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		<title>La Rochefoucauld, Francois -- Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims], ¶211 (1665-1678) [tr. FitzGibbon (1957)]</title>
		<link>https://wist.info/la-rochefoucauld-francois/79493/</link>
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		<pubDate>Fri, 03 Oct 2025 19:42:09 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Rochefoucauld, Francois]]></category>
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		<description><![CDATA[There are people who resemble popular songs: they are sung for a time and then forgotten. [Il y a des gens qui ressemblent aux vaudevilles, qu’on ne chante qu’un certain temps.] The manuscripts of some early editions included a clause about those popular songs being distasteful (as seen in some of the translations below), but [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>There are people who resemble popular songs: they are sung for a time and then forgotten.</p>
<p><em>[Il y a des gens qui ressemblent aux vaudevilles, qu’on ne chante qu’un certain temps.]</em></p>
<br><b>François VI, duc de La Rochefoucauld</b> (1613-1680) French epigrammatist, memoirist, noble<br><i>Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims]</i>, ¶211 (1665-1678) [tr. FitzGibbon (1957)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/maximsofducdelar0000laro/page/72/mode/2up?q=211" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The manuscripts of some early editions included a clause about those popular songs being distasteful (as seen in some of the translations below), but the phrase was not in the final (1678) edition:<br><br>

<blockquote><em>[Il y a des gens qui ressemblent aux vaudevilles, que tout le monde chante un certain temps, quelques fades et dégoûtants qu’ils soient.]</em></blockquote><br>

(<a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#:~:text=.%20(%C3%A9d.%201.)-,CCXI,-Il%20y%20a">Source (French)</a>). Other translations:<br><br>

<blockquote>There are a sort of people may be compar'd to those trivial Songs, which all are in an humour to sing for a certain time, how flat and distasteful soever they may be.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A49597.0001.001/1:4.64?rgn=div2;view=fulltext">Davies</a> (1669), ¶64]</blockquote><br>

<blockquote>Some Men are like Ballads, that every body Sings at one time or other, though they be never so dull and insipid.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A49601.0001.001?rgn=main;view=fulltext#:~:text=Some%20Men%20are%20like%20Ballads%2C%20that%20every%20body%20Sings%20at%20one%20time%20or%20other%2C%20though%20they%20be%20never%20so%20dull%20and%20insipid.">Stanhope</a> (1694), ¶212]</blockquote><br>

<blockquote>There are people who, like new songs, are in vogue only for a time.<br>
[pub. <a href="https://archive.org/details/maximsandmoralr00rochgoog/page/n143/mode/2up?q=%22CCCCLIV.%22">Donaldson</a> (1783), ¶454; ed. <a href="https://archive.org/details/maximsmoralrefle00larouoft/page/71/mode/1up">Lepoittevin-Lacroix</a> (1797), ¶202]</blockquote><br>

<blockquote>There are those, who, like new songs, are favourites only for a time.<br> 
[ed. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.32044019833292&view=2up&seq=127&skin=2021&q1=songs">Carvill</a> (1835), ¶491] </blockquote><br>

<blockquote>Some people resemble ballads, which are only sung for a certain time.<br>
[ed. <a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33433075829600&view=1up&seq=107&skin=2021&q1=ballads">Gowens</a> (1851), ¶220] </blockquote><br>

<blockquote>There are people who are like farces, which are praised but for a time (however foolish and distasteful they may be).<br>
[tr. <a href="https://gutenberg.org/files/9105/9105-h/9105-h.htm#link211:~:text=There%20are%20people%20who%20are%20like%20farces%2C%20which%20are%20praised%20but%20for%20a%20time%20(however%20foolish%20and%20distasteful%20they%20may%20be).">Bund/Friswell</a> (1871), ¶211]</blockquote><br>

<blockquote>Some people are like rag-time -- their popularity is short-lived.<br>
[tr. <a href="https://www.google.com/books/edition/Maxims_of_Le_Duc_de_La_Rochefoucauld/eq89AQAAMAAJ?hl=en&gbpv=1&bsq=216">Heard</a> (1917), ¶216]</blockquote><br>

<blockquote>Some people are like popular songs, which are sung only for a season.<br>
[tr. <a href="https://www.google.com/books/edition/The_Maxims_of_Fran%C3%A7ois_Duc_de_La_Rochef/MhZEAAAAYAAJ?hl=en&gbpv=1&bsq=%22popular%20songs%22">Stevens</a> (1939), ¶211]</blockquote><br>

<blockquote>Some people are like a popular song, taken up only for a time.<br>
[tr. <a href="https://archive.org/details/maximsoflarochef00laro/page/70/mode/2up?q=%22popular+song%22">Kronenberger</a> (1959), ¶211] </blockquote><br>

<blockquote>Some people are like popular songs that you only sing for a short time.<br>
[tr. <a href="https://archive.org/details/maxims0000laro/page/60/mode/2up?q=211">Tancock</a> (1959), ¶211]</blockquote><br>

<blockquote>There are people who resemble certain kinds of popular music, which are sung only for a certain time, however insipid and disgusting they may be, and then forgotten.<br>
[tr. <a href="https://thomaswhichello.com/a-translation-of-reflections-or-sentences-and-moral-maxims-by-francois-de-la-rochefoucauld/#:~:text=There%20are%20people%20who%20resemble%20certain%20kinds%20of%20popular%20music%2C%20which%20are%C2%A0sung%20only%20for%20a%20certain%20time%2C%20however%20insipid%20and%20disgusting%20they%C2%A0may%20be%2C%20and%20then%20forgotten.">Whichello</a> (2016) ¶211]</blockquote><br>						</span>
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		<title>Mackay, Charles -- Memoirs of Extraordinary Popular Delusions and the Madness of Crowds, &#8220;The Crusades&#8221; (1841)</title>
		<link>https://wist.info/mackay-charles/78827/</link>
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		<pubDate>Mon, 08 Sep 2025 15:18:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Mackay, Charles]]></category>
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		<description><![CDATA[Every age has its peculiar folly; some scheme, project, or phantasy into which it plunges, spurred on either by the love of gain, the necessity of excitement, or the mere force of imitation. Failing in these, it has some madness, to which it is goaded by political or religious causes, or both combined.]]></description>
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			<content:encoded><![CDATA[<p>Every age has its peculiar folly; some scheme, project, or phantasy into which it plunges, spurred on either by the love of gain, the necessity of excitement, or the mere force of imitation. Failing in these, it has some madness, to which it is goaded by political or religious causes, or both combined.</p>
<br><b>Charles Mackay</b> (1814-1889) Scottish poet, journalist, song writer<br><i>Memoirs of Extraordinary Popular Delusions and the Madness of Crowds</i>, &#8220;The Crusades&#8221; (1841) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/24518/pg24518-images.html#:~:text=Every%20age%20has,or%20both%20combined." target="_blank">Source</a>)
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		<title>Child, Julia -- &#8220;What I&#8217;ve Learned: Julia Child,&#8221; interview by Mike Sager, Esquire (2001-06)</title>
		<link>https://wist.info/child-julia/59241/</link>
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		<pubDate>Mon, 06 Mar 2023 16:02:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[I&#8217;m awfully sorry for people who are taken in by all of today&#8217;s dietary mumbo jumbo. They are not getting any enjoyment out of their food. Reprinted in Brendan Vaughan, Esquire: The Meaning of Life (2004).]]></description>
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			<content:encoded><![CDATA[<p>I&#8217;m awfully sorry for people who are taken in by all of today&#8217;s dietary mumbo jumbo. They are not getting any enjoyment out of their food.</p>
<br><b>Julia Child</b> (1912-2004) American chef and writer<br>&#8220;What I&#8217;ve Learned: Julia Child,&#8221; interview by Mike Sager, <i>Esquire</i> (2001-06) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.esquire.com/food-drink/interviews/a1273/julia-child-quotes-0601/#:~:text=I%27m%20awfully%20sorry%20for%20people%20who%20are%20taken%20in%20by%20all%20of%20today%27s%20dietary%20mumbo%20jumbo.%20They%20are%20not%20getting%20any%20enjoyment%20out%20of%20their%20food." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/esquiremeaningof00edit_0/page/39/mode/2up">Reprinted</a> in Brendan Vaughan, <i>Esquire: The Meaning of Life</i> (2004).

						</span>
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		<title>Baker, Russell -- &#8220;Talking Clothes,&#8221; So This Is Depravity (1973)</title>
		<link>https://wist.info/baker-russell/29032/</link>
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		<pubDate>Wed, 15 Apr 2015 12:14:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[I frankly admit to not knowing who I am. This is why I refuse to buy clothes that will tell people who I want them to think I am.]]></description>
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			<content:encoded><![CDATA[<p>I frankly admit to not knowing who I am. This is why I refuse to buy clothes that will tell people who I want them to think I am.</p>
<br><b>Russell Baker</b> (1925-2019) American journalist, author, humorist<br>&#8220;Talking Clothes,&#8221; <i>So This Is Depravity</i> (1973) 
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		<title>Scalzi, John -- &#8220;Who Gets To Be a Geek? Anyone Who Wants to Be,&#8221; blog entry (26 Jul 2012)</title>
		<link>https://wist.info/scalzi-john/26300/</link>
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		<pubDate>Wed, 06 Aug 2014 13:08:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Many people believe geekdom is defined by a love of a thing, but I think &#8212; and my experience of geekdom bears on this thinking &#8212; that the true sign of a geek is a delight in sharing a thing. It&#8217;s the major difference between a geek and a hipster, you know: When a hipster [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Many people believe geekdom is defined by a love of a thing, but I think &#8212; and my experience of geekdom bears on this thinking &#8212; that the true sign of a geek is a delight in sharing a thing. It&#8217;s the major difference between a geek and a hipster, you know: When a hipster sees someone else grooving on the thing they love, their reaction is to say &#8220;Oh, crap, now the wrong people like the thing I love.&#8221; When a geek sees someone else grooving on the thing they love, their reaction is to say &#8220;ZOMG YOU LOVE WHAT I LOVE COME WITH ME AND LET US LOVE IT TOGETHER.&#8221;</p>
<br><b>John Scalzi</b> (b. 1969) American writer<br>&#8220;Who Gets To Be a Geek? Anyone Who Wants to Be,&#8221; blog entry (26 Jul 2012) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://whatever.scalzi.com/2012/07/26/who-gets-to-be-a-geek-anyone-who-wants-to-be/" target="_blank">Source</a>)
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