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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Virgil -- The Aeneid [Ænē̆is], Book  6, l. 274ff (6.274-282) (29-19 BC) [tr. Cranch (1872), l. 336ff]</title>
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		<pubDate>Thu, 27 Oct 2022 14:52:18 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Virgil]]></category>
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		<description><![CDATA[In the throat Of Hell, before the very vestibule Of opening Orcus, sit Remorse and Grief, And pale Disease, and sad Old Age, and Fear, And Hunger that persuades to crime, and Want, Forms terrible to see. Suffering and Death Inhabit here, and Death&#8217;s own brother, Sleep; And the mind&#8217;s evil Lusts, and deadly War [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">In the throat<br />
Of Hell, before the very vestibule<br />
Of opening Orcus, sit Remorse and Grief,<br />
And pale Disease, and sad Old Age, and Fear,<br />
And Hunger that persuades to crime, and Want,<br />
Forms terrible to see. Suffering and Death<br />
Inhabit here, and Death&#8217;s own brother, Sleep;<br />
And the mind&#8217;s evil Lusts, and deadly War<br />
Lie at the threshold, and the iron beds<br />
Of the Eumenides; and Discord wild,<br />
Her viper-locks with bloody fillets bound.</p>
<p><em>[Vestibulum ante ipsum, primisque in faucibus Orci<br />
Luctus et ultrices posuere cubilia Curae;<br />
pallentesque habitant Morbi, tristisque Senectus,<br />
et Metus, et malesuada Fames, ac turpis Egestas,<br />
terribiles visu formae: Letumque, Labosque;<br />
tum consanguineus Leti Sopor, et mala mentis<br />
Gaudia, mortiferumque adverso in limine Bellum,<br />
ferreique Eumenidum thalami, et Discordia demens,<br />
vipereum crinem vittis innexa cruentis.]</em></span></span></span></span></span></p>
<br><b>Virgil</b> (70-19 BC) Roman poet [b. Publius Vergilius Maro; also Vergil]<br><i>The Aeneid [Ænē̆is]</i>, Book  6, l. 274ff (6.274-282) (29-19 BC) [tr. Cranch (1872), l. 336ff] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/aeneidvirgiltra00crangoog/page/n195/mode/2up?q=%22In+the+throat%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The gates of the Underworld, as Aeneas enters.<br><br> 

(<a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0055%3Abook%3D6%3Acard%3D268#:~:text=Vestibulum%20ante%20ipsum,innexa%20cruentis.">Source (Latin)</a>). Alternate translations:<br><br>



<blockquote>Just at the door, before the gates of hell,<br>
Sorrow repos'd, with her revenging Rage,<br>
Pale sicknesses and discontented age,<br>
Fear, with dire Famine, and base Povertie,<br>
Labour and death, shapes terrible to see.<br>
Then sleep allied to Death, and fond joys are<br>
Plac'd on the other side, with deadly War,<br>
On iron beds, Furies and Discord sit,<br>
Their viperous hair with bloody fillets knit.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo2/A65106.0001.001/1:6.6?rgn=div2;view=fulltext#:~:text=Just%20at%20the,bloody%20fillets%20knit.">Ogilby</a> (1649)]</blockquote><br>




<blockquote>Just in the gate and in the jaws of hell,<br>
Revengeful Cares and sullen Sorrows dwell,<br>
And pale Diseases, and repining Age,<br>
Want, Fear, and Famine's unresisted rage;<br>
Here Toils, and Death, and Death's half-brother, Sleep,<br>
Forms terrible to view, their sentry keep;<br>
With anxious Pleasures of a guilty mind,<br>
Deep Frauds before, and open Force behind;<br>
The Furies' iron beds; and Strife, that shakes<br>
Her hissing tresses and unfolds her snakes.<br>
[tr. <a href="https://en.wikisource.org/wiki/Aeneid_(Dryden)/Book_VI#:~:text=Just%20in%20the,unfolds%20her%20snakes.">Dryden</a> (1697)]</blockquote><br>

<blockquote>Before the vestibule itself, and in the first jaws of hell, Grief and vengeful Cares have placed their couches, and pale Diseases dwell, and disconsolate Old Age, and Fear, and the evil counsellor Famine, and vile deformed Indigence, forms ghastly to the sight! and Death, and Toil; then Sleep, akin to Death, and criminal Joys of the mind; and in the opposite threshold murderous War, and the iron bed-chambers of the Furies, and frantic Discord, having her viperous locks bound with bloody fillets.<br>
[tr. <a href="https://www.google.com/books/edition/Works_of_Virgil/GuFCAQAAMAAJ?hl=en&gbpv=1&bsq=%22before%20the%20vestibule%20itself%22">Davidson/Buckley</a> (1854)]</blockquote><br>

<blockquote>At Orcus' portals hold their lair<br>
Wild Sorrow and avenging Care;<br>
And pale Diseases cluster there,<br>
<span class="tab">And pleasureless Decay,<br>
Foul Penury, and Fears that kill,<br>
And Hunger, counsellor of ill,<br>
<span class="tab">A ghastly presence they:<br>
Suffering and Death the threshold keep,<br>
And with them Death's blood-brother, Sleep:<br>
Ill Joys with their seducing spells<br>
<span class="tab">And deadly War are at the door;<br>
The Furies couch in iron cells,<br>
And Discord maddens and rebels;<br>
<span class="tab">Her snake-locks hiss, her wreaths drip gore.<br>
[tr. <a href="https://en.wikisource.org/wiki/Aeneid_(Conington_1866)/Book_6#:~:text=At%20Orcus%27%20portals,wreaths%20drip%20gore.">Conington</a> (1866)] </blockquote><br>

<blockquote>Right in front of the doorway and in the entry of the jaws of hell Grief and avenging Cares have made their bed; there dwell wan Sicknesses and gloomy Eld, and Fear, and ill-counselling Hunger, and loathly Want, shapes terrible to see; and Death and Travail, and thereby Sleep, Death's kinsman, and the Soul's guilty Joys, and death-dealing War full in the gateway, and the Furies in their iron cells, and mad Discord with bloodstained fillets enwreathing her serpent locks.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/22456/pg22456-images.html#BOOK_SIXTH:~:text=Right%20in%20front,her%20serpent%20locks.">Mackail</a> (1885)]</blockquote><br>

<blockquote>Lo, in the first of Orcus' jaws, close to the doorway side,<br>
The Sorrows and Avenging Griefs have set their beds to bide;<br>
There the pale kin of Sickness dwells, and Eld, the woeful thing,<br>
And Fear, and squalid-fashioned Lack, and witless Hungering,<br>
Shapes terrible to see with eye; and Toil of Men, and Death,<br>
And Sleep, Death's brother, and the Lust of Soul that sickeneth:<br>
And War, the death-bearer, was set full in the threshold's way,<br>
And those Well-willers' iron beds: there heartless Discord lay,<br>
Whose viper-breeding hair about was bloody-filleted.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/29358/pg29358-images.html#BOOK_VI:~:text=Lo%2C%20in%20the,was%20bloody%2Dfilleted.">Morris</a> (1900), l. 272ff]</blockquote><br>

<blockquote>Before the threshold, in the jaws of Hell,<br>
Grief spreads her pillow, with remorseful Care.<br>
There sad Old Age and pale Diseases dwell,<br>
And misconceiving Famine, Want and Fear,<br>
Terrific shapes, and Death and Toil appear.<br>
Death's kinsman, Sleep, and Joys of sinful kind,<br>
And deadly War crouch opposite, and here<br>
The Furies' iron chamber, Discord blind	<br>
And Strife, her viperous locks with gory fillets twined.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/18466/pg18466-images.html#book6line325:~:text=Before%20the%20threshold,gory%20fillets%20twined.">Taylor</a> (1907), st. 38, l. 334]</blockquote><br>

<blockquote>In the first courts and entrances of Hell<br>
Sorrows and vengeful Cares on couches lie:<br>
There sad Old Age abides, Diseases pale,<br>
And Fear, and Hunger, temptress to all crime;<br>
Want, base and vile, and, two dread shapes to see,<br>
Bondage and Death : then Sleep, Death's next of kin;<br>
And dreams of guilty joy. Death-dealing War<br>
Is ever at the doors, and hard thereby<br>
The Furies' beds of steel, where wild-eyed Strife<br>
Her snaky hair with blood-stained fillet binds.<br>
[tr. <a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0054%3Abook%3D6%3Acard%3D268#:~:text=In%20the%20first,stained%20fillet%20binds.">Williams</a> (1910)]</blockquote><br>

<blockquote>Just before the entrance, even within the very jaws of Hell, Grief and avenging Cares have made their bed; there pale Diseases dwell, and sad Age, and Fear, and ill-counselling Famine, and loathly Want, shapes terrible to view; and Death and Distress; next, Death's own brother Sleep, and the soul's Guilty Joys, and, on the threshold opposite, the death-bearer War, and the Furies' iron cells, and savage Strife, her snaky locks entwined with bloody fillets.<br>
[tr. <a href="https://archive.org/details/L063NVirgilIEcloguesGeorgicsAeneid16/page/n533/mode/2up?q=furies">Fairclough</a> (1916)]</blockquote><br>

<blockquote>At the first threshold, on the jaws of Orcus,<br>
Grief and avenging Cares have set their couches,<br>
And pale Diseases dwell, and sad Old Age,<br>
Fear, evil-counselling Hunger, wretched Need,<br>
Forms terrible to see, and Death, and Toil,<br>
And Death’s own brother, Sleep, and evil Joys,<br>
Fantasies of the mind, and deadly War,<br>
The Furies’ iron chambers, Discord, raving,<br>
Her snaky hair entwined in bloody bands.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/61596/pg61596-images.html#BOOK_VI:~:text=At%20the%20first,in%20bloody%20bands.">Humphries</a> (1951)]</blockquote><br>


<blockquote>See! At the very porch and entrance way to Orcus<br>
Grief and ever-haunting Anxiety make their bed:<br>
Here dwell pallid Diseases, here morose Old Age,<br>
With Fear, ill-prompting Hunger, and squalid Indigence,<br>
Shapes horrible to look at, Death and Agony;<br>
Sleep, too, which is the cousin of Death; and Guilty Joys,<br>
And there, against the threshold, War, the bringer of Death:<br>
Here are the iron cells of the Furies, and lunatic Strife<br>
Whose viperine hair is caught up with a headband soaked in blood.<br>
[tr. <a href="https://archive.org/details/aenei00virg/page/138/mode/2up?q=%22very+porch%22">Day-Lewis</a> (1952)]</blockquote><br>

<blockquote>Before the entrance, at the jaws of Orcus,<br>
both Grief and goading Cares have set their couches;<br>
there pale Diseases dwell, and sad Old Age,<br>
and Fear and Hunger, that worst counselor,<br>
and ugly Poverty -- shapes terrible<br>
to see -- and Death and Trials; Death's brother, Sleep,<br>
and all the evil Pleasures of the mind;<br>
and War, whose fruits are death; and facing these,<br>
the Furies' iron chambers; and mad Strife,<br>
her serpent hair bound up with bloody garlands.<br>
[tr. <a href="https://archive.org/details/aeneidofvirgil100virg/page/142/mode/2up?q=%22before+the+entrance%22">Mandelbaum</a> (1971), l. 363ff]</blockquote><br>

<blockquote>Before the entrance, in the jaws of Orcus,<br>
Grief and avenging Cares have made their beds,<br>
And pale Diseases and sad Age are there,<br>
And Dread, and Hunger that sways men to crime,<br>
And sordid Want -- in shapes to affright the eyes --<br>
And Death and Toil and Deaths;s own brother, Sleep,<br>
And the mind's evil joys; on the door sill<br>
Death-bringing War, and iron cubicles<br>
Of the Eumenidës, and raving Discord,<br>
Viperish hair bound up in gory bands.<br>
[tr. <a href="https://archive.org/details/aeneid00virg/page/168/mode/2up?q=%22before+the+entrance%22">Fitzgerald</a> (1981)]</blockquote><br>

<blockquote>Before the entrance hall of Orcus, in the very throat of hell, Grief and Revenge have made their beds and Old age lives there in despair, with white faced Diseases and Fear and Hunger, corrupter of men, and squalid Poverty, things dreadful to look upon, and Death and Drudgery besides. Then there were Sleep, Death's sister, perverted Pleasures, murderous War astride the threshold, the iron chambers of the Furies and raving Discord with blood-soaked ribbons binding her viperous hair.<br>
[tr. <a href="https://archive.org/details/aeneidvirg00virg/page/140/mode/2up?q=%22Before+the+entrance+hall%22">West</a> (1990)] </blockquote><br>

<blockquote>Right before the entrance, in the very jaws of Orcus,<br>
Grief and vengeful Care have made their beds,<br>
and pallid Sickness lives there, and sad Old Age,<br>
and Fear, and persuasive Hunger, and vile Need,<br>
forms terrible to look on, and Death and Pain:<br>
then Death’s brother Sleep, and Evil Pleasure of the mind,<br>
and, on the threshold opposite, death-dealing War,<br>
and the steel chambers of the Furies, and mad Discord,<br>
her snaky hair entwined with blood-wet ribbons.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/VirgilAeneidVI.php#anchor_Toc2242928:~:text=Right%20before%20the,blood%2Dwet%20ribbons.">Kline</a> (2002)]</blockquote><br>

<blockquote>Just before the entrance, in the very jaws<br>
Of Orcus, Grief and avenging Cares<br>
Have set their beds. Pale Diseases<br>
Dwell there, sad Old Age, Fear, Hunger --<br>
The tempter -- and foul Poverty,<br>
All fearful shapes, and Death and Toil,<br>
And Death's brother Sleep, Guilty Joys,<br>
And on the threshold opposite, lethal War,<br>
The Furies in iron cells, and mad Strife,<br>
Her snaky hair entwined with bloody bands.<br>
[tr. <a href="https://www.google.com/books/edition/The_Essential_Aeneid/y8pgDwAAQBAJ?hl=en&gbpv=1&printsec=frontcover&bsq=%22just%20before%20the%20entrance%22">Lombardo</a> (2005)]</blockquote><br>

<blockquote>There in the entryway, the gorge of hell itself,<br>
Grief and the pangs of Conscience make their beds,<br>
and fatal pale Disease lives there, and bleak Old Age,<br>
Dread and Hunger, seductress to crime, and grinding Poverty,<br>
all, terrible shapes to see -- and Death and deadly Struggle<br>
and Sleep, twin brother of Death, and twisted, wicked Joys<br>
and facing them at the threshold, War, rife with death,<br>
and the Furies’ iron chambers, and mad, raging Strife<br>
whose blood-stained headbands knot her snaky locks.<br>
[tr. <a href="https://www.google.com/books/edition/The_Aeneid/okrFGPoJb6cC?hl=en&gbpv=1&bsq=entryway">Fagles</a> (2006), l. 312ff]</blockquote><br>

<blockquote>At the entrance, in Orcus' very jaws, Grief and vengeful Sorrow made their beds, and Pale Diseases, sad Old Age, and Fear and ill-advising Hunger and shameful Poverty, forms horrible to see, and Death and Suffering, then Death's brother Slumber, and the Joys of evil men. Facing them were murderous War and the Furies' iron chambers and mad Discord, her serpent hair bound up with bloody ribbons.<br>
[tr. <a href="https://www.google.com/books/edition/The_Aeneid/FioVEAAAQBAJ?hl=en&gbpv=1&printsec=frontcover&bsq=%22at%20the%20entrance%20in%20orcus%22">Bartsch</a> (2021)]</blockquote><br>						</span>
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		<title>Pratchett, Terry -- Good Omens, 2. &#8220;Eleven Years Ago&#8221; (1990) [with Neil Gaiman]</title>
		<link>https://wist.info/pratchett-terry/47243/</link>
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		<pubDate>Tue, 08 Jun 2021 15:40:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[cruelty]]></category>
		<category><![CDATA[demon]]></category>
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		<description><![CDATA[Crowley had always known that he would be around when the world ended, because he was immortal and wouldn’t have any alternative. But he hoped it was a long way off. Because he rather liked people. It was major failing in a demon. Oh, he did his best to make their short lives miserable, because [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">Crowley had always known that he would be around when the world ended, because he was immortal and wouldn’t have any alternative. But he hoped it was a long way off.<br />
<span class="tab">Because he rather liked people.<br />
<span class="tab">It was major failing in a demon. Oh, he did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. They seemed to have a talent for it. It was built into the design, somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse. Over the years Crowley had found it increasingly difficult to find anything demonic to do which showed up against the natural background of generalized nastiness. There had been times, over the past millennium, when he’d felt like sending a message back Below saying, Look we may as well give up right now, we might as well shut down Dis and Pandemonium and everywhere and move up here, there’s nothing we can do to them that they don’t do to themselves and they do things we’ve never even thought of, often involving electrodes. They’ve got what we lack. They’ve got <em>imagination</em>. And electricity, of course.<br />
<span class="tab">One of them had written it, hadn’t he &#8230; &#8220;Hell is empty, and all the devils are here.&#8221;</span></span></span></span></p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br><i>Good Omens</i>, 2. &#8220;Eleven Years Ago&#8221; (1990) [with Neil Gaiman] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Good_Omens/FsN0mxNThYIC?hl=en&gbpv=1&dq=pratchett%20%22good%20omens%22&pg=PA8&printsec=frontcover&bsq=%22rather%20liked%20people%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The quote is from Shakespeare, <i><a href="/shakespeare-william/77495/">The Tempest</a></i>. 						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Faulkner, William -- &#8220;The Art of Fiction,&#8221; Interview by Jean Stein, Paris Review #12 (Spring 1956)</title>
		<link>https://wist.info/faulkner-william/42666/</link>
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		<pubDate>Thu, 23 Jul 2020 14:49:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Faulkner, William]]></category>
		<category><![CDATA[artist]]></category>
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		<description><![CDATA[An artist is a creature driven by demons. He doesn&#8217;t know why they chose him and he&#8217;s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.]]></description>
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			<content:encoded><![CDATA[<p>An artist is a creature driven by demons. He doesn&#8217;t know why they chose him and he&#8217;s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done. </p>
<br><b>William Faulkner</b> (1897-1962) American novelist<br>&#8220;The Art of Fiction,&#8221; Interview by Jean Stein, <i>Paris Review</i> #12 (Spring 1956) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.theparisreview.org/interviews/4954/the-art-of-fiction-no-12-william-faulkner#link-sub-button:~:text=An%20artist%20is%20a%20creature%20driven,everybody%20to%20get%20the%20work%20done." target="_blank">Source</a>)
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		<title>Coleridge, Samuel Taylor -- Table Talk (30 Aug 1833)</title>
		<link>https://wist.info/coleridge-samuel-taylor/38018/</link>
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		<pubDate>Mon, 02 Oct 2017 17:50:09 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Coleridge, Samuel Taylor]]></category>
		<category><![CDATA[angel]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[barbarian]]></category>
		<category><![CDATA[demon]]></category>
		<category><![CDATA[devil]]></category>
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		<category><![CDATA[human nature]]></category>
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		<category><![CDATA[savage]]></category>

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		<description><![CDATA[If a man is not rising upwards to be an angel, depend upon it, he is sinking downwards to be a devil. He cannot stop at the beast. The most savage of men are not beasts; they are worse, a great deal worse.]]></description>
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			<content:encoded><![CDATA[<p>If a man is not rising upwards to be an angel, depend upon it, he is sinking downwards to be a devil. He cannot stop at the beast. The most savage of men are not beasts; they are worse, a great deal worse.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/10/Coleridge-rising-upwards-angel-sinking-downwards-devil-wist_info-quote.png"><img alt="" fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/10/Coleridge-rising-upwards-angel-sinking-downwards-devil-wist_info-quote.png" alt="" width="582" height="521" class="aligncenter size-full wp-image-38020" srcset="https://wist.info/wp/wp-content/uploads/2017/10/Coleridge-rising-upwards-angel-sinking-downwards-devil-wist_info-quote.png 582w, https://wist.info/wp/wp-content/uploads/2017/10/Coleridge-rising-upwards-angel-sinking-downwards-devil-wist_info-quote-300x269.png 300w, https://wist.info/wp/wp-content/uploads/2017/10/Coleridge-rising-upwards-angel-sinking-downwards-devil-wist_info-quote-60x54.png 60w" sizes="(max-width: 582px) 100vw, 582px" /></a></p>
<br><b>Samuel Taylor Coleridge</b> (1772-1834) English poet and critic<br><i>Table Talk</i> (30 Aug 1833) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=lUg0AQAAMAAJ&dq=coleridge%20%22sinking%20downwards%20to%20be%20a%20devil%22&pg=PA487#v=onepage&q=coleridge%20%22sinking%20downwards%20to%20be%20a%20devil%22&f=false" target="_blank">Source</a>)
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		<title>Pratchett, Terry -- Good Omens, 6. &#8220;Saturday&#8221; (1990) [with Neil Gaiman]</title>
		<link>https://wist.info/pratchett-terry/25572/</link>
		<comments>https://wist.info/pratchett-terry/25572/#respond</comments>
		<pubDate>Thu, 29 May 2014 13:02:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[angel]]></category>
		<category><![CDATA[demon]]></category>
		<category><![CDATA[devil]]></category>
		<category><![CDATA[evil]]></category>
		<category><![CDATA[good]]></category>

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		<description><![CDATA[Now, as Crowley would be the first to protest, most demons weren&#8217;t deep down evil. In the great cosmic game they felt they occupied the same position as tax inspectors &#8212; doing an unpopular job, maybe, but essential to the overall operation of the whole thing. If it came to that, some angels weren&#8217;t paragons [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Now, as Crowley would be the first to protest, most demons weren&#8217;t deep down evil. In the great cosmic game they felt they occupied the same position as tax inspectors &#8212; doing an unpopular job, maybe, but essential to the overall operation of the whole thing. If it came to that, some angels weren&#8217;t paragons of virtue; Crowley had met one or two who, when it came to righteously smiting the ungodly, smote a good deal harder than was strictly necessary. On the whole, everyone had a job to do, and just did it. And on the other hand, you got people like Ligur and Hastur, who took such a dark delight in unpleasantness you might even have mistaken them for human.</p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br><i>Good Omens</i>, 6. &#8220;Saturday&#8221; (1990) [with Neil Gaiman] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/goodomens/page/n139/mode/2up?q=%22now+as+crowley%22" target="_blank">Source</a>)
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		<title>Jefferson, Thomas -- Letter (1823-04-11) to John Adams</title>
		<link>https://wist.info/jefferson-thomas/14900/</link>
		<comments>https://wist.info/jefferson-thomas/14900/#comments</comments>
		<pubDate>Mon, 20 Jun 2011 12:55:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jefferson, Thomas]]></category>
		<category><![CDATA[Calvinism]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[demon]]></category>

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		<description><![CDATA[I can never join Calvin in addressing his god. He was indeed an Atheist, which I can never be; or rather his religion was Dæmonism. If ever man worshipped a false god, he did. the being described in his 5. points is not the God whom you and I acknolege and adore, the Creator and [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I can never join Calvin in addressing <em>his god</em>. He was indeed an Atheist, which I can never be; or rather his religion was Dæmonism. If ever man worshipped a false god, he did. the being described in his 5. points is not the God whom you and I acknolege and adore, the Creator and benevolent governor of the world; but a dæmon of malignant spirit. It would be more pardonable to believe in no god at all, than to blaspheme him by the atrocious attributes of Calvin.</p>
<br><b>Thomas Jefferson</b> (1743-1826) American political philosopher, polymath, statesman, US President (1801-09)<br>Letter (1823-04-11) to John Adams 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://founders.archives.gov/documents/Jefferson/98-01-02-3446#:~:text=I%20can%20never,attributes%20of%20Calvin." target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Jung, Carl -- &#8220;General Aspects of Dream Psychology&#8221; (1916) [tr. R. Hull (1960)]</title>
		<link>https://wist.info/jung-carl/9169/</link>
		<comments>https://wist.info/jung-carl/9169/#comments</comments>
		<pubDate>Thu, 10 Dec 2009 20:37:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jung, Carl]]></category>
		<category><![CDATA[adversary]]></category>
		<category><![CDATA[blame]]></category>
		<category><![CDATA[demon]]></category>
		<category><![CDATA[devil]]></category>
		<category><![CDATA[enemy]]></category>
		<category><![CDATA[fault]]></category>
		<category><![CDATA[misfortune]]></category>
		<category><![CDATA[opponent]]></category>

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		<description><![CDATA[The real existence of an enemy upon whom one can foist off everything evil is an enormous relief to one&#8217;s conscience. You can then at least say, without hesitation, who the devil is; you are quite certain that the cause of your misfortune is outside, and not your own attitude.]]></description>
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			<content:encoded><![CDATA[<p>The real existence of an enemy upon whom one can foist off everything evil is an enormous relief to one&#8217;s conscience. You can then at least say, without hesitation, who the devil is; you are quite certain that the cause of your misfortune is outside, and not your own attitude.</p>
<br><b>Carl Jung</b> (1875-1961) Swiss psychologist<br>&#8220;General Aspects of Dream Psychology&#8221; (1916) [tr. R. Hull (1960)] 
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		<title>Pratchett, Terry -- Good Omens, 2. &#8220;Eleven Years Ago&#8221; (1990) [with Neil Gaiman]</title>
		<link>https://wist.info/pratchett-terry/6863/</link>
		<comments>https://wist.info/pratchett-terry/6863/#respond</comments>
		<pubDate>Mon, 02 Mar 2009 14:04:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[angel]]></category>
		<category><![CDATA[bad company]]></category>
		<category><![CDATA[company]]></category>
		<category><![CDATA[demon]]></category>
		<category><![CDATA[fall]]></category>

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		<description><![CDATA[He&#8217;d been an angel once. He hadn&#8217;t meant to Fall. He&#8217;d just hung around with the wrong people.]]></description>
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			<content:encoded><![CDATA[<p>He&#8217;d been an angel once.  He hadn&#8217;t meant to Fall.  He&#8217;d just hung around with the wrong people.</p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br><i>Good Omens</i>, 2. &#8220;Eleven Years Ago&#8221; (1990) [with Neil Gaiman] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Good_Omens/FsN0mxNThYIC?hl=en&gbpv=1&dq=pratchett%20%22good%20omens%22&pg=PA20&printsec=frontcover&bsq=%22hung%20around%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Pratchett, Terry -- Good Omens, 6. &#8220;Saturday&#8221; (1990) [with Neil Gaiman]</title>
		<link>https://wist.info/pratchett-terry/3209/</link>
		<comments>https://wist.info/pratchett-terry/3209/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[demon]]></category>
		<category><![CDATA[enemies]]></category>
		<category><![CDATA[hell]]></category>
		<category><![CDATA[paranoia]]></category>

		<guid isPermaLink="false">http://wist.info/wp/?p=3209</guid>
		<description><![CDATA[Hastur was paranoid, which was simply a sensible and well-adjusted reaction to living in Hell, where they really were all out to get you.]]></description>
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			<content:encoded><![CDATA[<p>Hastur was paranoid, which was simply a sensible and well-adjusted reaction to living in Hell, where they really were all out to get you.</p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br><i>Good Omens</i>, 6. &#8220;Saturday&#8221; (1990) [with Neil Gaiman] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/goodomensniceacc0000gaim_d0u5/page/354/mode/2up?q=%22hastur+was+paranoid%22" target="_blank">Source</a>)
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