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		<title>Stevenson, Robert Louis -- Essay (1888-09), &#8220;A Letter to a Young Gentleman Who Proposes to Embrace the Career of Art,&#8221; Scribner&#8217;s Magazine, Vol. 4, No. 3</title>
		<link>https://wist.info/stevenson-robert-louis/82382/</link>
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		<pubDate>Fri, 27 Feb 2026 21:57:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stevenson, Robert Louis]]></category>
		<category><![CDATA[ardor]]></category>
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		<description><![CDATA[The book, the statue, the sonata, must be gone upon with the unreasoning good faith and the unflagging spirit of children at their play. Is it worth doing? &#8212; when it shall have occurred to any artist to ask himself that question, it is implicitly answered in the negative. It does not occur to the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The book, the statue, the sonata, must be gone upon with the unreasoning good faith and the unflagging spirit of children at their play. <i>Is it worth doing?</i> &#8212; when it shall have occurred to any artist to ask himself that question, it is implicitly answered in the negative. It does not occur to the child as he plays at being a pirate on the dining-room sofa, nor to the hunter as he pursues his quarry; and the candour of the one and the ardour of the other should be united in the bosom of the artist.</p>
<br><b>Robert Louis Stevenson</b> (1850–1894) Scottish essayist, novelist, poet<br>Essay (1888-09), &#8220;A Letter to a Young Gentleman Who Proposes to Embrace the Career of Art,&#8221; <i>Scribner&#8217;s Magazine</i>, Vol. 4, No. 3 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=uc1.b5290324&seq=392&q1=sonata" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://gutenberg.org/cache/epub/614/pg614-images.html#page182:~:text=The%20book%2C%20the,of%20the%20artist.">Collected</a> in <i>Across the Plains</i>, ch. 10 (1892).




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		<title>Bradbury, Ray -- Zen in the Art of Writing, Preface (1994)</title>
		<link>https://wist.info/bradbury-ray/79865/</link>
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		<pubDate>Tue, 21 Oct 2025 00:08:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.]]></description>
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			<content:encoded><![CDATA[<p>So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.</p>
<br><b>Ray Bradbury</b> (1920-2012) American writer, futurist, fabulist<br><i>Zen in the Art of Writing</i>, Preface (1994) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Zen_in_the_Art_of_Writing/WCLMDgAAQBAJ?hl=en&gbpv=1&dq=ray+bradbury+%22revitalize+us+amidst+it+all%22&pg=PT11&printsec=frontcover" target="_blank">Source</a>)
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		<title>Tchaikovsky, Peter -- Letter to N. F. von Meck (15 Mar 1878)</title>
		<link>https://wist.info/tchaikovsky-peter/23274/</link>
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		<pubDate>Thu, 19 Dec 2013 14:12:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tchaikovsky, Peter]]></category>
		<category><![CDATA[composing]]></category>
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		<description><![CDATA[There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest does not always respond to the first invitation. We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>There is no doubt that even the greatest musical geniuses have sometimes worked without inspiration. This guest does not always respond to the first invitation. We must <i>always</i> work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can master their <i>disinclination</i>.</p>
<br><b>Pyotr Ilyich Tchaikovsky</b> (1840-1893) Russian composer <br>Letter to N. F. von Meck (15 Mar 1878) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://books.google.com/books?id=3dmKIeyjNDMC&pg=PA280" target="_blank">Source</a>)
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		<title>Brahms, Johannes -- Conversation with George Henschel</title>
		<link>https://wist.info/brahms-johannes/7878/</link>
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		<pubDate>Wed, 01 Jul 2009 13:05:18 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brahms, Johannes]]></category>
		<category><![CDATA[composing]]></category>
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		<category><![CDATA[idea]]></category>
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		<category><![CDATA[patience]]></category>

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		<description><![CDATA[The idea is like the seed corn; it grows imperceptibly in secret. When I have invented or discovered the beginning of a song &#8230;, I shut up the book and go for a walk or take up something else; I think no more of it for perhaps half a year. Nothing is lost, though. When [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>The idea is like the seed corn; it grows imperceptibly in secret. When I have invented or discovered the beginning of a song &#8230;, I shut up the book and go for a walk or take up something else; I think no more of it for perhaps half a year. Nothing is lost, though. When I come back to it again, it has unconsciously taken a new shape, and is ready for me to begin working at it. </p>
<br><b>Johannes Brahms</b> (1833-1897) German composer and pianist<br>Conversation with George Henschel 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://books.google.com/books?id=7Ss5AAAAIAAJ&pg=PA70" target="_blank">Source</a>)
										<br><br><span class="cite">
						
Quoted in a letter to Herr and Frau von Herzogenberg in Max Kalbeck, ed., the Brahms-Gesellschaft collection of correspondence, Vol. 2 [tr. Bryant (1909)], as cited in John Alexander Fuller-Maitland, <i>Brahms</i>, ch. 3 (1911).						</span>
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