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	<title>WIST Quotations</title>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Bronowski, Jacob -- The Origins of Knowledge and Imagination, ch. 1 &#8220;The Mind as an Instrument for Understanding&#8221; (1978)</title>
		<link>https://wist.info/bronowski-jacob/71201/</link>
		<comments>https://wist.info/bronowski-jacob/71201/#respond</comments>
		<pubDate>Thu, 08 Aug 2024 23:05:09 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bronowski, Jacob]]></category>
		<category><![CDATA[alternatives]]></category>
		<category><![CDATA[consciousness]]></category>
		<category><![CDATA[free will]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[visualization]]></category>

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		<description><![CDATA[What we really mean by free will, of course, is the visualizing of alternatives and making a choice between them. In my view, which not everyone shares, the central problem of human consciousness depends on this ability to imagine.]]></description>
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			<content:encoded><![CDATA[<p>What we really mean by free will, of course, is the visualizing of alternatives and making a choice between them. In my view, which not everyone shares, the central problem of human consciousness depends on this ability to imagine.</p>
<br><b>Jacob Bronowski</b> (1908-1974) Polish-English humanist and mathematician<br><i>The Origins of Knowledge and Imagination</i>, ch. 1 &#8220;The Mind as an Instrument for Understanding&#8221; (1978) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/originsofknowled00bron/page/18/mode/2up?q=%22visualizing+of+alternatives%22" target="_blank">Source</a>)
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		<title>L'Engle, Madeleine -- A Circle of Quiet, ch. 1, sec. 3 (1972)</title>
		<link>https://wist.info/lengle-madeleine/69481/</link>
		<comments>https://wist.info/lengle-madeleine/69481/#respond</comments>
		<pubDate>Tue, 14 May 2024 14:44:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[L'Engle, Madeleine]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[concentration]]></category>
		<category><![CDATA[consciousness]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[in the zone]]></category>
		<category><![CDATA[self-consciousness]]></category>

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		<description><![CDATA[The concentration of a small child at play is analogous to the concentration of the artist of any discipline. In real play, which is real concentration, the child is not only outside time, he is outside himself. He has thrown himself completely into whatever it is that he is doing. A child playing a game, [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>The concentration of a small child at play is analogous to the concentration of the artist of any discipline. In real play, which is real concentration, the child is not only outside time, he is outside <i>himself.</i> He has thrown himself completely into whatever it is that he is doing. A child playing a game, building a sand castle, painting a picture, is completely <i>in</i> what he is doing. His <i>self</i>-consciousness is gone; his consciousness is wholly focused outside himself. </p>
<br><b>Madeleine L'Engle</b> (1918-2007) American writer<br><i>A Circle of Quiet</i>, ch. 1, sec. 3 (1972) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/circleofquiet0000leng/page/10/mode/2up?q=%22small+child+at+play%22" target="_blank">Source</a>)
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		<title>Steinbeck, John -- The Log from the Sea of Cortez (1941, 1951)</title>
		<link>https://wist.info/steinbeck-john/64164/</link>
		<comments>https://wist.info/steinbeck-john/64164/#respond</comments>
		<pubDate>Wed, 25 Oct 2023 23:06:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Steinbeck, John]]></category>
		<category><![CDATA[consciousness]]></category>
		<category><![CDATA[evolution]]></category>
		<category><![CDATA[human nature]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[progress]]></category>
		<category><![CDATA[self-awareness]]></category>
		<category><![CDATA[struggle]]></category>
		<category><![CDATA[survival]]></category>
		<category><![CDATA[thought]]></category>

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		<description><![CDATA[Perhaps no other animal is so torn between alternatives. Man might be described fairly adequately, if simply, as a two-legged paradox. He has never become accustomed to the tragic miracle of consciousness. Perhaps, as has been suggested, his species is not set, has not jelled, but is still in a state of becoming, bound by [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Perhaps no other animal is so torn between alternatives. Man might be described fairly adequately, if simply, as a two-legged paradox. He has never become accustomed to the tragic miracle of consciousness. Perhaps, as has been suggested, his species is not set, has not jelled, but is still in a state of becoming, bound by his physical memories to a past of struggle and survival, limited in his futures by the uneasiness of thought and consciousness.</p>
<br><b>John Steinbeck</b> (1902-1968) American writer<br><i>The Log from the <u>Sea of Cortez</u></i> (1941, 1951) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/logfromseaofc00stei/page/96/mode/2up?q=%22two-legged+paradox%22" target="_blank">Source</a>)
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		<title>Richardson, James -- Vectors: Aphorisms and Ten-Second Essays, #407 (2001)</title>
		<link>https://wist.info/richardson-james/48010/</link>
		<comments>https://wist.info/richardson-james/48010/#respond</comments>
		<pubDate>Tue, 27 Jul 2021 16:58:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Richardson, James]]></category>
		<category><![CDATA[consciousness]]></category>
		<category><![CDATA[mind]]></category>
		<category><![CDATA[self-awareness]]></category>
		<category><![CDATA[subconscious]]></category>

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		<description><![CDATA[The mind is like a well-endowed museum, only a small fraction of its holdings on view at any one time.]]></description>
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			<content:encoded><![CDATA[<p>The mind is like a well-endowed museum, only a small fraction of its holdings on view at any one time.</p>
<br><b>James Richardson</b> (b. 1950) American poet<br><i>Vectors: Aphorisms and Ten-Second Essays</i>, #407 (2001) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Vectors/J6IRxGpScnsC?hl=en&gbpv=1&pg=PA88&printsec=frontcover&bsq=well-endowed%20museum" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Shakespeare, William -- Hamlet, Act 3, sc. 1, l.  91ff (3.1.91-96) (c. 1600)</title>
		<link>https://wist.info/shakespeare-william/7424/</link>
		<comments>https://wist.info/shakespeare-william/7424/#respond</comments>
		<pubDate>Wed, 27 May 2009 14:09:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[awareness]]></category>
		<category><![CDATA[consciousness]]></category>
		<category><![CDATA[contemplation]]></category>
		<category><![CDATA[hesitation]]></category>
		<category><![CDATA[over-thinking]]></category>
		<category><![CDATA[ramifications]]></category>
		<category><![CDATA[thought]]></category>

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		<description><![CDATA[HAMLET: Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action. &#8220;Conscience&#8221; in this case is used in its archaic form, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">HAMLET: Thus conscience does make cowards of us all,<br />
And thus the native hue of resolution<br />
Is sicklied o’er with the pale cast of thought,<br />
And enterprises of great pitch and moment<br />
With this regard their currents turn awry<br />
And lose the name of action.</p>
<p></p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Hamlet</i>, Act 3, sc. 1, l.  91ff (3.1.91-96) (c. 1600) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/hamlet/entire-play/#:~:text=Thus%20conscience%20does%20make%20cowards%20%E2%9F%A8,And%20lose%20the%20name%20of%20action." target="_blank">Source</a>)
										<br><br><span class="cite">
						

"Conscience" in this case is used in its archaic form, as consciousness, awareness.						</span>
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		<title>Bierce, Ambrose -- &#8220;Brain,&#8221; The Cynic&#8217;s Word Book (1906)</title>
		<link>https://wist.info/bierce-ambrose/1088/</link>
		<comments>https://wist.info/bierce-ambrose/1088/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 18:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bierce, Ambrose]]></category>
		<category><![CDATA[brain]]></category>
		<category><![CDATA[cognition]]></category>
		<category><![CDATA[consciousness]]></category>
		<category><![CDATA[ego]]></category>
		<category><![CDATA[self-awareness]]></category>
		<category><![CDATA[sentience]]></category>
		<category><![CDATA[thought]]></category>

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		<description><![CDATA[BRAIN, n. An apparatus with which we think that we think. Included in The Devil&#8217;s Dictionary (1911).]]></description>
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			<content:encoded><![CDATA[<p>BRAIN, <em>n.</em> An apparatus with which we think that we think.</p>
<br><b>Ambrose Bierce</b> (1842-1914?) American writer and journalist<br>&#8220;Brain,&#8221; <i>The Cynic&#8217;s Word Book</i> (1906) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Cynic_s_Word_Book/CboOAAAAIAAJ?hl=en&gbpv=1&bsq=BRAIN" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://en.wikisource.org/wiki/The_Devil%27s_Dictionary/B#:~:text=BRAIN%2C%20n.%20An%20apparatus%20with%20which%20we%20think%20what%20we%20think.">Included</a> in <i>The Devil's Dictionary</i> (1911).						</span>
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