1890)]
(Source)

Saunders notes that the editiones Bipontinae were "a series of Greek, Latin and French classics published at Zweibraecken in the Palatinate, from and after the year 1779."

Source (German). Alternate translation:

Our own experience may be regarded as the text, and reflection and knowledge as the commentary thereto. Much reflection and knowledge with little experience resemble those editions whose pages present us with two lines of text and forty lines of commentary. Much experience with little reflection and scanty knowledge is like the editiones Bipontinae which are without notes and contain much that is unintelligible.
[tr. Payne (1974)]