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	<title>WIST Quotations</title>
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		<title>Doyle, Arthur Conan -- Story (1890-02), &#8220;The Sign of the Four,&#8221; ch.  1, Lippincott&#8217;s Monthly Magazine, Vol. 45 (US) / 1 (UK)</title>
		<link>https://wist.info/doyle-arthur-conan/83166/</link>
		<comments>https://wist.info/doyle-arthur-conan/83166/#respond</comments>
		<pubDate>Thu, 02 Apr 2026 19:47:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Doyle, Arthur Conan]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[cocaine]]></category>
		<category><![CDATA[drug usage]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[morphine]]></category>

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		<description><![CDATA[&#8220;Which is it to-day,&#8221; I asked, &#8220;morphine or cocaine?&#8221; He raised his eyes languidly from the old black-letter volume which he had opened. &#8220;It is cocaine,&#8221; he said, &#8220;a seven-per-cent solution. Would you care to try it?&#8221; Watson and Holmes. The original publication, and Doyle&#8217;s manuscript (along with many other iterations across media) use &#8220;The [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">&#8220;Which is it to-day,&#8221; I asked, &#8220;morphine or cocaine?&#8221;<br />
<span class="tab">He raised his eyes languidly from the old black-letter volume which he had opened. &#8220;It is cocaine,&#8221; he said, &#8220;a seven-per-cent solution. Would you care to try it?&#8221;</span></span></p>
<br><b>Arthur Conan Doyle</b> (1859–1930) British writer and physician<br>Story (1890-02), &#8220;The Sign of the Four,&#8221; ch.  1, <i>Lippincott&#8217;s Monthly Magazine</i>, Vol. 45 (US) / 1 (UK) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=uc1.b5213365&seq=171&q1=morphine" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Watson and Holmes.<br><br>

The <a href="https://www.arthur-conan-doyle.com/wiki/Lippincott%27s_Monthly_Magazine">original publication</a>, and <a href="https://www.arthur-conan-doyle.com/wiki/The_Sign_of_Four#Manuscript">Doyle's manuscript</a> (along with many other iterations across media) use "The Sign of <i>the</i> Four" as the title, while others (including the first book publications) use "The Sign of Four."  The five-word form is used most commonly in the story, but the four-word form does show up. (<a href="https://en.wikipedia.org/wiki/The_Sign_of_the_Four#cite_ref-redmond14_1-1:~:text=Different%20editions%20over,of%20the%20story.">More info</a>.)<br><br>

<a href="https://www.arthur-conan-doyle.com/wiki/The_Sign_of_Four#:~:text=%27Which%20is%20it,to%20try%20it%3F%27">Published in novel form</a> as <a href="https://www.arthur-conan-doyle.com/wiki/Spencer_Blackett"><i>The Sign of Four</i> (1890-10)</a>.						</span>
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		<title>Fry, Stephen -- Moab Is My Washpot, &#8220;Joining In,&#8221; ch. 3 (1997)</title>
		<link>https://wist.info/fry-stephen/61196/</link>
		<comments>https://wist.info/fry-stephen/61196/#respond</comments>
		<pubDate>Wed, 14 Jun 2023 23:31:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fry, Stephen]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[intoxication]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[stoned]]></category>
		<category><![CDATA[trip]]></category>

		<guid isPermaLink="false">https://wist.info/?p=61196</guid>
		<description><![CDATA[LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to every one [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>LSD reveals the <i>whatness</i> of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to every one of these essences of existence, but at a fraction of the social or financial cost of a drug and without the need to cry &#8216;Wow!&#8217; all the time, which is one of LSD&#8217;s most distressing and least endearing side-effects.</p>
<br><b>Stephen Fry</b> (b. 1957)  British actor, writer, comedian<br><i>Moab Is My Washpot</i>, &#8220;Joining In,&#8221; ch. 3 (1997) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/moabismywashpot0000frys/page/64/mode/2up?q=%22lsd+reveals%22" target="_blank">Source</a>)
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		<title>Warhol, Andy -- POPism: The Warhol Sixties, &#8220;1965&#8221; (1980) [with Pat Hackett]</title>
		<link>https://wist.info/warhol-andy/58089/</link>
		<comments>https://wist.info/warhol-andy/58089/#respond</comments>
		<pubDate>Fri, 06 Jan 2023 23:54:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Warhol, Andy]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[change]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[willpower]]></category>

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		<description><![CDATA[When people are ready to, they change. They never do it before then, and sometimes they die before they get around to it. You can’t make them change if they don’t want to, just like when they do want to, you can’t stop them. Regarding drug and alcohol use.]]></description>
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			<content:encoded><![CDATA[<p>When people are ready to, they change. They never do it before then, and sometimes they die before they get around to it. You can’t make them change if they don’t want to, just like when they do want to, you can’t stop them. </p>
<br><b>Andy Warhol</b> (1928–1987) American artist, author<br><i>POPism: The Warhol Sixties</i>, &#8220;1965&#8221; (1980) [with Pat Hackett] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/popismwarhol60s00warho/page/108/mode/2up?q=%22when+people+are+ready%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Regarding drug and alcohol use.						</span>
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		<title>Bourdain, Anthony -- Medium Raw, ch. 5 (2010)</title>
		<link>https://wist.info/bourdain-anthony/48247/</link>
		<comments>https://wist.info/bourdain-anthony/48247/#respond</comments>
		<pubDate>Fri, 06 Aug 2021 14:44:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bourdain, Anthony]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[choices]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[luck]]></category>

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		<description><![CDATA[I’m extremely skeptical of the &#8220;language of addiction.&#8221; I never saw heroin or cocaine as &#8220;my illness.&#8221; I saw them as some very bad choices that I walked knowingly into. I fucked myself &#8212; and, eventually, had to work hard to get myself un-fucked. And I’m not going to tell you here how to live [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I’m extremely skeptical of the &#8220;language of addiction.&#8221; I never saw heroin or cocaine as &#8220;my illness.&#8221; I saw them as some very bad choices that I walked knowingly into. I fucked myself &#8212; and, eventually, had to work hard to get myself un-fucked.</p>
<p>And I’m not going to tell you here how to live your life.</p>
<p>I’m just saying, I guess, that I got very lucky.</p>
<p>And luck is not a business model.</p>
<br><b>Anthony Bourdain</b> (1956–2018) American chef, author, travel documentarian<br><i>Medium Raw</i>, ch. 5 (2010) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://subwayreads.org/book/medium-raw/#:~:text=I%E2%80%99m%20extremely,a%20business%20model" target="_blank">Source</a>)
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		<title>Jillette, Penn -- Interview by Katherine Mangu-Ward, Reason (Jan 2017)</title>
		<link>https://wist.info/jillette-penn/48057/</link>
		<comments>https://wist.info/jillette-penn/48057/#respond</comments>
		<pubDate>Wed, 28 Jul 2021 20:40:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jillette, Penn]]></category>
		<category><![CDATA[addiction]]></category>
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		<category><![CDATA[freedom]]></category>
		<category><![CDATA[legalization]]></category>

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		<description><![CDATA[People say if you legalize drugs, you&#8217;re going to have a lot more junkies. And then the other side says, Oh no, no, no, we will have fewer junkies [and] they&#8217;ll be treated better. I don&#8217;t know! I just know that if you don&#8217;t have the right to put whatever you want into your own [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>People say if you legalize drugs, you&#8217;re going to have a lot more junkies. And then the other side says, Oh no, no, no, we will have fewer junkies [and] they&#8217;ll be treated better. I don&#8217;t know! I just know that if you don&#8217;t have the right to put whatever you want into your own body, you&#8217;re not living in a free fucking country. Simple.</p>
<br><b>Penn Jillette</b> (b. 1955) American stage magician, actor, musician, author<br>Interview by Katherine Mangu-Ward, <i>Reason</i> (Jan 2017) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://reason.com/2016/12/21/penn-jillette/#:~:text=People%20say%20if,country.%20Simple" target="_blank">Source</a>)
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		<title>Artaud, Antonin -- &#8220;Sûreté générale: La liquidation de l&#8217;opium,&#8221; La Révolution Surréaliste (Jan 1925) [tr. L. Dejardin]</title>
		<link>https://wist.info/artaud-antonin/45774/</link>
		<comments>https://wist.info/artaud-antonin/45774/#respond</comments>
		<pubDate>Wed, 17 Feb 2021 13:23:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Artaud, Antonin]]></category>
		<category><![CDATA[despair]]></category>
		<category><![CDATA[desperation]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[intoxication]]></category>
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		<guid isPermaLink="false">https://wist.info/?p=45774</guid>
		<description><![CDATA[As long as we haven&#8217;t been able to abolish a single cause of human desperation, we do not have the right to try to suppress the means by which man tries to clean himself of desperation. Other translation: &#8220;So long as we have failed to eliminate any of the causes of human despair, we do [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>As long as we haven&#8217;t been able to abolish a single cause of human desperation, we do not have the right to try to suppress the means by which man tries to clean himself of desperation.</p>
<br><b>Antonin Artaud</b> (1896–1948) French playwright, actor, director<br><i>&#8220;Sûreté générale: La liquidation de l&#8217;opium,&#8221;</i> <i>La Révolution Surréaliste</i> (Jan 1925) [tr. L. Dejardin] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Artaud_Anthology/5RdQ-2uiTFIC?hl=en&gbpv=1&bsq=%22abolish%20a%20single%20cause%22&dq=artaud%20%22liquidation%20of%20opium%22&pg=PA61&printsec=frontcover" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Other translation: "So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair." [tr. <a href="https://www.google.com/books/edition/Antonin_Artaud/hdhR9dmPah0C?hl=en&gbpv=1&dq=%22man%20tries%20to%20cleanse%20himself%20of%20despair%22&pg=PA99&printsec=frontcover&bsq=%22man%20tries%20to%20cleanse%20himself%20of%20despair%22">Weaver</a> (1976)]						</span>
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		<title>Conrad, Barnaby III -- &#8220;Martini Madness,&#8221; Cigar Aficionado (Spring 1996)</title>
		<link>https://wist.info/conrad-barnaby-iii/38073/</link>
		<comments>https://wist.info/conrad-barnaby-iii/38073/#respond</comments>
		<pubDate>Tue, 17 Oct 2017 01:03:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Conrad, Barnaby III]]></category>
		<category><![CDATA[alcohol]]></category>
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		<description><![CDATA[The Martini is to middle- and upper-class American society what peyote is to the Yaqui Indians: a sacred rite that affirms tribal identity, encourages fanciful thought and &#8212; let&#8217;s be honest here &#8212; delivers a whoppingly nice high.]]></description>
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			<content:encoded><![CDATA[<p>The Martini is to middle- and upper-class American society what peyote is to the Yaqui Indians: a sacred rite that affirms tribal identity, encourages fanciful thought and &#8212; let&#8217;s be honest here &#8212; delivers a whoppingly nice high.</p>
<br><b>Barnaby Conrad III</b> (b. 1952) American author, artist, editor<br>&#8220;Martini Madness,&#8221; <i>Cigar Aficionado</i> (Spring 1996) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.cigaraficionado.com/webfeatures/show?id=Martini-Madness_7630" target="_blank">Source</a>)
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		<title>Khomeini, Ruhollah -- Ramadan Speech (23 Jul 1979)</title>
		<link>https://wist.info/khomeini-ruhollah/36125/</link>
		<comments>https://wist.info/khomeini-ruhollah/36125/#respond</comments>
		<pubDate>Thu, 26 Jan 2017 16:29:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Khomeini, Ruhollah]]></category>
		<category><![CDATA[censorship]]></category>
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		<description><![CDATA[Music is no different from opium. Music affects the human mind in a way that makes people think of nothing but music and sensual matters. [&#8230;] Music is a treason to the country, a treason to our youth, and we should cut out all this music and replace it with something instructive.]]></description>
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			<content:encoded><![CDATA[<p>Music is no different from opium. Music affects the human mind in a way that makes people think of nothing but music and sensual matters. [&#8230;] Music is a treason to the country, a treason to our youth, and we should cut out all this music and replace it with something instructive.</p>
<br><b>Ruhollah Khomeini</b> (1902–1989) Iranian Shia Muslim religious leader, revolutionary, politician<br>Ramadan Speech (23 Jul 1979) 
								]]></content:encoded>
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		<title>Lewis, C.S. -- Letter to Mrs. Ray Garrett (12 Sep 1960)</title>
		<link>https://wist.info/lewis-cs/31034/</link>
		<comments>https://wist.info/lewis-cs/31034/#respond</comments>
		<pubDate>Wed, 14 Oct 2015 13:59:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lewis, C.S.]]></category>
		<category><![CDATA[alcohol]]></category>
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		<description><![CDATA[The whole lesson of my life has been that no &#8216;methods of stimulation&#8217; are of any lasting use. They are indeed like drugs &#8212; a stronger dose is needed each time and soon no possible dose is effective. We must not bother about thrills at all. Do the present duty &#8212; bear the present pain [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The whole lesson of my life has been that no &#8216;methods of stimulation&#8217; are of any lasting use. They are indeed like drugs &#8212; a stronger dose is needed each time and soon no possible dose is effective. We must not bother about thrills at all. <i>Do</i> the present duty &#8212; <i>bear</i> the present pain &#8212; <i>enjoy</i> the present pleasure &#8212; and leave emotions and &#8216;experiences&#8217; to look after themselves.</p>
<br><b>C. S. Lewis</b> (1898–1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
<br>Letter to Mrs. Ray Garrett (12 Sep 1960) 
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		<title>HIcks, Bill -- Performance, Pittsburgh (20 Jun 1991)</title>
		<link>https://wist.info/hicks-bill/29051/</link>
		<comments>https://wist.info/hicks-bill/29051/#respond</comments>
		<pubDate>Fri, 17 Apr 2015 12:13:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[HIcks, Bill]]></category>
		<category><![CDATA[alcohol]]></category>
		<category><![CDATA[commercial]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[hypocrisy]]></category>
		<category><![CDATA[propaganda]]></category>
		<category><![CDATA[war on drugs]]></category>

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		<description><![CDATA[That&#8217;s what I hate about the war on drugs. All day long we see those commercials: &#8220;Here&#8217;s your brain, here&#8217;s your brain on drugs&#8221;, &#8220;Just Say No&#8221;, &#8220;Why do you think they call it dope?&#8221; … And then the next commercial is &#8220;This Bud&#8217;s for yooouuuu.&#8221; C&#8217;mon, everybody, let&#8217;s be hypocritical bastards. It&#8217;s okay to [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>That&#8217;s what I hate about the war on drugs. All day long we see those commercials: &#8220;Here&#8217;s your brain, here&#8217;s your brain on drugs&#8221;, &#8220;Just Say No&#8221;, &#8220;Why do you think they call it dope?&#8221; … And then the next commercial is &#8220;This Bud&#8217;s for yooouuuu.&#8221; C&#8217;mon, everybody, let&#8217;s be hypocritical bastards. It&#8217;s okay to <i>drink</i> your drug. We meant those <i>other</i> drugs. Those <i>untaxed</i> drugs. <i>Those</i> are the ones that are bad for you.</p>
<br><b>Bill Hicks</b> (1961–1994) American stand-up comedian, social critic, satirist, musician [William Melvin "Bill" Hicks]<br>Performance, Pittsburgh (20 Jun 1991) 
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Recorded in <i>Flying Saucer Tour, Vol. 1</i> (2002) 
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