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		<title>La Rochefoucauld, Francois -- Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims],   ¶7 (1665-1678) [tr. Stevens (1939)]</title>
		<link>https://wist.info/la-rochefoucauld-francois/73405/</link>
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		<pubDate>Mon, 16 Dec 2024 17:05:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Rochefoucauld, Francois]]></category>
		<category><![CDATA[caprice]]></category>
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		<description><![CDATA[Illustrious deeds, of dazzling brilliance, are represented by politicians as the outcome of great aims, whereas they are usually the result of caprice or passion. Thus the war between Augustus and Antony, though ascribed to their rival ambitions to dominate the world, may have been merely a result of jealousy. &#160; [Ces grandes et éclatantes [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Illustrious deeds, of dazzling brilliance, are represented by politicians as the outcome of great aims, whereas they are usually the result of caprice or passion. Thus the war between Augustus and Antony, though ascribed to their rival ambitions to dominate the world, may have been merely a result of jealousy.<br />
&nbsp;<br />
<em>[Ces grandes et éclatantes actions qui éblouissent les yeux sont représentées par les politiques comme les effets des grands desseins, au lieu que ce sont d’ordinaire les effets de l’humeur et des passions. Ainsi la guerre d’Auguste et d’Antoine, qu’on rapporte à l’ambition qu’ils avoient de se rendre maîtres du monde, n’étoit peut-être qu’un effet de jalousie.]</em></p>
<br><b>François VI, duc de La Rochefoucauld</b> (1613-1680) French epigrammatist, memoirist, noble<br><i>Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims]</i>,   ¶7 (1665-1678) [tr. Stevens (1939)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Maxims_of_Fran%C3%A7ois_Duc_de_La_Rochef/MhZEAAAAYAAJ?hl=en&gbpv=1&bsq=augustus" target="_blank">Source</a>)
										<br><br><span class="cite">
						

A version of this appeared in the 1st edition (1665). Variants in the 1st edition include <a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#cite_note-28">starting</a> with <em>Les</em>, not <em>Ces</em>, and <a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#cite_note-29">speaking</a> of <em>des grands intérêts</em>, not <em>desseins</em>. The 1st edition also was <a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#cite_note-30">much more assertive</a> that it <em>étoit un effet de jalousie</em> (was a result of jealousy).

(<a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#:~:text=Ces%5B28,30%5D.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>Great and heroick actions which dazle their eyes who consider them, are represented by Politicians, as if they were the effects of great Interests; whereas they are ordinarily the effects of humour and passions. Thus the war between Augustus and Marc Antony, which some imputed to the Ambition they had of aspiring to the Empire of the World, was an effect of their mutual jealousie.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A49597.0001.001/1:4.104?rgn=div2;view=fulltext">Davies</a> (1669), ¶104]</blockquote><br>

<blockquote>Those great and glorious Actions, that even dazle our Eyes with their Lustre, are represented by Politicians as the result of great Wisdom and excellent design; whereas in truth, they are commonly the effects of Passion and Humour. Thus the War between Augustus and Antony, which is usually thought to proceed from Greatness of Soul, and the Ambition each of them had to become Master of the World, was very probably no more than Envy and Emulation.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A49601.0001.001/1:6.8?rgn=div2;view=fulltext">Stanhope</a> (1694), ¶8]</blockquote><br>

<blockquote>Great actions, the lustre of which dazzles us, are represented by politicians as the effects of deep design; whereas they are commonly the effects of caprice and passion. Thus the war between Augustus and Antony, supposed to be owing to their ambition to give a master to the world, arose probably from jealousy.<br>
[pub. <a href="https://archive.org/details/maximsandmoralr00rochgoog/page/n17/mode/2up?q=politicians">Donaldson</a> (1783), ¶10; [ed. <a href="https://archive.org/details/maximsmoralrefle00larouoft/page/5/mode/1up?q=antony">Lepoittevin-Lacroix</a> (1797), ¶7] </blockquote><br>

<blockquote>Great actions, the lustre of which dazzles us, are by politicians represented as the effects of deep design, whereas they are commonly the effects of caprice and passion. Thus the war between Augustus and Anthony, supposed to be owing to the ambition of giving a master to the world, arose probably from jealousy.<br>
[ed. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.32044019833292&view=2up&seq=17&skin=2021&q1=lustre">Carvill</a> (1835), ¶7] </blockquote><br>

<blockquote>Those great and brilliant actions which dazzle our eyes, are represented by politicians as the effects of great designs, instead of which they are commonly the effects of caprice and of the passions. Thus the war between Augustus and Antony, which is attributed to the ambition they had of making themselves masters of the world, was, perhaps, nothing but a result of jealousy.<br>
[ed. <a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33433075829600&view=2up&seq=48&skin=2021&q1=antony">Gowens</a> (1851), ¶8] </blockquote><br>

<blockquote>Great and striking actions which dazzle the eyes are represented by politicians as the effect of great designs, instead of which they are commonly caused by the temper and the passions. Thus the war between Augustus and Anthony, which is set down to the ambition they entertained of making themselves masters of the world, was probably but an effect of jealousy.<br>
[tr. <a href="https://gutenberg.org/files/9105/9105-h/9105-h.htm#:~:text=Great%20and%20striking,effect%20of%20jealousy.">Bund/Friswell</a> (1871), ¶7]</blockquote><br>

<blockquote>Historians would have us believe that the most dazzling deeds are the results of deep-laid plans; more often they are the reuslts of men's moods and passions. Thus the war that Augustus waged against Antony, caused, we are told, by their ambition to be masters of the world, was, perchance, but the outcome of jealousy.<br>
[tr. <a href="https://www.google.com/books/edition/Maxims_of_Le_Duc_de_La_Rochefoucauld/eq89AQAAMAAJ?hl=en&gbpv=1&bsq=%22historians%20would%20have%20us%22">Heard</a> (1917), ¶7]</blockquote><br>

<blockquote>Statesmen will often present those great and striking deeds with which they dazzle our eyes as the outcome of some grand design, whereas in fact they are usually the product of mood and of emotion. Thus the struggle between Augustus and Mark Anthony, portrayed as the result of their conflicting ambition each to become sole master of the world, was perhaps caused simply by mutual jealousy.<br>
[tr. <a href="https://archive.org/details/maximsofducdelar0000laro/page/32/mode/2up?q=augustus">FitzGibbon</a> (1957), ¶7]</blockquote><br>

<blockquote>Politicians explain great and resplendent deeds that dazzle the eye as born of high purpose, where for the most part they derive from whim or passion. Thus the war between Augustus and Antony, which we ascribe to their equal ambition to rule the world, was no more, perhaps, than the result of jealousy.<br>
[tr. <a href="https://archive.org/details/maximsoflarochef00laro/page/34/mode/2up?q=augustus">Kronenberger</a> (1959), ¶7]</blockquote><br>

<blockquote>Great and glorious events which dazzle the beholder are represented by politicians as the outcome of grand designs, whereas they are usually products of temperaments and passions. Thus the war between ‘Augustus and Antony, attributed to their passion to seize the mastery of the world, was probably nothing more than a result of jealousy.<br>
[tr. <a href="https://archive.org/details/maxims0000laro/page/34/mode/2up?q=%22augustus">Tancock</a> (1959), ¶7]</blockquote><br>

<blockquote>Those great and brilliant actions that dazzle the eyes of men are represented by politicians as being the effects of great designs; but they are usually the results of temper and the passions. Thus the war between Augustus and Antony, which is supposed to be due to the ambition they both had of making themselves the masters of the world, was perhaps nothing more than an effect of jealousy.<br>
[tr. <a href="https://thomaswhichello.com/a-translation-of-reflections-or-sentences-and-moral-maxims-by-francois-de-la-rochefoucauld/#:~:text=Those%20great%20and,effect%20of%20jealousy.">Whichello</a> (2016) ¶7]</blockquote><br>
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		<title>Jacobs, Jane -- &#8220;Downtown Is for People,&#8221; Fortune (1958-04)</title>
		<link>https://wist.info/jacobs-jane/69029/</link>
		<comments>https://wist.info/jacobs-jane/69029/#respond</comments>
		<pubDate>Mon, 29 Apr 2024 22:54:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jacobs, Jane]]></category>
		<category><![CDATA[city]]></category>
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		<category><![CDATA[dream]]></category>
		<category><![CDATA[practicality]]></category>
		<category><![CDATA[reality]]></category>
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		<category><![CDATA[urban planning]]></category>

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		<description><![CDATA[Designing a dream city is easy; rebuilding a living one takes imagination. Closing words of the essay. Originally reprinted in the magazine&#8217;s topical collection, The Exploding Metropolis (1958). Later collected in Samuel Zipp and Nathan Storring, eds., Vital Little Plans: The Short Works of Jane Jacobs (2016).]]></description>
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			<content:encoded><![CDATA[<p>Designing a dream city is easy; rebuilding a living one takes imagination.</p>
<br><b>Jane Jacobs</b> (1916-2006) American-Canadian journalist, author, urban theorist, activist <br>&#8220;Downtown Is for People,&#8221; <i>Fortune</i> (1958-04) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/explodingmetropo0000unse/page/168/mode/2up?q=%22designing+a+dream%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Closing words of the essay.<br><br>

Originally reprinted in the magazine's topical collection, <i>The Exploding Metropolis</i> (1958). Later collected in Samuel Zipp and Nathan Storring, eds., <i><a href="https://archive.org/details/vitallittleplans0000jane/page/130/mode/2up?q=%22designing+a+dream%22">Vital Little Plans</a>: The Short Works of Jane Jacobs</i> (2016).						</span>
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		<title>Messerschmitt, Willy -- (Attributed (1934))</title>
		<link>https://wist.info/messerschmitt-willy/62606/</link>
		<comments>https://wist.info/messerschmitt-willy/62606/#respond</comments>
		<pubDate>Thu, 17 Aug 2023 17:41:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Messerschmitt, Willy]]></category>
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		<description><![CDATA[You can have any combination of features the Air Ministry desires, so long as you do not also require that the resulting airplane fly. [Natürlich können Sie dem Luftfahrtministerium ein Flugzeug mit allen gewünschten Eigenschaften bauen &#8212; solange Sie nicht zwingend voraussetzen, dass es dann auch fliegt.] Alternate translation: Of course, you can build the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>You can have any combination of features the Air Ministry desires, so long as you do not also require that the resulting airplane fly.</p>
<p><em>[Natürlich können Sie dem Luftfahrtministerium ein Flugzeug mit allen gewünschten Eigenschaften bauen &#8212; solange Sie nicht zwingend voraussetzen, dass es dann auch fliegt.]</em></p>
<br><b>Wilhelm Emil "Willy" Messerschmitt</b> (1898-1978) German aircraft designer and manufacturer<br>(Attributed (1934)) 
														<br><br><span class="cite">
						

Alternate translation:<br><br> 

<blockquote>Of course, you can build the Air Ministry an airplane with whatever characteristics you want -- as long as you don't necessarily expect it to fly.</blockquote>


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		<title>Fish, Stanley -- There&#8217;s No Such Thing as Free Speech, And It&#8217;s A Good Thing, Too, Part 1, ch. 5 (1994)</title>
		<link>https://wist.info/fisher-stanley/47222/</link>
		<comments>https://wist.info/fisher-stanley/47222/#respond</comments>
		<pubDate>Fri, 04 Jun 2021 22:42:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fish, Stanley]]></category>
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		<description><![CDATA[Fairness for everyone would be possible only if everyone&#8217;s interests were the same, if everyone were in agreement as to what baseline considerations must be in place for a procedure to be labeled &#8220;fair.&#8221; But if that were the case, the question of fairness would never be raised. It is raised precisely because everyone&#8217;s interests [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Fairness for everyone would be possible only if everyone&#8217;s interests were the same, if everyone were in agreement as to what baseline considerations must be in place for a procedure to be labeled &#8220;fair.&#8221; But if that were the case, the question of fairness would never be raised. It is raised precisely because everyone&#8217;s interests are not the same, and since different interests will generate different notions of fairness (the debate between those who call for equality of access and those who call of equality of opportunity is an example), any regime of fairness will always be unfair in the eyes of those for whom it was not designed.</p>
<br><b>Stanley Fish</b> (b. 1938) American literary theorist, legal scholar, author<br><i>There&#8217;s No Such Thing as Free Speech, And It&#8217;s A Good Thing, Too</i>, Part 1, ch. 5 (1994) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/There_s_No_Such_Thing_as_Free_Speech_and/HoTmCwAAQBAJ?hl=en&gbpv=1&dq=fish%20%22no%20such%20thing%20as%20free%20speech%22&pg=PR11&printsec=frontcover&bsq=%22Fairness%20for%20everyone%20would%20be%20possible%22" target="_blank">Source</a>)
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		<title>Emerson, Ralph Waldo -- Journal (1820-12)</title>
		<link>https://wist.info/emerson-ralph-waldo/32145/</link>
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		<pubDate>Wed, 13 Jan 2016 15:56:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
		<category><![CDATA[creation]]></category>
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		<description><![CDATA[The human soul, the world, the universe are laboring on to their magnificent consummation. We are not fashioned thus marvelously for nought.]]></description>
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			<content:encoded><![CDATA[<p>The human soul, the world, the universe are laboring on to their magnificent consummation. We are not fashioned thus marvelously for nought.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote.jpg"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote.jpg" alt="Emerson - fashioned thus marvelously - wist_info quote" width="605" height="353" class="aligncenter size-full wp-image-32156" srcset="https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/01/Emerson-fashioned-thus-marvelously-wist_info-quote-300x175.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>Journal (1820-12) 
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		<title>Lewis, C.S. -- Letter to Alan Griffiths (20 Dec 1946)</title>
		<link>https://wist.info/lewis-cs/30194/</link>
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		<pubDate>Wed, 12 Aug 2015 15:31:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
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		<description><![CDATA[I still think the argument from design the weakest possible ground for Theism, and what may be called the argument from un-design the strongest for Atheism.]]></description>
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			<content:encoded><![CDATA[<p>I still think the argument from design the weakest possible ground for Theism, and what may be called the argument from un-design the strongest for Atheism.</p>
<br><b>C. S. Lewis</b> (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br>Letter to Alan Griffiths (20 Dec 1946) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://frederickcslewissociety.blogspot.com/p/from-essay-religion-it-sets-one.html" target="_blank">Source</a>)
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		<title>Adams, Douglas -- Last Chance to See, ch. 2 (1990)</title>
		<link>https://wist.info/adams-douglas/29886/</link>
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		<pubDate>Mon, 13 Jul 2015 13:28:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<guid isPermaLink="false">http://wist.info/?p=29886</guid>
		<description><![CDATA[For all my rational Western intellect and education, I was for the moment overwhelmed by a primitive sense of living in a world ordered by a malign and perverted god, and it coloured my view of everything that afternoon &#8212; even the coconuts. The villagers sold us some and split them open for us. They [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>For all my rational Western intellect and education, I was for the moment overwhelmed by a primitive sense of living in a world ordered by a malign and perverted god, and it coloured my view of everything that afternoon &#8212; even the coconuts. The villagers sold us some and split them open for us. They are almost perfectly designed. You first make a hole and drink the milk, and then you split open the nut with a machete and slice off a segment of the shell, which forms a perfect implement for scooping out the coconut flesh inside. What makes you wonder about the nature of this god character is that he creates something that is so perfectly designed to be of benefit to human beings and then hangs it twenty feet above their heads on a tree with no branches.</p>
<br><b>Douglas Adams</b> (1952-2001) English author, humorist, screenwriter<br><i>Last Chance to See</i>, ch. 2 (1990) 
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		<title>La Rochefoucauld, Francois -- Réflexions ou sentences et maximes morales [Maxims] (1665-1678)</title>
		<link>https://wist.info/la-rochefoucauld-francois/29825/</link>
		<comments>https://wist.info/la-rochefoucauld-francois/29825/#respond</comments>
		<pubDate>Mon, 06 Jul 2015 17:17:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Rochefoucauld, Francois]]></category>
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		<description><![CDATA[Although men flatter themselves with their great actions, they are not so often the result of a great design as of chance.]]></description>
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			<content:encoded><![CDATA[<p>Although men flatter themselves with their great actions, they are not so often the result of a great design as of chance.</p>
<br><b>François VI, duc de La Rochefoucauld</b> (1613-1680) French epigrammatist, memoirist, noble<br><i>Réflexions ou sentences et maximes morales [Maxims]</i> (1665-1678) 
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		<title>Jobs, Steve -- (Attrbuted)</title>
		<link>https://wist.info/jobs-steve/19890/</link>
		<comments>https://wist.info/jobs-steve/19890/#respond</comments>
		<pubDate>Thu, 20 Dec 2012 14:57:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jobs, Steve]]></category>
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		<description><![CDATA[Sometimes I believe in God, sometimes I don’t. I think it’s 50-50 maybe. But ever since I&#8217;ve had cancer, I&#8217;ve been thinking about it more. And I find myself believing a bit more. I kind of &#8212; maybe it&#8217;s ’cause I want to believe in an afterlife. That when you die, it doesn&#8217;t just all [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Sometimes I believe in God, sometimes I don’t. I think it’s 50-50 maybe. But ever since I&#8217;ve had cancer, I&#8217;ve been thinking about it more. And I find myself believing a bit more. I kind of &#8212; maybe it&#8217;s ’cause I want to believe in an afterlife. That when you die, it doesn&#8217;t just all disappear. The wisdom you&#8217;ve accumulated. Somehow it lives on, but sometimes I think it&#8217;s just like an on-off switch. Click and you’re gone. And that’s why I don’t like putting on-off switches on Apple devices.</p>
<br><b>Steve Jobs</b> (1955-2011) American computer inventor, entrepreneur<br>(Attrbuted) 
														<br><br><span class="cite">
						

Quoted by his biographer, Walter Isaacson, in a <em>60 Minutes</em> interview (Oct 2011)						</span>
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		<title>Jobs, Steve -- In BusinessWeek (25 May 1998)</title>
		<link>https://wist.info/jobs-steve/19780/</link>
		<comments>https://wist.info/jobs-steve/19780/#respond</comments>
		<pubDate>Thu, 06 Dec 2012 13:39:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jobs, Steve]]></category>
		<category><![CDATA[customer]]></category>
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		<description><![CDATA[It&#8217;s really hard to design products by focus groups. A lot of times, people don&#8217;t know what they want until you show it to them.]]></description>
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			<content:encoded><![CDATA[<p>It&#8217;s really hard to design products by focus groups. A lot of times, people don&#8217;t know what they want until you show it to them.</p>
<br><b>Steve Jobs</b> (1955-2011) American computer inventor, entrepreneur<br>In <i>BusinessWeek</i> (25 May 1998) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Wright, Frank Lloyd -- Lecture (1930-10-02), &#8220;To the Young Man in Architecture,&#8221; Chicago Art Institute</title>
		<link>https://wist.info/wright-frank-lloyd/19115/</link>
		<comments>https://wist.info/wright-frank-lloyd/19115/#respond</comments>
		<pubDate>Tue, 25 Sep 2012 12:39:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wright, Frank Lloyd]]></category>
		<category><![CDATA[architecture]]></category>
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		<description><![CDATA[Then go as far away as possible from home to build your first buildings. The physician can bury his mistakes, &#8212; but the architect can only advise his client to plant vines. Closing pieces of advice, #11. One of two lectures delivered at the Institute. While the lectures took place in 1930, they were collected [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Then go as far away as possible from home to build your first buildings. The physician can bury his mistakes, &#8212; but the architect can only advise his client to plant vines.</p>
<br><b>Frank Lloyd Wright</b> (1867-1959) American architect, interior designer, writer, educator [b. Frank Lincoln Wright]<br>Lecture (1930-10-02), &#8220;To the Young Man in Architecture,&#8221; Chicago Art Institute 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/futureofarchitec0000wrig/page/218/mode/2up?q=vines" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Closing pieces of advice, #11. One of <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015006736923">two lectures</a> delivered at the Institute. While the lectures <a href="http://www.steinerag.com/flw/Books/b0913.htm">took place in 1930</a>, they were collected in book form in 1931, which is usually the year they are cited to. Both were reprinted in Wright, <i>The Future of Architecture</i> (1953).<br><br>

In an article during the lead-up to that book, "<a href="https://timesmachine.nytimes.com/timesmachine/1953/10/04/92749718.html?pageNumber=282">Frank Lloyd Wright Talks of His Art</a>," <i>New York Times</i> (1953-10-04), Wright restated the advice, but turned around:<br><br>

<blockquote>The physician can bury his mistakes, but the architect can only advise his clients to plant vines -- so they should go as far as possible from home to build their first buildings.</blockquote><br>

For more discussion of the origins and variations of this quotation, see: <a href="https://quoteinvestigator.com/2011/05/03/architect-vines/#f1ac9f1d-1878-4707-a44a-7e5f624a23e6-link" title="Quote Origin: The Architect Can Only Advise His Client to Plant Vines – Quote Investigator®">Quote Origin: The Architect Can Only Advise His Client to Plant Vines – Quote Investigator®</a>.
						</span>
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		<title>Card, Orson Scott -- Essay (1991-03), &#8220;Games with No Limits,&#8221; Compute Magazine, No. 127</title>
		<link>https://wist.info/card-orson-scott/5031/</link>
		<comments>https://wist.info/card-orson-scott/5031/#respond</comments>
		<pubDate>Mon, 24 Oct 2005 11:12:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Card, Orson Scott]]></category>
		<category><![CDATA[collaboration]]></category>
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		<category><![CDATA[freedom]]></category>
		<category><![CDATA[games]]></category>
		<category><![CDATA[limitations]]></category>
		<category><![CDATA[players]]></category>
		<category><![CDATA[storytelling]]></category>

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		<description><![CDATA[If we game players wanted to have an experience controlled by somebody else, we could rent a videotape. Gamewrights should try to empower us as players, not limit us unnecessarily. Someone at every game design company should have a fulltime job of saying, &#8220;Why aren&#8217;t we letting the player decide that?&#8221; [&#8230;] When they let [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p><span class="tab">If we game players wanted to have an experience controlled by somebody else, we could rent a videotape. Gamewrights should try to empower us as players, not limit us unnecessarily. Someone at every game design company should have a fulltime job of saying, &#8220;Why aren&#8217;t we letting the player decide that?&#8221; [&#8230;] When they let such unnecessary limitations creep into a game, gamewrights reveal that they don&#8217;t yet understand their own art. They&#8217;ve chosen to work with the most liberating of media &#8212; and yet they snatch back with their left hand the freedom they offered us with their right.<br />
<span class="tab">Remember, gamewrights, the power and beauty of the art of gamemaking is that you and the player collaborate to create the final story. Every freedom that you can give to the player is an artistic victory. And every needless boundary in your game should feel to you like failure.</p>
<br><b>Orson Scott Card</b> (b. 1951) American author<br>Essay (1991-03), &#8220;Games with No Limits,&#8221; <i>Compute</i> Magazine, No. 127 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.atarimagazines.com/compute/issue127/58_Games_with_no_limits.php#:~:text=If%20we%20game,you%20like%20failure." target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Adams, Douglas -- Hitchhiker&#8217;s Guide No. 5, Mostly Harmless, ch. 12 (1992)</title>
		<link>https://wist.info/adams-douglas/1464/</link>
		<comments>https://wist.info/adams-douglas/1464/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adams, Douglas]]></category>
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		<description><![CDATA[A common mistake people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>A common mistake people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2004/02/adams-completely-foolproof-underestimate-the-ingenuity-of-complete-fools-wist-info-quote.png"><img data-dominant-color="3c6b97" data-has-transparency="false" style="--dominant-color: #3c6b97;" decoding="async" src="https://wist.info/wp/wp-content/uploads/2004/02/adams-completely-foolproof-underestimate-the-ingenuity-of-complete-fools-wist-info-quote.png" alt="adams - completely foolproof underestimate the ingenuity of complete fools - wist.info quote" width="800" height="515" class="aligncenter size-full wp-image-83732 not-transparent" srcset="https://wist.info/wp/wp-content/uploads/2004/02/adams-completely-foolproof-underestimate-the-ingenuity-of-complete-fools-wist-info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2004/02/adams-completely-foolproof-underestimate-the-ingenuity-of-complete-fools-wist-info-quote-300x193.png 300w, https://wist.info/wp/wp-content/uploads/2004/02/adams-completely-foolproof-underestimate-the-ingenuity-of-complete-fools-wist-info-quote-768x494.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Douglas Adams</b> (1952-2001) English author, humorist, screenwriter<br>Hitchhiker&#8217;s Guide No. 5, <i>Mostly Harmless</i>, ch. 12 (1992) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/ultimatehitchhik0000adam_j6z1/page/718/mode/2up?q=%22common+mistake%22" target="_blank">Source</a>)
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