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		<title>Montaigne, Michel de -- Essays, Book 1, ch. 25 (1.25), &#8220;Of the Education of Children [De l’institution des enfans]&#8221; (1579) [tr. Screech (1987), 1.26]</title>
		<link>https://wist.info/montaigne-michel-de/82525/</link>
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		<pubDate>Thu, 05 Mar 2026 17:18:14 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Montaigne, Michel de]]></category>
		<category><![CDATA[clarity]]></category>
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		<description><![CDATA[I only quote others the better to quote myself. [Je ne dis les autres, sinon pour d’autant plus me dire.] This essay was in the 1st (1588) edition, but this passage was added as of the 3rd (1595) ed. Some translators use the 1588 sequence of chapters, not the 1595, and so identify this as [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I only quote others the better to quote myself.</p>
<p><em>[Je ne dis les autres, sinon pour d’autant plus me dire.]</em></p>
<p><a href="https://wist.info/wp/wp-content/uploads/2026/03/montaigne-i-only-quote-others-the-better-to-quote-myself-wist-info-quote.png"><img data-dominant-color="3981b3" data-has-transparency="false" style="--dominant-color: #3981b3;" fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2026/03/montaigne-i-only-quote-others-the-better-to-quote-myself-wist-info-quote.png" alt="montaigne - i only quote others the better to quote myself - wist.info quote" width="800" height="510" class="aligncenter size-full wp-image-82528 not-transparent" srcset="https://wist.info/wp/wp-content/uploads/2026/03/montaigne-i-only-quote-others-the-better-to-quote-myself-wist-info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2026/03/montaigne-i-only-quote-others-the-better-to-quote-myself-wist-info-quote-300x191.png 300w, https://wist.info/wp/wp-content/uploads/2026/03/montaigne-i-only-quote-others-the-better-to-quote-myself-wist-info-quote-768x490.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Michel de Montaigne</b> (1533-1592) French essayist<br><i>Essays</i>, Book 1, ch. 25 (1.25), &#8220;Of the Education of Children <i>[De l’institution des enfans]</i>&#8221; (1579) [tr. Screech (1987), 1.26] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/the-complete-essays-montaigne-michel-de-1533-1592/page/165/mode/2up?q=%22quote+others%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This essay was in the 1st (1588) edition, but this passage was added as of the 3rd (1595) ed.  Some translators use the 1588 sequence of chapters, not the 1595, and so identify this as ch. 26.<br><br>

(<a href="https://hyperessays.net/gournay/book/I/chapter/25/#:~:text=Je%20ne%20dis%20les%20autres%2C%20sinon%20pour%20d%E2%80%99autant%20plus%20me%20dire.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>I never spake of others, but that I may the more speake of my selfe.<br>
[tr. <a href="https://hyperessays.net/florio/book/I/chapter/25/#:~:text=I%20never%20spake%20of%20others%2C%20but%20that%20I%20may%20the%20more%20speake%20of%20my%20selfe.">Florio</a> (1603)]</blockquote><br>

<blockquote>Neither have I said so much of others, but to get a better opportunity to explain myself.<br>
[tr. <a href="https://hyperessays.net/cotton/book/I/chapter/25/#:~:text=neither%20have%20I%20said%20so%20much%20of%20others%2C%20but%20to%20get%20a%20better%20opportunity%20to%20explain%20myself.">Cotton</a> (1686); <a href="https://hyperessays.net/essays/on-the-education-of-children/#:~:text=neither%20have%20I%20said%20so%20much%20of%20others%2C%20but%20to%20get%20a%20better%20opportunity%20to%20explain%20myself.">Cotton/Hazlitt</a> (1877)]</blockquote><br>

<blockquote>I quote others only in order the better to express myself.<br>
[tr. <a href="https://www.google.com/books/edition/Works_of_Michael_de_Montaigne/Q_gZAAAAYAAJ?hl=en&gbpv=1&dq=montaigne+%22better+to+express+myself.%22&pg=PA216&printsec=frontcover">Hazlitt/Wight</a> (1879)]</blockquote><br>

<blockquote>I do not quote others, save the more fully to express myself.<br>
[tr. <a href="https://www.google.com/books/edition/Book_I/Myt1MG8XBqYC?hl=en&gbpv=1&bsq=%22quote%20others%22">Ives</a> (1925), 1.26] </blockquote><br>

<blockquote>I do not speak the minds of others except to speak my own mind better.<br>
[tr. <a href="https://archive.org/details/completeworksofm0000mont/page/108/mode/2up?q=%22speak+the+minds%22">Frame</a> (1943), 1.26] </blockquote><br>

<blockquote>I only quote others to make myself more explicit.<br>
[tr. <a href="https://archive.org/details/isbn_9780140178975/page/52/mode/2up?q=%22more+explicit%22">Cohen</a> (1958), 1.26] </blockquote><br>						</span>
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		<title>Kaye, Danny -- (Attributed)</title>
		<link>https://wist.info/kaye-danny/78662/</link>
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		<pubDate>Thu, 28 Aug 2025 18:03:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kaye, Danny]]></category>
		<category><![CDATA[creativity]]></category>
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		<description><![CDATA[Life is a great big canvas, and you should throw all the paint on it you can. Widely quoted and attributed to Kaye, and in keeping with his ostensible joie de vivre, but not traced to any primary source.]]></description>
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			<content:encoded><![CDATA[<p>Life is a great big canvas, and you should throw all the paint on it you can.</p>
<br><b>Danny Kaye</b> (1911-1987) American actor, comedian, singer, dancer [b. David Daniel Kaminsky]<br>(Attributed) 
														<br><br><span class="cite">
						

Widely quoted and attributed to Kaye, and in keeping with his ostensible <em>joie de vivre</em>, but not traced to any primary source.
						</span>
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		<title>Emerson, Ralph Waldo -- Essay (1860), &#8220;Behavior,&#8221; The Conduct of Life, ch.  5</title>
		<link>https://wist.info/emerson-ralph-waldo/77285/</link>
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		<pubDate>Tue, 01 Jul 2025 19:27:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
		<category><![CDATA[body language]]></category>
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		<description><![CDATA[An eye can threaten like a loaded and leveled gun, or can insult like hissing or kicking; or, in its altered mood, by beams of kindness, it can make the heart dance with joy. Based on a course of lectures, &#8220;The Conduct of Life,&#8221; delivered in Pittsburg (1851-03).]]></description>
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			<content:encoded><![CDATA[<p>An eye can threaten like a loaded and leveled gun, or can insult like hissing or kicking; or, in its altered mood, by beams of kindness, it can make the heart dance with joy. </p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>Essay (1860), &#8220;Behavior,&#8221; <i>The Conduct of Life</i>, ch.  5 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://quod.lib.umich.edu/e/emerson/4957107.0006.001/1:11?rgn=div1;view=fulltext#:~:text=An%20eye%20can%20threaten%20like%20a%20loaded%20and%20levelled%20gun%2C%20or%20can%20insult%20like%20hissing%20or%20kicking%3B%20or%20in%20its%20altered%20mood%20by%20beams%20of%20kindness%20it%20can%20make%20the%20heart%20dance%20with%20joy." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Based on a course of lectures, "The Conduct of Life," delivered in Pittsburg (1851-03).
						</span>
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		<title>Wilcox, Ella Wheeler -- Poem (1911), &#8220;Love&#8217;s Language,&#8221; st. 2, Poems of Progress, Preface</title>
		<link>https://wist.info/wilcox-ella-wheeler/74910/</link>
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		<pubDate>Wed, 19 Feb 2025 18:45:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilcox, Ella Wheeler]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[love]]></category>
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		<description><![CDATA[There is no language that Love does not speak: To-day commanding and to-morrow meek, One hour laconic and the next verbose, With hope triumphant and with doubt morose, His varying moods all forms of speech employ.]]></description>
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			<content:encoded><![CDATA[<p>There is no language that Love does not speak:<br />
To-day commanding and to-morrow meek,<br />
One hour laconic and the next verbose,<br />
With hope triumphant and with doubt morose,<br />
His varying moods all forms of speech employ.</p>
<br><b>Ella Wheeler Wilcox</b> (1850-1919) American author, poet, temperance advocate, spiritualist<br>Poem (1911), &#8220;Love&#8217;s Language,&#8221; st. 2, <i>Poems of Progress</i>, Preface 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/3228/pg3228-images.html#:~:text=There%20is%20no%20language%20that%20Love%20does%20not%20speak%3A%0ATo%2Dday%20commanding%20and%20to%2Dmorrow%20meek%2C%0AOne%20hour%20laconic%20and%20the%20next%20verbose%2C%0AWith%20hope%20triumphant%20and%20with%20doubt%20morose%2C%0AHis%20varying%20moods%20all%20forms%20of%20speech%20employ." target="_blank">Source</a>)
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		<title>Emerson, Ralph Waldo -- Essay (1860), &#8220;Behavior,&#8221; The Conduct of Life, ch.  5</title>
		<link>https://wist.info/emerson-ralph-waldo/74123/</link>
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		<pubDate>Mon, 20 Jan 2025 20:20:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
		<category><![CDATA[appearance]]></category>
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		<description><![CDATA[A main fact in the history of manners is the wonderful expressiveness of the human body. If it were made of glass, or of air, and the thoughts were written on steel tablets within, it could not publish more truly its meaning than now. Wise men read very sharply all your private history in your [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>A main fact in the history of manners is the wonderful expressiveness of the human body. If it were made of glass, or of air, and the thoughts were written on steel tablets within, it could not publish more truly its meaning than now. Wise men read very sharply all your private history in your look and gait and behavior. The whole economy of nature is bent on expression. The telltale body is all tongues. </p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>Essay (1860), &#8220;Behavior,&#8221; <i>The Conduct of Life</i>, ch.  5 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://quod.lib.umich.edu/e/emerson/4957107.0006.001/1:11?rgn=div1;view=fulltext#:~:text=A%20main%20fact,is%20all%20tongues." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Based on a course of lectures by that name first delivered in Pittsburg (1851-03).						</span>
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		<title>Martin, Judith -- Miss Manners on Painfully Proper Weddings, ch.  1 &#8220;General Principles&#8221; (1995)</title>
		<link>https://wist.info/martin-judith/73413/</link>
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		<pubDate>Mon, 16 Dec 2024 17:53:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Judith]]></category>
		<category><![CDATA[attitude]]></category>
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		<description><![CDATA[Precision marching is less important for the bridal party than maintaining the proper facial expressions: The bridegroom must look awed; the bridesmaids, happy and excited; the father of the bride, proud; and the bride, demure. If the bridegroom feels doubtful, the bridesmaids, sulky, the father, worried, and the bride, blasé, nobody wants to know. Caption [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Precision marching is less important for the bridal party than maintaining the proper facial expressions: The bridegroom must look awed; the bridesmaids, happy and excited; the father of the bride, proud; and the bride, demure. If the bridegroom feels doubtful, the bridesmaids, sulky, the father, worried, and the bride, blasé, nobody wants to know.</p>
<br><b>Judith Martin</b> (b. 1938) American author, journalist, etiquette expert [a.k.a. Miss Manners]<br><i>Miss Manners on Painfully Proper Weddings</i>, ch.  1 &#8220;General Principles&#8221; (1995) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/missmannersonpai0000mart/page/n15/mode/2up?q=%22precision+marching%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Caption for an illustration of the Processional.<br><br>

Book also titled in later editions <i>Miss Manners on Weddings</i> and <i>Miss Manners' Guide to a Surprisingly Dignified Wedding</i>.						</span>
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		<title>Wilcox, Ella Wheeler -- Poems of Passion, Epigraph (1883)</title>
		<link>https://wist.info/wilcox-ella-wheeler/72725/</link>
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		<pubDate>Wed, 30 Oct 2024 21:16:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilcox, Ella Wheeler]]></category>
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		<description><![CDATA[Oh, you who read some song that I have sung, What know you of the soul from whence it sprung? Dost dream the poet ever speaks aloud His secret thought unto the listening crowd? Go take the murmuring sea-shell from the shore: You have its shape, its color and no more. It tells not one [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Oh, you who read some song that I have sung,<br />
<span class="tab">What know you of the soul from whence it sprung?<br />
Dost dream the poet ever speaks aloud<br />
<span class="tab">His secret thought unto the listening crowd?<br />
Go take the murmuring sea-shell from the shore:<br />
<span class="tab">You have its shape, its color and no more.<br />
It tells not one of those vast mysteries<br />
<span class="tab">That lie beneath the surface of the seas.<br />
Our songs are shells, cast out by-waves of thought;<br />
<span class="tab">Here, take them at your pleasure; but think not<br />
You&#8217;ve seen beneath the surface of the waves,<br />
<span class="tab">Where lie our shipwrecks and our coral caves.</p>
<br><b>Ella Wheeler Wilcox</b> (1850-1919) American author, poet, temperance advocate, spiritualist<br><i>Poems of Passion</i>, Epigraph (1883) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Poems_of_Passion#:~:text=Oh%2C%20you%20who,our%20coral%20caves" target="_blank">Source</a>)
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		<title>Orwell, George -- Essay (1946-01), &#8220;The Prevention of Literature,&#8221; Polemic</title>
		<link>https://wist.info/orwell-george/72563/</link>
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		<pubDate>Thu, 17 Oct 2024 00:06:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Orwell, George]]></category>
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		<description><![CDATA[At some time in the future, if the human mind becomes something totally different from what it is now, we may learn to separate literary creation from intellectual honesty. At present we know only that the imagination, like certain wild animals, will not breed in captivity. On the suppression of independent writers and writing in [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>At some time in the future, if the human mind becomes something totally different from what it is now, we may learn to separate literary creation from intellectual honesty. At present we know only that the imagination, like certain wild animals, will not breed in captivity.</p>
<br><b>George Orwell</b> (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]<br>Essay (1946-01), &#8220;The Prevention of Literature,&#8221; <i>Polemic</i> 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/the-prevention-of-literature/#:~:text=At%20some%20time%20in%20the%20future%2C%20if%20the%20human%20mind%20becomes%20something%20totally%20different%20from%20what%20it%20is%20now%2C%20we%20may%20learn%20to%20separate%20literary%20creation%20from%20intellectual%20honesty.%20At%20present%20we%20know%20only%20that%20the%20imagination%2C%20like%20certain%20wild%20animals%2C%20will%20not%20breed%20in%20captivity." target="_blank">Source</a>)
										<br><br><span class="cite">
						

On the suppression of independent writers and writing in totalitarian statues, such as Germany and the Soviet Union, and the apathy of Western intelligentsia about it.						</span>
					]]></content:encoded>
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		<title>Cooke, Edmund Vance -- &#8220;Kisses Kept Are Wasted,&#8221; ll. 1-9, Little Songs for Two (1909)</title>
		<link>https://wist.info/cooke-edmund-vance/69626/</link>
		<comments>https://wist.info/cooke-edmund-vance/69626/#respond</comments>
		<pubDate>Mon, 03 Jun 2024 18:50:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Cooke, Edmund Vance]]></category>
		<category><![CDATA[candor]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[kiss]]></category>
		<category><![CDATA[kissing]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[romance]]></category>

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		<description><![CDATA[Kisses kept are wasted; Love is to be tasted. There are some you love, I know; Be not loath to tell them so. Lips go dry and eyes grow wet Waiting to be warmly met, Keep them not in waiting yet; Kisses kept are wasted.]]></description>
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			<content:encoded><![CDATA[<p>Kisses kept are wasted;<br />
Love is to be tasted.<br />
There are some you love, I know;<br />
Be not loath to tell them so.<br />
Lips go dry and eyes grow wet<br />
Waiting to be warmly met,<br />
Keep them not in waiting yet;<br />
Kisses kept are wasted.</p>
<br><b>Edmund Vance Cooke</b> (1866-1932) Canadian poet<br>&#8220;Kisses Kept Are Wasted,&#8221; ll. 1-9, <i>Little Songs for Two</i> (1909) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Little_Songs_for_Two/qI8OAAAAYAAJ?hl=en&gbpv=1&dq=cooke+%22Kisses+kept+are+wasted%22&pg=PA11&printsec=frontcover" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Christie, Agatha -- The ABC Murders, ch. 21 [Poirot] (1936)</title>
		<link>https://wist.info/christie-agatha/69491/</link>
		<comments>https://wist.info/christie-agatha/69491/#respond</comments>
		<pubDate>Tue, 14 May 2024 16:06:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Christie, Agatha]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[conversation]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[human nature]]></category>
		<category><![CDATA[personality]]></category>
		<category><![CDATA[revealing]]></category>
		<category><![CDATA[talking]]></category>

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		<description><![CDATA[A human being, Hastings, cannot resist the opportunity to reveal himself and express his personality which conversation gives him. Every time he will give himself away.]]></description>
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			<content:encoded><![CDATA[<p>A human being, Hastings, cannot resist the opportunity to reveal himself and express his personality which conversation gives him. Every time he will give himself away.</p>
<br><b>Agatha Christie</b> (1890-1976) English writer<br><i>The ABC Murders</i>, ch. 21 [Poirot] (1936) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/abcmurders0000unse_q7s9/page/162/mode/2up?q=%22cannot+resist+the+opportunity%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Joubert, Joseph -- Pensées [Thoughts], 1805 (1850 ed.) [tr. Auster (1983)]</title>
		<link>https://wist.info/joubert-joseph/66990/</link>
		<comments>https://wist.info/joubert-joseph/66990/#respond</comments>
		<pubDate>Wed, 07 Feb 2024 17:30:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Joubert, Joseph]]></category>
		<category><![CDATA[clarity]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[eloquence]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[understanding]]></category>
		<category><![CDATA[vocabulary]]></category>
		<category><![CDATA[wordplay]]></category>
		<category><![CDATA[words]]></category>

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		<description><![CDATA[All ways of expressing ourselves are good if they make us understood. Thus, if the clarity of our thoughts comes through better in a play of words, then the wordplay is good. Analog not found in standard translations of the Pensees.]]></description>
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			<content:encoded><![CDATA[<p>All ways of expressing ourselves are good if they make us understood. Thus, if the clarity of our thoughts comes through better in a play of words, then the wordplay is good.</p>
<br><b>Joseph Joubert</b> (1754-1824) French moralist, philosopher, essayist, poet<br><i>Pensées [Thoughts]</i>, 1805 (1850 ed.) [tr. Auster (1983)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/translations0000unse_s5s8/page/124/mode/2up?q=%22wordplay+is+good%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Analog not found in standard translations of the <em>Pensees</em>.


						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Gide, André -- Journal (1906-02-13) [tr. O&#8217;Brien (1947)]</title>
		<link>https://wist.info/gide-andre/65103/</link>
		<comments>https://wist.info/gide-andre/65103/#respond</comments>
		<pubDate>Thu, 30 Nov 2023 16:36:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gide, André]]></category>
		<category><![CDATA[admiration]]></category>
		<category><![CDATA[compliment]]></category>
		<category><![CDATA[congratulations]]></category>
		<category><![CDATA[embarrassment]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[face]]></category>
		<category><![CDATA[politeness]]></category>
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		<description><![CDATA[Nothing is so silly as the expression of a man who is being complimented.]]></description>
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			<content:encoded><![CDATA[<p>Nothing is so silly as the expression of a man who is being complimented. </p>
<br><b>André Gide</b> (1869-1951) French author, Nobel laureate<br>Journal (1906-02-13) [tr. O&#8217;Brien (1947)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Journals_1889_1913/rRCZQ6XyNGQC?hl=en&gbpv=1&bsq=%22Nothing%20is%20so%20silly%20as%20the%20expression%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Maggio, Rosalie -- Talking About People: A Guide to Fair and Accurate Language, &#8220;Writing Guidelines&#8221; (1997)</title>
		<link>https://wist.info/maggio-rosalie/64460/</link>
		<comments>https://wist.info/maggio-rosalie/64460/#respond</comments>
		<pubDate>Tue, 07 Nov 2023 05:43:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Maggio, Rosalie]]></category>
		<category><![CDATA[descriptive]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[grammar]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[popularity]]></category>
		<category><![CDATA[rules]]></category>

		<guid isPermaLink="false">https://wist.info/?p=64460</guid>
		<description><![CDATA[Language doesn&#8217;t belong to grammarians, linguists, wordsmiths, writers, or editors. It belongs to the people who use it. It goes where people want it to go, and, like a balky mule, you can&#8217;t make it go where it doesn&#8217;t want to go.]]></description>
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			<content:encoded><![CDATA[<p>Language doesn&#8217;t belong to grammarians, linguists, wordsmiths, writers, or editors. It belongs to the people who use it. It goes where people want it to go, and, like a balky mule, you can&#8217;t make it go where it doesn&#8217;t want to go.</p>
<br><b>Rosalie Maggio</b> (1944-2021) American writer<br><i>Talking About People: A Guide to Fair and Accurate Language</i>, &#8220;Writing Guidelines&#8221; (1997) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/talkingaboutpeop0000magg/page/20/mode/2up?q=%22doesn%27t+belong%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Bradbury, Ray -- &#8220;The Secret Mind,&#8221; The Writer (1965-11)</title>
		<link>https://wist.info/bradbury-ray/64248/</link>
		<comments>https://wist.info/bradbury-ray/64248/#respond</comments>
		<pubDate>Mon, 30 Oct 2023 21:32:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bradbury, Ray]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[experience]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[growth]]></category>
		<category><![CDATA[living]]></category>
		<category><![CDATA[sharing]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[We are cups, constantly and quietly being filled. The trick is knowing how to tip ourselves over and let the beautiful stuff out. Reprinted in Bradbury, Zen in the Art of Writing (1990).]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">We are cups, constantly and quietly being filled.<br />
<span class="tab">The trick is knowing how to tip ourselves over and let the beautiful stuff out.</span></span></p>
<br><b>Ray Bradbury</b> (1920-2012) American writer, futurist, fabulist<br>&#8220;The Secret Mind,&#8221; <i>The Writer</i> (1965-11) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/zeninartofwritin0000brad/page/120/mode/2up?q=cups" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Reprinted in Bradbury, <i>Zen in the Art of Writing</i> (1990).
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Holmes, Oliver Wendell, Sr. -- Poem (1858-01-18), &#8220;The Voiceless,&#8221; ll.  7-8.</title>
		<link>https://wist.info/holmes-sr-oliver-wendell/63212/</link>
		<comments>https://wist.info/holmes-sr-oliver-wendell/63212/#respond</comments>
		<pubDate>Fri, 15 Sep 2023 16:36:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Holmes, Oliver Wendell, Sr.]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[hidden]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[silence]]></category>

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		<description><![CDATA[Alas for those that never sing, But die with all their music in them! First read by Holmes (according to Longfellow) at a dinner that date of the Harvard Musical Association. Included in the 1858-10 installment of &#8220;Autocrat of the Breakfast-Table&#8221; (Atlantic Monthly, Vol. 2, No. 5), and the collected Autocrat of the Breakfast-Table, ch. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Alas for those that never sing,<br />
But die with all their music in them!</p>
<br><b>Oliver Wendell Holmes, Sr.</b> (1809-1894) American poet, essayist, scholar<br>Poem (1858-01-18), &#8220;The Voiceless,&#8221; ll.  7-8. 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.ibiblio.org/eldritch/owh/vless.html#:~:text=Alas%20for%20those%20that%20never%20sing%2C%0ABut%20die%20with%20all%20their%20music%20in%20them!" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://babel.hathitrust.org/cgi/pt?id=coo1.ark:/13960/t0ks7wq2s&seq=116&q1=voiceless">First read by Holmes</a> (according to Longfellow) at a dinner that date of the Harvard Musical Association. <a href="https://en.wikisource.org/wiki/The_Atlantic_Monthly/Volume_2/Number_5/The_Autocrat_of_the_Breakfast-Table#:~:text=Alas%20for%20those%20that%20never%20sing%2C%0ABut%20die%20with%20all%20their%20music%20in%20them!">Included</a> in the 1858-10 installment of "Autocrat of the Breakfast-Table" (<i>Atlantic Monthly</i>, Vol. 2, No. 5), and the <a href="https://en.wikisource.org/wiki/The_Autocrat_of_the_Breakfast-Table_(Holmes,_1858)/Chapter_12#:~:text=Alas%20for%20those%20that%20never%20sing%2C%0ABut%20die%20with%20all%20their%20music%20in%20them!">collected</a> <i>Autocrat of the Breakfast-Table</i>, ch. 12 (1858).  First <a href="https://archive.org/details/songsin00holm/page/248/mode/2up?q=%22that+never+sing%22">published as poetry</a> in <i>Songs in Many Keys</i> (1862).
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Byron, George Gordon, Lord -- The Corsair, Canto 3, st. 22, l. 1807ff (1814)</title>
		<link>https://wist.info/byron/62846/</link>
		<comments>https://wist.info/byron/62846/#respond</comments>
		<pubDate>Wed, 30 Aug 2023 14:52:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
		<category><![CDATA[confusion]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[grief]]></category>
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		<description><![CDATA[By those, that deepest feel, are ill exprest The indistinctness of the suffering breast; Where thousand thoughts begin to end in one, Which seeks from all the refuge found in none; No words suffice the secret soul to show. And Truth denies all eloquence to Woe.]]></description>
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			<content:encoded><![CDATA[<p>By those, that deepest feel, are ill exprest<br />
The indistinctness of the suffering breast;<br />
Where thousand thoughts begin to end in one,<br />
Which seeks from all the refuge found in none;<br />
No words suffice the secret soul to show.<br />
And Truth denies all eloquence to Woe.</p>
<br><b>George Gordon, Lord Byron</b> (1788-1824) English poet<br><i>The Corsair</i>, Canto 3, st. 22, l. 1807ff (1814) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Corsair_(Byron,_1814)/CANTO_III#:~:text=By%20those%2C%20that,eloquence%20to%20Woe." target="_blank">Source</a>)
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		<title>Rushdie, Salman -- &#8220;Public Event, Private Lives,&#8221; speech, University of Colorado, Boulder (2013-04-17)</title>
		<link>https://wist.info/rushdie-salman/61188/</link>
		<comments>https://wist.info/rushdie-salman/61188/#respond</comments>
		<pubDate>Wed, 14 Jun 2023 15:14:04 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Rushdie, Salman]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[freedom of expression]]></category>
		<category><![CDATA[human nature]]></category>
		<category><![CDATA[storytelling]]></category>
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		<description><![CDATA[An attack upon our ability to tell stories is not just censorship &#8212; it is a crime against our nature as human beings.]]></description>
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			<content:encoded><![CDATA[<p>An attack upon our ability to tell stories is not just censorship &#8212; it is a crime against our nature as human beings. </p>
<br><b>Salman Rushdie</b> (b. 1947) Indian novelist<br>&#8220;Public Event, Private Lives,&#8221; speech, University of Colorado, Boulder (2013-04-17) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.huffpost.com/entry/salman-rushdie-in-talk-a_n_3108008#:~:text=An%20attack%20upon%20our%20ability%20to%20tell%20stories%20is%20not%20just%20censorship%20%2D%2D%20it%20is%20a%20crime%20against%20our%20nature%20as%20human%20beings" target="_blank">Source</a>)
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		<title>Carlyle, Thomas -- Sartor Resartus, Book 1, ch.  4 (1834)</title>
		<link>https://wist.info/carlyle-thomas/60318/</link>
		<comments>https://wist.info/carlyle-thomas/60318/#respond</comments>
		<pubDate>Thu, 13 Apr 2023 21:27:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carlyle, Thomas]]></category>
		<category><![CDATA[character]]></category>
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		<description><![CDATA[No man who has once heartily and wholly laughed can be altogether irreclaimably bad. This chapter first appeared in Fraser&#8217;s Magazine for Town and Country, Vol. 8, No. 47 (1883-11).]]></description>
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			<content:encoded><![CDATA[<p>No man who has once heartily and wholly laughed can be altogether irreclaimably bad.</p>
<br><b>Thomas Carlyle</b> (1795-1881) Scottish essayist and historian<br><i>Sartor Resartus</i>, Book 1, ch.  4 (1834) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Thomas_Carlyle/Volume_1/Sartor_Resartus,_Book_I,_Chapter_IV#:~:text=no%20man%20who%20has%20once%20heartily%20and%20wholly%20laughed%20can%20be%20altogether%20irreclaimably%20bad." target="_blank">Source</a>)
										<br><br><span class="cite">
						

This chapter <a href="https://archive.org/details/sim_frasers-magazine_1833-11_8_47/page/592/mode/2up?q=%22heartily+and+wholly%22">first appeared</a> in <i>Fraser's Magazine for Town and Country</i>, Vol. 8, No. 47 (1883-11).


						</span>
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		<title>Lane, Rose Wilder -- Letter to Dorothy Thompson (Jan 1927)</title>
		<link>https://wist.info/lane-rose-wilder/53662/</link>
		<comments>https://wist.info/lane-rose-wilder/53662/#respond</comments>
		<pubDate>Mon, 20 Jun 2022 22:22:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lane, Rose Wilder]]></category>
		<category><![CDATA[communication]]></category>
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		<description><![CDATA[We are all so clumsy, my dear, and words are all we have, poor signals like bonfires and flags trying to express what shipwreck is. In William Holtz, ed., Dorothy Thompson and Rose Wilder Lane: Forty Years of Friendship (1991)]]></description>
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			<content:encoded><![CDATA[<p>We are all so clumsy, my dear, and words are all we have, poor signals like bonfires and flags trying to express what shipwreck is.</p>
<br><b>Rose Wilder Lane</b> (1886-1968) American journalist, travel writer, novelist, political theorist<br>Letter to Dorothy Thompson (Jan 1927) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/dorothythompsonr00thom/page/40/mode/2up?q=%22so+clumsy%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

In William Holtz, ed., <i>Dorothy Thompson and Rose Wilder Lane: Forty Years of Friendship</i> (1991)						</span>
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		<title>Holland, Barbara -- Wasn&#8217;t the Grass Greener?: A Curmudgeon&#8217;s Fond Memories, &#8220;Poetry&#8221; (1999)</title>
		<link>https://wist.info/holland-barbara/51290/</link>
		<comments>https://wist.info/holland-barbara/51290/#respond</comments>
		<pubDate>Mon, 07 Feb 2022 15:40:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Holland, Barbara]]></category>
		<category><![CDATA[expression]]></category>
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		<description><![CDATA[Once considered an art form that called for talent, or at least a craft that called for practice, a poem now needs only sincerity. Everyone, we&#8217;re assured, is a poet. Writing poetry is good for us. It expresses our inmost feelings, which is wholesome. Reading other people&#8217;s poems is pointless since those aren&#8217;t our own [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Once considered an art form that called for talent, or at least a craft that called for practice, a poem now needs only sincerity. Everyone, we&#8217;re assured, is a poet. Writing poetry is good for us. It expresses our inmost feelings, which is wholesome. Reading other people&#8217;s poems is pointless since those aren&#8217;t our own inmost feelings.</p>
<br><b>Barbara Holland</b> (1933-2010) American author<br><i>Wasn&#8217;t the Grass Greener?: A Curmudgeon&#8217;s Fond Memories</i>, &#8220;Poetry&#8221; (1999) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Wasn_t_the_Grass_Greener/xrp2AAAAMAAJ?hl=en&gbpv=1&bsq=%22those%20aren%27t%20our%20own%20inmost%20feelings%22" target="_blank">Source</a>)
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		<title>Bovee, Christian Nestell -- Thoughts, Feelings, &#038; Fancies (1857)</title>
		<link>https://wist.info/bovee-christian/48974/</link>
		<comments>https://wist.info/bovee-christian/48974/#comments</comments>
		<pubDate>Mon, 27 Sep 2021 20:35:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bovee, Christian Nestell]]></category>
		<category><![CDATA[communication]]></category>
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		<description><![CDATA[Kindness is a language the dumb can speak and the deaf can hear and understand. Slightly revised in Bovee&#8217;s Intuitions &#038; Summaries of Thought (1862): &#8220;Kindness: a language which the dumb can speak, and the deaf can understand.&#8221; Since the 2000s, frequently misattributed to Mark Twain. More information: The Apocryphal Twain: &#8220;Kindness is language the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Kindness is a language the dumb can speak and the deaf can hear and understand.</p>
<br><b>Christian Nestell Bovee</b> (1820-1904) American epigrammatist, writer, publisher<br><i>Thoughts, Feelings, &#038; Fancies</i> (1857) 
														<br><br><span class="cite">
						

<a href="https://www.google.com/books/edition/Intuitions_and_Summaries_of_Thought/b68IAAAAQAAJ?hl=en&gbpv=1&dq=kindness%20language%20deaf%20bovee&pg=PA240&printsec=frontcover&bsq=kindness%20language%20deaf%20bovee">Slightly revised</a> in Bovee's <i>Intuitions & Summaries of Thought</i> (1862): "Kindness: a language which the dumb can speak, and the deaf can understand."<br><br>

Since the 2000s, frequently misattributed to Mark Twain. More information: <a href="https://marktwainstudies.com/apocryphaltwainoptimism/">The Apocryphal Twain: "Kindness is language the deaf can hear." - Center for Mark Twain Studies</a>.						</span>
					]]></content:encoded>
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		<title>Kapuscinski, Ryszard -- Shah of Shahs, Part 3 &#8220;The Dead Flame&#8221; (1982)</title>
		<link>https://wist.info/kapuscinski-ryszard/47886/</link>
		<comments>https://wist.info/kapuscinski-ryszard/47886/#respond</comments>
		<pubDate>Tue, 20 Jul 2021 17:17:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kapuscinski, Ryszard]]></category>
		<category><![CDATA[crowd]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[impersonal]]></category>
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		<category><![CDATA[narrative]]></category>
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		<description><![CDATA[A person, an individual being, has a thousand ways of conveying his feelings and thoughts. He is riches without end, he is a world in which we can always discover something new. A crowd, on the other hand, reduces the individuality of the person; a man in a crowd limits himself to a few forms [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>A person, an individual being, has a thousand ways of conveying his feelings and thoughts. He is riches without end, he is a world in which we can always discover something new. A crowd, on the other hand, reduces the individuality of the person; a man in a crowd limits himself to a few forms of elementary behavior. The forms through which a crowd can express its yearnings are extraordinarily meager and continually repeat themselves: the demonstration, the strike, the rally, the barricades. That is why you can write a novel about a man, but about a crowd &#8212; never.</p>
<br><b>Ryszard Kapuściński</b> (1932-2007) Polish journalist, photographer, poet,  author<br><i>Shah of Shahs</i>, Part 3 &#8220;The Dead Flame&#8221; (1982) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.theworldunmasked.com/2018/04/shah-of-shahs.html#:~:text=Everything%20that%20makes,a%20crowd%20-%20never" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Arendt, Hannah -- Life of the Mind, Vol. 1 &#8220;Thinking,&#8221; Part 1, ch.  4 &#8220;Body and soul; soul and mind&#8221; (1977)</title>
		<link>https://wist.info/arendt-hannah/44578/</link>
		<comments>https://wist.info/arendt-hannah/44578/#respond</comments>
		<pubDate>Thu, 03 Dec 2020 19:29:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Arendt, Hannah]]></category>
		<category><![CDATA[appearance]]></category>
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		<description><![CDATA[The emotions I feel are no more meant to be shown in their unadulterated state than the inner organs by which we live. Originally printed as an essay (1977-11-14), &#8220;Thinking &#8212; I,&#8221; The New Yorker (1977-11-21).]]></description>
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			<content:encoded><![CDATA[<p>The emotions I feel are no more <em>meant</em> to be shown in their unadulterated state than the inner organs by which we live.</p>
<br><b>Hannah Arendt</b> (1906-1975) German-American philosopher, political theorist<br><i>Life of the Mind</i>, Vol. 1 &#8220;Thinking,&#8221; Part 1, ch.  4 &#8220;Body and soul; soul and mind&#8221; (1977) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/lifeofmind01aren/page/32/mode/2up?q=%22inner+organs+by%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Originally <a href="https://www.newyorker.com/magazine/1977/11/21/thinkingi#:~:text=the%20emotions%20I%20feel%20are%20no%20more%20meant%20to%20be%20shown%20in%20their%20unadulterated%20state%20than%20are%20the%20inner%20organs%20by%20which%20we%20live.">printed as an essay</a> (1977-11-14), "Thinking -- I," <i>The New Yorker</i> (1977-11-21).




 
						</span>
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		<title>McCourt, Frank -- Angela&#8217;s Ashes (1996)</title>
		<link>https://wist.info/mccourt-frank/43158/</link>
		<comments>https://wist.info/mccourt-frank/43158/#respond</comments>
		<pubDate>Thu, 10 Sep 2020 21:55:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McCourt, Frank]]></category>
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		<description><![CDATA[Sing your song. Dance your dance. Tell your tale. Also included in the dedication to Teacher Man (2006).]]></description>
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			<content:encoded><![CDATA[<p>Sing your song. Dance your dance. Tell your tale.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote.png" alt="" width="800" height="520" class="aligncenter size-full wp-image-43161" srcset="https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote-300x195.png 300w, https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote-768x499.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Frank McCourt</b> (1930-2009) Irish-American teacher and writer<br><i>Angela&#8217;s Ashes</i> (1996) 
														<br><br><span class="cite">
						

Also <a href="https://www.google.com/books/edition/Teacher_Man/YhgcwJ1L-s0C?hl=en&gbpv=1&bsq=%22dance%20your%20dance%22">included</a> in the dedication to <i>Teacher Man</i> (2006).

						</span>
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		<title>Thomas, Caitlin -- Not Quite Posthumous Letter to My Daughter (1963)</title>
		<link>https://wist.info/thomas-caitlin/43005/</link>
		<comments>https://wist.info/thomas-caitlin/43005/#respond</comments>
		<pubDate>Thu, 27 Aug 2020 17:28:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Thomas, Caitlin]]></category>
		<category><![CDATA[artist]]></category>
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		<category><![CDATA[depression]]></category>
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		<description><![CDATA[The wretched Artist himself is alternatively the lowest worm that ever crawled when no fire is in him: or the loftiest God that ever sang when the fire is going.]]></description>
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			<content:encoded><![CDATA[<p>The wretched Artist himself is alternatively the lowest worm that ever crawled when no fire is in him: or the loftiest God that ever sang when the fire is going. </p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/08/Thomas-wretched-artist-lowest-worm-no-fire-loftiest-god-fire-going-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/08/Thomas-wretched-artist-lowest-worm-no-fire-loftiest-god-fire-going-wist_info-quote.png" alt="" width="800" height="940" class="aligncenter size-full wp-image-43006" srcset="https://wist.info/wp/wp-content/uploads/2020/08/Thomas-wretched-artist-lowest-worm-no-fire-loftiest-god-fire-going-wist_info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2020/08/Thomas-wretched-artist-lowest-worm-no-fire-loftiest-god-fire-going-wist_info-quote-255x300.png 255w, https://wist.info/wp/wp-content/uploads/2020/08/Thomas-wretched-artist-lowest-worm-no-fire-loftiest-god-fire-going-wist_info-quote-768x902.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Caitlin Thomas</b> (1913-1994) British author, wife of Dylan Thomas [née Macnamara]<br><i>Not Quite Posthumous Letter to My Daughter</i> (1963) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Not_Quite_Posthumous_Letter_to_My_Daught/cQZKAAAAMAAJ?hl=en&gbpv=1&bsq=%22The%20wretched%20Artist%20himself%22" target="_blank">Source</a>)
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		<title>Bukowski, Charles -- Notes of a Dirty Old Man (1969)</title>
		<link>https://wist.info/bukowski-charles/40712/</link>
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		<pubDate>Fri, 14 Feb 2020 17:33:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bukowski, Charles]]></category>
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		<category><![CDATA[clarity]]></category>
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		<description><![CDATA[An intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way.]]></description>
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			<content:encoded><![CDATA[<p>An intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way.</p>
<br><b>Charles Bukowski</b> (1920-1994) German-American author, poet<br><i>Notes of a Dirty Old Man</i> (1969) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Notes_of_a_Dirty_Old_Man/dYpu-5qN2swC?hl=en&gbpv=1&pg=PT127&printsec=frontcover&bsq=%22intellectual%20is%20a%20man%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Angelou, Maya -- &#8220;The Art of Fiction,&#8221; Paris Review, #116, Interview with George Plimpton (1990)</title>
		<link>https://wist.info/angelou-maya/39283/</link>
		<comments>https://wist.info/angelou-maya/39283/#respond</comments>
		<pubDate>Fri, 01 Mar 2019 02:22:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Angelou, Maya]]></category>
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		<description><![CDATA[I really love language; it allows us to explain the pain and the glory, the nuances and the delicacies, of our existence. Most of all, it allows us to laugh. We need language.]]></description>
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			<content:encoded><![CDATA[<p>I really love language; it allows us to explain the pain and the glory, the nuances and the delicacies, of our existence. Most of all, it allows us to laugh. We need language.</p>
<br><b>Maya Angelou</b> (1928-2014) American poet, memoirist, activist [b. Marguerite Ann Johnson]<br>&#8220;The Art of Fiction,&#8221; <i>Paris Review</i>, #116, Interview with George Plimpton (1990) 
								]]></content:encoded>
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		<title>Beecher, Henry Ward -- Proverbs from Plymouth Pulpit, &#8220;Man&#8221; (1887)</title>
		<link>https://wist.info/beecher-henry-ward/38763/</link>
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		<pubDate>Fri, 03 Aug 2018 15:24:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Beecher, Henry Ward]]></category>
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		<category><![CDATA[indignation]]></category>
		<category><![CDATA[restraint]]></category>

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		<description><![CDATA[A man who cannot get angry is like a stream that cannot overflow, that is always turbid. Sometimes indignation is as good as a thunder-storm in summer, clearing and cooling the air.]]></description>
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			<content:encoded><![CDATA[<p>A man who cannot get angry is like a stream that cannot overflow, that is always turbid. Sometimes indignation is as good as a thunder-storm in summer, clearing and cooling the air.</p>
<br><b>Henry Ward Beecher</b> (1813-1887) American clergyman and orator<br><i>Proverbs from Plymouth Pulpit</i>, &#8220;Man&#8221; (1887) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=i447AAAAYAAJ&dq=henry%20ward%20beecher%20proverbs%20from%20plymouth%20pulpit&pg=PA23#v=onepage&q=turbid&f=false" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Ward, William Arthur -- (Attributed)</title>
		<link>https://wist.info/ward-william-arthur/38296/</link>
		<comments>https://wist.info/ward-william-arthur/38296/#respond</comments>
		<pubDate>Mon, 20 Nov 2017 17:35:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ward, William Arthur]]></category>
		<category><![CDATA[communication]]></category>
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		<category><![CDATA[follow through]]></category>
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		<description><![CDATA[Feeling gratitude and not expressing it is like wrapping a present and not giving it.]]></description>
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			<content:encoded><![CDATA[<p>Feeling gratitude and not expressing it is like wrapping a present and not giving it.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote-1024x512.png" alt="" width="640" height="320" class="aligncenter size-large wp-image-38298" srcset="https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote-1024x512.png 1024w, https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote-300x150.png 300w, https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote-768x384.png 768w, https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote-60x30.png 60w, https://wist.info/wp/wp-content/uploads/2017/11/Ward-feeling-gratitude-expressing-wrapping-present-giving-wist_info-quote.png 1176w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
<br><b>William Arthur Ward</b> (1921-1994) American aphorist, author, educator<br>(Attributed) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Orwell, George -- Essay (1946-04), &#8220;Politics and the English Language,&#8221; Horizon Magazine</title>
		<link>https://wist.info/orwell-george/36819/</link>
		<comments>https://wist.info/orwell-george/36819/#respond</comments>
		<pubDate>Thu, 20 Apr 2017 15:27:45 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Orwell, George]]></category>
		<category><![CDATA[clarity]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[One can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>One can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:</p>
<ol>
<li>Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.</li>
<li>Never use a long word where a short one will do.</li>
<li>If it is possible to cut a word out, always cut it out.</li>
<li>Never use the passive where you can use the active.</li>
<li>Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.</li>
<li>Break any of these rules sooner than say anything outright barbarous.</li>
</ol>
<p></p>
<br><b>George Orwell</b> (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]<br>Essay (1946-04), &#8220;Politics and the English Language,&#8221; <i>Horizon</i> Magazine 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/politics-and-the-english-language/#:~:text=one%20can%20often,anything%20outright%20barbarous" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Writing advice for "expressing and not for concealing or preventing thought."						</span>
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		<title>Bougeard, Alfred -- (Attributed)</title>
		<link>https://wist.info/bougeart-alfred/33241/</link>
		<comments>https://wist.info/bougeart-alfred/33241/#respond</comments>
		<pubDate>Fri, 08 Apr 2016 16:01:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bougeard, Alfred]]></category>
		<category><![CDATA[brevity]]></category>
		<category><![CDATA[concise]]></category>
		<category><![CDATA[distilled]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[refined]]></category>
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		<description><![CDATA[The more an idea is developed, the more concise becomes its expression; the more a tree is pruned, the better is the fruit. In J. De Finod (ed., tr.) A Thousand Flashes of French Wit, Wisdom, and Wickedness (1881).]]></description>
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			<content:encoded><![CDATA[<p>The more an idea is developed, the more concise becomes its expression; the more a tree is pruned, the better is the fruit.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2016/04/Bougeard-better-is-the-fruit-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/04/Bougeard-better-is-the-fruit-wist_info-quote.jpg" alt="Bougeard - better is the fruit - wist_info quote" width="605" height="403" class="aligncenter size-full wp-image-33244" srcset="https://wist.info/wp/wp-content/uploads/2016/04/Bougeard-better-is-the-fruit-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/04/Bougeard-better-is-the-fruit-wist_info-quote-300x200.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Alfred Bougeard</b> (1815-1882) French writer<br>(Attributed) 
														<br><br><span class="cite">
						

In J. De Finod (ed., tr.) <i>A Thousand Flashes of French Wit, Wisdom, and Wickedness</i> (1881).						</span>
					]]></content:encoded>
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		<title>Lorde, Audre -- &#8220;My Words Will Be There&#8221;</title>
		<link>https://wist.info/lorde-audre/32736/</link>
		<comments>https://wist.info/lorde-audre/32736/#respond</comments>
		<pubDate>Mon, 22 Feb 2016 15:07:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lorde, Audre]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artistry]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[meme]]></category>
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		<description><![CDATA[Art is not living. It is a use of living.]]></description>
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			<content:encoded><![CDATA[<p>Art is not living. It is a use of living.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2016/02/Lorde-art-is-not-living-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/02/Lorde-art-is-not-living-wist_info-quote.jpg" alt="Lorde - art is not living - wist_info quote" width="605" height="406" class="aligncenter size-full wp-image-32745" srcset="https://wist.info/wp/wp-content/uploads/2016/02/Lorde-art-is-not-living-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/02/Lorde-art-is-not-living-wist_info-quote-300x201.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Audre Lorde</b> (1934-1992) American writer, feminist, civil rights activist<br>&#8220;My Words Will Be There&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=en3iBwAAQBAJ&pg=PA166" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Frost, Robert -- (Attributed)</title>
		<link>https://wist.info/frost-robert/32721/</link>
		<comments>https://wist.info/frost-robert/32721/#respond</comments>
		<pubDate>Fri, 19 Feb 2016 16:33:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Frost, Robert]]></category>
		<category><![CDATA[bore]]></category>
		<category><![CDATA[chatter]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[inarticulate]]></category>
		<category><![CDATA[meaning]]></category>
		<category><![CDATA[message]]></category>
		<category><![CDATA[natter]]></category>
		<category><![CDATA[silent]]></category>
		<category><![CDATA[speech]]></category>
		<category><![CDATA[stifled]]></category>
		<category><![CDATA[talk]]></category>

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		<description><![CDATA[Half the world is composed of people who have something to say and can&#8217;t, and the other half who have nothing to say and keep on saying it.]]></description>
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			<content:encoded><![CDATA[<p>Half the world is composed of people who have something to say and can&#8217;t, and the other half who have nothing to say and keep on saying it.</p>
<br><b>Robert Frost</b> (1874-1963) American poet<br>(Attributed) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Lorde, Audre -- &#8220;The Transformation of Silence into Language and Action,&#8221; speech, Modern Language Association (28 Dec 1977)</title>
		<link>https://wist.info/lorde-audre/32657/</link>
		<comments>https://wist.info/lorde-audre/32657/#respond</comments>
		<pubDate>Mon, 15 Feb 2016 14:43:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lorde, Audre]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[belief]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[misinterpretation]]></category>
		<category><![CDATA[misunderstanding]]></category>
		<category><![CDATA[silence]]></category>
		<category><![CDATA[speaking]]></category>
		<category><![CDATA[speech]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood.]]></description>
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			<content:encoded><![CDATA[<p>I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood.</p>
<br><b>Audre Lorde</b> (1934-1992) American writer, feminist, civil rights activist<br>&#8220;The Transformation of Silence into Language and Action,&#8221; speech, Modern Language Association (28 Dec 1977) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.csusm.edu/sjs/documents/silenceintoaction.pdf" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Joubert, Joseph -- Pensées [Thoughts], 1791 entry [tr. Auster (1983)]</title>
		<link>https://wist.info/joubert-joseph/21060/</link>
		<comments>https://wist.info/joubert-joseph/21060/#respond</comments>
		<pubDate>Mon, 06 May 2013 12:52:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Joubert, Joseph]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[speaking]]></category>
		<category><![CDATA[thinking]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[Writing is closer to thinking than to speaking. I could not find an analog in other translations of the Pensées.]]></description>
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			<content:encoded><![CDATA[<p>Writing is closer to thinking than to speaking.</p>
<br><b>Joseph Joubert</b> (1754-1824) French moralist, philosopher, essayist, poet<br><i>Pensées [Thoughts]</i>, 1791 entry [tr. Auster (1983)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/translations0000unse_s5s8/page/30/mode/2up?q=%22writing+is+closer%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

I could not find an analog in other translations of the <i>Pensées</i>.

						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Huxley, Aldous -- &#8220;The Rest is Silence,&#8221; Music at Night and Other Essays (1931)</title>
		<link>https://wist.info/huxley-aldous/15675/</link>
		<comments>https://wist.info/huxley-aldous/15675/#respond</comments>
		<pubDate>Tue, 13 Sep 2011 12:25:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Huxley, Aldous]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[ineffable]]></category>
		<category><![CDATA[inexpressible]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[quiet]]></category>
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		<description><![CDATA[After silence that which comes nearest to expressing the inexpressible is music.]]></description>
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			<content:encoded><![CDATA[<p>After silence that which comes nearest to expressing the inexpressible is music.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2011/09/Huxley-After-silence-that-which-comes-nearest-to-expressing-the-inexpressible-is-music-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2011/09/Huxley-After-silence-that-which-comes-nearest-to-expressing-the-inexpressible-is-music-wist_info-quote-1024x544.png" alt="" width="640" height="340" class="aligncenter size-large wp-image-39907" srcset="https://wist.info/wp/wp-content/uploads/2011/09/Huxley-After-silence-that-which-comes-nearest-to-expressing-the-inexpressible-is-music-wist_info-quote-1024x544.png 1024w, https://wist.info/wp/wp-content/uploads/2011/09/Huxley-After-silence-that-which-comes-nearest-to-expressing-the-inexpressible-is-music-wist_info-quote-300x159.png 300w, https://wist.info/wp/wp-content/uploads/2011/09/Huxley-After-silence-that-which-comes-nearest-to-expressing-the-inexpressible-is-music-wist_info-quote-768x408.png 768w, https://wist.info/wp/wp-content/uploads/2011/09/Huxley-After-silence-that-which-comes-nearest-to-expressing-the-inexpressible-is-music-wist_info-quote.png 1375w" sizes="(max-width: 640px) 100vw, 640px" /></a></p>
<br><b>Aldous Huxley</b> (1894-1963) English novelist, essayist and critic<br>&#8220;The Rest is Silence,&#8221; <i>Music at Night and Other Essays</i> (1931) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Collected_Works_of_Aldous_Huxley/M5AnAQAAMAAJ?hl=en&gbpv=1&bsq=%22expressing%20the%20inexpressible%22" target="_blank">Source</a>)
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		<title>Hugo, Victor -- William Shakespeare, Part 1, Book 2, ch. 4 (1864) [tr. Baillot]</title>
		<link>https://wist.info/hugo-victor/13468/</link>
		<comments>https://wist.info/hugo-victor/13468/#respond</comments>
		<pubDate>Mon, 10 Jan 2011 14:34:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
		<category><![CDATA[compulsion]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[silence]]></category>
		<category><![CDATA[suppression]]></category>

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		<description><![CDATA[Music expresses that which cannot be said and on which it is impossible to be silent. [Ce qu’on ne peut dire et ce qu’on ne peut taire, la musique l’exprime.] (Source (French)). Alternate translation: Music expresses that which cannot be said, and which cannot be suppressed. [tr. Anderson (1886)]]]></description>
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			<content:encoded><![CDATA[<p>Music expresses that which cannot be said and on which it is impossible to be silent.</p>
<p><em>[Ce qu’on ne peut dire et ce qu’on ne peut taire, la musique l’exprime.]</em></p>
<br><b>Victor Hugo</b> (1802-1885) French writer<br><i>William Shakespeare</i>, Part 1, Book 2, ch. 4 (1864) [tr. Baillot] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/William_Shakespeare/GX4xEAAAQBAJ?hl=en&gbpv=1&bsq=%22music%20expresses%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.google.com/books/edition/William_Shakespeare_Victor_Hugo/nyusus92sO4C?hl=en&">Source (French)</a>). Alternate translation:<br><br>

<blockquote>Music expresses that which cannot be said, and which cannot be suppressed.<br>
[tr. <a href="https://www.google.com/books/edition/William_Shakespeare/JOdIAAAAIAAJ?hl=en&gbpv=1&bsq=%22music%20expresses%22">Anderson</a> (1886)]</blockquote><br>




						</span>
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		<title>Straczynski, J. Michael "Joe" -- rec.arts.sf.tv.babylon5.moderated, &#8220;A Quote by JMS&#8221; (31 Jan 2008)</title>
		<link>https://wist.info/straczynski-joe/9759/</link>
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		<pubDate>Fri, 12 Feb 2010 17:49:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Straczynski, J. Michael "Joe"]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[goodbye]]></category>
		<category><![CDATA[sentence]]></category>
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		<description><![CDATA[The more important the emotion is, the fewer words required to express it: Will you go out with me? I think I like you. I care for you. I love you. Marry me. Goodbye. Straczynski is quoting something he&#8217;d previously written on the death of Andreas Katsulas (Feb 2006). A variant of the quote can [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The more important the emotion is, the fewer words required to express it:<br />
Will you go out with me?<br />
I think I like you.<br />
I care for you.<br />
I love you.<br />
Marry me.<br />
Goodbye. </p>
<br><b>J. Michael (Joe) Straczynski</b> (b. 1954) American screenwriter, producer, author [a/k/a "JMS"]<br>rec.arts.sf.tv.babylon5.moderated, &#8220;A Quote by JMS&#8221; (31 Jan 2008) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.jmsnews.com/messages/message?id=3693" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Straczynski is quoting something he'd previously written on the death of Andreas Katsulas (Feb 2006). A variant of the quote can be found as a sig line at least as far back as Sep 2007:<br><br>
<blockquote>I had this theory that the more important and intimate the emotion, the fewer words are required to express it.<br><br>

First it's in dating: "Will you go out with me?" Six words.<br>
"Honey, I care for you." Five words.<br>
"You matter to me." Four words.<br>
"I love you." Three words.<br>
"Marry me." Two words.<br><br>
But what's left? What's the one most important and intimate word you can ever say to somebody?<br><br>
It's "goodbye."</blockquote>						</span>
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		<title>Chesterfield (Lord) -- Letter to his son, #183 (22 May 1749)</title>
		<link>https://wist.info/chesterfield-lord/7335/</link>
		<comments>https://wist.info/chesterfield-lord/7335/#respond</comments>
		<pubDate>Mon, 11 May 2009 13:16:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chesterfield (Lord)]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[exploitation]]></category>
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		<category><![CDATA[overreaction]]></category>
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		<description><![CDATA[A man who does not possess himself enough to hear disagreeable things without visible marks of anger and change of countenance, or agreeable ones without sudden bursts of joy and expansion of countenance, is at the mercy of every artful knave or pert coxcomb.]]></description>
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			<content:encoded><![CDATA[<p>A man who does not possess himself enough to hear disagreeable things without visible marks of anger and change of countenance, or agreeable ones without sudden bursts of joy and expansion of countenance, is at the mercy of every artful knave or pert coxcomb.</p>
<br><b>Lord Chesterfield</b> (1694-1773) English statesman, wit [Philip Dormer Stanhope]<br>Letter to his son, #183 (22 May 1749) 
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		<title>Ingersoll, Robert Green -- Lecture (1872-01-29), &#8220;The Gods,&#8221; epigraph, Fairbury Hall, Fairbury, Illinois</title>
		<link>https://wist.info/ingersoll-robert-green/6385/</link>
		<comments>https://wist.info/ingersoll-robert-green/6385/#respond</comments>
		<pubDate>Thu, 09 Oct 2008 10:12:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ingersoll, Robert Green]]></category>
		<category><![CDATA[deity]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[honesty]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[ideal]]></category>
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		<description><![CDATA[An honest God is the noblest work of man. First given on the 135th birthday of Thomas Paine. Collected in The Gods and Other Lectures (1876). See Pope and Butler.]]></description>
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			<content:encoded><![CDATA[<p>An honest God is the noblest work of man.</p>
<br><b>Robert Green Ingersoll</b> (1833-1899) American lawyer, freethinker, orator<br>Lecture (1872-01-29), &#8220;The Gods,&#8221; epigraph, Fairbury Hall, Fairbury, Illinois 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/38813/pg38813-images.html#Alink0002:~:text=An%20Honest%20God%20is%20the%20Noblest%20Work%20of%20Man." target="_blank">Source</a>)
										<br><br><span class="cite">
						

First given on the 135th birthday of Thomas Paine. <a href="https://archive.org/details/godsotherlectu00inge/page/6/mode/2up?q=%22an+honest+god%22">Collected</a> in <i>The Gods and Other Lectures</i> (1876).<br><br>

See <a href="/pope-alexander/12737/">Pope</a> and <a href="/butler-samuel/12841/">Butler</a>.

						</span>
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		<title>Rickover, Hyman -- Speech (1981-11-05), &#8220;Doing a Job,&#8221; Egleston Medal Award Dinner, Columbia School of Engineering and Applied Science, New York</title>
		<link>https://wist.info/rickover-hyman/6280/</link>
		<comments>https://wist.info/rickover-hyman/6280/#comments</comments>
		<pubDate>Wed, 10 Sep 2008 10:10:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Rickover, Hyman]]></category>
		<category><![CDATA[analysis]]></category>
		<category><![CDATA[argument]]></category>
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		<description><![CDATA[Nothing so sharpens the thought process as writing down one&#8217;s arguments. Weaknesses overlooked in oral discussion become painfully obvious on the written page.]]></description>
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			<content:encoded><![CDATA[<p>Nothing so sharpens the thought process as writing down one&#8217;s arguments. Weaknesses overlooked in oral discussion become painfully obvious on the written page.</p>
<br><b>Hyman Rickover</b> (1900-1986) Polish-American naval engineer, admiral [b. Chaim Gdala Rykower]<br>Speech (1981-11-05), &#8220;Doing a Job,&#8221; Egleston Medal Award Dinner, Columbia School of Engineering and Applied Science, New York 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Economics_of_Defense_Policy/r75FAQAAMAAJ?hl=en&gbpv=1&bsq=%22nothing%20so%20sharpens%22" target="_blank">Source</a>)
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		<title>Hugo, Victor -- Les Misérables, Part 2 &#8220;Cosette,&#8221; Book  8 &#8220;Cemeteries Take What Is Given Them,&#8221; ch.  9  (2.8.9) (1862) [tr. Wilbour (1862)]</title>
		<link>https://wist.info/hugo-victor/1993/</link>
		<comments>https://wist.info/hugo-victor/1993/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[face]]></category>
		<category><![CDATA[laughing]]></category>
		<category><![CDATA[laughter]]></category>
		<category><![CDATA[smile]]></category>
		<category><![CDATA[smiling]]></category>
		<category><![CDATA[warmth]]></category>

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		<description><![CDATA[Laughter is sunshine; it chases winter from the human face. [Le rire, c’est le soleil; il chasse l’hiver du visage humain.] (Source (French)). Alternate translations: For laughter is the sun which drives winter from the human face. [tr. Wraxall (1862)] A smile is the same as sunshine; it banishes winter from the human countenance. [tr. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Laughter is sunshine; it chases winter from the human face.</p>
<p><em>[Le rire, c’est le soleil; il chasse l’hiver du visage humain.]</em></p>
<br><b>Victor Hugo</b> (1802-1885) French writer<br><i>Les Misérables</i>, Part 2 &#8220;Cosette,&#8221; Book  8 &#8220;Cemeteries Take What Is Given Them,&#8221; ch.  9  (2.8.9) (1862) [tr. Wilbour (1862)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.43835/page/n493/mode/2up?q=%22laughter+is+sunshine%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Les_Mis%C3%A9rables/Tome_2/Livre_8/09#:~:text=Le%20rire%2C%20c%E2%80%99est%20le%20soleil%C2%A0%3B%20il%20chasse%20l%E2%80%99hiver%20du%20visage%20humain.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>For laughter is the sun which drives winter from the human face.<br>
[tr. <a href="https://archive.org/details/lesmiserables0000vict_z1p0/page/n595/mode/2up?q=%22laughter+is+the+sun%22">Wraxall</a> (1862)]</blockquote><br>

<blockquote>A smile is the same as sunshine; it banishes winter from the human countenance.<br>
[tr. <a href="https://en.wikisource.org/wiki/Les_Mis%C3%A9rables/Volume_2/Book_Eighth/Chapter_9#:~:text=A%20smile%20is%20the%20same%20as%20sunshine%3B%20it%20banishes%20winter%20from%20the%20human%20countenance.">Hapgood</a> (1887)]</blockquote><br>

<blockquote>Laughter is a sun that drives out winter from the human face.<br>
[tr. <a href="https://archive.org/details/lesmiserables0000tran/page/488/mode/2up?q=%22laughter+is+A+sun%22">Denny</a> (1976)]</blockquote><br>

<blockquote>Laughter is sunshine; it chases winter from the human face.<br>
[tr. <a href="https://archive.org/details/lesmisrabl1987hugo/page/568/mode/2up?q=%22laughter+is+sunshine%22">Wilbour/Fahnestock/MacAfee</a> (1987)]</blockquote><br>

<blockquote>Laughter is sunshine. It banishes winter from the human countenance.<br>
[tr. <a href="https://www.google.com/books/edition/Les_Miserables/dyKMDQAAQBAJ?hl=en&gbpv=1&bsq=%22laughter%20is%20sunshine%22">Donougher</a> (2013)]</blockquote><br>
						</span>
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		<title>Wittgenstein, Ludwig -- Tractatus Logico-Philosophicus, 5.6 (1921)</title>
		<link>https://wist.info/wittgenstein-ludwig/4230/</link>
		<comments>https://wist.info/wittgenstein-ludwig/4230/#comments</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wittgenstein, Ludwig]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[limitation]]></category>
		<category><![CDATA[perception]]></category>
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		<description><![CDATA[The limits of my language mark the limits of my world. Alt. trans: &#8220;The boundary of my language is the boundary of my world.&#8221; [tr. Kolak] &#8220;The limits of my language mean the limits of my world.&#8221; [tr. Pears and McGuinness] &#8220;The limits of my language stand for the limits of my world.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>The limits of my language mark the limits of my world.</p>
<br><b>Ludwig Wittgenstein</b> (1889-1951) Austrian-English philosopher<br><i>Tractatus Logico-Philosophicus,</i> 5.6 (1921) 
														<br><br><span class="cite">
						
Alt. trans:<ul>
	<li>"<em>The boundary of my language</em> is the boundary of my world." [tr. Kolak]</li>
	<li>"The limits of my language mean the limits of my world." [tr. Pears and McGuinness]</li>
	<li>"The limits of my language stand for the limits of my world."</li>
</ul>


						</span>
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		<title>Straczynski, J. Michael "Joe" -- Babylon 5, 4&#215;06 &#8220;Into the Fire&#8221; (3 Feb 1997)</title>
		<link>https://wist.info/straczynski-joe/3768/</link>
		<comments>https://wist.info/straczynski-joe/3768/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Straczynski, J. Michael "Joe"]]></category>
		<category><![CDATA[expression]]></category>
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		<description><![CDATA[DELENN: In my experience, if you cannot say what you mean, you cannot mean what you say.]]></description>
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			<content:encoded><![CDATA[<p>DELENN:  In my experience, if you cannot say what you mean, you cannot mean what you say.</p>
<br><b>J. Michael (Joe) Straczynski</b> (b. 1954) American screenwriter, producer, author [a/k/a "JMS"]<br><i>Babylon 5</i>, 4&#215;06 &#8220;Into the Fire&#8221; (3 Feb 1997) 
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		<title>Milne, A. A. -- House at Pooh Corner, ch.  3 &#8220;The Search for Small&#8221; (1928)</title>
		<link>https://wist.info/milne-a-a/2847/</link>
		<comments>https://wist.info/milne-a-a/2847/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Milne, A. A.]]></category>
		<category><![CDATA[expression]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[rhetoric]]></category>
		<category><![CDATA[words]]></category>

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		<description><![CDATA[Pooh knew what he meant, but, being a Bear of Very Little Brain, couldn&#8217;t think of the words.]]></description>
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			<content:encoded><![CDATA[<p>Pooh knew what he meant, but, being a Bear of Very Little Brain, couldn&#8217;t think of the words.</p>
<br><b>A. A. Milne</b> (1882-1956) English poet and playwright [Alan Alexander Milne]<br><i>House at Pooh Corner</i>, ch.  3 &#8220;The Search for Small&#8221; (1928) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/completewinnieth0000miln_h0t5/page/200/mode/2up?q=%22knew+what+he+meant%22" target="_blank">Source</a>)
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