WIST Quotations

Gaiman, Neil -- American Gods, Part 3, ch. 16 [Shadow and Bast] (2001)

Dave — Thu, 06 Oct 2022 17:17:18 +0000

“Maybe,” he said. “Maybe I can get some kind of a happy ending.”

“Not only are there no happy endings,” she told him. “There aren’t even any endings.”

Neil Gaiman (b. 1960) British author, screenwriter, fabulist
American Gods, Part 3, ch. 16 [Shadow and Bast] (2001)
(Source)

Shakespeare, William -- All’s Well That Ends Well, Act 5, sc. 3, l. 378ff (5.3.378-379) (1602?)

Dave — Thu, 22 Sep 2022 15:02:17 +0000

KING: All yet seems well, and if it end so meet,
The bitter past, more welcome is the sweet.

William Shakespeare (1564-1616) English dramatist and poet
All’s Well That Ends Well, Act 5, sc. 3, l. 378ff (5.3.378-379) (1602?)
(Source)

Gracián, Baltasar -- The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 211 (1647) [tr. Jacobs (1892)]

Dave — Mon, 15 Aug 2022 17:50:59 +0000

Our life gets as complicated as a comedy as it goes on, but the complications get gradually resolved: see that the curtain comes down on a good denouement.

[Vase empeñando nuestra vida como en comedia, al fin viene a desenredarse. Atención, pues, al acabar bien.]

Baltasar Gracián y Morales (1601-1658) Spanish Jesuit priest, writer, philosopher
The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 211 (1647) [tr. Jacobs (1892)]
(Source)

(Source (Spanish)). Alternate translations:

Our life is acted like a Play. The Catastrophy is in the last Act. The chief part then is, to end it well.
[Flesher ed. (1685)]

Our life becomes more complicated as we go along, like a comedy, but toward the end it becomes simpler; keep in mind, therefore, the happy ending.
[tr. Fischer (1937)]

Our lives fold and unfold like theater, so be careful to end well.
[tr. Maurer (1992)]

Wharton, Edith -- French Ways and Their Meaning, ch. 4 “Intellectual Honesty” (1919)

Dave — Thu, 11 Apr 2019 00:49:22 +0000

What Mr. Howells said of the American theater is true of the whole American attitude toward life. “A tragedy with a happy ending” is exactly what the child wants before he goes to sleep: the reassurance that “all’s well with the world” as he lies in his cozy nursery. It is a good thing that the child should receive this reassurance; but as long as he needs it he remains a child, and the world he lives in is a nursery-world. Things are not always and everywhere well with the world, and each man has to find it out as he grows up. It is the finding out that makes him grow, and until he has faced the fact and digested the lesson he is not grown up — he is still in the nursery.

Edith Wharton (1862-1937) American novelist
French Ways and Their Meaning, ch. 4 “Intellectual Honesty” (1919)
(Source)

Commenting on William Dean Howells' comment to her on American taste in theater and drama: "What the American public wants is a tragedy with a happy ending."

Wilde, Oscar -- The Importance of Being Earnest, act 2 (Miss Prism) [1895]

Dave — Fri, 01 Mar 2019 02:26:16 +0000

The good ended happily, and the bad unhappily. That is what Fiction means.

Oscar Wilde (1854-1900) Irish poet, wit, dramatist
The Importance of Being Earnest, act 2 (Miss Prism) [1895]
(Source)

Rucka, Greg -- Lazarus: X+66 #3, letter column (Sep 2017)

Dave — Thu, 12 Oct 2017 16:01:54 +0000

I’m not sure why it happened, and I’m not certain at all when it happened, but at some point, wanting a happy ending became uncool. Maybe it’s the relentless (and again, highly flawed) criticism that “such things aren’t realistic.” To which my response is, so the fuck what? It’s call fiction. If you want real, step outside.

Greg Rucka (b. 1969) American comic book writer and novelist
Lazarus: X+66 #3, letter column (Sep 2017)

Asimov, Isaac -- The Gods Themselves, Sec. 3, ch. 19 (1972)

Dave — Wed, 27 Jul 2016 00:06:12 +0000

There are no happy endings in history, only crisis points that pass.

Isaac Asimov (1920-1992) Russian-American author, polymath, biochemist
The Gods Themselves, Sec. 3, ch. 19 (1972)

Whedon, Joss -- Interview with Michael Silverberg (NPR)

Dave — Thu, 08 Jan 2015 13:55:28 +0000

I think there’s a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed. … That offends me deeply, because the world is a scary and horrifying place, and everyone’s going to get old and die, if they’re that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice. Children need horror because there are things they don’t understand. It helps them to codify it if it is mythologized, if it’s put into the context of a story, whether the story has a happy ending or not. If it scares them and shows them a little bit of the dark side of the world that is there and always will be, it’s helping them out when they have to face it as adults.

Joss Whedon (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]
Interview with Michael Silverberg (NPR)
(Source)

Gaiman, Neil -- Sandman, Book 1. Preludes and Nocturnes, # 6 “24 Hours” (1989-06)

Dave — Tue, 19 Jan 2010 14:38:09 +0000

All Bette’s stories have happy endings. That’s because she knows where to stop. She’s realized the real problem with stories — if you keep them going long enough, they always end in death.

Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Sandman, Book 1. Preludes and Nocturnes, # 6 “24 Hours” (1989-06)
(Source)

Hemingway, Ernest -- Death in the Afternoon, ch. 11 (1932)

Dave — Wed, 19 Aug 2009 15:10:49 +0000

There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her. If two people love each other there can be no happy end to it.

Ernest Hemingway (1899-1961) American writer
Death in the Afternoon, ch. 11 (1932)
(Source)