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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Horace -- Epistles [Epistularum, Letters], Book 2, ep.  3 &#8220;Art of Poetry [Ars Poetica; To the Pisos],&#8221; l. 101ff (2.3.101-103) (19 BC) [tr. Conington (1874)]</title>
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		<pubDate>Fri, 10 Apr 2026 16:23:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Horace]]></category>
		<category><![CDATA[comedy]]></category>
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		<description><![CDATA[Smiles are contagious; so are tears; to see Another sobbing, brings a sob from me. No, no, good Peleus; set the example, pray, And weep yourself; then weep perhaps I may. [Ut ridentibus adrident, ita flentibus adflent humani voltus. Si vis me flere, dolendum est primum ipsi tibi: tum tua me infortunia laedent, Telephe vel [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Smiles are contagious; so are tears; to see<br />
Another sobbing, brings a sob from me.<br />
No, no, good Peleus; set the example, pray,<br />
And weep yourself; then weep perhaps I may.</p>
<p><em>[Ut ridentibus adrident, ita flentibus adflent<br />
humani voltus. Si vis me flere, dolendum est<br />
primum ipsi tibi: tum tua me infortunia laedent,<br />
Telephe vel Peleu.]</em></p>
<br><b>Horace</b> (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]<br><i>Epistles [Epistularum, Letters]</i>, Book 2, ep.  3 &#8220;Art of Poetry <i>[Ars Poetica;</i> To the Pisos],&#8221; l. 101ff (2.3.101-103) (19 BC) [tr. Conington (1874)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Satires,_Epistles_%26_Art_of_Poetry_of_Horace/Ars_Poetica#:~:text=No%2C%20no%2C%20good,perhaps%20I%20may" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/worksofhorace02horauoft/page/380/mode/2up?q=%22Telephus%2C+King+of+Mysia%22">Telephus</a> and <a href="https://en.wikipedia.org/wiki/Peleus#In_Athenian_tragedy">Peleus</a> were mythic figures in well-known Greek tragedies. The advice is offered up to those who write of or act/declaim the roles of such characters.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0064%3Acard%3D99#:~:text=ut%20ridentibus%20adrident%2C%20ita%20flentibus%20adflent%0Ahumani%20voltus.%20si%20vis%20me%20flere%2C%20dolendum%20est%0Aprimum%20ipsi%20tibi%3A%20tum%20tua%20me%20infortunia%20laedent%2C%0ATelephe%20vel%20Peleu%3B">Source (Latin)</a>). Other translations:<br><br>

<blockquote>The cheares of men as these will smerke on those that use to smyle:<br>
So are theye wrinchd, when theye do weepe and chaungd within a whyle.<br>
If thou wouldste have me weepe for the firste muste thou pensyfe be.<br>
Thy harmes shall hitte me, when I spy that they have harmed thee.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A03670.0001.001/1:6?rgn=div1;view=fulltext#:~:text=If%20thou%20wouldste,haue%20harmed%20the.">Drant</a> (1567)]</blockquote><br>

<blockquote>To worke the hearers minds, still to the plight.<br>
Mens count'nances, with such as laugh, are prone<br>
To laughter: so they grieve with those that mone:<br>
If thou wouldst have mee weep, bee thou first dround<br>
Thy selfe in tears, then me thy harms will wound,<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo2/B14092.0001.001/1:9?rgn=div1;view=fulltext#:~:text=If%20thou%20wouldst,harms%20will%20wound%2C">Jonson</a> (1640); l. 145ff]</blockquote><br>

<blockquote>We Weep and Laugh as we see others doe,<br>
He only makes me sad who shews the way,<br>
And first is sad himself, then (Telephus)<br>
I feel the weight of your Calamities,<br>
And fancy all your miseries my Own.<br>
[tr. <a href="https://en.wikisource.org/wiki/Horace%27s_Art_of_Poetry_(1680,_Roscommon)/Of_the_Art_of_Poetry#:~:text=He%20only%20makes,miseries%20my%20Own">Roscommon</a> (1680)]</blockquote><br>

<blockquote>With them, who laugh, our social joy appears; <br>
With them, who mourn, we sympathise in tears;<br>
If you would have me weep, begin the strain, <br>
Then I shall feel your sorrows, feel your pain.<br>
[tr. <a href="https://archive.org/details/satiresepistlesi00hora/page/282/mode/2up?q=%22have+me+weep%22">Francis</a> (1747)]</blockquote><br>

<blockquote>With those that smile, our face in smiles appears;<br>
With those that weep, our cheeks are bath'd in tears:<br>
To make <i>me</i> grieve, be first <i>your</i> anguish shown,<br>
And I shall feel your sorrows like my own.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/9175/pg9175-images.html#:~:text=To%20make%20me%20grieve%2C%20be%20first%20your%20anguish%20shown%2C%0A%C2%A0%C2%A0And%20I%20shall%20feel%20your%20sorrows%20like%20my%20own.">Coleman</a> (1783)]</blockquote><br>

<blockquote>From face to face as smiles contagious creep,<br>
so weeps the according eye with those that weep.<br>
Who claims my tears, must first display his own;<br>
Then shall I catch his pangs and share his moan.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epodes_Satires_and_Epistles_of_Horac/TPgDAAAAQAAJ?hl=en&gbpv=1&bsq=%22claims%20my%20tears%22">Howes</a> (1845)]</blockquote><br>

<blockquote>As the human countenance smiles on those that smile, so does it sympathize with those that weep. If you would have me weep you must first express the passion of grief yourself; then, Telephus or Peleus, your misfortunes hurt me.<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0065%3Acard%3D99#:~:text=If%20you%20would%20have%20me%20weep%20you%20must%20first%20express%20the%20passion%20of%20grief%20yourself%3B%20then%2C%20Telephus%20or%20Peleus%2C%20your%20misfortunes%20hurt%20me">Smart/Buckley</a> (1853)] </blockquote><br>

<blockquote>A face all smiles makes other faces smile,<br>
A face all tears will tears from others wile.<br>
Unless, then, in your voice a sob I hear, <br>
You will not wring from me a single tear.<br>
[tr. <a href="https://archive.org/details/worksofhorace02horauoft/page/380/mode/2up?q=%22single+tear%22">Martin</a> (1881)]</blockquote><br>

<blockquote>As human countenances laugh with those who laugh so they weep with those who weep. If you desire me to weep, O Telephus or Peleus, yourself must first lead the way; then you thrill through me.<br>
[tr. <a href="https://www.google.com/books/edition/The_Works_of_Horace/-f8pAAAAYAAJ?hl=en&gbpv=1&bsq=%22human%20countenances%22">Elgood</a> (1893)] </blockquote><br>

<blockquote>As men's faces smile on those who smile, so they respond to those who weep. If you would have me weep, you must first feel grief yourself: then, O Telephus or Peleus, will your misfortunes hurt me.<br>
[tr. <a href="https://archive.org/details/satiresepistlesa00horauoft/page/458/mode/2up?q=%22men%27s+faces+smile%22">Fairclough</a> (Loeb) (1926)]</blockquote><br>

<blockquote>As the human face answers a smile with a smile, so does it wait upon tears; if you would have me weep, you must first of all feel grief yourself; then and not till then will your misfortunes, Telephus or Peleus, touch me.<br>
[tr. <a href="https://archive.org/details/completeworksofh0000casp_g2w3/page/400/mode/2up?q=%22all+feel+grief%22">Blakeney</a>; ed. Kraemer (1936)]</blockquote><br>

<blockquote>A man’s face is wreathed in smiles when he sees someone smile;<br>
It twists when he sees someone cry; if you expect <i>me</i> <br>
To burst into tears, you have to feel sorrow yourself.<br>
Then your woes will fasten on me, O Telephus, Peleus.<br>
[tr. <a href="https://archive.org/details/satiresanndepist0000hora/page/274/mode/2up?q=%22a+man%27s+face%22">Palmer Bovie</a> (1959)]</blockquote><br>

<blockquote>Just as laughter inspires laughter, tears bring tears<br>
to human faces; if you want my tears, you first must<br>
weep yourself. Then your agonies will hurt me too.<br>
[tr. <a href="https://archive.org/details/horacessatiresep0000hora/page/86/mode/2up?q=%22laughter+inspires%22">Fuchs</a> (1977)]</blockquote><br>

<blockquote>We smile when we see smiling, weep at tears:<br>
Ask me to sob<br>
<span class="tab"><span class="tab">when you can sob<br>
<span class="tab"><span class="tab"><span class="tab"><span class="tab">yourself -- <br>
Then (ah) tragic heroes are tragic<br>
(To me).<br>
[tr. <a href="https://archive.org/details/essentialhoraceo0000hora/page/242/mode/2up?q=%22see+smiling%22">Raffel</a> (1983 ed.)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Men smile if the language smiles;<br>
They weep if the language truly weeps. If you<br>
Desire to hear me weep, you must truly grieve,<br>
O Peleus or Telephus, and I<br>
Grieve as if I suffered your cause of grief.    <br>        
[tr. <a href="https://archive.org/details/epistlesofhorace0000hora/page/158/mode/2up?q=%22men+smile%22">Ferry</a> (2001)] </blockquote><br>

<blockquote>When a person smiles, people's faces smile in return;<br>
when he weeps, they show concern. Before you can move me to tears,<br>
you must grieve yourself. Only then will your woes distress me.<br>
[tr. <a href="https://archive.org/details/satiresofhoracep00hora/page/124/mode/2up?q=%22person+smiles%22">Rudd</a> (2005 ed.)]</blockquote><br>

<blockquote>As the human face smiles at a smile, so it echoes<br>
Those who weep: if you want to move me to tears<br>
You must first grieve yourself: then Peleus or Telephus<br>
Your troubles might pain me.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/HoraceArsPoetica.php#anchor_Toc98156242:~:text=As%20the%20human,might%20pain%20me">Kline</a> (2015)]</blockquote><br>						</span>
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		<title>Millay, Edna St. Vincent -- Poem (1921-10-31), &#8220;The Philosopher,&#8221; st. 1, Ainslee&#8217;s Magazine, Vol. 48, No. 3</title>
		<link>https://wist.info/millay-edna-st-vincent/80361/</link>
		<comments>https://wist.info/millay-edna-st-vincent/80361/#respond</comments>
		<pubDate>Thu, 13 Nov 2025 22:16:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Millay, Edna St. Vincent]]></category>
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		<description><![CDATA[And what are you that, missing you, I should be kept awake As many nights as there are days With weeping for your sake? First collected in A Few Figs from Thistles (1922).]]></description>
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			<content:encoded><![CDATA[<p>And what are you that, missing you,<br />
<span class="tab">I should be kept awake<br />
As many nights as there are days<br />
<span class="tab">With weeping for your sake?</span></span></p>
<br><b>Edna St. Vincent Millay</b> (1892–1950) American poet<br>Poem (1921-10-31), &#8220;The Philosopher,&#8221; st. 1, <i>Ainslee&#8217;s</i> Magazine, Vol. 48, No. 3 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/sim_ainslees_1921-11_48_3/page/152/mode/2up?q=%22what+are+you+that%2C+missing%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/AFewFigsFromThistles1921/page/n23/mode/2up?q=%22should+be+kept+awake%22">First collected</a> in <i>A Few Figs from Thistles</i> (1922).




						</span>
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		<title>Fuller, Thomas (1654) -- Introductio ad Prudentiam, Vol. 2, # 2023 (1727)</title>
		<link>https://wist.info/fuller-thomas-1654/77873/</link>
		<comments>https://wist.info/fuller-thomas-1654/77873/#respond</comments>
		<pubDate>Wed, 23 Jul 2025 15:11:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Assist the afflicted with something real, if thou canst: As for Tears they are but Water, what good can they do?]]></description>
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			<content:encoded><![CDATA[<p>Assist the afflicted with something real, if thou canst: As for Tears they are but Water, what good can they do?</p>
<br><b>Thomas Fuller</b> (1654–1734) English physician, preacher, aphorist, writer<br><i>Introductio ad Prudentiam</i>, Vol. 2, # 2023 (1727) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Introductio_Ad_Prudentiam/Wgmk5czFrOkC?hl=en&gbpv=1&bsq=2023" target="_blank">Source</a>)
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		<title>Byron, George Gordon, Lord -- Childe Harold&#8217;s Pilgrimage, Canto 4, st.  109 (1818)</title>
		<link>https://wist.info/byron/76600/</link>
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		<pubDate>Mon, 12 May 2025 18:09:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
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		<description><![CDATA[Man! Thou pendulum betwixt a smile and tear.]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Man!<br />
Thou pendulum betwixt a smile and tear.</p>
<br><b>George Gordon, Lord Byron</b> (1788–1824) English poet<br><i>Childe Harold&#8217;s Pilgrimage</i>, Canto 4, st.  109 (1818) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Lord_Byron_(ed._Coleridge,_Prothero)/Poetry/Volume_2/Childe_Harold%27s_Pilgrimage/Canto_IV#:~:text=Man!%5B207%5D%0AThou%20pendulum%20betwixt%20a%20smile%20and%20tear" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Euripides -- Electra [Ἠλέκτρα], l.  112ff, Strophe 1 (c. 420 BC) [tr. Murray (1905)]</title>
		<link>https://wist.info/euripides/73608/</link>
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		<pubDate>Tue, 24 Dec 2024 17:34:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Euripides]]></category>
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		<description><![CDATA[ELECTRA: Onward, O labouring tread, As on move the years; Onward amid thy tears, O happier dead! [ἨΛΈΚΤΡΑ: σύντειν᾽ — ὥρα — ποδὸς ὁρμάν: ὤ, ἔμβα, ἔμβα κατακλαίουσα: ἰώ μοί μοι.] Early introduction, mourning her situation as exiled child of the dead Agamemnon and her hated mother, Clytemnestra. (Source (Greek)). Other translations: Haste, for the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">ELECTRA: Onward, O labouring tread,<br />
<span class="tab">As on move the years;<br />
Onward amid thy tears,<br />
<span class="tab">O happier dead!</span></span></p>
<p></p>
<p class="hangingindent">[ἨΛΈΚΤΡΑ: σύντειν᾽ — ὥρα — ποδὸς ὁρμάν: ὤ,<br />
ἔμβα, ἔμβα κατακλαίουσα:<br />
ἰώ μοί μοι.]</p>
<p></p>
<br><b>Euripides</b> (485?-406? BC) Greek tragic dramatist<br><i>Electra</i> [Ἠλέκτρα], l.  112ff, Strophe 1 (c. 420 BC) [tr. Murray (1905)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Electra_(Murray)/Text#:~:text=Onward%2C%20O%20labouring%20tread%2C%0AAs%20on%20move%20the%20years%3B%0AOnward%20amid%20thy%20tears%2C%0AO%20happier%20dead!" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Early introduction, mourning her situation as exiled child of the dead Agamemnon and her hated mother, Clytemnestra.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0095%3Acard%3D112#:~:text=%CF%83%CF%8D%CE%BD%CF%84%CE%B5%CE%B9%CE%BD%E1%BE%BD%20%E2%80%94%20%E1%BD%A5%CF%81%CE%B1%20%E2%80%94%20%CF%80%CE%BF%CE%B4%E1%BD%B8%CF%82%20%E1%BD%81%CF%81%CE%BC%CE%AC%CE%BD%3A%20%E1%BD%A4%2C%0A%E1%BC%94%CE%BC%CE%B2%CE%B1%2C%20%E1%BC%94%CE%BC%CE%B2%CE%B1%20%CE%BA%CE%B1%CF%84%CE%B1%CE%BA%CE%BB%CE%B1%CE%AF%CE%BF%CF%85%CF%83%CE%B1%3A%0A%E1%BC%B0%CF%8E%20%CE%BC%CE%BF%CE%AF%20%CE%BC%CE%BF%CE%B9.">Source (Greek)</a>). Other translations: <br><br>

<blockquote>Haste, for the time admits not of delay.<br>
My gentle comrades hither haste <br>
And shed, O shed the sympathetic tear.<br>
Ah me!<br>
[tr. <a href="https://archive.org/details/nineteentragedi02wodhgoog/page/n276/mode/2up?q=%22Haste%2C+for+the+time%22">Wodhull</a> (1809)] </blockquote><br>

<blockquote>Hasten your step, it is time; go onward, onward, weeping! Ah me!<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0096%3Acard%3D112#:~:text=Hasten%20your%20step%2C%20it%20is%20time%3B%20go%20onward%2C%20onward%2C%20weeping!%20Ah%20me!">Coleridge</a> (1891)]</blockquote><br>

<blockquote>Hasten on the course of my foot, O hour; O, go thou on, go on, weeping. Alas! for me, for me.<br>
[tr. <a href="https://www.google.com/books/edition/The_tragedies_of_Euripides_literally_tr/xdkNAAAAQAAJ?hl=en&gbpv=1&bsq=%22hasten%20on%20the%20course%22">Buckley</a> (1892)] </blockquote><br>

<blockquote>Bestir thou, for time presses, thy foot's speed;<br>
<span class="tab">Haste onward, weeping bitterly.<br>
I am his child, am Agamemnon's seed, --<br>
<span class="tab">Alas for me, for me!<br>
[tr. <a href="https://en.wikisource.org/wiki/Tragedies_of_Euripides_(Way)/Electra#:~:text=Bestir%20thou%2C%20for%20time%20presses%2C%20thy%20foot%27s%20speed%3B%0AHaste%20onward%2C%20weeping%20bitterly.%0AI%20am%20his%20child%2C%20am%20Agamemnon%27s%20seed%2C%E2%80%94%0AAlas%20for%20me%2C%20for%20me!">Way</a> (1896)] </blockquote><br>

<blockquote>Come, girl, move! Move on to the beat of your rushing tears!<br>
[tr. <a href="https://bacchicstage.wordpress.com/euripides/elektra-aka-electra/#:~:text=Come%2C%20girl%2C%20move!%20Move%20on%20to%20the%20beat%20of%20your%20rushing%20tears!">Theodoridis</a> (2006)] </blockquote><br>

<blockquote>You must step quickly now --<br>
it’s time to move -- keep going,<br>
lamenting as you go.<br>
Alas for me! Yes, for me!<br>
[tr. <a href="https://johnstoniatexts.x10host.com/euripides/electrahtml.html#:~:text=You%20must%20step%20quickly%20now%E2%80%94%0Ait%E2%80%99s%20time%20to%20move%E2%80%94keep%20going%2C%0Alamenting%20as%20you%20go.%0AAlas%20for%20me!%20Yes%2C%20for%20me!">Johnston</a> (2009)]</blockquote><br>

<blockquote>Quicken the move of your foot with song<br>
Walk on, walk on in tears.<br>
Ah, my life.<br>
[tr. <a href="https://sententiaeantiquae.com/2020/09/09/should-we-kill-our-mother-reading-euripides-electra-online/#:~:text=Euripides%2C%20Elektra,%E1%BC%80%CE%B8%CE%BB%E1%BD%B7%CE%B1%CE%BD%0A%E1%BC%A8%CE%BB%E1%BD%B3%CE%BA%CF%84%CF%81%CE%B1%CE%BD%20%CF%80%CE%BF%CE%BB%CE%B9%E1%BF%86%CF%84%CE%B1%CE%B9.">@sentantiq</a> (2020)]</blockquote><br>						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Byron, George Gordon, Lord -- Childe Harold&#8217;s Pilgrimage, Canto 2, st.   24 (1812)</title>
		<link>https://wist.info/byron/71853/</link>
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		<pubDate>Mon, 09 Sep 2024 15:26:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
		<category><![CDATA[affection]]></category>
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		<category><![CDATA[crying]]></category>
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		<description><![CDATA[None are so desolate but something dear, Dearer than self, possesses or possess&#8217;d A thought, and claims the homage of a tear.]]></description>
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			<content:encoded><![CDATA[<p>None are so desolate but something dear,<br />
Dearer than self, possesses or possess&#8217;d<br />
A thought, and claims the homage of a tear.</p>
<br><b>George Gordon, Lord Byron</b> (1788–1824) English poet<br><i>Childe Harold&#8217;s Pilgrimage</i>, Canto 2, st.   24 (1812) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Lord_Byron_(ed._Coleridge,_Prothero)/Poetry/Volume_2/Childe_Harold%27s_Pilgrimage/Canto_II#cite_ref-42:~:text=None%20are%20so%20desolate%20but%20something%20dear%2C%5B42%5D%0ADearer%20than%20self%2C%20possesses%20or%20possessed%0AA%20thought%2C%20and%20claims%20the%20homage%20of%20a%20tear" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Twain, Mark -- Note (1898-07-04), Mark Twain&#8217;s Notebook, ch. 21 &#8220;In Vienna&#8221; (1935) [ed. Albert Bigelow Paine]</title>
		<link>https://wist.info/twain-mark/71028/</link>
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		<pubDate>Thu, 01 Aug 2024 15:16:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Twain, Mark]]></category>
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		<description><![CDATA[LIFE We laugh and laugh, Then cry and cry &#8212; Then feebler laugh, Then die. While summering in Kaltenleutgeben, Austria.]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><u>LIFE</u><br />
We laugh and laugh,<br />
Then cry and cry &#8212;<br />
Then feebler laugh,<br />
Then die.</span></span></span></p>
<br><b>Mark Twain</b> (1835–1910) American writer [pseud. of Samuel Clemens]<br>Note (1898-07-04), <i>Mark Twain&#8217;s Notebook</i>, ch. 21 &#8220;In Vienna&#8221; (1935) [ed. Albert Bigelow Paine] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/MarkTwainsNotebook/page/n353/mode/2up?view=theater&q=%22we+laugh+and+laugh%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

While summering in Kaltenleutgeben, Austria.						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 2 &#8220;Purgatorio,&#8221; Canto 21, l. 105ff (21.105-108) (1314) [tr. Musa (1981)]</title>
		<link>https://wist.info/dante-alighieri-poet/66413/</link>
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		<pubDate>Fri, 19 Jan 2024 19:24:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
		<category><![CDATA[candor]]></category>
		<category><![CDATA[crying]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[honesty]]></category>
		<category><![CDATA[humor]]></category>
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		<category><![CDATA[laughter]]></category>
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		<category><![CDATA[willpower]]></category>

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		<description><![CDATA[But the power of a man&#8217;s will is often powerless: laughter and tears follow so close upon the passions that provoke them that the more sincere the man, the less they obey his will. &#160; [Ma non può tutto la virtù che vuole; ché riso e pianto son tanto seguaci a la passion di che [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">But the power<br />
<span class="tab">of a man&#8217;s will is often powerless:<br />
laughter and tears follow so close upon<br />
<span class="tab">the passions that provoke them that the more<br />
<span class="tab">sincere the man, the less they obey his will.<br />
&nbsp;<br />
<span class="tab"><em>[Ma non può tutto la virtù che vuole;<br />
ché riso e pianto son tanto seguaci<br />
<span class="tab">a la passion di che ciascun si spicca,<br />
<span class="tab">che men seguon voler ne’ più veraci.]</span></span></em></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265–1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 2 <i>&#8220;Purgatorio,&#8221;</i> Canto 21, l. 105ff (21.105-108) (1314) [tr. Musa (1981)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/dantealighierisd03dant/page/208/mode/2up?q=%22but+the+power%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Purgatorio/Canto_XXI#:~:text=ma%20non%20pu%C3%B2,ne%E2%80%99%20pi%C3%B9%20veraci.">Source (Italian)</a>). Other translations:<br><br>

<blockquote>As each alternate Passion leaves a trace <br>
On the still-varying muscles of the face,<br>
<span class="tab">Fictitious oft; but, by the candid mind, <br>
Conceal'd with pain, the dawn of dubious joy <br>
My features wore.<br>
[tr. <a href="https://archive.org/details/divinacommediad00unkngoog/page/n274/mode/2up?q=%22As+each+alternate%22">Boyd</a> (1802), st. 20] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">But the power which wills,<br>
<span class="tab">Bears not supreme control: laughter and tears<br>
Follow so closely on the passion prompts them,<br>
<span class="tab">They wait not for the motions of the will<br>
<span class="tab">In natures most sincere.<br>
[tr. <a href="https://www.gutenberg.org/files/8795/8795-h/8795-h.htm#cantoII.21:~:text=but%20the%20power%20which%20wills%2C%0ABears%20not%20supreme%20control%3A%20laughter%20and%20tears%0AFollow%20so%20closely%20on%20the%20passion%20prompts%20them%2C%0AThey%20wait%20not%20for%20the%20motions%20of%20the%20will%0AIn%20natures%20most%20sincere.">Cary</a> (1814)]</blockquote><br>

<blockquote><span class="tab">But will is not with power entire endued.<br>
Laughter and tears pursue so much the trace<br>
<span class="tab">The passion dictates that imprints them there,<br>
<span class="tab">Nor follow will in natures most sincere.<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/260/mode/2up?q=%22But+will+is+not%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote><span class="tab">But yet the power that wills cannot do all things;<br>
For tears and laughter are such pursuivants<br>
<span class="tab">Unto the passion from which each springs forth,<br>
<span class="tab">In the most truthful least the will they follow.<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_2/Canto_21#:~:text=But%20yet%20the%20power%20that%20wills%20cannot%20do%20all%20things%3B%0A%0AFor%20tears%20and%20laughter%20are%20such%20pursuivants%0A%C2%A0%C2%A0%C2%A0Unto%20the%20passion%20from%20which%20each%20springs%20forth%2C%0A%C2%A0%C2%A0%C2%A0In%20the%20most%20truthful%20least%20the%20will%20they%20follow.">Longfellow</a> (1867)]</blockquote><br>

<blockquote>But virtue cannot all it would; for laughter and tears follow so much the passion from which each springs, that they least obey will in the most truthful men.<br>
[tr. <a href="https://archive.org/details/purgatorydantea00aliggoog/page/n280/mode/2up?q=%22but+virtue+cannot%22">Butler</a> (1885)]</blockquote><br>

<blockquote><span class="tab">But all it wishes, will cannot forbear:<br>
For smiles and tears to diverse passion wed, <br>
<span class="tab">Upon that passion follow so instinct. <br>
<span class="tab">In open natures, will is quite outsped.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/212/mode/2up?q=%22But+all+it+wishes%22">Minchin</a> (1885)]</blockquote><br>

<blockquote>But the power that wills cannot do everything; for smiles and tears are such followers on the emotion from which each springs, that in the most truthful they least follow the will.<br>
[tr. <a href="https://www.gutenberg.org/files/1996/1996-h/1996-h.htm#cantoII.XXI:~:text=but%20the%20power%20that%20wills%20cannot%20do%20everything%3B%20for%20smiles%20and%20tears%20are%20such%20followers%20on%20the%20emotion%20from%20which%20each%20springs%2C%20that%20in%20the%20most%20truthful%20they%20least%20follow%20the%20will.">Norton</a> (1892)]</blockquote><br>

<blockquote><span class="tab">But the virtue which wills is not all powerful; <br>
<span class="tab">for laughter and tears follow so closely the passion from which each springs, that they least obey the will in the most truthful.<br>
[tr. <a href="https://archive.org/details/purgatorioofdant00dant_0/page/264/mode/2up?q=%22virtue+which+wills%22">Okey</a> (1901)]</blockquote><br>

<blockquote>But the power to will cannot do all, for laughter and tears are so close followers on the passions from which they spring that they least follow the will in the most truthful.<br>
[tr. <a href="https://archive.org/details/iipurgatoriowith00dant/page/274/mode/2up?q=%22but+the+power%22">Sinclair</a> (1939)] </blockquote><br>

<blockquote><span class="tab">But all is not done by the will's decree;<br>
For on the passion wherefrom each is bred <br>
<span class="tab">Laughter and tears follow so close that least <br>
<span class="tab">In the most truthful is the will obeyed.<br>
[tr. <a href="https://archive.org/details/portabledante00dant/page/298/mode/2up?q=%22but+all+is+not+done+by%22">Binyon</a> (1943)]</blockquote><br>

<blockquote><span class="tab">But will with us is not made one with power;<br>
Tears, laughter, tread so hard upon the heel<br>
<span class="tab">Of their evoking passions, that in those<br>
<span class="tab">Who're most sincere they least obey the will.<br>
[tr. <a href="https://archive.org/details/divinecomedy0002unse/page/236/mode/2up?q=%22but+will+with+us%22">Sayers</a> (1955)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">But man's will<br>
is not supreme in every circumstance:<br>
for tears and laughter come so close behind<br>
<span class="tab">the passions they arise from, that they least<br>
<span class="tab">obey the will of the most honest mind.<br>
[tr. <a href="https://archive.org/details/purgatorio00dant/page/218/mode/2up?view=theater&q=%22but+man%27s+will%22">Ciardi</a> (1961)]</blockquote><br>

<blockquote>But the power that wills cannot do everything; for smiles and tears are such close followers on the emotion from which each springs, that in the most truthful they least follow the will.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy_II_Purgatorio_Vol_II_P/2Q48EAAAQBAJ?hl=en&gbpv=1&bsq=%22but%20the%20power%22">Singleton</a> (1973)] </blockquote><br>

<blockquote><span class="tab">But virtue cannot do everything that it will;<br>
For laughter and tears follow so closely on<br>
<span class="tab">The passions from which they respectively proceed,<br>
<span class="tab">That they follow the will least in the most truthful.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/290/mode/2up?q=%22but+virtue+cannot%22">Sisson</a> (1981)] </blockquote><br>

<blockquote><span class="tab">And yet the power of the will cannot do all,<br>
for tears and smiles are both so faithful to<br>
<span class="tab">the feelings that have prompted them that true<br>
<span class="tab">feeling escapes the will that would subdue.<br>
[tr. <a href="https://archive.org/details/purgatorio0000dant_m5q7/page/186/mode/2up?q=%22and+yet+the+power%22">Mandelbaum</a> (1982)]</blockquote><br>

<blockquote><span class="tab">But the power of the will cannot do everything,<br>
<span class="tab">for laughter and weeping follow so closely on the passion from which each springs that they follow the will least in those who are most truthful.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0002dant_d4k9/page/350/mode/2up?q=%22but+the+power+of+will%22">Durling</a> (2003)]</blockquote><br>

<blockquote>But the virtue that wills is not all-powerful, since laughter and tears follow the passion, from which they spring, so closely, that, in the most truthful, they obey the will least.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantPurg15to21.php#anchor_Toc64099647:~:text=But%20the%20virtue%20that%20wills%20is%20not%20all%2Dpowerful%2C%20since%20laughter%20and%20tears%20follow%20the%20passion%2C%20from%20which%20they%20spring%2C%20so%20closely%2C%20that%2C%20in%20the%20most%20truthful%2C%20they%20obey%20the%20will%20least.">Kline</a> (2002)]</blockquote><br>

<blockquote><span class="tab">But will power can't do everything it wills.<br>
For tears and laughter follow on so close<br>
<span class="tab">to those emotions from which each act springs<br>
<span class="tab">that these least follow <i>will</i> in those most true.<br>
[tr. <a href="https://archive.org/details/divinecomedy2pur0000dant/page/200/mode/2up?q=%22but+will+power%22">Kirkpatrick</a> (2007)] </blockquote><br>

<blockquote><span class="tab">But the power that wills cannot do all it wills,<br>
for laughter and tears so closely follow feelings<br>
<span class="tab">from which they spring, they least can be controlled<br>
<span class="tab">in those who are most truthful.<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?INP_POEM=Purg&INP_SECT=21&INP_START=105&INP_LEN=4&LANG=0">Hollander/Hollander</a> (2007)] </blockquote><br>

<blockquote><span class="tab">But will alone won't stop a human being,<br>
Since laughter and tears are deeply interwoven,<br>
<span class="tab">Following hard on emotions which spring them forth,<br>
<span class="tab">   And when they're truthful have little to do with the will.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22but%20will%20alone%22">Raffel</a> (2010)] </blockquote><br>
						</span>
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		<title>Shakespeare, William -- King Lear, Act 4, sc. 6, l. 200ff (4.6.200-201) (1606)</title>
		<link>https://wist.info/shakespeare-william/65564/</link>
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		<pubDate>Mon, 18 Dec 2023 20:01:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
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		<description><![CDATA[LEAR: When we are born, we cry that we are come To this great stage of fools.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">LEAR: When we are born, we cry that we are come<br />
To this great stage of fools.</p>
<p></p>
<br><b>William Shakespeare</b> (1564–1616) English dramatist and poet<br><i>King Lear</i>, Act 4, sc. 6, l. 200ff (4.6.200-201) (1606) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.folger.edu/explore/shakespeares-works/king-lear/read/#:~:text=When%C2%A0we%C2%A0are%C2%A0born%2C%C2%A0we%C2%A0cry%C2%A0that%C2%A0we%C2%A0are%C2%A0come%0A%C2%A0To%C2%A0this%C2%A0great%C2%A0stage%C2%A0of%C2%A0fools." target="_blank">Source</a>)
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		<title>La Bruyere, Jean de -- The Characters [Les Caractères], ch.  1 &#8220;Of Works of the Mind [Des Ouvrages de l&#8217;Esprit],&#8221; §  50 (1.50) (1688) [tr. Van Laun (1885)]</title>
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		<pubDate>Tue, 03 Oct 2023 21:38:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Bruyere, Jean de]]></category>
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		<description><![CDATA[What is the reason that we laugh so freely in a theatre but are ashamed to weep? Is it less natural to be melted by what excites pity than to burst into laughter at what is comical? [&#8230;] It is not thought odd to hear a whole theatre ring with laughter at some passage of [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>What is the reason that we laugh so freely in a theatre but are ashamed to weep? Is it less natural to be melted by what excites pity than to burst into laughter at what is comical? [&#8230;]  It is not thought odd to hear a whole theatre ring with laughter at some passage of a comedy, but, on the contrary, it implies that it was funny, and very naturally performed; therefore the extreme restraint every one puts on himself not to shed tears and the affected laughter with which one tries to disguise them, clearly prove that the natural result of lofty tragedy should be to make us all weep without concealment and publicly, and without any other hindrance than wiping our eyes.</p>
<p><em>[D&#8217;où vient que l&#8217;on rit si librement au théâtre, et que l&#8217;on a honte d&#8217;y pleurer? Est-il moins dans la nature de s&#8217;attendrir sur le pitoyable que d&#8217;éclater sur le ridicule? [&#8230;] Comme donc ce n&#8217;est point une chose bizarre d&#8217;entendre s&#8217;élever de tout un amphithéâtre un ris universel sur quelque endroit d&#8217;une comédie, et que cela suppose au contraire qu&#8217;il est plaisant et très naïvement exécuté, aussi l&#8217;extrême violence que chacun se fait à contraindre ses larmes, et le mauvais ris dont on veut les couvrir prouvent clairement que l&#8217;effet naturel du grand tragique serait de pleurer tous franchement et de concert à la vue l&#8217;un de l&#8217;autre, et sans autre embarras que d&#8217;essuyer ses larmes, outre qu&#8217;après être convenu de s&#8217;y abandonner.]</em></p>
<br><b>Jean de La Bruyère</b> (1645–1696) French essayist, moralist<br><i>The Characters [Les Caractères]</i>, ch.  1 &#8220;Of Works of the Mind <i>[Des Ouvrages de l&#8217;Esprit],&#8221;</i> §  50 (1.50) (1688) [tr. Van Laun (1885)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/46633/pg46633-images.html#Page_7:~:text=What%20is%20the%20reason,than%20wiping%20our%20eyes" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/cache/epub/17980/pg17980-images.html#Des_ouvrages_de_lesprit:~:text=tr%C3%A8s%20bons%20ouvrages.-,50%20(IV),-D%27o%C3%B9%20vient%20que">Source (French)</a>). Other translations:<br><br>

<blockquote>What's the reason that we laugh so freely, and are asham'd to weep at the Theatre? Is Nature less subjects to be soften'd by pity, than to burst forth at what is Comical? [...] We must suppose 'tis the natural effect of a good Tragedy, to make us Weep freely in sight of the whole Audience, without any other trouble than drying our Eyes, and wiping our Faces. It being no more ridiculous to be seen Weeping, than to be heard to Laugh by the whole Theatre: On the contrary, we then conclude there was something acted very pleasantly, and to the life; and the restraint a man puts on him∣self to hide his tears, by an affected Grimace, plainly demonstrates that he ought not to resist the main design of a Tragedy, but give way to his Passions, and discover em as openly, and with as much confidence, as at a Comedy.<br>
[<a href="https://quod.lib.umich.edu/e/eebo/A47658.0001.001?rgn=main;view=fulltext#:~:text=What%27s%20the%20reason,a%20Co%E2%88%A3medy">Bullord</a> ed. (1696)]</blockquote><br>

<blockquote>What is the reason we laugh so freely, but are asham'd to weep at the Theatre? Is Nature less subject to be soften'd by Pity, than to burst out into Laughter at what is Comical? [...] As therefore 'tis thought no odd thing to hear the whole Amphitheatre ring with an Universal Laughter, at some passage of a Comedy; butr on the contrary, implies something was pleasantly said, and naturally perform';d; so the extreme violence which every one offers to himself in constraining his Tears, and disguising ;em with affected Grimaces, clealry prove that the Natural Effect of good Tragedy is to make us weep with all freedom, and in concert, in another's sight, and wihtout any other disturbance than wiping our Eyes.<br>
[<a href="https://archive.org/details/worksmonsieurde00rowegoog/page/n31/mode/2up?q=laughter">Curll</a> ed. (1713)] </blockquote><br>

<blockquote>Why is it that we laugh so freely at the theatre and yet are ashamed to weep there? Is it less natural to be moved by what is pitiful than to be amused by what is ridiculous? [...] Since then it is no unusual thing to hear a whole theatre break into unanimous laughter at some passage in a comedy, since this implies, on the contrary, that it is amusing and extremely life-like, so the extreme violence we do to our feelings by restraining our tears, and the false laughter with which we try to conceal them, clearly proves that the natural effect of great tragedy should be to make us all weep quite openly, with one accord, in one another’s presence, with no further concern than to wipe our eyes.<br>
[tr. <a href="https://archive.org/details/characters00labr/page/34/mode/2up?q=laughter">Stewart</a> (1970), "Of Books"]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Meir, Golda -- Interview (1972-11) by Oriana Fallaci, Ms. (1973-04)</title>
		<link>https://wist.info/meir-golda/62760/</link>
		<comments>https://wist.info/meir-golda/62760/#respond</comments>
		<pubDate>Thu, 24 Aug 2023 23:43:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[I’ve always felt sorry for people afraid of feeling, of sentimentality, of emotion, who conceal what they feel and are unable to weep with their whole heart. Because those who do not know how to weep with their whole heart don&#8217;t know how to laugh either. Answering to the charge that she is hard and [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I’ve always felt sorry for people afraid of feeling, of sentimentality, of emotion, who conceal what they feel and are unable to weep with their whole heart. Because those who do not know how to weep with their whole heart don&#8217;t know how to laugh either.</p>
<br><b>Golda Meir</b> (1898–1978) Russian-American-Israeli politician, teacher; Prime Minister of Israel (1969–1974)<br>Interview (1972-11) by Oriana Fallaci, <i>Ms.</i> (1973-04) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Ms_Magazine/3rMbAQAAMAAJ?hl=en&gbpv=1&bsq=%22weep%20with%20their%20whole%20heart%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Answering to the charge that she is hard and inflexible, countering that she is very sensitive and feeling in most matters.<br><br>

The full interview was reprinted in Fallaci, <i><a href="https://archive.org/details/interviewwithhis0000fall/page/116/mode/2up?q=%22i%27ve+always+felt+sorry%22&view=theater">Interview with History</a></i>, ch. 4 "Golda Meir" (1974) [tr. Shepley (1976)], but slightly rephrased:<br><br>

<blockquote>I’ve always felt sorry for people who are afraid of their feelings, of their emotions, and who hide what they feel and can’t cry wholeheartedly. Because anyone who can’t cry wholeheartedly can’t laugh wholeheartedly either.</blockquote><br>

Was this re-edited (and in which instance?), or is it a matter of different translation? It's unclear in what language the interview was conducted, but the original edition of the book <em>(<a href="https://archive.org/details/intervistaconlas0000oria/page/138/mode/2up?q=%22sempre+fatto+pena%22">Intervista con la Storia</a>)</em> was in Italian, Fallaci's native language, which gave the passage as follow:<br><br>

<blockquote><em>A me ha sempre fatto pena la gente che ha paura dei sentimenti, delle emozioni, e nasconde quello che prova e non sa piangere con tutto il cuore. Perché chi non sa piangere con tutto il cuore non sa nemmeno ridere a gola spiegata.</em></blockquote>






						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Martial -- Epigrams [Epigrammata], Book  1, epigram  33 (1.33) (AD 85-86) [tr. Pott &#038; Wright (1921)]</title>
		<link>https://wist.info/martial/59138/</link>
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		<pubDate>Fri, 03 Mar 2023 22:11:18 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[She weeps not for her sire if none be near, In company she calls up many a tear. True mourners would not have their sorrows known, For grief of heart will choose to weep alone. [Amissum non flet cum sola est Gellia patrem, Si quis adest, iussae prosiliunt lacrimae. Non luget quisquis laudari, Gellia, quaerit, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>She weeps not for her sire if none be near,<br />
<span class="tab">In company she calls up many a tear.<br />
True mourners would not have their sorrows known,<br />
<span class="tab">For grief of heart will choose to weep alone.</p>
<p><em>[Amissum non flet cum sola est Gellia patrem,<br />
Si quis adest, iussae prosiliunt lacrimae.<br />
Non luget quisquis laudari, Gellia, quaerit,<br />
Ille dolet vere, qui sine teste dolet.]</em></span></span></p>
<br><b>Martial</b> (AD c.39-c.103) Spanish Roman poet, satirist, epigrammatist [Marcus Valerius Martialis]<br><i>Epigrams [Epigrammata]</i>, Book  1, epigram  33 (1.33) (AD 85-86) [tr. Pott &#038; Wright (1921)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/martialtwelveboo0000tran/page/n33/mode/2up?q=%22on+gellia%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

"On Gellia." (<a href="http://data.perseus.org/citations/urn:cts:latinLit:phi1294.phi002.perseus-lat1:1.33">Source (Latin)</a>). Other translations:<br><br>

<blockquote>Gellia ne'er mourns her father's loss,<br>
<span class="tab">When no one's by to see,<br>
but yet her soon commanded tears<br>
<span class="tab">Flow in society:<br>
To weep for praise is but a feigned moan;<br>
<span class="tab">He grieves most truly, that does grieve alone.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_Martial/LzXgAAAAMAAJ?hl=en&gbpv=1&bsq=%22xxxiii.%20on%20gellia%22">Fletcher</a> (1656)] </blockquote><br>

<blockquote>When all alone, your tears withstand;<br>
<span class="tab">In company, can floods command.<br>
Who mourns for fashion, bids us mark;<br>
<span class="tab">Who mourns indeed, mourns in the dark.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_Martial/LzXgAAAAMAAJ?hl=en&gbpv=1&bsq=%22xxxiii.%20on%20gellia%22">Killigrew</a> (1695)]</blockquote><br>

<blockquote>Gellia alone, alas! can never weep,<br>
<span class="tab">Though her fond father perish'd in the deep;<br>
With company the tempest all appears<br>
<span class="tab">And beauteous Gellia's e'en dissolved in tears.<br>
Through public grief though Gellia aims at praise,<br>
<span class="tab">'Tis private sorrow which must merit raise.<br>
[<i><a href="https://www.google.com/books/edition/The_Epigrams_of_Martial/LzXgAAAAMAAJ?hl=en&gbpv=1&bsq=%22xxxiii.%20on%20gellia%22">Gentleman's Magazine</a></i> (1736)]</blockquote><br>

<blockquote>Her father dead! -- Alone no grief she knows;<br>
<span class="tab">Th' obedient tear at every visit flows.<br>
No mourner he, who must with praise be fee'd!<br>
<span class="tab">But he, who mourns in secret, mourns indeed.<br>
[tr. <a href="https://www.google.com/books/edition/Select_Epigrams_of_Martial/guUNAAAAYAAJ?hl=en&gbpv=1&bsq=%22HER%20FATHER%20DEAD%22">Hay</a> (1755), 1.34]</blockquote><br>

<blockquote>Sire-reft, alone, poor Gellia weeps no woe:<br>
<span class="tab">In company she bids the torrent flow.<br>
they cannot grieve, who to be seen, can cry:<br>
<span class="tab">Theirs is the grief, who without witness sigh.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_M_Val_Martial/vksOAAAAQAAJ?gbpv=1&bsq=%22sire-reft%22">Elphinston</a> (1782), Book 6, Part 3, ep. 1]</blockquote><br>

<blockquote>Gellia, when she is alone, does not lament the loss of her father. If any one be present, her bidden tears gush forth. A person does not grieve who seeks for praise; his is real sorrow who grieves without a witness.<br>
[tr. <a href="https://archive.org/details/martialmoderns00mart/page/124/mode/2up?q=gellia">Amos</a> (1858), #95 "Feigned Tears"]</blockquote><br>

<blockquote>Gellia does not mourn for her deceased father, when she is alone; but if any one is present, obedient tears spring forth. He mourns not, Gellia, who seeks to be praised; he is the true mourner, who mourns without a witness.<br>
[tr. <a href="https://www.tertullian.org/fathers/martial_epigrams_book01.htm#:~:text=Gellia%20does%20not%20mourn%20for%20her%20deceased%20father%2C%20when%20she%20is%20alone%3B%20but%20if%20any%20one%20is%20present%2C%20obedient%20tears%20spring%20forth.%20He%20mourns%20not%2C%20Gellia%2C%20who%20seeks%20to%20be%20praised%3B%20he%20is%20the%20true%20mourner%2C%20who%20mourns%20without%20a%20witness.">Bohn's Classical</a> (1859)]</blockquote><br>

<blockquote>He grieves not much who grieves to merit praise;<br>
His grief is real who grieves in solitude.<br>
[ed. <a href="https://www.google.com/books/edition/Dictionary_of_Quotations_classical/TPENAAAAYAAJ?hl=en&gbpv=1&bsq=%22grieves%20not%20much%22">Harbottle</a> (1897)]</blockquote><br>

<blockquote>Gellia weeps not while she is alone for her lost father; is any one be present, her tears leap forth at her bidding. He does not lament who looks, Gellia for praise;' he truly sorrows who sorrows unseen.<br>
[tr. <a href="https://www.google.com/books/edition/Epigrams/w4ZfAAAAMAAJ?hl=en&gbpv=1&bsq=%22Gellia%20weeps%22">Ker</a> (1919)]</blockquote><br>

<blockquote>Gellia, alone, ne'er weeps her sire at all;<br>
<span class="tab">In company the bidden tears down fall.<br>
True grief is not for admiration shown.<br>
<span class="tab">He only weeps indeed, who weeps alone.<br>
[tr. <a href="https://www.google.com/books/edition/Martial_s_Epigrams/g35fAAAAMAAJ?gbpv=1&bsq=%22gellia,%20alone%22">Francis & Tatum</a> (1924), #18, 1.32]</blockquote><br>



<blockquote>When alone, Gellia never cries for the father she lost.<br>
If someone is with her, tears well up in her eyes,<br>
as if ordered to fall in. If some one looks for praise,<br>
he is not in mourning, Gellia.<br>
He truly mourns<br>
who mourns<br>
alone.<br>
[tr. <a href="https://archive.org/details/epigramsofmartia0000mart_q2h6/page/48/mode/2up?q=gellia">Bovie</a> (1970)]</blockquote><br>





<blockquote>In private she mourns not the late-lamented;<br>
<span class="tab">If someone's by her tears leap forth on call.<br>
Sorry, my dear, is not so easily rented.<br>
<span class="tab">They are true tears that without witness fall.<br>
[tr. <a href="https://archive.org/details/martialinenglish00mart/page/322/mode/2up?q=%22private+she+mourns%22">Cunningham</a> (1971)]</blockquote><br>

<blockquote>Gellia does not cry for her lost father when she's by herself, but if she has company, out spring the tears to order. Gellia, whoever seeks credit for mourning is no mourner. He truly grieves who grieves without witnesses.<br>
[tr. <a href="https://dokumen.pub/martial-epigrams-spectacles-books-1-5-1-0674995554-9780674995550.html#:~:text=Gellia%20does%20not%20cry%20for%20her%20lost%20father%20when%20she%27s%20by%20herself%2C%20but%20if%20she%20has%20company%2C%20out%20spring%20the%20tears%20to%20order.%20Gellia%2C%20whoever%20seeks%20credit%20for%20mourning%20is%20no%20mourner.%20He%20truly%20grieves%20who%20grieves%20without%20witnesses.">Shackleton Bailey</a> (1993)]</blockquote><br>

<blockquote>Gellia's mourning for her father?<br>
<span class="tab">If by herself she doesn't bother.<br>
But when she sees that company lurks<br>
<span class="tab">She opens up the waterworks.<br>
She just wants praise for grief that's shown;<br>
<span class="tab">They truly grieve who weep alone.<br>
[tr. <a href="https://books.google.com/books?vid=ISBN6101057747">Ericsson</a> (1995)]</blockquote><br>

<blockquote>When Janet is sequestered, out of view,<br>
<span class="tab">Then never for her father's death she cries.<br>
But let some viewers come, just one or two,<br>
<span class="tab">Then tears dramatically flood her eyes.<br>
We know from this how sad in fact she's been:<br>
<span class="tab">It is not grief that's only grieved when seen.<br>
[tr. <a href="https://www.google.com/books/edition/Martial_s_Epigrams/13X80r3_zQIC?hl=en&gbpv=1&printsec=frontcover&bsq=1.33">Wills</a> (2007)]</blockquote><br>

<blockquote>Gellia doesn't weep for her dead father<br>
<span class="tab">when she's alone, but tears pour on command<br>
if someone comes. Who courts praise isn't mourning --<br>
<span class="tab">he truly grieves who grieves with none at hand.<br>
[tr. <a href="https://archive.org/details/selectedepigrams0000mart_b6d3/page/4/mode/2up?q=gellia">McLean</a> (2014)] </blockquote><br>

<blockquote>Alone, Gellia never weeps over her father's death;<br>
if someone's there, her tears burst forth at will.<br>
Mourning that looks for praise, Gellia, is not grief:<br>
true sorrow grieves unseen.<br>
[tr. <a href="https://www.google.com/books/edition/Epigrams_of_Martial/fZWq0MP5XQUC?hl=en&gbpv=1&dq=jim+powell+%22alone,+gellia%22&pg=PA73&printsec=frontcover">Powell</a>]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Beaumarchais, Pierre -- The Barber of Seville [Le Barbier de Séville], Act 1, sc. 2 [Figaro] (1773) [tr. 1896]</title>
		<link>https://wist.info/beaumarchais-pierre/58932/</link>
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		<pubDate>Thu, 23 Feb 2023 15:57:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[I hasten to laugh at everything, lest I should have to weep at everything. [Je me presse de rire de tout, de peur d&#8217;être obligé d&#8217;en pleurer.] (Source (French)). Other translations: I make haste to laugh at everything for fear of being obliged to weep. [Motto for the London Figaro (1871)] I am eager to [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I hasten to laugh at everything, lest I should have to weep at everything.</p>
<p><em>[Je me presse de rire de tout, de peur d&#8217;être obligé d&#8217;en pleurer.]</em></p>
<br><b>Pierre Beaumarchais</b> (1732–1799) French playwright, polymath   [Pierre-Augustin Caron de Beaumarchais]<br><i>The Barber of Seville [Le Barbier de Séville]</i>, Act 1, sc. 2 [Figaro] (1773) [tr. 1896] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Famous_Women_of_the_French_Court/f4MZAAAAYAAJ?hl=en&gbpv=1&dq=%22hasten+to+laugh+at+everything%22&pg=PA57&printsec=frontcover" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Le_Barbier_de_S%C3%A9ville/Acte_I#:~:text=Je%20me%20presse%20de%20rire%20de%20tout%2C%20de%20peur%20d%E2%80%99%C3%AAtre%20oblig%C3%A9%20d%E2%80%99en%20pleurer.">Source (French)</a>). Other translations:<br><br>

<blockquote>I make haste to laugh at everything for fear of being obliged to weep.<br>
[Motto for the <a href="https://www.google.com/books/edition/Poet_Close_s_Chronicles_of_Westmoreland/tJCQpLfRV90C?hl=en&gbpv=1&dq=%22fear+of+being+obliged+to+weep%22&pg=PR63&printsec=frontcover">London <i>Figaro</i></a> (1871)]</blockquote><br>

<blockquote>I am eager to laugh at all for fear of being obliged to weep.<br>
[<a href="https://www.google.com/books/edition/London_Society/Vy1KAAAAMAAJ?hl=en&gbpv=1&dq=%22fear+of+being+obliged+to+weep%22&pg=PA164&printsec=frontcover">Source (1887)</a>]</blockquote><br>

<blockquote>I hasten to laugh at everything for fear that otherwise I might be forced to weep over it.<br>
[tr. <a href="https://www.google.com/books/edition/The_Barber_of_Seville/XWw7AQAAMAAJ?hl=en&gbpv=1&dq=%22hasten+to+laugh+at+everything%22&pg=PA12&printsec=frontcover">Taylor</a> (1922)]</blockquote><br>

<blockquote>I force myself to laugh at everything for fear of being forced to weep at it.<br>
[tr. <a href="https://archive.org/details/threepopularfren00from/page/24/mode/2up?q=weep">Bermel</a> (1960)] </blockquote><br>

<blockquote>I forced myself to laugh at everything for fear of having to weep.<br>
[tr. <a href="https://www.google.com/books/edition/The_Barber_of_Seville_and_The_Marriage_o/9uSo-214U8AC?hl=en&gbpv=1&bsq=%22having%20to%20weep%22">Wood</a> (1964)]</blockquote><br>

<blockquote>I always hasten to laugh at everything for fear that I may be obliged to weep.<br>
[tr. <a href="https://archive.org/details/barberofsevillem0000beau/page/12/mode/2up?q=weep">Luciani</a> (1964)]]</blockquote><br>

<blockquote>I make a point of laughing at everything, for fear of having to cry.<br>
[tr. <a href="https://archive.org/details/figaroplaysbarbe00pier/page/18/mode/2up?q=cry">Anderson</a> (1993)]</blockquote><br>

<blockquote>I make a point of laughing at life, because otherwise I'm afraid it would make me weep.<br>
[tr. <a href="https://www.google.com/books/edition/The_Figaro_Trilogy/l9ThTOEgLYgC?hl=en&gbpv=1&bsq=%22make%20me%20weep%22">Coward</a> (2003)]</blockquote><br>

<blockquote>I quickly laugh at everything, for fear of having to cry.<br>
[<a href="https://books.google.com/books?id=W3SG1hJSArIC&newbks=0&printsec=frontcover&pg=PR178&dq=%22quickly+laugh+at+everything,+for+fear%22&hl=en&source=newbks_fb#v=onepage&q=%22quickly%20laugh%20at%20everything%2C%20for%20fear%22&f=false">Bartlett's</a>]</blockquote><br>

And endless other variations ("I force myself to laugh at everything, for fear of having to cry") in one-off passages.<br><br>

Sometimes given, in French, as "Je me hâte de me moquer de tout, de peur d'être obligé d'en pleurer."<br><br>

Compare to <a href="https://wist.info/byron/775/">Byron</a> (1820).						</span>
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		<title>Euripides -- Andromeda [Ανδρομέδα], frag. 119 (TGF) (412 BC)</title>
		<link>https://wist.info/euripides/55489/</link>
		<comments>https://wist.info/euripides/55489/#respond</comments>
		<pubDate>Tue, 16 Aug 2022 20:44:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Euripides]]></category>
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		<description><![CDATA[Cry with me; for sharing tears with others is relief in hardship. [συνάλγησον, ὡς ὁ κάμνων δακρύων μεταδοὺς ἔχει χουφότητα μόχϑων.] Nauck frag. 119, Barnes frag. 51, Musgrave frag. 22. (Source (Greek)). Other translation. Come, let us weep together; for the unhappy Find social tears their poignant griefs assuage. [tr. Wodhull (1809)]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Cry with me;<br />
for sharing tears with others is relief in hardship.</p>
<p>[συνάλγησον, ὡς ὁ κάμνων<br />
δακρύων μεταδοὺς ἔχει<br />
χουφότητα μόχϑων.] </span></span></span></span></span></p>
<br><b>Euripides</b> (485?-406? BC) Greek tragic dramatist<br><i>Andromeda</i> [Ανδρομέδα], frag. 119 (TGF) (412 BC) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/A_Dictionary_of_Classical_Greek_Quotatio/knv1DwAAQBAJ?hl=en&gbpv=1&pg=PA261" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/tragicorumgraeco00naucuoft/page/394/mode/2up?q=%22119+%CE%B2%CE%BD%CE%BD%CE%AC%CE%BB%CE%B3%CE%B7%CE%B0%CE%BF%CE%BD%22">Nauck frag. 119</a>, Barnes frag. 51, Musgrave frag. 22. (<a href="https://archive.org/details/tragicorumgraec00nauc/page/314/mode/2up?q=119">Source (Greek)</a>). Other translation.<br><br>

<blockquote>Come, let us weep together; for the unhappy<br>
Find social tears their poignant griefs assuage.<br>
[tr. <a href="https://archive.org/details/nineteentragedi02wodhgoog/page/n380/mode/2up?q=%22weep+together%22">Wodhull</a> (1809)]</blockquote>

						</span>
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		<title>Pratchett, Terry -- Discworld No. 38, I Shall Wear Midnight (2010)</title>
		<link>https://wist.info/pratchett-terry/46660/</link>
		<comments>https://wist.info/pratchett-terry/46660/#respond</comments>
		<pubDate>Tue, 20 Apr 2021 16:07:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[crying]]></category>
		<category><![CDATA[grief]]></category>
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		<description><![CDATA[She heard him mutter, &#8220;Can you take away this grief?&#8221; &#8220;I&#8217;m sorry,&#8221; she replied. &#8220;Everyone asks me. And I would not do so even if I knew how. It belongs to you. Only time and tears take away grief; that is what they are for.&#8221; Roland and Tiffany.]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">She heard him mutter, &#8220;Can you take away this grief?&#8221;<br />
<span class="tab">&#8220;I&#8217;m sorry,&#8221; she replied. &#8220;Everyone asks me. And I would not do so even if I knew how. It belongs to you. Only time and tears take away grief; that is what they are for.&#8221;</span></span></p>
<br><b>Terry Pratchett</b> (1948–2015) English author<br>Discworld No. 38, <i>I Shall Wear Midnight</i> (2010) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/ishallwearmidnig0000prat_e7y8/page/188/mode/2up?q=%22take+away+this+grief%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Roland and Tiffany.						</span>
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		<title>Pratchett, Terry -- Nation, ch.  4 &#8220;Bargains, Covenants and Promises&#8221; (2009)</title>
		<link>https://wist.info/pratchett-terry/46148/</link>
		<comments>https://wist.info/pratchett-terry/46148/#respond</comments>
		<pubDate>Tue, 09 Mar 2021 17:27:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
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		<description><![CDATA[Sometimes you laugh because you&#8217;ve got no more room for crying. Sometimes you laugh because table manners on a beach are funny. And sometimes you laugh because you&#8217;re alive, when you really shouldn&#8217;t be.]]></description>
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			<content:encoded><![CDATA[<p>Sometimes you laugh because you&#8217;ve got no more room for crying. Sometimes you laugh because table manners on a beach are funny. And sometimes you laugh because you&#8217;re alive, when you really shouldn&#8217;t be.</p>
<br><b>Terry Pratchett</b> (1948–2015) English author<br><i>Nation</i>, ch.  4 &#8220;Bargains, Covenants and Promises&#8221; (2009) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/nation0000prat_k1h4/page/94/mode/2up?q=%22sometimes+you+laugh%22" target="_blank">Source</a>)
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		<title>Snicket, Lemony -- The Carnivorous Carnival (2002)</title>
		<link>https://wist.info/snicket-lemony/45976/</link>
		<comments>https://wist.info/snicket-lemony/45976/#respond</comments>
		<pubDate>Wed, 24 Feb 2021 13:54:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Snicket, Lemony]]></category>
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		<description><![CDATA[It&#8217;s hard for decent people to stay angry at someone who has burst into tears, which is why it is often a good idea to burst into tears if a decent person is yelling at you.]]></description>
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			<content:encoded><![CDATA[<p>It&#8217;s hard for decent people to stay angry at someone who has burst into tears, which is why it is often a good idea to burst into tears if a decent person is yelling at you.</p>
<br><b>Lemony Snicket</b> (b. 1970) American author, screenwriter, musician (pseud. for Daniel Handler)<br><i>The Carnivorous Carnival</i> (2002) 
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		<title>Oliver, Mary -- &#8220;The Poet With His Face in His Hands,&#8221; New Yorker (4 Apr 2005)</title>
		<link>https://wist.info/oliver-mary/41345/</link>
		<comments>https://wist.info/oliver-mary/41345/#respond</comments>
		<pubDate>Tue, 14 Apr 2020 19:37:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Oliver, Mary]]></category>
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		<description><![CDATA[You want to cry aloud for your mistakes. But to tell the truth the world doesn&#8217;t need any more of that sound. Collected in New and Selected Poems, Vol. 2 (2005), and The Best American Poetry, 2006.]]></description>
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			<content:encoded><![CDATA[<p>You want to cry aloud for your<br />
mistakes. But to tell the truth the world<br />
doesn&#8217;t need any more of that sound.</p>
<br><b>Mary Oliver</b> (1935–2019) American poet<br>&#8220;The Poet With His Face in His Hands,&#8221; <i>New Yorker</i> (4 Apr 2005) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.newyorker.com/magazine/2005/04/04/the-poet-with-his-face-in-his-hands" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Collected in <i>New and Selected Poems,</i> Vol. 2 (2005), and <i><a href="https://www.google.com/books/edition/The_Best_American_Poetry_2006/-f52PxORo50C?hl=en&gbpv=1&dq=mary%20oliver%20%22poet%20with%20his%20face%22&pg=PA90&printsec=frontcover&bsq=mary%20oliver%20%22poet%20with%20his%20face%22">The Best American Poetry, 2006</a>.</i>

						</span>
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		<title>Parker, Robert -- Promised Land (1976)</title>
		<link>https://wist.info/parker-robert/36367/</link>
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		<pubDate>Thu, 23 Feb 2017 01:50:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Parker, Robert]]></category>
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		<description><![CDATA[&#8220;It&#8217;s not funny.&#8221; &#8220;No, it isn&#8217;t, no more than everything else. Laughing is better than crying, though. When you can.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>&#8220;It&#8217;s not funny.&#8221; </p>
<p>&#8220;No, it isn&#8217;t, no more than everything else. Laughing is better than crying, though. When you can.&#8221;</p>
<br><b>Robert B. Parker</b> (1932–2010) American writer<br><i>Promised Land</i> (1976) 
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		<title>Roux, Joseph -- Meditations of a Parish Priest, 5.56 [tr. Hapgood (1886)]</title>
		<link>https://wist.info/roux-joseph/35262/</link>
		<comments>https://wist.info/roux-joseph/35262/#respond</comments>
		<pubDate>Sat, 01 Oct 2016 05:24:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Roux, Joseph]]></category>
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		<description><![CDATA[Lofty mountains are full of springs; great hearts are full of tears.]]></description>
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			<content:encoded><![CDATA[<p>Lofty mountains are full of springs; great hearts are full of tears.</p>
<br><b>Joseph Roux</b> (1834–1886) French Catholic priest<br><i>Meditations of a Parish Priest</i>, 5.56 [tr. Hapgood (1886)] 
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		<title>Bible, Vol. 2. New Testament -- Book  6. Letter to the Romans 12:15 (Rom 12:15) [KJV (1611)]</title>
		<link>https://wist.info/bible-nt/35012/</link>
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		<pubDate>Thu, 08 Sep 2016 00:38:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bible, Vol. 2. New Testament]]></category>
		<category><![CDATA[celebration]]></category>
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		<description><![CDATA[Rejoice with them that do rejoice, and weep with them that weep. [χαίρειν μετὰ χαιρόντων, κλαίειν μετὰ κλαιόντων.] (Source (Greek)). Other translations: Rejoice with those who rejoice and be sad with those in sorrow. [JB (1966)] Rejoice with others when they rejoice, and be sad with those in sorrow. [NJB (1985)] Be happy with those [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Rejoice with them that do rejoice, and weep with them that weep.</p>
<p>[χαίρειν μετὰ χαιρόντων, κλαίειν μετὰ κλαιόντων.]</p>
<p><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/09/Paul-rejoice-weep-wist_info-quote.jpg" alt="Paul - rejoice weep - wist_info quote" width="605" height="440" class="aligncenter size-full wp-image-35018" srcset="https://wist.info/wp/wp-content/uploads/2016/09/Paul-rejoice-weep-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/09/Paul-rejoice-weep-wist_info-quote-300x218.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/09/Paul-rejoice-weep-wist_info-quote-60x44.jpg 60w" sizes="(max-width: 605px) 100vw, 605px" /></p>
<br><b>The Bible (The New Testament)</b> (AD 1st - 2nd C) Christian sacred scripture<br>Book  6. <i>Letter to the Romans</i> 12:15 (Rom 12:15) [KJV (1611)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.biblegateway.com/passage/?search=romans%2012%3A15&version=AKJV" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://tips.translation.bible/tip_verse/rom-1215/">Source (Greek)</a>). Other translations:<br><br>

<blockquote>Rejoice with those who rejoice and be sad with those in sorrow.<br>
[<a href="https://www.seraphim.my/bible/jb/JB-NT06%20ROMANS.htm#:~:text=Rejoice%20with%20those%20who%20rejoice%20and%20be%20sad%20with%20those%20in%20sorrow.">JB</a> (1966)]</blockquote><br>

<blockquote>Rejoice with others when they rejoice, and be sad with those in sorrow.<br>
[<a href="https://www.bibliacatolica.com.br/en/new-jerusalem-bible/romans/12/#:~:text=Rejoice%20with%20others%20when%20they%20rejoice%2C%20and%20be%20sad%20with%20those%20in%20sorrow.">NJB</a> (1985)]</blockquote><br>

<blockquote>Be happy with those who are happy, weep with those who weep.<br>
[<a href="https://www.biblegateway.com/passage/?search=Romans%2012%3A15&version=GNT">GNT</a> (1992 ed.)]</blockquote><br>

<blockquote>Be happy with those who are happy, and cry with those who are crying.<br>
[<a href="https://www.biblegateway.com/passage/?search=Romans%2012%3A15&version=CEB">CEB</a> (2011)]</blockquote><br>

<blockquote>Rejoice with those who rejoice; weep with those who weep.<br>
[<a href="https://www.biblegateway.com/passage/?search=Romans%2012%3A15&version=NRSVUE">NRSV</a> (2021 ed.)]</blockquote><br>						</span>
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		<title>Abse, Dannie -- Poem (1986), &#8220;Encounter at a greyhound bus station,&#8221; Ask the Bloody Horse</title>
		<link>https://wist.info/abse-dannie/34844/</link>
		<comments>https://wist.info/abse-dannie/34844/#respond</comments>
		<pubDate>Fri, 19 Aug 2016 23:39:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Abse, Dannie]]></category>
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		<description><![CDATA[Are all men in disguise except those crying?]]></description>
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			<content:encoded><![CDATA[<p>Are all men in disguise except those crying?</p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/08/Abse-all-men-in-disguise-wist_info-quote.jpg" alt="Abse - all men in disguise - wist_info quote" width="605" height="340" class="aligncenter size-full wp-image-34845" srcset="https://wist.info/wp/wp-content/uploads/2016/08/Abse-all-men-in-disguise-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/08/Abse-all-men-in-disguise-wist_info-quote-300x169.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/08/Abse-all-men-in-disguise-wist_info-quote-60x34.jpg 60w" sizes="(max-width: 605px) 100vw, 605px" /></p>
<br><b>Daniel "Dannie" Abse</b> (1923–2014) Welsh poet<br>Poem (1986), &#8220;Encounter at a greyhound bus station,&#8221; <i>Ask the Bloody Horse</i> 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/askbloodyhorse0000abse/page/48/mode/2up?q=%22except+those+crying%22" target="_blank">Source</a>)
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		<title>Mackay, Charles -- Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, &#8220;Popular Follies of Great Cities&#8221; (1841)</title>
		<link>https://wist.info/mackay-charles/34838/</link>
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		<pubDate>Fri, 19 Aug 2016 23:37:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Mackay, Charles]]></category>
		<category><![CDATA[cheer]]></category>
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		<description><![CDATA[He who walks through a great city to find subjects for weeping, may find plenty at every corner to wring his heart; but let such a man walk on his course, and enjoy his grief alone—we are not of those who would accompany him. The miseries of us poor earth-dwellers gain no alleviation from the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>He who walks through a great city to find subjects for weeping, may find plenty at every corner to wring his heart; but let such a man walk on his course, and enjoy his grief alone—we are not of those who would accompany him. The miseries of us poor earth-dwellers gain no alleviation from the sympathy of those who merely hunt them out to be pathetic over them. The weeping philosopher too often impairs his eyesight by his woe, and becomes unable from his tears to see the remedies for the evils which he deplores. Thus it will often be found that the man of no tears is the truest philanthropist, as he is the best physician who wears a cheerful face, even in the worst of cases.</p>
<br><b>Charles Mackay</b> (1814–1889) Scottish poet, journalist, song writer<br><i>Memoirs of Extraordinary Popular Delusions and the Madness of Crowds</i>, &#8220;Popular Follies of Great Cities&#8221; (1841) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/24518/pg24518-images.html#:~:text=He%20who%20walks,worst%20of%20cases." target="_blank">Source</a>)
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		<title>Byron, George Gordon, Lord -- The Two Foscari, Act 4, sc. 1 [Loredano] (1821)</title>
		<link>https://wist.info/byron/31801/</link>
		<comments>https://wist.info/byron/31801/#respond</comments>
		<pubDate>Thu, 10 Dec 2015 15:51:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
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		<description><![CDATA[Sorrow preys upon Its solitude, and nothing diverts it From its sad visions of the other world Than calling it at moments back to this. The busy have no time for tears.]]></description>
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			<content:encoded><![CDATA[<p>Sorrow preys upon<br />
Its solitude, and nothing diverts it<br />
From its sad visions of the other world<br />
Than calling it at moments back to this.<br />
The busy have no time for tears.</p>
<br><b>George Gordon, Lord Byron</b> (1788–1824) English poet<br><i>The Two Foscari</i>, Act 4, sc. 1 [Loredano] (1821) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Two_Foscari/qP5_1FuP3RwC?hl=en&gbpv=1&bsq=%22busy%20have%20no%20time%22" target="_blank">Source</a>)
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		<title>Bombeck, Erma -- Motherhood, the Second Oldest Profession, ch. 7 (1983)</title>
		<link>https://wist.info/bombeck-erma/19569/</link>
		<comments>https://wist.info/bombeck-erma/19569/#respond</comments>
		<pubDate>Wed, 07 Nov 2012 15:57:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bombeck, Erma]]></category>
		<category><![CDATA[baby]]></category>
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		<description><![CDATA[I was a closet pacifier advocate. So were most of my friends. Unknown to our mothers, we owned thirty or forty of those little suckers that were placed strategically around the house so a cry could be silenced in less than thirty seconds. Even though bottles were boiled, rooms disinfected, and germs fought one on [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I was a closet pacifier advocate. So were most of my friends. Unknown to our mothers, we owned thirty or forty of those little suckers that were placed strategically around the house so a cry could be silenced in less than thirty seconds. Even though bottles were boiled, rooms disinfected, and germs fought one on one, no one seemed to care where the pacifier had been.</p>
<br><b>Erma Bombeck</b> (1927–1996) American humorist<br><i>Motherhood, the Second Oldest Profession</i>, ch. 7 (1983) 
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		<title>Martin, Steve -- L. A. Story (1991)</title>
		<link>https://wist.info/martin-steve/17967/</link>
		<comments>https://wist.info/martin-steve/17967/#respond</comments>
		<pubDate>Wed, 16 May 2012 14:02:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Steve]]></category>
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		<description><![CDATA[HARRIS: I&#8217;ve been thinking about myself and I think I can become the kind of person that&#8217;s worth you staying for. First of all, I&#8217;m a man who can cry. Now it&#8217;s true, it&#8217;s usually when I&#8217;ve hurt myself, but it&#8217;s a start. (Source (video))]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">HARRIS: I&#8217;ve been thinking about myself and I think I can become the kind of person that&#8217;s worth you staying for. First of all, I&#8217;m a man who can cry. Now it&#8217;s true, it&#8217;s usually when I&#8217;ve hurt myself, but it&#8217;s a start.</p>
<p> </p>
<br><b>Steve Martin</b> (b. 1945) American comedian, actor, writer, producer, musician<br><i>L. A. Story</i> (1991) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.imdb.com/title/tt0102250/quotes/?item=qt0307537" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://yarn.co/yarn-clip/cf0e6b4a-e0b1-4e0b-a1df-f89c787aba2d">Source (video)</a>)						</span>
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		<title>Hazlitt, William -- Lectures on the English Comic Writers, Lecture 1 &#8220;On Wit and Humour&#8221; (1819)</title>
		<link>https://wist.info/hazlitt-william/1807/</link>
		<comments>https://wist.info/hazlitt-william/1807/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hazlitt, William]]></category>
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		<description><![CDATA[Man is the only animal that laughs and weeps, for he is the only animal that is struck with the difference between what things are, and what they ought to be. Sometimes altered to end &#8220;&#8230; and what they might have been.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>Man is the only animal that laughs and weeps, for he is the only animal that is struck with the difference between what things are, and what they ought to be.</p>
<br><b>William Hazlitt</b> (1778–1830) English writer<br><i>Lectures on the English Comic Writers</i>, Lecture 1 &#8220;On Wit and Humour&#8221; (1819) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Lectures_on_the_English_Comic_Writers/XPchAAAAMAAJ?hl=en&gbpv=1&dq=hazlitt%20%22Lectures%20on%20the%20English%20Comic%20Writers%22&pg=PA4-IA5&printsec=frontcover&bsq=%22laughs%20and%20weeps%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Sometimes altered to end "... and what they might have been."						</span>
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		<title>Dinesen, Isak -- (Attributed)</title>
		<link>https://wist.info/dinesen-isak/325/</link>
		<comments>https://wist.info/dinesen-isak/325/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dinesen, Isak]]></category>
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		<description><![CDATA[All things can be cured by salt water: sweat, tears, or the ocean.]]></description>
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			<content:encoded><![CDATA[<p>All things can be cured by salt water:  sweat, tears, or the ocean.</p>
<br><b>Isak Dinesen</b> (1885–1962) Danish writer [pseud. of Karen Christence, Countess Blixen]<br>(Attributed) 
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		<title>Euripides -- Alexander [Ἀλέξανδρος], Frag. 44 (TGF) [Chorus?] (415 BC) [tr. Morgan]</title>
		<link>https://wist.info/euripides/83/</link>
		<comments>https://wist.info/euripides/83/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Euripides]]></category>
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		<description><![CDATA[Waste not fresh tears over old griefs. Other translations: Shed not fresh tears for ills of ancient date. [Fragment: Barnes 47, Musgrave 20] You must not mourn for old things with fresh tears. [tr. Yalouris]]]></description>
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			<content:encoded><![CDATA[<p>Waste not fresh tears over old griefs.</p>
<br><b>Euripides</b> (485?-406? BC) Greek tragic dramatist<br><i>Alexander [Ἀλέξανδρος]</i>, Frag. 44 (TGF) [Chorus?] (415 BC) [tr. Morgan] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/tragicorumgraec00nauc/page/298/mode/2up" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Other translations:<br><br>

<blockquote>Shed not fresh tears for ills of ancient date.<br>
[<a href="https://archive.org/details/nineteentragedi02wodhgoog/page/322/mode/2up?q=tears">Fragment</a>: Barnes 47, Musgrave 20]</blockquote><br>

<blockquote>You must not mourn for old things with fresh tears.<br>
[tr. <a href="https://www.academia.edu/43164842/Paris_son_of_Priam_in_ancient_greek_tragedy">Yalouris</a>]</blockquote><br>






						</span>
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		<title>Byron, George Gordon, Lord -- Don Juan, Canto  4, st. 4 (1821)</title>
		<link>https://wist.info/byron/775/</link>
		<comments>https://wist.info/byron/775/#comments</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
		<category><![CDATA[anguish]]></category>
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		<description><![CDATA[And if I laugh at any mortal thing, &#8216;Tis that I may not weep.]]></description>
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			<content:encoded><![CDATA[<p>And if I laugh at any mortal thing,<br />
&#8216;Tis that I may not weep.</p>
<br><b>George Gordon, Lord Byron</b> (1788–1824) English poet<br><i>Don Juan</i>, Canto  4, st. 4 (1821) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Don_Juan_(Byron,_unsourced)/Canto_the_Fourth#:~:text=And%20if%20I%20laugh%20at%20any%20mortal%20thing%2C%0A%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0%27T%20is%20that%20I%20may%20not%20weep" target="_blank">Source</a>)
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		<title>Walpole, Horace -- Letter to Anne, Countess of Upper Ossory (16 Aug 1776)</title>
		<link>https://wist.info/walpole-horace/4038/</link>
		<comments>https://wist.info/walpole-horace/4038/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Walpole, Horace]]></category>
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		<description><![CDATA[This world is a comedy to those that think; a tragedy to those that feel. Walpole frequently used used this phrase or variants in letters (and in fact prefaces this quote with &#8220;I have often said &#8230;&#8221;). Another example is an earlier letter to Horace Mann (31 Dec 1769): I have often said, and oftener [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>This world is a comedy to those that think; a tragedy to those that feel.</p>
<br><b>Horace Walpole</b> (1717–1797) English novelist, letter writer<br>Letter to Anne, Countess of Upper Ossory (16 Aug 1776) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Letters_of_Horace_Walpole/MIhbAAAAMAAJ?hl=en&gbpv=1&bsq=%22world%20is%20a%20comedy%22" target="_blank">Source</a>)
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Walpole frequently used used this phrase or variants in letters (and in fact prefaces this quote with "I have often said ...").  Another example is an earlier letter <a href="https://www.google.com/books/edition/The_Letters_of_Horace_Walpole/G3U4AAAAIAAJ?hl=en&gbpv=1&dq=walpole+%22Democritus+laughed+and+Heraclitus+wept%22&pg=PA212&printsec=frontcover">to Horace Mann</a> (31 Dec 1769):<br><br>

<blockquote>I have often said, and oftener think, that this world is a comedy to those that think, a tragedy to those that feel -- a solution of why Democritus laughed and Heraclitus wept.</blockquote><br>

It may be derived from an (unsourced) similar quote attributed Jean de La Bruyère: "Life is a tragedy for those who feel, and a comedy for those who think".
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