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		<title>Pratchett, Terry -- Discworld, Book 18, Maskerade (1995)</title>
		<link>https://wist.info/pratchett-terry/84134/</link>
		<comments>https://wist.info/pratchett-terry/84134/#respond</comments>
		<pubDate>Wed, 20 May 2026 14:59:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
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		<description><![CDATA[People who would not believe a High Priest if he said the sky was blue, and was able to produce signed affidavits to this effect from his white-haired old mother and three Vestal virgins, would trust just about anything whispered darkly behind their hand by a complete stranger in a pub.]]></description>
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			<content:encoded><![CDATA[<p>People who would not believe a High Priest if he said the sky was blue, and was able to produce signed affidavits to this effect from his white-haired old mother and three Vestal virgins, would trust just about anything whispered darkly behind their hand by a complete stranger in a pub. </p>
<br><b>Terry Pratchett</b> (1948–2015) English author<br>Discworld, Book 18, <i>Maskerade</i> (1995) 
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		<title>Martin, Judith -- Miss Manners&#8217; Guide to Rearing Perfect Children, ch.  8 &#8220;Extra Credit,&#8221; &#8220;Ethics&#8221; (1984)</title>
		<link>https://wist.info/martin-judith/73872/</link>
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		<pubDate>Mon, 06 Jan 2025 17:39:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Judith]]></category>
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		<description><![CDATA[In its natural state, the child tells the literal truth because it is too naive to think of anything else. Blurting out the complete truth is considered adorable in the young, right smack up to the moment that the child says, &#8220;Mommy, is this the fat lady you can&#8217;t stand?&#8221; At this point, the parent [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In its natural state, the child tells the literal truth because it is too naive to think of anything else. Blurting out the complete truth is considered adorable in the young, right smack up to the moment that the child says, &#8220;Mommy, is this the fat lady you can&#8217;t stand?&#8221; At this point, the parent rightly senses the need to explain kindness.</p>
<br><b>Judith Martin</b> (b. 1938) American author, journalist, etiquette expert [a.k.a. Miss Manners]<br><i>Miss Manners&#8217; Guide to Rearing Perfect Children</i>, ch.  8 &#8220;Extra Credit,&#8221; &#8220;Ethics&#8221; (1984) 
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		<title>Ferber, Edna -- Show Boat, ch. 13 (1926)</title>
		<link>https://wist.info/ferber-edna/70894/</link>
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		<pubDate>Fri, 26 Jul 2024 14:04:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ferber, Edna]]></category>
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		<description><![CDATA[Don&#8217;t you believe &#8217;em when they say that what you don&#8217;t know won&#8217;t hurt you. Biggest lie ever was. See it all and go your own way and nothing&#8217;ll hurt you. If what you see ain&#8217;t pretty, what&#8217;s the odds! See it anyway. Then next time you don&#8217;t have to look. Captain Andy Hawkes to [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Don&#8217;t you believe &#8217;em when they say that what you don&#8217;t know won&#8217;t hurt you. Biggest lie ever was. See it all and go your own way and nothing&#8217;ll hurt you. If what you see ain&#8217;t pretty, what&#8217;s the odds! See it anyway. Then next time you don&#8217;t have to look.</p>
<br><b>Edna Ferber</b> (1886–1968) American author and playwright<br><i>Show Boat</i>, ch. 13 (1926) 
						<br><br><span class="cite">
						

Captain Andy Hawkes to his daughter, Magnolia.

						</span>
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		<title>Stoppard, Tom -- Where Are They Now? (1968)</title>
		<link>https://wist.info/stoppard-tom/70858/</link>
		<comments>https://wist.info/stoppard-tom/70858/#respond</comments>
		<pubDate>Wed, 24 Jul 2024 21:45:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stoppard, Tom]]></category>
		<category><![CDATA[adulthood]]></category>
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		<description><![CDATA[GALE: Childhood is Last Chance Gulch for happiness. After that, you know too much.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">GALE: Childhood is Last Chance Gulch for happiness. After that, you know too much. </p>
<p></p>
<br><b>Tom Stoppard</b> (1937–2025) Czech-English playwright and screenwriter<br><i>Where Are They Now?</i> (1968) 
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		<title>Cox, Marcelene -- &#8220;Ask Any Woman&#8221; column, Ladies&#8217; Home Journal (1948-09)</title>
		<link>https://wist.info/cox-marcelene/63731/</link>
		<comments>https://wist.info/cox-marcelene/63731/#comments</comments>
		<pubDate>Tue, 10 Oct 2023 18:02:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Cox, Marcelene]]></category>
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		<description><![CDATA[The illusions of childhood are necessary experience: a child should not be denied a balloon just because an adult knows that sooner or later it will burst. See Pratchett.]]></description>
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			<content:encoded><![CDATA[<p>The illusions of childhood are necessary experience: a child should not be denied a balloon just because an adult knows that sooner or later it will burst.</p>
<br><b>Marcelene Cox</b> (1900–1998) American writer, columnist, aphorist<br>&#8220;Ask Any Woman&#8221; column, <i>Ladies&#8217; Home Journal</i> (1948-09) 
						<br><br><span class="cite">
						

See <a href="https://wist.info/pratchett-terry/29918/">Pratchett</a>.
						</span>
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		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 1 &#8220;Inferno,&#8221; Canto  5, l. 127ff (5.127-138) [Francesca] (1309) [tr. Binyon (1943)]</title>
		<link>https://wist.info/dante-alighieri-poet/57992/</link>
		<comments>https://wist.info/dante-alighieri-poet/57992/#respond</comments>
		<pubDate>Sat, 31 Dec 2022 21:42:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
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		<description><![CDATA[One day together, for pastime, we read Of Lancelot, and how Love held him in thrall. We were alone, and without any dread. Sometimes our eyes, at the word&#8217;s secret call, Met, and our cheeks a changing color wore. But it was one page only that did all. When we read how that smile, so [&#8230;]]]></description>
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			<content:encoded><![CDATA[<figure id="attachment_73677" aria-describedby="caption-attachment-73677" style="width: 249px" class="wp-caption alignright"><a href="https://wist.info/wp/wp-content/uploads/2022/12/Dore-Inferno-05-036-paolo-and-francesca-1590.jpg"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2022/12/Dore-Inferno-05-036-paolo-and-francesca-1590-249x300.jpg" alt="dore inferno 05 036 paolo and francesca 1590" width="249" height="300" class="size-medium wp-image-73677" srcset="https://wist.info/wp/wp-content/uploads/2022/12/Dore-Inferno-05-036-paolo-and-francesca-1590-249x300.jpg 249w, https://wist.info/wp/wp-content/uploads/2022/12/Dore-Inferno-05-036-paolo-and-francesca-1590.jpg 650w" sizes="(max-width: 249px) 100vw, 249px" /></a><figcaption id="caption-attachment-73677" class="wp-caption-text">Gustave Dore – Divine Comedy, Inferno, Canto 5 “Paolo and Francesca” (1890)</figcaption></figure>
<p>One day together, for pastime, we read<br />
<span class="tab">Of Lancelot, and how Love held him in thrall.<br />
<span class="tab">We were alone, and without any dread.<br />
Sometimes our eyes, at the word&#8217;s secret call,<br />
<span class="tab">Met, and our cheeks a changing color wore.<br />
<span class="tab">But it was one page only that did all.<br />
When we read how that smile, so thirsted for,<br />
<span class="tab">Was kissed by such a lover, he that may<br />
<span class="tab">Never from me be separated more<br />
All trembling kissed my mouth. The book I say<br />
<span class="tab">Was a Galahalt to us, and he beside<br />
<span class="tab">that wrote that book. We read no more that day.</p>
<figure id="attachment_57995" aria-describedby="caption-attachment-57995" style="width: 215px" class="wp-caption alignright"><a href="https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053-215x300.jpg" alt="Gustave Dore – Divine Comedy, Inferno, Canto 5 “The Souls of Paolo and Francesca” (1857)" width="215" height="300" class="size-medium wp-image-57995" srcset="https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053-215x300.jpg 215w, https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053-733x1024.jpg 733w, https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053-768x1073.jpg 768w, https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053-1099x1536.jpg 1099w, https://wist.info/wp/wp-content/uploads/2022/12/interior_dante_divinecomedy_inf_05_053.jpg 1288w" sizes="(max-width: 215px) 100vw, 215px" /></a><figcaption id="caption-attachment-57995" class="wp-caption-text">Gustave Dore – Divine Comedy, Inferno, Canto 5 “The Souls of Paolo and Francesca” (1857)</figcaption></figure>
<p><em>[Noi leggiavamo un giorno per diletto<br />
<span class="tab">di Lancialotto come amor lo strinse;<br />
<span class="tab">soli eravamo e sanza alcun sospetto.<br />
Per più fïate li occhi ci sospinse<br />
<span class="tab">quella lettura, e scolorocci il viso;<br />
<span class="tab">ma solo un punto fu quel che ci vinse.<br />
Quando leggemmo il disïato riso<br />
<span class="tab">esser basciato da cotanto amante,<br />
<span class="tab">questi, che mai da me non fia diviso,<br />
la bocca mi basciò tutto tremante.<br />
<span class="tab">Galeotto fu &#8216;l libro e chi lo scrisse:<br />
<span class="tab">quel giorno più non vi leggemmo avante.]</span></span></span></span></span></span></span></span></em></span></span></span></span></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265–1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 1 <i>&#8220;Inferno,&#8221;</i> Canto  5, l. 127ff (5.127-138) [Francesca] (1309) [tr. Binyon (1943)] 
						<br><br><span class="cite">
						

In the Old French romance of Lancelot du Lac they were reading, Sir Gallehault (spelled variously) serves as go-between for Lancelot and Guinevere (a couple not able to express their love because of her marriage to King Arthur), and ultimately persuades the Queen to give Lancelot a first, dooming kiss. Similarly, Paolo was the intermediary to arrange the marriage of his brother, Gianciotto, and Francesca. After the marriage, reading together that racy tale of Lancelot seduced Paolo and Francesca into pursuing their carnal affair.<br><br>

The Italian form of Gallehault -- "Galeotto" or "Galleot" -- became Middle Ages Italian slang for a panderer or pimp, and Francesca draws on this meaning in her chat with the Pilgrim, blaming the book and its writer for her damning sins with Paolo. See also, earlier, <a href="https://wist.info/dante-alighieri-poet/57895/">here</a>.<br><br>

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Inferno/Canto_V#:~:text=Noi%20leggiavamo%20un,vi%20leggemmo%20avante">Source (Italian)</a>). Other translations:<br><br>

<blockquote>Together we, for pleasure, one day read<br>
How strictly Lancelot was bound by love;<br>
We, then alone, without suspicion were:<br>
T'admire each other, often from the book<br>
Our eyes were ta'en, and oft our colour chang'd;<br>
That was the point of time which conqurer'd us,<br>
When, reading that her captivating smile<br>
Was by the Lover the adored kiss'd;<br>
This, my Companion, always with me seen,<br>
Fearful, and trembling, also kiss'd my mouth.<br>
The Writer, Galeotto, nam;d the Book.<br>
But from that day we never read in't more.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno_of_Dante_Translated/1ARcAAAAQAAJ?hl=en&gbpv=1&bsq=%22together%20we%22">Rogers</a> (1782), l. 113ff]</blockquote><br>

<blockquote>One day (a day I ever must deplore!)<br>
The gentle youth, to spend a vacant hour,<br>
To me the soft seducing story read,<br>
Of Launcelot and fair Geneura's love,<br>
While fascinating all the quiet grove<br>
Fallacious Peace her snares around us spread.<br>
Too much I found th' insidious volume charm,<br>
And Paulo's mantling blushes rising warm;<br>
Still as he read the guilty secret told:<br>
Soon from the line his eyes began to stray;<br>
Soon did my yielding looks my heart betray,<br>
Nor needed words our wishes to unfold.<br>
Eager to realize the story'd bless,<br>
Trembling he snatch'd the half resented kiss,<br>
To ill soon lesson'd by the pandar-page!<br>
Vile pandar-page! it smooth'd the paths of shame.<br>
[tr. <a href="https://archive.org/details/divinacommediaof01dantuoft/page/138/mode/2up?q=%22one+day+a+day%22">Boyd</a> (1802), st. 24-26]</blockquote><br>

<blockquote><span class="tab">One day<br>
For our delight we read of Lancelot,<br>
<span class="tab">How him love thrall’d. Alone we were, and no<br>
<span class="tab">Suspicion near us. Ofttimes by that reading<br>
Our eyes were drawn together, and the hue<br>
<span class="tab">Fled from our alter’d cheek. But at one point<br>
<span class="tab">Alone we fell. When of that smile we read,<br>
The wished smile, rapturously kiss’d<br>
<span class="tab">By one so deep in love, then he, who ne’er<br>
<span class="tab">From me shall separate, at once my lips<br>
All trembling kiss’d. The book and writer both<br>
<span class="tab">Were love’s purveyors. In its leaves that day<br>
<span class="tab">We read no more.<br>
[tr. <a href="https://www.gutenberg.org/files/8789/8789-h/8789-h.htm#cantoI.6:~:text=One%20day%0AFor,read%20no%20more.">Cary</a> (1814)]</blockquote><br>

<blockquote>'Twas on a day when we for pastime read <br>
<span class="tab">Of Lancelot, whom love ensnared to ruin:<br> 
<span class="tab">We were alone, nor knew suspicious dread.<br>
That lesson oft, the conscious look renewing, <br>
<span class="tab">Held us suspense, and turned our cheeks to white; <br>
<span class="tab">But one sole moment wrought for our undoing:<br>
When of the kiss we read, from smile so bright. <br>
<span class="tab">So coveted, that such true-lover bore. <br>
<span class="tab">He, from my side who ne'er may disunite,<br>
Kissed me upon the mouth, trembling all o'er. <br>
<span class="tab">The broker of our Vows, it was the lay, <br>
<span class="tab">And he who wrote -- that day we read no more.<br>
[tr. <a href="https://archive.org/details/infernodanteali02daymgoog/page/n42/mode/2up?q=%22when+we+for+pastime%22">Dayman</a> (1843)]</blockquote><br>

<blockquote><span class="tab">One day, for pastime, wwe read of Lancelot, how love restrained him; we were alone, and without all suspicion.<br>
<span class="tab">Several times that reading urged our eyes to meet, and changed the color of our faces; but one moment alone it was that overcame us.<br>
<span class="tab">When we read how the fond smile was kissed by such a lover, he, who shall never be divided from me,<br>
<span class="tab">kissed my mouth all trembling: the book, and he who wrote it, was a Galeotto; that day we read in it no farther.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno/WqpEAAAAYAAJ?hl=en&gbpv=1&bsq=%22one%20day%20for%20pastime%22">Carlyle</a> (1849)]</blockquote><br>

<blockquote>We were reading one day, for our delight,<br>
In Lancilotto, bound in love so strict.<br>
We were alone, and neither could suspect<br>
Suspended were our eyes, and more than once,<br>
In reading, and the visage colorless;<br>
One point it was lone that conquered us.<br>
When we read first of that -- the longed-for smile<br>
At being kissed by one who loved so well;<br>
Galeotti was the book -- he wrote it:<br>
That Day we read not there any farther.<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/24/mode/2up?q=%22we+were+reading%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote>One day we read, to pass a pleasant time,<br>
<span class="tab">How Lancelot was bound in chains of love;<br>
<span class="tab">Alone we were and no suspicion knew.<br>
often we sigh'd; and as we read our eyes<br>
<span class="tab">Each other sought, the color fled our cheeks;<br>
<span class="tab">But we were vanquish'd by one point alone.<br>
When we had read how the smile long desir'd<br>
<span class="tab">Was kiss'd by him who lov'd with such deep love,<br>
<span class="tab">This one, from me no more to be apart,<br>
Trembling all over, kiss'd me on the mouth.<br>
<span class="tab">Galeotto was the writer and the book;<br>
<span class="tab">In it we read no further on that day.<br>
[tr. <a href="https://www.google.com/books/edition/A_Translation_of_Dante_s_Inferno/dzvcz2MMLLMC?hl=en&gbpv=1&bsq=%22one%20day%20we%20read%22">Johnston</a> (1867)]</blockquote><br>

<blockquote>One day we reading were for our delight<br>
<span class="tab">⁠Of Launcelot, how Love did him enthrall.<br>
<span class="tab">⁠Alone we were and without any fear.<br>
Full many a time our eyes together drew<br>
<span class="tab">⁠That reading, and drove the color from our faces;<br>
<span class="tab">⁠But one point only was it that o'ercame us.<br>
Whenas we read of the much longed-for smile<br>
<span class="tab">⁠Being by such a noble lover kissed,<br>
<span class="tab">⁠This one, who ne'er from me shall be divided,<br>
Kissed me upon the mouth all palpitating.<br>
<span class="tab">⁠Galeotto was the book and he who wrote it.<br>
<span class="tab">⁠That day no farther did we read therein.<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_1/Canto_5#:~:text=One%20day%20we,we%20read%20therein.">Longfellow</a> (1867)]</blockquote><br>

<blockquote>We were reading one day, for delight, of Lancelot, how Love constrained him; alone were we, and without any suspicion. Many times did that reading impel our eyes, and change the hue of our visages; but one point only was it that overcame us. When we read that the wished-for smile was kissed by such a lover, this one who never from me shall be parted kissed me on the mouth all trembling. A Gallehault was the book, and he who wrote it. That day we read no further in it.<br>
[tr. <a href="https://archive.org/details/dli.granth.92729/page/62/mode/2up?q=%22how+love+constrained%22">Butler</a> (1885)] </blockquote><br>

<blockquote>We read one day for pleasure, in the song<br>
<span class="tab">Of Launcelot, how Love him captive made;<br>
<span class="tab">We were alone without one thought of wrong. <br>
Many and many a time our eyes delayed<br>
<span class="tab">The reading, and our faces paled apart;<br>
<span class="tab">One point alone it was that us betrayed. <br>
In reading of that worshipt smile o' the heart,<br>
<span class="tab">Kissed by such lover on her lips' red core.<br>
<span class="tab">This one, who never more from me must part,<br>
Kissed me upon the mouth, trembling all o'er:<br>
<span class="tab">For us our Galeotto was that book;<br>
<span class="tab">That day we did not read it any more.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/20/mode/2up?q=%22we+read+one+day%22">Minchin</a> (1885)]</blockquote><br>

<blockquote>We were reading one day, for delight, of Lancelot, how love constrained him. We were alone and without any suspicion. Many times that reading made us lift our eyes, and took the color from our faces, but only one point was that which overcame us. When we read of the longed-for smile being kissed by such a lover, this one, who never from me shall be divided, kissed my mouth all trembling. Galahaut was the book, and he who wrote it. That day we read in it no farther.<br>
[tr. <a href="https://www.gutenberg.org/files/1995/1995-h/1995-h.htm#cantoI.V:~:text=We%20were%20reading,it%20no%20farther.">Norton</a> (1892)] </blockquote><br>

<blockquote>We read one day, to while the hour, of Lancelot, how love enthralled him: we were alone, with never a thought of harm. And oft and oft that reading brought our eyes together and drave the colour to our cheeks ; but one point, only one, it was that overcame us. When that we came to read of how the smiling lips he loved were kissed by lover such as he, he that no more shall e'er be parted from me, kissed my mouth trembling through. Our Galahad was the book and he that penned it: that day we read in it no more.<br>
[tr. <a href="https://archive.org/details/comedydantealig00sullgoog/page/n40/mode/2up?q=%22we+read+one+day%22">Sullivan</a> (1893)]</blockquote><br>

<blockquote>One day, by way of pastime, we were reading <br>
<span class="tab">Of Lancelot, how love in fetters held him: <br>
<span class="tab">We were alone, and without thought of danger.<br>
Full often did that reading bring together <br>
<span class="tab">Our glances, and made colourless our visage; <br>
<span class="tab">But just one point was that which overcame us:<br>
When as we read how that the smile much longed for <br>
<span class="tab">Was kissed by one so passionately loving, <br>
<span class="tab">He who from me shall never be divided<br>
Kissed me upon the mouth, all, all a-quiver: -- <br>
<span class="tab">A Galehalt was the book and he who wrote it: --<br>
<span class="tab">Upon that day we read therein no further.<br>
[tr. <a href="https://archive.org/details/infernodanteali00grifgoog/page/n46/mode/2up?q=%22by+way+of+pastime%22">Griffith</a> (1908)]</blockquote><br>

<blockquote>We read one day for pastime of Lancelot, how love constrained him. We were alone and had no misgiving. Many times that reading drew our eyes together and changed the color in our faces, but one point alone it was that mastered us; when we read that the longed-fro smile was kissed by so great a lover, he who never shall be parted from me, all trembling, kissed my mouth. A Galeotto was the book and he that wrote it; that day we read in it no farther.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/7I7_cvKw8xkC?hl=en&gbpv=1&bsq=%22we%20read%20one%20day%22">Sinclair</a> (1939)]</blockquote><br>

<blockquote>One day we read for pastime how in thrall<br>
<span class="tab">Lord Lancelot lay to love, who loved the Queen;<br>
<span class="tab">We were alone -- we thought no harm at all.<br>
As we read on, our eyes met now and then,<br>
<span class="tab">And to our cheeks the changing color started,<br>
<span class="tab">But just one moment overcame us -- when<br>
We read of the smile, desired of lips long-thwarted,<br>
<span class="tab">Such smile, by such a lover kissed away,<br>
<span class="tab">He that may never more from me be parted<br>
Trembling all over, kissed my mouth. I say<br>
<span class="tab">The book was Galleot, Galleot the complying<br>
<span class="tab">Ribald who wrote; we read no more that day.<br>
[tr. <a href="https://archive.org/details/divinecomedy00peng/page/100/mode/2up?q=%22one+day+we+read%22">Sayers</a> (1949)] </blockquote><br>

<blockquote>One day for dalliance we read the rhyme<br>
<span class="tab">of Lancelot, how love had mastered him.<br>
<span class="tab">We were alone with innocence and dim time.<br>
Pause after pause that high old story drew<br>
<span class="tab">our eyes together while we blushed and paled;<br>
<span class="tab">but it was one soft passage overthrew<br>
our caution and our hearts. For when we read<br>
<span class="tab">how her fond smile was kissed by such a lover,<br>
<span class="tab">he who is one with me alive and dead<br>
breathed on my lips the tremor of his kiss.<br>
<span class="tab">That book, and he who wrote it, was a pander.<br>
<span class="tab">That day we read no further.<br>
[tr. <a href="https://archive.org/details/infernoverserend00dantrich/page/60/mode/2up?q=%22day+for+dalliance%22">Ciardi</a> (1954), l. 124ff] </blockquote><br>

<blockquote>One day, for pastime, we reqd of Lancelot, how love constrained him; we were alone, suspecting nothing. Several times that reading urged our eyes to meet and too the color from our faces, but one moment alone it was that overcame us. When we read how the longed-for smile was kissed by so great a lover, this one, who never shll be parted from me, kissed my mouth all trembling. A Gallehault was the book and he who wrote it; that day we read no farther in it.<br>
[tr. <a href="https://archive.org/details/inferno0000dant/page/n65/mode/2up?q=%22one+day+for+pastime%22">Singleton</a> (1970)]</blockquote><br>

<blockquote>One day we read, to pass the time away,<br>
<span class="tab">of Lancelot, how he had fallen in love;<br>
<span class="tab">we were alone, innocent of suspicion.<br>
Time and again our eyes were brought together<br>
<span class="tab">by the book we read; our faces flushed and paled.<br>
<span class="tab">To the moment of one line alone we yielded:<br>
it was when we read about those longed-for lips<br>
<span class="tab">now being kissed by such a famous lover,<br>
<span class="tab">that this one (who shall never leave my side)<br>
then kissed my mouth, and trembled as he did.<br>
<span class="tab">The book and its author was our galehot!<br>
<span class="tab">That day we read no further.<br>
[tr. <a href="https://archive.org/details/dantesinferno00dant/page/40/mode/2up?q=%22one+day+we+read%22">Musa</a> (1971)] </blockquote><br>

<blockquote>One day, to pass the time away, we read<br>
<span class="tab">of Lancelot -- how love had overcome him.<br>
<span class="tab">We were alone, and we suspected nothing.<br>
And time and time again that reading led<br>
<span class="tab">our eyes to meet, and made our faces pale,<br>
<span class="tab">and yet one point alone defeated us.<br>
When we had read how the desired smile<br>
<span class="tab">was kissed by one who was so true a lover,<br>
<span class="tab">this one, who never shall be parted from me,<br>
while all his body trembled, kissed my mouth.<br>
<span class="tab">A Gallehault indeed, that book and he<br>
<span class="tab">who wrote it, too; that day we read no more.<br>
[tr. <a href="https://archive.org/details/lccn_83048678/page/46/mode/2up?q=%22one+day+to+pass%22">Mandelbaum</a> (1980)] </blockquote><br>

<blockquote>One day, when we were reading, for distraction,<br>
<span class="tab">How Lancelot was overcome by love --<br>
<span class="tab">We were alone, without any suspicion;<br>
Several times, what we were reading forced<br>
<span class="tab">Our eyes to meet, and then we changed color:<br>
<span class="tab">But one page only was more than we could bear.<br>
When we read how that smile, so much desired,<br>
<span class="tab">Was kissed by such a lover, in the book,<br>
<span class="tab">He, who will never be divided from me,<br>
Kissed my mouth, he was trembling as he did so;<br>
<span class="tab">The book, the writer played the part of Galahalt:<br>
<span class="tab">That day we got no further with our reading.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/68/mode/2up?q=%22when+we+were+reading%22">Sisson</a> (1981)]</blockquote><br>

<blockquote>One day, for pleasure,<br>
We read of Lancelot, by love constrained:<br>
Alone, suspecting nothing, at our leisure.<br>
Sometimes at what we read our glances joined,<br>
Looking from the book each to the other's eyes,<br>
And then the color in our faces drained.<br>
But one particular moment alone it was<br>
Defeated us: <i>the longed-for smile,</i> it said,<br>
<i>Was kissed by that most noble lover:</i> at this,<br>
This one, who now will never leave my side,<br>
Kissed my mouth, trembling. A Galeotto, that book!<br>
And so was he who wrote it; that day we read<br>
No further.<br>
[tr. <a href="https://archive.org/details/infernoofdantene00dant/page/42/mode/2up?q=%22one+day+for+pleasure%22">Pinsky</a> (1994), l. 112ff]</blockquote><br>

<blockquote><span class="tab">We were reading one day, for pleasure, of Lancelot, how Love beset him; we were alone and without any suspicion.<br>
<span class="tab">Many times that reading drove our eyes together and turned our faces pale; but one point alone was the one that overpowered us.<br>
<span class="tab">When we read that the yearned-for smile was kissed by so great a lover, he, who will never be separated from me,<br>
<span class="tab">kissed my mouth all trembling. Galeotto was the book and he who wrote it: that day we read there no further.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0001dant_u1l7/page/92/mode/2up?q=%22reading+one+day%22">Durling</a> (1996)]</blockquote><br>

<blockquote>We read, one day, to our delight, of Lancelot and how love constrained him: we were alone and without suspicion. Often those words urged our eyes to meet, and coloured our cheeks, but it was a single moment that undid us. When we read how that lover kissed the beloved smile, he who will never be separated from me, kissed my mouth all trembling. That book was a Galeotto, a <i>pandar,</i> and he who wrote it: that day we read no more.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantInf1to7.php#anchor_Toc64090929:~:text=We%20read%2C%20one,read%20no%20more.">Kline</a> (2002)]</blockquote><br>



<blockquote>One day, to pass the time, we read of<br>
<span class="tab">Lancelot, who loved illicitly.<br>
<span class="tab">Just the two of us; we had not thought of what, as yet, was not.<br>
From time to time that reading urged our eyes to meet.<br>
<span class="tab">and made our faces flush and pale,<br>
<span class="tab">but one point in the story changed our lives;<br>
for when we read of how the longed-for smile<br>
<span class="tab">was kissed by such a noble knight,<br>
<span class="tab">the one who for eternity is by my side all trembling<br>
kissed my trembling mouth.<br>
<span class="tab">The man who wrote this was a Galeotto; so was the book.<br>
<span class="tab">That day the rest of it remained unscanned.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno_of_Dante_Alighieri/B8DHyhZK8ZQC?hl=en&gbpv=1&bsq=%22one%20day%20to%20pass%22">Carson</a> (2002)]</blockquote><br>


<blockquote>One day we read together for pure joy<br>
<span class="tab">how Lancelot was taken in Love's palm.<br>
<span class="tab">We were alone. We knew no suspicion.<br>
Time after time, the words we read would lift<br>
<span class="tab">our eyes and drawn all color from our faces.<br>
<span class="tab">A single point, however, vanquished us.<br>
For when at last we read the longed-for smile <br>
<span class="tab">of Guinevere -- at last her lover kissed --<br>
<span class="tab">he, who from me will never now depart,<br>
touched his kiss, trembling to my open mouth.<br>
<span class="tab">This book was <i>Galehault</i> -- pander-penned, the pimp!<br>
<span class="tab">That day we read no further down those lines.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant_l7y1/page/24/mode/2up?q=%22one+day+we+read%22">Kirkpatrick</a> (2006)] </blockquote><br>

<blockquote>One day, to pass the time in pleasure,<br>
<span class="tab">we read of Lancelot, how love enthralled him.<br>
<span class="tab">We were alone, without the least misgiving.<br>
More than once that reading made our eyes meet<br>
<span class="tab">and drained the color from our faces.<br>
<span class="tab">Still, it was a single instant overcame us:<br>
When we read how the longed-for smile<br>
<span class="tab">was kissed by so renowned a lover, this man,<br>
<span class="tab">who never shall be parted from me,<br>
all trembling, kissed me on my mouth.<br>
<span class="tab">A Galeotto was the book and he that wrote it.<br>
<span class="tab">That day we read in it no further.<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?LANG=2&INP_POEM=Inf&INP_SECT=5&INP_START=127&INP_LEN=12">Hollander/Hollander</a> (2007)] </blockquote><br>

<blockquote>One day we read the story of Lancelot<br>
<span class="tab">And how his love attacked and held him tight.<br>
<span class="tab">We were alone and unaware of our thoughts.<br>
More than once the story forced our eyes<br>
<span class="tab">To meet, and as we looked our faces turned pale,<br>
<span class="tab">But just one single moment hung and decided<br>
Us. We read how a smile we longed for stayed<br>
<span class="tab">On her lips until the greatest of lovers kissed them,<br>
<span class="tab">And then this man, who cannot be taken away<br>
From me, kissed my mouth, his body trembling.<br>
<span class="tab">A famous go-between had written that tale.<br>
<span class="tab">That day, our time for reading suddenly ended.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22one%20day%20we%20read%22">Raffel</a> (2010)] </blockquote><br>






<blockquote>One day, to amuse ourselves, we were reading<br>
<span class="tab">The tales of love-struck Lancelot; we were all alone,<br>
<span class="tab">And naively unaware of what could happen.<br>
More than once, while reading, we looked up<br>
<span class="tab">And saw the other looking back. We'd blush, then pale,<br>
<span class="tab">Then look down again. Until a moment did us in.<br>
We were reading about the longed-for kiss<br>
<span class="tab">The great lover gives his Guinevere, when that one<br>
<span class="tab">From whom I'll now never be parted,<br>
Trembling, kissed my lips. <br>
<span class="tab">That author and his book played the part <br>
<span class="tab">Of Gallehault. We read no more that day.<br>
[tr. <a href="https://auhumanitieslab.com/wp-content/uploads/2015/02/Mary-Jo-Bang-trans_Dante-Inferno_Cantos-5-through-9.pdf">Bang</a> (2012)]</blockquote><br>






<blockquote>Reading together one day for delight<br>
Or Lancelot, caught up in Love's sweet snare,<br>
We were alone, with no thought of what might<br>
Occur to us, although we stopped to stare<br>
Sometimes at what we read, and even paled.<br>
But then the moment came we turned a page<br>
And all our powers of resistance failed:<br>
When we read of that great knight in a rage<br>
To kiss the smile he so desired. Paolo,<br>
This one so quiet now, made my mouth still --<br>
Which, loosened by those words, had trembled so --<br>
With his mouth. And right then we lost the will --<br>
For Love can will will's loss, as well you know --<br>
To read on. But let that man take a bow<br>
Who wrote the book we called our Galahad,<br>
The reason nothing can divide us now.<br>
[tr. <a href="https://archive.org/details/inferno0000dant_y2l4/page/30/mode/2up?q=%22reading+together%22">James</a> (2013), l. 149ff]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Billings, Josh -- Everybody&#8217;s Friend, Or; Josh Billing&#8217;s Encyclopedia and Proverbial Philosophy of Wit and Humor, &#8220;Plum Pits&#8221; (1874)</title>
		<link>https://wist.info/billings-josh/50654/</link>
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		<pubDate>Tue, 04 Jan 2022 16:21:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Billings, Josh]]></category>
		<category><![CDATA[guilt]]></category>
		<category><![CDATA[innocent]]></category>
		<category><![CDATA[naivete]]></category>
		<category><![CDATA[trust]]></category>

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		<description><![CDATA[The truly innosent are thoze who not only are guiltless themselfes, but who think others are. [The truly innocent are those who not only are guiltless themselves, but who think others are.]]]></description>
        <!-- DCH Insert author info (category description) and put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>The truly innosent are thoze who not only are guiltless themselfes, but who think others are.</p>
<p>[The truly innocent are those who not only are guiltless themselves, but who think others are.]</p>
<br><b>Josh Billings</b> (1818–1885) American humorist, aphorist [pseud. of Henry Wheeler Shaw]<br><i>Everybody&#8217;s Friend, Or; Josh Billing&#8217;s Encyclopedia and Proverbial Philosophy of Wit and Humor</i>, &#8220;Plum Pits&#8221; (1874) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Marquis, Don -- archy and mehitabel, &#8220;certain maxims of archy&#8221; (1927)</title>
		<link>https://wist.info/marquis-donald/48166/</link>
		<comments>https://wist.info/marquis-donald/48166/#respond</comments>
		<pubDate>Wed, 04 Aug 2021 13:36:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Marquis, Don]]></category>
		<category><![CDATA[experience]]></category>
		<category><![CDATA[naivete]]></category>
		<category><![CDATA[optimism]]></category>

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		<description><![CDATA[an optimist is a guy that has never had much experience]]></description>
        <!-- DCH Insert author info (category description) and put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>an optimist is a guy<br />
that has never had<br />
much experience</p>
<br><b>Don Marquis</b> (1878–1937) American journalist and humorist<br><i>archy and mehitabel</i>, &#8220;certain maxims of archy&#8221; (1927) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Aristotle -- Rhetoric [Ῥητορική; Ars Rhetorica], Book 2, ch. 21, sec.  9 (2.21.9) / 1395a.9 (350 BC) [tr. @sentantiq (2018)]</title>
		<link>https://wist.info/aristotle/46623/</link>
		<comments>https://wist.info/aristotle/46623/#respond</comments>
		<pubDate>Fri, 16 Apr 2021 18:28:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Aristotle]]></category>
		<category><![CDATA[age]]></category>
		<category><![CDATA[aphorism]]></category>
		<category><![CDATA[elderly]]></category>
		<category><![CDATA[experience]]></category>
		<category><![CDATA[maxim]]></category>
		<category><![CDATA[naivete]]></category>
		<category><![CDATA[youth]]></category>

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		<description><![CDATA[Using maxims is appropriate for those who are older in age when uttered about things for which they have some experience. Using maxims before one is this age lacks propriety as does story-telling: to speak about what one has no experience in is foolish and uneducated. A sufficient sign of this is that bumpkins especially [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Using maxims is appropriate for those who are older in age when uttered about things for which they have some experience. Using maxims before one is this age lacks propriety as does story-telling: to speak about what one has no experience in is foolish and uneducated. A sufficient sign of this is that bumpkins especially tend to make up maxims and they easily show them off.</p>
<p>[ἁρμόττει δὲ γνωμολογεῖν ἡλικίᾳ μὲν πρεσβυτέροις, περὶ δὲ τούτων ὧν ἔμπειρός τις ἐστί, ὡς τὸ μὲν μὴ τηλικοῦτον ὄντα γνωμολογεῖν ἀπρεπὲς ὥσπερ καὶ τὸ μυθολογεῖν, περὶ δ᾿ ὧν ἄπειρος, ἠλίθιον καὶ ἀπαίδευτον. σημεῖον δ᾿ ἱκανόν· οἱ γὰρ ἀγροῖκοι μάλιστα γνωμοτύποι εἰσὶ καὶ ῥᾳδίως ἀποφαίνονται.]</p>
<br><b>Aristotle</b> (384–322 BC) Greek philosopher<br><i>Rhetoric [Ῥητορική; Ars Rhetorica]</i>, Book 2, ch. 21, sec.  9 (2.21.9) / 1395a.9 (350 BC) [tr. @sentantiq (2018)] 
						<br><br><span class="cite">
						

(<a href="https://sententiaeantiquae.com/2018/10/16/aristotle-on-whether-young-people-should-use-maxims-an-ironic-quotation/#post-22319:~:text=%E1%BC%81%CF%81%CE%BC%E1%BD%B9%CF%84%CF%84%CE%B5%CE%B9%20%CE%B4%E1%BD%B2%20%CE%B3%CE%BD%CF%89%CE%BC%CE%BF%CE%BB%CE%BF%CE%B3%CE%B5%E1%BF%96%CE%BD%20%E1%BC%A1%CE%BB%CE%B9%CE%BA%E1%BD%B7%E1%BE%B3%20%CE%BC%E1%BD%B2%CE%BD%20%CF%80%CF%81%CE%B5%CF%83%CE%B2%CF%85%CF%84%E1%BD%B3%CF%81%CE%BF%CE%B9%CF%82%2C,%CE%BC%E1%BD%B1%CE%BB%CE%B9%CF%83%CF%84%CE%B1%20%CE%B3%CE%BD%CF%89%CE%BC%CE%BF%CF%84%E1%BD%BB%CF%80%CE%BF%CE%B9%20%CE%B5%E1%BC%B0%CF%83%E1%BD%B6%20%CE%BA%CE%B1%E1%BD%B6%20%E1%BF%A5%E1%BE%B3%CE%B4%E1%BD%B7%CF%89%CF%82%20%E1%BC%80%CF%80%CE%BF%CF%86%CE%B1%E1%BD%B7%CE%BD%CE%BF%CE%BD%CF%84%CE%B1%CE%B9.">Source (Greek)</a>). Other translations:<br><br>

<blockquote>In point of age, the use of maxims befit the old, and should be on those matters of which they have particular experience; so that for one who has not arrived at that stage of life, to use maxims is unbecoming; just it is for him to use fables; and if it be on matters whereof he has no experience, it is absurd, and a mark of ignorance. And the following is a sufficient proof of it, for that the rustics most of all are proverb-mongers, and are ready at uttering them.<br>
[<a href="https://www.google.com/books/edition/Aristotle_s_Treatise_on_Rhetoric_A_New_a/_WhjAAAAcAAJ?hl=en&gbpv=1&bsq=%22in%20point%20of%20age%22&pg=PA182&printsec=frontcover">Source</a> (1847)]</blockquote><br>

<blockquote>The employment of maxims becomes him who is rather advanced in life; and particularly as respects subjects about which each happens to be well informed. Since for one not so advanced in age to sport maxims is bad taste, just as it is for him to have recourse to fables: and the ue of them on subjects about which one is ignorant is silly, and argues a want of education. There is a sufficient sign of the truth of this; for the boors of the country are of all other people most fond of hammering out maxims, and set them forth with great volubility.<br>
[tr. <a href="https://www.google.com/books/edition/Aristotle_s_Treatise_on_Rhetoric/s2YMAAAAIAAJ?hl=en&gbpv=1&bsq=%22employment%20of%20maxims%22&pg=PA171&printsec=frontcover">Buckley</a> (1850)]</blockquote><br>

<blockquote>The use of maxims is suitable to elderly men, and in regard to subjects with which one is conversant; for sententiousness, like story-telling, is unbecoming in a younger man; while, in regard to subjects with which one is not conversant, it is stupid and shows want of culture. It is token enough of this that rustics are the greatest coiners of maxims, and the readiest to set forth their views.<br>
[tr. <a href="https://www.google.com/books/edition/The_Rhetoric_of_Aristotle/IwF4ODTo5EwC?hl=en&gbpv=1&bsq=%22use%20of%20maxims%20is%20suitable%22&pg=PA114&printsec=frontcover">Jebb</a> (1873)]</blockquote><br>

<blockquote>The use of maxims is suitable for one who is advanced in years, and in regard to things in which one has experience; since the use of maxims before such an age is unseemly, as also is story-telling; and to speak about things of which one has no experience shows foolishness and lack of education. A sufficient proof of this is that rustics especially are fond of coining maxims and ready to make display of them.<br>
[tr. <a href="http://data.perseus.org/citations/urn:cts:greekLit:tlg0086.tlg038.perseus-eng1:2.21.9">Freese</a> (1924)]</blockquote><br>

<blockquote>The use of Maxims is appropriate only to elderly men, and in handling subjects in which the speaker is experienced. For a young man to use them is -- like telling stories -- unbecoming; to use them in handling things in which one has no experience is silly and ill-bred: a fact sufficiently proved by the special fondness of country fellows for striking out maxims, and their readiness to air them. <br>
[tr. <a href="http://classics.mit.edu/Aristotle/rhetoric.mb.txt#:~:text=The%20use%20of%20Maxims%20is%20appropriate,and%20their%20readiness%20to%20air%20them.">Roberts</a> (1924)]</blockquote><br>

<blockquote>The use of maxims is suitable for one who is advanced in years, and in regard to things in which one has experience; since the use of maxims before such an age is unseemly, as also is story-telling; and to speak about things of which one has no experience shows foolishness and lack of education. A sufficient proof of this is that rustics especially are fond of coining maxims and ready to make display of them.<br>
[tr. <a href="http://data.perseus.org/citations/urn:cts:greekLit:tlg0086.tlg038.perseus-eng1:2.21.9">Freese</a> (1926)]</blockquote><br>

<blockquote>It is fitting for someone more advanced in age to speak in maxims, and about things he has experience of, since it is inappropriate for someone not of that age to speak in maxims, just as it also to tell myths, and to do so about things he is inexperienced in, this being a mark of foolishness and lack of education. There is a sufficient sign of this: country bumpkins are the ones most given to uttering maxims ....<br>
[tr. <a href="https://www.google.com/books/edition/Aristotle_s_Art_of_Rhetoric/pi2GDwAAQBAJ?hl=en&gbpv=1&bsq=%22fitting%20for%20someone%20more%22&pg=PP1&printsec=frontcover">Bartlett</a> (2019)]</blockquote><br>						</span>
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		<title>Yeats, William Butler -- &#8220;In Memory of Eva Gore-Booth and Con Markiewicz&#8221; (1927)</title>
		<link>https://wist.info/yeats-william-butler/46169/</link>
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		<pubDate>Wed, 10 Mar 2021 18:22:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Yeats, William Butler]]></category>
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		<description><![CDATA[The innocent and the beautiful Have no enemy but time.]]></description>
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			<content:encoded><![CDATA[<p>The innocent and the beautiful<br />
Have no enemy but time. </p>
<br><b>William Butler Yeats</b> (1865–1939) Irish poet and dramatist<br>&#8220;In Memory of Eva Gore-Booth and Con Markiewicz&#8221; (1927) 
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		<title>~Other -- Mary Tyler Moore Show (1970)</title>
		<link>https://wist.info/other/43320/</link>
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		<pubDate>Fri, 18 Sep 2020 21:02:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[~Other]]></category>
		<category><![CDATA[experience]]></category>
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		<description><![CDATA[MARY: I&#8217;m an experienced woman; I&#8217;ve been around. Well, all right, I might not&#8217;ve been around, but I&#8217;ve been &#8212; nearby.]]></description>
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			<content:encoded><![CDATA[<p>MARY:  I&#8217;m an experienced woman; I&#8217;ve been around.  Well, all right, I might not&#8217;ve been <em>around,</em> but I&#8217;ve been &#8212; <em>nearby.</em></p>
<br>(Other Authors and Sources)<br><i>Mary Tyler Moore Show</i> (1970) 
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		<title>Arendt, Hannah -- Eichmann in Jerusalem: A Report on the Banality of Evil, Epilogue (1963)</title>
		<link>https://wist.info/arendt-hannah/42625/</link>
		<comments>https://wist.info/arendt-hannah/42625/#respond</comments>
		<pubDate>Tue, 21 Jul 2020 15:27:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Arendt, Hannah]]></category>
		<category><![CDATA[banality of evil]]></category>
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		<description><![CDATA[The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal. From the viewpoint of our legal institutions and of our moral standards of judgment, this normality was much more terrifying than all the atrocities [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The trouble with Eichmann was precisely that so many were like him, and that the many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal. From the viewpoint of our legal institutions and of our moral standards of judgment, this normality was much more terrifying than all the atrocities put together, for it implied &#8212; as had been said at Nuremberg over and over again by the defendants and their counsels &#8212; that this new type of criminal, who is in actual fact <em>hostis generis humani</em>, commits his crimes under circumstances that make it well-nigh impossible for him to know or to feel that he is doing wrong.</p>
<br><b>Hannah Arendt</b> (1906–1975) German-American philosopher, political theorist<br><i>Eichmann in Jerusalem: A Report on the Banality of Evil</i>, Epilogue (1963) 
						<br><br><span class="cite">
						

<em>Hostis humani generis</em> (Latin for "enemy of humanity") was an admiralty legal term indicating that slavers, pirates, and terrorists were held beyond legal protection and were a legitimate target of any nation.						</span>
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		<title>Ruskin, John -- The Eagle&#8217;s Nest, Lecture 5 &#8220;The Power of Contentment in Science and Art,&#8221; Sec. 82 (22 Feb 1872)</title>
		<link>https://wist.info/ruskin-john/38420/</link>
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		<pubDate>Fri, 16 Feb 2018 02:55:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ruskin, John]]></category>
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		<description><![CDATA[What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures. That miraculous aspect of the nature [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures. That miraculous aspect of the nature around us, was because we had seen little, and knew less. Each increased possession loads us with a new weariness; every piece of new knowledge diminishes the faculty of admiration; and Death is at last appointed to take us from a scene in which, if we were to stay longer, no gift could satisfy us, and no miracle surprise.</p>
<br><b>John Ruskin</b> (1819–1900) English art critic, painter, writer, social thinker<br><i>The Eagle&#8217;s Nest</i>, Lecture 5 &#8220;The Power of Contentment in Science and Art,&#8221; Sec. 82 (22 Feb 1872) 
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		<title>De Ligne, Charles-Joseph -- Mes écarts, ou, ma tête en liberté</title>
		<link>https://wist.info/de-ligne-charles-joseph/36232/</link>
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		<pubDate>Wed, 08 Feb 2017 18:55:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[De Ligne, Charles-Joseph]]></category>
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		<description><![CDATA[There are two kinds of fools: those who suspect nothing and those who suspect everything.]]></description>
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			<content:encoded><![CDATA[<p>There are two kinds of fools: those who suspect nothing and those who suspect everything.</p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/02/De-Ligne-two-kinds-of-fools-suspect-everything-nothing-wist_info-quote.png" alt="" width="582" height="540" class="aligncenter size-full wp-image-36233" srcset="https://wist.info/wp/wp-content/uploads/2017/02/De-Ligne-two-kinds-of-fools-suspect-everything-nothing-wist_info-quote.png 582w, https://wist.info/wp/wp-content/uploads/2017/02/De-Ligne-two-kinds-of-fools-suspect-everything-nothing-wist_info-quote-300x278.png 300w, https://wist.info/wp/wp-content/uploads/2017/02/De-Ligne-two-kinds-of-fools-suspect-everything-nothing-wist_info-quote-60x56.png 60w" sizes="(max-width: 582px) 100vw, 582px" /></p>
<br><b>Charles-Joseph Lamoral, Prince de Ligne</b> (1735–1814) Belgian military leader, noble, writer [Karl Fürst von Ligne, Charles-Joseph de Ligne]<br><i>Mes écarts, ou, ma tête en liberté</i> 
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		<title>McLaughlin, Mignon -- The Second Neurotic&#8217;s Notebook, ch. 10 (1966)</title>
		<link>https://wist.info/mclaughlin-mignon/34855/</link>
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		<pubDate>Tue, 23 Aug 2016 02:50:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McLaughlin, Mignon]]></category>
		<category><![CDATA[charm]]></category>
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		<description><![CDATA[It&#8217;s innocence when it charms us, ignorance when it doesn&#8217;t.]]></description>
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			<content:encoded><![CDATA[<p>It&#8217;s innocence when it charms us, ignorance when it doesn&#8217;t.</p>
<br><b>Mignon McLaughlin</b> (1913–1983) American journalist and author<br><i>The Second Neurotic&#8217;s Notebook</i>, ch. 10 (1966) 
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		<title>Brooks, Phillips -- &#8220;Unspotted from the World,&#8221; sermon</title>
		<link>https://wist.info/brooks-phillips/34682/</link>
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		<pubDate>Fri, 05 Aug 2016 00:25:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brooks, Phillips]]></category>
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		<description><![CDATA[When a man comes not merely to tolerate, but to boast of the stains that the world has flung upon him; when he wears his spots as if they were jewels; when he flaunts his unscrupulousness, and his cynicism and his disbelief and his hard-heartedness in your face as the signs and badges of his [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When a man comes not merely to tolerate, but to boast of the stains that the world has flung upon him; when he wears his spots as if they were jewels; when he flaunts his unscrupulousness, and his cynicism and his disbelief and his hard-heartedness in your face as the signs and badges of his superiority; when to be innocent and unsuspicious and sensitive seems to be ridiculous and weak; when it is reputable to show that we are men of the world by exhibiting the stains that the world has left upon our reputation, our conduct, and our heart, then we understand how flagrant is the danger; then we see how hard it must be to keep ourselves unspotted from the world.</p>
<br><b>Phillips Brooks</b> (1835–1893) American clergyman, hymnist<br>&#8220;Unspotted from the World,&#8221; sermon 
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		<title>Rogers, Will -- (Attributed)</title>
		<link>https://wist.info/rogers-will/31786/</link>
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		<pubDate>Wed, 09 Dec 2015 16:12:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Rogers, Will]]></category>
		<category><![CDATA[con man]]></category>
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		<description><![CDATA[Call me a &#8220;rube&#8221; and a &#8220;hick,&#8221; but I&#8217;d a lot rather be the man who bought the Brooklyn Bridge than the man who sold it. Widely attributed to Rogers, though I cannot find a primary source for it. Variants: &#8220;They may call me a rube and a hick &#8230;&#8221; &#8220;Call me a rube &#8230;&#8221; [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Call me a &#8220;rube&#8221; and a &#8220;hick,&#8221; but I&#8217;d a lot rather be the man who bought the Brooklyn Bridge than the man who sold it. </p>
<p><a href="https://wist.info/wp/wp-content/uploads/2015/12/Rogers-Brooklyn-Bridge-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2015/12/Rogers-Brooklyn-Bridge-wist_info-quote.jpg" alt="Rogers - Brooklyn Bridge - wist_info quote" width="605" height="379" class="aligncenter size-full wp-image-31793" srcset="https://wist.info/wp/wp-content/uploads/2015/12/Rogers-Brooklyn-Bridge-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2015/12/Rogers-Brooklyn-Bridge-wist_info-quote-300x188.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Will Rogers</b> (1879–1935) American humorist<br>(Attributed) 
						<br><br><span class="cite">
						

Widely attributed to Rogers, though I cannot find a primary source for it.<br><br>

Variants:
<ul>
	<li>"They may call me a rube and a hick ..."</li>
	<li>"Call me a rube ..."</li>
	<li>"You could call me a hick or call me a rube ..."</li>
</ul>



						</span>
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		<title>Handey, Jack -- Deep Thoughts (1992)</title>
		<link>https://wist.info/handey-jack/26712/</link>
		<comments>https://wist.info/handey-jack/26712/#respond</comments>
		<pubDate>Thu, 28 Aug 2014 12:31:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Handey, Jack]]></category>
		<category><![CDATA[attack]]></category>
		<category><![CDATA[hatred]]></category>
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		<description><![CDATA[I can picture in my mind a world without war, a world without hate. And I can picture us attacking that world because they&#8217;d never expect it.]]></description>
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			<content:encoded><![CDATA[<p>I can picture in my mind a world without war, a world without hate. And I can picture us attacking that world because they&#8217;d never expect it.</p>
<br><b>Jack Handey</b> (b. 1949) American humorist<br><i>Deep Thoughts</i> (1992) 
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		<title>Ebner-Eschenbach, Marie von -- Aphorisms (1890-1905) [tr. Scrase &#038; MIeder (1994)]</title>
		<link>https://wist.info/von-ebner-eschenbach-marie/26514/</link>
		<comments>https://wist.info/von-ebner-eschenbach-marie/26514/#respond</comments>
		<pubDate>Mon, 18 Aug 2014 12:13:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Ebner-Eschenbach, Marie von]]></category>
		<category><![CDATA[arrogance]]></category>
		<category><![CDATA[hubris]]></category>
		<category><![CDATA[inexperience]]></category>
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		<description><![CDATA[I regret nothing, says arrogance; I will regret nothing, says inexperience.]]></description>
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			<content:encoded><![CDATA[<p>I regret nothing, says arrogance; I will regret nothing, says inexperience.</p>
<br><b>Marie von Ebner-Eschenbach</b> (1830–1916) Austrian writer<br><i>Aphorisms</i> (1890-1905) [tr. Scrase &#038; MIeder (1994)] 
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		<title>Atkinson, Brooks -- Once Around the Sun, &#8220;January 1&#8221; (1951)</title>
		<link>https://wist.info/atkinson-brooks/23794/</link>
		<comments>https://wist.info/atkinson-brooks/23794/#respond</comments>
		<pubDate>Wed, 12 Feb 2014 14:29:44 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Atkinson, Brooks]]></category>
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		<description><![CDATA[We [Americans] cheerfully assume that in some mystic way love conquers all, that good outweighs evil in the just balances of the universe and that at the eleventh hour something gloriously triumphant will prevent the worst before it happens.]]></description>
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			<content:encoded><![CDATA[<p>We [Americans] cheerfully assume that in some mystic way love conquers all, that good outweighs evil in the just balances of the universe and that at the eleventh hour something gloriously triumphant will prevent the worst before it happens. </p>
<br><b>Brooks Atkinson</b> (1894–1984) American drama critic and journalist <br><i>Once Around the Sun</i>, &#8220;January 1&#8221; (1951) 
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		<title>Hazlitt, William -- Table Talk, &#8220;On the Disadvantages of Intellectual Superiority&#8221; (1822)</title>
		<link>https://wist.info/hazlitt-william/13964/</link>
		<comments>https://wist.info/hazlitt-william/13964/#respond</comments>
		<pubDate>Tue, 22 Feb 2011 15:44:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hazlitt, William]]></category>
		<category><![CDATA[defenselessness]]></category>
		<category><![CDATA[evil]]></category>
		<category><![CDATA[ignorance]]></category>
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		<description><![CDATA[Ignorance of the world leaves one at the mercy of its malice.]]></description>
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			<content:encoded><![CDATA[<p>Ignorance of the world leaves one at the mercy of its malice.</p>
<br><b>William Hazlitt</b> (1778–1830) English writer<br><i>Table Talk</i>, &#8220;On the Disadvantages of Intellectual Superiority&#8221; (1822) 
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		<title>Gaiman, Neil -- Sandman, Book  9. The Kindly Ones, # 60 &#8220;The Kindly Ones: 4&#8221; (1994-06)</title>
		<link>https://wist.info/gaiman-neil/9988/</link>
		<comments>https://wist.info/gaiman-neil/9988/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 13:41:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[candor]]></category>
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		<description><![CDATA[DREAM: It has always been the prerogative of children and half-wits to point out that the emperor has no clothes. But the half-wit remains a half-wit, and the emperor remains an emperor.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent"><a href="https://wist.info/wp/wp-content/uploads/2010/03/Sandman-60-p23.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2010/03/Sandman-60-p23-216x300.png" alt="sandman 60 p23" title="sandman 60 p23" width="216" height="300" class="alignright size-medium wp-image-67810" srcset="https://wist.info/wp/wp-content/uploads/2010/03/Sandman-60-p23-216x300.png 216w, https://wist.info/wp/wp-content/uploads/2010/03/Sandman-60-p23.png 347w" sizes="(max-width: 216px) 100vw, 216px" /></a>DREAM: It has always been the prerogative of children and half-wits to point out that the emperor has no clothes. But the half-wit remains a half-wit, and the emperor remains an emperor.</p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br><i>Sandman, Book  9. The Kindly Ones</i>, # 60 &#8220;The Kindly Ones: 4&#8221; (1994-06) 
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		<title>Nash, Ogden -- &#8220;Baby, What Makes the Sky Blue?&#8221; ll. 1-2, New Yorker (1940-01-20)</title>
		<link>https://wist.info/nash-ogden/5400/</link>
		<comments>https://wist.info/nash-ogden/5400/#respond</comments>
		<pubDate>Fri, 26 Oct 2007 10:10:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Nash, Ogden]]></category>
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		<description><![CDATA[Oh, what a tangled web do parents weave When they think that their children are naive. Collected in his The Face Is Familiar (1941).]]></description>
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			<content:encoded><![CDATA[<p>Oh, what a tangled web do parents weave<br />
When they think that their children are naive. </p>
<br><b>Ogden Nash</b> (1902–1971) American poet<br>&#8220;Baby, What Makes the Sky Blue?&#8221; ll. 1-2, <i>New Yorker</i> (1940-01-20) 
						<br><br><span class="cite">
						

<a href="https://archive.org/details/in.ernet.dli.2015.77757/page/n107/mode/2up?q=%22+children+are+naive%22">Collected</a> in his <i>The Face Is Familiar</i> (1941).						</span>
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