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		<title>Carlyle, Thomas -- Lecture (1840-05-12), &#8220;The Hero as Poet,&#8221; Home House, Portman Square, London</title>
		<link>https://wist.info/carlyle-thomas/82017/</link>
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		<pubDate>Thu, 12 Feb 2026 21:40:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carlyle, Thomas]]></category>
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		<description><![CDATA[Can the man say, Fiat lux, Let there be light; and out of chaos make a world? Precisely as there is light in himself, will he accomplish this. Talking about Shakespeare and his creativity. The lecture notes were collected by Carlyle into On Heroes, Hero-Worship, &#038; the Heroic in History, Lecture 3 (1841).]]></description>
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			<content:encoded><![CDATA[<p>Can the man say, <i>Fiat lux,</i> Let there be light; and out of chaos make a world? Precisely as there is light in himself, will he accomplish this.</p>
<br><b>Thomas Carlyle</b> (1795-1881) Scottish essayist and historian<br>Lecture (1840-05-12), &#8220;The Hero as Poet,&#8221; Home House, Portman Square, London 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/1091/pg1091-images.html#:~:text=Can%20the%20man%20say%2C%20Fiat%20lux%2C%20Let%20there%20be%20light%3B%20and%20out%20of%20chaos%20make%20a%20world%3F%20Precisely%20as%20there%20is%20light%20in%20himself%2C%20will%20he%20accomplish%20this." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Talking about Shakespeare and his creativity.<br><br>

The lecture notes were collected by Carlyle into <i>On Heroes, Hero-Worship, & the Heroic in History</i>, Lecture 3 (1841).



						</span>
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		<title>Adams, Douglas -- Hitchhiker&#8217;s Guide to the Galaxy, Phase 1, &#8220;Fit the 5th&#8221; (BBC radio) (1978-04-05)</title>
		<link>https://wist.info/adams-douglas/81840/</link>
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		<pubDate>Wed, 04 Feb 2026 17:59:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adams, Douglas]]></category>
		<category><![CDATA[beginning]]></category>
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		<description><![CDATA[NARRATOR: In the beginning the Universe was created. This has made a lot of people very angry and been widely regarded as a bad move. This passage, without change, appears in the second novelization, The Restaurant at the End of the Universe, ch. 1 (1980).]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">NARRATOR: In the beginning the Universe was created. This has made a lot of people very angry and been widely regarded as a bad move. </p>
<p></p>
<br><b>Douglas Adams</b> (1952-2001) English author, humorist, screenwriter<br><i>Hitchhiker&#8217;s Guide to the Galaxy</i>, Phase 1, &#8220;Fit the 5th&#8221; (BBC radio) (1978-04-05) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://bookreadfree.com/325510/8014802#:~:text=In%20the%20beginning%20the%20Universe%20was%20created.%20This%20has%20made%20a%20lot%20of%20people%20very%20angry%20and%20been%20widely%20regarded%20as%20a%20bad%20move." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/hitchhikersguide0000adam_d5y6/page/154/mode/2up?q=%22in+the+beginning%22">This passage, without change</a>, appears in the second novelization, <i>The Restaurant at the End of the Universe</i>, ch.  1 (1980).						</span>
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		<title>Ingersoll, Robert Green -- Lecture (1884-01-20), &#8220;Orthodoxy,&#8221; Tabor Opera House, Denver, Colorado</title>
		<link>https://wist.info/ingersoll-robert-green/81744/</link>
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		<pubDate>Fri, 30 Jan 2026 23:04:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ingersoll, Robert Green]]></category>
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		<description><![CDATA[Does any intelligent man now believe that God made man of dust, and woman of a rib, and put them in a garden, and put a tree in the midst of it? Was there not room outside of the garden to put his tree, if he did not want people to eat his apples? If [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Does any intelligent man now believe that God made man of dust, and woman of a rib, and put them in a garden, and put a tree in the midst of it? Was there not room outside of the garden to put his tree, if he did not want people to eat his apples?<br />
<span class="tab">If I did not want a man to eat my fruit, I would not put him in my orchard.</span></p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Lecture (1884-01-20), &#8220;Orthodoxy,&#8221; Tabor Opera House, Denver, Colorado 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/38813/pg38813-images.html#Blink0004:~:text=Does%20any%20intelligent,in%20my%20orchard." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/orthodoxylecture00inge/page/18/mode/2up?q=%22any+intelligent%22">Published as its own book in 1884</a>.
						</span>
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		<title>Ingersoll, Robert Green -- Lecture (1872-01-29), &#8220;The Gods,&#8221; Fairbury Hall, Fairbury, Illinois</title>
		<link>https://wist.info/ingersoll-robert-green/81162/</link>
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		<pubDate>Sat, 03 Jan 2026 19:10:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ingersoll, Robert Green]]></category>
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		<description><![CDATA[A devout clergyman sought every opportunity to impress upon the mind of his son the fact, that God takes care of all his creatures; that the falling sparrow attracts his attention, and that his loving kindness is over all his works. Happening, one day, to see a crane wading in quest of food, the good [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">A devout clergyman sought every opportunity to impress upon the mind of his son the fact, that God takes care of all his creatures; that the falling sparrow attracts his attention, and that his loving kindness is over all his works.<br />
<span class="tab">Happening, one day, to see a crane wading in quest of food, the good man pointed out to his son the perfect adaptation of the crane to get his living in that manner. &#8220;See,&#8221; said he, &#8220;how his legs are formed for wading! What a long slender bill he has! Observe how nicely he folds his feet when putting them in or drawing them out of the water! He does not cause the slightest ripple. He is thus enabled to approach the fish without giving them any notice of his arrival.&#8221;<br />
<span class="tab">&#8220;My son,&#8221; said he, &#8220;it is impossible to look at that bird without recognizing the design, as well as the goodness of God, in thus providing the means of subsistence.&#8221;<br />
<span class="tab">&#8220;Yes,&#8221; replied the boy, &#8220;I think I see the goodness of God, at least so far as the crane is concerned; but after all, father, don&#8217;t you think the arrangement a little tough on the fish?&#8221;</span></span></span></span></p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Lecture (1872-01-29), &#8220;The Gods,&#8221; Fairbury Hall, Fairbury, Illinois 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/38813/pg38813-images.html#Alink0002:~:text=A%20devout%20clergyman,on%20the%20fish%3F%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

First given on the 135th birthday of Thomas Paine. <a href="https://archive.org/details/godsotherlectu00inge/page/40/mode/2up?q=%22a+devout+clergyman%22">Collected</a> in <i>The Gods and Other Lectures</i> (1876).


						</span>
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		<title>Ingersoll, Robert Green -- Lecture (1872-01-29), &#8220;The Gods,&#8221; Fairbury Hall, Fairbury, Illinois</title>
		<link>https://wist.info/ingersoll-robert-green/81030/</link>
		<comments>https://wist.info/ingersoll-robert-green/81030/#respond</comments>
		<pubDate>Fri, 26 Dec 2025 21:12:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ingersoll, Robert Green]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[What would we think of a father, who should give a farm to his children, and before giving them possession should plant upon it thousands of deadly shrubs and vines; should stock it with ferocious beasts, and poisonous reptiles; should take pains to put a few swamps in the neighborhood to breed malaria; should so [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">What would we think of a father, who should give a farm to his children, and before giving them possession should plant upon it thousands of deadly shrubs and vines; should stock it with ferocious beasts, and poisonous reptiles; should take pains to put a few swamps in the neighborhood to breed malaria; should so arrange matters, that the ground would occasionally open and swallow a few of his darlings, and besides all this, should establish a few volcanoes in the immediate vicinity, that might at any moment overwhelm his children with rivers of fire? Suppose that this father neglected to tell his children which of the plants were deadly; that the reptiles were poisonous; failed to say anything about the earthquakes, and kept the volcano business a profound secret; would we pronounce him angel or fiend?<br />
<span class="tab">And yet this is exactly what the orthodox God has done.</span></span></p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Lecture (1872-01-29), &#8220;The Gods,&#8221; Fairbury Hall, Fairbury, Illinois 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/38813/pg38813-images.html#Alink0002:~:text=What%20would%20we,God%20has%20done." target="_blank">Source</a>)
										<br><br><span class="cite">
						

First given on the 135th birthday of Thomas Paine. <a href="https://archive.org/details/godsotherlectu00inge/page/70/mode/2up?q=%22what+would+we+think+of+a+father%22">Collected</a> in <i>The Gods and Other Lectures</i> (1876).

						</span>
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		<title>Edda, Poetic -- Völuspá [Prophecy of the Völva; Prophecy of the Seeress], st. 59 (AD 961) [tr. Bellows (1936)]</title>
		<link>https://wist.info/edda-poetic/80778/</link>
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		<pubDate>Mon, 15 Dec 2025 16:35:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Edda, Poetic]]></category>
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		<description><![CDATA[Now do I see   the earth anew Rise all green   from the waves again; The cataracts fall,   and the eagle flies, And fish he catches   beneath the cliffs. [Sér hon upp koma ǫðru sinni jǫrð ór ægi, iðjagrœna; falla forsar, flýgr ǫrn yfir, sá er á fjalli fiska veiðir.] The rebirth of the world after [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Now do I see  <br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">the earth anew<br />
Rise all green  <br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">from the waves again;<br />
The cataracts fall,  <br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">and the eagle flies,<br />
And fish he catches  <br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">beneath the cliffs.</p>
<p><em>[Sér hon upp koma<br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">ǫðru sinni<br />
jǫrð ór ægi,<br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">iðjagrœna;<br />
falla forsar,<br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">flýgr ǫrn yfir,<br />
sá er á fjalli<br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">fiska veiðir.]</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></em></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
<br><b>Poetic Edda</b> (800-1100) Old Norse anonymous collection of poems<br><i>Völuspá [Prophecy of the Völva; Prophecy of the Seeress]</i>, st. 59 (AD 961) [tr. Bellows (1936)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Poetic_Edda_(tr._Bellows)/Voluspo#:~:text=Now%20do%20I,beneath%20the%20cliffs" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The rebirth of the world after Ragnarok. Narrated by Heiðr.<br><br>

(Source (<a href="https://books.openbookpublishers.com/10.11647/obp.0308/ch1.xhtml#:~:text=S%C3%A9r%20hon%20upp,fjalli%C2%A0%C2%A0%C2%A0fiska%20vei%C3%B0ir.">Old Norse</a>)), Other translations:<br><br>

<blockquote>She sees at last emerge from the ocean,<br>
An earth in every part flourishing.<br>
The cataracts flow down;<br>
The eagle flies aloft;<br>
And hunt the fishes in the mountains.<br>
[tr. <a href="https://en.wikisource.org/wiki/History_of_the_Anglo-Saxons/Book_2/Appendix/Chapter_4#:~:text=She%20sees%20at,in%20the%20mountains.">Turner</a> (1836); st. 46] </blockquote><br>

<blockquote>She sees arise, a second time, earth from ocean, beauteously green, waterfalls descending; the eagle flying over, which in the fell captures fish.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Elder_Edda_and_the_Younger_Edda/Elder_Edda/The_Vala%27s_Prophecy#:~:text=She%20sees%20arise%2C%20a%20second%20time%2C%20earth%20from%20ocean%2C%20beauteously%20green%2C%20waterfalls%20descending%3B%20the%20eagle%20flying%20over%2C%20which%20in%20the%20fell%20captures%20fish.">Thorpe</a> (1866); st. 57]</blockquote><br>

<blockquote>She sees, coming up a second time,<br>
Earth from the ocean, eternally green;<br>
the waterfall plunges, an eagle soars over it,<br>
hunting fish on the mountain.<br>
[tr. <a href="https://archive.org/details/isbn_9780192839466/page/12/mode/2up?q=%22coming+up+a+second%22">Larrington</a> (2014); st. 59]</blockquote><br>

<blockquote>She sees coming up for a second time<br>
earth, green again, from the sea;<br>
waterfalls tumble, an eagle flies above,<br>
the one who hunts fish on the fell.<br>
[tr. <a href="https://books.openbookpublishers.com/10.11647/obp.0308/ch1.xhtml#_idTextAnchor164:~:text=She%20sees%20coming,on%20the%20fell.">Pettit</a> (2023); st. 57]</blockquote><br>						</span>
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		<title>Montaigne, Michel de -- Essays, Book 2, ch. 12 (2.12), &#8220;Apology for Raymond Sebond [Apologie de Raimond de Sebonde]&#8221; (1573) [tr. Zeitlin (1934)]</title>
		<link>https://wist.info/montaigne-michel-de/80346/</link>
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		<pubDate>Thu, 13 Nov 2025 18:18:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Man is certainly mad. He cannot fashion a worm, and he fashions gods by dozens. [L’homme est bien insensé: Il ne sçauroit forger un ciron, &#038; forge des Dieux à douzaines.] This essay appeared in the 1st (1580) edition, and was expanded for each edition after that. This passage first appeared in the 3rd (1595) [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Man is certainly mad. He cannot fashion a worm, and he fashions gods by dozens.</p>
<p><em>[L’homme est bien insensé: Il ne sçauroit forger un ciron, &#038; forge des Dieux à douzaines.]</em></p>
<br><b>Michel de Montaigne</b> (1533-1592) French essayist<br><i>Essays</i>, Book 2, ch. 12 (2.12), &#8220;Apology for Raymond Sebond <i>[Apologie de Raimond de Sebonde]&#8221;</i> (1573) [tr. Zeitlin (1934)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Essays_of_Michel_de_Montaigne/cncGAQAAIAAJ?hl=en&gbpv=1&bsq=%22by%20dozens%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This essay appeared in the 1st (1580) edition, and was expanded for each edition after that. This passage first appeared in the 3rd (1595) edition.<br><br>

(<a href="https://hyperessays.net/gournay/book/II/chapter/12/#:~:text=L%E2%80%99homme%20est%20bien%20insens%C3%A9%C2%A0%3A%20Il%20ne%20s%C3%A7auroit%20forger%20un%20ciron%2C%20%26%20forge%20des%20Dieux%20%C3%A0%20douzaines.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>Oh sencelesse man, who can not possibly make a worme, and yet will make Gods by dozens.<br>
[tr. <a href="https://hyperessays.net/florio/book/II/chapter/12/#:~:text=Oh%20sencelesse%20man%2C%20who%20can%20not%20possibly%20make%20a%20worme%2C%20and%20yet%20will%20make%20Gods%20by%20dozens.">Florio</a> (1603)]</blockquote><br>

<blockquote>Man is certainly stark mad; he cannot make a flea, and yet gods by dozens.<br>
[tr. <a href="https://archive.org/details/essaysmichaelde00montgoog/page/178/mode/2up?q=dozens">Cotton</a> (1686)]</blockquote><br>

<blockquote>Man is certainly stark mad; he cannot make a worm, and yet he will be making gods by dozens.<br>
[tr. <a href="https://hyperessays.net/essays/apology-for-raymond-sebond/#:~:text=Man%20is%20certainly%20stark%20mad%3B%20he%20cannot%20make%20a%20worm%2C%20and%20yet%20he%20will%20be%20making%20gods%20by%20dozens.">Cotton/Hazlitt</a> (1877)]</blockquote><br>

<blockquote>Man is indeed mad. He could not fashion a worm, and he fashions gods by the dozen.<br>
[tr. <a href="https://www.google.com/books/edition/Book_I_continued_Book_II/x5vvSyAeA5AC?hl=en&gbpv=1&bsq=%22gods%20by%20the%20dozen%22">Ives</a> (1925)]</blockquote><br>

<blockquote>Man is certainly crazy. He could not make a mite, and he makes gods by the dozens.<br>
[tr. <a href="https://archive.org/details/completeworksofm0000mont/page/394/mode/2up?q=%22make+a+mite%22">Frame</a> (1943)]</blockquote><br>

<blockquote>Man is quite insane. He wouldn't know how to create a maggot, and he creates gods by the dozen.<br>
[ed. <a href="https://www.oxfordreference.com/display/10.1093/acref/9780191843730.001.0001/q-oro-ed5-00007567#:~:text=Man%20is%20quite%20insane.%20He%20wouldn%27t%20know%20how%20to%20create%20a%20maggot%2C%20and%20he%20creates%20gods%20by%20the%20dozen">Rat</a> (1958)]</blockquote><br>

<blockquote>Man is indeed out of his mind. He cannot even create a fleshworm, yet creates gods by the dozen. <br>
[tr. <a href="https://archive.org/details/the-complete-essays-montaigne-michel-de-1533-1592/page/593/mode/2up?q=%22creates+gods%22">Screech</a> (1987)]</blockquote><br>						</span>
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		<title>Bradbury, Ray -- Zen in the Art of Writing, Preface (1994)</title>
		<link>https://wist.info/bradbury-ray/79865/</link>
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		<pubDate>Tue, 21 Oct 2025 00:08:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bradbury, Ray]]></category>
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		<description><![CDATA[So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.]]></description>
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			<content:encoded><![CDATA[<p>So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.</p>
<br><b>Ray Bradbury</b> (1920-2012) American writer, futurist, fabulist<br><i>Zen in the Art of Writing</i>, Preface (1994) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Zen_in_the_Art_of_Writing/WCLMDgAAQBAJ?hl=en&gbpv=1&dq=ray+bradbury+%22revitalize+us+amidst+it+all%22&pg=PT11&printsec=frontcover" target="_blank">Source</a>)
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		<title>Moliere -- Les Femmes Savantes [The Learned Ladies], Act 1, sc. 1, (1692) [tr. Page (1908)]</title>
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		<pubDate>Thu, 04 Sep 2025 18:27:58 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Moliere]]></category>
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		<description><![CDATA[HENRIETTE: Heaven, that orders all with sovereign power, Forms us at birth for different uses, sister. Not every spirit, if it would, can furnish The stuff of which philosophers are made. [Le ciel, dont nous voyons que l’ordre est tout-puissant, Pour différents emplois nous fabrique en naissant ; Et tout esprit n’est pas composé d’une [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">HENRIETTE: Heaven, that orders all with sovereign power,<br />
Forms us at birth for different uses, sister.<br />
Not every spirit, if it would, can furnish<br />
The stuff of which philosophers are made.</p>
<p></p>
<p><em>[Le ciel, dont nous voyons que l’ordre est tout-puissant,<br />
Pour différents emplois nous fabrique en naissant ;<br />
Et tout esprit n’est pas composé d’une étoffe<br />
Qui se trouve taillée à faire un philosophe.]</em></p>
<br><b>Molière</b> (1622-1673) French playwright, actor [stage name for Jean-Baptiste Poquelin]<br><i>Les Femmes Savantes [The Learned Ladies]</i>, Act 1, sc. 1, (1692) [tr. Page (1908)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hn3u2w&seq=377&q1=%22heaven+that+orders%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Les_Femmes_savantes/%C3%89dition_Louandre,_1910/Acte_I#:~:text=Le%20ciel%2C%20dont%20nous%20voyons%20que%20l%E2%80%99ordre%20est%20tout%2Dpuissant%2C%0APour%20diff%C3%A9rents%20emplois%20nous%20fabrique%20en%20naissant%C2%A0%3B%0AEt%20tout%20esprit%20n%E2%80%99est%20pas%20compos%C3%A9%20d%E2%80%99une%20%C3%A9toffe%0AQui%20se%20trouve%20taill%C3%A9e%20%C3%A0%20faire%20un%20philosophe.">Source (French)</a>).  Other translations:<br><br>

<blockquote>Heav'n, whose Order we perceive to be almighty, forms us in our Birth for different Offices, and every Mind is not compos'd of Materials to fit it for making a Philosopher.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hw3pxq&seq=25&q1=%22order+we+perceive%22">Clitandre</a> (1739)]  </blockquote><br>

<blockquote>Heaven, whose commands we see to be all-powerful, fits us at our birth for different functions; and every mind is not composed of the stuff cut out to make a philosopher.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=coo.31924082232921&seq=142&q1=%22heaven,+whose+commands%22">Van Laun</a> (1876)] </blockquote><br>

<blockquote>Heaven, whose will is supreme, forms us at our birth to fill different spheres; and it is not every mind which is composed of materials fit to make a philosopher.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Learned_Women/Act_I#:~:text=Heaven%2C%20whose%20will%20is%20supreme%2C%20forms%20us%20at%20our%20birth%20to%20fill%20different%20spheres%3B%20and%20it%20is%20not%20every%20mind%20which%20is%20composed%20of%20materials%20fit%20to%20make%20a%20philosopher.">Wall</a> (1879), <i>The Learned Women]</i></blockquote><br>

<blockquote>Heaven, whose order we own to be almighty, forms us at birth for different occupations, and every mind is not composed of the stuff to make a philosopher.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.$b292696&seq=504&q1=%22heaven+whose+order%22">Matthew</a> (1890), <i>The Blue-Stockings]</i>  </blockquote><br>

<blockquote>But Heaven, whose laws we know to be all-powerful, formed us at birth for different vocations. All minds are not of the same stuff, cut out to make philosophers.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=cub.u183035176739&seq=38&q1=%22but+heaven%22">Wormeley</a> (1895), <i>The Female Pedants]</i></blockquote><br>

<blockquote>Heaven, whose decree is omnipotent, forms us at our birth for different functions; not every mind is made of the material from which a philosopher is made.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uva.x002085456&seq=75&q1=%22heaven+whose+decree%22">Waller</a> (1903)] </blockquote><br>

<blockquote>Heaven, whose order of course is all-powerful,<br>
Creates us at birth for different functions;<br>
And every mind is not composed of the stuff<br>
That’s right for fashioning philosophers.<br>
[tr. <a href="https://the-mercurian.com/2018/05/10/the-learned-ladies/#:~:text=Heaven%2C%20whose%20order%20of%20course%20is%20all%2Dpowerful%2C%0ACreates%20us%20at%20birth%20for%20different%20functions%3B%0AAnd%20every%20mind%20is%20not%20composed%20of%20the%20stuff%0AThat%E2%80%99s%20right%20for%20fashioning%20philosophers.">Marks</a> (2018)]</blockquote><br>						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Taylor, Barbara Brown -- Interview (2006-06-08) by Bob Abernathy, PBS</title>
		<link>https://wist.info/taylor-barbara-brown/76304/</link>
		<comments>https://wist.info/taylor-barbara-brown/76304/#respond</comments>
		<pubDate>Tue, 22 Apr 2025 18:41:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Taylor, Barbara Brown]]></category>
		<category><![CDATA[authenticity]]></category>
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		<description><![CDATA[What I mean by that, I think, is that much of religion, much of the religion I was schooled in, was about putting myself away, aside, behind me in order to become something holier and closer to God. In other words, to draw nearer to the Really Real I needed to be less me. Perhaps [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>What I mean by that, I think, is that much of religion, much of the religion I was schooled in, was about putting myself away, aside, behind me in order to become something holier and closer to God. In other words, to draw nearer to the Really Real I needed to be less me. Perhaps it was a midlife revelation or just wearing out on that that led me to a different understanding &#8212; that my humanity was God’s chief gift to me, and that if I was going to find the Really Real it was going to be within that and not separating myself from that. I don’t know if it makes sense. But it meant that the holiest thing I could be was the flawed human being God had made me to be.</p>
<br><b>Barbara Brown Taylor</b> (b. 1951) American minister, academic, author<br>Interview (2006-06-08) by Bob Abernathy, PBS 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.pbs.org/wnet/religionandethics/2006/07/07/july-7-2006-barbara-brown-taylor-extended-interview/2552/#:~:text=much%20of%20religion,to%20be.%20Let" target="_blank">Source</a>)
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		<title>Omar Khayyam -- Rubáiyát [رباعیات] [tr. Whinfield (1883), # 126; Fitz. #  86]</title>
		<link>https://wist.info/omar-khayyam/75617/</link>
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		<pubDate>Thu, 13 Mar 2025 21:20:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Omar Khayyam]]></category>
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		<description><![CDATA[The Master did himself these vessels frame, Why should he cast them out to scorn and shame? If he has made them well, why should he break them? Yea, though he marred them, they are not to blame. Various of the sources I consulted (e.g.) tied the &#8220;vessels&#8221; quatrain and the &#8220;quick and dead&#8221; quatrain [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The Master did himself these vessels frame,<br />
Why should he cast them out to scorn and shame?<br />
<span class="tab">If he has made them well, why should he break them?<br />
Yea, though he marred them, <i>they</i> are not to blame.<br />
</span></p>
<br><b>Omar Khayyám </b> (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]<br><i>Rubáiyát</i> [رباعیات] [tr. Whinfield (1883), # 126; Fitz. #  86] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Quatrains_of_Omar_Khayyam_(tr._Whinfield,_1883)/Quatrains_101-200#:~:text=The%20Master%20did%20himself%20these%20vessels%20frame%2C%0AWhy%20should%20he%20cast%20them%20out%20to%20scorn%20and%20shame%3F%0A%C2%A0%C2%A0%C2%A0%C2%A0If%20he%20has%20made%20them%20well%2C%20why%20should%20he%20break%20them%3F%0AYea%2C%20though%20he%20marred%20them%2C%20they%20are%20not%20to%20blame." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Various of the sources I consulted (<a href="https://archive.org/details/rubaiyatofomarkh01omar/page/166/mode/2up">e.g.</a>) tied the "vessels" quatrain and the "quick and dead" quatrain together, even though some translators (as below) went in both directions.<br><br>

Alternate translations:<br><br>

<blockquote>None answer'd this; but after Silence spake<br>
A Vessel of a more ungainly Make:<br>
<span class="tab">"They sneer at me for leaning all awry;<br>
What! did the Hand then of the Potter shake?"<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_1st_edition)/The_Rubaiyat_of_Omar_Khayyam#:~:text=None%20answer%27d%20this,the%20Potter%20shake%3F%22">FitzGerald</a>, 1st ed. (1859), # 63]</blockquote><br>

<blockquote>None answer'd this; but after Silence spake<br>
A Vessel of a more ungainly Make:<br>
<span class="tab">"They sneer at me for leaning all awry;<br>
What! did the Hand then of the Potter shake?"<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_2nd_edition)#:~:text=None%20answer%27d%20this%3B%20but%20after%20silence%20spake%0ASome%20Vessel%20of%20a%20more%20ungainly%20Make%3B%0A%22They%20sneer%20at%20me%20for%20leaning%20all%20awry%3B%0A%22What!%20did%20the%20Hand%20then%20of%20the%20Potter%20shake%3F%22">FitzGerald</a>, 2nd ed. (1868), # 93]</blockquote><br>

<blockquote>After a momentary silence spake<br>
Some Vessel of a more ungainly Make;<br>
<span class="tab">"They sneer at me for leaning all awry:<br>
What! did the Hand then of the Potter shake?"<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_3rd_edition)#:~:text=After%20a%20momentary%20silence%20spake%0ASome%20Vessel%20of%20a%20more%20ungainly%20Make%3B%0A%22They%20sneer%20at%20me%20for%20leaning%20all%20awry%3A%0A%22What!%20did%20the%20Hand%20then%20of%20the%20Potter%20shake%3F%22">FitzGerald, 3rd ed.</a> (1872), # 86; also <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_4th_edition)#:~:text=After%20a%20momentary%20silence%20spake%0A%C2%A0Some%20Vessel%20of%20a%20more%20ungainly%20Make%3B%0A%C2%A0%C2%A0%C2%A0%22They%20sneer%20at%20me%20for%20leaning%20all%20awry%3A%0A%C2%A0What!%20did%20the%20Hand%20then%20of%20the%20Potter%20shake%3F%22">4th ed.</a> and <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_5th_edition)#:~:text=After%20a%20momentary%20silence%20spake%0A%C2%A0Some%20Vessel%20of%20a%20more%20ungainly%20Make%3B%0A%C2%A0%C2%A0%C2%A0%22They%20sneer%20at%20me%20for%20leaning%20all%20awry%3A%0A%C2%A0What!%20did%20the%20Hand%20then%20of%20the%20Potter%20shake%3F%22">5th ed.</a> (1889)]</blockquote><br>

<blockquote>Thou who commandest the quick and the dead, the wheel of heaven obeys thy hand. What if I am evil, am I not Thy slave? Which then is the guilty one? Art Thou not Lord of all? <br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/166/mode/2up?q=%22quick+and+the+dead%22">McCarthy</a> (1879), # 344; in <a href="https://archive.org/details/rubiytofomark00omar/page/128/mode/2up?q=%22quick+and+the+dead%22">some</a> # 345]  </blockquote><br>

<blockquote>The potter did himself these vessels frame,<br>
What makes him cast them out to scorn and shame?<br>
<span class="tab">If he has made them well, why should he break them?<br>
And though he marred them, they are not to blame.<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/166/mode/2up?q=%22potter+did+himself%22">Whinfield</a> (1882), # 52]</blockquote><br>

<blockquote>Who framed the lots of quick and dead but Thou?<br>
Who turns the wheel of baleful fate but Thou?<br>
<span class="tab">We are Thy slaves, our wills are not our own,<br>
We are Thy creatures, our creator Thou!<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/166/mode/2up?q=%22baleful+fate%22">Whinfield</a> (1882), # 242]</blockquote><br>

<blockquote>Who framed the lots of quick and dead but Thou?<br>
Who turns the troublous wheel of heaven but Thou?<br>
<span class="tab">Though we are sinful slaves, is it for Thee<br>
To blame us? Who created us but Thou?<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/166/mode/2up?q=%22troublous+wheel%22">Whinfield</a> (1883), # 471]</blockquote><br>

<blockquote>From God's own hand this earthly vessel came,<br>
He shaped it thus, be it for fame or shame;<br>
<span class="tab">If it be fair -- to God be all the praise,<br>
If it be foul -- to God alone the blame.<br>
[tr. <a href="https://en.wikisource.org/wiki/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m_(Le_Gallienne)/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m#:~:text=From%20God%27s%20own%20hand%20this%20earthly%20vessel%20came%2C%0AHe%20shaped%20it%20thus%2C%20be%20it%20for%20fame%20or%20shame%3B%0AIf%20it%20be%20fair%E2%80%94to%20God%20be%20all%20the%20praise%2C%0AIf%20it%20be%20foul%E2%80%94to%20God%20alone%20the%20blame.">Le Gallienne</a> (1897)]</blockquote><br>

<blockquote>Almighty Potter, on whose wheel of blue<br>
The world is fashioned and is broken too,<br>
<span class="tab">Why to the race of men is heaven so dire?<br>
In what, O wheel, have I offended you?<br>
[tr. <a href="https://en.wikisource.org/wiki/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m_(Le_Gallienne)/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m#:~:text=Almighty%20Potter%2C%20on%20whose%20wheel%20of%20blue%0AThe%20world%20is%20fashioned%20and%20is%20broken%20too%2C%0AWhy%20to%20the%20race%20of%20men%20is%20heaven%20so%20dire%3F%0AIn%20what%2C%20O%20wheel%2C%20have%20I%20offended%20you%3F">Le Gallienne</a> (1897)]</blockquote><br>

<blockquote>Our Guardian chose our natures. Is He then<br>
Delinquent when He treats us with disorder?<br>
<span class="tab">We ask: "Why break the best of us?" and murmur:<br>
"Is the pot guilty if it stands awry?"<br>
[tr. <a href="https://archive.org/details/originalrubaiyya00omar/page/72/mode/2up?q=93">Graves & Ali-Shah</a> (1967), # 93]</blockquote><br>

<blockquote>When the Maker formed nature<br>
Why imperfect was the venture<br>
<span class="tab">If it is good, why departure<br>
And if bad, why form capture?<br>
[tr. <a href="https://www.okonlife.com/poems/page3.htm#:~:text=When%20the%20Maker%20formed%20nature%0AWhy%20imperfect%20was%20the%20venture%0AIf%20it%20is%20good%2C%20why%20departure%0AAnd%20if%20bad%2C%20why%20form%20capture%3F">Shahriari</a> (1998), literal]</blockquote><br>

<blockquote>When the Creator forged the shape<br>
Why was mankind a mere ape?<br>
<span class="tab">If it were good, why cloak and cape?<br>
If unsightly, why this rape?<br>
[tr. <a href="https://www.okonlife.com/poems/page3.htm#:~:text=When%20the%20Creator%20forged%20the%20shape%0AWhy%20was%20mankind%20a%20mere%20ape%3F%0AIf%20it%20were%20good%2C%20why%20cloak%20and%20cape%3F%0AIf%20unsightly%2C%20why%20this%20rape%3F">Shahriari</a> (1998), figurative]</blockquote><br>
						</span>
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		<title>Bolt, Robert -- A Man for All Seasons, play, Act 2 (1960)</title>
		<link>https://wist.info/bolt-robert/75379/</link>
		<comments>https://wist.info/bolt-robert/75379/#respond</comments>
		<pubDate>Tue, 04 Mar 2025 20:43:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bolt, Robert]]></category>
		<category><![CDATA[bravery]]></category>
		<category><![CDATA[courage]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[escape]]></category>
		<category><![CDATA[human nature]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[mind]]></category>
		<category><![CDATA[wit]]></category>

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		<description><![CDATA[MORE: Now listen, Will. And, Meg, you know I know you well, you listen too. God made the angels to show him splendour &#8212; as he made animals for innocence and plants for their simplicity. But Man he made to serve him wittily, in the tangle of his mind! If he suffers us to fall [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">MORE: Now listen, Will. And, Meg, you know I know you well, you listen too. God made the angels to show him splendour &#8212; as he made animals for innocence and plants for their simplicity. But Man he made to serve him wittily, in the tangle of his mind! If he suffers us to fall to such a case that there is no escaping, then we may stand to our tackle as best we can, and yes, Will, then we may clamour like champions &#8212; if we have the spittle for it. And no doubt it delights God to see splendour where he only looked for complexity.   But it’s God’s part, not our own, to bring ourselves to that extremity! Our natural business lies in escaping.</p>
<p></p>
<br><b>Robert Bolt</b> (1924-1995) English dramatist<br><i>A Man for All Seasons</i>, play, Act 2 (1960) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/manforallseasons0000unse_m6c8/page/74/mode/2up?q=%22made+the+angels%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

In Bolt's 1966 film adaptation, this takes place in a slightly different and is slightly <a href="http://www.script-o-rama.com/movie_scripts/m/man-for-all-seasons-script.html#:~:text=Listen%2C%20Meg.%20God,lies%20in%20escaping.">shortened</a>:<br><br>

<blockquote>MORE: Listen, Meg, God made the angels to show Him splendor, as He made animals for innocence and plants for their simplicity. But Man He made to serve Him wittily, in the tangle of his mind. If He suffers us to come to such a case that there is no escaping, then we may stand to our tackle as best we can, and, yes, Meg, then we can clamor like champions, if we have the spittle for it. But it's God's part, not our own, to bring ourselves to such a pass. Our natural business lies in escaping.</blockquote>


						</span>
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		<title>Omar Khayyam -- Rubáiyát [رباعیات] [tr. Le Gallienne (1897), #  92]</title>
		<link>https://wist.info/omar-khayyam/74954/</link>
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		<pubDate>Thu, 20 Feb 2025 20:08:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Omar Khayyam]]></category>
		<category><![CDATA[accountability]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[destiny]]></category>
		<category><![CDATA[fate]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[pre-destination]]></category>
		<category><![CDATA[responsibility]]></category>

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		<description><![CDATA[From God&#8217;s own hand this earthly vessel came, He shaped it thus, be it for fame or shame; If it be fair &#8212; to God be all the praise, If it be foul &#8212; to God alone the blame. Given Le Gallienne&#8217;s paraphrasing, I am unable to align this with an original quatrain or other [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>From God&#8217;s own hand this earthly vessel came,<br />
He shaped it thus, be it for fame or shame;<br />
<span class="tab">If it be fair &#8212; to God be all the praise,<br />
If it be foul &#8212; to God alone the blame.</span></p>
<br><b>Omar Khayyám </b> (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]<br><i>Rubáiyát</i> [رباعیات] [tr. Le Gallienne (1897), #  92] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m_(Le_Gallienne)/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m#:~:text=From%20God%27s%20own%20hand%20this%20earthly%20vessel%20came%2C%0AHe%20shaped%20it%20thus%2C%20be%20it%20for%20fame%20or%20shame%3B%0AIf%20it%20be%20fair%E2%80%94to%20God%20be%20all%20the%20praise%2C%0AIf%20it%20be%20foul%E2%80%94to%20God%20alone%20the%20blame." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Given Le Gallienne's paraphrasing, I am unable to align this with an original quatrain or other translations.						</span>
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		<title>Shelley, Mary Wallstonecraft -- Frankenstein, or, The Modern Prometheus, Vol. 2, ch.  9 [The Creature] (1818)</title>
		<link>https://wist.info/shelley-mary-wallstonecraft/74242/</link>
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		<pubDate>Sat, 25 Jan 2025 22:38:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shelley, Mary Wallstonecraft]]></category>
		<category><![CDATA[bride]]></category>
		<category><![CDATA[companion]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[mate]]></category>
		<category><![CDATA[monster]]></category>
		<category><![CDATA[prayer]]></category>

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		<description><![CDATA[But I now indulge in dreams of bliss that cannot be realized. What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself: the gratification is small, but it is all that I can receive, and it shall content me. It is true, we shall [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>But I now indulge in dreams of bliss that cannot be realized. What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself: the gratification is small, but it is all that I can receive, and it shall content me. It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another. Our lives will not be happy, but they will be harmless, and free from the misery I now feel. Oh! my creator, make me happy; let me feel gratitude towards you for one benefit! Let me see that I excite the sympathy of some existing thing; do not deny me my request!</p>
<br><b>Mary Wollstonecraft Shelley</b> (1797-1851) English novelist<br><i>Frankenstein, or, The Modern Prometheus</i>, Vol. 2, ch.  9 [The Creature] (1818) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Frankenstein,_or_the_Modern_Prometheus_(First_Edition,_1818)/Volume_2/Chapter_9#:~:text=But%20I%20now,me%20my%20request!" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Omar Khayyam -- Rubáiyát [رباعیات], Cal. #  26 [tr. Whinfield (1883), # 100]</title>
		<link>https://wist.info/omar-khayyam/73531/</link>
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		<pubDate>Fri, 20 Dec 2024 20:00:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Omar Khayyam]]></category>
		<category><![CDATA[condemnation]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[culpability]]></category>
		<category><![CDATA[damnation]]></category>
		<category><![CDATA[hell]]></category>
		<category><![CDATA[predestination]]></category>
		<category><![CDATA[responsibility]]></category>
		<category><![CDATA[sin]]></category>

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		<description><![CDATA[When Allah mixed my clay, He knew full well My future acts, and could each one foretell; Without His will no act of mine was wrought; Is it then just to punish me in hell? This quatrain is in the Calcutta manuscript, but not the Bodleian. Alternate translations: What! out of senseless Nothing to provoke [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When Allah mixed my clay, He knew full well<br />
My future acts, and could each one foretell;<br />
<span class="tab">Without His will no act of mine was wrought;<br />
Is it then just to punish me in hell?</span></p>
<br><b>Omar Khayyám </b> (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]<br><i>Rubáiyát</i> [رباعیات], Cal. #  26 [tr. Whinfield (1883), # 100] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Quatrains_of_Omar_Khayyam_(tr._Whinfield,_1883)/Quatrains_1-100#:~:text=When%20Allah%20mixed%20my%20clay%2C%20He%20knew%20full%20well%0AMy%20future%20acts%2C%20and%20could%20each%20one%20foretell%3B%0A%C2%A0%C2%A0%C2%A0Without%20His%20will%20no%20act%20of%20mine%20was%20wrought%3B%0AIs%20it%20then%20just%20to%20punish%20me%20in%20hell%3F" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This quatrain is in the Calcutta manuscript, but not the Bodleian.<br><br>

Alternate translations:<br><br>

<blockquote>What! out of senseless Nothing to provoke<br>
A conscious Something to resent the yoke<br>
<span class="tab">Of unpermitted Pleasure, under pain<br>
Of Everlasting Penalties, if broke!<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_2nd_edition)#:~:text=What!%20out%20of%20senseless%20Nothing%20to%20provoke%0AA%20conscious%20Something%20to%20resent%20the%20yoke%0AOf%20unpermitted%20Pleasure%2C%20under%20pain%0AOf%20Everlasting%20Penalties%2C%20if%20broke!">FitzGerald, 2nd ed.</a> (1868), # 84; # 78 for <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_3rd_edition)#:~:text=What!%20out%20of%20senseless%20Nothing%20to%20provoke%0AA%20conscious%20Something%20to%20resent%20the%20yoke%0AOf%20unpermitted%20Pleasure%2C%20under%20pain%0AOf%20Everlasting%20Penalties%2C%20if%20broke!">3rd</a>, <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_4th_edition)#:~:text=What!%20out%20of%20senseless%20Nothing%20to%20provoke%0A%C2%A0A%20conscious%20Something%20to%20resent%20the%20yoke%0A%C2%A0%C2%A0%C2%A0Of%20unpermitted%20Pleasure%2C%20under%20pain%0A%C2%A0Of%20Everlasting%20Penalties%2C%20if%20broke!">4th</a>, and <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_5th_edition)#:~:text=%C2%A0What!%20out%20of%20senseless%20Nothing%20to%20provoke%0A%C2%A0A%20conscious%20Something%20to%20resent%20the%20yoke%0A%C2%A0%C2%A0%C2%A0Of%20unpermitted%20Pleasure%2C%20under%20pain%0A%C2%A0Of%20Everlasting%20Penalties%2C%20if%20broke!">5th</a> editions]</blockquote><br>

<blockquote>When God built up my body out of clay, he knew beforehand the fruit of all my deeds. It is not in defiance of his will that I a sinner have sinned. Why then for me does nether hell await?<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/152/mode/2up?q=%22When+God+built+up+my+body%22">McCarthy</a> (1879), # 112] </blockquote><br>

<blockquote>When Allah mixed my clay, He knew full well<br>
My future acts, and could each one foretell;<br>
<span class="tab">'Twas he who did my sins predestinate,<br>
Yet thinks it just to punish me in hell.<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/150/mode/2up?q=%22last+two+lines+of+Whinfield%22">Whinfield</a> (1882), # 46]</blockquote><br>

<blockquote>'Twas Allah who engraved upon my Clay<br>
The Laws I was thereafter to obey, <br>
<span class="tab">And will He cast me into Raging Fire, <br>
Because my Actions answer to His Sway?<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/152/mode/2up?q=%22%27Tvvas+Allah+who+engraved%22">Garner</a> (1887), 4.5]</blockquote><br>

<blockquote>Almighty Potter, on whose wheel of blue<br>
The world is fashioned and is broken too,<br>
<span class="tab">Why to the race of men is heaven so dire?<br>
In what, O wheel, have I offended you?<br>
[tr. <a href="https://en.wikisource.org/wiki/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m_(Le_Gallienne)/Rub%C3%A1iy%C3%A1t_of_Omar_Khayy%C3%A1m#:~:text=Almighty%20Potter%2C%20on%20whose%20wheel%20of%20blue%0AThe%20world%20is%20fashioned%20and%20is%20broken%20too%2C%0AWhy%20to%20the%20race%20of%20men%20is%20heaven%20so%20dire%3F%0AIn%20what%2C%20O%20wheel%2C%20have%20I%20offended%20you%3F">Le Gallienne</a> (1897)]</blockquote><br>

<blockquote>God, when He mixed and moulded our being's clay,<br>
Had e'en foreknowledge of all we should do and say;<br>
<span class="tab">Without His order no sin of mine was aye;<br>
Then why should He doom me to burn on the Judgment Day?<br>
[tr. <a href="https://rubaiyatconcordance.org/the-calcutta-quatrains/translations-1---100/nr-26.html#:~:text=God%2C%20when%20He%20mixed%20and%20moulded%20our%20being%27s%20clay%2C%0AHad%20e%27en%20foreknowledge%20of%20all%20we%20should%20do%20and%20say%3B%0AWithout%20His%20order%20no%20sin%20of%20mine%20was%20aye%3B%0AThen%20why%20should%20He%20doom%20me%20to%20burn%20on%20the%20Judgment%20Day%3F">Payne</a> (1898), # 190]</blockquote><br>

<blockquote>God, when he fashioned the clay of my body<br>
Knew by my making what would come from it<br>
<span class="tab">(Since) there is no sin of mine without his knowledge<br>
Why should he seek to burn me at the day of resurrection?<br>
[tr. <a href="https://rubaiyatconcordance.org/the-calcutta-manuscript/heron-allens-translation/index.html#:~:text=God%2C%20when%20he%20fashioned%20the%20clay%20of%20my%20body%0AKnew%20by%20my%20making%20what%20would%20come%20from%20it%0A(Since)%20there%20is%20no%20sin%20of%20mine%20without%20his%20knowledge%0AWhy%20should%20he%20seek%20to%20burn%20me%20at%20the%20day%20of%20resurrection%3F">Heron-Allen</a> (1897), "# 26=85" Calcutta] </blockquote><br>

<blockquote>God, when he fashioned the clay of my body,<br>
Knew by my making what would come of it;<br>
<span class="tab">(Since) there is no sin of mine without his order<br>
Why should he seek to burn me at the Day of Resurrection?<br>
[tr. <a href="https://rubaiyatconcordance.org/the-calcutta-manuscript/heron-allens-translation/index.html#:~:text=God%2C%20when%20he%20fashioned%20the%20clay%20of%20my%20body%0AKnew%20by%20my%20making%20what%20would%20come%20from%20it%0A(Since)%20there%20is%20no%20sin%20of%20mine%20without%20his%20knowledge%0AWhy%20should%20he%20seek%20to%20burn%20me%20at%20the%20day%20of%20resurrection%3F">Heron-Allen</a> (1899), #78a, Calcutta]</blockquote><br>

<blockquote>When God of our existence shaped the clay.<br>
He knew our actions would be as His sway;<br>
<span class="tab">Without His mandate was no sin of mine,<br>
Then why doom me to burn on Judgment Day?<br>
[tr. <a href="https://rubaiyatconcordance.org/the-calcutta-quatrains/translations-1---100/nr-26.html#:~:text=When%20God%20of%20our%20existence%20shaped%20the%20clay.%0AHe%20knew%20our%20actions%20would%20be%20as%20His%20sway%3B%0AWithout%20His%20mandate%20was%20no%20sin%20of%20mine%2C%0AThen%20why%20doom%20me%20to%20burn%20on%20Judgment%20Day%3F">Thompson</a> (1906), # 148]</blockquote><br>



<blockquote>When, bending low, God moulded me from clay,<br>
Incontrovertibly my life was ordered:<br>
Without his order I abstain from crime.<br>
Why should I burn, then, on His Judgement Day?<br>
[tr. <a href="https://archive.org/details/originalrubaiyya00omar/page/68/mode/2up?q=%22bending+low%22">Graves & Ali-Shah</a> (1967), # 82]</blockquote><br>

 


						</span>
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		<title>Russell, Bertrand -- &#8220;Is There a God?&#8221; (1952)</title>
		<link>https://wist.info/russell-bertrand/69517/</link>
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		<pubDate>Wed, 22 May 2024 17:16:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[belief]]></category>
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		<description><![CDATA[When I come to my own beliefs, I find myself quite unable to discern any purpose in the universe, and still more unable to wish to discern one. Those who imagine that the course of cosmic evolution is slowly leading up to some consummation pleasing to the Creator, are logically committed (though they usually fail [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When I come to my own beliefs, I find myself quite unable to discern any purpose in the universe, and still more unable to wish to discern one. Those who imagine that the course of cosmic evolution is slowly leading up to some consummation pleasing to the Creator, are logically committed (though they usually fail to realize this) to the view that the Creator is not omnipotent or, if He were omnipotent, He could decree the end without troubling about means.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br>&#8220;Is There a God?&#8221; (1952) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.personal.kent.edu/~rmuhamma/Philosophy/RBwritings/isThereGod.htm#:~:text=When%20I%20come,troubling%20about%20means." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Essay commissioned by <i>Illustrated</i> magazine in 1952, but never published there. First publication in Russell, <a href="https://www.google.com/books/edition/Last_Philosophical_Testament/r1jBN5iehKsC?hl=en&gbpv=1&bsq=%22is%20there%20a%20god%201952%20this%20paper%22%22"><i>Last Philosophical Testament, 1943-68</i></a> (1997) [ed. Slater/Köllner].						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Russell, Bertrand -- &#8220;Is There a God?&#8221; (1952)</title>
		<link>https://wist.info/russell-bertrand/68638/</link>
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		<pubDate>Wed, 17 Apr 2024 16:38:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[deism]]></category>
		<category><![CDATA[earth]]></category>
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		<description><![CDATA[It has been one of the defects of theologians at all times to over-estimate the importance of our planet. No doubt this was natural enough in the days before Copernicus when it was thought that the heavens revolve about the earth. But since Copernicus and still more since the modern exploration of distant regions, this [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It has been one of the defects of theologians at all times to over-estimate the importance of our planet. No doubt this was natural enough in the days before Copernicus when it was thought that the heavens revolve about the earth. But since Copernicus and still more since the modern exploration of distant regions, this pre-occupation with the earth has become rather parochial. If the universe had a Creator, it is hardly reasonable to suppose that He was specially interested in our little corner. And, if He was not, His values must have been different from ours, since in the immense majority of regions life is impossible.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br>&#8220;Is There a God?&#8221; (1952) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.personal.kent.edu/~rmuhamma/Philosophy/RBwritings/isThereGod.htm#:~:text=It%20has%20been,life%20is%20impossible." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Essay commissioned by <i>Illustrated</i> magazine in 1952, but never published there. First publication in Russell, <a href="https://www.google.com/books/edition/Last_Philosophical_Testament/r1jBN5iehKsC?hl=en&gbpv=1&bsq=%22is%20there%20a%20god%201952%20this%20paper%22%22"><i>Last Philosophical Testament, 1943-68</i></a> (1997) [ed. Slater/Köllner].						</span>
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		<title>Rauschenbusch, Walter -- Prayers of the Social Awakening, &#8220;For the World&#8221; (1910)</title>
		<link>https://wist.info/rauschenbusch-walter/68634/</link>
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		<pubDate>Wed, 17 Apr 2024 16:20:56 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Rauschenbusch, Walter]]></category>
		<category><![CDATA[animal cruelty]]></category>
		<category><![CDATA[animal rights]]></category>
		<category><![CDATA[animals]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[Enlarge within us the sense of fellowship with all the living things, our little brothers, to whom thou hast given this earth as their home in common with us. We remember with shame that in the past we have exercised the high dominion of man with ruthless cruelty, so that the voice of the Earth, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Enlarge within us the sense of fellowship with all the living things, our little brothers, to whom thou hast given this earth as their home in common with us. We remember with shame that in the past we have exercised the high dominion of man with ruthless cruelty, so that the voice of the Earth, which should have gone up to thee in song, has been a groan of travail. May we realize that they live, not for us alone, but for themselves and for thee, and that they love the sweetness of life even as we, and serve thee in their place better than we in ours.</p>
<br><b>Walter Rauschenbusch</b> (1861-1918) American theologian, social reformer, Baptist pastor <br><i>Prayers of the Social Awakening</i>, &#8220;For the World&#8221; (1910) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/prayersofsociala00rausiala/page/46/mode/2up?q=%22enlarge+within+us%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This prayer is frequently misattributed to <a href="https://wist.info/basil-of-caesarea/68474/">St Basil of Caesarea</a>, often in a variant form such as this:<br><br>

<blockquote>Oh God enlarge within us the sense of fellowship with all living things, our brothers the animals to whom Thou gavest the earth in common with us. We remember with shame that in the past we have exercised the high dominion of man with ruthless cruelty so that the voice of the earth, which should have gone up to Thee in song, has been a groan of travail.</blockquote><br>

The attributions to Basil are usually without citation, or with citations that are spurious in some fashion. For example, in Matthew Scully, <i><a href="https://archive.org/details/dominion00matt/page/12/mode/2up?q=%22high+dominion%22">Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy</a></i> (2002), he <a href="https://archive.org/details/dominion00matt/page/398/mode/2up?q=%22+Saint+Basil%2C+included%22">cites</a> Schaff and Wace, eds., <a href="https://www.google.com/books/edition/A_Select_Library_of_the_Nicene_and_Post/HAVuEAAAQBAJ?hl=en&gbpv=0"><i>A Select Library of the Nicene and Post-Nicene Fathers of the Christian Church</i>, Second Series, Vol. 8</a> (1897), which <em>is</em> in fact about Basil's writings, but which does not appear to include this prayer.<br><br>

Further discussion, in detail, can be found here: <a href="https://animalsmattertogod.com/2012/05/01/st-basils-animal-prayers-are-a-hoax-part-one/">St. Basil’s “Animal Prayers” are a “Hoax” (Part One) | Animals Matter to God</a>.<br><br>
						</span>
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		<title>Harrington, Michael -- Fragments of the Century, ch. 2 &#8220;The Death of Bohemia&#8221; (1973)</title>
		<link>https://wist.info/harrington-michael/67151/</link>
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		<pubDate>Mon, 12 Feb 2024 15:26:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Harrington, Michael]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[culture]]></category>
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		<description><![CDATA[Indeed, it is a cruel truth of the history of all art and literature that most would-be poets, writers, and painters fail. The man or woman of real talent is rare, the born genius rarer still. For every book that survives the merciless judgment of time, there are nine hundred and ninety-nine rotting unread in [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Indeed, it is a cruel truth of the history of all art and literature that most would-be poets, writers, and painters fail. The man or woman of real talent is rare, the born genius rarer still. For every book that survives the merciless judgment of time, there are nine hundred and ninety-nine rotting unread in libraries and nine thousand and ninety-nine that were never written in the first place. </p>
<br><b>Michael Harrington</b> (1928-1989) American writer, political activist, political scientist [Edward Michael Harrington, Jr.]<br><i>Fragments of the Century</i>, ch. 2 &#8220;The Death of Bohemia&#8221; (1973) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/fragmentsofcentu0000harr/page/46/mode/2up?q=%22book+that+survives%22" target="_blank">Source</a>)
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		<title>Fowler, Gene -- Quoted in H. Allen Smith, The Life and Legend of Gene Fowler, ch. 27 (1977)</title>
		<link>https://wist.info/fowler-gene/66579/</link>
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		<pubDate>Mon, 29 Jan 2024 15:57:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fowler, Gene]]></category>
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		<category><![CDATA[deadline]]></category>
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		<description><![CDATA[A book is never finished, it is abandoned. Fowler was speaking about publisher deadlines. Others have used similar phrases regarding the creative process as a whole. See Valéry and Abram.]]></description>
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			<content:encoded><![CDATA[<p>A book is never finished, it is abandoned. </p>
<br><b>Gene Fowler</b> (1890-1960) American journalist, author, and dramatist. [b. Eugene Devlan]<br>Quoted in H. Allen Smith, <i>The Life and Legend of Gene Fowler</i>, ch. 27 (1977) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/lifelegendofgene00smit/page/214/mode/2up?q=%22it+is+abandoned%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Fowler was speaking about publisher deadlines. Others have used similar phrases regarding the creative process as a whole. See <a href="https://wist.info/valery-paul/3981/">Valéry</a> and <a href="https://wist.info/abram-morris-b/427/">Abram</a>.




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		<title>Augustine of Hippo -- Confessions, Book  5, ch.  4 / ¶  7 (5.4.7) (c. AD 398) [tr. Warner (1963)]</title>
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		<pubDate>Tue, 03 Oct 2023 03:57:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Augustine of Hippo]]></category>
		<category><![CDATA[agriculture]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[farming]]></category>
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		<category><![CDATA[ownership]]></category>
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		<category><![CDATA[tree]]></category>

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		<description><![CDATA[The man who consciously owns a tree and knows how to use it and gives you thanks for it may not know its exact height or how widely the branches spread; but he is better off than the man who, while he has measured the tree and counted all its branches, neither owns it nor [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The man who consciously owns a tree and knows how to use it and gives you thanks for it may not know its exact height or how widely the branches spread; but he is better off than the man who, while he has measured the tree and counted all its branches, neither owns it nor knows and loves its creator.</p>
<p><em>[Sicut enim melior est qui novit possidere arborem et de usu eius tibi gratias agit, quamvis nesciat vel quot cubitis alta sit vel quanta latitudine diffusa, quam ille qui eam metitur et omnes ramos eius numerat et neque possidet eam neque creatorem eius novit aut diligit.]</em></p>
<br><b>Augustine of Hippo</b> (354-430) Christian church father, philosopher, saint [b. Aurelius Augustinus]<br><i>Confessions</i>, Book  5, ch.  4 / ¶  7 (5.4.7) (c. AD 398) [tr. Warner (1963)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/confessions0000augu_w6j8/page/94/mode/2up?q=treehttps://archive.org/details/confessions0000augu_w6j8/page/94/mode/2up?q=tree" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://faculty.georgetown.edu/jod/conf/text5.html#:~:text=sicut%20enim%20melior%20est%20qui%20novit%20possidere%20arborem%20et%20de%20usu%20eius%20tibi%20gratias%20agit%2C%20quamvis%20nesciat%20vel%20quot%20cubitis%20alta%20sit%20vel%20quanta%20latitudine%20diffusa%2C%20quam%20ille%20qui%20eam%20metitur%20et%20omnes%20ramos%20eius%20numerat%20et%20neque%20possidet%20eam%20neque%20creatorem%20eius%20novit%20aut%20diligit">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>For as he is better off who knows how to possess a tree, and return thanks to Thee for the use thereof, although he know not how many cubits high it is, or how wide it spreads, than he that can measure it, and count all its boughs, and neither owns it, nor knows or loves its Creator.<br>
[tr. <a href="https://faculty.georgetown.edu/jod/augustine/Pusey/book05#:~:text=For%20as%20he%20is%20%0Abetter%20off%20who%20knows%20how%20to%20possess%20a%20tree%2C%20and%20return%20thanks%20to%20Thee%20%0Afor%20the%20use%20thereof%2C%20although%20he%20know%20not%20how%20many%20cubits%20high%20it%20%0Ais%2C%20or%20how%20wide%20it%20spreads%2C%20than%20he%20that%20can%20measure%20it%2C%20and%20count%20%0Aall%20its%20boughs%2C%20and%20neither%20owns%20it%2C%20nor%20knows%20or%20loves%20its%20Creator">Pusey</a> (1838)]</blockquote><br>

<blockquote>But as he is happier who knows how to possess a tree, and for the use thereof renders thanks to Thee, although he may not know how many cubits high it is, or how wide it spreads, than he that measures it and counts all its branches, and neither owns it nor knows or loves its Creator.<br>
[tr. <a href="https://en.wikisource.org/wiki/Nicene_and_Post-Nicene_Fathers:_Series_I/Volume_I/Confessions/Book_V/Chapter_4#:~:text=But%20as%20he%20is%20happier%20who%20knows%20how%20to%20possess%20a%20tree%2C%20and%20for%20the%20use%20thereof%20renders%20thanks%20to%20Thee%2C%20although%20he%20may%20not%20know%20how%20many%20cubits%20high%20it%20is%2C%20or%20how%20wide%20it%20spreads%2C%20than%20he%20that%20measures%20it%20and%20counts%20all%20its%20branches%2C%20and%20neither%20owns%20it%20nor%20knows%20or%20loves%20its%20Creator">Pilkington</a> (1876)]</blockquote><br>

<blockquote>For as he is better off who knows how to possess a tree, and gives thanks for its use, though he knows not its height or breadth, than he who has accurate knowledge of its dimensions , and the number of its boughs, and yet does not own it, and neither knows nor loves its Creator.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hnfge9&view=1up&seq=122">Hutchings</a> (1890)] </blockquote><br>

<blockquote>For as he who knows that he owns a tree, and gives thanks to thee for its use, although he knows not how many feet high it is, or how wide it spreads, is better than he who measures it and counts all its branches, yet neither owns it nor knows nor loves its Creator.<br>
[tr. <a href="https://archive.org/details/confessionsofsai0000augu_z6r1/page/152/mode/2up?q=%22owns+a+tree%22">Bigg</a> (1897), 5.4.2]</blockquote><br>

<blockquote>For just as he is better who knows he possesses a tree and gives thanks to You for the use it is to him, although he does not know how many cubits high it is or the width of its spread, than another man who can measure it and number its branches but neither possesses it nor knows and loves Him who created it.<br>
[tr. <a href="https://archive.org/details/confessionsofsta0000augu_y4p5/page/86/mode/2up?q=%22for+just+as+he+is%22">Sheed</a> (1943)]</blockquote><br>

<blockquote>For just as that man who knows how to possess a tree, and give thanks to thee for the use of it -- although he may not know how many feet high it is or how wide it spreads -- is better than the man who can measure it and count all its branches, but neither owns it nor knows or loves its Creator.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Confessions_of_Saint_Augustine_(Outler)/Book_V#:~:text=For%20just%20as%20that%20man%20who%20knows%20how%20to%20possess%20a%20tree%2C%20and%20give%20thanks%20to%20thee%20for%20the%20use%20of%20it%2D%2Dalthough%20he%20may%20not%20know%20how%20many%20feet%20high%20it%20is%20o%20how%20wide%20it%20spreads%2D%2Dis%20better%20than%20the%20man%20who%20can%20measure%20it%20and%20count%20all%20its%20branches%2C%20but%20neither%20owns%20it%20nor%20knows%20or%20loves%20its%20Creator">Outler</a> (1955)]</blockquote><br>

<blockquote>A man who knows that he owns a tree, and gives thanks to you for its fruit, even though he may not know how many cubits high it is or how wide it spreads, is better than one who measures it and counts all its branches, but does not own it and does not know or love its creator.<br>
[tr. <a href="https://archive.org/details/confessionsofsta0000augu_f2a7/page/76/mode/2up?q=tree">Ryan</a> (1960)]</blockquote><br>

<blockquote>A man who knows that he owns a tree and thanks you for the use he has of it, even though he does not know its exact height or the width of its spread, is better than another who measures it and counts all its branches, but neither owns it nor knows and loves its Creator.<br>
[tr. <a href="https://archive.org/details/saintaugustineco0000unse/page/94/mode/2up?q=%22he+owns+a+tree%22">Pine-Coffin</a> (1961)]</blockquote><br>

<blockquote>For example, he is the better man who knows how to own a tree and thanks you for its usefulness, though he does not know how many cubits high it is, or how broad its spread, than the man who measures it, counts its branches, but never calls it his own or esteems the one who made it.<br>
[tr. <a href="https://archive.org/details/confessionsofsai0000augu_s6o1/page/106/mode/2up?q=tree">Blaiklock</a> (1983)]</blockquote><br>

<blockquote>Someone who knows enough to become the owner of a tree, and gives thanks to you for the benefits it brings him, is in a better state, even if ignorant of its height in feet and the extent of its spread, than another who measures and counts all its branches but neither owns it nor knows its creator nor loves him.<br>
[tr. <a href="https://www.google.com/books/edition/The_Works_of_Saint_Augustine_v_1_The_con/4XsWAQAAMAAJ?hl=en&gbpv=1&bsq=%22become%20the%20owner%20of%20a%20tree%22">Boulding</a> (1997)]</blockquote><br>
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		<title>Martial -- Epigrams [Epigrammata], Book 10, epigram   2 (10.2) (AD 95, 98 ed.)[tr. Pott &#038; Wright (1921)]</title>
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		<pubDate>Sat, 23 Sep 2023 02:44:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[For of old Rome said to me &#8212; &#8220;Your readers are your gold. By them the stream of Lethe you’ll survive, By them the better part of you will live.&#8221; The wild fig splits Messalla’s marbles through, And Crispus’ steeds are shattered quite in two : But books are helped by time nor hurt by [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">For of old<br />
<span class="tab">Rome said to me &#8212; &#8220;Your readers are your gold.<br />
By them the stream of Lethe you’ll survive,<br />
<span class="tab">By them the better part of you will live.&#8221;<br />
The wild fig splits Messalla’s marbles through,<br />
<span class="tab">And Crispus’ steeds are shattered quite in two :<br />
But books are helped by time nor hurt by thieves,<br />
<span class="tab">Memorials that death uninjured leaves.</p>
<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><em>[Quem cum mihi Roma dedisset.<br />
&#8220;Nil tibi quod demus maius habemus&#8221; ait.<br />
&#8220;Pigra per hunc fugies ingratae flumina Lethes<br />
Et meliore tui parte superstes eris.<br />
Marmora Messallae findit caprificus, et audax<br />
Dimidios Crispi mulio ridet equos:<br />
At chartis nec furta nocent et saecula prosunt,<br />
Solaque non norunt haec monumenta mori.&#8221;]</em></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
<br><b>Martial</b> (AD c.39-c.103) Spanish Roman poet, satirist, epigrammatist [Marcus Valerius Martialis]<br><i>Epigrams [Epigrammata]</i>, Book 10, epigram   2 (10.2) (AD 95, 98 ed.)[tr. Pott &#038; Wright (1921)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/martialtwelveboo0000tran/page/298/mode/2up?q=%22stream+of+lethe%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0506%3Abook%3D10%3Apoem%3D2#:~:text=quem%20cum%20mihi,monumenta%20mori.">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>Reader, my wealth; whom when to me Rome gave,<br>
<span class="tab">Nought greater to bestow (quoth she) I have.<br>
By him ingratefull Lethe thou shalt flye,<br>
<span class="tab">And in thy better part shalt never dye.<br>
Wilde Fig-trees rend Messalla's Marbles off;<br>
<span class="tab">Crispus halfe-horses the bold Carters scoffe.<br>
Writings no age can wrong, no thieving hand.<br>
<span class="tab">Deathlesse alone those Monuments will stand.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A07090.0001.001/1:5.34?rgn=div2;view=fulltext#:~:text=Reader%2C%20my%20wealth,Monuments%20will%20stand.">May</a> (1629)]</blockquote><br>

<blockquote>When Fate to me a constant reader gave;<br>
<span class="tab">Receive, she said, the greatest boon I have.<br>
By this beyond oblivion's stream arrive;<br>
<span class="tab">And in your better party by this survive.<br>
Statues may moulder; and the clown unbred<br>
<span class="tab">Scoff at young Ammon's horse without his head.<br>
But finish'd writings theft and time defy;<br>
<span class="tab">The only monument, which cannot die.<br>
[tr. <a href="https://www.google.com/books/edition/Select_Epigrams_of_Martial/guUNAAAAYAAJ?hl=en&gbpv=1&bsq=%22reader%20gave%22">Hay</a> (1755)]</blockquote><br>

<blockquote>Reader, our riches! Well, said, Rome, I know,<br>
<span class="tab">A blester boon I have not to bestow.<br>
By this though thro' Lethean streams shalt strive,<br>
<span class="tab">And in thy better part shalt still survive.<br>
The wilding may Messala's marble cleave,<br>
<span class="tab">The speaker silence, and the sculptor reave.<br>
The mule's pert driver may reproachless laugh,<br>
<span class="tab">At Crispus' coursers dwindled down to half.<br>
Wit's labors onely rape or age defy:<br>
<span class="tab">His monuments alone can never die.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_M_Val_Martial/vksOAAAAQAAJ?gbpv=1&bsq=%22Reader,%20our%20riches%22">Elphinston</a> (1782)]</blockquote><br>

<blockquote>When Rome gave you [readers] to me, she said, "I have nothing greater to give you. By his means you will escape the sluggish waves of ungrateful Lethe, and will survive in the better part of yourself. The marble tomb of Messale is split by the wild fig, and the audacious muleteer laughs at the mutilated horses of the statue of Crispus.1 But as for writings, they are indestructible either by thieves or the ravages of time; such monuments alone are proof against death."<br>
[tr. <a href="https://www.tertullian.org/fathers/martial_epigrams_book10.htm#:~:text=when%20Rome%20gave,proof%20against%20death.%22">Bohn's Classical</a> (1859)]</blockquote><br>

<blockquote>For when Rome had given you to me, she said: We have nothing greater to give you. By him will you escape unthankful Lethe's sluggish stream, and will in your better part survive. Messalla's marble the wild-fig sunders, and boldly the mule-driver laughs at Crispus' steeds broken in two. But writings thefts do not injure, and time befriends them, and alone these monuments know not death."<br>
[tr. <a href="https://www.google.com/books/edition/Epigrams/RIxiAAAAMAAJ?hl=en&gbpv=1&bsq=%22sluggish%20stream%22">Ker</a> (1919)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Rome can tell how dear,<br>
<span class="tab">Who gave thee, saying, "Take my best; 'tis here;<br>
By him ungrateful Lethe thou shallt flee<br>
<span class="tab">And thy best parts have immortality."<br>
The fig-tree splits Messala's marble blocks,<br>
<span class="tab">And the rough drover draggled Crispus mocks.<br>
Verses grow great with Time and Fate defy;<br>
<span class="tab">Such monuments alone can never die.<br>
[tr. <a href="https://www.google.com/books/edition/Martial_s_Epigrams/g35fAAAAMAAJ?gbpv=1&bsq=%22ungrateful%20Lethe%22">Francis & Tatum</a> (1924), ep. 508]</blockquote><br>

<blockquote>When Rome gave you to me, she said: "I have nothing greater to give you. through him you will escape ungrateful Lethe's idle waters and survive in the better part of yourself. The fig tree splits Messalla's marble, the bold muleteer laughs at Crispus' halved horses. But thefts do not harm paper and the centuries do it good. These are the only memorials that cannot die."<br>
[tr. <a href="https://dokumen.pub/qdownload/martial-epigrams-books-6-10-2-0674995562-9780674995567.html">Shackleton Bailey</a> (1993)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab">Reader, Patron, willed to me by <i>Rome</i> <br>
<span class="tab">saying: "No greater gift! Through him<br>
You'll flee neglectful <i>Lethe's</i> stagnant flood --<br>
<span class="tab">the better part of you survive.<br>
Wild-fig rives the marble, heedless muleteers<br>
<span class="tab">deride the busted steeds of bronze.<br>
But verse no decrease knows, time adds to verse,<br>
<span class="tab">deathless alone of monuments."<br>
[tr. <a href="https://www.google.com/books/edition/Epigrams_of_Martial/fZWq0MP5XQUC?gbpv=1&bsq=%22reader,%20patron%22">Whigham</a> (1985), "Rome's Gift"]</blockquote><br>
						</span>
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		<title>O'Malley, Austin -- Keystones of Thought (1914)</title>
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		<pubDate>Thu, 06 Jul 2023 16:46:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[O'Malley, Austin]]></category>
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		<description><![CDATA[To laugh sturdily and often, and to wear a long belt, are not incongruous with sanctity. God&#8217;s image is in every man, high or low &#8212; a road puddle holds the moon as well as the sea.]]></description>
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			<content:encoded><![CDATA[<p>To laugh sturdily and often, and to wear a long belt, are not incongruous with sanctity. God&#8217;s image is in every man, high or low &#8212; a road puddle holds the moon as well as the sea. </p>
<br><b>Austin O'Malley</b> (1858-1932) American ophthalmologist, professor of literature, aphorist<br><i>Keystones of Thought</i> (1914) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/KeystonesOfThought/page/n75/mode/2up?q=%22road+puddle%22" target="_blank">Source</a>)
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		<title>Mencken, H. L. -- A Little Book in C Major, ch.  2, §  2 (1916)</title>
		<link>https://wist.info/mencken-hl/61686/</link>
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		<pubDate>Thu, 06 Jul 2023 15:46:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Mencken, H. L.]]></category>
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		<description><![CDATA[Civilization is a concerted effort to remedy the blunders and check the practical joking of the Creator. Variant: CIVILIZATION. A concerted effort to remedy the blunders and check the practical joking of God. [A Book of Burlesques, &#8220;The Jazz Webster&#8221; (1924)]]]></description>
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			<content:encoded><![CDATA[<p>Civilization is a concerted effort to remedy the blunders and check the practical joking of the Creator.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2023/07/Mencken-Civilization-is-a-concerted-effort-to-remedy-the-blunders-and-check-the-practical-joking-of-the-Creator.png"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2023/07/Mencken-Civilization-is-a-concerted-effort-to-remedy-the-blunders-and-check-the-practical-joking-of-the-Creator.png" alt="Mencken - Civilization is a concerted effort to remedy the blunders and check the practical joking of the Creator - wist.info quote" title="Mencken - Civilization is a concerted effort to remedy the blunders and check the practical joking of the Creator - wist.info quote" width="800" height="525" class="aligncenter size-full wp-image-61687" srcset="https://wist.info/wp/wp-content/uploads/2023/07/Mencken-Civilization-is-a-concerted-effort-to-remedy-the-blunders-and-check-the-practical-joking-of-the-Creator.png 800w, https://wist.info/wp/wp-content/uploads/2023/07/Mencken-Civilization-is-a-concerted-effort-to-remedy-the-blunders-and-check-the-practical-joking-of-the-Creator-300x197.png 300w, https://wist.info/wp/wp-content/uploads/2023/07/Mencken-Civilization-is-a-concerted-effort-to-remedy-the-blunders-and-check-the-practical-joking-of-the-Creator-768x504.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>H. L. Mencken</b> (1880-1956) American writer and journalist [Henry Lewis Mencken]<br><i>A Little Book in C Major</i>, ch.  2, §  2 (1916) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/littlebookcmajor00mencrich/page/19/mode/2up?q=%22civilization+is+a+concerted%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Variant:<br><br>

<blockquote>CIVILIZATION. A concerted effort to remedy the blunders and check the practical joking of God.<br>
<i>[<a href="https://archive.org/details/bookburlesques00mencrich/page/n205/mode/2up?q=%22concerted+effort%22">A Book of Burlesques</a></i>, "The Jazz Webster" (1924)]</blockquote><br>						</span>
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		<title>Farjeon, Eleanor -- &#8220;Morning Has Broken&#8221; (1931)</title>
		<link>https://wist.info/farjeon-eleanor/61623/</link>
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		<pubDate>Tue, 04 Jul 2023 04:47:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Morning has broken, Like the first morning, Blackbird has spoken Like the first bird. Praise for the singing! Praise for the morning! Praise for them springing Fresh from the Word! Set to music and popularized by Cat Stevens in Teaser and the Firecat (1971).]]></description>
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			<content:encoded><![CDATA[<p>Morning has broken,<br />
Like the first morning,<br />
Blackbird has spoken<br />
Like the first bird.<br />
Praise for the singing!<br />
Praise for the morning!<br />
Praise for them springing<br />
Fresh from the Word!</p>
<br><b>Eleanor Farjeon</b> (1881-1965) English author <br>&#8220;Morning Has Broken&#8221; (1931) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.yourdailypoem.com/listpoem.jsp?poem_id=2648" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://www.youtube.com/watch?v=U5sSEkZ86ts">Set to music and popularized</a> by Cat Stevens in <i>Teaser and the Firecat</i> (1971). 						</span>
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		<title>Vonnegut, Kurt, Jr. -- &#8220;Despite Tough Guys, Life Is Not the Only School for Real Novelists,&#8221; New York Times (1999-05-24)</title>
		<link>https://wist.info/vonnegut-kurt-jr/60172/</link>
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		<pubDate>Thu, 06 Apr 2023 16:41:56 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[The primary benefit of practicing any art, whether well or badly, is that it enables one&#8217;s soul to grow. Part of the Times &#8220;Writers on Writing&#8221; series. In Man Without a Country, ch. 3 &#8220;Here Is a Lesson in Creative Writing&#8221; (2005), Vonnegut expanded on this: Practicing an art, no matter how well or badly, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The primary benefit of practicing any art, whether well or badly, is that it enables one&#8217;s soul to grow.</p>
<br><b>Kurt Vonnegut, Jr.</b> (1922-2007) American novelist, journalist<br>&#8220;Despite Tough Guys, Life Is Not the Only School for Real Novelists,&#8221; <i>New York Times</i> (1999-05-24) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.nytimes.com/1999/05/24/arts/despite-tough-guys-life-is-not-the-only-school-for-real-novelists.html?searchResultPosition=1#:~:text=The%20primary%20benefit%20of%20practicing%20any%20art%2C%20whether%20well%20or%20badly%2C%20is%20that%20it%20enables%20one%27s%20soul%20to%20grow." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Part of the <em>Times</em> "Writers on Writing" series.<br><br>

In <i>Man Without a Country</i>, ch. 3 "Here Is a Lesson in Creative Writing" (2005), Vonnegut <a href="https://www.google.com/books/edition/A_Man_Without_a_Country/T7J-Xg2bYKAC?hl=en&gbpv=1&bsq=%22practicing%20an%20art%22">expanded on this</a>:<br><br>

<blockquote>Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.</blockquote><br>						</span>
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		<title>Bacon, Francis -- Instauratio Magna [The Great Instauration], &#8220;Distributo Operis [Plan of the Work]” (1620) [tr. Silverthorne (2000)]</title>
		<link>https://wist.info/bacon-francis/59461/</link>
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		<pubDate>Mon, 13 Mar 2023 19:04:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Therefore Father, you who have given visible light as the first fruits of creation and, at the summit of your works, have breathed intellectual light into the face of man, protect and govern this work, which began in your goodness and and returns to your glory. [Itaque Tu Pater, qui lucem visibilem primitias creaturae dedisti, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Therefore Father, you who have given visible light as the first fruits of creation and, at the summit of your works, have breathed intellectual light into the face of man, protect and govern this work, which began in your goodness and and returns to your glory.</p>
<p><em>[Itaque Tu Pater, qui lucem visibilem primitias creaturae dedisti, et lucem intellectualem ad fastigium operum tuorum in faciem hominis inspirasti; opus hoc, quod a tua bonitate profectum tuam gloriam repetit, tuere et rege.]</em></p>
<br><b>Francis Bacon</b> (1561-1626) English philosopher, scientist, author, statesman<br><i>Instauratio Magna [The Great Instauration]</i>, <i>&#8220;Distributo Operis</i> [Plan of the Work]” (1620) [tr. Silverthorne (2000)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/_/MUm8Yzmq5NUC?hl=en&gbpv=1&bsq=%22Therefore%20father%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://la.wikisource.org/wiki/Novum_Organum/Instauratio_Magna/Distributio_Operis#:~:text=super%20creaturas%20scribamus.-,Itaque%20Tu%20Pater%2C%20qui%20lucem%20visibilem%20primitias%20creaturae%20dedisti%2C%20et%20lucem%20intellectualem%20ad%20fastigium%20operum%20tuorum%20in%20faciem%20hominis%20inspirasti%3B%20opus%20hoc%2C%20quod%20a%20tua%20bonitate%20profectum%20tuam%20gloriam%20repetit%2C%20tuere%20et%20rege.,-Tu%20postquam%20conversus">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>May thou, therefore, O Father, who gavest the light of vision as the first-fruits of creation, and hast inspired the countenance of man with the light of the understanding as the completion of thy works, guard and direct this work, which, proceeding from thy bounty, seeks in return thy glory.<br>
[tr. <a href="https://en.wikisource.org/wiki/Instauratio_Magna/Plan_(Wood)#:~:text=May%20thou%2C%20therefore%2C%20O%20Father%2C%20who%20gavest%20the%20light%20of%20vision%20as%20the%20first%2Dfruits%20of%20creation%2C%20and%20hast%20inspired%20the%20countenance%20of%20man%20with%20the%20light%20of%20the%20understanding%20as%20the%20completion%20of%20thy%20works%2C%20guard%20and%20direct%20this%20work%2C%20which%2C%20proceeding%20from%20thy%20bounty%2C%20seeks%20in%20return%20thy%20glory.">Wood</a> (1831)]</blockquote><br>

<blockquote>May thou, therefore, O Father, who gavest the light of vision as the first fruit of creation, and who hast spread over the fall of man the light of thy understanding as the accomplishment of thy works, guard and direct this work, which, issuing from thy goodness, seeks in return thy glory! <br>
[tr. <a href="https://en.wikisource.org/wiki/Instauratio_Magna/Plan_(Devey)#:~:text=May%20thou%2C%20therefore%2C%200%20Father%2C%20who%20gavest%20the%20light%20of%20vision%20as%20the%20first%20fruit%20of%20creation%2C%20and%20who%20hast%20spread%20over%20the%20fall%20of%20man%20the%20light%20of%20thy%20understanding%20as%20the%20accomplishment%20of%20thy%20works%2C%20guard%20and%20direct%20this%20work%2C%20which%2C%20issuing%20from%20thy%20goodness%2C%20seeks%20in%20return%20thy%20glory!">Wood/Devey</a> (1844)]</blockquote><br>

<blockquote>Therefore do thou, O Father, who gavest the visible light as the first fruits of creation, and didst breathe into the face of man the intellectual light as the crown and consummation thereof, guard and protect this work, which coming from thy goodness returneth to thy glory. <br>
[tr. <a href="https://en.wikisource.org/wiki/Instauratio_Magna/Plan_(Spedding)#:~:text=Therefore%20do%20thou%2C%20Father%2C%20who%20gavest%20the%20visible%20light%20as%20the%20first%20fruits%20of%20creation%2C%20and%20didst%20breathe%20into%20the%20face%20of%20man%20the%20intellectual%20light%20as%20the%20crown%20and%20consummation%20thereof%2C%20guard%20and%20protect%20this%20work%2C%20which%20coming%20from%20thy%20goodness%20returneth%20to%20thy%20glory.">Spedding</a> (1858)]</blockquote><br>						</span>
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		<title>Dyson, Freeman -- &#8220;Progress in Religion,&#8221; Templeton Prize acceptance speech, Washington National Cathedral (9 May 2000)</title>
		<link>https://wist.info/dyson-freeman/58433/</link>
		<comments>https://wist.info/dyson-freeman/58433/#respond</comments>
		<pubDate>Mon, 23 Jan 2023 16:03:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dyson, Freeman]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[divine purpose]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[nature]]></category>

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		<description><![CDATA[I do not claim any ability to read God&#8217;s mind. I am sure of only one thing. When we look at the glory of stars and galaxies in the sky and the glory of forests and flowers in the living world around us, it is evident that God loves diversity. Perhaps the universe is constructed [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I do not claim any ability to read God&#8217;s mind. I am sure of only one thing. When we look at the glory of stars and galaxies in the sky and the glory of forests and flowers in the living world around us, it is evident that God loves diversity. Perhaps the universe is constructed according to a principle of maximum diversity.</p>
<br><b>Freeman Dyson</b> (1923-2020) English-American theoretical physicist, mathematician, futurist<br>&#8220;Progress in Religion,&#8221; Templeton Prize acceptance speech, Washington National Cathedral (9 May 2000) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.edge.org/conversation/freeman_dyson-progress-in-religion#:~:text=I%20do%20not%20claim,principle%20of%20maximum%20diversity." target="_blank">Source</a>)
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		<title>Tarkovsky, Andrei -- Sculpting in Time (1986) [tr. Hunter-Blair]</title>
		<link>https://wist.info/tarkovsky-andrei/56973/</link>
		<comments>https://wist.info/tarkovsky-andrei/56973/#respond</comments>
		<pubDate>Thu, 03 Nov 2022 15:27:14 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tarkovsky, Andrei]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
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		<category><![CDATA[meaning of life]]></category>

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		<description><![CDATA[Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?]]></description>
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			<content:encoded><![CDATA[<p>Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?</p>
<br><b>Andrei Tarkovsky</b> (1932-1986)  Russian film director, screenwriter, film theorist [Андрей Арсеньевич Тарковский]<br><i>Sculpting in Time</i> (1986) [tr. Hunter-Blair] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Sculpting_in_Time/u-HRWkL6vnAC?hl=en&gbpv=1&printsec=frontcover&bsq=%22pointless%20and%20selfless%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Tarkovsky, Andrei -- Sculpting in Time (1986) [tr. Hunter-Blair]</title>
		<link>https://wist.info/tarkovsky-andrei/56367/</link>
		<comments>https://wist.info/tarkovsky-andrei/56367/#respond</comments>
		<pubDate>Mon, 03 Oct 2022 20:30:14 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tarkovsky, Andrei]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[idea]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[meaning]]></category>
		<category><![CDATA[polemic]]></category>

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		<description><![CDATA[Never try to convey your idea to the audience &#8212; it is a thankless and senseless task. Show them life, and they&#8217;ll find within themselves the means to assess and appreciate it.]]></description>
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			<content:encoded><![CDATA[<p>Never try to convey your idea to the audience &#8212; it is a thankless and senseless task. Show them life, and they&#8217;ll find within themselves the means to assess and appreciate it.</p>
<br><b>Andrei Tarkovsky</b> (1932-1986)  Russian film director, screenwriter, film theorist [Андрей Арсеньевич Тарковский]<br><i>Sculpting in Time</i> (1986) [tr. Hunter-Blair] 
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		<title>Jefferson, Thomas -- Letter (1814-09-26) to Miles King</title>
		<link>https://wist.info/jefferson-thomas/55990/</link>
		<comments>https://wist.info/jefferson-thomas/55990/#respond</comments>
		<pubDate>Mon, 19 Sep 2022 14:37:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jefferson, Thomas]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[error]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[imperfection]]></category>
		<category><![CDATA[perfection]]></category>
		<category><![CDATA[reason]]></category>

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		<description><![CDATA[Hitherto I have been under the guidance of that portion of reason which He has thought proper to deal out to me. I have followed it faithfully in all important cases, to such a degree at least as leaves me without uneasiness; and if on minor occasions I have erred from its dictates, I have [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Hitherto I have been under the guidance of that portion of reason which He has thought proper to deal out to me. I have followed it faithfully in all important cases, to such a degree at least as leaves me without uneasiness; and if on minor occasions I have erred from its dictates, I have trust in Him who made us what we are, and knows it was not His plan to make us always unerring. </p>
<br><b>Thomas Jefferson</b> (1743-1826) American political philosopher, polymath, statesman, US President (1801-09)<br>Letter (1814-09-26) to Miles King 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://founders.archives.gov/documents/Jefferson/03-07-02-0495#:~:text=hitherto%20I%20have,us%20always%20unerring" target="_blank">Source</a>)
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		<title>Goethe, Johann von -- Faust: a Tragedy [eine Tragödie], Part 1, sc.  3 &#8220;Prologue in Heaven,&#8221; l. 301ff (1808-1829) [tr. Arndt (1976)]</title>
		<link>https://wist.info/goethe-johann/55255/</link>
		<comments>https://wist.info/goethe-johann/55255/#respond</comments>
		<pubDate>Mon, 08 Aug 2022 23:54:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Goethe, Johann von]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[devil]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[problem of evil]]></category>
		<category><![CDATA[sin]]></category>
		<category><![CDATA[suffering]]></category>
		<category><![CDATA[theodicy]]></category>

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		<description><![CDATA[THE LORD And do you have no other news? Do you come always only to accuse? Does nothing please you ever on the earth? MEPHISTOPHELES No, Lord! I find it still of precious little worth. I feel for mankind in their wretchedness, It almost makes me want to plague them less. DER HERR Hast du [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>THE LORD<br />
And do you have no other news?<br />
Do you come always only to accuse?<br />
Does nothing please you ever on the earth?</p>
<p>MEPHISTOPHELES<br />
No, Lord! I find it still of precious little worth.<br />
I feel for mankind in their wretchedness,<br />
It almost makes me want to plague them less.</p>
<p><em>DER HERR<br />
Hast du mir weiter nichts zu sagen?<br />
Kommst du nur immer anzuklagen?<br />
Ist auf der Erde ewig dir nichts recht?</p>
<p>MEPHISTOPHELES<br />
Nein Herr! ich find es dort, wie immer, herzlich schlecht.<br />
Die Menschen dauern mich in ihren Jammertagen,<br />
Ich mag sogar die armen selbst nicht plagen.</em></p>
<br><b>Johann Wolfgang von Goethe</b> (1749-1832) German poet, statesman, scientist<br><i>Faust: a Tragedy [eine Tragödie]</i>, Part 1, sc.  3 &#8220;Prologue in Heaven,&#8221; l. 301ff (1808-1829) [tr. Arndt (1976)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/fausttragedyback0000goet/page/6/mode/2up?q=%22no+other+news%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://gutenberg.org/files/2229/2229-h/2229-h.htm#:~:text=DER%20HERR.%0AHast,armen%20selbst%20nicht%20plagen.">Source (German)</a>). Alternate translations:<br><br>

<blockquote>THE LORD<br>
You've nothing more to say to me?<br>
You come but to complain unendingly?<br>
Is never aught right to your mind?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! All is still downright bad, I find.<br>
Man in his wretched days makes me lament him;<br>
I am myself reluctant to torment him.<br>
<br>
[tr. <a href="http://goethe.holtof.com/faust/Faust_I_01.htm#:~:text=The%20Lord.%20You%27ve%20nothing%20more%20to%20say%20to%20me%3F%0A%20%20%20%20You%20come%20but%20to%20complain%20unendingly%3F%0A%20%20%20%20Is%20never%20aught%20right%20to%20your%20mind%3F%0A%20%20Mephistopheles.%20No%2C%20Lord!%20All%20is%20still%20downright%20bad%2C%20I%20find.%0A%20%20%20%20Man%20in%20his%20wretched%20days%20makes%20me%20lament%20him%3B%0A%20%20%20%20I%20am%20myself%20reluctant%20to%20torment%20him.">Priest</a> (1808)]</blockquote><br>

<blockquote>THE LORD<br>
Have you no more to say. Do you come here <br>
Always to scold, and cavil, and complain? <br>
Seems nothing ever right to you on earth?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! I find all there, as ever, bad at best. <br>
Even I am sorry for man's days of sorrow; <br>
I could myself almost give up the pleasure <br>
Of plaguing the poor things.<br>
<br>
[tr. <a href="https://archive.org/details/faust01goetgoog/page/n275/mode/2up?q=%22have+you+no+more+to+say%22">Shelley</a> (1815)]</blockquote><br>

<blockquote>THE LORD: Have you nothing else to say to me? Are you always coming for no other purpose than to complain? Is nothing ever to your liking upon earth?<br>
MEPHISTOPHELES: No, Lord! I find things there, as ever, miserably bad. Men, in their days of wretchedness, move my pity; even I myself have not the heart to torment the poor things.<br>
[tr. <a href="https://archive.org/details/faust01goetgoog/page/n47/mode/2up?q=%22have+you+nothing%22">Hayward</a> (1831)]</blockquote><br>

<blockquote>THE LORD<br>
Hast thou naught else to say? Is blame<br>
In coming here, as ever, thy sole aim?<br>
Does nothing on the earth to thee seem right?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! I find things there, as ever, in sad plight.<br>
Men, in their evil days, move my compassion;<br>
Such sorry things to plague is nothing worth.<br>
<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/3023/pg3023.html#:~:text=thrusts%20his%20nose.-,THE%20LORD,-Hast%20thou%20naught">Swanwick</a> (1850)]</blockquote><br>

<blockquote>THE LORD<br>
Hast nothing for our edification?<br>
Still thy old work of accusation?<br>
Will things on earth be never right for thee?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! I find them still as bad as bad can be.<br>
Poor souls! their miseries seem so much to please 'em,<br>
I scarce can find it in my heart to tease 'em.<br>
<br>
[tr. <a href="https://www.gutenberg.org/files/14460/14460-8.txt#:~:text=_The%20Lord_.%20Hast%20nothing%20for%20our%20edification%3F%0AStill%20thy%20old%20work%20of%20accusation%3F%0AWill%20things%20on%20earth%20be%20never%20right%20for%20thee%3F%0A%0A_Mephistopheles_.%20No%2C%20Lord!%20I%20find%20them%20still%20as%20bad%20as%20bad%20can%20be.%0APoor%20souls!%20their%20miseries%20seem%20so%20much%20to%20please%20%27em%2C%0AI%20scarce%20can%20find%20it%20in%20my%20heart%20to%20tease%20%27em.">Brooks</a> (1868)]</blockquote><br>

<blockquote>THE LORD<br>
Hast thou, then, nothing more to mention?<br>
Com'st ever, thus, with ill intention?<br>
Find'st nothing right on earth, eternally?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! I find things, there, still bad as they can be.<br>
Man's misery even to pity moves my nature;<br>
I've scarce the heart to plague the wretched creature.<br>
<br>
[tr. <a href="https://en.wikisource.org/wiki/Faust_(Goethe)/Prologue#:~:text=THE%20LORD%0A%0AHast,the%20wretched%20creature.">Taylor</a> (1870)]</blockquote><br>

<blockquote>THE LORD<br>
Hast thou then nothing more to say?<br>
And art thou here again to-day<br>
To vent thy grudge in peevish spite<br>
Against the earth, still finding nothing right?<br>
<br>
MEPHISTOPHELES<br>
True, Lord; I find things there no better than before;<br>
I must confess I do deplore<br>
Man’s hopeless case, and scarce have heart myself<br>
To torture the poor miserable elf.<br>
<br>
[tr. <a href="https://www.gutenberg.org/files/63203/63203-h/63203-h.htm#:~:text=The%20Lord.,poor%20miserable%20elf.">Blackie</a> (1880)]</blockquote><br>

<blockquote>THE LORD<br>
Is that the sum of thy narration?<br>
Hast never aught but accusation?<br>
Still upon Earth is nothing to thy mind?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! all things on Earth still downright bad I find.<br>
Mortals their piteous fate upon the rack so stretches,<br>
Myself have scarce the heart to plague the wretches.<br>
<br>
[tr. <a href="https://www.google.com/books/edition/Goethe_s_Faust/EaEqAAAAMAAJ?hl=en&gbpv=1&bsq=%22sum%20of%20thy%20narration%22">Latham</a> (1908)]</blockquote><br>

<blockquote>THE LORD<br>
Can you not speak but to abuse?<br>
Do you come only to accuse?<br>
Does nothing on the earth seem to you right?<br>
<br>
MEPHISTO:<br>
No, Lord. I find it still a rather sorry sight.<br>
Man moves me to compassion, so wretched is his plight.<br>
I have no wish to cause him further woe.<br>
<br>
[tr. <a href="https://www.google.com/books/edition/Faust/f9Edhh3LTe8C?hl=en&gbpv=1&bsq=%22do%20you%20come%20only%20to%20accuse%22">Kaufmann</a> (1961)]</blockquote><br>

<blockquote>THE LORD<br>
Is this all you can report?<br>
Must you come forever to accuse?<br>
Is nothing ever right for you on earth?<br>
<br>
MEPHISTOPHELES<br>
No, my Lord. I find it there, as always, thoroughly revolting.<br>
I pity men in all their misery<br>
and actually hate to plague the wretches.<br>
<br>
[tr. <a href="https://www.google.com/books/edition/Faust/h_dvDwAAQBAJ?hl=en&gbpv=1&bsq=%22all%20you%20can%20report%22&printsec=frontcover">Salm</a> (1962)]</blockquote><br>

<blockquote>THE LORD<br>
And that is all you have to say?<br>
Must you complain each time you come my way?<br>
Is nothing right in your terrestrial scene?<br>
<br>
MEPHISTOPHELES <br>
No, sir! The earth's as bad as it has always been.<br>
I really feel quite sorry for mankind;<br>
Tormenting them myself's no fun, I find.<br>
<br>
[tr. <a href="https://www.google.com/books/edition/Faust/_Sbju4F0AVAC?hl=en&gbpv=1&bsq=%22have%20to%20say%22">Luke</a> (1987)]</blockquote><br>

<blockquote>THE LORD<br>
Is that all you have got to say to me?<br>
Is that all you can do, accuse eternally?<br>
Is  nothing ever right for you down there, sir?<br>
<br>
MEPHISTOPHELES<br>
No, nothing, Lord -- all's just as bad as ever.<br>
I really pity humanity's myriad miseries,<br>
I swear I hate tormenting the poor ninnies.<br>
<br>
[tr. <a href="https://www.google.com/books/edition/Faust/EkX4AwAAQBAJ?hl=en&gbpv=1&bsq=%22have%20got%20to%20say%20to%20me%22&printsec=frontcover">Greenberg</a> (1992)]</blockquote><br>

<blockquote>THE LORD<br>
Why are you telling me all this again?<br>
Do you always come here to complain?<br>
Could there be something good on earth that you've forgotten?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! I'm pleased to say it's still completely rotten.<br>
I feel quite sorry for their miserable plight;<br>
When it's as bad as that, tormenting them's not right.<br>
<br>
[tr. <a href="https://www.google.com/books/edition/Faust/GEfHKa3zj6YC?hl=en&gbpv=1&bsq=%22telling%20me%20all%20this%20again%22">Williams</a> (1999), l. 293ff]</blockquote><br>

<blockquote>GOD<br>
Have you nothing else to name?<br>
Do you always come here to complain?<br>
Does nothing ever go right on the Earth?<br>
<br>
MEPHISTOPHELES<br>
No, Lord! I find, as always, it couldn’t be worse.<br>
I’m so involved with Man’s wretched ways,<br>
I’ve even stopped plaguing them, myself, these days.<br>
<br>
[tr. <a href="http://goethe.holtof.com/faust/FaustIProl.htm#:~:text=piece%20of%20dirt.-,God,I%E2%80%99ve%20even%20stopped%20plaguing%20them%2C%20myself%2C%20these%20days.,-God">Kline</a> (2003)]</blockquote><br>						</span>
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		<title>Wilde, Oscar -- (Attributed)</title>
		<link>https://wist.info/wilde-oscar/53035/</link>
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		<pubDate>Fri, 06 May 2022 19:52:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilde, Oscar]]></category>
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		<description><![CDATA[I sometimes think that God in creating man, somewhat over-estimated his ability. The quotation first appears, without much citation, in Francis Douglas, Oscar Wilde and the Black Douglas, ch. 2 (1940), four decades after Wilde&#8217;s death. Further discussion of the quotation here: God In Creating Man, Somewhat Overestimated His Ability – Quote Investigator]]></description>
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			<content:encoded><![CDATA[<p>I sometimes think that God in creating man, somewhat over-estimated his ability.</p>
<br><b>Oscar Wilde</b> (1854-1900) Irish poet, wit, dramatist<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Oscar_Wilde_and_the_Black_Douglas/koBbAAAAMAAJ?hl=en&gbpv=1&bsq=%22god%20in%20creating%20man%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The quotation first appears, without much citation, in Francis Douglas, <i>Oscar Wilde and the Black Douglas</i>, ch. 2 (1940), four decades after Wilde's death. Further discussion of the quotation here: <a href="https://quoteinvestigator.com/2020/10/27/overestimate/">God In Creating Man, Somewhat Overestimated His Ability – Quote Investigator</a>						</span>
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		<title>Foglio, Phil -- Agatha H and the Voice of the Castle (2014) [with Kaja Foglio]</title>
		<link>https://wist.info/foglio-phil/52105/</link>
		<comments>https://wist.info/foglio-phil/52105/#respond</comments>
		<pubDate>Mon, 14 Mar 2022 16:29:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Foglio, Phil]]></category>
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		<description><![CDATA[Cain Mongfish’s masterpiece, A Reasoned Diatribe Regarding thee Methods and Required Madnesses Towards the Manipulation of ye Stuffe of Life and thee Entertaining Consequences Thereof and How Best to Avoid Them is regarded as the seminal work that gathered and codified all of the then-known processes for reanimating, bending, warping, and subjugating life as we [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Cain Mongfish’s masterpiece, <em>A Reasoned Diatribe Regarding thee Methods and Required Madnesses Towards the Manipulation of ye Stuffe of Life and thee Entertaining Consequences Thereof and How Best to Avoid Them</em> is regarded as the seminal work that gathered and codified all of the then-known processes for reanimating, bending, warping, and subjugating life as we know it. Cain died while researching a sequel, which according to his notes was to be entitled <em>How to Promote and Manipulate thee Natural Fealty and Gratitude That Thine Creation Will Express Towards Thou, Their Creator</em>. For some reason, that never works.<br />
&#8212;</p>
<br><b>Phil Foglio</b> (b. 1956) American writer, cartoonist<br><i>Agatha H and the Voice of the Castle</i> (2014) [with Kaja Foglio] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.nl/books/edition/Agatha_H_and_the_Voice_of_the_Castle/sTltDwAAQBAJ?hl=en&gbpv=1&bsq=%22Reasoned%20Diatribe%20Regarding%22" target="_blank">Source</a>)
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		<title>Heschel, Abraham -- The Prophets, Vol. 1 (1962)</title>
		<link>https://wist.info/heschel-abraham/50509/</link>
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		<pubDate>Mon, 27 Dec 2021 19:48:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Heschel, Abraham]]></category>
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		<description><![CDATA[This is what the prophets discovered. History is a nightmare. There are more scandals, more acts of corruption, than are dreamed of in philosophy. It would be blasphemous to believe that what we witness is the end of God&#8217;s creation. It is an act of evil to accept the state of evil as either inevitable [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>This is what the prophets discovered. <i>History is a nightmare.</i> There are more scandals, more acts of corruption, than are dreamed of in philosophy. It would be blasphemous to believe that what we witness is the end of God&#8217;s creation. It is an act of evil to accept the state of evil as either inevitable or final. Others may be satisfied with improvement, the prophets insist upon redemption. The way man acts is a disgrace, and it must not go on forever.</p>
<br><b>Abraham Joshua Heschel</b> (1907-1972) Polish-American rabbi, theologian, philosopher<br><i>The Prophets</i>, Vol. 1 (1962) 
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		<title>Johnson, Samuel -- The Rambler,  #14 (5 May 1784)</title>
		<link>https://wist.info/johnson-samuel/50463/</link>
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		<pubDate>Wed, 22 Dec 2021 21:18:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Johnson, Samuel]]></category>
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		<description><![CDATA[A transition from an author’s book to his conversation is too often like an entrance into a large city after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but when we have passed the gates, we find it [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>A transition from an author’s book to his conversation is too often like an entrance into a large city after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.</p>
<br><b>Samuel Johnson</b> (1709-1784) English writer, lexicographer, critic<br><i>The Rambler</i>,  #14 (5 May 1784) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_Samuel_Johnson/j24eAAAAMAAJ?hl=en&gbpv=1&dq=samuel%20johnson%20%22entrance%20into%20a%20large%20city%22&pg=PA94&printsec=frontcover&bsq=samuel%20johnson%20%22entrance%20into%20a%20large%20city%22" target="_blank">Source</a>)
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		<title>Flynt, Larry -- Sex, Lies &#038; Politics: The Naked Truth (2004)</title>
		<link>https://wist.info/flynt-larry/49552/</link>
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		<pubDate>Thu, 04 Nov 2021 16:23:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[If the human body is obscene, complain to the manufacturer!]]></description>
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			<content:encoded><![CDATA[<p>If the human body is obscene, complain to the manufacturer!</p>
<br><b>Larry Flynt</b> (1942-2021) American publisher and pornographer<br><i>Sex, Lies &#038; Politics: The Naked Truth</i> (2004) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Sex_Lies_Politics/WGmoaeFe1zwC?hl=en&gbpv=1&dq=flynt%20%22sex%2C%20lies%20%26%20politics%22&pg=PP3&printsec=frontcover&bsq=%22complain%20to%20the%20manufacturer%22" target="_blank">Source</a>)
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		<title>Ingersoll, Robert Green -- Speech to the Jury, Trial of C. B. Reynolds for Blasphemy, Morristown, New Jersey (May 1887)</title>
		<link>https://wist.info/ingersoll-robert-green/48735/</link>
		<comments>https://wist.info/ingersoll-robert-green/48735/#respond</comments>
		<pubDate>Wed, 15 Sep 2021 17:02:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[It seems to me that if there is some infinite being who wants us to think alike, he would have made us alike.]]></description>
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			<content:encoded><![CDATA[<p>It seems to me that if there is some infinite being who wants us to think alike, he would have made us alike.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2021/09/Ingersoll-infinite-being-think-alike-made-us-alike-wist.info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2021/09/Ingersoll-infinite-being-think-alike-made-us-alike-wist.info-quote.png" alt="" width="800" height="450" class="aligncenter size-full wp-image-48737" srcset="https://wist.info/wp/wp-content/uploads/2021/09/Ingersoll-infinite-being-think-alike-made-us-alike-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2021/09/Ingersoll-infinite-being-think-alike-made-us-alike-wist.info-quote-300x169.png 300w, https://wist.info/wp/wp-content/uploads/2021/09/Ingersoll-infinite-being-think-alike-made-us-alike-wist.info-quote-768x432.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Speech to the Jury, Trial of C. B. Reynolds for Blasphemy, Morristown, New Jersey (May 1887) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/files/38103/38103-h/38103-h.htm#:~:text=It%20seems%20to%20me%20that%20if%20there%20is%20some%20infinite%20being%20who%20wants%20us%20to%20think%20alike%2C%20he%20would%20have%20made%20us%20alike." target="_blank">Source</a>)
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		<title>Davies, Robertson -- The Diary of Samuel Marchbanks, ch. 20 (1947)</title>
		<link>https://wist.info/davies-robertson/47010/</link>
		<comments>https://wist.info/davies-robertson/47010/#respond</comments>
		<pubDate>Tue, 18 May 2021 16:54:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Davies, Robertson]]></category>
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		<description><![CDATA[Perhaps God made cats so that man might have the pleasure of fondling the tiger &#8230;.]]></description>
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			<content:encoded><![CDATA[<p>Perhaps God made cats so that man might have the pleasure of fondling the tiger &#8230;.</p>
<br><b>Robertson Davies</b> (1913-1995) Canadian author, editor, publisher<br><i>The Diary of Samuel Marchbanks</i>, ch. 20 (1947) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://onlinereadfreenovel.com/robertson-davies/page,10,44468-the_papers_of_samuel_marchbanks.html#:~:text=perhaps%20god%20made%20cats%20so%20that%20man%20might%20have%20the%20pleasure%20of%20fondling%20the%20tiger...." target="_blank">Source</a>)
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		<title>Catherine of Siena -- (Attributed)</title>
		<link>https://wist.info/catherine-of-siena/44117/</link>
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		<pubDate>Fri, 06 Nov 2020 21:09:09 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Catherine of Siena]]></category>
		<category><![CDATA[appearance]]></category>
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		<description><![CDATA[What is it you want to change? Your hair, your face, your body? Why? For God is in love with all those things and he might weep when they are gone.]]></description>
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			<content:encoded><![CDATA[<p>What is it you want to change? Your hair, your face, your body? Why? For God is in love with all those things and he might weep when they are gone.</p>
<br><b>Catherine of Siena</b> (1347-1380) Italian Catholic mystic, activist, author<br>(Attributed) 
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		<title>Nietzsche, Friedrich -- Twilight of the Idols [Die Götzen-Dämmerung], &#8220;Apophthegms and Darts [Sprüche und Pfeile]&#8221; #7 (1889)</title>
		<link>https://wist.info/nietzsche-friedrich/43640/</link>
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		<pubDate>Mon, 12 Oct 2020 23:15:56 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Nietzsche, Friedrich]]></category>
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		<description><![CDATA[Which is it? Is man one of God’s blunders? Or is God one of man’s blunders? [Wie? ist der Mensch nur ein Fehlgriff Gottes? Oder Gott nur ein Fehlgriff des Menschen?] Alt. trans.: &#8220;How is it? Is man only a mistake of God? Or God only a mistake of man? &#8211;&#8221; [tr. Common (1896)] &#8220;What? [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Which is it? Is man one of God’s blunders? Or is God one of man’s blunders? </p>
<p><em>[Wie? ist der Mensch nur ein Fehlgriff Gottes? Oder Gott nur ein Fehlgriff des Menschen?]</em></p>
<br><b>Friedrich Nietzsche</b> (1844-1900) German philosopher and poet<br><i>Twilight of the Idols [Die Götzen-Dämmerung]</i>, &#8220;Apophthegms and Darts <i>[Sprüche und Pfeile]</i>&#8221; #7 (1889) 
														<br><br><span class="cite">
						

Alt. trans.:<ul>
	<li>"How is it? Is man only a mistake of God? Or God only a mistake of man? --" [tr. <a href="https://www.google.com/books/edition/Twilight_of_the_Idols_and_The_Antichrist/Xk3CAgAAQBAJ?hl=en&gbpv=1&dq=nietzsche%20%22twilight%20of%20the%20idols%22&pg=PT8&printsec=frontcover&bsq=%22man%20only%20a%20mistake%20of%20God%22">Common</a> (1896)]</li>
	<li>"What? Is man just one of God's mistakes? Or is God just one of man's? --" [tr. <a href="https://www.google.com/books/edition/Twilight_of_the_Idols_and_The_Antichrist/Xk3CAgAAQBAJ?hl=en&gbpv=1&dq=nietzsche%20%22twilight%20of%20the%20idols%22&pg=PT8&printsec=frontcover&bsq=%22man%20only%20a%20mistake%20of%20God%22">Large</a> (1998),"Maxims and Barbs"]</li>
	<li>"What? Is man just God's mistake? Or is God just man's mistake?" [tr. <a href="https://www.google.com/books/edition/Nietzsche_The_Anti_Christ_Ecce_Homo_Twil/DcVl57jzP2gC?hl=en&gbpv=1&pg=PA157&printsec=frontcover">Norman</a> (2005), "Arrows and Epigrams"]</li>
	<li>"What? Is man merely a mistake of God's? Or God merely a mistake of man's?" [tr. <a href="http://www.handprint.com/SC/NIE/GotDamer.html#:~:text=What%3F%20Is%20man%20merely%20a%20mistake%20of%20God's%3F%20Or%20God%20merely%20a%20mistake%20of%20man's%3F">Hollingdale</a> (1968)]</li>
	<li>"Which is it? Is man only a blunder of God? Or is God only a blunder of man?" [tr. <a href="https://www.gutenberg.org/files/52263/52263-h/52263-h.htm#Page_2:~:text=Which%20is%20it%3F%20Is%20man%20only%20a%20blunder%20of%20God%3F%20Or%20is%20God%20only%20a%20blunder%20of%20man%3F">Ludovici</a> (1911), "Maxims and Missiles"]</li>
</ul>
						</span>
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		<title>Bernstein, Leonard -- &#8220;A Sabbatical Report,&#8221; sec. 1, New York Times (24 Oct 1965)</title>
		<link>https://wist.info/bernstein-leonard/41617/</link>
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		<pubDate>Fri, 08 May 2020 14:27:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<category><![CDATA[dialectic]]></category>
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		<category><![CDATA[tension]]></category>

		<guid isPermaLink="false">https://wist.info/?p=41617</guid>
		<description><![CDATA[A work of art does not answer questions: it provokes them; and its essential meaning is in the tension between their contradictory answers. Reprinted in The Infinite Variety of Music (1966)]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>A work of art does not answer questions: it provokes them; and its essential meaning is in the tension between their contradictory answers.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/05/Bernstein-A-work-of-art-does-not-answer-questions-it-provokes-them-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/05/Bernstein-A-work-of-art-does-not-answer-questions-it-provokes-them-wist_info-quote.png" alt="" width="800" height="390" class="aligncenter size-full wp-image-41630" srcset="https://wist.info/wp/wp-content/uploads/2020/05/Bernstein-A-work-of-art-does-not-answer-questions-it-provokes-them-wist_info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2020/05/Bernstein-A-work-of-art-does-not-answer-questions-it-provokes-them-wist_info-quote-300x146.png 300w, https://wist.info/wp/wp-content/uploads/2020/05/Bernstein-A-work-of-art-does-not-answer-questions-it-provokes-them-wist_info-quote-768x374.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Leonard Bernstein</b> (1918-1990) American conductor, composer, author, music lecturer, pianist<br>&#8220;A Sabbatical Report,&#8221; sec. 1, <i>New York Times</i> (24 Oct 1965) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Infinite_Variety_of_Music/iUcyva1FEz4C?hl=en&gbpv=1&dq=bernstein%20%22questions%20it%20provokes%20them%22&pg=PA141&printsec=frontcover&bsq=bernstein%20%22questions%20it%20provokes%20them%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Reprinted in <i>The Infinite Variety of Music</i> (1966)						</span>
					]]></content:encoded>
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		<title>Alcott, Louisa May -- Diary (1843-09-01)</title>
		<link>https://wist.info/alcott-louisa-may/41444/</link>
		<comments>https://wist.info/alcott-louisa-may/41444/#respond</comments>
		<pubDate>Tue, 21 Apr 2020 22:31:21 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Alcott, Louisa May]]></category>
		<category><![CDATA[baby]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[evil]]></category>
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		<category><![CDATA[innocense]]></category>
		<category><![CDATA[man]]></category>

		<guid isPermaLink="false">https://wist.info/?p=41444</guid>
		<description><![CDATA[Father asked us what was God&#8217;s noblest work. Anna said men, but I said babies. Men are often bad; babies never are. Quoted in Edna D. Cheney, ed., Louisa May Alcott: Her Life, Letters, and Journals (1889)]]></description>
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			<content:encoded><![CDATA[<p>Father asked us what was God&#8217;s noblest work. Anna said <em>men</em>, but I said <em>babies</em>. Men are often bad; babies never are. </p>
<br><b>Louisa May Alcott</b> (1832-1888) American writer<br>Diary (1843-09-01) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Louisa_May_Alcott_her_Life_Letters_and_J/wjuyDwAAQBAJ?hl=en&gbpv=1&dq=alcott%20%22Men%20are%20often%20bad%22&pg=PA1&printsec=frontcover&bsq=alcott%20%22Men%20are%20often%20bad%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Quoted in Edna D. Cheney, ed., <em>Louisa May Alcott: Her Life, Letters, and Journals</em> (1889)
						</span>
					]]></content:encoded>
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		<title>Beauvoir, Simone de -- Quoted in &#8220;Toward a Hidden God,&#8221; Time (8 Apr 1966)</title>
		<link>https://wist.info/beauvoir-simone-de/41208/</link>
		<comments>https://wist.info/beauvoir-simone-de/41208/#respond</comments>
		<pubDate>Thu, 02 Apr 2020 13:51:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Beauvoir, Simone de]]></category>
		<category><![CDATA[atheism]]></category>
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		<description><![CDATA[It was easier for me to think of a world without a creator than of a creator loaded with all of the contradictions of the world.]]></description>
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			<content:encoded><![CDATA[<p>It was easier for me to think of a world without a creator than of a creator loaded with all of the contradictions of the world.</p>
<br><b>Simone de Beauvoir</b> (1908-1986) French author, existentialist philosopher, feminist theorist<br>Quoted in &#8220;Toward a Hidden God,&#8221; <i>Time</i> (8 Apr 1966) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://content.time.com/time/magazine/article/0,9171,835309,00.html" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Santayana, George -- Platonism and the Spiritual Life (1927)</title>
		<link>https://wist.info/santayana-george/41098/</link>
		<comments>https://wist.info/santayana-george/41098/#respond</comments>
		<pubDate>Thu, 19 Mar 2020 17:35:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Santayana, George]]></category>
		<category><![CDATA[beauty]]></category>
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		<category><![CDATA[existence]]></category>
		<category><![CDATA[imperfection]]></category>
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		<category><![CDATA[struggle]]></category>
		<category><![CDATA[world]]></category>

		<guid isPermaLink="false">https://wist.info/?p=41098</guid>
		<description><![CDATA[The world is not respectable; it is mortal, tormented, confused, deluded forever; but it is shot through with beauty, with love, with glints of courage and laughter; and in these, the spirit blooms timidly, and struggles to be a light amid the thorns.]]></description>
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			<content:encoded><![CDATA[<p>The world is not respectable;  it is mortal, tormented, confused, deluded forever; but it is shot through with beauty, with love, with glints of courage and laughter; and in these, the spirit blooms timidly, and struggles to be a light amid the thorns.</p>
<br><b>George Santayana</b> (1863-1952) Spanish-American poet and philosopher [Jorge Agustín Nicolás Ruíz de Santayana y Borrás]<br><i>Platonism and the Spiritual Life</i> (1927) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_George_Santayana/vbwYAAAAIAAJ?hl=en&gbpv=1&bsq=%22mortal,%20tormented,%20confused%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Morris, William -- &#8220;Useful Work versus Useless Toil,&#8221; lecture (1884)</title>
		<link>https://wist.info/morris-william/40926/</link>
		<comments>https://wist.info/morris-william/40926/#respond</comments>
		<pubDate>Wed, 11 Mar 2020 15:34:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Morris, William]]></category>
		<category><![CDATA[ability]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[craft]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[exercise]]></category>
		<category><![CDATA[fulfillment]]></category>
		<category><![CDATA[labor]]></category>
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		<category><![CDATA[usefulness]]></category>

		<guid isPermaLink="false">https://wist.info/?p=40926</guid>
		<description><![CDATA[Yet I think that to all living things there is a pleasure in the exercise of their energies, and that even beasts rejoice in being lithe and swift and strong. But a man at work, making something which he feels will exist because he is working at it and wills it, is exercising the energies [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Yet I think that to all living things there is a pleasure in the exercise of their energies, and that even beasts rejoice in being lithe and swift and strong. But a man at work, making something which he feels will exist because he is working at it and wills it, is exercising the energies of his mind and soul as well as of his body. Memory and imagination help him as he works. Not only his own thoughts, but the thoughts of the men of past ages guide his hands; and, as a part of the human race, he creates. If we work thus we shall be men, and our days will be happy and eventful.</p>
<br><b>William Morris</b> (1834-1896) British textile designer, writer, socialist activist<br>&#8220;Useful Work versus Useless Toil,&#8221; lecture (1884) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://etext.library.adelaide.edu.au/m/morris/william/m87sc/" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Printed in <i>Signs of Change</i> (1888).						</span>
					]]></content:encoded>
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		<title>Oliver, Mary -- Comments at Wellesley College (20 Oct 2010)</title>
		<link>https://wist.info/oliver-mary/40797/</link>
		<comments>https://wist.info/oliver-mary/40797/#respond</comments>
		<pubDate>Tue, 25 Feb 2020 18:13:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Oliver, Mary]]></category>
		<category><![CDATA[ache]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[aspiration]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[goad]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[purpose]]></category>
		<category><![CDATA[ugliness]]></category>
		<category><![CDATA[ugly]]></category>
		<category><![CDATA[worthiness]]></category>

		<guid isPermaLink="false">https://wist.info/?p=40797</guid>
		<description><![CDATA[The universe could have been created ugly, and would have functioned. And yet there is beauty everywhere in creation. Beauty gives us an ache, to be worthy of that creation. The last phrase is frequently paraphrased, &#8220;We need beauty because it makes us ache to be worthy of it.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>The universe could have been created ugly, and would have functioned. And yet there is beauty everywhere in creation. Beauty gives us an ache, to be worthy of that creation.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/02/Oliver-Beauty-gives-us-an-ache-to-be-worthy-of-that-creation-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/02/Oliver-Beauty-gives-us-an-ache-to-be-worthy-of-that-creation-wist_info-quote.png" alt="" width="800" height="470" class="aligncenter size-full wp-image-40799" srcset="https://wist.info/wp/wp-content/uploads/2020/02/Oliver-Beauty-gives-us-an-ache-to-be-worthy-of-that-creation-wist_info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2020/02/Oliver-Beauty-gives-us-an-ache-to-be-worthy-of-that-creation-wist_info-quote-300x176.png 300w, https://wist.info/wp/wp-content/uploads/2020/02/Oliver-Beauty-gives-us-an-ache-to-be-worthy-of-that-creation-wist_info-quote-768x451.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Mary Oliver</b> (1935-2019) American poet<br>Comments at Wellesley College (20 Oct 2010) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://naturalwisdom.blogspot.com/2010/10/mary-oliver-at-wellesley-what-beauty-is.html" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The last phrase is frequently paraphrased, "We need beauty because it makes us ache to be worthy of it."						</span>
					]]></content:encoded>
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		<title>Dillard, Annie -- Living by Fiction (1983)</title>
		<link>https://wist.info/dillard-annie/40524/</link>
		<comments>https://wist.info/dillard-annie/40524/#respond</comments>
		<pubDate>Thu, 06 Feb 2020 19:51:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dillard, Annie]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[dog]]></category>
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		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">https://wist.info/?p=40524</guid>
		<description><![CDATA[The art object is always passive in relation to its audience. It is alarmingly active, however, in relation to its creator. Far from being like a receptacle in which you, the artist, drop your ideas, and far from being like a lump of clay which you pummel until it fits your notion of an ashtray, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The art object is always passive in relation to its audience. It is alarmingly active, however, in relation to its creator. Far from being like a receptacle in which you, the artist, drop your ideas, and far from being like a lump of clay which you pummel until it fits your notion of an ashtray, the art object is more like an enthusiastic and ill-trained Labrador retriever which yanks you into traffic.</p>
<br><b>Annie Dillard</b> (b. 1945) American author<br><i>Living by Fiction</i> (1983) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Living_by_Fiction/lfrXAAAAMAAJ?hl=en&gbpv=1&bsq=yanks" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Often paraphrased, "Art is like an ill-trained Labrador retriever that drags you out into traffic."
						</span>
					]]></content:encoded>
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		<title>Disraeli, Benjamin -- Speech, Banquet to Lord Rector, University of Glasgow (19 Nov 1870)</title>
		<link>https://wist.info/disraeli-benjamin/40374/</link>
		<comments>https://wist.info/disraeli-benjamin/40374/#respond</comments>
		<pubDate>Wed, 29 Jan 2020 21:43:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Disraeli, Benjamin]]></category>
		<category><![CDATA[affection]]></category>
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		<guid isPermaLink="false">https://wist.info/?p=40374</guid>
		<description><![CDATA[I think the author who speaks about his own books is almost as bad as a mother who talks about her own children.]]></description>
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			<content:encoded><![CDATA[<p>I think the author who speaks about his own books is almost as bad as a mother who talks about her own children.</p>
<br><b>Benjamin Disraeli</b> (1804-1881) English politician and author<br>Speech, Banquet to Lord Rector, University of Glasgow (19 Nov 1870) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_Benjamin_Disraeli_Endymion/wPMtAAAAYAAJ?hl=en&gbpv=1&dq=disraeli%20%22bad%20as%20a%20mother%20who%20talks%22&pg=RA1-PA64&printsec=frontcover&bsq=%22bad%20as%20a%20mother%20who%20talks%22" target="_blank">Source</a>)
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		<title>Wright, Fanny -- A Course of Popular Lectures, Lecture 3, &#8220;Of the more Important Divisions and Essential Parts of Knowledge&#8221; (1829)</title>
		<link>https://wist.info/wright-fanny/39718/</link>
		<comments>https://wist.info/wright-fanny/39718/#comments</comments>
		<pubDate>Fri, 20 Sep 2019 21:45:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wright, Fanny]]></category>
		<category><![CDATA[authority]]></category>
		<category><![CDATA[conviction]]></category>
		<category><![CDATA[courage]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[evidence]]></category>
		<category><![CDATA[freedom of thought]]></category>
		<category><![CDATA[freethinking]]></category>
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		<category><![CDATA[reason]]></category>
		<category><![CDATA[understanding]]></category>

		<guid isPermaLink="false">https://wist.info/?p=39718</guid>
		<description><![CDATA[Be not afraid! In admitting a creator, refuse not to examine his creation; and take not the assertions of creatures like yourselves, in place of the evidence of your senses and the conviction of your understanding.]]></description>
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			<content:encoded><![CDATA[<p>Be not afraid! In admitting a creator, refuse not to examine his creation; and take not the assertions of creatures like yourselves, in place of the evidence of your senses and the conviction of your understanding.</p>
<br><b>Frances "Fanny" Wright</b> (1795-1852) Scottish-American writer, lecturer, social reformer<br><i>A Course of Popular Lectures</i>, Lecture 3, &#8220;Of the more Important Divisions and Essential Parts of Knowledge&#8221; (1829) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=HxNYAAAAcAAJ&vq=%22against%20inquiry&pg=PA72#v=onepage&q=%22renders%20them%20suspicious%22&f=false" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Pratchett, Terry -- Discworld No.  4, Mort (1987)</title>
		<link>https://wist.info/pratchett-terry/38561/</link>
		<comments>https://wist.info/pratchett-terry/38561/#respond</comments>
		<pubDate>Fri, 06 Apr 2018 18:31:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[comprehension]]></category>
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		<guid isPermaLink="false">http://wist.info/?p=38561</guid>
		<description><![CDATA[The Creator had a lot of remarkably good ideas when he put the world together, but making it understandable hadn&#8217;t been one of them.]]></description>
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			<content:encoded><![CDATA[<p>The Creator had a lot of remarkably good ideas when he put the world together, but making it understandable hadn&#8217;t been one of them.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2018/04/Pratchett-creator-world-together-understandable-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2018/04/Pratchett-creator-world-together-understandable-wist_info-quote-1024x647.png" alt="" width="640" height="404" class="aligncenter size-large wp-image-38570" srcset="https://wist.info/wp/wp-content/uploads/2018/04/Pratchett-creator-world-together-understandable-wist_info-quote-1024x647.png 1024w, https://wist.info/wp/wp-content/uploads/2018/04/Pratchett-creator-world-together-understandable-wist_info-quote-300x190.png 300w, https://wist.info/wp/wp-content/uploads/2018/04/Pratchett-creator-world-together-understandable-wist_info-quote-768x485.png 768w, https://wist.info/wp/wp-content/uploads/2018/04/Pratchett-creator-world-together-understandable-wist_info-quote.png 1100w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br>Discworld No.  4, <i>Mort</i> (1987) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=jTdXAAAAYAAJ&focus=searchwithinvolume&q=%22making+it+understandable%22" target="_blank">Source</a>)
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		<title>Gaiman, Neil -- Blog entry (2001-12-31), &#8220;As I Was Saying&#8221;</title>
		<link>https://wist.info/gaiman-neil/38405/</link>
		<comments>https://wist.info/gaiman-neil/38405/#respond</comments>
		<pubDate>Mon, 12 Feb 2018 17:50:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[achievement]]></category>
		<category><![CDATA[benediction]]></category>
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		<category><![CDATA[hope]]></category>
		<category><![CDATA[life]]></category>
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		<description><![CDATA[May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you&#8217;re wonderful, and don&#8217;t forget to make some art &#8212; write or draw or build or sing or live as only you can. And I hope, somewhere in the next [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you&#8217;re wonderful, and don&#8217;t forget to make some art &#8212; write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote-1024x496.png" alt="" width="640" height="310" class="aligncenter size-large wp-image-38409" srcset="https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote-1024x496.png 1024w, https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote-300x145.png 300w, https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote-768x372.png 768w, https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote-60x29.png 60w, https://wist.info/wp/wp-content/uploads/2018/02/Gaiman-may-your-coming-year-surprise-yourself-wist_info-quote.png 1115w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br>Blog entry (2001-12-31), &#8220;As I Was Saying&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://journal.neilgaiman.com/2007/12/as-i-was-saying.html" target="_blank">Source</a>)
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		<title>Fuller, Buckminster -- (Attributed)</title>
		<link>https://wist.info/fuller-buckminster/38403/</link>
		<comments>https://wist.info/fuller-buckminster/38403/#respond</comments>
		<pubDate>Mon, 12 Feb 2018 17:45:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fuller, Buckminster]]></category>
		<category><![CDATA[building]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[destiny]]></category>
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		<category><![CDATA[progress]]></category>

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		<description><![CDATA[We are called to be architects of the future, not its victims. Quoted in L. Steven Sieden, A Fuller View (2012).]]></description>
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			<content:encoded><![CDATA[<p>We are called to be architects of the future, not its victims.</p>
<br><b>Buckminster Fuller</b> (1895-1983) American architect, engineer<br>(Attributed) 
														<br><br><span class="cite">
						

Quoted in L. Steven Sieden, <em>A Fuller View</em> (2012).						</span>
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		<title>Mencken, H. L. -- (Attributed)</title>
		<link>https://wist.info/mencken-hl/38241/</link>
		<comments>https://wist.info/mencken-hl/38241/#respond</comments>
		<pubDate>Fri, 10 Nov 2017 17:41:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Mencken, H. L.]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[drink]]></category>
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		<description><![CDATA[The only American invention as perfect as a sonnet. Referring to the dry martini cocktail.]]></description>
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			<content:encoded><![CDATA[<p>The only American invention as perfect as a sonnet.</p>
<br><b>H. L. Mencken</b> (1880-1956) American writer and journalist [Henry Lewis Mencken]<br>(Attributed) 
														<br><br><span class="cite">
						

Referring to the dry martini cocktail.						</span>
					]]></content:encoded>
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		<title>Vonnegut, Kurt, Jr. -- Hocus Pocus (1990)</title>
		<link>https://wist.info/vonnegut-kurt-jr/37762/</link>
		<comments>https://wist.info/vonnegut-kurt-jr/37762/#respond</comments>
		<pubDate>Fri, 18 Aug 2017 14:45:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Vonnegut, Kurt, Jr.]]></category>
		<category><![CDATA[building]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[drudgery]]></category>
		<category><![CDATA[fresh]]></category>
		<category><![CDATA[glory]]></category>
		<category><![CDATA[maintenance]]></category>
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		<description><![CDATA[Another flaw in the human character is that everybody wants to build and nobody wants to do maintenance.]]></description>
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			<content:encoded><![CDATA[<p>Another flaw in the human character is that everybody wants to build and nobody wants to do maintenance.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/08/Vonnegut-everybody-wants-to-build-and-nobody-wants-to-do-maintenance-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/08/Vonnegut-everybody-wants-to-build-and-nobody-wants-to-do-maintenance-wist_info-quote.png" alt="" width="900" height="427" class="aligncenter size-full wp-image-37767" srcset="https://wist.info/wp/wp-content/uploads/2017/08/Vonnegut-everybody-wants-to-build-and-nobody-wants-to-do-maintenance-wist_info-quote.png 900w, https://wist.info/wp/wp-content/uploads/2017/08/Vonnegut-everybody-wants-to-build-and-nobody-wants-to-do-maintenance-wist_info-quote-300x142.png 300w, https://wist.info/wp/wp-content/uploads/2017/08/Vonnegut-everybody-wants-to-build-and-nobody-wants-to-do-maintenance-wist_info-quote-768x364.png 768w, https://wist.info/wp/wp-content/uploads/2017/08/Vonnegut-everybody-wants-to-build-and-nobody-wants-to-do-maintenance-wist_info-quote-60x28.png 60w" sizes="(max-width: 900px) 100vw, 900px" /></a></p>
<br><b>Kurt Vonnegut, Jr.</b> (1922-2007) American novelist, journalist<br><i>Hocus Pocus</i> (1990) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=Qr4S3kB7X5wC&lpg=PP1&dq=vonnegut%20hocus%20pocus&pg=PT168#v=onepage&q=maintenance&f=false" target="_blank">Source</a>)
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		<title>Hurston, Zora Neale -- &#8220;How It Feels to Be Colored Me&#8221;, The World Tomorrow (May 1928)</title>
		<link>https://wist.info/hurston-zora-neale/37740/</link>
		<comments>https://wist.info/hurston-zora-neale/37740/#respond</comments>
		<pubDate>Thu, 17 Aug 2017 01:46:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hurston, Zora Neale]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[container]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[people]]></category>
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		<category><![CDATA[self]]></category>

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		<description><![CDATA[But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall in company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small things priceless and worthless. A first-water diamond, an empty spool, bits of broken glass, lengths [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall in company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small things priceless and worthless. A first-water diamond, an empty spool, bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. </p>
<p>In your hand is the brown bag. On the ground before you is the jumble it held &#8212; so much like the jumble in the bags, could they be emptied, that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place &#8212; who knows?</p>
<br><b>Zora Neale Hurston</b> (1891-1960) American writer, folklorist, anthropologist<br>&#8220;How It Feels to Be Colored Me&#8221;, <i>The World Tomorrow</i> (May 1928) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://xroads.virginia.edu/~MA01/Grand-Jean/Hurston/Chapters/how.html" target="_blank">Source</a>)
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		<title>Omar Khayyam -- Rubáiyát [رباعیات] [tr. FitzGerald, 3rd ed. (1872), #  99]</title>
		<link>https://wist.info/omar-khayyam/37728/</link>
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		<pubDate>Tue, 15 Aug 2017 03:08:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Omar Khayyam]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[desire]]></category>
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		<description><![CDATA[Ah Love! could you and I with Him conspire To grasp this sorry Scheme of Things entire, Would not we shatter it to bits &#8212; and then Re-mould it nearer to the Heart&#8217;s Desire! Also used in FitzGerald, 4th ed. (1879); 5th ed. (1889). Alternate translations: Ah, Love! could thou and I with Fate conspire [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Ah Love! could you and I with Him conspire<br />
To grasp this sorry Scheme of Things entire,<br />
<span class="tab">Would not we shatter it to bits &#8212; and then<br />
Re-mould it nearer to the Heart&#8217;s Desire!</span></p>
<br><b>Omar Khayyám </b> (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]<br><i>Rubáiyát</i> [رباعیات] [tr. FitzGerald, 3rd ed. (1872), #  99] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_3rd_edition)#:~:text=Ah%20Love!%20could%20you%20and%20I%20with%20Him%20conspire%0ATo%20grasp%20this%20sorry%20Scheme%20of%20Things%20entire%2C%0AWould%20not%20we%20shatter%20it%20to%20bits%2D%2Dand%20then%0ARe%2Dmould%20it%20nearer%20to%20the%20Heart%27s%20Desire!" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Also used in FitzGerald, <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_4th_edition)#:~:text=Ah%20Love!%20could%20you%20and%20I%20with%20Him%20conspire%0A%C2%A0To%20grasp%20this%20sorry%20Scheme%20of%20Things%20entire%2C%0A%C2%A0%C2%A0%C2%A0Would%20not%20we%20shatter%20it%20to%20bits%2D%2Dand%20then%0A%C2%A0Re%2Dmold%20it%20nearer%20to%20the%20Heart%27s%20Desire!">4th ed.</a> (1879); <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_5th_edition)#:~:text=%C2%A0Ah%20Love!%20could%20you%20and%20I%20with%20Him%20conspire%0A%C2%A0To%20grasp%20this%20sorry%20Scheme%20of%20Things%20entire%2C%0A%C2%A0%C2%A0%C2%A0Would%20not%20we%20shatter%20it%20to%20bits%2D%2Dand%20then%0A%C2%A0Re%2Dmold%20it%20nearer%20to%20the%20Heart%27s%20Desire!">5th ed.</a> (1889).<br><br>

Alternate translations:<br><br>

<blockquote>Ah, Love! could thou and I with Fate conspire<br>
To grasp this sorry Scheme of Things entire,<br>
<span class="tab">Would not we shatter it to bits -- and then<br>
Re-mould it nearer to the Heart's Desire!<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_1st_edition)/The_Rubaiyat_of_Omar_Khayyam#:~:text=Ah%2C%20Love!%20could,the%20Heart%27s%20Desire!">FitzGerald</a>, 1st ed. (1859), #  73]</blockquote><br>

<blockquote>Ah Love! could you and I with Fate conspire<br>
To grasp this sorry Scheme of Things entire,<br>
<span class="tab">Would not we shatter it to bits -- and then<br>
Re-mould it nearer to the Heart's Desire!<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Rubaiyat_of_Omar_Khayyam_(tr._Fitzgerald,_2nd_edition)#:~:text=Ah%20Love!%20could%20you%20and%20I%20with%20Fate%20conspire%0ATo%20grasp%20this%20sorry%20Scheme%20of%20Things%20entire%2C%0AWould%20not%20we%20shatter%20it%20to%20bits%2D%2Dand%20then%0ARe%2Dmould%20it%20nearer%20to%20the%20Heart%27s%20Desire!">FitzGerald</a>, 2nd ed. (1868), # 108]</blockquote><br>

<blockquote>If I, like God, were master of the heavens, I would blot them from the world, and fashion new skies beneath which free man might gain his heart's desire.<br>
[tr. <a href="https://archive.org/details/rubiytofomark00omar/page/132/mode/2up?q=%22blot+them+from+the+world%22">McCarthy</a> (1879), # 378] (1888)]</blockquote><br>

<blockquote>Had I the right great Allah to advise,<br>
I would bid him sweep away this earth and skies,<br>
<span class="tab">And build a better, where, unclogged and free,<br>
The clear soul might essay her high emprise.<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/192/mode/2up?q=%22Whinfield%2C+200+%281882%22">Whinfield</a> (1882), # 200]</blockquote><br>

<blockquote>Had I the power great Allah to advise,<br>
I'd bid him sweep away this earth and skies,<br>
<span class="tab">And build a better, where, unclogged and free,<br>
The clear soul might achieve her high emprise.<br>
[tr. <a href="https://en.wikisource.org/wiki/Quatrains_of_Omar_Khayyam_(tr._Whinfield,_1883)/Quatrains_301-400#:~:text=Had%20I%20the%20power%20great%20Allah%20to%20advise%2C%0AI%27d%20hid%20him%20sweep%20away%20this%20earth%20and%20skies%2C%0A%C2%A0%C2%A0%C2%A0%C2%A0And%20build%20a%20better%2C%20where%2C%20unclogged%20and%20free%2C%0AThe%20clear%20soul%20might%20achieve%20her%20high%20emprise.">Whinfield</a> (1883), # 379]</blockquote><br>

<blockquote>Oh that to Heaven's Control I might aspire,<br>
And sweep away this Universe Entire,<br>
<span class="tab">Then from the Ruins build another World,<br>
Where Man might sometimes reach his Heart's Desire.<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/192/mode/2up?q=%22Heaven%27s+Control+I+might%22">Garner</a> (1887), 2.8]</blockquote><br>

<blockquote>If I like God o'er Heaven's high fate could reign,<br>
I'd sweep away the present Heaven's domain,<br>
<span class="tab">And from its ruins such a new one build<br>
That an honest heart its wish could aye attain!<br>
[tr. <a href="https://archive.org/details/rubaiyatofomarkh01omar/page/192/mode/2up?q=%22Heaven%27s+high+fate%22">M. K.</a> (1888)]</blockquote><br>

<blockquote>If only I controlled God's Universe,<br>
Would I not wipe away these faulty Heavens<br>
<span class="tab">And build from nothing a true Paradise<br>
Where all souls could achieve their hearts' desire.<br>
[tr. <a href="https://www.google.com/books/edition/Delos/6KwLAQAAMAAJ?hl=en&gbpv=1&bsq=%22Where+all+souls+could+achieve+their+hearts%27+desire%3F%22&dq=%22Where+all+souls+could+achieve+their+hearts%27+desire%3F%22&printsec=frontcover">Graves & Ali-Shah</a> (1967), # 105]</blockquote><br>

<blockquote>If the firmament were in my hand as in God's,<br>
I would have razed it from the midst:<br>
<span class="tab">I would have made another firmament such that<br>
The free of heart might easily attain their desire.<br>
[tr. <a href="https://www.google.com/books/edition/The_Ruba_iyat_of_Omar_Khayyam/sUN5XLzv8lMC?hl=en&gbpv=1&bsq=%22firmament%20were%20in%22">Avery/Heath-Stubbs</a> (1979), #  25]</blockquote><br>

<blockquote>Like God, if this world I could control<br>
Eliminating the world would be my role<br>
<span class="tab">I would create the world anew, whole<br>
Such that the free soul would attain desired goal.<br>
[tr. <a href="https://www.okonlife.com/poems/page3.htm#:~:text=Like%20God%2C%20if%20this%20world%20I%20could%20control%0AEliminating%20the%20world%20would%20be%20my%20role%0AI%20would%20create%20the%20world%20anew%2C%20whole%0ASuch%20that%20the%20free%20soul%20would%20attain%20desired%20goal.">Shahriari</a> (1998), literal]</blockquote><br>
						</span>
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		<title>King, Martin Luther -- &#8220;Loving Your Enemies,&#8221; Sermon, Dexter Avenue Baptist Church, Montgomery (25 Dec 1957)</title>
		<link>https://wist.info/king-martin-luther/37708/</link>
		<comments>https://wist.info/king-martin-luther/37708/#respond</comments>
		<pubDate>Fri, 11 Aug 2017 23:42:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Martin Luther]]></category>
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		<description><![CDATA[This simply means that there is some good in the worst of us and some evil in the best of us. When we discover this, we are less prone to hate our enemies. When we look beneath the surface, beneath the impulsive evil deed, we see within our enemy-neighbor a measure of goodness and know [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>This simply means that there is some good in the worst of us and some evil in the best of us. When we discover this, we are less prone to hate our enemies. When we look beneath the surface, beneath the impulsive evil deed, we see within our enemy-neighbor a measure of goodness and know that the viciousness and evilness of his acts are not quite representative of all that he is. We see him in a new light. We recognize that his hate grows out of fear, pride, ignorance, prejudice, and misunderstanding, but in spite of this, we know God&#8217;s image is ineffably etched in being. Then we love our enemies by realizing that they are not totally bad and that they are not beyond the reach of God&#8217;s redemptive love.</p>
<br><b>Martin Luther King, Jr.</b> (1929-1968) American clergyman, civil rights leader, social activist, preacher<br>&#8220;Loving Your Enemies,&#8221; Sermon, Dexter Avenue Baptist Church, Montgomery (25 Dec 1957) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=nWC0DgAAQBAJ&lpg=PA46&dq=%22Let%20us%20be%20practical%20and%20ask%20the%20question.%20How%20do%20we%20love%20our%20enemies%3F%22&pg=PA48#v=snippet&q=%22some%20good%20in%20the%20worst%20of%20us%22&f=false" target="_blank">Source</a>)
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		<title>Kingsley, Charles -- &#8220;The World’s Age&#8221; (1849)</title>
		<link>https://wist.info/kingsley-charles/37638/</link>
		<comments>https://wist.info/kingsley-charles/37638/#respond</comments>
		<pubDate>Wed, 02 Aug 2017 00:27:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kingsley, Charles]]></category>
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		<description><![CDATA[Fools! who fancy Christ mistaken; Man a tool to buy and sell; Earth a failure, God-forsaken, Ante-room of Hell.]]></description>
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			<content:encoded><![CDATA[<p>Fools! who fancy Christ mistaken;<br />
Man a tool to buy and sell;<br />
Earth a failure, God-forsaken,<br />
Ante-room of Hell.</p>
<br><b>Charles Kingsley</b> (1819-1875) English clergyman, historian, essayist, novelist (pseud. "Parson Lot")<br>&#8220;The World’s Age&#8221; (1849) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.poemhunter.com/poem/the-world-s-age/" target="_blank">Source</a>)
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		<title>Heinlein, Robert A. -- Stranger in a Strange Land, ch. 27 [Patty] (1961)</title>
		<link>https://wist.info/heinlein-robert-a/37584/</link>
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		<pubDate>Fri, 21 Jul 2017 20:40:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[If God didn&#8217;t want women to be looked at, he would have made &#8217;em ugly &#8212; that&#8217;s reasonable, isn&#8217;t it? God isn&#8217;t a cheat; He set up the game Himself &#8212; He wouldn&#8217;t rig it so that the marks can&#8217;t win, like a flat joint wheel in a town with the fix on. He wouldn&#8217;t [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>If God didn&#8217;t want women to be looked at, he would have made &#8217;em ugly &#8212; that&#8217;s reasonable, isn&#8217;t it? God isn&#8217;t a cheat; He set up the game Himself &#8212; He wouldn&#8217;t rig it so that the marks can&#8217;t win, like a flat joint wheel in a town with the fix on. He wouldn&#8217;t send anybody to Hell for losing in a crooked game.</p>
<br><b>Robert A. Heinlein</b> (1907-1988) American writer<br><i>Stranger in a Strange Land</i>, ch. 27 [Patty] (1961) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=p9UiDQAAQBAJ&pg=PT354" target="_blank">Source</a>)
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		<title>Hurston, Zora Neale -- Tell My Horse, ch. 15 (1938)</title>
		<link>https://wist.info/hurston-zora-neale/37404/</link>
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		<pubDate>Wed, 05 Jul 2017 15:57:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hurston, Zora Neale]]></category>
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		<description><![CDATA[Gods always behave like the people who make them.]]></description>
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			<content:encoded><![CDATA[<p>Gods always behave like the people who make them.</p>
<br><b>Zora Neale Hurston</b> (1891-1960) American writer, folklorist, anthropologist<br><i>Tell My Horse</i>, ch. 15 (1938) 
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		<title>Adams, Douglas -- Hitchhiker&#8217;s Guide No. 1, The Hitchhiker&#8217;s Guide to the Galaxy, ch. 16 (1979)</title>
		<link>https://wist.info/adams-douglas/37236/</link>
		<comments>https://wist.info/adams-douglas/37236/#respond</comments>
		<pubDate>Wed, 14 Jun 2017 14:50:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adams, Douglas]]></category>
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		<description><![CDATA[Isn&#8217;t it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too? Musing by Ford Prefect as to Zaphod&#8217;s overdramatization of their arrival at Magrathea. Not present in the BBC Radio production, where Magrathea is reached during Fit the 3rd.]]></description>
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			<content:encoded><![CDATA[<p>Isn&#8217;t it enough to see that a garden is beautiful without having to believe that there are fairies at the bottom of it too?</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/06/Adams-enough-garden-beautiful-believe-fairies-bottom-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/06/Adams-enough-garden-beautiful-believe-fairies-bottom-wist_info-quote.png" alt="" width="640" height="360" class="aligncenter size-full wp-image-37242" srcset="https://wist.info/wp/wp-content/uploads/2017/06/Adams-enough-garden-beautiful-believe-fairies-bottom-wist_info-quote.png 640w, https://wist.info/wp/wp-content/uploads/2017/06/Adams-enough-garden-beautiful-believe-fairies-bottom-wist_info-quote-300x169.png 300w, https://wist.info/wp/wp-content/uploads/2017/06/Adams-enough-garden-beautiful-believe-fairies-bottom-wist_info-quote-60x34.png 60w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
<br><b>Douglas Adams</b> (1952-2001) English author, humorist, screenwriter<br>Hitchhiker&#8217;s Guide No. 1, <i>The Hitchhiker&#8217;s Guide to the Galaxy</i>, ch. 16 (1979) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/hitchhikersguide0000adam_d5y6/page/88/mode/2up?q=%22garden+is+beautiful%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Musing by Ford Prefect as to Zaphod's overdramatization of their arrival at Magrathea. Not present in the BBC Radio production, where Magrathea is reached during Fit the 3rd.
						</span>
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		<title>Lebowitz, Fran -- Metropolitan Life, &#8220;Manners&#8221; (1978)</title>
		<link>https://wist.info/lebowitz-fran/36950/</link>
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		<pubDate>Mon, 08 May 2017 21:34:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lebowitz, Fran]]></category>
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		<description><![CDATA[All of God&#8217;s children are not beautiful. Most of God&#8217;s children are, in fact, barely presentable.]]></description>
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			<content:encoded><![CDATA[<p>All of God&#8217;s children are not beautiful. Most of God&#8217;s children are, in fact, barely presentable.</p>
<br><b>Fran Lebowitz</b> (b. 1950) American journalist, essayist<br><i>Metropolitan Life</i>, &#8220;Manners&#8221; (1978) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/metropolitanlife00fran/page/6/mode/2up?q=%22barely+presentable%22" target="_blank">Source</a>)
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		<title>Serling, Rod -- &#8220;Rod Serling: The Facts of Life,&#8221; interview by Linda Brevelle (4 Mar 1975)</title>
		<link>https://wist.info/serling-rod/36947/</link>
		<comments>https://wist.info/serling-rod/36947/#respond</comments>
		<pubDate>Mon, 08 May 2017 21:32:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Serling, Rod]]></category>
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		<description><![CDATA[I suppose we think euphemistically that all writers write because they have something to say that is truthful and honest and pointed and important. And I suppose I subscribe to that, too. But God knows when I look back over thirty years of professional writing, I’m hard-pressed to come up with anything that’s important. Some [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I suppose we think euphemistically that all writers write because they have something to say that is truthful and honest and pointed and important. And I suppose I subscribe to that, too. But God knows when I look back over thirty years of professional writing, I’m hard-pressed to come up with anything that’s important. Some things are literate, some things are interesting, some things are classy, but very damn little is important.</p>
<br><b>Rod Serling</b> (1924-1975) American screenwriter, playwright, television producer, narrator <br>&#8220;Rod Serling: The Facts of Life,&#8221; interview by Linda Brevelle (4 Mar 1975) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://rodserling.com/rod-serlings-final-interview/#:~:text=I%20don%E2%80%99t%20subscribe,little%20is%20important." target="_blank">Source</a>)
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		<title>Talmud -- Midrash Rabba, Bereshit 10:6</title>
		<link>https://wist.info/talmud/36816/</link>
		<comments>https://wist.info/talmud/36816/#comments</comments>
		<pubDate>Thu, 20 Apr 2017 15:26:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Talmud]]></category>
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		<description><![CDATA[Every blade of grass has its angel that bends over it and whispers, &#8220;Grow, grow.&#8221; Usually attributed to the Talmud, but actually from a Midrash. Alt. trans.: &#8220;R. Shimon said: There is not a single herb but has a mazal [constellation] in the heavens which strikes it and says, &#8216;Grow!'&#8221; [tr. Rabbi Ruth Adar] &#8220;Said Rabbi Simon: [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Every blade of grass has its angel that bends over it and whispers, &#8220;Grow, grow.&#8221;</p>
<br><b>The Talmud</b> (AD 200-500) Collection of Jewish rabbinical writings<br>Midrash Rabba, Bereshit 10:6 
														<br><br><span class="cite">
						

Usually attributed to the Talmud, but actually from a Midrash.

Alt. trans.:
<ul>
 	<li>"R. Shimon said: There is not a single herb but has a <em>mazal</em> [constellation] in the heavens which strikes it and says, 'Grow!'" [tr. <a href="https://coffeeshoprabbi.com/2015/03/24/mazal-tov-some-thoughts-on-growing-pains/">Rabbi Ruth Adar</a>]</li>
 	<li>"Said Rabbi Simon: 'Every single blade of grass has a corresponding 'mazal' in the sky which hits it and tells it to grow." [<a href="https://ohr.edu/ask_db/ask_main.php/145/Q2/">Source</a>]</li>
</ul>						</span>
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		<title>Bronowski, Jacob -- &#8220;The Creative Process,&#8221; Scientific American (Sep 1958)</title>
		<link>https://wist.info/bronowski-jacob/35935/</link>
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		<pubDate>Tue, 10 Jan 2017 03:39:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Christopher Columbus discovered the West Indies, and Alexander Graham Bell invented the telephone. We do not call their achievements creations because they are not personal enough. The West Indies were there all the time; and as for the telephone, we feel that Bell&#8217;s ingenious thought was somehow not fundamental. The groundwork was there, and if [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Christopher Columbus discovered the West Indies, and Alexander Graham Bell invented the telephone. We do not call their achievements creations because they are not personal enough. The West Indies were there all the time; and as for the telephone, we feel that Bell&#8217;s ingenious thought was somehow not fundamental. The groundwork was there, and if not Bell then someone else would have stumbled on the telephone almost as accidentally as on the West Indies.</p>
<p>By contrast, we feel that Othello is genuinely a creation. This is not because Othello came out of a clear sky; it did not. There were Elizabethan dramatists before William Shakespeare, and without them he could not have written as he did. Yet within their tradition Othello remains profoundly personal; and though every element in the play has been a theme of other poets, we know that the amalgam of these elements is Shakespeare&#8217;s; we feel the presence of his single mind. The Elizabethan drama would have gone on without Shakespeare, but no one else would have written Othello.</p>
<br><b>Jacob Bronowski</b> (1908-1974) Polish-English humanist and mathematician<br>&#8220;The Creative Process,&#8221; <i>Scientific American</i> (Sep 1958) 
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		<title>Emerson, Ralph Waldo -- Journal (1840-07-13/14)</title>
		<link>https://wist.info/emerson-ralph-waldo/35801/</link>
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		<pubDate>Tue, 20 Dec 2016 04:02:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
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		<description><![CDATA[We are all boarders on one table &#8212; White man, black man, ox and eagle, bee, &#038; worm.]]></description>
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			<content:encoded><![CDATA[<p>We are all boarders on one table &#8212; White man, black man, ox and eagle, bee, &#038; worm.</p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>Journal (1840-07-13/14) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Emerson_in_His_Journals/ijoOVniDTz8C?hl=en&gbpv=1&dq=emerson+journal+%22ox+and+eagle%22&pg=PA243&printsec=frontcover" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Lewis, C.S. -- Letter to Mary Willis Shelburne (18 Aug 1956)</title>
		<link>https://wist.info/lewis-cs/35217/</link>
		<comments>https://wist.info/lewis-cs/35217/#respond</comments>
		<pubDate>Wed, 28 Sep 2016 01:48:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[mourning]]></category>
		<category><![CDATA[pet]]></category>

		<guid isPermaLink="false">http://wist.info/?p=35217</guid>
		<description><![CDATA[I will never laugh at anyone for grieving over a loved beast. I think God wants us to love Him more, not to love creatures (even animals) less. We love everything in one way too much (i.e., at the expense of our love for Him), but in another way we love everything too little. No [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I will never laugh at anyone for grieving over a loved beast. I think God wants us to love Him <em>more</em>, not to love creatures (even animals) <em>less</em>. We love everything <em>in one way</em> too much (i.e., at the expense of our love for Him), but in another way we love everything too little. No person, animal, flower, or even pebble has ever been loved too much &#8212; i.e., more than every one of God’s works deserves.</p>
<br><b>C. S. Lewis</b> (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br>Letter to Mary Willis Shelburne (18 Aug 1956) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=BCc6Aq5JaJoC&pg=PA782" target="_blank">Source</a>)
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		<title>Gervais, Ricky -- Twitter (15 Mar 2012)</title>
		<link>https://wist.info/gervais-ricky/34603/</link>
		<comments>https://wist.info/gervais-ricky/34603/#respond</comments>
		<pubDate>Fri, 29 Jul 2016 02:29:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gervais, Ricky]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[animal testing]]></category>
		<category><![CDATA[cosmetics]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[evolution]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[steward]]></category>
		<category><![CDATA[torture]]></category>

		<guid isPermaLink="false">http://wist.info/?p=34603</guid>
		<description><![CDATA[Whether you believe that life evolved over billions of years or God made everything, you can&#8217;t justify torturing an animal for a shampoo.]]></description>
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			<content:encoded><![CDATA[<p>Whether you believe that life evolved over billions of years or God made everything, you can&#8217;t justify torturing an animal for a shampoo.</p>
<br><b>Ricky Gervais</b> (b. 1961) English comedian, actor, director, writer<br>Twitter (15 Mar 2012) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://twitter.com/rickygervais/status/180239339605868544" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Kingsley, Charles -- Yeast: A Problem, ch. 5 (1848)</title>
		<link>https://wist.info/kingsley-charles/34565/</link>
		<comments>https://wist.info/kingsley-charles/34565/#respond</comments>
		<pubDate>Fri, 22 Jul 2016 04:31:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kingsley, Charles]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[devil]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[industrial]]></category>
		<category><![CDATA[invention]]></category>
		<category><![CDATA[modern]]></category>
		<category><![CDATA[progress]]></category>
		<category><![CDATA[spirit]]></category>

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		<description><![CDATA[So give me the political economist, the sanitary reformer, the engineer; and take your saints and virgins, relics and miracles. The spinning-jenny and the railroad, Cunard&#8217;s liners and the electric telegraph, are to me, if not to you, signs that we are, on some points at least, in harmony with the universe; that there is [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>So give me the political economist, the sanitary reformer, the engineer; and take your saints and virgins, relics and miracles. The spinning-jenny and the railroad, Cunard&#8217;s liners and the electric telegraph, are to me, if not to you, signs that we are, on some points at least, in harmony with the universe; that there is a mighty spirit working among us, who cannot be your anarchic and destroying Devil, and therefore may be the Ordering and Creating God.</p>
<br><b>Charles Kingsley</b> (1819-1875) English clergyman, historian, essayist, novelist (pseud. "Parson Lot")<br><i>Yeast: A Problem</i>, ch. 5 (1848) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.gutenberg.org/files/10364/10364-h/10364-h.htm" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Whedon, Joss -- &#8220;Dollhouse&#8217;s Joss Whedon Answers Your Questions,&#8221; Hulu Blog (9 Mar 2009)</title>
		<link>https://wist.info/whedon-joss/34279/</link>
		<comments>https://wist.info/whedon-joss/34279/#respond</comments>
		<pubDate>Fri, 17 Jun 2016 15:21:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Whedon, Joss]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[carpe diem]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[just do it]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[procrastination]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://wist.info/?p=34279</guid>
		<description><![CDATA[If you have a good idea, get it out there. For every idea I&#8217;ve realized, I have ten I sat on for a decade till someone else did it first. Write it. Shoot it. Publish it. Crochet it, sauté it, whatever. MAKE.]]></description>
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			<content:encoded><![CDATA[<p>If you have a good idea, get it out there. For every idea I&#8217;ve realized, I have ten I sat on for a decade till someone else did it first. Write it. Shoot it. Publish it. Crochet it, sauté it, whatever. MAKE.</p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/06/Whedon-make-wist_info-quote.jpg" alt="Whedon - make - wist_info quote" width="605" height="375" class="aligncenter size-full wp-image-34284" srcset="https://wist.info/wp/wp-content/uploads/2016/06/Whedon-make-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/06/Whedon-make-wist_info-quote-300x186.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/06/Whedon-make-wist_info-quote-60x37.jpg 60w" sizes="(max-width: 605px) 100vw, 605px" /></p>
<br><b>Joss Whedon</b> (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]<br>&#8220;Dollhouse&#8217;s Joss Whedon Answers Your Questions,&#8221; Hulu Blog (9 Mar 2009) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://blog.hulu.com/2009/03/06/joss-whedon/" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Verne, Jules -- Around the World in Eighty Days (1873)</title>
		<link>https://wist.info/verne-jules/34189/</link>
		<comments>https://wist.info/verne-jules/34189/#respond</comments>
		<pubDate>Sat, 11 Jun 2016 21:51:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Verne, Jules]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[engineering]]></category>
		<category><![CDATA[imagination]]></category>
		<category><![CDATA[invention]]></category>
		<category><![CDATA[reality]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[speculation]]></category>

		<guid isPermaLink="false">http://wist.info/?p=34189</guid>
		<description><![CDATA[Anything one man can imagine, other men can make real.]]></description>
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			<content:encoded><![CDATA[<p>Anything one man can imagine, other men can make real.</p>
<br><b>Jules Verne</b> (1828-1905) French novelist, poet, playwright <br><i>Around the World in Eighty Days</i> (1873) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Day, Clarence -- The Story of the Yale University Press, ch. 2 (1920)</title>
		<link>https://wist.info/day-clarence/34179/</link>
		<comments>https://wist.info/day-clarence/34179/#respond</comments>
		<pubDate>Thu, 09 Jun 2016 18:04:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Day, Clarence]]></category>
		<category><![CDATA[abiding]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[civilization]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[enduring]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[lasting]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[past]]></category>

		<guid isPermaLink="false">http://wist.info/?p=34179</guid>
		<description><![CDATA[The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men&#8217;s hearts of the hearts of men centuries dead.</p>
<br><b>Clarence Day</b> (1874-1935) American author and cartoonist<br><i>The Story of the Yale University Press</i>, ch. 2 (1920) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Story_of_the_Yale_University_Press_T/aIY4DsXWBYQC?hl=en&gbpv=1&bsq=%22world%20of%20books%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Boileau-Despréaux, Nicolas -- Satires, Satire 8, l. 1 (1716)</title>
		<link>https://wist.info/boileau-despreaux-nicolas/34157/</link>
		<comments>https://wist.info/boileau-despreaux-nicolas/34157/#respond</comments>
		<pubDate>Wed, 08 Jun 2016 14:43:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Boileau-Despréaux, Nicolas]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creature]]></category>
		<category><![CDATA[folly]]></category>
		<category><![CDATA[fool]]></category>

		<guid isPermaLink="false">http://wist.info/?p=34157</guid>
		<description><![CDATA[Of all the creatures that creep, swim, or fly, Peopling the earth, the waters, and the sky, From Rome to Iceland, Paris to Japan, I really think the greatest fool is man. [De tous les animaux qui s&#8217;élèvent dans l&#8217;air, Qui marchent sur la terre, ou nagent dans la mer, De Paris au Pérou, du [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Of all the creatures that creep, swim, or fly,<br />
Peopling the earth, the waters, and the sky,<br />
From Rome to Iceland, Paris to Japan,<br />
I really think the greatest fool is man.</p>
<p><em>[De tous les animaux qui s&#8217;élèvent dans l&#8217;air,<br />
Qui marchent sur la terre, ou nagent dans la mer,<br />
De Paris au Pérou, du Japon jusqu&#8217;à Rome,<br />
Le plus sot animal, à mon avis, c&#8217;est l&#8217;homme.]</em></p>
<br><b>Nicolas Boileau-Despréaux</b> (1636-1711) French poet and critic<br><i>Satires</i>, Satire 8, l. 1 (1716) 
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		<title>Crapsey, Adelaide -- &#8220;The Immortal Residue&#8221; (1915)</title>
		<link>https://wist.info/crapsey-adelaide/33950/</link>
		<comments>https://wist.info/crapsey-adelaide/33950/#respond</comments>
		<pubDate>Thu, 26 May 2016 14:00:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Crapsey, Adelaide]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[legacy]]></category>
		<category><![CDATA[memorial]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://wist.info/?p=33950</guid>
		<description><![CDATA[Wouldst thou find my ashes? Look In the pages of my book; And, as these thy hands doth turn, Know here is my funeral urn.]]></description>
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			<content:encoded><![CDATA[<p>Wouldst thou find my ashes? Look<br />
In the pages of my book;<br />
And, as these thy hands doth turn,<br />
Know here is my funeral urn. </p>
<br><b>Adelaide Crapsey</b> (1878-1914) American poet<br>&#8220;The Immortal Residue&#8221; (1915) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Gervais, Ricky -- Interview with Scott Raab, Esquire (12 Jan 2012)</title>
		<link>https://wist.info/gervais-ricky/33603/</link>
		<comments>https://wist.info/gervais-ricky/33603/#respond</comments>
		<pubDate>Wed, 11 May 2016 13:46:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gervais, Ricky]]></category>
		<category><![CDATA[accomplishment]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[make]]></category>

		<guid isPermaLink="false">http://wist.info/?p=33603</guid>
		<description><![CDATA[You should make something. You should bring something into the world that wasn&#8217;t in the world before. It doesn&#8217;t matter what it is. It doesn&#8217;t matter if it&#8217;s a table or a film or gardening &#8212; everyone should create. You should do something, then sit back and say, &#8220;I did that.&#8221; Variant: &#8220;If you spend [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>You should make something. You should bring something into the world that wasn&#8217;t in the world before. It doesn&#8217;t matter what it is. It doesn&#8217;t matter if it&#8217;s a table or a film or gardening &#8212; everyone should create. You should do something, then sit back and say, &#8220;I did that.&#8221;</p>
<br><b>Ricky Gervais</b> (b. 1961) English comedian, actor, director, writer<br>Interview with Scott Raab, <i>Esquire</i> (12 Jan 2012) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.esquire.com/entertainment/interviews/a12353/ricky-gervais-interview-0212/" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Variant: "If you spend your days doing what you love, it is impossible to fail. So I go about my days trying to bring something into the world that wasn’t in the world before. And then everyone gets furious about it. And then I sit back and say, 'I did that!'" [<a href="http://www.biography.com/news/ricky-gervais-biography-interview"><em>Biography </em>interview</a> (11 Jan 2016)]


						</span>
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		<title>Bell, Alexander Graham -- Speech (1891)</title>
		<link>https://wist.info/bell-alexander-graham/33300/</link>
		<comments>https://wist.info/bell-alexander-graham/33300/#respond</comments>
		<pubDate>Thu, 14 Apr 2016 13:56:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bell, Alexander Graham]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[improvement]]></category>
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		<category><![CDATA[inventor]]></category>
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		<category><![CDATA[progress]]></category>

		<guid isPermaLink="false">http://wist.info/?p=33300</guid>
		<description><![CDATA[The inventor &#8230; looks upon the world and is not contented with things as they are. He wants to improve whatever he sees, he wants to benefit the world; he is haunted by an idea. The spirit of invention possesses him, seeking materialization. On a plaque at the entrance to the Alexander Graham Bell Museum [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The inventor &#8230; looks upon the world and is not contented with things as they are. He wants to improve whatever he sees, he wants to benefit the world; he is haunted by an idea. The spirit of invention possesses him, seeking materialization.</p>
<br><b>Alexander Graham Bell</b> (1847-1922) Scottish-American scientist, inventor, engineer<br>Speech (1891) 
														<br><br><span class="cite">
						

On a plaque at the entrance to the Alexander Graham Bell Museum in Baddeck, Nova Scotia, Canada.						</span>
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		<title>Simon, Neil -- The Gingerbread Lady (1970)</title>
		<link>https://wist.info/simon-neil/32656/</link>
		<comments>https://wist.info/simon-neil/32656/#respond</comments>
		<pubDate>Mon, 15 Feb 2016 14:45:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Simon, Neil]]></category>
		<category><![CDATA[age]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[fleeting]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[woman]]></category>

		<guid isPermaLink="false">http://wist.info/?p=32656</guid>
		<description><![CDATA[The body of a young woman is God&#8217;s greatest achievement. [&#8230;] Of course, He could have built it to last longer but you can&#8217;t have everything.]]></description>
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			<content:encoded><![CDATA[<p>The body of a young woman is God&#8217;s greatest achievement. [&#8230;] Of course, He could have built it to last longer but you can&#8217;t have everything.</p>
<br><b>Neil Simon</b> (1927-2018) American playwright and screenwriter<br><i>The Gingerbread Lady</i> (1970) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Muhammad -- Hadith</title>
		<link>https://wist.info/mohammed/32228/</link>
		<comments>https://wist.info/mohammed/32228/#respond</comments>
		<pubDate>Tue, 19 Jan 2016 14:10:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Muhammad]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[reason]]></category>

		<guid isPermaLink="false">http://wist.info/?p=32228</guid>
		<description><![CDATA[God created Reason, and it was the most beautiful being in his creation: and God said to it, &#8220;I have not created anything better or more perfect or more beautiful than thou: blessings will come down on mankind on thy account, and they will be judged according to the use they make of thee.&#8221; In [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>God created Reason, and it was the most beautiful being in his creation: and God said to it, &#8220;I have not created anything better or more perfect or more beautiful than thou: blessings will come down on mankind on thy account, and they will be judged according to the use they make of thee.&#8221;</p>
<br><b>Muhammad</b> (AD c. 570-632) Arab religious, military, and political leader; founder of Islam [Mohammed, مُحَمَّد]<br>Hadith 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=BBkYAAAAYAAJ&pg=PA341" target="_blank">Source</a>)
										<br><br><span class="cite">
						

In Syed Ameer Ali, <i>A Critical Examination of the Life and Teachings of Mohammed</i> (1873), cited to The Kitâb-ul-Mustarif, ch. 2, and The Mishkât, Bk 22, ch. 18, pt. 3 (from Abu Hurairah)						</span>
					]]></content:encoded>
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		<title>Emerson, Ralph Waldo -- Journal (1820-12)</title>
		<link>https://wist.info/emerson-ralph-waldo/32145/</link>
		<comments>https://wist.info/emerson-ralph-waldo/32145/#respond</comments>
		<pubDate>Wed, 13 Jan 2016 15:56:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[destiny]]></category>
		<category><![CDATA[intelligent design]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[purpose]]></category>

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		<description><![CDATA[The human soul, the world, the universe are laboring on to their magnificent consummation. We are not fashioned thus marvelously for nought.]]></description>
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			<content:encoded><![CDATA[<p>The human soul, the world, the universe are laboring on to their magnificent consummation. We are not fashioned thus marvelously for nought.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote.jpg" alt="Emerson - fashioned thus marvelously - wist_info quote" width="605" height="353" class="aligncenter size-full wp-image-32156" srcset="https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote-300x175.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>Journal (1820-12) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Lewis, C.S. -- Mere Christianity, ch. 8 (1952)</title>
		<link>https://wist.info/lewis-cs/31654/</link>
		<comments>https://wist.info/lewis-cs/31654/#respond</comments>
		<pubDate>Wed, 02 Dec 2015 13:55:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[church]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[government]]></category>
		<category><![CDATA[purpose]]></category>
		<category><![CDATA[redemption]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[salvation]]></category>
		<category><![CDATA[state]]></category>

		<guid isPermaLink="false">http://wist.info/?p=31654</guid>
		<description><![CDATA[This is the whole of Christianity. There is nothing else. It is so easy to get muddled about that. It is easy to think that the Church has a lot of different objects &#8212; education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects &#8212; [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>This is the whole of Christianity. There is nothing else. It is so easy to get muddled about that. It is easy to think that the Church has a lot of different objects &#8212; education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects &#8212; military, political, economic, and what not. But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden &#8212; that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time. In the same way the Church exists for nothing else but to draw men into Christ, to make them little Christs. If they are not doing that, all the cathedrals, clergy, missions, sermons, even the Bible itself, are simply a waste of time. God became Man for no other purpose. It is even doubtful, you know, whether the whole universe was created for any other purpose.</p>
<br><b>C. S. Lewis</b> (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br><i>Mere Christianity</i>, ch. 8 (1952) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=JaC0_Yvffr0C&pg=PA158" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Lewis, Sinclair -- Elmer Gantry (1927)</title>
		<link>https://wist.info/lewis-sinclair/31481/</link>
		<comments>https://wist.info/lewis-sinclair/31481/#respond</comments>
		<pubDate>Tue, 17 Nov 2015 14:21:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, Sinclair]]></category>
		<category><![CDATA[angry]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[immensity]]></category>
		<category><![CDATA[omniscience]]></category>
		<category><![CDATA[personal God]]></category>
		<category><![CDATA[Sabbath]]></category>
		<category><![CDATA[sin]]></category>

		<guid isPermaLink="false">http://wist.info/?p=31481</guid>
		<description><![CDATA[The Maker of the universe with stars a hundred thousand light-years apart was interested, furious, and very personal about it if a small boy played baseball on Sunday afternoon.]]></description>
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			<content:encoded><![CDATA[<p>The Maker of the universe with stars a hundred thousand light-years apart was interested, furious, and very personal about it if a small boy played baseball on Sunday afternoon.</p>
<br><b>Sinclair Lewis</b> (1885-1951) American novelist, playwright<br><i>Elmer Gantry</i> (1927) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Williams, Robin -- (Attributed)</title>
		<link>https://wist.info/williams-robin/31144/</link>
		<comments>https://wist.info/williams-robin/31144/#respond</comments>
		<pubDate>Thu, 22 Oct 2015 13:42:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Williams, Robin]]></category>
		<category><![CDATA[blood]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[flaw]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[lust]]></category>
		<category><![CDATA[male]]></category>
		<category><![CDATA[man]]></category>

		<guid isPermaLink="false">http://wist.info/?p=31144</guid>
		<description><![CDATA[The problem is that God gives men a brain and a penis, and only enough blood to run one at a time.]]></description>
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			<content:encoded><![CDATA[<p>The problem is that God gives men a brain and a penis, and only enough blood to run one at a time.</p>
<br><b>Robin Williams</b> (1951-2014) American comedian and actor<br>(Attributed) 
								]]></content:encoded>
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		<title>Lewis, C.S. -- Mere Christianity, rev. ed., 4.1 (1952)</title>
		<link>https://wist.info/lewis-cs/30948/</link>
		<comments>https://wist.info/lewis-cs/30948/#respond</comments>
		<pubDate>Wed, 07 Oct 2015 13:20:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[Galatea]]></category>
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		<category><![CDATA[Pygmalion]]></category>
		<category><![CDATA[salvation]]></category>

		<guid isPermaLink="false">http://wist.info/?p=30948</guid>
		<description><![CDATA[The world is a great sculptor&#8217;s shop. We are the statues and there is a rumor going round the shop that some of us are some day going to come to life.]]></description>
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			<content:encoded><![CDATA[<p>The world is a great sculptor&#8217;s shop. We are the statues and there is a rumor going round the shop that some of us are some day going to come to life.</p>
<br><b>C. S. Lewis</b> (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br><i>Mere Christianity</i>, rev. ed., 4.1 (1952) 
								]]></content:encoded>
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		<title>Francis I (Pope) -- Homily (22 May 2013)</title>
		<link>https://wist.info/francis-i-pope/30853/</link>
		<comments>https://wist.info/francis-i-pope/30853/#respond</comments>
		<pubDate>Mon, 28 Sep 2015 14:28:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Francis I (Pope)]]></category>
		<category><![CDATA[commandment]]></category>
		<category><![CDATA[conscience]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[demonization]]></category>
		<category><![CDATA[doing good]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[holy war]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[other]]></category>
		<category><![CDATA[tolerance]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://wist.info/?p=30853</guid>
		<description><![CDATA[The Lord created us in His image and likeness, and we are the image of the Lord, and He does good and all of us have this commandment at heart: do good and do not do evil. All of us. &#8220;But, Father, this is not Catholic! He cannot do good.&#8221; Yes, he can. He must. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The Lord created us in His image and likeness, and we are the image of the Lord, and He does good and all of us have this commandment at heart: do good and do not do evil. All of us. &#8220;But, Father, this is not Catholic! He cannot do good.&#8221; Yes, he can. He must. Not can: must! Because he has this commandment within him. Instead, this &#8220;closing off&#8221; that imagines that those outside, everyone, cannot do good is a wall that leads to war and also to what some people throughout history have conceived of: killing in the name of God. That we can kill in the name of God. And that, simply, is blasphemy. To say that you can kill in the name of God is blasphemy.</p>
<br><b>Francis I</b> (1936-2025) Argentinian Catholic Pope (2013–2025) [b. Jorge Mario Bergoglio]<br>Homily (22 May 2013) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://en.radiovaticana.va/storico/2013/05/22/pope_at_mass_culture_of_encounter_is_the_foundation_of_peace/en1-694445" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Browne, Thomas -- Religio Medici, Part 1, sec.16 (1642) [ed. Symonds (1886)]</title>
		<link>https://wist.info/browne-thomas/30757/</link>
		<comments>https://wist.info/browne-thomas/30757/#respond</comments>
		<pubDate>Fri, 18 Sep 2015 17:16:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Browne, Thomas]]></category>
		<category><![CDATA[artificial]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[nature]]></category>

		<guid isPermaLink="false">http://wist.info/?p=30757</guid>
		<description><![CDATA[All things are artificial, for nature is the art of God.]]></description>
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			<content:encoded><![CDATA[<p>All things are artificial, for nature is the art of God.</p>
<br><b>Thomas Browne</b> (1605-1682) English physician and author<br><i>Religio Medici</i>, Part 1, sec.16 (1642) [ed. Symonds (1886)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Religio_Medici/kfIVAAAAYAAJ?hl=en&gbpv=1&dq=browne%20%22religio%20medici%22&pg=PA37&printsec=frontcover&bsq=%22things%20are%20artificial%22" target="_blank">Source</a>)
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		<title>Cowper, William -- The Task, 6.123 (1785)</title>
		<link>https://wist.info/cowper-william/30646/</link>
		<comments>https://wist.info/cowper-william/30646/#respond</comments>
		<pubDate>Fri, 11 Sep 2015 14:50:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Cowper, William]]></category>
		<category><![CDATA[cause and effect]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[nature]]></category>

		<guid isPermaLink="false">http://wist.info/?p=30646</guid>
		<description><![CDATA[Nature is but a name for an effect, Whose cause is God.]]></description>
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			<content:encoded><![CDATA[<p>Nature is but a name for an effect,<br />
Whose cause is God.</p>
<br><b>William Cowper</b> (1731-1800) English poet<br><i>The Task</i>, 6.123 (1785) 
								]]></content:encoded>
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		<title>Milligan, Spike -- The Bible According to Spike Milligan, &#8220;The Creation According to the Trade Unions&#8221; (1994)</title>
		<link>https://wist.info/milligan-spike/30204/</link>
		<comments>https://wist.info/milligan-spike/30204/#respond</comments>
		<pubDate>Thu, 13 Aug 2015 16:17:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Milligan, Spike]]></category>
		<category><![CDATA[bureaucracy]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[electricity]]></category>
		<category><![CDATA[Genesis]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[utilities]]></category>

		<guid isPermaLink="false">http://wist.info/?p=30204</guid>
		<description><![CDATA[And God said, Let there be light, and there was light; but Eastern Electricity Board said He would have to wait until Thursday to be connected. Quoted in Spike Milligan&#8217;s Meaning of Life: A Sort of Autobiography, ch. 1 (2011) [ed. Norma Farnes]]]></description>
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			<content:encoded><![CDATA[<p>And God said, Let there be light, and there was light; but Eastern Electricity Board said He would have to wait until Thursday to be connected.</p>
<br><b>Terence Alan "Spike" Milligan</b> (1918-2002) Anglo-Irish comedian, writer, actor<br><i>The Bible According to Spike Milligan</i>, &#8220;The Creation According to the Trade Unions&#8221; (1994) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=-UIBNTzdi6oC&pg=PT18" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Quoted in <i>Spike Milligan's Meaning of Life: A Sort of Autobiography</i>, ch. 1 (2011) [ed. Norma Farnes]

						</span>
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		<title>Lewis, C.S. -- Letter to Alan Griffiths (20 Dec 1946)</title>
		<link>https://wist.info/lewis-cs/30194/</link>
		<comments>https://wist.info/lewis-cs/30194/#respond</comments>
		<pubDate>Wed, 12 Aug 2015 15:31:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
		<category><![CDATA[atheism]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creationism]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[design]]></category>
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		<category><![CDATA[intelligent design]]></category>
		<category><![CDATA[theism]]></category>

		<guid isPermaLink="false">http://wist.info/?p=30194</guid>
		<description><![CDATA[I still think the argument from design the weakest possible ground for Theism, and what may be called the argument from un-design the strongest for Atheism.]]></description>
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			<content:encoded><![CDATA[<p>I still think the argument from design the weakest possible ground for Theism, and what may be called the argument from un-design the strongest for Atheism.</p>
<br><b>C. S. Lewis</b> (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br>Letter to Alan Griffiths (20 Dec 1946) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://frederickcslewissociety.blogspot.com/p/from-essay-religion-it-sets-one.html" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Lucretius -- De Rerum Natura [On the Nature of Things], Book 5, l. 198-9</title>
		<link>https://wist.info/lucretius/30138/</link>
		<comments>https://wist.info/lucretius/30138/#respond</comments>
		<pubDate>Thu, 06 Aug 2015 13:27:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lucretius]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[By no means is the natural order of things fashioned for us by a divine agency: so greatly do the imperfections with which it has been endowed stand out. [Nequaquam nobis divinitus esse paratam naturam rerum: tanta stat praedita culpa]]]></description>
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			<content:encoded><![CDATA[<p>By no means is the natural order of things fashioned for us by a divine agency: so greatly do the imperfections with which it has been endowed stand out.</p>
<p><em>[Nequaquam nobis divinitus esse paratam<br />
naturam rerum: tanta stat praedita culpa]</em></p>
<br><b>Lucretius</b> (c. 100-c. 55 BC) Roman poet [Titus Luretius Carus]<br><i>De Rerum Natura [On the Nature of Things]</i>, Book 5, l. 198-9 
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		<title>Shaw, George Bernard -- (Spurious)</title>
		<link>https://wist.info/shaw-george-bernard/30089/</link>
		<comments>https://wist.info/shaw-george-bernard/30089/#respond</comments>
		<pubDate>Fri, 31 Jul 2015 14:53:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shaw, George Bernard]]></category>
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		<description><![CDATA[Life isn&#8217;t about finding yourself. Life is about creating yourself. This aphorism is frequently attributed to Shaw, but not found in his works and not attributed to him or in this form before around 1990. It may be a misattributed paraphrase from Thomas Szasz, The Second Sin (1973): &#8220;People often say that this or that [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p> Life isn&#8217;t about finding yourself. Life is about creating yourself.</p>
<br><b>George Bernard Shaw</b> (1856-1950) Irish playwright and critic<br>(Spurious) 
														<br><br><span class="cite">
						

This aphorism is frequently attributed to Shaw, but not found in his works and not attributed to him or in this form before around 1990. It may be a misattributed paraphrase from Thomas Szasz, <i>The Second Sin</i> (1973): "People often say that this or that person has not yet found himself. But the self is not something one finds; it is something one creates."						</span>
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		<title>Palahniuk, Chuck -- Diary [Grace] (2003)</title>
		<link>https://wist.info/palahniuk-chuck/30023/</link>
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		<pubDate>Fri, 24 Jul 2015 16:19:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Palahniuk, Chuck]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[We all die. The goal isn&#8217;t to live forever, the goal is to create something that will.]]></description>
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			<content:encoded><![CDATA[<p>We all die. The goal isn&#8217;t to live forever, the goal is to create something that will.</p>
<br><b>Chuck Palahniuk</b> (b. 1962) American novelist and freelance journalist<br><i>Diary</i> [Grace] (2003) 
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		<title>Adams, Douglas -- Last Chance to See, ch. 2 (1990)</title>
		<link>https://wist.info/adams-douglas/29886/</link>
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		<pubDate>Mon, 13 Jul 2015 13:28:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adams, Douglas]]></category>
		<category><![CDATA[benevolent]]></category>
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		<description><![CDATA[For all my rational Western intellect and education, I was for the moment overwhelmed by a primitive sense of living in a world ordered by a malign and perverted god, and it coloured my view of everything that afternoon &#8212; even the coconuts. The villagers sold us some and split them open for us. They [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>For all my rational Western intellect and education, I was for the moment overwhelmed by a primitive sense of living in a world ordered by a malign and perverted god, and it coloured my view of everything that afternoon &#8212; even the coconuts. The villagers sold us some and split them open for us. They are almost perfectly designed. You first make a hole and drink the milk, and then you split open the nut with a machete and slice off a segment of the shell, which forms a perfect implement for scooping out the coconut flesh inside. What makes you wonder about the nature of this god character is that he creates something that is so perfectly designed to be of benefit to human beings and then hangs it twenty feet above their heads on a tree with no branches.</p>
<br><b>Douglas Adams</b> (1952-2001) English author, humorist, screenwriter<br><i>Last Chance to See</i>, ch. 2 (1990) 
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		<title>Lessing, Gotthold -- Fragmente und Fabeln [Fragments and Fables], Fragment 6 &#8220;Die Religion&#8221; (1753)</title>
		<link>https://wist.info/lessing-gotthold/28772/</link>
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		<pubDate>Wed, 25 Mar 2015 13:47:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lessing, Gotthold]]></category>
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		<description><![CDATA[Man — who is he? Too bad to be the work of God; too good for the work of chance! [Der Mensch, wo ist er her? Zu schlecht für einen Gott, zu gut fürs Ungefähr.] As with many of his quotations, frequently misattributed to contemporary author Doris Lessing. (Source (German)). Alternate translation: Man, whence is [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Man — who is he?<br />
Too bad to be the work of God; too good for the work of chance!</p>
<p><em>[Der Mensch, wo ist er her?<br />
Zu schlecht für einen Gott, zu gut fürs Ungefähr.]</em></p>
<br><b>Gotthold Lessing</b> (1729-1781) German playwright, philosopher, dramaturg, writer<br><i>Fragmente und Fabeln [Fragments and Fables]</i>, Fragment 6 &#8220;Die Religion&#8221; (1753) 
														<br><br><span class="cite">
						

As with many of his quotations, frequently misattributed to contemporary author Doris Lessing.<br><br>

(<a href="https://www.projekt-gutenberg.org/lessing/fragfabe/chap006.html#:~:text=Der%20Mensch%3F%20wo%20ist%20er%20her%3F%0AZu%20schlecht%20f%C3%BCr%20einen%20Gott%2C%20zu%20gut%20f%C3%BCrs%20Ungef%C3%A4hr.">Source (German)</a>). Alternate translation:<br><br>

<blockquote>Man, whence is he?<br>
Too bad to be the work of a god, too good for the work of chance.<br>
[ed. <a href="https://www.google.com/books/edition/Dictionary_of_Quotations/bCRlAAAAMAAJ?hl=en&gbpv=1&dq=lessing+%22Man,+whence+is+he%3F%22&pg=PA61&printsec=frontcover">Wood</a> (1893)]</blockquote><br>





						</span>
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		<title>Bible, Vol. 2. New Testament -- Romans  8: 22-25 [CEB (2011)]</title>
		<link>https://wist.info/bible-nt/28392/</link>
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		<pubDate>Wed, 25 Feb 2015 21:01:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bible, Vol. 2. New Testament]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[We know that the whole creation is groaning together and suffering labor pains up until now. And it’s not only the creation. We ourselves who have the Spirit as the first crop of the harvest also groan inside as we wait to be adopted and for our bodies to be set free. We were saved [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>We know that the whole creation is groaning together and suffering labor pains up until now. And it’s not only the creation. We ourselves who have the Spirit as the first crop of the harvest also groan inside as we wait to be adopted and for our bodies to be set free. We were saved in hope. If we see what we hope for, that isn’t hope. Who hopes for what they already see? But if we hope for what we don’t see, we wait for it with patience.</p>
<p>[οἴδαμεν γὰρ ὅτι πᾶσα ἡ κτίσις συστενάζει καὶ συνωδίνει ἄχρι τοῦ νῦν· οὐ μόνον δέ, ἀλλὰ καὶ αὐτοὶ τὴν ἀπαρχὴν τοῦ πνεύματος ἔχοντες, ἡμεῖς καὶ αὐτοὶ ἐν ἑαυτοῖς στενάζομεν υἱοθεσίαν ἀπεκδεχόμενοι, τὴν ἀπολύτρωσιν τοῦ σώματος ἡμῶν. τῇ γὰρ ἐλπίδι ἐσώθημεν· ἐλπὶς δὲ βλεπομένη οὐκ ἔστιν ἐλπίς· ὃ γὰρ βλέπει τίς ἐλπίζει; εἰ δὲ ὃ οὐ βλέπομεν ἐλπίζομεν, δι᾽ ὑπομονῆς ἀπεκδεχόμεθα.]</p>
<br><b>The Bible (The New Testament)</b> (AD 1st - 2nd C) Christian sacred scripture<br>Romans  8: 22-25 [CEB (2011)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.biblegateway.com/passage/?search=Romans%208%3A18-25&version=CEB" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://tips.translation.bible/tip_verse/rom-822/">Source (Greek)</a>). Alternate translations:<br><br>

<blockquote>For we know that the whole creation groaneth and travaileth in pain together until now. And not only they, but ourselves also, which have the firstfruits of the Spirit, even we ourselves groan within ourselves, waiting for the adoption, to wit, the redemption of our body. For we are saved by hope: but hope that is seen is not hope: for what a man seeth, why doth he yet hope for? But if we hope for that we see not, then do we with patience wait for it.<br>
[<a href="https://www.biblegateway.com/passage/?search=Romans%208%3A22-25&version=AKJV">KJV</a> (1611)]</blockquote><br>

<blockquote>From the beginning till now the entire creation, as we know, has been groaning in one great act of giving birth; and not only creation, but all of us who possess the first-fruits of the Spirit, we too groan inwardly as we wait for our bodies to be set free. For we must be content to hope that we shall be saved -- our salvation is not in sight, we should not have to be hoping for it if it were -- but, as I say, we must hope to be saved since we are not saved yet -- it is something we must wait for with patience.<br>
[<a href="https://www.seraphim.my/bible/jb/JB-NT06%20ROMANS.htm#:~:text=From%20the%20beginning,for%20with%20patience.">JB</a> (1966)]</blockquote><br>

<blockquote>We are well aware that the whole creation, until this time, has been groaning in labour pains. And not only that: we too, who have the first-fruits of the Spirit, even we are groaning inside ourselves, waiting with eagerness for our bodies to be set free. In hope, we already have salvation; in hope, not visibly present, or we should not be hoping -- nobody goes on hoping for something which is already visible. But having this hope for what we cannot yet see, we are able to wait for it with persevering confidence.<br>
[<a href="https://www.bibliacatolica.com.br/en/new-jerusalem-bible/romans/8/#:~:text=We%20are%20well,with%20persevering%20confidence.">NJB</a> (1985)]</blockquote><br>

<blockquote>For we know that up to the present time all of creation groans with pain, like the pain of childbirth. But it is not just creation alone which groans; we who have the Spirit as the first of God's gifts also groan within ourselves as we wait for God to make us his children and set our whole being free. For it was by hope that we were saved; but if we see what we hope for, then it is not really hope. For who of us hopes for something we see? But if we hope for what we do not see, we wait for it with patience.<br>
[<a href="https://www.biblegateway.com/passage/?search=Romans%208%3A22-25&version=GNT">GNT</a> (1992 ed.)]</blockquote><br>

<blockquote>We know that the whole creation has been groaning together as it suffers together the pains of labor, and not only the creation, but we ourselves, who have the first fruits of the Spirit, groan inwardly while we wait for adoption, the redemption of our bodies. For in hope we were saved. Now hope that is seen is not hope, for who hopes for what one already sees? But if we hope for what we do not see, we wait for it with patience.<br>
[<a href="https://www.biblegateway.com/passage/?search=Romans%208%3A22-25&version=NRSVUE">NRSV</a> (2021 ed.)]</blockquote><br>



						</span>
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		<title>Kepler, Johannes -- The Harmonies of the World [Harmonices Mundi], Book 4, ch. 1 (1618)</title>
		<link>https://wist.info/kepler-johannes/28303/</link>
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		<pubDate>Thu, 12 Feb 2015 14:38:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kepler, Johannes]]></category>
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		<description><![CDATA[Since geometry is co-eternal with the divine mind before the birth of things, God himself served as his own model in creating the world (for what is there in God which is not God?), and he with his own image reached down to humanity.]]></description>
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			<content:encoded><![CDATA[<p>Since geometry is co-eternal with the divine mind before the birth of things, God himself served as his own model in creating the world (for what is there in God which is not God?), and he with his own image reached down to humanity.</p>
<br><b>Johannes Kepler</b> (1571-1630) German astronomer<br><i>The Harmonies of the World [Harmonices Mundi]</i>, Book 4, ch. 1 (1618) 
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		<title>Updike, John -- Picked-Up Pieces, Foreward (1966)</title>
		<link>https://wist.info/updike-john/28270/</link>
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		<pubDate>Mon, 09 Feb 2015 15:02:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Updike, John]]></category>
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		<description><![CDATA[Creativity is merely a plus name for regular activity; the ditchdigger, dentist, and artist go about their tasks in much the same way, and any activity becomes creative when the doer cares about doing it right, or better.]]></description>
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			<content:encoded><![CDATA[<p>Creativity is merely a plus name for regular activity; the ditchdigger, dentist, and artist go about their tasks in much the same way, and any activity becomes creative when the doer cares about doing it right, or better.</p>
<br><b>John Updike</b> (1932-2009) American writer<br><i>Picked-Up Pieces</i>, Foreward (1966) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=TT0igJfMGjMC&pg=PR22" target="_blank">Source</a>)
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		<title>Chesterfield (Lord) -- Letter to his son,  #44 (1740?)</title>
		<link>https://wist.info/chesterfield-lord/28025/</link>
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		<pubDate>Mon, 19 Jan 2015 13:46:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Next to doing things that deserve to be written, there is nothing that gets a man more credit, or gives him more pleasure, than to write things that deserve to be read.]]></description>
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			<content:encoded><![CDATA[<p>Next to doing things that deserve to be written, there is nothing that gets a man more credit, or gives him more pleasure, than to write things that deserve to be read.</p>
<br><b>Lord Chesterfield</b> (1694-1773) English statesman, wit [Philip Dormer Stanhope]<br>Letter to his son,  #44 (1740?) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/letterstohisson00ches/page/44/mode/2up?q=%22deserve+to+be+written%22" target="_blank">Source</a>)
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		<title>Welles, Orson -- Comment to Henry Jaglom</title>
		<link>https://wist.info/welles-orson/27925/</link>
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		<pubDate>Thu, 08 Jan 2015 14:08:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[The enemy of art is the absence of limitations. Quoted by Jaglom in his essay &#8220;The Independent Filmmaker&#8221; in Jason E. Quire, ed. The Movie Business Book (1992). See here for more information. Sometimes paraphrased in reverse (&#8220;The absence of limitations is the enemy of art&#8221;).]]></description>
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			<content:encoded><![CDATA[<p>The enemy of art is the absence of limitations.</p>
<br><b>Orson Welles</b> (1915-1985) American writer, director, actor<br>Comment to Henry Jaglom 
														<br><br><span class="cite">
						

Quoted by Jaglom in his essay "The Independent Filmmaker" in Jason E. Quire, ed. <i>The Movie Business Book</i> (1992). See <a href="http://quoteinvestigator.com/2014/05/24/art-limit/">here</a> for more information. Sometimes paraphrased in reverse ("The absence of limitations is the enemy of art").
						</span>
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		<title>Shaftesbury, Earl of -- Characteristicks of Men, Manners, Opinions, Times, Vol. 1, &#8220;A Letter Concerning Enthusiasm&#8221; (1711)</title>
		<link>https://wist.info/shaftesbury-anthony-cooper/27670/</link>
		<comments>https://wist.info/shaftesbury-anthony-cooper/27670/#respond</comments>
		<pubDate>Fri, 05 Dec 2014 14:21:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shaftesbury, Earl of]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[artistry]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[We may have an excellent Ear in Musick, without being able to perform in any kind. We may judge well of Poetry, without being Poets, or possessing the least of a Poetick Vein: But we can have no tolerable Notion of Goodness, without being tolerably good.]]></description>
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			<content:encoded><![CDATA[<p>We may have an excellent Ear in Musick, without being able to perform in any kind. We may judge well of Poetry, without being Poets, or possessing the least of a Poetick Vein: But we can have no tolerable Notion of Goodness, without being tolerably good.</p>
<br><b>Anthony Cooper, 3rd Earl of Shaftesbury</b> (1671-1713) English politician and philosopher<br><i>Characteristicks of Men, Manners, Opinions, Times</i>, Vol. 1, &#8220;A Letter Concerning Enthusiasm&#8221; (1711) 
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		<title>Lewis, C.S. -- The Lion, the Witch, and the Wardrobe (1950)</title>
		<link>https://wist.info/lewis-cs/27645/</link>
		<comments>https://wist.info/lewis-cs/27645/#respond</comments>
		<pubDate>Wed, 03 Dec 2014 15:58:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
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		<description><![CDATA[&#8220;But do you really mean, sir,&#8221; said Peter, &#8220;that there could be other worlds &#8212; all over the place, just round the corner &#8212; like that?&#8221; &#8220;Nothing is more probable,&#8221; said the Professor, taking off his spectacles and beginning to polish them, while he muttered to himself, &#8220;I wonder what they do teach them at [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>&#8220;But do you really mean, sir,&#8221; said Peter, &#8220;that there could be other worlds &#8212; all over the place, just round the corner &#8212; like that?&#8221;</p>
<p>&#8220;Nothing is more probable,&#8221; said the Professor, taking off his spectacles and beginning to polish them, while he muttered to himself, &#8220;I wonder what they do teach them at these schools.&#8221;</p>
<br><b>C. S. Lewis</b> (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br><i>The Lion, the Witch, and the Wardrobe</i> (1950) 
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		<title>Haldane, J.B.S. -- &#8220;Daedalus, or Science and the Future,&#8221; speech, Cambridge (24 Feb 1923)</title>
		<link>https://wist.info/haldane-jbs/27541/</link>
		<comments>https://wist.info/haldane-jbs/27541/#respond</comments>
		<pubDate>Fri, 21 Nov 2014 13:04:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Haldane, J.B.S.]]></category>
		<category><![CDATA[blasphemy]]></category>
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		<description><![CDATA[There is no great invention, from fire to flying, which has not been hailed as an insult to some god.]]></description>
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			<content:encoded><![CDATA[<p>There is no great invention, from fire to flying, which has not been hailed as an insult to some god.</p>
<br><b>J.B.S. Haldane</b> (1892-1964) English geneticist [John Burden Sanderson Haldane]<br>&#8220;Daedalus, or Science and the Future,&#8221; speech, Cambridge (24 Feb 1923) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://vserver1.cscs.lsa.umich.edu/~crshalizi/Daedalus.html" target="_blank">Source</a>)
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		<title>Stoppard, Tom -- The Real Thing, Act 2, sc. 5 (1982)</title>
		<link>https://wist.info/stoppard-tom/27356/</link>
		<comments>https://wist.info/stoppard-tom/27356/#respond</comments>
		<pubDate>Fri, 31 Oct 2014 13:04:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stoppard, Tom]]></category>
		<category><![CDATA[author]]></category>
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		<category><![CDATA[play]]></category>
		<category><![CDATA[poem]]></category>
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		<description><![CDATA[HENRY: I don&#8217;t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.]]></description>
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			<content:encoded><![CDATA[<p>HENRY: I don&#8217;t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.</p>
<br><b>Tom Stoppard</b> (1937-2025) Czech-English playwright and screenwriter<br><i>The Real Thing</i>, Act 2, sc. 5 (1982) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Tom_Stoppard_Plays_5/sR0YSeUweGwC?hl=en&gbpv=1&dq=stoppard%20%22nudge%20the%20world%22&pg=PA207&printsec=frontcover&bsq=stoppard%20%22nudge%20the%20world%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Talmud -- (Unreferenced)</title>
		<link>https://wist.info/talmud/27289/</link>
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		<pubDate>Fri, 24 Oct 2014 13:46:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Talmud]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[gift]]></category>
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		<description><![CDATA[We will be held accountable for all the permitted pleasures we failed to enjoy.]]></description>
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			<content:encoded><![CDATA[<p>We will be held accountable for all the permitted pleasures we failed to enjoy.</p>
<br><b>The Talmud</b> (AD 200-500) Collection of Jewish rabbinical writings<br>(Unreferenced) 
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		<title>Clarke, James F. -- (Attributed)</title>
		<link>https://wist.info/clarke-james-f/27201/</link>
		<comments>https://wist.info/clarke-james-f/27201/#respond</comments>
		<pubDate>Fri, 17 Oct 2014 13:37:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Clarke, James F.]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[difference]]></category>
		<category><![CDATA[differences]]></category>
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		<description><![CDATA[Let us not torment each other because we are not all alike, but believe that God knew best what He was doing in making us so different. So will the best harmony come out of seeming discords, the best affection out of differences, the best life out of struggle, and the best work will be [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Let us not torment each other because we are not all alike, but believe that God knew best what He was doing in making us so different. So will the best harmony come out of seeming discords, the best affection out of differences, the best life out of struggle, and the best work will be done when each does his own work, and lets every one else do and be what God made him for.</p>
<br><b>James Freeman Clarke</b> (1810-1888) American theologian and author<br>(Attributed) 
														<br><br><span class="cite">
						

Quoted in Josiah Hotchkiss Gilbert, <i>Dictionary of Burning Words of Brilliant Writers</i> (1895).
						</span>
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		<title>Keillor, Garrison -- Happy to be Here (1983)</title>
		<link>https://wist.info/keillor-garrison/27002/</link>
		<comments>https://wist.info/keillor-garrison/27002/#respond</comments>
		<pubDate>Thu, 25 Sep 2014 12:41:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Keillor, Garrison]]></category>
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		<category><![CDATA[funny]]></category>
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		<description><![CDATA[God writes a lot of comedy, Donna; the trouble is, he&#8217;s stuck with so many bad actors who don&#8217;t know how to play funny.]]></description>
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			<content:encoded><![CDATA[<p>God writes a lot of comedy, Donna; the trouble is, he&#8217;s stuck with so many bad actors who don&#8217;t know how to play funny.</p>
<br><b>Garrison Keillor</b> (b. 1942) American entertainer, author<br><i>Happy to be Here</i> (1983) 
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		<title>Ackroyd, Peter -- The Last Testament of Oscar Wilde (1983)</title>
		<link>https://wist.info/ackroyd-peter/26904/</link>
		<comments>https://wist.info/ackroyd-peter/26904/#respond</comments>
		<pubDate>Tue, 16 Sep 2014 12:45:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ackroyd, Peter]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[I believe that the gods themselves are frightened of the world which they have fashioned.]]></description>
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			<content:encoded><![CDATA[<p>I believe that the gods themselves are frightened of the world which they have fashioned.</p>
<br><b>Peter Ackroyd</b> (b. 1949) English biographer, novelist, critic<br><i>The Last Testament of Oscar Wilde</i> (1983) 
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		<title>Maugham, W. Somerset -- The Moon and Sixpence (1919)</title>
		<link>https://wist.info/maugham-william-somerset/26564/</link>
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		<pubDate>Tue, 19 Aug 2014 12:39:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Maugham, W. Somerset]]></category>
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		<description><![CDATA[It is a salutary discipline to consider the vast number of books that are written, the fair hopes with which their authors see them published, and the fate which awaits them. What chance is there that any book will make its way among that multitude? And the successful books are but the successes of a [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It is a salutary discipline to consider the vast number of books that are written, the fair hopes with which their authors see them published, and the fate which awaits them. What chance is there that any book will make its way among that multitude? And the successful books are but the successes of a season. Heaven knows what pains the author has been at, what bitter experiences he has endured and what heartache suffered, to give some chance reader a few hours&#8217; relaxation or to while away the tedium of a journey. And if I may judge from the reviews, many of these books are well and carefully written; much thought has gone into their composition; to some even has been given the anxious labour of a lifetime. The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of his thoughts; and, indifferent to aught else, care nothing for praise or censure, failure or success.</p>
<br><b>W. Somerset Maugham</b> (1874-1965) English novelist and playwright [William Somerset Maugham]<br><i>The Moon and Sixpence</i> (1919) 
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		<title>Renoir, Pierre-Auguste -- (Attributed, 1919)</title>
		<link>https://wist.info/renoir-pierre-auguste/25705/</link>
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		<pubDate>Tue, 10 Jun 2014 12:20:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Renoir, Pierre-Auguste]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[The pain passes, but the beauty remains. Quoted in Sisley Huddleston, Paris Salons, Cafés, Studios (1928). When asked by a young Henri Matisse why he still painted when suffering from painful, twisting arthritis in his hands.]]></description>
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			<content:encoded><![CDATA[<p>The pain passes, but the beauty remains. </p>
<br><b>Pierre-Auguste Renoir</b> (1841-1919) French Impressionist artist <br>(Attributed, 1919) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://books.google.com/books?id=goPSAAAAMAAJ&q=renoir+%22but+the+beauty+remains%22&dq=renoir+%22but+the+beauty+remains%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						
Quoted in Sisley Huddleston, <i>Paris Salons, Cafés, Studios</i> (1928). When asked by a young Henri Matisse why he still painted when suffering from painful, twisting arthritis in his hands.
						</span>
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		<title>Longfellow, Henry Wadsworth -- &#8220;Nuremberg,&#8221; st. 13</title>
		<link>https://wist.info/longfellow-henry-wadsworth/25516/</link>
		<comments>https://wist.info/longfellow-henry-wadsworth/25516/#respond</comments>
		<pubDate>Tue, 27 May 2014 12:58:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Longfellow, Henry Wadsworth]]></category>
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		<description><![CDATA[Dead he is not, but departed &#8212; for the artist never dies.]]></description>
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			<content:encoded><![CDATA[<p>Dead he is not, but departed &#8212; for the artist never dies.</p>
<br><b>Henry Wadsworth Longfellow</b> (1807-1882) American poet<br>&#8220;Nuremberg,&#8221; st. 13 
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		<title>Hawthorne, Nathaniel -- The Marble Faun (1860)</title>
		<link>https://wist.info/hawthorne-nathaniel/25327/</link>
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		<pubDate>Tue, 13 May 2014 15:20:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hawthorne, Nathaniel]]></category>
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		<description><![CDATA[One picture in ten thousand, perhaps, ought to live in the applause of mankind, from generation to generation until the colors fade and blacken out of sight or the canvas rot entirely away.]]></description>
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			<content:encoded><![CDATA[<p>One picture in ten thousand, perhaps, ought to live in the applause of mankind, from generation to generation until the colors fade and blacken out of sight or the canvas rot entirely away. </p>
<br><b>Nathaniel Hawthorne</b> (1804-1864) American writer<br><i>The Marble Faun</i> (1860) 
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		<title>Forster, E. M. -- &#8220;The Raison d&#8217;E&#8217;tre of Criticism in the Arts,&#8221; Two Cheers for Democracy (1951)</title>
		<link>https://wist.info/forster-e-m/25317/</link>
		<comments>https://wist.info/forster-e-m/25317/#respond</comments>
		<pubDate>Mon, 12 May 2014 16:10:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Forster, E. M.]]></category>
		<category><![CDATA[artist]]></category>
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		<description><![CDATA[Think before you speak is criticism&#8217;s motto; speak before you think, creation&#8217;s.]]></description>
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			<content:encoded><![CDATA[<p>Think before you speak is criticism&#8217;s motto; speak before you think, creation&#8217;s.</p>
<br><b>E. M. Forster</b> (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]<br>&#8220;The Raison d&#8217;E&#8217;tre of Criticism in the Arts,&#8221; <i>Two Cheers for Democracy</i> (1951) 
								]]></content:encoded>
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		<title>Flaubert, Gustave -- Letter to Louise Colet (25 Nov 1853)</title>
		<link>https://wist.info/flaubert-gustave/25153/</link>
		<comments>https://wist.info/flaubert-gustave/25153/#respond</comments>
		<pubDate>Tue, 22 Apr 2014 13:08:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Flaubert, Gustave]]></category>
		<category><![CDATA[anxiety]]></category>
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		<description><![CDATA[Do not imagine you can exorcise what oppresses you in life by giving vent to it in art.]]></description>
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			<content:encoded><![CDATA[<p>Do not imagine you can exorcise what oppresses you in life by giving vent to it in art.</p>
<br><b>Gustave Flaubert</b> (1821-1880) French writer, novelist<br>Letter to Louise Colet (25 Nov 1853) 
								]]></content:encoded>
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		<title>Butler, Samuel -- The Note-Books of Samuel Butler (1912)</title>
		<link>https://wist.info/butler-samuel/24954/</link>
		<comments>https://wist.info/butler-samuel/24954/#respond</comments>
		<pubDate>Mon, 14 Apr 2014 13:06:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Butler, Samuel]]></category>
		<category><![CDATA[agent]]></category>
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		<guid isPermaLink="false">http://wist.info/?p=24954</guid>
		<description><![CDATA[Any fool can paint a picture but it takes a wise man to be able to sell it.]]></description>
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			<content:encoded><![CDATA[<p>Any fool can paint a picture but it takes a wise man to be able to sell it.</p>
<br><b>Samuel Butler</b> (1835-1902) English novelist, satirist, scholar<br><i>The Note-Books of Samuel Butler</i> (1912) 
								]]></content:encoded>
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		<title>Chateaubriand, Francois-Rene -- (Attributed)</title>
		<link>https://wist.info/chateaubriand-francois-rene/24739/</link>
		<comments>https://wist.info/chateaubriand-francois-rene/24739/#respond</comments>
		<pubDate>Tue, 01 Apr 2014 12:21:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chateaubriand, Francois-Rene]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[Perfect works are rare, because they must be produced at the happy moment when taste and genius unite; and this rare conjuncture, like that of certain planets, appears to occur only after the revolution of several cycles, and only lasts for an instant. Quoted in James Wood, Dictionary of Quotations from Ancient and Modern, English [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Perfect works are rare, because they must be produced at the happy moment when taste and genius unite; and this rare conjuncture, like that of certain planets, appears to occur only after the revolution of several cycles, and only lasts for an instant.</p>
<br><b>François-René de Chateaubriand</b> (1768-1848) French writer, politican, diplomat<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://books.google.com/books?id=BeUsAAAAYAAJ&pg=PA346" target="_blank">Source</a>)
										<br><br><span class="cite">
						Quoted in James Wood, <em>Dictionary of Quotations from Ancient and Modern, English and Foreign Sources</em> (1893).
						</span>
					]]></content:encoded>
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		<title>Bradbury, Ray -- &#8220;G. B. S. &#8212; Mark V&#8221;, I Sing the Body Electric: And Other Stories (1998)</title>
		<link>https://wist.info/bradbury-ray/24459/</link>
		<comments>https://wist.info/bradbury-ray/24459/#respond</comments>
		<pubDate>Mon, 17 Mar 2014 12:52:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bradbury, Ray]]></category>
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		<guid isPermaLink="false">http://wist.info/?p=24459</guid>
		<description><![CDATA[We are the miracle of force and matter making itself over into imagination and will. Incredible. The Life Force experimenting with forms. You for one. Me for another. The Universe has shouted itself alive. We are one of the shouts.]]></description>
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			<content:encoded><![CDATA[<p>We are the miracle of force and matter making itself over into imagination and will. Incredible. The Life Force experimenting with forms. You for one. Me for another. The Universe has shouted itself alive. We are one of the shouts.</p>
<br><b>Ray Bradbury</b> (1920-2012) American writer, futurist, fabulist<br>&#8220;G. B. S. &#8212; Mark V&#8221;, <i>I Sing the Body Electric: And Other Stories</i> (1998) 
								]]></content:encoded>
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		<title>Allende, Isabel -- In Meredith Maran, ed., Why We Write, ch. 1 (2013)</title>
		<link>https://wist.info/allende-isabel/23707/</link>
		<comments>https://wist.info/allende-isabel/23707/#respond</comments>
		<pubDate>Mon, 03 Feb 2014 13:36:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Allende, Isabel]]></category>
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		<description><![CDATA[When you feel the story is beginning to pick up rhythm &#8212; the characters are shaping up, you can see them, you can hear their voices, and they do things that you haven’t planned, things you couldn&#8217;t have imagined &#8212; then you know the book is somewhere, and you just have to find it, and [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When you feel the story is beginning to pick up rhythm &#8212; the characters are shaping up, you can see them, you can hear their voices, and they do things that you haven’t planned, things you couldn&#8217;t have imagined &#8212; then you know the book is somewhere, and you just have to find it, and bring it, word by word, into this world.</p>
<br><b>Isabel Allende</b> (b. 1942) Chilean-American writer<br>In Meredith Maran, ed., <i>Why We Write</i>, ch. 1 (2013) 
								]]></content:encoded>
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		<title>Omar Khayyam -- Rubáiyát [رباعیات] [tr. Le Gallienne (1897), #  91]</title>
		<link>https://wist.info/omar-khayyam/23053/</link>
		<comments>https://wist.info/omar-khayyam/23053/#respond</comments>
		<pubDate>Thu, 28 Nov 2013 18:08:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Omar Khayyam]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[divine purpose]]></category>
		<category><![CDATA[drinking]]></category>
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		<category><![CDATA[grapes]]></category>
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		<description><![CDATA[Did God set grapes a-growing, do you think, And at the same time make it sin to drink? Give thanks to Him who foreordained it thus &#8212; Surely He loves to hear the glasses clink! Given LeGallienne&#8217;s paraphrasing, I am unable to align this with an original quatrain or other translations.]]></description>
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			<content:encoded><![CDATA[<p>Did God set grapes a-growing, do you think,<br />
And at the same time make it sin to drink?<br />
<span class="tab">Give thanks to Him who foreordained it thus &#8212;<br />
Surely He loves to hear the glasses clink!</span></p>
<br><b>Omar Khayyám </b> (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]<br><i>Rubáiyát</i> [رباعیات] [tr. Le Gallienne (1897), #  91] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/galliennerubaiya00omarrich/page/48/mode/2up?q=grapes" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Given LeGallienne's paraphrasing, I am unable to align this with an original quatrain or other translations.




						</span>
					]]></content:encoded>
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		<title>Twain, Mark -- Following the Equator, ch. 25 (1898)</title>
		<link>https://wist.info/twain-mark/19508/</link>
		<comments>https://wist.info/twain-mark/19508/#respond</comments>
		<pubDate>Wed, 31 Oct 2012 13:09:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Twain, Mark]]></category>
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		<guid isPermaLink="false">http://wist.info/?p=19508</guid>
		<description><![CDATA[In the first place, God made idiots. That was for practice. Then he made school boards.]]></description>
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			<content:encoded><![CDATA[<p>In the first place, God made idiots. That was for practice. Then he made school boards.</p>
<br><b>Mark Twain</b> (1835-1910) American writer [pseud. of Samuel Clemens]<br><i>Following the Equator</i>, ch. 25 (1898) 
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		<title>Berry, Wendell -- Essay (1988), &#8220;God and Country,&#8221; What Are People For? (1990)</title>
		<link>https://wist.info/berry-wendell/17399/</link>
		<comments>https://wist.info/berry-wendell/17399/#respond</comments>
		<pubDate>Wed, 29 Feb 2012 14:01:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Berry, Wendell]]></category>
		<category><![CDATA[Bible]]></category>
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		<description><![CDATA[The ecological teaching of the Bible is simply inescapable: God made the world because He wanted it made. He thinks the world is good, and He loves it. It is His world; He has never relinquished title to it. And He has never revoked the conditions, bearing on His gift to us of the use [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The ecological teaching of the Bible is simply inescapable: God made the world because He wanted it made. He thinks the world is good, and He loves it. It is His world; He has never relinquished title to it. And He has never revoked the conditions, bearing on His gift to us of the use of it, that oblige us to take excellent care of it.</p>
<br><b>Wendell Berry</b> (b. 1934) American farmer, educator, poet, conservationist<br>Essay (1988), &#8220;God and Country,&#8221; <i>What Are People For?</i> (1990) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/whatarepeoplefor00berr/page/98/mode/2up?q=%22The+ecological+teaching%22" target="_blank">Source</a>)
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		<title>Joubert, Joseph -- Pensées [Thoughts], 1809 entry [tr. Auster (1983)]</title>
		<link>https://wist.info/joubert-joseph/16901/</link>
		<comments>https://wist.info/joubert-joseph/16901/#respond</comments>
		<pubDate>Fri, 13 Jan 2012 14:33:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Joubert, Joseph]]></category>
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		<category><![CDATA[done]]></category>
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		<description><![CDATA[A work is perfectly finished only when nothing can be added to it and nothing taken away. I could not find an analog in other translations of the Pensées.]]></description>
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			<content:encoded><![CDATA[<p>A work is perfectly finished only when nothing can be added to it and nothing taken away.</p>
<br><b>Joseph Joubert</b> (1754-1824) French moralist, philosopher, essayist, poet<br><i>Pensées [Thoughts]</i>, 1809 entry [tr. Auster (1983)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/translations0000unse_s5s8/page/144/mode/2up?q=%22perfectly+finished%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

I could not find an analog in other translations of the Pensées.



						</span>
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		<title>Twain, Mark -- Mark Twain&#8217;s Notebook, 23 May 1903 [ed. Paine (1935)]</title>
		<link>https://wist.info/twain-mark/16637/</link>
		<comments>https://wist.info/twain-mark/16637/#respond</comments>
		<pubDate>Mon, 19 Dec 2011 17:10:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Twain, Mark]]></category>
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		<description><![CDATA[Man was made at the end of the week&#8217;s work, when God was tired.]]></description>
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			<content:encoded><![CDATA[<p>Man was made at the end of the week&#8217;s work, when God was tired.</p>
<br><b>Mark Twain</b> (1835-1910) American writer [pseud. of Samuel Clemens]<br><i>Mark Twain&#8217;s Notebook</i>, 23 May 1903 [ed. Paine (1935)] 
								]]></content:encoded>
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		<title>Tolkien, J.R.R. -- “On Fairy-Stories” (1939, rev 1947)</title>
		<link>https://wist.info/tolkien-jrr/13587/</link>
		<comments>https://wist.info/tolkien-jrr/13587/#respond</comments>
		<pubDate>Tue, 18 Jan 2011 17:07:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tolkien, J.R.R.]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[fantasy]]></category>
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		<category><![CDATA[human right]]></category>

		<guid isPermaLink="false">http://wist.info/?p=13587</guid>
		<description><![CDATA[Fantasy remains a human right: we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker.]]></description>
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			<content:encoded><![CDATA[<p>Fantasy remains a human right: we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker.</p>
<br><b>J.R.R. Tolkien</b> (1892-1973) English writer, fabulist, philologist, academic [John Ronald Reuel Tolkien]<br>“On Fairy-Stories” (1939, rev 1947) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://coolcalvary.files.wordpress.com/2018/10/on-fairy-stories1.pdf" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Hugo, Victor -- William Shakespeare, Part 1, Book 2 &#8220;Men of Genius [Les Génies], ch.  1 (1.2.1) (1864) [tr. Anderson (1886)]</title>
		<link>https://wist.info/hugo-victor/13333/</link>
		<comments>https://wist.info/hugo-victor/13333/#respond</comments>
		<pubDate>Mon, 27 Dec 2010 17:33:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
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		<category><![CDATA[nature]]></category>

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		<description><![CDATA[God manifests himself to us in the first degree through the life of the universe, and in the second through the thought of man. The second manifestation is not less holy than the first. The first is named Nature, the second is named Art. Hence this reality: the poet is a priest. [Dieu se manifeste [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>God manifests himself to us in the first degree through the life of the universe, and in the second through the thought of man. The second manifestation is not less holy than the first. The first is named Nature, the second is named Art. Hence this reality: the poet is a priest.</p>
<p><em>[Dieu se manifeste à nous au premier degré à travers la vie de l’univers, et au deuxième degré à travers la pensée de l’homme.<br />
<span class="tab">La deuxième manifestation n’est pas moins sacrée que la première. La première s’appelle la Nature, la deuxième s’appelle l’Art. De là cette réalité : le poëte est prêtre.]</span></em></p>
<br><b>Victor Hugo</b> (1802-1885) French writer<br><i>William Shakespeare</i>, Part 1, Book 2 &#8220;Men of Genius <i>[Les Génies],</i> ch.  1 (1.2.1) (1864) [tr. Anderson (1886)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/William_Shakespeare/oollAAAAMAAJ?hl=en&gbpv=1&bsq=%22god%20manifests%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/William_Shakespeare_(Victor_Hugo)/I/II#:~:text=Dieu%20se%20manifeste,po%C3%ABte%20est%20pr%C3%AAtre.">Source (French)</a>). Another translation:<br><br>

<blockquote>God manifests himself to us in the first degree through the life of the universe, and in the second through the thought of man. The second manifestation is not less holy than the first. The first is named Nature, the second is named Art. Hence this reality: the poet is a priest.<br>
[tr. <a href="https://gutenberg.org/cache/epub/53490/pg53490-images.html#BOOK_IIa:~:text=God%20manifests%20himself%20to%20us%20in%20the%20first%20degree%20through%20the%20life%20of%20the%20universe%2C%20and%20in%20the%20second%20through%20the%20thought%20of%20man.%20The%20second%20manifestation%20is%20not%20less%20holy%20than%20the%20first.%20The%20first%20is%20named%20Nature%2C%20the%20second%20is%20named%20Art.%20Hence%20this%20reality%3A%20the%20poet%20is%20a%20priest">Baillot</a> (1864)]</blockquote><br>						</span>
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		<title>Housman, A. E. -- &#8220;The Chestnut Casts His Flambeaux and the Flowers,&#8221; st. 3, Last Poems, #  9  (1922)</title>
		<link>https://wist.info/housman-a-e/12719/</link>
		<comments>https://wist.info/housman-a-e/12719/#respond</comments>
		<pubDate>Fri, 05 Nov 2010 13:05:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Housman, A. E.]]></category>
		<category><![CDATA[anger]]></category>
		<category><![CDATA[blame]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creator]]></category>
		<category><![CDATA[disappointment]]></category>
		<category><![CDATA[expectations]]></category>
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		<category><![CDATA[human condition]]></category>
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		<description><![CDATA[We for a certainty are not the first Have sat in taverns while the tempest hurled Their hopeful plans to emptiness, and cursed Whatever brute and blackguard made the world.]]></description>
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			<content:encoded><![CDATA[<p>We for a certainty are not the first<br />
<span class="tab">Have sat in taverns while the tempest hurled<br />
Their hopeful plans to emptiness, and cursed<br />
<span class="tab">Whatever brute and blackguard made the world.</p>
<br><b>A. E. Housman</b> (1859-1936) English scholar and poet [Alfred Edward Housman]<br>&#8220;The Chestnut Casts His Flambeaux and the Flowers,&#8221; st. 3, <i>Last Poems</i>, #  9  (1922) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_A_E_Housman/Ipf7_SSbr30C?hl=en&gbpv=1&dq=housman+%22brute+and+blackguard%22&pg=PA89&printsec=frontcover" target="_blank">Source</a>)
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		<title>Bailey, Philip James -- Festus, Sc. &#8220;A Visit&#8221; [Festus] (1839)</title>
		<link>https://wist.info/bailey-phillip-james/11704/</link>
		<comments>https://wist.info/bailey-phillip-james/11704/#respond</comments>
		<pubDate>Mon, 02 Aug 2010 14:43:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bailey, Philip James]]></category>
		<category><![CDATA[art]]></category>
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		<category><![CDATA[human nature]]></category>
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		<description><![CDATA[Art is man&#8217;s nature; nature is God&#8217;s art.]]></description>
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			<content:encoded><![CDATA[<p>Art is man&#8217;s nature; nature is God&#8217;s art.</p>
<br><b>Philip James Bailey</b> (1816-1902) English poet, lawyer<br><i>Festus</i>, Sc. &#8220;A Visit&#8221; [Festus] (1839) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Festus_a_poem_by_P_J_Bailey_By_P_J_Baile/rUVgAAAAcAAJ?hl=en&gbpv=1&dq=%22art+is+man%27s+nature.+nature+is+God%27s+art%22&pg=PA200&printsec=frontcover" target="_blank">Source</a>)
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		<title>Bacon, Francis -- &#8220;Of Gardens,&#8221; Essays, No. 46 (1625)</title>
		<link>https://wist.info/bacon-francis/11354/</link>
		<comments>https://wist.info/bacon-francis/11354/#respond</comments>
		<pubDate>Fri, 02 Jul 2010 17:22:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bacon, Francis]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[enjoyment]]></category>
		<category><![CDATA[garden]]></category>
		<category><![CDATA[joy]]></category>
		<category><![CDATA[pleasure]]></category>

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		<description><![CDATA[God Almighty first planted a garden. And indeed it is the purest of human pleasures.]]></description>
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			<content:encoded><![CDATA[<p>God Almighty first planted a garden. And indeed it is the purest of human pleasures.</p>
<br><b>Francis Bacon</b> (1561-1626) English philosopher, scientist, author, statesman<br>&#8220;Of Gardens,&#8221; <i>Essays</i>, No. 46 (1625) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Francis_Bacon,_Volume_1/Essays/Of_Gardens#:~:text=God%20Almighty%20first%20planted%20a%20garden%3B%20and%2C%20indeed%2C%20it%20is%20the%20purest%20of%20human%20pleasures" target="_blank">Source</a>)
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		<title>Gaiman, Neil -- Sandman, Book  3. Dream Country, # 20 &#8220;Façade&#8221; (1990)</title>
		<link>https://wist.info/gaiman-neil/10887/</link>
		<comments>https://wist.info/gaiman-neil/10887/#respond</comments>
		<pubDate>Tue, 11 May 2010 12:33:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[cleaning up]]></category>
		<category><![CDATA[closing]]></category>
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		<category><![CDATA[death]]></category>
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		<description><![CDATA[DEATH: When the first living thing existed, I was there, waiting. When the last living thing dies, my job will be finished. I’ll put the chairs on the tables, turn out the lights and lock the universe behind me when I leave.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent"><a href="https://wist.info/wp/wp-content/uploads/2010/05/Sandman-20-p20.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2010/05/Sandman-20-p20-100x100.png" alt="Sandman 20 p20" width="100" height="100" class="alignright size-thumbnail wp-image-66168" srcset="https://wist.info/wp/wp-content/uploads/2010/05/Sandman-20-p20-100x100.png 100w, https://wist.info/wp/wp-content/uploads/2010/05/Sandman-20-p20-60x60.png 60w, https://wist.info/wp/wp-content/uploads/2010/05/Sandman-20-p20-150x150.png 150w" sizes="(max-width: 100px) 100vw, 100px" /></a>DEATH: When the first living thing existed, I was there, waiting. When the last living thing dies, my job will be <i>finished.</i> I’ll put the <i>chairs</i> on the <i>tables,</i> turn out the <i>lights</i> and <i>lock</i> the <i>universe</i> behind me when I </i>leave.</i></p>
<p></p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br><i>Sandman, Book  3. Dream Country</i>, # 20 &#8220;Façade&#8221; (1990) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://dc.fandom.com/wiki/Sandman_Vol_2_20" target="_blank">Source</a>)
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		<title>Gaiman, Neil -- Sandman, Book  9. The Kindly Ones, # 69 &#8220;The Kindly Ones&#8221; (1995-07)</title>
		<link>https://wist.info/gaiman-neil/10474/</link>
		<comments>https://wist.info/gaiman-neil/10474/#respond</comments>
		<pubDate>Tue, 06 Apr 2010 12:18:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[devil]]></category>
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		<description><![CDATA[LUCIFER: I had the hubris originally to regard myself as a collaborator, as a co-author &#8230;. Very rapidly I found myself reduced to the status of character, following something of a disagreement in the fundamental direction of the Creation. Now I sometimes feel I&#8217;m simply waiting around to see which of us was right, which [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><a href="https://wist.info/wp/wp-content/uploads/2010/04/Sandman-69-p16.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2010/04/Sandman-69-p16-300x229.png" alt="sandman 69 p16" title="sandman 69 p16" width="300" height="229" class="alignright size-medium wp-image-67672" srcset="https://wist.info/wp/wp-content/uploads/2010/04/Sandman-69-p16-300x229.png 300w, https://wist.info/wp/wp-content/uploads/2010/04/Sandman-69-p16.png 615w" sizes="(max-width: 300px) 100vw, 300px" /></a></p>
<p class="hangingindent">LUCIFER: I had the hubris originally to regard myself as a collaborator, as a co-author &#8230;. Very rapidly I found myself reduced to the status of character, following something of a disagreement in the fundamental direction of the Creation. Now I sometimes feel I&#8217;m simply waiting around to see which of us was right, which was wrong. </p>
<p></p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br><i>Sandman, Book  9. The Kindly Ones</i>, # 69 &#8220;The Kindly Ones&#8221; (1995-07) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://dc.fandom.com/wiki/Sandman_Vol_2_69" target="_blank">Source</a>)
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		<title>Hugo, Victor -- The Alps and Pyrenees [Alpes et Pyrénées], &#8220;The Pyrenees,&#8221; ch. 11 &#8220;Pampeluna,&#8221; 1843-08-11 (1867) [tr. Manson (1898)]</title>
		<link>https://wist.info/hugo-victor/9634/</link>
		<comments>https://wist.info/hugo-victor/9634/#respond</comments>
		<pubDate>Mon, 01 Feb 2010 17:06:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
		<category><![CDATA[animal rights]]></category>
		<category><![CDATA[animals]]></category>
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		<category><![CDATA[ethics]]></category>
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		<description><![CDATA[In the relations of man with the animals, with the flowers, with the objects of creation, there is a great ethic, scarcely perceived as yet, which will at length break forth into light and which will be the corollary and compliment to human ethics. [Il y a dans les rapports de l&#8217;homme avec les bêtes, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In the relations of man with the animals, with the flowers, with the objects of creation, there is a great ethic, scarcely perceived as yet, which will at length break forth into light and which will be the corollary and compliment to human ethics.</p>
<p><em>[Il y a dans les rapports de l&#8217;homme avec les bêtes, avec les fleurs, avec les objets de la création, toute une grande morale à peine entrevue encore, mais qui finira par se faire jour et qui sera le corollaire et le complément de la morale humaine.]</em></p>
<br><b>Victor Hugo</b> (1802-1885) French writer<br><i>The Alps and Pyrenees [Alpes et Pyrénées]</i>, &#8220;The Pyrenees,&#8221; ch. 11 &#8220;Pampeluna,&#8221; 1843-08-11 (1867) [tr. Manson (1898)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Alps_and_Pyrenees/J3lEAQAAMAAJ?hl=en&gbpv=1&dq=hugo+%22relations+of+man+with+the+animals%22&pg=PA278&printsec=frontcover" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://archive.org/details/alpesetpyrne00hugouoft/page/180/mode/2up?q=%22les+rapports+de+l%27homme+avec+les+b%C3%AAtes%22">Source (French)</a>)
						</span>
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		<title>Adams, Douglas -- Hitchhiker&#8217;s Guide to the Galaxy, Phase 2, &#8220;Fit the 7th&#8221; (BBC radio) (1978-12-24)</title>
		<link>https://wist.info/adams-douglas/8103/</link>
		<comments>https://wist.info/adams-douglas/8103/#respond</comments>
		<pubDate>Thu, 23 Jul 2009 12:38:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adams, Douglas]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[existence]]></category>
		<category><![CDATA[explanation]]></category>
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		<description><![CDATA[NARRATOR: There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarrely inexplicable. There is another theory which states that this has already happened. The Narrator then adds: There is yet a [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">NARRATOR: There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarrely inexplicable. There is another theory which states that this has already happened.</p>
<p> </p>
<br><b>Douglas Adams</b> (1952-2001) English author, humorist, screenwriter<br><i>Hitchhiker&#8217;s Guide to the Galaxy</i>, Phase 2, &#8220;Fit the 7th&#8221; (BBC radio) (1978-12-24) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://bookreadfree.com/325510/8014831#:~:text=NARRATOR%3A%20There%20is,has%20already%20happened." target="_blank">Source</a>)
										<br><br><span class="cite">
						

The Narrator then adds:<br><br>

<blockquote>There is yet a third theory which suggests that both of the first two theories were concocted by a wily editor of The <em>Hitchhiker’s Guide to the Galaxy</em> in order to increase the level of universal uncertainty and paranoia and so boost the sales of the Guide. This last theory is of course the most convincing, because <em>The Hitchhiker’s Guide to the Galaxy</em> is the only book in the whole of the known Universe to have the words DON’T PANIC inscribed in large friendly letters on the cover.</blockquote><br>

This quotation was brought back to be <a href="https://archive.org/details/hitchhikersguide0000adam_f9g2/page/152/mode/2up?q=%22there+is+a+theory%22">the epigraph</a> for the second Hitchhiker book, <i>The Restaurant at the End of the Universe</i> (1980), each paragraph on a different page:<br><br>

<blockquote><span class="tab">There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarre and inexplicable.<br>
<span class="tab">There is another theory which states that this has already happened.</blockquote><br>						</span>
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		<title>Stern, G. B. -- Paris France, Part I (1940)</title>
		<link>https://wist.info/stern-g-b/8041/</link>
		<comments>https://wist.info/stern-g-b/8041/#respond</comments>
		<pubDate>Tue, 21 Jul 2009 12:04:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stern, G. B.]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[One of the pleasant things those of us who write or paint do is to have the daily miracle. It does come.]]></description>
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			<content:encoded><![CDATA[<p>One of the pleasant things those of us who write or paint do is to have the daily miracle. It does come.</p>
<p></font></p>
<br><b>G. B. Stern</b> (1890-1973) British writer [Gladys Bronwyn Stern]<br><i>Paris France</i>, Part I (1940) 
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		<title>Adenauer, Konrad -- (Attributed)</title>
		<link>https://wist.info/adenauer-konrad/6611/</link>
		<comments>https://wist.info/adenauer-konrad/6611/#respond</comments>
		<pubDate>Wed, 17 Dec 2008 10:41:58 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adenauer, Konrad]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[folly]]></category>
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		<description><![CDATA[In view of the fact that God limited the intelligence of man, it seems unfair that he did not also limit his stupidity. Quoted by Dean Atchison in Arthur Schlesinger, A Thousand Days, ch. 11 (1965).]]></description>
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			<content:encoded><![CDATA[<p>In view of the fact that God limited the intelligence of man, it seems unfair that he did not also limit his stupidity.</p>
<br><b>Konrad Adenauer</b> (1876-1967) German politician<br>(Attributed) 
														<br><br><span class="cite">
						
Quoted by Dean Atchison in Arthur Schlesinger, <i>A Thousand Days</i>, ch. 11 (1965).
						</span>
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		<title>Ingersoll, Robert Green -- Lecture (1872-01-29), &#8220;The Gods,&#8221; Fairbury Hall, Fairbury, Illinois</title>
		<link>https://wist.info/ingersoll-robert-green/6447/</link>
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		<pubDate>Thu, 30 Oct 2008 10:36:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ingersoll, Robert Green]]></category>
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		<description><![CDATA[Each nation has created a god, and the god has always resembled his creators. He hated and loved what they hated and loved, and he was invariably found on the side of those in power. Each god was intensely patriotic, and detested all nations but his own. All these gods demanded praise, flattery, and worship. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Each nation has created a god, and the god has always resembled his creators. He hated and loved what they hated and loved, and he was invariably found on the side of those in power. Each god was intensely patriotic, and detested all nations but his own. All these gods demanded praise, flattery, and worship. Most of them were pleased with sacrifice, and the smell of innocent blood has ever been considered a divine perfume. All these gods have insisted upon having a vast number of priests, and the priests have always insisted upon being supported by the people, and the principal business of these priests has been to boast about their god, and to insist that he could easily vanquish all the other gods put together.</p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Lecture (1872-01-29), &#8220;The Gods,&#8221; Fairbury Hall, Fairbury, Illinois 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/38813/pg38813-images.html#Alink0002:~:text=EACH%20nation%20has,gods%20put%20together." target="_blank">Source</a>)
										<br><br><span class="cite">
						Sometimes misquoted, "Nearly every people have created a god ..."<br><br>

See <a href="https://wist.info/voltaire/4017/">Voltaire</a> and <a href="https://wist.info/voltaire/12720/">Voltaire</a>.<br><br>

First given on the 135th birthday of Thomas Paine. <a href="https://archive.org/details/godsotherlectu00inge/page/6/mode/2up?q=%22nation+has+created%22">Collected</a> in <i>The Gods and Other Lectures</i> (1876).<br><br>
						</span>
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		<title>Mencken, H. L. -- A Book of Burlesques, &#8220;The Jazz Webster&#8221; (1924)</title>
		<link>https://wist.info/mencken-hl/5834/</link>
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		<pubDate>Tue, 06 May 2008 13:36:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Mencken, H. L.]]></category>
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		<description><![CDATA[CREATOR. A comedian whose audience is afraid to laugh. The A Little Book in C Major, ch. 4, § 18 (1916), has an alternate definition. This was expanded in Burlesques to include the above, which then became the sole definition in Chrestomathy, ch. 30 &#8220;Sententiae&#8221; (1949). Sometimes misattributed to Voltaire.]]></description>
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			<content:encoded><![CDATA[<p>CREATOR. A comedian whose audience is afraid to laugh.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2008/05/Mencken-creator-comedian-whose-audience-is-afraid-to-laugh-wist.info-quote.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2008/05/Mencken-creator-comedian-whose-audience-is-afraid-to-laugh-wist.info-quote.png" alt="Mencken - creator comedian whose audience is afraid to laugh - wist.info quote" width="800" height="400" class="aligncenter size-full wp-image-57972" srcset="https://wist.info/wp/wp-content/uploads/2008/05/Mencken-creator-comedian-whose-audience-is-afraid-to-laugh-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2008/05/Mencken-creator-comedian-whose-audience-is-afraid-to-laugh-wist.info-quote-300x150.png 300w, https://wist.info/wp/wp-content/uploads/2008/05/Mencken-creator-comedian-whose-audience-is-afraid-to-laugh-wist.info-quote-768x384.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>H. L. Mencken</b> (1880-1956) American writer and journalist [Henry Lewis Mencken]<br><i>A Book of Burlesques</i>, &#8220;The Jazz Webster&#8221; (1924) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/cu31924021782432/page/n205/mode/2up?q=%22audience+is+afraid+to+laugh%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The <i><a href="https://archive.org/details/littlebookcmajor00mencrich/page/43/mode/2up?q=%22creator+is+a+humorist%22">A Little Book in C Major</a></i>, ch. 4, § 18 (1916), has an alternate definition. This was expanded in <i>Burlesques</i> to include the above, which then became the sole definition in <i><a href="https://archive.org/details/menckenchrestoma0000menc_b1y1/page/624/mode/2up?q=%22comedian+whose%22">Chrestomathy</a></i>, ch. 30 "Sententiae" (1949).<br><br>

Sometimes misattributed to <a href="https://wist.info/voltaire/4018/">Voltaire</a>.						</span>
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		<title>Bradbury, Ray -- Fahrenheit 451, ch.  3 [Granger] (1953)</title>
		<link>https://wist.info/bradbury-ray/5587/</link>
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		<pubDate>Tue, 22 Jan 2008 10:26:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bradbury, Ray]]></category>
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		<description><![CDATA[Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you&#8217;re there. It doesn&#8217;t matter what you do, he said, so as long as you change something from the way it was before you touched it into something that&#8217;s like you after you take your hands away.</p>
<br><b>Ray Bradbury</b> (1920-2012) American writer, futurist, fabulist<br><i>Fahrenheit 451</i>, ch.  3 [Granger] (1953) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/raybradburyfahre0000unse/page/142/mode/2up?q=%22leave+something+behind%22" target="_blank">Source</a>)
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		<title>Ingersoll, Robert Green -- Speech on Religious Intolerance, Pittsburgh Opera House (14 Oct 1879)</title>
		<link>https://wist.info/ingersoll-robert-green/5573/</link>
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		<pubDate>Wed, 16 Jan 2008 16:05:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ingersoll, Robert Green]]></category>
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		<description><![CDATA[Now we have come to the conclusion that every man has a right to think. Would God give a bird wings and make it a crime to fly? Would he give me brains and make it a crime to think? Any God that would damn one of his children for the expression of his honest [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Now we have come to the conclusion that every man has a right to think. Would God give a bird wings and make it a crime to fly? Would he give me brains and make it a crime to think? Any God that would damn one of his children for the expression of his honest thought wouldn&#8217;t make a decent thief. When I read a book and don&#8217;t believe it, I ought to say so. I will do so and take the consequences like a man.</p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Speech on Religious Intolerance, Pittsburgh Opera House (14 Oct 1879) 
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		<title>L'Engle, Madeleine -- The Irrational Season (1977)</title>
		<link>https://wist.info/lengle-madeleine/5315/</link>
		<comments>https://wist.info/lengle-madeleine/5315/#comments</comments>
		<pubDate>Wed, 19 Sep 2007 18:43:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[I know a number of highly sensitive and intelligent people in my own communion who consider as a heresy my faith that God&#8217;s loving concern for his creation will outlast all our willfulness and pride. No matter how many eons it takes, he will not rest until all of creation, including Satan, is reconciled to [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I know a number of highly sensitive and intelligent people in my own communion who consider as a heresy my faith that God&#8217;s loving concern for his creation will outlast all our willfulness and pride. No matter how many eons it takes, he will not rest until all of creation, including Satan, is reconciled to him, until there is no creature who cannot return his look of love with a joyful response of love [&#8230;] Some people feel it to be heresy because it appears to deny man his freedom to refuse to love God. But this, it seems to me, denies God his freedom to go on loving us beyond all our willfulness and pride. If the Word of God is the light of the world, and this light cannot be put out, ultimately it will brighten all the dark corners of our hearts and we will be able to see, and seeing, will be given the grace to respond with love — and of our own free will.</p>
<br><b>Madeleine L'Engle</b> (1918-2007) American writer<br><i>The Irrational Season</i> (1977) 
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		<title>Cervantes, Miguel de -- Don Quixote, 11.5</title>
		<link>https://wist.info/cervantes-miguel-de/5081/</link>
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		<pubDate>Mon, 16 Jul 2007 20:11:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Cervantes, Miguel de]]></category>
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		<description><![CDATA[Everyone is as God has made him, and oftentimes a great deal worse.]]></description>
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			<content:encoded><![CDATA[<p>Everyone is as God has made him, and oftentimes a great deal worse.</p>
<br><b>Miguel de Cervantes</b> (1547-1616) Spanish novelist<br><i>Don Quixote</i>, 11.5 
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		<title>Augustine of Hippo -- City of God [De Civitate Dei], Book 21, ch.  8 (21.8) (AD 412-416) [tr. Green (Loeb) (1972)]</title>
		<link>https://wist.info/augustine-of-hippo/1279/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Augustine of Hippo]]></category>
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		<description><![CDATA[For how can anything done by the will of God be contrary to nature, when the will of so great a creator constitutes the nature of each created thing? A portent therefore happens not contrary to nature, but contrary to what is known of nature. [Quo modo est enim contra naturam, quod Dei fit uoluntate, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>For how can anything done by the will of God be contrary to nature, when the will of so great a creator constitutes the nature of each created thing? A portent therefore happens not contrary to nature, but contrary to what is known of nature.</p>
<p><em>[Quo modo est enim contra naturam, quod Dei fit uoluntate, cum uoluntas tanti utique conditoris conditae rei cuiusque natura sit? Portentum ergo fit non contra naturam, sed contra quam est nota natura.]</em></p>
<br><b>Augustine of Hippo</b> (354-430) Christian church father, philosopher, saint [b. Aurelius Augustinus]<br><i>City of God [De Civitate Dei]</i>, Book 21, ch.  8 (21.8) (AD 412-416) [tr. Green (Loeb) (1972)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/cityofgodagainst0007augu/page/50/mode/2up?q=%22happens+not+contrary%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Commonly: "Miracles are not contrary to nature, but only contrary to what we know about nature."<br><br>

(<a href="https://la.wikisource.org/wiki/De_civitate_Dei/Liber_XXI#:~:text=Quo%20modo%20est%20enim%20contra%20naturam%2C%20quod%20Dei%20fit%20uoluntate%2C%20cum%20uoluntas%20tanti%20utique%20conditoris%20conditae%20rei%20cuiusque%20natura%20sit%3F%20Portentum%20ergo%20fit%20non%20contra%20naturam%2C%20sed%20contra%20quam%20est%20nota%20natura.">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>For how is that contrary to nature which happens by the will of God, since the will of so mighty a Creator is certainly the nature of each created thing?  A portent, therefore, happens not contrary to nature, but contrary to what we know as nature.<br>
[tr. <a href="https://en.wikisource.org/wiki/Nicene_and_Post-Nicene_Fathers:_Series_I/Volume_II/City_of_God/Book_XXI/Chapter_8#:~:text=For%20how%20is%20that%20contrary%20to%20nature%20which%20happens%20by%20the%20will%20of%20God%2C%20since%20the%20will%20of%20so%20mighty%20a%20Creator%20is%20certainly%20the%20nature%20of%20each%20created%20thing%3F%C2%A0%20A%20portent%2C%20therefore%2C%20happens%20not%20contrary%20to%20nature%2C%20but%20contrary%20to%20what%20we%20know%20as%20nature.%C2%A0">Dods</a> (1871)] </blockquote><br>

<blockquote>Nothing that happens by the will of God can be ‘contrary to nature.’ The ‘nature’ of any particular created thing is precisely what the supreme Creator of the thing willed it to be. Hence, a portent is merely contrary to nature as known, not to nature as it is.<br>
[tr. <a href="https://archive.org/details/cityofgod0024augu/page/358/mode/2up?q=%22merely+contrary%22">Walsh/Honan</a> (1954)]</blockquote><br>

<blockquote>For how can an event be contrary to nature when it happens by the will of God, since the will of the great Creator assuredly is the nature of every created thing? A portent, therefore, does not occur contrary to nature, but contrary to what is known of nature.<br>
[tr. <a href="https://archive.org/details/concerningcityof00augu/page/980/mode/2up?q=%22a+portent+therefore%22">Bettenson</a> (1972)]</blockquote><br>						</span>
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		<title>Augustine of Hippo -- Confessions, Book 10, ch.  8 / ¶ 15 (10.8.15) (c. AD 398) [tr. Outler (1955)]</title>
		<link>https://wist.info/augustine-of-hippo/1283/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Men go forth to marvel at the heights of mountains and the huge waves of the sea, the broad flow of the rivers, the vastness of the ocean, the orbits of the stars, and yet they neglect to marvel at themselves. [Et eunt homines mirari alta montium et ingentes fluctus maris et latissimos lapsus fluminum [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Men go forth to marvel at the heights of mountains and the huge waves of the sea, the broad flow of the rivers, the vastness of the ocean, the orbits of the stars, and yet they neglect to marvel at themselves.</p>
<p><em>[Et eunt homines mirari alta montium et ingentes fluctus maris et latissimos lapsus fluminum et oceani ambitum et gyros siderum, et relinquunt se ipsos.]</em></p>
<br><b>Augustine of Hippo</b> (354-430) Christian church father, philosopher, saint [b. Aurelius Augustinus]<br><i>Confessions</i>, Book 10, ch.  8 / ¶ 15 (10.8.15) (c. AD 398) [tr. Outler (1955)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Confessions_of_Saint_Augustine_(Outler)/Book_X#Chapter_VIII:~:text=Men%20go%20forth%20to%20marvel%20at%20the%20heights%20of%20mountains%20and%20the%20huge%20waves%20of%20the%20sea%2C%20the%20broad%20flow%20of%20the%20rivers%2C%20the%20vastness%20of%20the%20ocean%2C%20the%20orbits%20of%20the%20stars%2C%20and%20yet%20they%20neglect%20to%20marvel%20at%20themselves." target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.stoa.org/hippo/text10.html#:~:text=et%20eunt%20homines%20mirari%20alta%20montium%20et%20ingentes%20fluctus%20maris%20et%20latissimos%20lapsus%20fluminum%20et%20oceani%20ambitum%20et%20gyros%20siderum%2C%20et%20relinquunt%20se%20ipsos">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>And men go abroad to admire the heights of mountains, the mighty billows of the sea, the broad tides of rivers, the compass of the ocean, and the circuits of the stars, and pass themselves by.<br>
[tr. <a href="https://faculty.georgetown.edu/jod/augustine/Pusey/book10#:~:text=And%20men%20go%20abroad%20to%20admire%20the%20heights%20of%20mountains%2C%20the%20mighty%20%0Abillows%20of%20the%20sea%2C%20the%20broad%20tides%20of%20rivers%2C%20the%20compass%20of%20the%20%0Aocean%2C%20and%20the%20circuits%20of%20the%20stars%2C%20and%20pass%20themselves%20by">Pusey</a> (1838)] </blockquote><br>

<blockquote>And men go forth to wonder at the heights of mountains, the huge waves of the sea, the broad flow of the rivers, the extent of the ocean, and the courses of the stars, and omit to wonder at themselves.<br>
[tr. <a href="https://en.wikisource.org/wiki/Nicene_and_Post-Nicene_Fathers:_Series_I/Volume_I/Confessions/Book_X/Chapter_8#:~:text=And%20men%20go%20forth%20to%20wonder%20at%20the%20heights%20of%20mountains%2C%20the%20huge%20waves%20of%20the%20sea%2C%20the%20broad%20flow%20of%20the%20rivers%2C%20the%20extent%20of%20the%20ocean%2C%20and%20the%20courses%20of%20the%20stars%2C%20and%20omit%20to%20wonder%20at%20themselves">Pilkington</a> (1876)] </blockquote><br>

<blockquote>And men travel to admire the heights of mountains, and the vast waves of the sea, and the broad streams of rivers, and the circuit of the ocean, and the orbits of stars, and pass over themselves.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hnfge9&view=2up&seq=289&q1=%22travel%20to%20admire%22">Hutchings</a> (1890)] </blockquote><br>

<blockquote>Here are men going afar to marvel at the heights of mountains, the mighty waves of the sea, the long courses of great rivers, the vastness of the ocean, the movements of the stars, yet leaving themselves unnoticed.<br>
[tr. <a href="https://archive.org/details/confessionsofsta0000augu_y4p5/page/220/mode/2up?q=%22men+going+afar%22">Sheed</a> (1943)]</blockquote><br>

<blockquote>Men go forth to marvel at the mountain heights, at huge waves in the sea, at the broad expanse of flowing rivers, at the wide reaches of the ocean, and at the circuits of the stars, but themselves they pass by.<br>
[tr. <a href="https://archive.org/details/confessionsofsta0000augu_b5h8/page/238/mode/2up?q=%22forth+to+marvel%22">Ryan</a> (1960)]</blockquote><br>

<blockquote>Yet men go out and gaze in astonishment at high mountains, the huge waves of the sea, the broad reaches of rivers, the ocean that encircles the world, or the stars in their courses. But they pay no attention to themselves.<br>
[tr. <a href="https://archive.org/details/saintaugustineco0000unse/page/216/mode/2up?q=%22gaze+in+astonishment%22">Pine-Coffin</a> (1961)] </blockquote><br>

<blockquote>And men go abroad to wonder at the heights of mountains, the huge waves of the sea, the broad streams of rivers, the vastness of the ocean, the turnings of the stars -- and they do not notice themselves.<br> 
[tr. <a href="https://archive.org/details/confessions0000augu_w6j8/page/218/mode/2up?q=%22wonder+at+the+heights%22">Warner</a> (1963)]</blockquote><br>

<blockquote>Men go to wonder at the heights of mountains, and the huge billows of the sea, the broad sweeps of the rivers, the curve of ocean and the circuits of the stars, and yet pass by themselves.<br>
[tr. <a href="https://archive.org/details/confessionsofsai0000augu_s6o1/page/248/mode/2up?q=%22heights+of+mountains%22">Blaiklock</a> (1983)]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Newton, Isaac -- Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton, 2.27 [ed. D. Brewster (1855)]</title>
		<link>https://wist.info/newton-isaac/2967/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Newton, Isaac]]></category>
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		<description><![CDATA[I do not know what I may appear to the world; but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.]]></description>
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			<content:encoded><![CDATA[<p>I do not know what I may appear to the world; but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.</p>
<br><b>Isaac Newton</b> (1642-1727) English physicist and mathematician<br><i>Memoirs of the Life, Writings, and Discoveries of Sir Isaac Newton</i>, 2.27 [ed. D. Brewster (1855)] 
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		<title>Talmud -- Babylonian Talmud, Sanhedrin, Perek 4, 39B</title>
		<link>https://wist.info/talmud/4579/</link>
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		<pubDate>Sun, 01 Feb 2004 18:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Talmud]]></category>
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		<description><![CDATA[When the Egyptians were drowning in the Red Sea, the angels in heaven began to break forth in songs of jubilation, but the Holy One, blessed be He, silenced them: &#8220;My creatures are perishing &#8212; and ye are ready to sing!&#8221; Steinsaltz trans.: At that time the ministering angels desired to recite a song before [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When the Egyptians were drowning in the Red Sea, the angels in heaven began to break forth in songs of jubilation, but the Holy One, blessed be He, silenced them:  &#8220;My creatures are perishing &#8212; and ye are ready to sing!&#8221;</p>
<br><b>The Talmud</b> (AD 200-500) Collection of Jewish rabbinical writings<br><i>Babylonian Talmud</i>, Sanhedrin, Perek 4, 39B 
														<br><br><span class="cite">
						

<a href="https://www.sefaria.org/Sanhedrin.39b.5?lang=bi&with=all&lang2=en#:~:text=At%20that%20time,of%20the%20wicked.">Steinsaltz</a> trans.:<br><br>

<blockquote>At that time the ministering angels desired to recite a song before the Holy One, Blessed be He. The Holy One, Blessed be He, said to them: My handiwork, i.e., the Egyptians, are drowning in the sea, and you are reciting a song before Me? </blockquote><br>

Louis I. Newman, comp. <i>The Talmudic Anthology</i>, 103 (1945): <br><br>

<blockquote>When the Egyptians were drowning, the angels wished to sing. But God said, "My children are dying, and you would sing?"</blockquote><br>

						</span>
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		<title>Emerson, Ralph Waldo -- &#8220;Nature,&#8221; Introduction, Nature: Addresses and Lectures (1849)</title>
		<link>https://wist.info/emerson-ralph-waldo/142/</link>
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		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
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		<description><![CDATA[We must trust the perfection of the creation so far, as to believe that whatever curiosity the order of things has awakened in our minds, the order of things can satisfy.]]></description>
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			<content:encoded><![CDATA[<p>We must trust the perfection of the creation so far, as to believe that whatever curiosity the order of things has awakened in our minds, the order of things can satisfy.</p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>&#8220;Nature,&#8221; Introduction, <i>Nature: Addresses and Lectures</i> (1849) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Nature,_Addresses_and_Lectures/Nature#:~:text=We%20must%20trust%20the%20perfection%20of%20the%20creation%20so%20far%2C%20as%20to%20believe%20that%20whatever%20curiosity%20the%20order%20of%20things%20has%20awakened%20in%20our%20minds%2C%20the%20order%20of%20things%20can%20satisfy." target="_blank">Source</a>)
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		<title>Bailey, Philip James -- Festus, &#8220;Proëm&#8221; (1839)</title>
		<link>https://wist.info/bailey-phillip-james/1240/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bailey, Philip James]]></category>
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		<description><![CDATA[Let each man think himself an act of God, His mind a thought, his life a breath of God; And let each try, by great thoughts and good deeds, To shew the most of Heaven he hath in him.]]></description>
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			<content:encoded><![CDATA[<p>Let each man think himself an act of God,<br />
His mind a thought, his life a breath of God;<br />
And let each try, by great thoughts and good deeds,<br />
To shew the most of Heaven he hath in him.</p>
<br><b>Philip James Bailey</b> (1816-1902) English poet, lawyer<br><i>Festus</i>, &#8220;Proëm&#8221; (1839) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Festus_a_poem_by_P_J_Bailey_By_P_J_Baile/nEVgAAAAcAAJ?hl=en&gbpv=1&bsq=%22let%20each%20man%20think%22" target="_blank">Source</a>)
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		<title>Pratchett, Terry -- Good Omens, 7. &#8220;Sunday&#8221; (1990) [with Neil Gaiman]</title>
		<link>https://wist.info/pratchett-terry/3205/</link>
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		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
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		<description><![CDATA[&#8220;I mean, maybe you just want to see how it all turns out. Maybe it&#8217;s all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you&#8217;ve built all works properly, eh? You start thinking: it can&#8217;t be a great cosmic game of [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">&#8220;I mean, maybe you just want to see how it all turns out.  Maybe it&#8217;s all part of a great big ineffable plan.  All of it.  You, me, him, everything.  Some great big test to see if what you&#8217;ve built all works properly, eh?  You start thinking:  it <i>can&#8217;t</i> be a great cosmic game of chess, it <i>has</i> to be just very complicated Solitaire.  And don&#8217;t bother to answer.  If we could understand, we wouldn&#8217;t be us.  Because it&#8217;s all &#8212; all &#8211;&#8221;<br />
<span class="tab">INEFFABLE, said the figure feeding the ducks.</span></span></p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br><i>Good Omens</i>, 7. &#8220;Sunday&#8221; (1990) [with Neil Gaiman] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/goodomensniceacc0000gaim_d0u5/page/546/mode/2up?q=%22great+big+ineffable+plan%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Crowley speculating to Aziraphale about God's motivations in creating a flawed Universe.						</span>
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