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		<title>Johnson, Samuel -- Essay (1759-06-02), The Idler, No.  59</title>
		<link>https://wist.info/johnson-samuel/84132/</link>
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		<pubDate>Mon, 08 Jun 2026 15:51:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Of many writers who filled their age with wonder, and whose names we find celebrated in the books of their contemporaries, the works are now no longer to be seen, or are seen only amidst the lumber of libraries which are seldom visited, where they lie only to show the deceitfulness of hope, and the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Of many writers who filled their age with wonder, and whose names we find celebrated in the books of their contemporaries, the works are now no longer to be seen, or are seen only amidst the lumber of libraries which are seldom visited, where they lie only to show the deceitfulness of hope, and the uncertainty of honour.</p>
<br><b>Samuel Johnson</b> (1709-1784) English writer, lexicographer, critic<br>Essay (1759-06-02), <i>The Idler</i>, No.  59 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/ramblerandidler00johnuoft/page/n439/mode/2up?q=%22many+writers+who+filled%22" target="_blank">Source</a>)
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		<title>Hoffer, Eric -- Passionate State of Mind, Aphorism 203 (1955)</title>
		<link>https://wist.info/hoffer-eric/81117/</link>
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		<pubDate>Thu, 01 Jan 2026 22:14:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hoffer, Eric]]></category>
		<category><![CDATA[acceptability]]></category>
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		<description><![CDATA[When cowardice is made respectable, its followers are without number both from among the weak and the strong; it easily becomes a fashion. See also Hoffer (1971).]]></description>
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			<content:encoded><![CDATA[<p>When cowardice is made respectable, its followers are without number both from among the weak and the strong; it easily becomes a fashion.</p>
<br><b>Eric Hoffer</b> (1902-1983) American writer, philosopher, longshoreman<br><i>Passionate State of Mind</i>, Aphorism 203 (1955) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/passionatestateo00hoff/page/124/mode/2up?q=203" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See also <a href="/hoffer-eric/13485/">Hoffer</a> (1971).						</span>
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		<title>Moliere -- Don Juan [Dom Juan], Act 5, sc. 2 (1665) [tr. Wilbur (2001)]</title>
		<link>https://wist.info/moliere/80407/</link>
		<comments>https://wist.info/moliere/80407/#respond</comments>
		<pubDate>Thu, 20 Nov 2025 22:38:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Moliere]]></category>
		<category><![CDATA[custom]]></category>
		<category><![CDATA[disgrace]]></category>
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		<category><![CDATA[hypocrisy]]></category>
		<category><![CDATA[shamelessness]]></category>
		<category><![CDATA[vice]]></category>
		<category><![CDATA[virtue]]></category>

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		<description><![CDATA[DON JUAN: It&#8217;s no longer shameful to be a dissembler; hypocrisy is now a fashionable vice, and all fashionable vices pass for virtues. [DON JUAN: Il n’y a plus de honte maintenant à cela ; l’hypocrisie est un vice à la mode, et tous les vices à la mode passent pour vertus.] (Source (French)). Other [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">DON JUAN: It&#8217;s no longer shameful to be a dissembler; hypocrisy is now a fashionable vice, and all fashionable vices pass for virtues.</p>
<p></p>
<p class="hangingindent"><em>[DON JUAN: Il n’y a plus de honte maintenant à cela ; l’hypocrisie est un vice à la mode, et tous les vices à la mode passent pour vertus.]</em></p>
<p></p>
<br><b>Molière</b> (1622-1673) French playwright, actor [stage name for Jean-Baptiste Poquelin]<br><i>Don Juan [Dom Juan]</i>, Act 5, sc. 2 (1665) [tr. Wilbur (2001)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Moliere_The_Complete_Richard_Wilbur_Tran/DKUbEAAAQBAJ?hl=en&gbpv=1&bsq=%22it%27s%20no%20longer%20shameful%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Don_Juan_ou_le_Festin_de_pierre/%C3%89dition_Louandre,_1910/Acte_V#:~:text=Il%20n%E2%80%99y%20a%20plus%20de%20honte%20maintenant%20%C3%A0%20cela%C2%A0%3B%20l%E2%80%99hypocrisie%20est%20un%20vice%20%C3%A0%20la%20mode%2C%20et%20tous%20les%20vices%20%C3%A0%20la%20mode%20passent%20pour%20vertus.">Source (French)</a>). Other translations:<br><br>

<blockquote>There's no manner of Disgrace in this now-a-days, Hypocrisy is a modish Vice, and all modish Vices pass for Virtues.<br>
[tr. <a href="https://www.google.com/books/edition/The_Works_of_Moli%C3%A8re/CVgzAQAAMAAJ?hl=en&gbpv=1&bsq=%22pass%20for%20virtues%22">Clitandre</a> (1672)] </blockquote><br>

<blockquote>There is no longer any shame in acting thus: hypocrisy is a fashionable vice, and all fashionable vices pass for virtues.<br>
[tr. <a href="https://www.google.com/books/edition/The_dramatic_works_of_Moli%C3%A8re_rendered/NGACAAAAQAAJ?hl=en&gbpv=1&bsq=%22fashionable%20vice%22">Van Laun</a> (1876)]</blockquote><br>

<blockquote>There is no longer any shame in Hypocrisy; it is a fashionable vice, and all fashionable vices pass for virtues. <br>
[tr. <a href="https://www.google.com/books/edition/The_Dramatic_Works_of_Moli%C3%A8re/JrhEAQAAMAAJ?hl=en&gbpv=1&bsq=%22shame%20in%20hypocrisy%22">Wall</a> (1879)] </blockquote><br>

<blockquote>There is no longer any shame in acting thus. Hypocrisy is a fashionable vice, and all fashionable vices pass for virtues.<br>
[tr. <a href="https://www.google.com/books/edition/_/a6OuxqYk0nsC?hl=en&gbpv=1&bsq=%22fashionable%20vice%22">Waller</a> (1904)] </blockquote><br>

<blockquote>Nowadays there's no longer any disgrace in it; hypocrisy is a fashionable vice, and all fashionable vices pass for virtues.<br>
[tr. <a href="https://archive.org/details/molireaffectedm00pagegoog/page/n210/mode/2up?q=%22and+all+fashionable%22">Page</a> (1908)] </blockquote><br>

<blockquote>There's no shame in that any more nowadays: hypocrisy is a fashionable vice, and all fashionable vices pass for virtues. <br>
[tr. <a href="https://www.google.com/books/edition/Tartuffe_and_Other_Plays/Gxx0BQAAQBAJ?gbpv=1&bsq=%22there%27s%20no%20shame%20in%20that%20any%22">Frame</a> (1967)]</blockquote><br>
						</span>
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		<title>Addison, Joseph -- Essay (1711-06-22), The Spectator, No.  98</title>
		<link>https://wist.info/addison-joseph/77113/</link>
		<comments>https://wist.info/addison-joseph/77113/#respond</comments>
		<pubDate>Mon, 23 Jun 2025 20:23:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Addison, Joseph]]></category>
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		<description><![CDATA[There is not so variable a thing in Nature as a lady&#8217;s head-dress.]]></description>
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			<content:encoded><![CDATA[<p>There is not so variable a thing in Nature as a lady&#8217;s head-dress.</p>
<br><b>Joseph Addison</b> (1672-1719) English essayist, poet, statesman<br>Essay (1711-06-22), <i>The Spectator</i>, No.  98 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Spectator/3rpDAQAAMAAJ?hl=en&gbpv=1&bsq=%22variable%20a%20thing%22" target="_blank">Source</a>)
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		<title>Carriger, Gail -- Ambush or Adore (2022)</title>
		<link>https://wist.info/carriger-gail/77060/</link>
		<comments>https://wist.info/carriger-gail/77060/#respond</comments>
		<pubDate>Thu, 19 Jun 2025 18:14:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carriger, Gail]]></category>
		<category><![CDATA[enjoyment]]></category>
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		<description><![CDATA[There are as many forms of fun as there are ways to tie a cravat. And just like cravat knots, some entertainments are quite subtle and others quite vulgar, and most are a matter of personal taste unfortunately foisted upon the world.]]></description>
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			<content:encoded><![CDATA[<p>There are as many forms of fun as there are ways to tie a cravat. And just like cravat knots, some entertainments are quite subtle and others quite vulgar, and most are a matter of personal taste unfortunately foisted upon the world.</p>
<br><b>Gail Carriger</b> (b. 1976) American archaeologist, author [pen name of Tofa Borregaard]<br><i>Ambush or Adore</i> (2022) 
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		<title>Martin, Judith -- Star-Spangled Manners, Prologue (2003)</title>
		<link>https://wist.info/martin-judith/74259/</link>
		<comments>https://wist.info/martin-judith/74259/#respond</comments>
		<pubDate>Mon, 27 Jan 2025 17:33:14 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Judith]]></category>
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		<description><![CDATA[That it is expedient to kill a king, rather than wait for his natural demise, is something a populace can come to accept, perhaps to relish. That the people&#8217;s own customs and costumes are to be radically changed by edict, rather than being allowed to evolve haphazardly and linger sentimentally beyond their time, is not. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>That it is expedient to kill a king, rather than wait for his natural demise, is something a populace can come to accept, perhaps to relish. That the people&#8217;s own customs and costumes are to be radically changed by edict, rather than being allowed to evolve haphazardly and linger sentimentally beyond their time, is not. Yet messing with the national etiquette is one of the great spoils of revolutionary success.</p>
<br><b>Judith Martin</b> (b. 1938) American author, journalist, etiquette expert [a.k.a. Miss Manners]<br><i>Star-Spangled Manners</i>, Prologue (2003) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/starspangledmann00mart/page/10/mode/2up?q=%22expedient+to+kill%22&view=theater" target="_blank">Source</a>)
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		<title>Arnot, William -- Laws from Heaven for Life on Earth: Illustrations of the Book of Proverbs, ch. 49 (1858)</title>
		<link>https://wist.info/arnot-william/72692/</link>
		<comments>https://wist.info/arnot-william/72692/#respond</comments>
		<pubDate>Mon, 28 Oct 2024 21:05:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Arnot, William]]></category>
		<category><![CDATA[character]]></category>
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		<description><![CDATA[She may safely wear elegant garments, who in character and bearing is elegant without their aid. If honour be your clothing, the suit will last a life-time, but if clothing be your honour, it will soon be worn thread-bare. Commentary on Proverbs 31:25: &#8220;Strength and honor are her clothing; and she shall rejoice in time [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>She may safely wear elegant garments, who in character and bearing is elegant without their aid. If honour be your clothing, the suit will last a life-time, but if clothing be your honour, it will soon be worn thread-bare.</p>
<br><b>William Arnot</b> (1808-1875) Scottish minister and theological writer<br><i>Laws from Heaven for Life on Earth: Illustrations of the Book of Proverbs</i>, ch. 49 (1858) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Laws_from_heaven_for_life_on_earth_illus/e7ECAAAAQAAJ?hl=en&gbpv=1&dq=arnot+%22safely+wear+elegant+garments%22&pg=RA4-PA403&printsec=frontcover" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Commentary on <a href="https://www.biblegateway.com/passage/?search=Proverbs%2031%3A25&version=KJV">Proverbs 31:25</a>: "Strength and honor are her clothing; and she shall rejoice in time to come." [KJV]
						</span>
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		<title>Colton, Charles Caleb -- Lacon: Or, Many Things in Few Words, Vol. 1, § 547 (1820)</title>
		<link>https://wist.info/colton-charles-caleb/71849/</link>
		<comments>https://wist.info/colton-charles-caleb/71849/#respond</comments>
		<pubDate>Fri, 13 Sep 2024 15:09:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Colton, Charles Caleb]]></category>
		<category><![CDATA[custom]]></category>
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		<description><![CDATA[Custom is the law of one description of fools, and fashion of another; but the two parties often clash; for precedent is the legislator of the first, and novelty of the last.]]></description>
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			<content:encoded><![CDATA[<p>Custom is the law of one description of fools, and fashion of another; but the two parties often clash; for precedent is the legislator of the first, and novelty of the last.</p>
<br><b>Charles Caleb "C. C." Colton</b> (1780-1832) English cleric, writer, aphorist<br><i>Lacon: Or, Many Things in Few Words</i>, Vol. 1, § 547 (1820) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Lacon_Or_Many_Things_in_Few_Words/PHMlAAAAMAAJ?hl=en&gbpv=1&bsq=%22custom%20is%20the%20law%22" target="_blank">Source</a>)
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		<title>Bierce, Ambrose -- &#8220;Fashion,&#8221; The Cynic&#8217;s Word Book (1906)</title>
		<link>https://wist.info/bierce-ambrose/70162/</link>
		<comments>https://wist.info/bierce-ambrose/70162/#respond</comments>
		<pubDate>Tue, 25 Jun 2024 14:03:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bierce, Ambrose]]></category>
		<category><![CDATA[conformity]]></category>
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		<description><![CDATA[FASHION, n. A deity whom the wise ridicule, yet the discreet obey. In The Devil&#8217;s Dictionary (1911), it is defined as: &#8220;FASHION, n. A despot whom the wise ridicule and obey.&#8221; Originally published in the &#8220;Devil&#8217;s Dictionary&#8221; column in the San Francisco Wasp (1884-06-28).]]></description>
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			<content:encoded><![CDATA[<p>FASHION, <i>n.</i> A deity whom the wise ridicule, yet the discreet obey.</p>
<br><b>Ambrose Bierce</b> (1842-1914?) American writer and journalist<br>&#8220;Fashion,&#8221; <i>The Cynic&#8217;s Word Book</i> (1906) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/files/43951/43951-h/43951-h.htm#link2H_4_0007:~:text=FASHION%2C%20n.%20A%20deity%20whom%20the%20wise%20ridicule%2C%20yet%20the%20discreet%20obey." target="_blank">Source</a>)
										<br><br><span class="cite">
						

In <i><a href="https://en.wikisource.org/wiki/The_Devil%27s_Dictionary/F#:~:text=FASHION%2C%20n.%20A%20despot%20whom%20the%20wise%20ridicule%20and%20obey.">The Devil's Dictionary</a></i> (1911), it is defined as: "FASHION, <i>n.</i>  A despot whom the wise ridicule and obey."<br><br>

<a href="https://archive.org/details/unabridgeddevils00bier/page/362/mode/2up?q=%22fashion+father%22">Originally published</a> in the "Devil's Dictionary" column in the San Francisco <i>Wasp</i> (1884-06-28).
						</span>
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		<title>Herrick, Robert -- &#8220;Clothes Do But Cheat and Cozen Us,&#8221; Hesperides, #  402 (1648)</title>
		<link>https://wist.info/herrick-robert/69973/</link>
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		<pubDate>Fri, 14 Jun 2024 21:35:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Herrick, Robert]]></category>
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		<description><![CDATA[Away with silks, away with lawn, I&#8217;ll have no scenes or curtains drawn; Give me my mistress as she is, Dress&#8217;d in her nak&#8217;d simplicities; For as my heart e&#8217;en so mine eye Is won with flesh, not drapery.]]></description>
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			<content:encoded><![CDATA[<p>Away with silks, away with lawn,<br />
<span class="tab">I&#8217;ll have no scenes or curtains drawn;<br />
Give me my mistress as she is,<br />
<span class="tab">Dress&#8217;d in her nak&#8217;d simplicities;<br />
For as my heart e&#8217;en so mine eye<br />
<span class="tab">Is won with flesh, not drapery.</p>
<br><b>Robert Herrick</b> (1591-1674) English poet<br>&#8220;Clothes Do But Cheat and Cozen Us,&#8221; <i>Hesperides</i>, #  402 (1648) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/22421/pg22421-images.html#id_1.p402:~:text=Away%20with%20silks,flesh%2C%20not%20drapery." target="_blank">Source</a>)
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		<title>Colton, Charles Caleb -- Lacon: Or, Many Things in Few Words, Vol. 1, § 217 (1820)</title>
		<link>https://wist.info/colton-charles-caleb/68104/</link>
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		<pubDate>Tue, 26 Mar 2024 14:17:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Imitation is the sincerest of flattery. This reference predates by several decades the (attributed) Oscar Wilde, &#8220;Imitation is the sincerest form of flattery that mediocrity can pay to greatness&#8221; (1880s) though a variety of thematically similar quotations came about in the interim. By the 1850s &#8220;form&#8221; had been soundly fit into the common phrase. More [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Imitation is the sincerest of flattery.</p>
<br><b>Charles Caleb "C. C." Colton</b> (1780-1832) English cleric, writer, aphorist<br><i>Lacon: Or, Many Things in Few Words</i>, Vol. 1, § 217 (1820) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Lacon_Or_Many_Things_in_Few_Words/PHMlAAAAMAAJ?hl=en&gbpv=1&bsq=%22imitation%20is%20the%20sincerest%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This reference predates by several decades the (attributed) Oscar Wilde, "Imitation is the sincerest form of flattery that mediocrity can pay to greatness" (1880s) though a variety of thematically similar quotations came about in the interim. By the 1850s "form" had been soundly fit into the common phrase.<br><br>

More discussion here: <a href="https://quoteinvestigator.com/2024/01/19/imitation-flattery/">Quote Origin: Imitation Is the Sincerest Form of Flattery That Mediocrity Can Pay To Greatness – Quote Investigator®</a>.						</span>
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		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 2 &#8220;Purgatorio,&#8221; Canto 23, l.  97ff (23.97-108) (1314) [tr. Ciardi (1961)]</title>
		<link>https://wist.info/dante-alighieri-poet/66883/</link>
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		<pubDate>Fri, 02 Feb 2024 19:12:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
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		<description><![CDATA[O my dear brother, what is there to say? In vision I already see a time &#8212; and it is not far distant from this day &#8212; in which the pulpit shall denounce by writ the shameless jades that Florentines call ladies, who go about with breasts bare to the tit. What Moslem woman ever [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>O my dear brother, what is there to say?<br />
<span class="tab">In vision I already see a time &#8212;<br />
<span class="tab">and it is not far distant from this day &#8212;<br />
in which the pulpit shall denounce by writ<br />
<span class="tab">the shameless jades that Florentines call ladies,<br />
<span class="tab">who go about with breasts bare to the tit.<br />
What Moslem woman ever has required<br />
<span class="tab">a priestly discipline, or any other,<br />
<span class="tab">before she would go decently attired?<br />
But if the chippies only could foresee<br />
<span class="tab">swift Heaven&#8217;s punishment, they&#8217;d have their mouths<br />
<span class="tab">already open to howl misery.</p>
<p><em>[O dolce frate, che vuo’ tu ch’io dica?<br />
<span class="tab">Tempo futuro m’è già nel cospetto,<br />
<span class="tab">cui non sarà quest’ora molto antica,<br />
nel qual sarà in pergamo interdetto<br />
<span class="tab">a le sfacciate donne fiorentine<br />
<span class="tab">l’andar mostrando con le poppe il petto.<br />
Quai barbare fuor mai, quai saracine,<br />
<span class="tab">cui bisognasse, per farle ir coperte,<br />
<span class="tab">o spiritali o altre discipline?<br />
Ma se le svergognate fosser certe<br />
<span class="tab">di quel che ’l ciel veloce loro ammanna,<br />
<span class="tab">già per urlare avrian le bocche aperte.]</span></span></span></span></span></span></span></span></em></span></span></span></span></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265-1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 2 <i>&#8220;Purgatorio,&#8221;</i> Canto 23, l.  97ff (23.97-108) (1314) [tr. Ciardi (1961)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/purgatorio00dant/page/236/mode/2up?view=theater&q=%22o+my+dear+brother%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Forese Donati speaking to Dante, anticipating the "future" (already-past) travails of Florence in the early 1300s, apparently brought about (in part) by the city's shameless women being scantily clad (though no such church edict survives in the record).<br><br

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Purgatorio/Canto_XXIII#:~:text=O%20dolce%20frate,le%20bocche%20aperte">Source (Italian)</a>). Alternate translations:<br><br>

<blockquote><span class="tab">O, Brother! shall I tell, or hide my thought? <br>
The horrible display that Fancy views, <br>
Which soon the pregnant moments will produce,<br>
<span class="tab">And Impudence and Pride's disgraceful lot.<br>
<span class="tab">Soon a stern Voice will teach the shameless kind<br>
A decent covering, as they may, to find,<br>
<span class="tab">Their naked shoulders from the Sun to hide!<br>
Was it amongst Barbarians ever known,<br>
That nought but threats can bind the modest Zone,<br>
<span class="tab">On the young virgin and the plighted Bride?<br>
<span class="tab">But if these dainty Dames could read the Skies,<br>
And spy the slumb'ring tempest soon to rise,<br>
<span class="tab">Those lips that whisper Love, would shriek Despair.<br>
[tr. <a href="https://archive.org/details/divinacommediad00unkngoog/page/n292/mode/2up?q=%22hide+my+thought%3F%22&view=theater">Boyd</a> (1802), st. 19-21] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">O sweet brother!<br>
What wouldst thou have me say? A time to come<br>
<span class="tab">Stands full within my view, to which this hour<br>
<span class="tab">Shall not be counted of an ancient date,<br>
When from the pulpit shall be loudly warn’d<br>
<span class="tab">Th’ unblushing dames of Florence, lest they bare<br>
<span class="tab">Unkerchief’d bosoms to the common gaze.<br>
What savage women hath the world e’er seen,<br>
<span class="tab">What Saracens, for whom there needed scourge<br>
<span class="tab">Of spiritual or other discipline,<br>
<span class="tab">To force them walk with cov’ring on their limbs!<br>
But did they see, the shameless ones, that Heav’n<br>
<span class="tab">Wafts on swift wing toward them, while I speak,<br>
<span class="tab">Their mouths were op’d for howling.<br>
[tr. <a href="https://www.gutenberg.org/files/8795/8795-h/8795-h.htm#cantoII.23:~:text=O%20sweet%20brother,op%E2%80%99d%20for%20howling">Cary</a> (1814)]</blockquote><br>

<blockquote>Oh dear brother! what shall I say to thee?<br>
<span class="tab">A future time now within my view,<br>
<span class="tab">To which the present hour will be but new,<br>
When interdict will issue from the chair<br>
<span class="tab">To Florence ladies of effrontery,<br>
<span class="tab">With naked bosoms, where the pays you spy.<br>
Barbarians and Saracens were there e'er<br>
<span class="tab">Forced to go covered, and their right mind in,<br>
<span class="tab">By spiritual or other discipline?<br>
Their future lot could but the shameless see,<br>
<span class="tab">What the swift Heaven is bringing on its wing,<br>
<span class="tab">To howl their mouths would soon be opening.<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/268/mode/2up?q=%22oh+dear+brother%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote>O brother sweet, what wilt thou have me say?<br>
<span class="tab">A future time is in my sight already,<br>
<span class="tab">To which this hour will not be very old,<br>
When from the pulpit shall be interdicted<br>
<span class="tab">To the unblushing womankind of Florence<br>
<span class="tab">To go about displaying breast and paps.<br>
What savages were e'er, what Saracens,<br>
<span class="tab">Who stood in need, to make them covered go,<br>
<span class="tab">Of spiritual or other discipline?<br>
But if the shameless women were assured<br>
<span class="tab">Of what swift Heaven prepares for them, already<br>
<span class="tab">Wide open would they have their mouths to howl.<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_2/Canto_23#:~:text=O%20brother%20sweet,mouths%20to%20howl%3B">Longfellow</a> (1867)]</blockquote><br>

<blockquote>O brother dear, what wouldst have further told?<br>
<span class="tab">A future time already do I see,<br>
<span class="tab">In which the present day will not be old. <br>
When in the Church they'll publish a decree<br>
<span class="tab">Against the insolent lady Florentines,<br>
<span class="tab">Not to expose their breasts for all to see. <br>
When were Barbarians seen or Saracens,<br>
<span class="tab">To whom was needed clothing to enforce.<br>
<span class="tab">Or spiritual, or other disciplines?<br>
But if the shameless ones could see the course<br>
<span class="tab">Which Heaven prepareth for them speedily.<br>
<span class="tab">Now would begin their howlings of remorse.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/220/mode/2up?q=%22O+brother+dear%2C%22">Minchin</a> (1885)]  </blockquote><br>

<blockquote>O sweet brother, what wouldst thou that I say? A future time is already in my sight, to which this hour will not be very old, in which from the pulpit it shall be forbidden to the brazen-faced dames of Florence to go displaying the bosom with the paps. What Barbarian, what Saracen women were there ever who required either spiritual or other discipline to make them go covered? But if the shameless ones were aware of that which the swift heaven is preparing for them, already would they have their mouths open for howling.<br>
[tr. <a href="https://www.gutenberg.org/files/1996/1996-h/1996-h.htm#cantoII.XXIII:~:text=O%20sweet%20brother,open%20for%20howling.">Norton</a> (1892)]</blockquote><br>

<blockquote><span class="tab">O sweet brother, what would st thou have me say? Already in my vision is a time to come to which this hour shall not be very old,<br>
<span class="tab">when the brazen-faced women of Florence shall be forbidden from the pulpit to go abroad showing their breasts with the paps.<br>
<span class="tab">What Barbary, what Saracen women ever lived, to whom either spiritual, or other discipline were necessary, to make them go covered?<br>
<span class="tab">But if the shameless creatures were assured of what swift heaven is preparing for them, already would they have their mouths open to howl.<br>
[tr. <a href="https://archive.org/details/purgatorioofdant00dant_0/page/290/mode/2up?q=%22O+sweet+brother%22">Okey</a> (1901)]</blockquote><br>

<blockquote>O sweet brother, what wilt thou have me say? A coming time is already before my eyes to which this hour will not be very old when from the pulpit it shall be forbidden to the brazen women of Florence to go showing the breast with the paps. What barbarous women, what Saracens, ever were there that needed, to make them go covered, spiritual disciplines or any other? But had the shameless creatures knowledge of what the swift heavens prepare for them, they would have their mouths open already for howling.<br>
[tr. <a href="https://archive.org/details/iipurgatoriowith00dant/page/300/mode/2up?q=%22o+sweet+brother%22">Sinclair</a> (1939)]</blockquote><br>

<blockquote>O sweet brother, what would'st thou have me say? <br>
<span class="tab">A time to come already I see indeed, <br>
<span class="tab">Wherefrom this hour shall not be far away.<br>
In which from pulpit shall it be forbid<br>
<span class="tab">To the unashamed women of Florence then<br>
<span class="tab">To go showing the breast with paps not hid.<br>
What woman of Barbary, what Saracen,<br>
<span class="tab">did ever need, to make her go covered, <br>
<span class="tab">Spiritual or other regimen?<br>
But if the unabashed ones were assured<br>
<span class="tab">Of what swift heaven prepares for them on high<br>
<span class="tab">Their mouths would open and their howls be heard.<br>
[tr. <a href="https://archive.org/details/portabledante00dant/page/308/mode/2up?q=%22o+sweet+brother%22">Binyon</a> (1943)]</blockquote><br>

<blockquote>Brother of mine, what wilt thou have me say?<br>
<span class="tab">This hour shall not be very old perhaps<br>
<span class="tab">Ere time shall bring what I foresee to-day:<br>
A pulpit interdict, no less, which claps<br>
<span class="tab">Down on our brazen jades of Florentines<br>
<span class="tab">Flaunting unveiled the bosom and the paps.<br>
What female Turk or Berber e'er showed signs<br>
<span class="tab">Of needing to be covered up by force<br>
<span class="tab">Of spiritual or other disciplines?<br>
But could these wantons know what Heaven's swift course<br>
<span class="tab">Prepares for them, they'd have their mouths ajar<br>
<span class="tab">Already, fit to bellow themselves hoarse.<br>
[tr. <a href="https://archive.org/details/divinecomedy0002unse/page/248/mode/2up?q=%22brother+of+mine%22">Sayers</a> (1955)] </blockquote><br>

<blockquote>O sweet brother, what would you have me say? Already in my vision is a future time, to which this hour shall not be very old, when the brazen-faced women of Florence shall be forbidden from the pulpit to go displaying their breasts with the papas. What Barbarian, what Saracen women were there ever, who required either spiritual or other discipline to make them go covered? But if the shameless creatures were assured of what swift heaven is preparing for them, already would they have their mouths open to howl.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy_II_Purgatorio_Vol_II_P/2Q48EAAAQBAJ?hl=en&gbpv=1&bsq=%22o%20sweet%20brother%22">Singleton</a> (1973)] </blockquote><br>

<blockquote>My dear brother, how can I tell you this:<br>
<span class="tab">I see a future time -- it won't be long --<br>
<span class="tab">in which bans from the pulpit shall clamp down<br>
on those ladies of Florence who, bold-faced,<br>
<span class="tab">now walk our city streets as they parade<br>
<span class="tab">their bosom to the tits! What barbarous girl,<br>
what female Saracen, had to be taught<br>
<span class="tab">spiritual discipline, or anything,<br>
<span class="tab">to keep her body decently concealed?<br>
But if these shameless creatures only knew<br>
<span class="tab">what the swift heavens have in store for them,<br>
<span class="tab">they would by now be screaming their heads off!<br>
[tr. <a href="https://archive.org/details/dantealighierisd03dant/page/228/mode/2up?q=%22my+dear+brother%22&view=theater">Musa</a> (1981)] </blockquote><br>

<blockquote>O gentle brother, what do you want me to say? <br>
<span class="tab">Already I can see a time ahead, <br>
<span class="tab">Before the present hour is very old,<br>
In which the impudent women of Florence <br>
<span class="tab">Will be preached against from the pulpit because <br>
<span class="tab">They go about showing their breasts to the nipples.<br>
What women of Barbary, what Saracens <br>
<span class="tab">Ever needed, to make them go covered, <br>
<span class="tab">Either spiritual or other discipline?<br>
But if the shameless creatures were assured <br>
<span class="tab">Of what swift heaven is getting ready for them, <br>
<span class="tab">They would have their mouths open already, to howl.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/300/mode/2up?q=%22o+gentle+brother%22">Sisson</a> (1981)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">O <br>
sweet brother, what would you have had me say? <br>
<span class="tab">A future time’s already visible <br>
<span class="tab">to me -- a time not too far-off from now -- <br>
when, from the pulpit, it shall be forbidden <br>
<span class="tab">to those immodest ones -- Florentine women -- <br>
<span class="tab">to go displaying bosoms with bare paps. <br>
What ordinances -- spiritual, civil -- <br>
<span class="tab">were ever needed by barbarian or <br>
<span class="tab">Saracen women to make them go covered? <br>
But if those shameless ones had certain knowledge <br>
<span class="tab">of what swift Heaven’s readying for them, <br>
<span class="tab">then they would have mouths open now to howl.<br>
[tr. <a href="https://archive.org/details/purgatorio0000dant_m5q7/page/204/mode/2up?q=barbagia">Mandelbaum</a> (1982)]</blockquote><br>

<blockquote><span class="tab">O sweet brother, what would you have me say? Already I foresee a time to come, to which this time will not be too distant, when, from the pulpits, the brazen women of Florence will be forbidden to go round displaying their breasts and nipples.<br>
<span class="tab">When was there ever a Saracen woman, or woman of Barbary, who needed disciplining spiritually or otherwise, to force her to cover herself? But the shameless creatures would already have their mouths open to howl.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantPurg22to28.php#:~:text=O%20sweet%20brother,open%20to%20howl%2C">Kline</a> (2002)]</blockquote><br>

<blockquote><span class="tab">O dear brother, what can I say? A future time is already in my sight when this hour will not seem very ancient,
when from the pulpit it will be forbidden to the brazen Florentine women to walk about showing their chests with their breasts.<br>
<span class="tab">What barbarian women, what Saracens ever needed either spiritual or other penalties to make them go covered up?<br>
<span class="tab">But if those shameless ones knew what the swift heavens are preparing for them, they would already have opened their mouths to howl.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0002dant_d4k9/page/386/mode/2up?q=%22o+dear+brother%22">Durling</a> (2003)]</blockquote><br>

<blockquote>What, dearest brother, would you have me say? <br>
<span class="tab">A future time, already in my sight, <br>
<span class="tab">will come (when our time’s still not history),<br>
when, from the pulpit, there’ll be issued bans <br>
<span class="tab">forbidding bare-faced Florence girls to go <br>
<span class="tab">with blatant breasts and both their boobs on show.<br>
What mere barbarians or Saracens <br>
<span class="tab">required a priest or threat of on-spot fines <br>
<span class="tab">to make them cover up when they go out!<br>
If, though, these brazen creatures only guessed <br>
<span class="tab">what Heaven so swiftly will bring down on them, <br>
<span class="tab">then they’d already howl with open mouths.<br>
[tr. <a href="https://archive.org/details/divinecomedy2pur0000dant/page/216/mode/2up?q=%22what+dearest+brother%22">Kirkpatrick</a> (2007)]</blockquote><br>

<blockquote>O sweet brother, what would you have me say?<br>
<span class="tab">In my vision even now I see a time,<br>
<span class="tab">before this hour shall be very old,<br>
when from the pulpit it shall be forbidden<br>
<span class="tab">for the brazen ladies of Florence<br>
<span class="tab">to flaunt their nipples with their breasts.<br>
What barbarous women, what Saracens,<br>
<span class="tab">have ever needed spiritual instruction<br>
<span class="tab">or other rules, to walk about in proper dress?<br>
But if these shameless creatures knew<br>
<span class="tab">what the swift heavens are preparing, even now<br>
<span class="tab">their mouths would be spread open in a howl.<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?INP_POEM=Purg&INP_SECT=23&INP_START=97&INP_LEN=12&LANG=0">Hollander/Hollander</a> (2007)] </blockquote><br>

<blockquote>O, my sweet brother, what can you ask me to say?<br>
<span class="tab">Looking into the future, I already see --<br>
<span class="tab">And the hour will not be long in coming, I believe --<br>
When priests in our pulpits will forbid Florence's lewd<br>
<span class="tab">And insolent women from going about the streets,<br>
<span class="tab">Their breasts bare well below the nipples.<br>
Were there ever barbarian women, or Turks,<br>
<span class="tab">Who needed heavy discipline -- by priests<br>
<span class="tab">Or by law -- to keep them decently covered? But such<br>
Disgraceful creatures, should they realize <br>
<span class="tab">For sure what quick-handed Heaven has ready for them,<br>
<span class="tab">They'd now be ready to open their mouths and howl!<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22my%20sweet%20brother%22">Raffel</a> (2010)] </blockquote><br>
						</span>
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		<title>Bierce, Ambrose -- &#8220;Beard,&#8221; The Cynic&#8217;s Word Book (1906)</title>
		<link>https://wist.info/bierce-ambrose/64620/</link>
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		<pubDate>Tue, 14 Nov 2023 16:53:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[BEARD, n. The hair that is commonly cut off by those who justly execrate the absurd Chinese custom of shaving the head. Included in The Devil&#8217;s Dictionary (1911). Originally published in the &#8220;Devil&#8217;s Dictionary&#8221; column in the San Francisco Wasp (1881-04-30).]]></description>
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			<content:encoded><![CDATA[<p>BEARD, <i>n.</i> The hair that is commonly cut off by those who justly execrate the absurd Chinese custom of shaving the head.</p>
<br><b>Ambrose Bierce</b> (1842-1914?) American writer and journalist<br>&#8220;Beard,&#8221; <i>The Cynic&#8217;s Word Book</i> (1906) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/files/43951/43951-h/43951-h.htm#link2H_4_0003:~:text=BEARD%2C%20n.%20The%20hair%20that%20is%20commonly%20cut%20off%20by%20those%20who%20justly%20execrate%20the%20absurd%20Chinese%20custom%20of%20shaving%20the%20head." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://en.wikisource.org/wiki/The_Devil%27s_Dictionary/B#:~:text=BEARD%2C%20n.%20The%20hair%20that%20is%20commonly%20cut%20off%20by%20those%20who%20justly%20execrate%20the%20absurd%20Chinese%20custom%20of%20shaving%20the%20head.">Included</a> in <i>The Devil's Dictionary</i> (1911). <a href="https://archive.org/details/unabridgeddevils00bier/page/352/mode/2up?q=%22beard+beauty%22">Originally published</a> in the "Devil's Dictionary" column in the San Francisco <i>Wasp</i> (1881-04-30).						</span>
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		<title>O'Malley, Austin -- Keystones of Thought (1914)</title>
		<link>https://wist.info/omalley-austin/64375/</link>
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		<pubDate>Thu, 02 Nov 2023 16:53:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[We smile at the women who are eagerly following the fashions in dress whilst we are as eagerly following the fashions in thought.]]></description>
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			<content:encoded><![CDATA[<p>We smile at the women who are eagerly following the fashions in dress whilst we are as eagerly following the fashions in thought.</p>
<br><b>Austin O'Malley</b> (1858-1932) American ophthalmologist, professor of literature, aphorist<br><i>Keystones of Thought</i> (1914) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/KeystonesOfThought/page/n27/mode/2up" target="_blank">Source</a>)
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		<title>Martin, Judith -- &#8220;Miss Manners,&#8221; syndicated column (1980-12-28)</title>
		<link>https://wist.info/martin-judith/64275/</link>
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		<pubDate>Tue, 31 Oct 2023 16:49:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Judith]]></category>
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		<description><![CDATA[It is wrong to wear diamonds before dusk, except on one’s marriage rings. Before, after, and during breakfast, luncheon and dinner, it is vulgar to wear a mixture of colored precious stones. It is always a comfort to know that so many things one can’t afford to do anyway are vulgar. Reprinted in Miss Manners’ [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It is wrong to wear diamonds before dusk, except on one’s marriage rings. Before, after, and during breakfast, luncheon and dinner, it is vulgar to wear a mixture of colored precious stones. It is always a comfort to know that so many things one can’t afford to do anyway are vulgar.</p>
<br><b>Judith Martin</b> (b. 1938) American author, journalist, etiquette expert [a.k.a. Miss Manners]<br>&#8220;Miss Manners,&#8221; syndicated column (1980-12-28) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.washingtonpost.com/archive/lifestyle/1980/12/28/heres-the-answer-now-what-was-the-question/dbefbab3-dd0d-4823-b5fc-424e21fb51a4/#:~:text=It%20is%20wrong%20to%20wear%20diamond%20before%20luncheon%2C%20except%20on%20one%27s%20marriage%20rings.%20Before%2C%20after%20and%20during%20breakfast%2C%20luncheon%20and%20dinner%2C%20it%20is%20vulgar%20to%20wear%20a%20mixture%20of%20colored%20precious%20stones.%20It%20is%20always%20a%20comfort%20to%20know%20that%20so%20many%20things%20one%20can%27t%20afford%20to%20do%20anyway%20are%20vulgar." target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/missmannersguide0000mart_o3i8/page/710/mode/2up?q=%22diamonds+before%22">Reprinted</a> in <i>Miss Manners’ Guide to Excruciatingly Correct Behavior</i>, "Answers to Questions Nobody Asked" (1983).						</span>
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		<title>La Bruyere, Jean de -- The Characters [Les Caractères], ch.  1 &#8220;Of Works of the Mind [Des Ouvrages de l&#8217;Esprit],&#8221; §  67 (1.67) (1688) [tr. Stewart (1970)]</title>
		<link>https://wist.info/la-bruyere-jean-de/64080/</link>
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		<pubDate>Tue, 24 Oct 2023 20:04:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Bruyere, Jean de]]></category>
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		<description><![CDATA[The writer who considers only the taste of his own time is concerned more with his personal fame than with that of his books: we should always aim at perfection, and then we shall receive from posterity that justice which our contemporaries sometimes deny us. [Celui qui n&#8217;a égard en écrivant qu&#8217;au goût de son [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The writer who considers only the taste of his own time is concerned more with his personal fame than with that of his books: we should always aim at perfection, and then we shall receive from posterity that justice which our contemporaries sometimes deny us.</p>
<p><em>[Celui qui n&#8217;a égard en écrivant qu&#8217;au goût de son siècle songe plus à sa personne qu&#8217;à ses écrits: il faut toujours tendre à la perfection, et alors cette justice qui nous est quelquefois refusée par nos contemporains, la postérité sait nous la rendre.]</em></p>
<br><b>Jean de La Bruyère</b> (1645-1696) French essayist, moralist<br><i>The Characters [Les Caractères]</i>, ch.  1 &#8220;Of Works of the Mind <i>[Des Ouvrages de l&#8217;Esprit],&#8221;</i> §  67 (1.67) (1688) [tr. Stewart (1970)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/characters00labr/page/40/mode/2up?q=%22the+writer+who+considers%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/cache/epub/17980/pg17980-images.html#preface_1:~:text=Celui%20qui%20n%27a%20%C3%A9gard%20en%20%C3%A9crivant%20qu%27au%20go%C3%BBt%20de%20son%20si%C3%A8cle%20songe%20plus%20%C3%A0%20sa%20personne%20qu%27%C3%A0%20ses%20%C3%A9crits%3A%20il%20faut%20toujours%20tendre%20%C3%A0%20la%20perfection%2C%20et%20alors%20cette%20justice%20qui%20nous%20est%20quelquefois%20refus%C3%A9e%20par%20nos%20contemporains%2C%20la%20post%C3%A9rit%C3%A9%20sait%20nous%20la%20rendre.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>He who regards nothing more in his Works than the taste of the Age, has a greater value for his Person than his Writings: He should always aim at Perfection; and tho his Contemporaries refuse him Justice, Posterity will give it him.<br>
[<a href="https://quod.lib.umich.edu/e/eebo/A47658.0001.001/1:5.1?rgn=div2;view=fulltext#:~:text=He%20who%20regards,give%20it%20him.">Bullord</a> ed. (1696)]</blockquote><br>

<blockquote>He who regards nothing more in his Works than the Taste of his own Age, Considers his Person more than his Writings: He should always aim at Perfection, and tho his Contemporaries refuse him Justice, Posterity will give it him.<br>
[<a href="https://archive.org/details/worksmonsieurde00rowegoog/page/n39/mode/2up?q=%22He+who+regards+nothing+more%22">Curll</a> ed. (1713)]</blockquote><br>

<blockquote>He who regards nothing more in his Works than the Taste of the Age, has a greater value for his Person than his Writings: He should always aim at Perfection; and though his Cotempararies refuse him Justice, he will be better used by Posterity.<br>
[<a href="https://archive.org/details/worksmonsdelabr00rowegoog/page/n59/mode/2up?q=%22He+who+regards+nothing+more%22">Browne</a> ed. (1752)]</blockquote><br>

<blockquote>He who only writes to suit the taste of the age, considers himself more than his writings. We should always aim at perfection, and then posterity will do us that justice which sometimes our contemporaries refuse.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/46633/pg46633-images.html#Page_7:~:text=He%20who%20only%20writes%20to%20suit%20the%20taste%20of%20the%20age%2C%20considers%20himself%20more%20than%20his%20writings.%20We%20should%20always%20aim%20at%20perfection%2C%20and%20then%20posterity%20will%20do%20us%20that%20justice%20which%20sometimes%20our%20contemporaries%20refuse%20us.">Van Laun</a> (1885)]</blockquote><br>
						</span>
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		<title>Della Casa, Giovanni -- Galateo: Or, A Treatise on Politeness and Delicacy of Manners [Il Galateo overo de’ costumi], ch. 28 (1558) [tr. Eisnbichler/Bartlett (1986)]</title>
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		<pubDate>Wed, 26 Oct 2022 17:28:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Your clothes should be according to the custom of those like you in age and condition. We do not have the power to change customs as we see fit, for it is time that creates them and likewise it is time that destroys them. [I tuoi panni convien che siano secondo il costume degli altri [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Your clothes should be according to the custom of those like you in age and condition. We do not have the power to change customs as we see fit, for it is time that creates them and likewise it is time that destroys them.</p>
<p><em>[I tuoi panni convien che siano secondo il costume degli altri di tuo tempo o di tua conditione, per le cagioni che io ho dette di sopra; ché noi non abbiamo potere di mutar le usanze a nostro senno, ma il tempo le crea, e consumale altresì il tempo.]</em></p>
<br><b>Giovanni della Casa</b> (1503-1556) Florentine poet, author, diplomat, bishop<br><i>Galateo: Or, A Treatise on Politeness and Delicacy of Manners [Il Galateo overo de’ costumi]</i>, ch. 28 (1558) [tr. Eisnbichler/Bartlett (1986)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/galateo0000dell/page/54/mode/2up?q=%22change+customs%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://it.wikisource.org/wiki/Galateo_overo_de%27_costumi/XXVIII#:~:text=I%20tuoi%20panni%20convien%20che%20siano%20secondo%20il%20costume%20degli%20altri%20di%20tuo%20tempo%20o%20di%20tua%20conditione%2C%20per%20le%20cagioni%20che%20io%20ho%20dette%20di%20sopra%3B%20ch%C3%A9%20noi%20non%20abbiamo%20potere%20di%20mutar%20le%20usanze%20a%20nostro%20senno%2C%20ma%20il%20tempo%20le%20crea%2C%20e%20consumale%20altres%C3%AC%20il%20tempo.">Source (Italian)</a>). Alternate translations:<br><br>

<blockquote>Your apparel must be shaped according to the fashion of the time, and your calling [...] For we must not take upon us to alter customs at our will. For time doth beget them and time doth also wear them out.<br>
[tr. <a href="https://archive.org/details/arenaissancecou00spingoog/page/n134/mode/2up?q=%22fashion+of+the+time%22">Peterson</a> (1576)]</blockquote><br>

<blockquote>Let your dress [...] be conformable to the customs of the age you live in, and suitable to your condition; for it is not in our power to alter the general fashions at our pleasure; which, as they are produced, so they are swallowed up by time.<br>
[tr. <a href="https://www.google.com/books/edition/Galateo_or_a_Treatise_on_politeness_and/gzdcAAAAcAAJ?hl=en&gbpv=1&bsq=%22power%20to%20alter%22">Graves</a> (1774)] </blockquote><br>
						</span>
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		<title>Descartes, René -- Discourse on Method [Discours de la méthode], Part 2 (1637) [tr. Veitch (1901)]</title>
		<link>https://wist.info/descartes-rene/50766/</link>
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		<pubDate>Tue, 11 Jan 2022 16:08:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[In the course of my travels I remarked that all those whose opinions are decidedly repugnant to ours are not in that account barbarians and savages, but on the contrary that many of these nations make an equally good, if not better, use of their reason than we do. I took into account also the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In the course of my travels I remarked that all those whose opinions are decidedly repugnant to ours are not in that account barbarians and savages, but on the contrary that many of these nations make an equally good, if not better, use of their reason than we do. I took into account also the very different character which a person brought up from infancy in France or Germany exhibits, from that which, with the same mind originally, this individual would have possessed had he lived always among the Chinese or with savages, and the circumstance that in dress itself the fashion which pleased us ten years ago, and which may again, perhaps, be received into favor before ten years have gone, appears to us at this moment extravagant and ridiculous. I was thus led to infer that the ground of our opinions is far more custom and example than any certain knowledge.</p>
<p><em>[Et depuis, en voyageant, ayant reconnu que tous ceux qui ont des sentiments fort contraires aux nôtres ne sont pas pour cela barbares ni sauvages, mais que plusieurs usent autant ou plus que nous de raison; et ayant considéré combien un même homme, avec son même esprit, étant nourri dès son enfance entre des Français ou des Allemands, devient différent de ce qu&#8217;il seroit s&#8217;il avoit toujours vécu entre des Chinois ou des cannibales, et comment, jusques aux modes de nos habits, la même chose qui nous a plu il y a dix ans, et qui nous plaira peut-être encore avant dix ans, nous semble maintenant extravagante et ridicule; en sorte que c&#8217;est bien plus la coutume et l&#8217;exemple qui nous persuade, qu&#8217;aucune connaissance certaine.]</em></p>
<br><b>René Descartes</b> (1596-1650) French philosopher, mathematician<br><i>Discourse on Method [Discours de la méthode]</i>, Part 2 (1637) [tr. Veitch (1901)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/files/59/59-h/59-h.htm#:~:text=in%20the%20course,any%20certain%20knowledge" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/files/13846/13846-h/13846-h.htm#:~:text=et%20depuis%2C%20en,qu%27aucune%20connoissance%20certaine">Source (French)</a>). Alternate translations:<br><br>



<blockquote>And having since observ’d in my travails, That all those whose opinions are contrary to ours, are not therefore barbarous or savage, but that many use as much or more reason then we; and having consider’d how much one Man with his own understanding, bred up from his childhood among the French or the Dutch, becomes different from what he would be, had he alwayes liv’d amongst the Chineses, or the Cannibals: And how even in the fashion of our Clothes, the same thing which pleas’d ten years since, and which perhaps wil please ten years hence, seems now to us ridiculous and extravagant. So that it’s much more Custome and Example which perswades us, then any assured knowledg.<br>
[tr. <a href="https://www.gutenberg.org/files/25830/25830-h/25830-h.htm#:~:text=And%20having%20since,any%20assured%20knowledg">Newcombe</a> ed. (1649)]</blockquote><br>



<blockquote>I further recognized in the course of my travels that all those whose sentiments are very contrary to ours are yet not necessarily barbarians or savages, but may be possessed of reason in as great or even a greater degree than ourselves. I also considered how very different the self-same man, identical in mind and spirit, may have become, according as he is brought up from childhood amongst the French or Germans, or has passed his whole life amongst Chinese or cannibals. I likewise noticed how even in the fashions of one's clothing the same thing that pleased us ten years ago, and which will perhaps please us once again before ten years are passed, seems at the present time extravagant and ridiculous. I thus concluded that it is much more custom and example that persuade us than any certain knowledge.<br>
[tr. <a href="https://www.google.com/books/edition/Discourse_on_Method_and_Meditations/JSXZHxXwRSAC?hl=en&gbpv=1&bsq=%22course%20of%20my%20travels%22">Haldane & Ross</a> (1911)]</blockquote><br>

<blockquote>Since then I have recognized through my travels that those with views quite contrary to ours are not on that account barbarians or savages, but that many of them make use of reason as much or more than we do. I thought, too, how the same man, with the same mind, if brought up from infancy among the French or Germans, develops otherwise than he would if he had always lived among the Chinese or cannibals; and how, even in our fashions of dress, the very thing that pleased us ten years ago, and will perhaps  please us again ten years hence, now strikes us as extravagant and ridiculous. Thus it is custom and example that persuade us, rather than any certain knowledge.<br>
[tr. <a href="https://www.google.com/books/edition/Descartes_Selected_Philosophical_Writing/5bw2AAAAQBAJ?hl=en&gbpv=1&dq=descartes%20method%20%22copying%20the%20sceptics%22&pg=PT28&printsec=frontcover&bsq=%22travels%20that%20those%22">Cottingham, Stoothoff</a> (1985)]</blockquote><br>						</span>
					]]></content:encoded>
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		<title>Chesterfield (Lord) -- Letter to his son, #119 (27 Mar 1747)</title>
		<link>https://wist.info/chesterfield-lord/44990/</link>
		<comments>https://wist.info/chesterfield-lord/44990/#respond</comments>
		<pubDate>Fri, 08 Jan 2021 17:36:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chesterfield (Lord)]]></category>
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		<description><![CDATA[A real man of fashion and pleasures observes decency: at least, neither borrows nor affects vices; and, if he unfortunately has any, he gratifies them with choice, delicacy, and secrecy.]]></description>
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			<content:encoded><![CDATA[<p>A real man of fashion and pleasures observes decency: at least, neither borrows nor affects vices; and, if he unfortunately has any, he gratifies them with choice, delicacy, and secrecy.</p>
<br><b>Lord Chesterfield</b> (1694-1773) English statesman, wit [Philip Dormer Stanhope]<br>Letter to his son, #119 (27 Mar 1747) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/letterstohisson00ches/page/118/mode/2up?q=%22fashion+and+pleasures%22" target="_blank">Source</a>)
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		<title>Chanel, Coco -- (Attributed)</title>
		<link>https://wist.info/chanel-coco/44380/</link>
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		<pubDate>Fri, 20 Nov 2020 23:00:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chanel, Coco]]></category>
		<category><![CDATA[elegance]]></category>
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		<description><![CDATA[To my mind, simplicity is the keynote of all true elegance.]]></description>
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			<content:encoded><![CDATA[<p>To my mind, simplicity is the keynote of all true elegance.</p>
<br><b>Coco Chanel</b> (1883-1971) French dress designer [Gabrielle Chanel]<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Power_of_Style/QOMJAQAAMAAJ?hl=en&gbpv=1&bsq=%22simplicity%20is%20the%20keynote%22" target="_blank">Source</a>)
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		<title>Shear, Marie -- &#8220;Media Watch: Celebrating Women&#8217;s Words,&#8221; New Directions for Women (May/Jun 1986)</title>
		<link>https://wist.info/shear-marie/41615/</link>
		<comments>https://wist.info/shear-marie/41615/#respond</comments>
		<pubDate>Thu, 07 May 2020 22:58:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shear, Marie]]></category>
		<category><![CDATA[beard]]></category>
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		<description><![CDATA[Male supremacy: Doctrine built upon three forms of superiority: the ability to grow a handlebar mustache, the ability to answer most of Nature&#8217;s calls efficiently, and the possession of pockets.]]></description>
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			<content:encoded><![CDATA[<p>Male supremacy: Doctrine built upon three forms of superiority: the ability to grow a handlebar mustache, the ability to answer most of Nature&#8217;s calls efficiently, and the possession of pockets.</p>
<br><b>Marie Shear</b> (1940-2017) American writer and feminist activist<br>&#8220;Media Watch: Celebrating Women&#8217;s Words,&#8221; <i>New Directions for Women</i> (May/Jun 1986) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://voices.revealdigital.org/cgi-bin/independentvoices?a=d&d=DGBHBCA19860601.1.6&e=-------en-20--1--txt-txIN---------------1" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Kempton, Murray -- Part of Our Time, ch. 6 &#8220;The Day of the Locust&#8221; (1955)</title>
		<link>https://wist.info/kempton-murray/41537/</link>
		<comments>https://wist.info/kempton-murray/41537/#respond</comments>
		<pubDate>Fri, 01 May 2020 16:57:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kempton, Murray]]></category>
		<category><![CDATA[adulteration]]></category>
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		<description><![CDATA[To say that an idea is fashionable is to say, I think, that it has been adulterated to a point where it is hardly an idea at all.]]></description>
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			<content:encoded><![CDATA[<p>To say that an idea is fashionable is to say, I think, that it has been adulterated to a point where it is hardly an idea at all.</p>
<br><b>Murray Kempton</b> (1917-1997) American journalist.<br><i>Part of Our Time</i>, ch. 6 &#8220;The Day of the Locust&#8221; (1955) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=1Lfvn8W9LfEC&newbks=1&newbks_redir=0&lpg=PA197&dq=kepton%20%22adulterated%20to%20a%20point%22&pg=PA197#v=onepage&q=%22adulterated%20to%20a%20point%22&f=false" target="_blank">Source</a>)
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		<title>Shear, Marie -- &#8220;Media Watch: Celebrating Women&#8217;s Words,&#8221; New Directions for Women (May/Jun 1986)</title>
		<link>https://wist.info/shear-marie/41232/</link>
		<comments>https://wist.info/shear-marie/41232/#respond</comments>
		<pubDate>Thu, 02 Apr 2020 14:13:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shear, Marie]]></category>
		<category><![CDATA[clothing]]></category>
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		<description><![CDATA[Pocket Envy: Women&#8217;s unfulfilled yearning for practical clothes]]></description>
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			<content:encoded><![CDATA[<p>Pocket Envy: Women&#8217;s unfulfilled yearning for practical clothes</p>
<br><b>Marie Shear</b> (1940-2017) American writer and feminist activist<br>&#8220;Media Watch: Celebrating Women&#8217;s Words,&#8221; <i>New Directions for Women</i> (May/Jun 1986) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://voices.revealdigital.org/cgi-bin/independentvoices?a=d&d=DGBHBCA19860601.1.6&e=-------en-20--1--txt-txIN---------------1" target="_blank">Source</a>)
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		<title>Chesterfield (Lord) -- Letter to his son, #119 (27 Mar 1747)</title>
		<link>https://wist.info/chesterfield-lord/40519/</link>
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		<pubDate>Thu, 06 Feb 2020 20:20:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chesterfield (Lord)]]></category>
		<category><![CDATA[conformity]]></category>
		<category><![CDATA[enjoyment]]></category>
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		<description><![CDATA[Choose your pleasures for yourself, and do not let them be imposed upon you. Follow nature, and not fashion; weigh the present enjoyment of your pleasures against the necessary consequences of them, and then let your own common-sense determine your choice.]]></description>
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			<content:encoded><![CDATA[<p>Choose your pleasures for yourself, and do not let them be imposed upon you. Follow nature, and not fashion; weigh the present enjoyment of your pleasures against the necessary consequences of them, and then let your own common-sense determine your choice.</p>
<br><b>Lord Chesterfield</b> (1694-1773) English statesman, wit [Philip Dormer Stanhope]<br>Letter to his son, #119 (27 Mar 1747) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Letters_Written_by_the_Earl_of_Chesterfi/y1UyAQAAMAAJ?hl=en&gbpv=1&dq=%22choose%20your%20PLEASURES%20FOR%20YOURSELF%22&pg=PA118&printsec=frontcover&bsq=%22choose%20your%20PLEASURES%20FOR%20YOURSELF%22" target="_blank">Source</a>)
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		<title>Orderic Vitalis -- Historia Ecclesiastica, Book 4 [tr. Chibnall (1969-80)]</title>
		<link>https://wist.info/orderic-vitalis/37421/</link>
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		<pubDate>Thu, 06 Jul 2017 17:37:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Our ancestors used to wear decent clothes, well-adapted to the shape of their bodies; they were skilled horsemen and swift runners, ready for all seemly undertakings. But in these days the old customs have almost wholly given way to new fads. Our wanton youth is sunk in effeminacy, and courtiers, fawning, seek the favors of [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Our ancestors used to wear decent clothes, well-adapted to the shape of their bodies; they were skilled horsemen and swift runners, ready for all seemly undertakings. But in these days the old customs have almost wholly given way to new fads. Our wanton youth is sunk in effeminacy, and courtiers, fawning, seek the favors of women with every kind of lewdness. [&#8230;] They sweep the dusty ground with the unnecessary trains of their robes and mantles; their long, wide sleeves cover their hands whatever they do; impeded by these frivolities they are almost incapable of walking quickly or doing any kind of useful work.</p>
<br><b>Orderic Vitalis</b> (1075-c. 1142) English monk, chronicler<br><i>Historia Ecclesiastica</i>, Book 4 [tr. Chibnall (1969-80)] 
														<br><br><span class="cite">
						

Alt. trans.: "Our ancestors used to wear decent clothes, nicely fitted to the shape of their bodies and suitable for riding and running and performing every task that they should reasonably perform. But in these wicked days the practices of olden times have almost completely given way to novel fads."

						</span>
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		<title>Thoreau, Henry David -- Walden; or, Life in the Woods, ch.  1 &#8220;Economy&#8221; (1854)</title>
		<link>https://wist.info/thoreau-henry-david/36934/</link>
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		<pubDate>Wed, 03 May 2017 20:14:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Thoreau, Henry David]]></category>
		<category><![CDATA[appearances]]></category>
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		<description><![CDATA[No man ever stood the lower in my estimation for having a patch in his clothes; yet I am sure that there is greater anxiety, commonly, to have fashionable, or at least clean and unpatched clothes, than to have a sound conscience.]]></description>
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			<content:encoded><![CDATA[<p>No man ever stood the lower in my estimation for having a patch in his clothes; yet I am sure that there is greater anxiety, commonly, to have fashionable, or at least clean and unpatched clothes, than to have a sound conscience.</p>
<br><b>Henry David Thoreau</b> (1817-1862) American philosopher and writer<br><i>Walden; or, Life in the Woods</i>, ch.  1 &#8220;Economy&#8221; (1854) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Walden_(1854)_Thoreau/Economy#:~:text=No%20man%20ever%20stood%20the%20lower%20in%20my%20estimation%20for%20having%20a%20patch%20in%20his%20clothes%3B%20yet%20I%20am%20sure%20that%20there%20is%20greater%20anxiety%2C%20commonly%2C%20to%20have%20fashionable%2C%20or%20at%20least%20clean%20and%20unpatched%20clothes%2C%20than%20to%20have%20a%20sound%20conscience." target="_blank">Source</a>)
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		<title>Shakespeare, William -- Much Ado About Nothing, Act 3, sc. 3, l. 139 (3.3.139) (1598)</title>
		<link>https://wist.info/shakespeare-william/36807/</link>
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		<pubDate>Wed, 19 Apr 2017 21:42:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
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		<description><![CDATA[CONRADE: The fashion wears out more apparel than the man.]]></description>
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			<content:encoded><![CDATA[<p>CONRADE: The fashion wears out more apparel than the man.</p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Much Ado About Nothing</i>, Act 3, sc. 3, l. 139 (3.3.139) (1598) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/much-ado-about-nothing/entire-play/#:~:text=fashion%20wears,than%20the%20man" target="_blank">Source</a>)
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		<title>Ellerbee, Linda -- Move On: Adventures in the Real World (1991)</title>
		<link>https://wist.info/ellerbee-linda/36486/</link>
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		<pubDate>Wed, 15 Mar 2017 21:10:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Styles, like everything else, change. Style doesn&#8217;t.]]></description>
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			<content:encoded><![CDATA[<p>Styles, like everything else, change. Style doesn&#8217;t.</p>
<br><b>Linda Ellerbee</b> (b. 1944) American broadcast journalist<br><i>Move On: Adventures in the Real World</i> (1991) 
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		<title>Dumas, Alexandre pere -- (Attributed)</title>
		<link>https://wist.info/dumas-alexandre-pere/34564/</link>
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		<pubDate>Fri, 22 Jul 2016 04:32:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[The custom and fashion of to-day will be the awkwardness and outrage of to-morrow. So arbitrary are these transient laws. Quoted in James Comper Gray, The Biblical Museum: Old Testament, vol. 3 (1878 ed.).]]></description>
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			<content:encoded><![CDATA[<p>The custom and fashion of to-day will be the awkwardness and outrage of to-morrow. So arbitrary are these transient laws.</p>
<p><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/07/Dumas-custom-and-fashion-of-today-wist_info-quote.jpg" alt="Dumas - custom and fashion of today - wist_info quote" width="605" height="490" class="alignright size-full wp-image-34566" srcset="https://wist.info/wp/wp-content/uploads/2016/07/Dumas-custom-and-fashion-of-today-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/07/Dumas-custom-and-fashion-of-today-wist_info-quote-300x243.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/07/Dumas-custom-and-fashion-of-today-wist_info-quote-60x49.jpg 60w" sizes="(max-width: 605px) 100vw, 605px" /></p>
<br><b>Alexandre Dumas, <i>père</i></b> (1802-1870) French novelist and dramatist
<br>(Attributed) 
														<br><br><span class="cite">
						

Quoted in James Comper Gray, <i>The Biblical Museum: Old Testament</i>, vol. 3 (1878 ed.). 
						</span>
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		<title>Boileau-Despréaux, Nicolas -- The Art of Poetry [L&#8217;Art Poétique], Canto 3 (1674)</title>
		<link>https://wist.info/boileau-despreaux-nicolas/34403/</link>
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		<pubDate>Thu, 07 Jul 2016 17:48:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Every age has its pleasures, its style of wit, and its own ways.]]></description>
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			<content:encoded><![CDATA[<p>Every age has its pleasures, its style of wit, and its own ways.</p>
<br><b>Nicolas Boileau-Despréaux</b> (1636-1711) French poet and critic<br><i>The Art of Poetry [L&#8217;Art Poétique]</i>, Canto 3 (1674) 
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		<title>Baker, Russell -- &#8220;Talking Clothes,&#8221; So This Is Depravity (1973)</title>
		<link>https://wist.info/baker-russell/29032/</link>
		<comments>https://wist.info/baker-russell/29032/#respond</comments>
		<pubDate>Wed, 15 Apr 2015 12:14:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[I frankly admit to not knowing who I am. This is why I refuse to buy clothes that will tell people who I want them to think I am.]]></description>
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			<content:encoded><![CDATA[<p>I frankly admit to not knowing who I am. This is why I refuse to buy clothes that will tell people who I want them to think I am.</p>
<br><b>Russell Baker</b> (1925-2019) American journalist, author, humorist<br>&#8220;Talking Clothes,&#8221; <i>So This Is Depravity</i> (1973) 
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		<title>Shaw, George Bernard -- (Attributed)</title>
		<link>https://wist.info/shaw-george-bernard/28301/</link>
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		<pubDate>Thu, 12 Feb 2015 20:03:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Gentlemen: I shall never shave, for the same reason that I started a beard, and for the reason my father started his. I remember standing at his side, when I was five, while he was shaving for the last time. &#8220;Father,&#8221; I asked, &#8220;Why do you shave?&#8221; He stood there for a full minute and [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Gentlemen: I shall never shave, for the same reason that I started a beard, and for the reason my father started his. I remember standing at his side, when I was five, while he was shaving for the last time. &#8220;Father,&#8221; I asked, &#8220;Why do you shave?&#8221; He stood there for a full minute and finally looked down at me. &#8220;Why the hell do I?&#8221; he said.</p>
<br><b>George Bernard Shaw</b> (1856-1950) Irish playwright and critic<br>(Attributed) 
														<br><br><span class="cite">
						

Postcard response when invited by an electric razor company to shave off his beard with their product.

Variant:
<ul>
	<li>"I was about five at the time, and I was standing at my father's knee whilst he was shaving. I said to him, 'Daddy, why do you shave?' He looked at me in silence, for a full minute, before throwing the razor out of the window, saying, 'Why the hell do I?' He never did again."</li>
</ul>						</span>
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		<title>Bible, Vol. 2. New Testament -- Book 21. 1st Letter of Peter  3: 3ff (1 Pet 3:3-4) [NIV (2011 ed.)]</title>
		<link>https://wist.info/bible-nt/27811/</link>
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		<pubDate>Wed, 24 Dec 2014 18:50:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bible, Vol. 2. New Testament]]></category>
		<category><![CDATA[appearance]]></category>
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		<description><![CDATA[Your beauty should not come from outward adornment, such as elaborate hairstyles and the wearing of gold jewelry or fine clothes. Rather, it should be that of your inner self, the unfading beauty of a gentle and quiet spirit, which is of great worth in God’s sight. [ὧν ἔστω οὐχ ὁ ἔξωθεν ἐμπλοκῆς τριχῶν καὶ [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Your beauty should not come from outward adornment, such as elaborate hairstyles and the wearing of gold jewelry or fine clothes. Rather, it should be that of your inner self, the unfading beauty of a gentle and quiet spirit, which is of great worth in God’s sight.</p>
<p>[ὧν ἔστω οὐχ ὁ ἔξωθεν ἐμπλοκῆς τριχῶν καὶ περιθέσεως χρυσίων ἢ ἐνδύσεως ἱματίων κόσμος, ἀλλ’ ὁ κρυπτὸς τῆς καρδίας ἄνθρωπος ἐν τῷ ἀφθάρτῳ τοῦ πραέως καὶ ἡσυχίου πνεύματος ὅ ἐστιν ἐνώπιον τοῦ Θεοῦ πολυτελές.]</p>
<br><b>The Bible (The New Testament)</b> (AD 1st - 2nd C) Christian sacred scripture<br>Book 21. <i>1st Letter of Peter</i>  3: 3ff (1 Pet 3:3-4) [NIV (2011 ed.)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.biblegateway.com/passage/?search=1+Peter+3%3A3-4&version=NIV" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://biblehub.com/psb/1_peter/3.htm#:~:text=%E1%BD%A7%CE%BD%20%E1%BC%94%CF%83%CF%84%CF%89%20%CE%BF%E1%BD%90%CF%87%20%E1%BD%81%20%E1%BC%94%CE%BE%CF%89%CE%B8%CE%B5%CE%BD%20%E1%BC%90%CE%BC%CF%80%CE%BB%CE%BF%CE%BA%E1%BF%86%CF%82%20%CF%84%CF%81%CE%B9%CF%87%E1%BF%B6%CE%BD%20%CE%BA%CE%B1%E1%BD%B6%20%CF%80%CE%B5%CF%81%CE%B9%CE%B8%CE%AD%CF%83%CE%B5%CF%89%CF%82%20%CF%87%CF%81%CF%85%CF%83%CE%AF%CF%89%CE%BD%20%E1%BC%A2%20%E1%BC%90%CE%BD%CE%B4%CF%8D%CF%83%CE%B5%CF%89%CF%82%20%E1%BC%B1%CE%BC%CE%B1%CF%84%CE%AF%CF%89%CE%BD%20%CE%BA%CF%8C%CF%83%CE%BC%CE%BF%CF%82">Source (Greek)</a>). Alternate translations:<br><br>

<blockquote><span class="tab">Whose adorning let it not be that outward adorning of plaiting the hair, and of wearing of gold, or of putting on of apparel; <br>
<span class="tab">But let it be the hidden man of the heart, in that which is not corruptible, even the ornament of a meek and quiet spirit, which is in the sight of God of great price.<br>
[<a href="https://www.biblegateway.com/passage/?search=1+Peter+3%3A3-4&version=KJV">KJV</a> (1611)]</blockquote><br>

<blockquote>Do not dress up for show: doing up your hair, wearing gold bracelets and fine clothes; all this should be inside, in a person’s heart, imperishable: the ornament of a sweet and gentle disposition -- this is what is precious in the sight of God.<br>
[<a href="https://bibledoctrine.us/1_saint-peter/#:~:text=Do%20not%20dress,sight%20of%20God.">JB</a> (1966)]</blockquote><br>

<blockquote>You should not use outward aids to make yourselves beautiful, such as the way you fix your hair, or the jewelry you put on, or the dresses you wear. Instead, your beauty should consist of your true inner self, the ageless beauty of a gentle and quiet spirit, which is of the greatest value in God's sight.<br>
[<a href="https://www.biblegateway.com/passage/?search=1+Peter+3%3A3-4&version=GNT">GNT</a> (1976)]</blockquote><br>



<blockquote>Your adornment should be not an exterior one, consisting of braided hair or gold jewelry or fine clothing, but the interior disposition of the heart, consisting in the imperishable quality of a gentle and peaceful spirit, so precious in the sight of God.<br>
[<a href="https://www.bibliacatolica.com.br/en/new-jerusalem-bible/1-peter/3/#:~:text=Your%20adornment%20should,sight%20of%20God.">NJB</a> (1985)]</blockquote><br>






<blockquote>Don’t try to make yourselves beautiful on the outside, with stylish hair or by wearing gold jewelry or fine clothes. Instead, make yourselves beautiful on the inside, in your hearts, with the enduring quality of a gentle, peaceful spirit. This type of beauty is very precious in God’s eyes.<br>
[<a href="https://www.biblegateway.com/passage/?search=1+Peter++3%3A3-4&version=CEB">CEB</a> (2011)]</blockquote><br>




<blockquote>Do not adorn yourselves outwardly by braiding your hair, and by wearing gold ornaments or fine clothing; rather, let your adornment be the inner self with the lasting beauty of a gentle and quiet spirit, which is very precious in God’s sight.<br>
[<a href="https://www.biblegateway.com/passage/?search=1+Peter+3%3A3-4&version=NRSVUE">NRSV</a> (2021 ed.)]</blockquote><br>

						</span>
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		<title>Frederick II (the Great) -- Proclamation (13 Sep 1777)</title>
		<link>https://wist.info/frederick-ii-the-great/27349/</link>
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		<pubDate>Thu, 30 Oct 2014 12:27:21 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Frederick II (the Great)]]></category>
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		<description><![CDATA[It is disgusting to notice the increase in the quantity of coffee used by my subjects. &#8230; If possible, this must be prevented. My people must drink beer.]]></description>
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			<content:encoded><![CDATA[<p>It is disgusting to notice the increase in the quantity of coffee used by my subjects. &#8230; If possible, this must be prevented. My people must drink beer.</p>
<br><b>Frederick II</b> (1712-1786) King of Prussia (Frederick the Great, Friedrich der Große)<br>Proclamation (13 Sep 1777) 
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		<title>Shaw, George Bernard -- The Intelligent Woman&#8217;s Guide to Socialism, Capitalism, Sovietism, and Fascism, ch. 79 (1928)</title>
		<link>https://wist.info/shaw-george-bernard/23114/</link>
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		<pubDate>Thu, 05 Dec 2013 14:40:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shaw, George Bernard]]></category>
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		<description><![CDATA[If you rebel against high-heeled shoes, take care to do it in a very smart hat.]]></description>
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			<content:encoded><![CDATA[<p>If you rebel against high-heeled shoes, take care to do it in a very smart hat.</p>
<br><b>George Bernard Shaw</b> (1856-1950) Irish playwright and critic<br><i>The Intelligent Woman&#8217;s Guide to Socialism, Capitalism, Sovietism, and Fascism</i>, ch. 79 (1928) 
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		<title>Johnson, Samuel -- The Rambler, #135 (2 Jul 1751)</title>
		<link>https://wist.info/johnson-samuel/20221/</link>
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		<pubDate>Fri, 01 Feb 2013 16:09:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Johnson, Samuel]]></category>
		<category><![CDATA[absurdity]]></category>
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		<description><![CDATA[Almost all absurdity of conduct arises from the imitation of those whom we cannot resemble.]]></description>
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			<content:encoded><![CDATA[<p>Almost all absurdity of conduct arises from the imitation of those whom we cannot resemble.</p>
<br><b>Samuel Johnson</b> (1709-1784) English writer, lexicographer, critic<br><i>The Rambler</i>, #135 (2 Jul 1751) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_Samuel_Johnson_Ll_D_Contain/CMRZAAAAYAAJ?hl=en&gbpv=1&bsq=%22absurdity%20of%20conduct%20arises%22" target="_blank">Source</a>)
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		<title>Hoffer, Eric -- First Things, Last Things, ch. 8 &#8220;Thoughts on the Present&#8221; (1971)</title>
		<link>https://wist.info/hoffer-eric/13485/</link>
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		<pubDate>Tue, 11 Jan 2011 13:55:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hoffer, Eric]]></category>
		<category><![CDATA[acceptability]]></category>
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		<description><![CDATA[When cowardice becomes a fashion its adherents are without number, and it masquerades as forbearance, reasonableness and whatnot. See also Hoffer (1955).]]></description>
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			<content:encoded><![CDATA[<p>When cowardice becomes a fashion its adherents are without number, and it masquerades as forbearance, reasonableness and whatnot.</p>
<br><b>Eric Hoffer</b> (1902-1983) American writer, philosopher, longshoreman<br><i>First Things, Last Things</i>, ch. 8 &#8220;Thoughts on the Present&#8221; (1971) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/firstthingslastt0000hoff/page/108/mode/2up?q=%22cowardice+becomes%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See also <a href="/hoffer-eric/81117/">Hoffer</a> (1955).						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Santayana, George -- The Life of Reason or The Phases of Human Progress, Vol. 3 &#8220;Reason in Religion, ch. 7 (1905-06)</title>
		<link>https://wist.info/santayana-george/11271/</link>
		<comments>https://wist.info/santayana-george/11271/#respond</comments>
		<pubDate>Fri, 25 Jun 2010 13:28:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Santayana, George]]></category>
		<category><![CDATA[clothing]]></category>
		<category><![CDATA[fashion]]></category>
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		<category><![CDATA[innovation]]></category>
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		<description><![CDATA[Fashion is something barbarous, for it produces innovation without reason and imitation without benefit.]]></description>
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			<content:encoded><![CDATA[<p>Fashion is something barbarous, for it produces innovation without  reason and imitation without benefit.</p>
<br><b>George Santayana</b> (1863-1952) Spanish-American poet and philosopher [Jorge Agustín Nicolás Ruíz de Santayana y Borrás]<br><i>The Life of Reason or The Phases of Human Progress</i>, Vol. 3 &#8220;Reason in Religion, ch. 7 (1905-06) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.gutenberg.org/files/15000/15000-h/15000-h.htm#vol3CHAPTER_VII" target="_blank">Source</a>)
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		<title>Ebner-Eschenbach, Marie von -- Aphorisms [Aphorismen], No. 280 (1880) [tr. Wister (1883)]</title>
		<link>https://wist.info/von-ebner-eschenbach-marie/11115/</link>
		<comments>https://wist.info/von-ebner-eschenbach-marie/11115/#respond</comments>
		<pubDate>Fri, 04 Jun 2010 13:19:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ebner-Eschenbach, Marie von]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[obsolescence]]></category>

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		<description><![CDATA[So soon as a fashion is universal, it is out of date. [Sobald eine Mode allgemein geworden ist, hat sie sich überlebt.] (Source (German)). Alternate translation: As soon as fashion has caught on, it has outlived itself. [tr. Scrase/Mieder (1994)]]]></description>
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			<content:encoded><![CDATA[<p>So soon as a fashion is universal, it is out of date.</p>
<p><em>[Sobald eine Mode allgemein geworden ist, hat sie sich überlebt.]</em></p>
<br><b>Marie von Ebner-Eschenbach</b> (1830-1916) Austrian writer<br><i>Aphorisms [Aphorismen]</i>, No. 280 (1880) [tr. Wister (1883)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Aphorisms/pwEbAAAAYAAJ?q=proof&gbpv=1&bsq=%22fashion%20is%20universal%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutzitiert.de/aphorismen_parabeln_maerchen_und_gedichte-marie_von_ebner_eschenbach-kapitel_4.html#:~:text=Sobald%20eine%20Mode%20allgemein%20geworden%20ist%2C%20hat%20sie%20sich%20%C3%BCberlebt.">Source (German)</a>). Alternate translation:<br><br>

<blockquote>As soon as fashion has caught on, it has outlived itself.<br>
[tr. Scrase/Mieder (1994)]</blockquote><br>
						</span>
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		<title>Fuller, Thomas (1654) -- Introductio ad Prudentiam, Vol. 1, #  498 (1725)</title>
		<link>https://wist.info/fuller-thomas-1654/11072/</link>
		<comments>https://wist.info/fuller-thomas-1654/11072/#respond</comments>
		<pubDate>Fri, 28 May 2010 21:24:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fuller, Thomas (1654)]]></category>
		<category><![CDATA[conformity]]></category>
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		<description><![CDATA[Be neither too early in the Fashion, nor too long out of it, nor at any time too precisely in it.]]></description>
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			<content:encoded><![CDATA[<p>Be neither too early in the Fashion, nor too long out of it, nor at any time too precisely in it.</p>
<br><b>Thomas Fuller</b> (1654-1734) English physician, preacher, aphorist, writer<br><i>Introductio ad Prudentiam</i>, Vol. 1, #  498 (1725) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Directions_Counsels_and_Cautions_tending/XKn8oljz6igC?hl=en&gbpv=1&bsq=498&pg=PA158&printsec=frontcover" target="_blank">Source</a>)
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		<title>Goethe, Johann von -- Sprüche in Prosa: Maximen und Reflexionen [Proverbs in Prose: Maxims and Reflections] (1833) [tr. Saunders (1893), &#8220;Life and Character,&#8221; sec. 7, #392]</title>
		<link>https://wist.info/goethe-johann/11005/</link>
		<comments>https://wist.info/goethe-johann/11005/#respond</comments>
		<pubDate>Fri, 21 May 2010 14:56:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Goethe, Johann von]]></category>
		<category><![CDATA[contemporaneous]]></category>
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		<category><![CDATA[here and now]]></category>
		<category><![CDATA[moment]]></category>
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		<category><![CDATA[tradition]]></category>

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		<description><![CDATA[What is called fashion is the tradition of the moment. [Was man Mode heißt, ist augenblickliche Uberlieferung.] (Source (German)). Alternate translations: That which we call fashion is the tradition of the moment. [tr. Rönnfeldt (1900)] What we call fashion is momentary transmission. [tr. Stopp (1995), &#8220;Posthumous,&#8221; #986]]]></description>
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			<content:encoded><![CDATA[<p>What is called fashion is the tradition of the moment.</p>
<p><em>[Was man Mode heißt, ist augenblickliche Uberlieferung.]</em></p>
<br><b>Johann Wolfgang von Goethe</b> (1749-1832) German poet, statesman, scientist<br><i>Sprüche in Prosa: Maximen und Reflexionen [Proverbs in Prose: Maxims and Reflections]</i> (1833) [tr. Saunders (1893), &#8220;Life and Character,&#8221; sec. 7, #392] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/maximsreflection00goetrich/page/144/mode/2up?q=%22what+is+called+fashion%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.google.com/books/edition/Spr%C3%BCche_in_Prosa/2HsQAAAAYAAJ?gbpv=1&bsq=%22augenblickliche%20Uberlieferung%22">Source (German)</a>). Alternate translations:<br><br>

<blockquote>That which we call fashion is the tradition of the moment.<br>
[tr. <a href="https://archive.org/details/criticismsreflec00goet/page/238/mode/2up?q=%22call+fashion%22">Rönnfeldt</a> (1900)]</blockquote><br>

<blockquote>What we call fashion is momentary transmission. <br>
[tr. <a href="https://archive.org/details/maxims-and-reflections-johann-wolfgang-von-goethe/page/126/mode/2up?q=%22call+fashion%22">Stopp</a> (1995), "Posthumous," #986] </blockquote><br>



						</span>
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		<title>Solzhenitsen, Alexander -- &#8220;A World Split Apart,&#8221; Commencement Address, Harvard (8 Jun 1978)</title>
		<link>https://wist.info/solzhenitzen-alexander/6880/</link>
		<comments>https://wist.info/solzhenitzen-alexander/6880/#respond</comments>
		<pubDate>Fri, 06 Mar 2009 10:00:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Solzhenitsen, Alexander]]></category>
		<category><![CDATA[America]]></category>
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		<description><![CDATA[Without any censorship, in the West fashionable trends of thought and ideas are carefully separated from those which are not fashionable; nothing is forbidden, but what is not fashionable will hardly ever find its way into periodicals or books or be heard in colleges. Legally your researchers are free, but they are conditioned by the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Without any censorship, in the West fashionable trends of thought and ideas are carefully separated from those which are not fashionable; nothing is forbidden, but what is not fashionable will hardly ever find its way into periodicals or books or be heard in colleges. Legally your researchers are free, but they are conditioned by the fashion of the day. There is no open violence such as in the East; however, a selection dictated by fashion and the need to match mass standards frequently prevent independent-minded people from giving their contribution to public life. There is a dangerous tendency to form a herd, shutting off successful development.</p>
<br><b>Alexander Solzhenitsen</b> (1918-2008) Russian novelist, emigre [Aleksandr Isayevich Solzhenitsyn]<br>&#8220;A World Split Apart,&#8221; Commencement Address, Harvard (8 Jun 1978) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.solzhenitsyncenter.org/a-world-split-apart#block-yui_3_17_2_5_1419007386521_53999:~:text=Without%20any%20censorship%2C%20in%20the%20West,herd%2C%20shutting%20off%20successful%20development.%20I" target="_blank">Source</a>)
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		<title>Herrick, Robert -- &#8220;Ceremonies for Candlemas Eve,&#8221; Hesperides, #  892 (1648)</title>
		<link>https://wist.info/herrick-robert/5120/</link>
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		<pubDate>Fri, 20 Jul 2007 19:59:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Herrick, Robert]]></category>
		<category><![CDATA[aging]]></category>
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		<description><![CDATA[Thus times do shift, each thing his turn does hold; New things succeed, as former things grow old.]]></description>
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			<content:encoded><![CDATA[<p>Thus times do shift, each thing his turn does hold;<br />
<em>New things succeed, as former things grow old.</em></p>
<br><b>Robert Herrick</b> (1591-1674) English poet<br>&#8220;Ceremonies for Candlemas Eve,&#8221; <i>Hesperides</i>, #  892 (1648) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/22421/pg22421-images.html#volume02:~:text=Thus%20times%20do,grow%20old." target="_blank">Source</a>)
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		<title>Pratchett, Terry -- Discworld No. 22, The Last Continent (1998)</title>
		<link>https://wist.info/pratchett-terry/4998/</link>
		<comments>https://wist.info/pratchett-terry/4998/#respond</comments>
		<pubDate>Mon, 17 Oct 2005 18:50:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[animal rights]]></category>
		<category><![CDATA[couture]]></category>
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		<category><![CDATA[leather]]></category>
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		<description><![CDATA[But still, one of the most basic rules for survival on any planet is never to upset someone wearing black leather.* *This is why protesters against the wearing of animal skins by humans unaccountably fail to throw their paint over Hell&#8217;s Angels.]]></description>
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			<content:encoded><![CDATA[<p>But still, one of the most basic rules for survival on any planet is never to upset someone wearing black leather.<sup>*</sup></p>
<p><sup>*This is why protesters against the wearing of animal skins by humans unaccountably fail to throw their paint over Hell&#8217;s Angels.</sup></p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br>Discworld No. 22, <i>The Last Continent</i> (1998) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/lastcontinentdi00prat/page/224/mode/2up?q=%22wearing+black+leather%22" target="_blank">Source</a>)
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		<title>Goethe, Johann von -- Sprüche in Prosa: Maximen und Reflexionen [Proverbs in Prose: Maxims and Reflections] (1833) [tr. Saunders (1893), #489]</title>
		<link>https://wist.info/goethe-johann/4900/</link>
		<comments>https://wist.info/goethe-johann/4900/#respond</comments>
		<pubDate>Tue, 06 Jul 2004 22:08:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Goethe, Johann von]]></category>
		<category><![CDATA[coarseness]]></category>
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		<category><![CDATA[grossness]]></category>
		<category><![CDATA[imagination]]></category>
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		<description><![CDATA[Nothing is more frightful than imagination without taste. [Es ist nichts furchterlicher als Einbildungskraft ohne Geschmack.] From Wilhelm Meister&#8217;s Journeyman Years (1829). (Source (German)). Alternate translations: There is nothing so horrible as imagination devoid of taste. [tr. Rönnfeldt (1900)] There is nothing more awful than imagination devoid of taste. [tr. Stopp (1995), #507] There is [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Nothing is more frightful than imagination without taste.</p>
<p><em>[Es ist nichts furchterlicher als Einbildungskraft ohne Geschmack.]</em></p>
<br><b>Johann Wolfgang von Goethe</b> (1749-1832) German poet, statesman, scientist<br><i>Sprüche in Prosa: Maximen und Reflexionen [Proverbs in Prose: Maxims and Reflections]</i> (1833) [tr. Saunders (1893), #489] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/maximsreflection00goetrich/page/172/mode/2up?q=%22imagination+without+taste%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

From <i>Wilhelm Meister's Journeyman Years</i> (1829). (<a href="https://www.google.com/books/edition/Spr%C3%BCche_in_Prosa/2HsQAAAAYAAJ?hl=en&gbpv=1&bsq=%22ohne%20Geschmack%22">Source (German)</a>). Alternate translations:<br><br>

<blockquote>There is nothing so horrible as imagination devoid of taste.<br>
[tr. <a href="https://archive.org/details/criticismsreflec00goet/page/148/mode/2up?q=%22imagination+devoid+of+taste%22">Rönnfeldt</a> (1900)]</blockquote><br>

<blockquote>There is nothing more awful than imagination devoid of taste.<br>
[tr. <a href="https://archive.org/details/maxims-and-reflections-johann-wolfgang-von-goethe/page/66/mode/2up?q=%22devoid+of+taste%22">Stopp</a> (1995),  #507] </blockquote><br>

<blockquote>There is nothing more fearful than imagination without taste.<br>
[<a href="https://www.google.com/books/edition/Beautiful_Thoughts_from_German_and_Spani/Dh2nkXsUCqgC?hl=en&gbpv=1&dq=%22nothing+more+fearful+than+imagination%22&pg=PA159&printsec=frontcover">E.g.</a> (1868)]</blockquote><br>						</span>
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		<title>Santayana, George -- Winds of Doctrine (1913)</title>
		<link>https://wist.info/santayana-george/3435/</link>
		<comments>https://wist.info/santayana-george/3435/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Santayana, George]]></category>
		<category><![CDATA[appeal]]></category>
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		<description><![CDATA[For an idea ever to be fashionable is ominous, since it must afterwards be always old-fashioned.]]></description>
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			<content:encoded><![CDATA[<p>For an idea ever to be fashionable is ominous, since it must afterwards be always old-fashioned.</p>
<br><b>George Santayana</b> (1863-1952) Spanish-American poet and philosopher [Jorge Agustín Nicolás Ruíz de Santayana y Borrás]<br><i>Winds of Doctrine</i> (1913) 
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		<title>Carlyle, Thomas -- Sartor Resartus, Book 3, ch.  6 (1834)</title>
		<link>https://wist.info/carlyle-thomas/724/</link>
		<comments>https://wist.info/carlyle-thomas/724/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carlyle, Thomas]]></category>
		<category><![CDATA[attachment]]></category>
		<category><![CDATA[clothes]]></category>
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		<description><![CDATA[Trust not the heart of that man for whom old clothes are not venerable. Quoting Herr Teufelsdröckh. This chapter first appeared in Fraser&#8217;s Magazine for Town and Country, Vol. 10, No. 55 (1834-07).]]></description>
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			<content:encoded><![CDATA[<p>Trust not the heart of that man for whom old clothes are not venerable.</p>
<br><b>Thomas Carlyle</b> (1795-1881) Scottish essayist and historian<br><i>Sartor Resartus</i>, Book 3, ch.  6 (1834) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Thomas_Carlyle/Volume_1/Sartor_Resartus,_Book_III,_Chapter_VI#:~:text=trust%20not%20the%20heart%20of%20that%20man%20for%20whom%20Old%20Clothes%20are%20not%20venerable." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Quoting Herr Teufelsdröckh. <br><br>

This chapter <a href="https://archive.org/details/sim_frasers-magazine_1834-07_10_55/page/78/mode/2up?q=%22not+venerable%22">first appeared</a> in <i>Fraser's Magazine for Town and Country</i>, Vol. 10, No. 55 (1834-07).						</span>
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		<title>Thoreau, Henry David -- Walden; or, Life in the Woods, ch.  1 &#8220;Economy&#8221; (1854)</title>
		<link>https://wist.info/thoreau-henry-david/3849/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Thoreau, Henry David]]></category>
		<category><![CDATA[conformity]]></category>
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		<description><![CDATA[Every generation laughs at the old fashions, but follows religiously the new.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>Every generation laughs at the old fashions, but follows religiously the new.</p>
<br><b>Henry David Thoreau</b> (1817-1862) American philosopher and writer<br><i>Walden; or, Life in the Woods</i>, ch.  1 &#8220;Economy&#8221; (1854) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Walden_(1854)_Thoreau/Economy#:~:text=Every%20generation%20laughs%20at%20the%20old%20fashions%2C%20but%20follows%20religiously%20the%20new." target="_blank">Source</a>)
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		<title>Churchill, Jennie -- Quoted in London Daily Chronicle (16 Feb 1921)</title>
		<link>https://wist.info/churchill-jennie/596/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[There is no such thing as a moral dress. It&#8217;s people who are moral or immoral. In response to a Philadelphia clergyman dictating that for a gown to be &#8220;moral&#8221; it must be cut no more than 7½&#8221; off the ground or 3&#8243; below the neck.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>There is no such thing as a moral dress. It&#8217;s people who are moral or immoral.</p>
<br><b>Jennie Jerome Spencer-Churchill</b> (1854-1921) American-British socialite [Lady Randolph Churchill]<br>Quoted in <i>London Daily Chronicle</i> (16 Feb 1921) 
														<br><br><span class="cite">
						

In response to a Philadelphia clergyman dictating that for a gown to be "moral" it must be cut no more than 7½" off the ground or 3" below the neck.						</span>
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		<title>Bolt, Robert -- A Man for All Seasons, play, Act 1 (1960)</title>
		<link>https://wist.info/bolt-robert/1011/</link>
		<comments>https://wist.info/bolt-robert/1011/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bolt, Robert]]></category>
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		<description><![CDATA[MORE: I must in fairness add that my taste in music is reputedly deplorable. HENRY: Your taste in music is excellent. It exactly coincides with my own. Bolt&#8217;s 1966 film adaptation uses the same language.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p class="hangingindent">MORE: I must in fairness add that my taste in music is reputedly deplorable.</p>
<p class="hangingindent">HENRY: Your taste in music is excellent. It exactly coincides with my own.</p>
<p></p>
<br><b>Robert Bolt</b> (1924-1995) English dramatist<br><i>A Man for All Seasons</i>, play, Act 1 (1960) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/manforallseasons0000unse_m6c8/page/32/mode/2up?view=theater&q=%22must+in+fairness%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Bolt's 1966 film adaptation uses <a href="https://www.scripts.com/script/a_man_for_all_seasons_1131/6#:~:text=man%20for%20Chancellor.-,MORE%3A,exactly%20coincides%20.With%20my%20own%20.,-Ahlmusic!%20Music!%20Send">the same language</a>.

						</span>
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