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	<title>WIST Quotations</title>
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		<title>Montesquieu -- (Attributed)</title>
		<link>https://wist.info/montesquieu/84855/</link>
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		<pubDate>Mon, 06 Jul 2026 22:39:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Montesquieu]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[bother]]></category>
		<category><![CDATA[calm]]></category>
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		<description><![CDATA[Happy the people whose annals are tiresome. [Heureux le peuple dont l&#8217;histoire est ennuyeuse.] The phrase is widely attributed to Montesquieu, but not found as such in his works. The earliest use of it in those words is in Thomas Carlyle, The French Revolution, Book 2, ch. 1 (1837). Variants: &#8220;Happy the people whose history [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Happy the people whose annals are tiresome.     </p>
<p><em>[Heureux le peuple dont l&#8217;histoire est ennuyeuse.]</em></p>
<br><b>Charles-Lewis de Secondat, Baron de Montesquieu</b> (1689–1755) French political philosopher<br>(Attributed) 
						<br><br><span class="cite">
						

The phrase is widely attributed to Montesquieu, but not found as such in his works. The <a href="https://en.wikisource.org/wiki/The_Works_of_Thomas_Carlyle/Volume_2/The_French_Revolution,_Volume_1/Book_2#:~:text=Happy%20the%20people%20whose%20annals%20are%20tiresome">earliest use of it</a> in those words is in Thomas Carlyle, <i>The French Revolution</i>, Book 2, ch. 1 (1837). <br><br>

Variants:<ul>
	<li>"Happy the people whose history is boring."</li>
	<li>"Happy the nation whose history is dull."</li>
	<li>"Happy the nation whose history is tedious."</li>
	<li>"Happy the people whose annals are vacant." [Also from Carlyle, as an extreme of the attributed Montesquieu quote.]</li>
	<li>"Happy the people whose annals are blank in history-books!"</li>
</ul>

See also <a href="https://wist.info/franklin-benjamin/76844/">Franklin</a> (1740).<br><br>

The phrase is the complement to the (<a href="https://en.wikipedia.org/wiki/May_you_live_in_interesting_times">spurious</a>) <a href="https://quoteinvestigator.com/2015/12/18/live/">Chinese curse</a>, "May you live in interesting times."						</span>
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		<title>Wilcox, Ella Wheeler -- Poem (1879), &#8220;Advice,&#8221; st.  4, Maurine and Other Poems (1882 ed.)</title>
		<link>https://wist.info/wilcox-ella-wheeler/76128/</link>
		<comments>https://wist.info/wilcox-ella-wheeler/76128/#respond</comments>
		<pubDate>Wed, 09 Apr 2025 16:37:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilcox, Ella Wheeler]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[’T were a dull old world, methinks, my friend, If we all just went one way; Yet our paths will meet no doubt at the end, Though they lead apart today.]]></description>
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			<content:encoded><![CDATA[<p>’T were a dull old world, methinks, my friend,<br />
<span class="tab">If we all just went one way;<br />
Yet our paths will meet no doubt at the end,<br />
<span class="tab">Though they lead apart today.</p>
<br><b>Ella Wheeler Wilcox</b> (1850–1919) American author, poet, temperance advocate, spiritualist<br>Poem (1879), &#8220;Advice,&#8221; st.  4, <i>Maurine and Other Poems</i> (1882 ed.) 
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		<title>La Bruyere, Jean de -- The Characters [Les Caractères], ch.  1 &#8220;Of Works of the Mind [Des Ouvrages de l&#8217;Esprit],&#8221; §   7 (1.7) (1688) [tr. Stewart (1970)]</title>
		<link>https://wist.info/la-bruyere-jean-de/70975/</link>
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		<pubDate>Tue, 30 Jul 2024 17:48:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Bruyere, Jean de]]></category>
		<category><![CDATA[amateur]]></category>
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		<description><![CDATA[There are certain things in which mediocrity is intolerable: poetry, music, painting, public eloquence. What torture it is to hear a frigid speech being pompously declaimed, of second-rate verse spoken with all a bad poet’s bombast! &#160; [Il y a de certaines choses dont la médiocrité est insupportable: la poésie, la musique, la peinture, le [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">There are certain things in which mediocrity is intolerable: poetry, music, painting, public eloquence.<br />
<span class="tab">What torture it is to hear a frigid speech being pompously declaimed, of second-rate verse spoken with all a bad poet’s bombast!<br />
&nbsp;<br />
<span class="tab"><em>[Il y a de certaines choses dont la médiocrité est insupportable: la poésie, la musique, la peinture, le discours public.<br />
<span class="tab">Quel supplice que celui d&#8217;entendre déclamer pompeusement un froid discours, ou prononcer de médiocres vers avec toute l&#8217;emphase d&#8217;un mauvais poète!]</span></em></span></span></span></p>
<br><b>Jean de La Bruyère</b> (1645–1696) French essayist, moralist<br><i>The Characters [Les Caractères]</i>, ch.  1 &#8220;Of Works of the Mind <i>[Des Ouvrages de l&#8217;Esprit],&#8221;</i> §   7 (1.7) (1688) [tr. Stewart (1970)] 
						<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/cache/epub/17980/pg17980-images.html#LES_CARACTERES_OU_LES_MOEURS_DE_CE_SIECLE:~:text=Il%20y%20a%20de,l%27emphase%20d%27un%20mauvais%20po%C3%A8te!">Source (French)</a>). Other translations:<br><br>

<blockquote><span class="tab">Several things are insupportable if they are but indifferent, as Poetry, Music, Painting and Public Speeches.<br> 
<span class="tab">'Tis the worst punishment in the world to hear a dull Declamation deliver'd with Pomp and Solemnity, and bad Verses rehears'd with the Emphasis of a wretched Poet.<br>
[<a href="https://quod.lib.umich.edu/e/eebo/A47658.0001.001/1:5.1?rgn=div2;view=fulltext#:~:text=Several%20things%20are,a%20wretched%20Poet.">Bullord</a> ed. (1696)]</blockquote><br>

<blockquote><span class="tab">Somethings are insupportable if they are but indifferent, as Poetry, Musick, Painting, and Publick Speeches. <br>
<span class="tab">What a Punishment is it to hear a cold Declamation deliver'd with Pomp and Solemnity, and indifferent Verses repeated with all the Emphasis of a bad Poet!<br>
[<a href="https://archive.org/details/worksmonsieurde00rowegoog/page/n17/mode/2up?q=%22Poetry%2C+Mu%5Eck%2C+Painting%2C%22">Curll</a> ed. (1713)]</blockquote><br>

<blockquote><span class="tab">Some things won't bear a Mediocrity, as Poetry, Musick, Painting and Oratory. <br>
<span class="tab">What a cruel Torture is it to hear a dull Declamation delivered with Pomp and Solemnity, or bad Verses rehearsed with the Emphasis of a wretched Poet!<br>
[<a href="https://archive.org/details/worksmonsdelabr00rowegoog/page/n23/mode/2up?q=%22Some+things+won%27tbearaMediocrity%2CasPoetry%5E%22">Browne</a> ed. (1752)]</blockquote><br>

<blockquote>In certain things mediocrity is unbearable, as in poetry, music, painting, and eloquence. How we are tortured when we hear a dull soliloquy delivered in a pompous tone, or indifferent verses read with all the emphasis of a wretched poet!<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/46633/pg46633-images.html#Page_7:~:text=In%20certain%20things%20mediocrity%20is%20unbearable%2C%20as%20in%20poetry%2C%20music%2C%20painting%2C%20and%20eloquence.%20How%20we%20are%20tortured%20when%20we%20hear%20a%20dull%20soliloquy%20delivered%20in%20a%20pompous%20tone%2C%20or%20indifferent%20verses%20read%20with%20all%20the%20emphasis%20of%20a%20wretched%20poet!">Van Laun</a> (1885)]</blockquote><br>

<blockquote>There are some things that will not bear mediocrity; poetry, music, painting, oratory.<br>
[tr. <a href="https://www.google.com/books/edition/La_Bruy%C3%A8re_and_Vauvenargues/ru7qAAAAMAAJ?hl=en&gbpv=1&bsq=%22there%20are%20some%20things%22">Lee</a> (1903)]</blockquote><br>
						</span>
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		<title>Smith, Sydney -- Memoir of the Reverend Sydney Smith, by His Daughter, Lady Holland, Vol. 1, ch.  3 (1855)</title>
		<link>https://wist.info/smith-sydney/6929/</link>
		<comments>https://wist.info/smith-sydney/6929/#respond</comments>
		<pubDate>Fri, 20 Mar 2009 10:34:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Smith, Sydney]]></category>
		<category><![CDATA[boredom]]></category>
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		<description><![CDATA[Preaching has become a bye-word for long and dull conversation of any kind; and whoever wishes to imply, in any piece of writing, the absence of everything agreeable and inviting, calls it a sermon.]]></description>
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			<content:encoded><![CDATA[<p>Preaching has become a bye-word for long and dull conversation of any kind; and whoever wishes to imply, in any piece of writing, the absence of everything agreeable and inviting, calls it a sermon.</p>
<br><b>Sydney Smith</b> (1771–1845) English clergyman, essayist, wit<br><i>Memoir of the Reverend Sydney Smith, by His Daughter, Lady Holland</i>, Vol. 1, ch.  3 (1855) 
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		<title>Hitchcock, Alfred -- Interview (1962-08) by François Truffaut</title>
		<link>https://wist.info/hitchcock-alfred/1891/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hitchcock, Alfred]]></category>
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		<description><![CDATA[Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out. Why he avoids making &#8220;slice of life&#8221; films. Sometimes paraphrased as &#8220;Drama [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out. </p>
<br><b>Alfred Hitchcock</b> (1899–1980) English film director<br>Interview (1962-08) by François Truffaut 
						<br><br><span class="cite">
						

Why he avoids making "slice of life" films. Sometimes paraphrased as "Drama is life with the dull bits cut out."<br><br>

From a series of interviews (with Helen Scott as the translator) of Hitchcock by Truffaut, edited and collected in the Truffaut book <i>Hitchcock: A Definitive Study [Le Cinéma Selon Hitchcock]</i>, ch.  4 (1966) [tr. Truffaut (1967)]. 


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