WIST Quotations

Montesquieu -- Spirit of Laws [The Spirit of the Laws; De l’esprit des lois], Book 11, ch. 2 (11.2) (1748) tr. Cohler/Miller/Stone (1989)]

Dave — Mon, 09 Mar 2026 21:03:43 +0000

No word has received more different significations and has struck minds in so many ways as has liberty.

[Il n’y a point de mot qui ait reçu plus de différentes significations, & qui ait frappé les esprits de tant de manieres, que celui de liberté.]

Charles-Lewis de Secondat, Baron de Montesquieu (1689-1755) French political philosopher
Spirit of Laws [The Spirit of the Laws; De l’esprit des lois], Book 11, ch. 2 (11.2) (1748) tr. Cohler/Miller/Stone (1989)]
(Source)

(Source (French)). Other translations:

There is no word that has admitted of more various significations, and has made more different impressions on human minds, than that of Liberty. [tr. Nugent (1750)]

There is no word that has received more different meanings, and which has struck minds in so many ways, as that of freedom.
[tr. Stewart (2018)]

L'Engle, Madeleine -- Speech (1983-11-16), “Dare To Be Creative,” Lecture, Library of Congress, Washington, DC

Dave — Wed, 25 Feb 2026 20:09:52 +0000

We find what we are looking for. If we are looking for life and love and openness and growth, we are likely to find them. If we are looking for witchcraft and evil, we’ll likely find them, and we may get taken over by them.

Madeleine L'Engle (1918-2007) American writer
Speech (1983-11-16), “Dare To Be Creative,” Lecture, Library of Congress, Washington, DC
(Source)

Warren, Robert Penn -- Band of Angels, ch. 6 (1955)

Dave — Sat, 14 Feb 2026 19:41:05 +0000

You live through time, that little piece of time that is yours, but that piece of time is not only your own life, it is the summing-up of all the other lives that are simultaneous with yours. It is, in other words, History, and what you are is an expression of History, and you do not live your life, but somehow, your life lives you, and you are, therefore, only what History does to you.

Robert Penn Warren (1905-1989) American poet, novelist, literary critic
Band of Angels, ch. 6 (1955)
(Source)

This is sometimes cited to Warren's World Enough and Time (1950), but is not found there.

Often seen edited down:

You live through that little piece of time that is yours, but that piece of time is not only your own life, it is the summing-up of all the other lives that are simultaneous with yours. [...] What you are is an expression of History.

Note that the narrator continues:

That is what I have heard said, but we have to try to make sense of what we have lived, or what has lived us, and there are so many questions that cry for an answer, as children gather about your knee and cry for a sweetmeat. No, it would be better to change the comparison and say it is like children gathering about your knee to cry for a story, a bedtime story, and if you can tell the right story, then these children, then these questions, will sleep, and you can, too.

Watts, Alan -- The Wisdom of Insecurity, ch. 7 “The Transformation of Life” (1951)

Dave — Mon, 09 Feb 2026 21:30:30 +0000

The meaning and purpose of dancing is the dance. Like music, also, it is fulfilled in each moment of the course. You do not play a sonata in order to reach the final chord, and if the meaning of things were simply in ends, composers would write nothing but finales.

Alan Watts (1915-1973) Anglo-American philosopher, writer
The Wisdom of Insecurity, ch. 7 “The Transformation of Life” (1951)
(Source)

Le Guin, Ursula K. -- Story (1995-11), “Ether, OR,” Isaac Asimov’s Science Fiction, Vol. 19

Dave — Fri, 05 Dec 2025 21:51:53 +0000

It’s like all the time I was working keeping house and raising the kids and making love and earning our keep I thought there was going to come a time or there would be some place where all of it came together. Like it was words I was saying, all my life, all the kinds of work, just a word here and a word there, but finally all the words would make a sentence, and I could read the sentence. I would have made my soul and know what it was for. But I have made my soul and I don’t know what to do with it. Who wants it?

Ursula K. Le Guin (1929-2018) American writer
Story (1995-11), “Ether, OR,” Isaac Asimov’s Science Fiction, Vol. 19
(Source)

Collected in the Aunt Lute Anthology of U.S. Women Writers, Vol. 2 (2008).

Marcus Aurelius -- Meditations [To Himself; Τὰ εἰς ἑαυτόν], Book 8, ch. 50 (8.50) (AD 161-180) [tr. Staniforth (1964)]

Dave — Wed, 29 Oct 2025 21:10:05 +0000

Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on to say, “Why were things of this sort ever brought into the world?” The student of nature will only laugh at you; just as a carpenter or a shoemaker would laugh, if you found fault with the shavings and scraps from their work which you saw in the shop.

[Σίκυος πικρός; ἄφες. βάτοι ἐν τῇ ὁδῷ; ἔκκλινον. ἀρκεῖ, μὴ προσεπείπῃς: τί δὲ καὶ ἐγένετο ταῦτα ἐν τῷ κόσμῳ; ἐπεὶ καταγελασθήσῃ ὑπὸ ἀνθρώπου φυσιολόγου, ὡς ἂν καὶ ὑπὸ τέκτονος καὶ σκυτέως γελασθείης καταγινώσκων ὅτι ἐν τῷ ἐργαστηρίῳ ξέσματα καὶ περιτμήματα τῶν κατασκευαζομένων ὁρᾷς.]

Marcus Aurelius (AD 121-180) Roman emperor (161-180), Stoic philosopher
Meditations [To Himself; Τὰ εἰς ἑαυτόν], Book 8, ch. 50 (8.50) (AD 161-180) [tr. Staniforth (1964)]
(Source)

(Source (Greek)). Alternate translations:

Is the cucumber bitter? set it away. Brambles are in the way? avoid them. Let this suffice. Add not presently speaking unto thyself, What serve these things for in the world? For, this, one that is acquainted with the mysteries of nature, will laugh at thee for it; as a carpenter would or a shoemaker, if meeting in either of their shops with some shavings, or small remnants of their work, thou shouldest blame them for it.
[tr. Casaubon (1634), 8.48]

Does your Cucumber taste bitter? Let it alone. Are there Brambles in your way? Avoid them then. Thus far you are well: But then don't ask what does the World with such stuff as this is? This is to be too Bold, and Impertinent; And a Natural Philosopher would laugh at you: This Expostulation is just as Wise as it would be to find fault with a Carpenter for having Saw-dust, or a Taylor Shreds in his Shop.
[tr. Collier (1701)]

Is the cucumber bitter? Throw it away. Are there thorns in the way? Walk aside. That is enough. Don’t be adding; “Why were such things in the universe?” A naturalist would laugh at you, as would a carpenter, too, or a shoe-maker, if you were finding fault, because shavings and parings of their Works are lying about in their work-houses.
[tr. Hutcheson/Moor (1742)]

Is the cucumber which you are eating, bitter? let it alone. Are there thorns int he path where you are walking? avoid them. This is sufficient for your particular purpose. But do not peevishly ask, "why are such things permitted in the world?" For a naturalist would laugh at you; and with as much reason as a carpenter or a tailor would do, if you should blame them for having shavings or shreds in their respective shops.
[tr. Graves (1792), 8.49]

A cucumber is bitter -- Throw it away. -- There are briers in the road -- Turn aside from them. -- This is enough. Do not add, And why were such things made in the world? For thou wilt be ridiculed by a man who is acquainted with nature, as thou wouldst be ridiculed by a carpenter and shoemaker if thou didst find fault because thou seest in their workshop shavings and cuttings from the things which they make.
[tr. Long (1862)]

Does your cucumber taste bitter? Let it alone. Are there brambles in your way? Avoid them then. Thus far you are well. But, then, do not ask what does the world with such things as this, for a natural philosopher would laugh at you. This expostulation is just as wise as it would be to find fault with a carpenter for having saw-dust, or a tailor shreds in his shop.
[tr. Collier/Zimmern (1887)]

The gourd is bitter: drop it then! There are brambles in the path: then turn aside! It is enough. Do not go on to argue, Why pray have these things a place int he world? The natural philosopher would laugh at you, just as a carpenter or cobbler would laugh, if you began finding fault because you saw chips or parings lying about their shop.
[tr. Rendall (1898)]

Is the gourd bitter? Put it from you. Are there thorns in the way? Walk aside. That is enough. Do not add, “Why were such things brought into the world?” The naturalist would laugh at you, just as would a carpenter or a shoemaker, if you began fault-finding because you saw shavings and parings from their work strewn about the workshop.
[tr. Hutcheson/Chrystal (1902)]

The gherkin is bitter. Toss it away. There are briars in the path. Turn aside. That suffices, and thou needest not to add: Why are such things found in the world? For thou wouldst be a laughing stock to any student of nature; just as thou wouldst be laughed at by a carpenter and a cobbler if thou tookest them to task because in their shops are seen sawdust and parings from what they are making.
[tr. Haines (Loeb) (1916)]

The cucumber is bitter? Put it down. There are brambles in the path? Step to one side. That is enough, without also asking: "Why did these things come into the world at all?" Because the student of Nature will ridicule the question, exactly as a carpenter or cobbler would laugh at you if you found fault because you see shavings and clippings from their work in their shops.
[tr. Farquharson (1944)]

The cucumber is bitter? Cast it aside. There are brambles in the path? Step out of the way. That will suffice, and you need not ask in addition, "Why did such things ever come into the world?" For anyone who has made a study of nature would laugh at you, just as a carpenter or shoemaker would laugh at you if you criticised them because you could see in their workshop the shavings or parings form what they were working on.
[tr. Hard (1997 ed.)]

The cucumber is bitter? Then throw it out.
There are brambles in the path? Then go around them.
That's all you need to know. Nothing more. Don't demand to know "why such things exist." Anyone who understands the world will laugh at you, just as a carpenter would if you seemed shocked at finding sawdust in his workshop, or a shoemaker at scraps of leather left over from work.
[tr. Hays (2003)]

A bitter cucumber? Throw it away. Brambles in the path? Go round them. That is all you need, without going on to ask, "So why are these things in the world anyway?" That question would be laughable to a student of nature, just as any carpenter or cobbler would laugh at you if you objected to the sight of shavings or off-cuts from their work on the shop floor.
[tr. Hammond (2006)]

The cucumber is bitter? Then cast it aside. There are brambles in the path? Step out of the way. That will suffice, and you need not ask in addition, "Why did such things ever come into the world?" For anyone who has made a study of nature would laugh at you, just as a carpenter or shoemaker would laugh at you if you criticized them because you could see in their workshop the shavings or parings from the items that they were working on.
[tr. Hard (2011 ed.)]

Watterson, Bill -- Calvin and Hobbes (1993-06-01)

Dave — Tue, 28 Oct 2025 23:10:05 +0000

CALVIN: Miss Wormwood, I have a question about this math lesson.

TEACHER: Yes?

CALVIN: Given that, sooner or later, we’re all just going to die, what’s the point of learning about integers?

TEACHER: Turn to page 83, class.

CALVIN: (sulking) Nobody likes us “big picture” people.

Bill Watterson (b. 1958) American cartoonist
Calvin and Hobbes (1993-06-01)
(Source)

Vonnegut, Kurt, Jr. -- Cat’s Cradle, ch. 76 [Castle] (1963)

Dave — Tue, 19 Aug 2025 16:15:36 +0000

People have to talk about something just to keep their voice boxes in working order, so they’ll have good voice boxes in case there’s ever anything really meaningful to say.

Kurt Vonnegut, Jr. (1922-2007) American novelist, journalist
Cat’s Cradle, ch. 76 [Castle] (1963)
(Source)

Stevenson, Robert Louis -- Essay (1878-03), “Crabbed Age and Youth,” Cornhill Magazine, Vol. 37

Dave — Fri, 15 Aug 2025 18:01:03 +0000

Since we have explored the maze so long without result, it follows, for poor human reason, that we cannot have to explore much longer; close by must be the centre, with a champagne luncheon and a piece of ornamental water. How if there were no centre at all, but just one alley after another, and the whole world a labyrinth without end or issue?

Robert Louis Stevenson (1850–1894) Scottish essayist, novelist, poet
Essay (1878-03), “Crabbed Age and Youth,” Cornhill Magazine, Vol. 37
(Source)

Collected in Virginibus Puerisque and Other Papers, ch. 2 (1881).

Omar Khayyam -- Rubáiyát [رباعیات], Bod. # 6 [tr. Talbot (1908)]

Dave — Thu, 10 Jul 2025 23:45:34 +0000

We dabble in the Qur’án now and then,
Read, and repent, yet fall from Grace again;
But in the goblet is engraved a text
That greets eternally the eyes of men.

قرآن که بهین کلام خوانند اورا
گه گاه نه بر دوام خوانند اورا
در خطِ پیاله آیتی روشن هست
کاندر همه جا مدام خوانند اورا

Omar Khayyám (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]
Rubáiyát [رباعیات], Bod. # 6 [tr. Talbot (1908)]
(Source)

(Source (Persian)). Alternate translations:

The Koran, which men call the Holy Word, is none the less read only from time to time, and not with steadfast study, while on the lip of the cup there runs a luminous verse which we love to read always and ever.
[tr. McCarthy (1879), # 24]

Men say the Koran holds all heavenly lore,
But on its pages seldom care to pore;
The lucid lines engraven on the bowl, --
That is the text they dwell on evermore.
[tr. Whinfield (1883), # 7; elsewhere # 10]

The Koran's word, oft called "the word sublime,"
Is seldom read, and not in every clime;
But on the goblet's rim there is a verse
Men read in every place and through all time.
[tr. Garner (1898), # 23]

The Koran, though The Word Sublime folk style it.
But here and there they read and once-a-while it:
Upon the cup-marge there's a bright verse written,
All-where-and-when folk read, though some revile it.
[tr. Payne (1898), # 20]

The Qurán which men call the best word
They read at intervals but not continually
On the lines upon the goblet there is a luminous text
Which they read at all times and in all places.
[tr. Heron-Allen (1897), Calcutta #6]

The Qur'an, which men call the Supreme Word,
they read at intervals but not continually,
but on the lines upon the goblet a text is engraved
which they read at all times and in all places.
[tr. Heron-Allen (1898), # 6]

Men call the Koran, God's Almighty word,
Yet read it rarely, or forget it quite;
Yet doth a graven verse the cup engird
That all men con, and all their tongues recite.
[tr. Cadell (1899), # 3]

Men call the Koran "Fount of Sacred Lore,"
"The Word Supreme," and, hasty, glance it o'er;
But on the goblet's rim a text is writ
That all shall read and ponder evermore.
[tr. Roe (1906), # 47]

The Koran though as "Word sublime" read o'er.
Men sometimes on its page, but not long, pore;
There is a bright verse in the cup's lines, for
Within men everywhere read, evermore.
[tr. Thompson (1906), # 6]

The Qur'án, which people call the Best Word, they
read it from time to time, not constantly
On the lines of the cup a sacred verse is engraved
which they read everywhere and always.
[tr. Christensen (1927), # 41]

The Koran they call the best of texts,
Yet oft-times they do not read it with application.
Around the goblet is engraved a verse
Which everywhere is read incessantly.
[tr. Rosen (1928), # 4]

"The scriptures are divine" thus we declare,
We read them seldom, kiss them oft and swear;
But in this cup of life, lo! shines the Word! --
The Truth unchained by bounds of when and where.
[tr. Tirtha (1941), # 9.12]

They call the Koran the Ultimate Word,
They read it occasionally but not all the time;
A text stands round the inside of the cup,
This they con at all times and in all places.
[tr. Avery/Heath-Stubbs (1979), # 145]

Banksy -- Wall and Piece, “Rats” (2005)

Dave — Wed, 21 May 2025 16:07:59 +0000

I’d been painting rats for three years before someone said “that’s clever it’s an anagram of art” and I had to pretend I’d known that all along.

Banksy (b. 1974?) England-based pseudonymous street artist, political activist, film director
Wall and Piece, “Rats” (2005)
(Source)

Hoffer, Eric -- Passionate State of Mind, Aphorism 60 (1955)

Dave — Thu, 03 Apr 2025 18:34:36 +0000

Vehemence is the expression of a blind effort to support and uphold something that can never stand on its own — something rootless, incoherent, and incomplete. Whether it is our own meaningless self we are upholding or some doctrine devoid of evidence, we can do it only in a frenzy of faith.

Eric Hoffer (1902-1983) American writer, philosopher, longshoreman
Passionate State of Mind, Aphorism 60 (1955)
(Source)

Dick, Philip K. -- Speech (1978) “How To Build A Universe That Doesn’t Fall Apart Two Days Later”

Dave — Wed, 29 Jan 2025 23:15:51 +0000

The basic tool for the manipulation of reality is the manipulation of words. If you can control the meaning of words, you can control the people who must use the words.

Philip K. Dick (1928-1982) American writer
Speech (1978) “How To Build A Universe That Doesn’t Fall Apart Two Days Later”
(Source)

First collected in Dick's I Hope I Shall Arrive Soon (1985) [ed. Mark Hurst and Paul Williams], where it serves as the introduction.

Lawrence Sutin, editor of The Shifting Realities of Philip K. Dick (1995) (where this is reprinted) suggests this speech was "likely never delivered."

Taleb, Nassim Nicholas -- The Bed of Procrustes: Philosophical and Practical Aphorisms, “Epistomology and Subtractive Knowledge” (2010)

Dave — Mon, 20 Jan 2025 19:59:56 +0000

Knowledge is subtractive, not additive — what we subtract (reduction by what does not work, what not to do), not what we add (what to do).

Nassim Nicholas Taleb (b. 1960) Lebanese-American essayist, statistician, risk analyst, aphorist
The Bed of Procrustes: Philosophical and Practical Aphorisms, “Epistomology and Subtractive Knowledge” (2010)
(Source)

Lewis, C.S. -- “Bluspels and Flalansferes: A Semantic Nightmare” (1936), Rehabilitations and Other Essays (1939)

Dave — Thu, 14 Nov 2024 22:06:41 +0000

For me, reason is the natural organ of truth; but imagination is the organ of meaning. Imagination, producing new metaphors or revivifying old, is not the cause of truth, but its condition.

C. S. Lewis (1898-1963) English writer, literary scholar, lay theologian [Clive Staples Lewis]
“Bluspels and Flalansferes: A Semantic Nightmare” (1936), Rehabilitations and Other Essays (1939)
(Source)

First given as a lecture at Manchester University.

McLaughlin, Mignon -- The Neurotic’s Notebook, ch. 10 (1963)

Dave — Wed, 24 Jul 2024 16:41:25 +0000

The uses of a dictionary: at thirteen we look up lewd, licentious, lascivious; at thirty, febrile and inchoate; at fifty, endostosis.

Mignon McLaughlin (1913-1983) American journalist and author
The Neurotic’s Notebook, ch. 10 (1963)
(Source)

Millay, Edna St. Vincent -- “Spring,” ll. 13-15, Second April (1921)

Dave — Wed, 28 Feb 2024 21:44:36 +0000

Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.

Edna St. Vincent Millay (1892-1950) American poet
“Spring,” ll. 13-15, Second April (1921)
(Source)

Frankl, Viktor -- Man’s Search for Meaning [Trotzdem Ja zum Leben Sagen], Part 1 (1946) [tr. Lasch (1959)]

Dave — Mon, 26 Feb 2024 17:24:19 +0000

But not only creativeness and enjoyment are meaningful. If there is a meaning in life at all, then there must be a meaning in suffering. Suffering is an ineradicable part of life, even as fate and death. Without suffering and death human life cannot be complete.

Viktor Frankl (1905-1997) German-American psychologist, writer
Man’s Search for Meaning [Trotzdem Ja zum Leben Sagen], Part 1 (1946) [tr. Lasch (1959)]
(Source)

Warren, Robert Penn -- Brother to Dragons, Foreword (1953)

Dave — Mon, 05 Feb 2024 18:50:36 +0000

Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.

Robert Penn Warren (1905-1989) American poet, novelist, literary critic
Brother to Dragons, Foreword (1953)
(Source)

Mistinguett -- In Theatre Arts (1955-12)

Dave — Mon, 05 Feb 2024 17:29:52 +0000

The kiss can be a comma, a question mark, or an exclamation point.

Mistinguett (1873-1956) French actress singer, dancer [b. Jeanne Florentine Bourgeois]
In Theatre Arts (1955-12)

Oliver, Mary -- “Have You Ever Tried to Enter the Long Black Branches?” West Wind (1997)

Dave — Wed, 10 Jan 2024 20:55:45 +0000

Listen, are you breathing just a little and calling it a life?

Mary Oliver (1935-2019) American poet
“Have You Ever Tried to Enter the Long Black Branches?” West Wind (1997)
(Source)

Lessing, Gotthold -- Nathan the Wise [Nathan der Weise], Act 2, sc. 1 [Sittah] (1779) [tr. Maxwell (1917)]

Dave — Wed, 27 Dec 2023 23:29:42 +0000

You know not, will not know, what Christians are;
Their pride is to be Christians, never men;
Ay, even that which since their Founder’s time
Hath tinged their superstition with a touch
Of pure humanity, is prized by them
Never because ’tis human, but because
‘Twas preached and practised by their Jesus Christ.
‘Tis well for them he was so rare a man;
Well that they take his virtues upon trust;
But what to them the virtues of their Christ?
‘Tis was not his virtues, but his name alone
They seek to spread, that it may dominate
And cloud the names of other noble men;
Ay, ’tis the name, the name of Christ alone
Your Christian cares about.

[Du kennst die Christen nicht, willst sie nicht kennen.
Ihr Stolz ist: Christen sein; nicht Menschen. Denn
Selbst das, was, noch von ihrem Stifter her,
Mit Menschlichkeit den Aberglauben würzt,
Das lieben sie, nicht weil es menschlich ist:
Weil’s Christus lehrt; weil’s Christus hat getan.—
Wohl ihnen, daß er so ein guter Mensch
Noch war! Wohl ihnen, daß sie seine Tugend
Auf Treu und Glaube nehmen können!—Doch
Was Tugend?—Seine Tugend nicht; sein Name
Soll überall verbreitet werden; soll
Die Namen aller guten Menschen schänden,
Verschlingen. Um den Namen, um den Namen
Ist ihnen nur zu tun.]

Gotthold Lessing (1729-1781) German playwright, philosopher, dramaturg, writer
Nathan the Wise [Nathan der Weise], Act 2, sc. 1 [Sittah] (1779) [tr. Maxwell (1917)]
(Source)

(Source (German)). Alternate translations:

You do not know the christians.
You will not know them. 'Tis this people's pride
not to be men, but to be christians. Even
what of humane their founder felt, and taught,
and left to savour their fond superstition,
they value not because it is humane,
lovely, and good for man; they only prize it
because 'twas Christ who taught it, Christ who did it.
'Tis well for them he was so good a man:
well that they take his goodness all for granted,
and in his virtues put their trust. His virtues --
'Tis not his virtues, but his name alone
they wish to thrust upon us. -- 'Tis his name
which they desire should overspread the world,
should swallow up the name of all good men,
and put the best to shame. Tis his mere name
they care for --
[tr. Taylor (1790)]

Thou dost not know the Christians, wilt not know them.
Their pride, that is: the Christian; not the Man.
For even what, still coming from their founder,
With human worth, imbibes their superstition,
Is not adored by them, because 'tis human:
No, but because Christ taught, Christ acted so. --
'Tis well for them, that yet so good a man
He was! 'Tis well for them, that they may take
His virtue granted, and on faith! -- But what
Of virtue! -- Not his Virtue; no, his Name
They wish to spread all o'er the world; his name
Shall stigmatize the names of all good men,
And swallow them. The name, and but the name, --
That's what they cherish.
[tr. Reich (1860)]

You do not, will not, know the Christian race.
It is their pride not to be men, but Christians.
The virtue which their founder felt and taught,
The charity He mingled with their creed,
Is valued, not because it is humane,
And good, and lovely, but for this alone,
That it was Christ who taught it, Christ who did it.
;Tis well for them He was so good a man.
Well that they take His goodness all on trust.
And in His virtues put their faith. His virtues!
'Tis not His virtues, but His name alone
They wish to thrust upon us -- His mere name,
Which they desire should overspread the world,
Should swallow up the name of all good men.
And put the rest to shame. 'Tis for His name
Alone they care.
[tr. Boylan (1878)]

Thou knowest not the christians, will'st not know them:
Their pride is to be Christians, and not men.
For even that which from their Founder's time
Seasons their superstition with humanity, --
That love they not because 'tis human; -- no,
Because Christ taught it and Christ practised it.
'Tis well for them that he was really such
A good man! Well, that they can take on trust
His virtue! Yet what speak I of his virtue?
'Tis not his virtue, 'tis his name alone,
That over all the earth shall spread abroad,
To put to scorn and swallow up the name
Of every other good man. 'Tis the name,
The name alone they care for, they.
[tr. Corbett (1883)]

Thou knowest the Christians not -- wilt not know them.
Their pride is to be Christians -- not men. For
Even that humanity, which by their Founder
Was rooted in their superstition, that love they
Not because it is humane, but because
He taught it -- because so Christ hath done.
Tis well for them He was indeed so
Good a man. 'Tis well for them that they
His virtue can accept on faith, and on belief.
His virtue say I? Not His virtue. His name alone
Shall over all be spread, and shall the name
Of all good men shame and destroy. The name --
And nothing but the name -- is their concern.
[tr. Jacks (1894)]

You do not know the Christians, don’t want to know them. Their pride is to be Christians, not men. Because even what leavens superstition with mitigating aspects, -- dating back to their founder -- they don’t love because it is human. (They love it) because Christ teaches it, because Christ has done it. Lucky they that such a good man existed yet! Lucky they that they can take his virtue on faith and belief! But what virtue? Not his virtue, his name is to be propagated everywhere, is to desecrate the name of all good men, devour it. For the name, for the name only, they care.
[tr. Reinhardt (1950)]

You do not know the Christians, will not know them.
Their pride is to be Christians, and not men.
For even that which from their Founder’s day
With human nature spices superstition
They don’t love for its human worth: because
Their Jesus taught it, by him it was done. --
O well for them, that he was a good man!
And well for them, that they can take his virtue
On faith! -- But what of virtue? -- It’s not that
Shall overspread the world, but just his name;
That name shall swallow all the names of men,
Put them to shame. The name, the name alone,
Is all they care for.
[tr. Morgan (1955), l. 72ff]

You don't know Christians, and you'll never know them. Their pride's not to be men, its to be Christians. Even humanity -- which from the days of their dear Lord Jesus Christ has lessened superstition -- they love, not for its human quality, but only because Christ taught it and showed it in His deeds. It is indeed a blessing that He was so good a man, a man in whose virtues they can place their entire faith! But are His virtues really theirs? No, not at all, it's not His virtues but His name that they attempt to spread throughout the world and, in so doing, cloud with slander and obliterate the names of all good men. The name alone is everything to these Christians.
[tr. Ade (1972)]

Nin, Anais -- The Novel of the Future, ch. 2 “Abstraction” (1968)

Dave — Wed, 29 Nov 2023 18:01:02 +0000

It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and as if by magic, we see a new meaning in it.

Anaïs Nin (1903-1977) Catalan-Cuban-French author, diarist
The Novel of the Future, ch. 2 “Abstraction” (1968)
(Source)

Maggio, Rosalie -- Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language, “Writing Guidelines / Introduction” (2014)

Dave — Mon, 30 Oct 2023 22:25:37 +0000

And yet if there’s one thing consistent about language it is that it is constantly changing. The only languages that do not change are those whose speakers are dead.

Rosalie Maggio (1944-2021) American writer
Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language, “Writing Guidelines / Introduction” (2014)
(Source)

This is sometimes attributed to Maggio's earlier The Bias-Free Word Finder (1992), but only the first sentence is present in that version.

The source link is to the web page that the WMC set up for the book.

Truman, Harry S -- Speech (1952-12-15), National Archives

Dave — Thu, 05 Oct 2023 05:30:22 +0000

The Constitution and the Declaration of Independence can live only as long as they are enshrined in our hearts and minds. If they are not so enshrined, they would be no better than mummies in their glass cases, and they could in time become idols whose worship would be a grim mockery of the true faith. Only as these documents are reflected in the thoughts and acts of Americans can they remain symbols of a power that can move the world.

Harry S Truman (1884-1972) US President (1945-1953)
Speech (1952-12-15), National Archives
(Source)

Fry, Stephen -- Moab Is My Washpot, “Falling In,” ch. 6 (1997)

Dave — Wed, 28 Jun 2023 19:19:25 +0000

Come to think of it, I don’t know that love has a point, which is what makes it so glorious. Sex has a point, in terms of relief and, sometimes, procreation, but love, like all art, as Oscar said, is quite useless. It is the useless things that make life worth living and that make life dangerous too: wine, love, art, beauty. Without them life is safe, but not worth bothering with.

Stephen Fry (b. 1957) British actor, writer, comedian
Moab Is My Washpot, “Falling In,” ch. 6 (1997)
(Source)

Referencing Oscar Wilde from the preface of The Picture of Dorian Gray (1890): "All art is quite useless".

Eberhardt, Isabelle -- The Passionate Nomad: The Diary of Isabelle Eberhardt , “26 November 1901” (1987)[tr. de Voogd]

Dave — Fri, 12 May 2023 13:27:10 +0000

Oh, if at every moment of our lives we could know the consequences of some of the utterings, thoughts and deeds that seem so trivial and unimportant at the time! And should we not conclude from such examples that there is no such thing in life as unimportant moments devoid of meaning for the future?

Isabelle Eberhardt (1877-1904) Swiss-Russian explorer and author [Si Mahmoud Saadi]
The Passionate Nomad: The Diary of Isabelle Eberhardt , “26 November 1901” (1987)[tr. de Voogd]
(Source)

Gladwell, Malcolm -- Outliers: The Story of Success, Part 1, ch. 5, sec. 10 (2008)

Dave — Mon, 24 Apr 2023 22:00:16 +0000

Hard work is a prison sentence only if it does not have meaning. Once it does, it becomes the kind of thing that makes you grab your wife around the waist and dance a jig.

Malcolm Gladwell (b. 1963) Anglo-Canadian journalist, author, public speaker
Outliers: The Story of Success, Part 1, ch. 5, sec. 10 (2008)
(Source)

McLaughlin, Mignon -- The Neurotic’s Notebook, ch. 5 (1963)

Dave — Thu, 12 Jan 2023 15:42:10 +0000

The three horrors of modern life — talk without meaning, desire without love, work without satisfaction.

Mignon McLaughlin (1913-1983) American journalist and author
The Neurotic’s Notebook, ch. 5 (1963)
(Source)

Tarkovsky, Andrei -- Sculpting in Time (1986) [tr. Hunter-Blair]

Dave — Mon, 03 Oct 2022 20:30:14 +0000

Never try to convey your idea to the audience — it is a thankless and senseless task. Show them life, and they’ll find within themselves the means to assess and appreciate it.

Andrei Tarkovsky (1932-1986) Russian film director, screenwriter, film theorist [Андрей Арсеньевич Тарковский]
Sculpting in Time (1986) [tr. Hunter-Blair]

Tarkovsky, Andrei -- Sculpting in Time (1986) [tr. Hunter-Blair]

Dave — Mon, 19 Sep 2022 17:51:36 +0000

Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake.

Andrei Tarkovsky (1932-1986) Russian film director, screenwriter, film theorist [Андрей Арсеньевич Тарковский]
Sculpting in Time (1986) [tr. Hunter-Blair]
(Source)

Confucius -- The Analects [論語, 论语, Lúnyǔ], Book 15, verse 41 (15.41) (6th C. BC – AD 3rd C.) [tr. Lau (1979)]

Dave — Tue, 09 Aug 2022 23:30:05 +0000

It is enough that the language one uses gets the point across.

[辭、達而已矣]
[辞达而已矣]

Confucius (c. 551- c. 479 BC) Chinese philosopher, sage, politician [孔夫子 (Kǒng Fūzǐ, K'ung Fu-tzu, K'ung Fu Tse), 孔子 (Kǒngzǐ, Chungni), 孔丘 (Kǒng Qiū, K'ung Ch'iu)]
The Analects [論語, 论语, Lúnyǔ], Book 15, verse 41 (15.41) (6th C. BC – AD 3rd C.) [tr. Lau (1979)]
(Source)

Currently identified as 15.41; older sources use the Legge numbering, as noted below. (Source (Chinese) 1, 2). Alternate translations:

In language it is simply required that it convey the meaning.
[tr. Legge (1861), 15.40]

In speaking, perspicuity is all that is needed.
[tr. Jennings (1895)], 15.40]

Language should be intelligible and nothing more.
[tr. Ku Hung-Ming (1898), 15.40]

In language, perspicuity is everything.
[tr. Soothill (1910), 15.40]

Words should be used simply for conveying the meaning, ornateness is not their aim.
[tr. Soothill (1910), alternate. 15.40]

Problem of style? Get the meaning across and then STOP.
[tr. Pound (1933), 15.40]

In official speeches all that matters is to get one's meaning through.
[tr. Waley (1938), 15.40]

Expressiveness is the only principle of language.
[tr. Lin Yutang (1938)]

It is enough that one’s words express fully one’s thought.
[tr. Ware (1950)]

In words, the purpose is simply to get one's point across.
[tr. Dawson (1993)]

Words are merely for communication.
[tr. Leys (1997)]

As long as speech conveys the idea, it suffices.
[tr. Huang (1997)]

It is enough that the words can express the meanings.
[tr. Cai/Yu (1998), #425]

In expressing oneself, it is simply a matter of getting the point across.
[tr. Ames/Rosemont (1998)]

The words should reach their goal, and nothing more.
[tr. Brooks/Brooks (1998)]

Language is insight itself.
[tr. Hinton (1998)]

Words should convey their point, and leave it at that.
[tr. Slingerland (2003)]

With words it is enough if they get the meaning across.
[tr. Watson (2007)]

The sole purpose of a language is to communicate messages and ideas. That is all.
[tr. Li (2020), 15.42]

Cicero, Marcus Tullius -- De Officiis [On Duties; On Moral Duty; The Offices], Book 1, ch. 13 (1.13) / sec. 40 (44 BC) [tr. Cockman (1699)]

Dave — Thu, 28 Jul 2022 16:58:44 +0000

In all such oaths we are not to attend to the mere form of words, but the true design and intention of them.

[Semper autem in fide quid senseris, non quid dixeris, cogitandum.]

Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Officiis [On Duties; On Moral Duty; The Offices], Book 1, ch. 13 (1.13) / sec. 40 (44 BC) [tr. Cockman (1699)]
(Source)

(Source (Latin)). Alternate translations:

In obligations of faith, it is the meaning always, not the words that are to be considered.
[tr. McCartney (1798)]

In a promise, what you thought, and not what you said, is always to be considered.
[tr. Edmonds (1865)]

In a promise, what you mean, not what you say, is always to be taken into account.
[tr. Peabody (1883)]

A promise must be kept not merely in the letter, but in the spirit.
[ed. Harbottle (1906)]

In the matter of a promise one must always consider the meaning and not the mere words.
[tr. Miller (1913)]

You should always, in a matter of trust, think of what you mean, not of what you say.
[tr. Edinger (1974)]

Schulman, Tom -- Dead Poets Society (1989)

Dave — Fri, 17 Jun 2022 15:23:10 +0000

KEATING: When you read, don’t just consider what the author thinks, consider what you think.

Tom Schulman (b. 1951) American screenwriter, director
Dead Poets Society (1989)
(Source)

Commager, Henry Steele -- The Nature and Study of History, ch. 5 (1965)

Dave — Wed, 15 Jun 2022 15:02:03 +0000

History, we can confidently assert, is useful in the sense that art and music, poetry and flowers, religion and philosophy are useful. Without it — as with these — life would be poorer and meaner; without it we should be denied some of those intellectual and moral experiences which give meaning and richness to life. Surely it is no accident that the study of history has been the solace of many of the noblest minds of every generation.

Henry Steele Commager (1902-1998) American historian, writer, activist
The Nature and Study of History, ch. 5 (1965)
(Source)

Bowen, Elizabeth -- The Little Girls, ch. 7 (1964)

Dave — Thu, 28 Apr 2022 15:52:49 +0000

We were entrusted to one another, in the days which mattered, Clare thought. Entrusted to one another by chance, not choice. Chance, and its agents time and place. Chance is better than choice; it is more lordly. In its carelessness it is more lordly. Chance is God, choice is man. You — she thought, looking at the bed — chanced not chose to want us again.

Elizabeth Bowen (1899-1973) Irish author
The Little Girls, ch. 7 (1964)
(Source)

Quoted, in abbreviated form, in the foreword to her Pictures and Conversations (1975):

Chance is better than choice; it is more lordly. Chance is God, choice is man.

Morgan, Robin -- “Saving the World,” Ms. (Summer 2003)

Dave — Thu, 04 Nov 2021 17:39:17 +0000

Clarity of language is the first casualty of authoritarianism.

Robin Morgan (b. 1941) American poet, author, activist, journalist
“Saving the World,” Ms. (Summer 2003)
(Source)

Taylor, Barbara Brown -- An Altar in the World, ch. 6 (2009)

Dave — Fri, 29 Oct 2021 14:00:50 +0000

The great wisdom traditions of the world all recognize that the main impediment to living a life of meaning is being self-absorbed.

Barbara Brown Taylor (b. 1951) American minister, academic, author
An Altar in the World, ch. 6 (2009)
(Source)

Richardson, James -- “Vectors: 56 Aphorisms and Ten-second Essays,” Michigan Quarterly Review, # 40 (Spring 1999)

Dave — Tue, 26 Oct 2021 16:12:33 +0000

A faith is dead when no one can think of a heresy.

James Richardson (b. 1950) American poet
“Vectors: 56 Aphorisms and Ten-second Essays,” Michigan Quarterly Review, # 40 (Spring 1999)
(Source)

Gordon, Peter E. -- “Why Historical Analogy Matters,” New York Review of Books (7 Jan 2020)

Dave — Fri, 24 Sep 2021 13:59:37 +0000

In the popular imagination, the belief persists that history involves little more than reconstruction, a retelling of the past “as it actually was.” But historical understanding involves far more than mere empiricism; it demands a readiness to draw back from the facts to reflect on their significance and their interconnection.

Peter E, Gordon (b. 1966) American intellectual historian
“Why Historical Analogy Matters,” New York Review of Books (7 Jan 2020)
(Source)

Zweig, Stefan -- Beware of Pity (1939)

Dave — Thu, 16 Sep 2021 14:46:27 +0000

It is never until one realizes that one means something to others that one feels there is any point or purpose in one’s own existence.

Stefan Zweig (1881-1942) Austrian novelist, playwright, journalist, biographer
Beware of Pity (1939)

Pratchett, Terry -- Discworld No. 38, I Shall Wear Midnight (2010)

Dave — Tue, 22 Jun 2021 15:01:59 +0000

There is a lot of folklore about equestrian statues, especially the ones with riders on them. There is said to be a code in the number and placement of the horse’s hooves: If one of the horse’s hooves is in the air, the rider was wounded in battle; two legs in the air means that the rider was killed in battle; three legs in the air indicates that the rider got lost on the way to the battle; and four legs in the air means that the sculptor was very, very clever. Five legs in the air means that there’s probably at least one other horse standing behind the horse you’re looking at; and the rider lying on the ground with his horse lying on top of him with all four legs in the air means that the rider was either a very incompetent horseman or owned a very bad-tempered horse.

Terry Pratchett (1948-2015) English author
Discworld No. 38, I Shall Wear Midnight (2010)
(Source)

Santayana, George -- “Premonition”

Dave — Thu, 10 Jun 2021 17:26:44 +0000

The muffled syllables that Nature speaks
Fill us with deeper longing for her word;
She hides a meaning that the spirit seeks;
She makes a sweeter music than is heard.

George Santayana (1863-1952) Spanish-American poet and philosopher [Jorge Agustín Nicolás Ruíz de Santayana y Borrás]
“Premonition”

Chesterfield (Lord) -- Letter to his son, #205 (5 Dec 1749)

Dave — Thu, 25 Mar 2021 21:46:18 +0000

Such closet politicians never fail to assign the deepest motives for the most trifling actions; instead of often ascribing the greatest actions to the most trifling causes, in which they would be much seldomer mistaken. They read and write of kings, heroes, and statesmen, as never doing any thing but upon the deepest principles of sound policy. But those who see and observe kings, heroes and statesmen, discover that they have headaches, indigestions, humours, and passions, just like other people; every one of which, in their turns, determine their wills, in defiance of their reason.

Lord Chesterfield (1694-1773) English statesman, wit [Philip Dormer Stanhope]
Letter to his son, #205 (5 Dec 1749)
(Source)

Young, Andrew -- Interview by Peter Ross Range, Playboy (Jul 1977)

Dave — Thu, 25 Feb 2021 21:39:52 +0000

It’s a blessing to die for a cause, because you can so easily die for nothing.

Andrew Young (b. 1932) American politician, diplomat, activist
Interview by Peter Ross Range, Playboy (Jul 1977)
(Source)

Mumford, Lewis -- The Condition of Man (1944)

Dave — Wed, 17 Feb 2021 16:33:29 +0000

For even the humblest person, a day spent without the sight or sound of beauty, the contemplation of mystery, or the search for truth and perfection is a poverty-stricken day; and a succession of such days is fatal to human life.

Lewis Mumford (1895-1990) American writer, philosopher, historian, architect
The Condition of Man (1944)
(Source)

Buechner, Frederick -- The Hungering Dark (1969)

Dave — Wed, 03 Feb 2021 22:38:24 +0000

Your calling is the place where your deep gladness and the world’s deep hunger meet.

Frederick Buechner (b. 1926) American minister, author
The Hungering Dark (1969)

Arendt, Hannah -- Interview (1973-10) with Roger Errera, Office de Radiodiffusion-Télévision Française (ORTF)

Dave — Thu, 28 Jan 2021 22:53:01 +0000

Nobody knows what is going to happen because so much depends on an enormous number of variables, on simple hazard. On the other hand if you look at history retrospectively, then, even though it was contingent, you can tell a story that makes sense. […]
Jewish history, for example, in fact had its ups and downs, its, enmities and its friendships, as every history of all people has. The notion that there is one unilinear history is of course false. But if you look at it after the experience of Auschwitz it looks as though all of history — or at least history since the Middle Ages — had no other aim than Auschwitz. […]
This, is the real problem of every philosophy of history how: is it possible that in retrospect it always looks as though it couldn’t have happened otherwise?

Hannah Arendt (1906-1975) German-American philosopher, political theorist
Interview (1973-10) with Roger Errera, Office de Radiodiffusion-Télévision Française (ORTF)
(Source)

Parts of this interview were turned into an episode of the French TV series "Un certain regard," directed by Jean-Claude Lubtchansky, first broadcast 1974-07-06. This portion of the interview comes at NN:NN in.

This portion of the interview was also published in The New York Review of Books (1978-10-26).

Pope, Alexander -- “An Essay on Criticism” (1711)

Dave — Mon, 25 Jan 2021 18:40:53 +0000

Words are like Leaves; and where they most abound,
Much Fruit of Sense beneath is rarely found.

Alexander Pope (1688-1744) English poet
“An Essay on Criticism” (1711)
(Source)

Camus, Albert -- The Myth of Sisyphus” (1942)

Dave — Thu, 07 Jan 2021 17:13:03 +0000

I’m filled with a desire for clarity and meaning within a world and condition that offers neither.

Albert Camus (1913-1960) Algerian-French novelist, essayist, playwright
The Myth of Sisyphus” (1942)

Palahniuk, Chuck -- Diary (2003)

Dave — Tue, 19 May 2020 15:52:01 +0000

What you don’t understand you can make mean anything.

Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Diary (2003)

Bernstein, Leonard -- “A Sabbatical Report,” sec. 1, New York Times (24 Oct 1965)

Dave — Fri, 08 May 2020 14:27:03 +0000

A work of art does not answer questions: it provokes them; and its essential meaning is in the tension between their contradictory answers.

Leonard Bernstein (1918-1990) American conductor, composer, author, music lecturer, pianist
“A Sabbatical Report,” sec. 1, New York Times (24 Oct 1965)
(Source)

Reprinted in The Infinite Variety of Music (1966)

Oliver, Mary -- “Sand Dabs, Six,” Winter Hours (1999)

Dave — Tue, 24 Mar 2020 15:50:50 +0000

Every word is a messenger. Some have wings; some are filled with fire; some are filled with death.

Mary Oliver (1935-2019) American poet
“Sand Dabs, Six,” Winter Hours (1999)
(Source)

See Howell (1659).

Oliver, Mary -- “Sand Dabs, Five,” Winter Hours (1999)

Dave — Tue, 17 Mar 2020 23:09:33 +0000

You can have the other words — chance, luck, coincidence, serendipity. I’ll take grace. I don’t know what it is exactly, but I’ll take it.

Mary Oliver (1935-2019) American poet
“Sand Dabs, Five,” Winter Hours (1999)
(Source)

Bird, Brad -- Ratatouille (2007)

Dave — Wed, 12 Feb 2020 16:11:52 +0000

ANTON EGO: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so.

Brad Bird (b. 1957) American director, animator and screenwriter [Phillip Bradley Bird]
Ratatouille (2007)

Flaubert, Gustave -- Letter to Louis Bouilhet (4 Sep 1850)

Dave — Thu, 23 Jan 2020 20:48:07 +0000

Stupidity lies in wanting to draw conclusions.

[L’ineptie consiste à vouloir conclure. […] Oui, la bêtise consiste à vouloir conclure.]

Gustave Flaubert (1821-1880) French writer, novelist
Letter to Louis Bouilhet (4 Sep 1850)
(Source)

The phrase is used twice in the letter. The initial phrase is usually translated to "foolishness" or "folly," the second to "stupidity."

Bukowski, Charles -- “How Is Your Heart?” (1986)

Dave — Wed, 04 Sep 2019 19:00:49 +0000

what matters most is
how well you
walk through the
fire.

Charles Bukowski (1920-1994) German-American author, poet
“How Is Your Heart?” (1986)
(Source)

Twain, Mark -- The Adventures of Huckleberry Finn, “Notice” (1884)

Dave — Thu, 12 Apr 2018 15:49:22 +0000

Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
— By Order of the Author

Mark Twain (1835-1910) American writer [pseud. of Samuel Clemens]
The Adventures of Huckleberry Finn, “Notice” (1884)
(Source)

Jacob, Francois -- The Statue Within: An Autobiography (1987) [tr. Philip (1988)]

Dave — Mon, 18 Sep 2017 22:22:44 +0000

What Man seeks, to the point of anguish, in his gods, in his art, in his science, is meaning. He cannot bear the void. He pours meaning on events like salt on his food. He denies that life bounces along at random, at the mercy of events, in sound and in fury. He wants it always to be directed, aimed toward a goal, like an arrow.

François Jacob (1920-2013) French biologist, Nobel prize winner in Medicine
The Statue Within: An Autobiography (1987) [tr. Philip (1988)]
(Source)

De Botton, Alain -- The Consolations of Philosophy, ch. 1 “Consolations for Unpopularity,” sec. 4 (2000)

Dave — Thu, 07 Sep 2017 15:45:11 +0000

There may be no good reason for things to be the way they are.

Alain de Botton (b. 1969) Swiss-British author
The Consolations of Philosophy, ch. 1 “Consolations for Unpopularity,” sec. 4 (2000)
(Source)

Benedict, Ruth -- An Anthropologist at Work, Journal Entry, 7 Jan 1913 (1959)

Dave — Sat, 02 Sep 2017 19:05:14 +0000

The trouble with life isn’t that there is no answer, it’s that there are so many answers.

Ruth Benedict (1887-1947) American anthropologist
An Anthropologist at Work, Journal Entry, 7 Jan 1913 (1959)

Montaigne, Michel de -- Essays, Book 2, ch. 17 (2.17), “Of Presumption [De la Presomption] (1578) [tr. Frame (1943)]

Dave — Sat, 02 Sep 2017 19:00:45 +0000

I gladly return to the subject of the ineptitude of our education. Its goal has been to make us not good or wise, but learned; it has attained this goal. It has not taught us to follow and embrace virtue and wisdom, but has imprinted in us their derivation and etymology. We know how to decline virtue, if we cannot love it. If we do not know what wisdom is by practice and experience, we know it by jargon and by rote.

[Je retombe volontiers sur ce discours de l’ineptie de nostre institution : Elle a eu pour sa fin, de nous faire, non bons & sages, mais sçavans : elle y est arrivée. Elle ne nous a pas appris de suyvre & embrasser la vertu & la prudence : mais elle nous en a imprimé la derivation & l’etymologie. Nous sçavons decliner vertu, si nous ne sçavons l’aymer. Si nous ne sçavons que c’est que prudence par effect, & par experience, nous le sçavons par jargon & par cœur.]

Michel de Montaigne (1533-1592) French essayist
Essays, Book 2, ch. 17 (2.17), “Of Presumption [De la Presomption] (1578) [tr. Frame (1943)]
(Source)

This essay appeared in the 1st (1580) edition, and this section remained the same through later editions.

(Source (French)). Alternate translations:

I willingly returne to this discourse of the fondnesse of our institution: whose aime hath beene to make us not good and wittie, but wise and learned; She hath attained her purpose. It hath not taught us to follow vertue and embrace wisedome; but made an impression in us of it’s Ethimoligie and derivation. Wee can decline vertue, yet can we not love it. If we know not what wisedome is by effect and experience, we know it by prattling and by rote.
[tr. Florio (1603)]

I willingly fall again into the discourse of the folly of our education; the end of which has not been to render us good and wise, but learned, and it has obtained it: it has not taught us to follow and embrace virtue and prudence, but has imprinted in us the derivation and etymology, of those words: we know how to decline virtue, yet we know not how to love it: if we do not know what prudence is in effect, and by experience, we have it, however, by jargon and by heart.
[tr. Cotton (1686), 2.8]

I willingly fall again into the discourse of the vanity of our education, the end of which is not to render us good and wise, but learned, and she has obtained it. She has not taught us to follow and embrace virtue and prudence, but she has imprinted in us their derivation and etymology; we know how to decline Virtue, if we know not how to love it; if we do not know what prudence is really and in effect, and by experience, we have it however by jargon and heart.
[tr. Cotton/Hazlitt (1877)]

I again fall to talking of the vanity of our education, the end of which is not to make us good and wise, but learned. Education has not taught us to follow and embrace virtue and prudence, but she has imprinted in us their derivation and etymology. We know how to decline the word virtue, even if we know not how to love it. If we do not know what prudence really is, in effect and by experience, we at least have the etymology and meaning of the word by heart.
[tr. Rector (1899)]

I recur readily to discourses on the utility of our education: its aim has been to make us, not good men and wise, but learned; it has succeeded. It has not taught us to follow and embrace virtue and wisdom, but it has impressed on us their verbal derivation and etymology. We know how to decline virtue, if we do not know how to love it; if we do not know what wisdom is, by results and by experience, we know it by unmeaning words and by hearsay.
[tr. Ives (1925)]

I readily relapse into my reflections on the uselessness of our education. Its aim has been to make us not good and wise, but learned; and in this it has succeeded. It has not taught us to follow and embrace virtue and wisdom, but has imprinted their derivations and etymologies on our minds. We are able to decline virtue, even if we are unable to love it; if we do not know what wisdom is in fact and by experience, we are familiar with it as a jargon learned by heart.
[tr. Cohen (1958)]

I gladly come back to the theme of the absurdity of our education: its end has not been to make us good and wise but learned. And it has succeeded. It has not taught us to seek virtue and to embrace wisdom: it has impressed upon us their derivation and their etymology. We know how to decline the Latin word for virtue: we do not know how to love virtue. Though we do not know what wisdom is in practice or from experience we do know the jargon off by heart.
[tr. Screech (1987)]

De Botton, Alain -- “Reclaiming the Intellectual Life for Posterity,” Liberal Education (Spring 2009)

Dave — Fri, 18 Aug 2017 14:41:06 +0000

This ideal University of Life … would never take the importance of culture for granted. It would know that culture is kept alive by a constant respectful questioning — not by an excessive and snobbish attitude of respect. Therefore, rather than leaving it hanging why one was reading Anna Karenina or Madame Bovary, an ideal course covering nineteenth-century literature would ask plainly “What is it that adultery ruins in a marriage?” Students in the ideal University of Life would end up knowing much the same material as their colleagues in other institutions, they would simply have learned it under a very different set of headings.

Alain de Botton (b. 1969) Swiss-British author
“Reclaiming the Intellectual Life for Posterity,” Liberal Education (Spring 2009)
(Source)

Russell, Bertrand -- Education and the Good Life, Part 2, ch. 11 “Affection and Sympathy” (1926)

Dave — Fri, 14 Jul 2017 23:47:28 +0000

The cultivation of wide sympathies, given the instinctive germ, is mainly an intellectual matter: it depends upon the right direction of attention, and the realization of facts which militarists and authoritarians suppress. Take, for example, Tolstoy’s description of Napoleon going round the battlefield of Austerlitz after the victory. Most histories leave the battlefield as soon as the battle is over; by the simple expedient of lingering on it for another twelve hours, a completely different picture of war is produced. This is done, not by suppressing facts, but by giving more facts. And what applies to battles applies equally to other forms of cruelty. In all cases, it should be quite unnecessary to point the moral; the right telling of the story should be sufficient. Do not moralize, but let the facts produce their own moral in the child’s mind.

Bertrand Russell (1872-1970) English mathematician and philosopher
Education and the Good Life, Part 2, ch. 11 “Affection and Sympathy” (1926)
(Source)

Nietzsche, Friedrich -- The Gay Science [Die fröhliche Wissenschaft], Book 3, § 173 (1882) [tr. Kaufmann (1974)]

Dave — Sat, 15 Apr 2017 21:31:45 +0000

Those who know they are profound strive for clarity. Those who would like to seem profound strive for obscurity. For the crowd believes that if it cannot see to the bottom of something it must be profound. It is timid and dislikes going into the water.

[Tief sein und tief scheinen. — Wer sich tief weiss, bemüht sich um Klarheit; wer der Menge tief scheinen möchte, bemüht sich um Dunkelheit. Denn die Menge hält Alles für tief, dessen Grund sie nicht sehen kann: sie ist so furchtsam und geht so ungern in’s Wasser.]

Friedrich Nietzsche (1844-1900) German philosopher and poet
The Gay Science [Die fröhliche Wissenschaft], Book 3, § 173 (1882) [tr. Kaufmann (1974)]
(Source)

Also known as La Gaya Scienza, The Joyful Wisdom, or The Joyous Science. (Source (German)). Alternate translations:

To Be Profound and to Appear Profound. -- He who knows that he is profound strives for clearness; he who would like to appear profound to the multitude strives for obscurity. The multitude thinks everything profound of which it cannot see the bottom; it is so timid and goes so unwillingly into the water.
[tr. Common (1911)]

Being Deep and Seeming Deep. -- Those who know they are deep strive for clarity. Those who would like to seem deep to the crowd strive for obscurity. For the crowd takes everything whose ground it cannot see to be deep; it is so timid and so reluctant to go into the water.
[tr. Nauckhoff (2001)]

Being Profound and Being Thought Profound -- Whoever knows that he is profound strives for clarity; whoever would like the crowd to think he is profound strives for obscurity. The reason for this is that the crowd thinks something is profound whenever it cannot see to the bottom of it; it is afraid of the water and hates to get its feet wet.
[tr. Hill (2018)]

Being Deep and Appearing Deep -- Whoever knows he is deep, strives for clarity; whoever would like to appear deep to the crowd, strives for obscurity. For the crowd considers anything deep if only it cannot see to the bottom: the crowd is so timid and afraid of going into the water.
[Source]

Whoever knows himself to be deep strives for clarity; whoever wants to appear deep to the masses strives for obscurity. For the masses consider anything to be deep that they cannot see the bottom of.
[Source]

Schlesinger, Arthur -- Interview with Brian Lamb, C-SPAN (10 May 1998)

Dave — Fri, 07 Apr 2017 21:04:42 +0000

Clarity in language depends on clarity in thought.

Arthur M. Schlesinger, Jr. (1917-2007) American historian, author, social critic
Interview with Brian Lamb, C-SPAN (10 May 1998)

Adams, John -- Letter (1819-03-31) to J. H. Tiffany

Dave — Thu, 16 Feb 2017 00:25:21 +0000

As I have always been convinced that abuse of Words, has been the great instrument of Sophistry and Chicanery — of party, faction and Division in Society.

John Adams (1735–1826) American lawyer, Founding Father, statesman, US President (1797–1801)
Letter (1819-03-31) to J. H. Tiffany
(Source)

Miller, Walter M. -- “The Will” (1953)

Dave — Mon, 06 Feb 2017 21:27:51 +0000

There is a difference between tragedy and blind brutal calamity. Tragedy has meaning, and there is dignity in it. Tragedy stands with its shoulders stiff and proud. But there is no meaning, no dignity, no fulfillment, in the death of a child.

Walter M. Miller Jr. (1923-1996) American writer
“The Will” (1953)

Frost, Robert -- (Attributed)

Dave — Fri, 19 Feb 2016 16:33:17 +0000

Half the world is composed of people who have something to say and can’t, and the other half who have nothing to say and keep on saying it.

Robert Frost (1874-1963) American poet
(Attributed)

Richardson, James -- Vectors: Aphorisms and Ten-Second Essays, #41 (2001)

Dave — Fri, 06 Nov 2015 13:03:40 +0000

If you do everything for one reason, then all you have done will become meaningless when the reason does.

James Richardson (b. 1950) American poet
Vectors: Aphorisms and Ten-Second Essays, #41 (2001)

Teresa of Avila -- “Maxims for Her Nuns”

Dave — Wed, 28 Oct 2015 13:54:54 +0000

Remember that you have only one soul; that you have only one death to die; that you have only one life, which is short and has to be lived by you alone; and there is only one Glory, which is eternal. If you do this, there will be many things about which you care nothing.

Teresa of Ávila (1515-1582) Spanish mystic, poet, philosopher, saint
“Maxims for Her Nuns”

In Complete Works St. Teresa of Avila, Vol. 3 (1963) [ed. Peers]

Quintilian, Marcus Fabius -- De Institutione Oratoria, Book 8, ch. 2, l. 24

Dave — Mon, 24 Aug 2015 14:17:44 +0000

Don’t write so you can be understood. Write so that you cannot be misunderstood.

Quintilian (39-90) Roman orator [Marcus Fabius Quintilianus]
De Institutione Oratoria, Book 8, ch. 2, l. 24

Alt. trans.: "We should not write so that it is possible for [the reader] to understand us, but so that it is impossible for him to misunderstand us."

Also attributed to Epictetus, Francis Bacon, Robert Louis Stevenson, Ralph Waldo Emerson, and William Taft.

Pratchett, Terry -- Discworld No. 14, Lords and Ladies (1992)

Dave — Wed, 29 Jul 2015 15:18:08 +0000

Elves are wonderful. They provoke wonder.
Elves are marvelous. They cause marvels.
Elves are fantastic. They create fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.
No one ever said elves are nice.
Elves are bad.

Terry Pratchett (1948-2015) English author
Discworld No. 14, Lords and Ladies (1992)
(Source)

Montaigne, Michel de -- Essays, Book 3, ch. 13 (3.13), “Of Experience [De l’Experience] (1587) [tr. Cotton/Hazlitt (1877)]

Dave — Mon, 06 Apr 2015 12:17:38 +0000

The great and glorious masterpiece of man is to know how to live to purpose; all other things, to reign, to lay up treasure, to build, are, at most, but little appendices and props.

[Le glorieux chef-d’oeuvre de l’homme, c’est vivre à propos. Toutes autres choses ; regner, thesauriser, bastir, n’en sont qu’appendicules et adminicules, pour le plus.]

Michel de Montaigne (1533-1592) French essayist
Essays, Book 3, ch. 13 (3.13), “Of Experience [De l’Experience] (1587) [tr. Cotton/Hazlitt (1877)]
(Source)

This passage was added to the original version of the essay, published 1588, for the 1595 edition.

(Source (French)). Alternate translations:

The glorious master-piece of man, is, to live to the purpose. All other things, as to raigne, to governe, to hoarde up treasure, to thrive and to build, are for the most part but appendixes and supportes thereunto.
[tr. Florio (1603)]

The glorious Master-piece of Man is to know how to live to purpose; all other things, to reign, to lay up Treasure, and to build, are at the most but little Appendixes, and little Props.
[tr. Cotton (1686)]

Man's great and glorious master-work is to live befittingly; all other things -- to reign, to lay up treasure, to build -- are at the best mere accessories and aids.
[tr. Ives (1925)]

Our great and glorious masterpiece is to live appropriately. All other things, ruling, hoarding, building, are only little appendages and props, at most.
[tr. Frame (1943)]

Our most great and glorious achievement is to live our life fittingly. Everything else -- reigning, building, laying up treasure -- are at most tiny props and small accessories.
[tr. Screech (1987)]

Whedon, Joss -- Firefly, 1×01 “Serenity” (pilot) (20 Dec 2002)

Dave — Thu, 29 Jan 2015 12:53:52 +0000

BENDIS: We’re gonna die.
MAL: We’re not gonna die. We can’t die, Bendis. You know why? Because we are so — very — pretty. We are just too pretty for God to let us die.

Joss Whedon (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]
Firefly, 1×01 “Serenity” (pilot) (20 Dec 2002)

Dalrymple, Theodore -- Life at the Bottom (2001)

Dave — Tue, 02 Dec 2014 13:56:22 +0000

Life is a biography, not a series of disconnected moments, more or less pleasurable but increasingly tedious and unsatisfying unless one imposes a purposive pattern upon them.

Theodore Dalrymple (b. 1949) English writer, journalist, psychiatrist [pen name for Anthony (A.M.) Daniels]
Life at the Bottom (2001)

Camus, Albert -- “Absurd Creation,” The Myth of Sisyphus (1942)

Dave — Mon, 03 Nov 2014 14:04:12 +0000

If the world were clear, art would not exist.

Albert Camus (1913-1960) Algerian-French novelist, essayist, playwright
“Absurd Creation,” The Myth of Sisyphus (1942)

Kaveney, Roz -- “On Good Friday, I may not have faith, but that doesn’t make me an atheist,” The Guardian (29 Mar 2013)

Dave — Wed, 22 Oct 2014 13:59:14 +0000

I am an agnostic partly because I don’t think it is part of the human condition ever to have very much certainty about anything but moments of pleasure and of imminent and immanent death. I don’t think we have a language, will ever have a language, that can describe transcendence in any useful way and am aware that transcendence may be nothing more than the illusory aspiration of a decaying piece of meat on a random rock. The thing is to be humble enough to be content with that while acting to other people as generously as if better things were true, and making art as if it might survive and do good in the world. Because what else are we going to do with the few short years of our life?

Roz Kaveney (b. 1949) British writer, critic, poet
“On Good Friday, I may not have faith, but that doesn’t make me an atheist,” The Guardian (29 Mar 2013)
(Source)

Woolf, Virginia -- To the Lighthouse, Part 3, ch. 3 (1927)

Dave — Mon, 16 Jun 2014 12:39:20 +0000

What is the meaning of life? That was all — a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that, and the other….

Virginia Woolf (1882-1941) English modernist writer [b. Adeline Virginia Stephen]
To the Lighthouse, Part 3, ch. 3 (1927)

Churchill, Winston -- Speech, Dundee (10 Oct 1908)

Dave — Mon, 26 May 2014 17:47:49 +0000

What is the use of living, if it be not to strive for noble causes and to make this muddled world a better place for those who will live in it after we are gone?

Winston Churchill (1874-1965) British statesman and author
Speech, Dundee (10 Oct 1908)

Sedaris, David -- Interview, Louisville Courier-Journal (5 Jun 2005)

Dave — Thu, 03 Apr 2014 12:22:56 +0000

Writing gives you the illusion of control, and then you realize it’s just an illusion, that people are going to bring their own stuff into it.

David Sedaris (b. 1956) American humorist, comedian, author
Interview, Louisville Courier-Journal (5 Jun 2005)

Einstein, Albert -- “A Message to My Adopted Country,” Pageant (Jan 1946)

Dave — Mon, 09 Dec 2013 12:39:22 +0000

There is no greater satisfaction for a just and well-meaning person than the knowledge that he has devoted his best energies to the service of a good cause.

Albert Einstein (1879-1955) German-American physicist
“A Message to My Adopted Country,” Pageant (Jan 1946)
(Source)

Later reprinted as "The Negro Question."

Hoffer, Eric -- True Believer: Thoughts on the Nature of Mass Movements, Part 3, ch. 14, § 75 (3.14.75) (1951)

Dave — Fri, 04 Jun 2010 13:17:09 +0000

Passionate hatred can give meaning and purpose to an empty life. Thus people haunted by the purposelessness of their lives try to find a new content not only by dedicating themselves to a holy cause but also by nursing a fanatical grievance. A mass movement offers them unlimited opportunities for both.

Eric Hoffer (1902-1983) American writer, philosopher, longshoreman
True Believer: Thoughts on the Nature of Mass Movements, Part 3, ch. 14, § 75 (3.14.75) (1951)
(Source)

Hoffer, Eric -- True Believer: Thoughts on the Nature of Mass Movements, Part 1, ch. 2, § 10 (1951)

Dave — Fri, 23 Apr 2010 12:21:29 +0000

A man is likely to mind his own business when it is worth minding. When it is not, he takes his mind off his own meaningless affairs by minding other people’s business.

Eric Hoffer (1902-1983) American writer, philosopher, longshoreman
True Believer: Thoughts on the Nature of Mass Movements, Part 1, ch. 2, § 10 (1951)
(Source)

Stevenson, Adlai -- “Putting First Things First”, Foreign Affairs (1960-01)

Dave — Mon, 18 Jan 2010 14:28:23 +0000

Freedom is not an ideal, it is not even a protection, if it means nothing more than freedom to stagnate, to live without dreams, to have no greater aim than a second car and another television set — and this in a world where half our fellow men have less than enough to eat.

Adlai Stevenson (1900–1965) American diplomat, statesman
“Putting First Things First”, Foreign Affairs (1960-01)
(Source)

Roosevelt, Eleanor -- Column (1944-11-08), “My Day”

Dave — Wed, 30 Jul 2008 02:54:28 +0000

In political life I have never felt that anything really mattered but the satisfaction of knowing that you stood for the things in which you believed, and had done the very best you could.

Eleanor Roosevelt (1884–1962) First Lady of the US (1933–1945), politician, diplomat, activist
Column (1944-11-08), “My Day”
(Source)

Feynman, Richard -- The Feynman Lectures on Physics, Volume I, 8-2 “Motion” (20 Oct 1961)

Dave — Tue, 25 Mar 2008 10:22:51 +0000

We cannot define anything precisely! If we attempt to, we get into that paralysis of thought that comes to philosophers who sit opposite each other, one saying to the other, “You don’t know what you are talking about!”. The second one says, “What do you mean by know? What do you mean by talking? What do you mean by you?” and so on.

Richard Feynman (1918-1988) American physicist
The Feynman Lectures on Physics, Volume I, 8-2 “Motion” (20 Oct 1961)
(Source)

Saint-Exupery, Antoine -- Citadelle [The Wisdom of the Sands], ch. 5 (1948) [tr. Gilbert (1950)]