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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Russell, Bertrand -- Education and the Social Order [Education and the Modern World], ch.  1 &#8220;The Individual versus the Citizen&#8221; (1932)</title>
		<link>https://wist.info/russell-bertrand/85399/</link>
		<comments>https://wist.info/russell-bertrand/85399/#respond</comments>
		<pubDate>Wed, 12 Aug 2026 18:02:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[censorship]]></category>
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		<category><![CDATA[pornography]]></category>
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		<category><![CDATA[sedition]]></category>
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		<description><![CDATA[All the governments of the world adopt elaborate methods of concealing truths which they consider undesirable, and inflict various forms of penalty upon those who spread knowledge which is thought bad for the population This applies especially to knowledge of the kind which is considered seditious, and the kind which is considered obscene. I shall [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>All the governments of the world adopt elaborate methods of concealing truths which they consider undesirable, and inflict various forms of penalty upon those who spread knowledge which is thought bad for the population This applies especially to knowledge of the kind which is considered seditious, and the kind which is considered obscene. I shall not give instances, since, if I did, I should myself fall under the ban of the law.</p>
<br><b>Bertrand Russell</b> (1872–1970) English mathematician and philosopher<br><i>Education and the Social Order [Education and the Modern World]</i>, ch.  1 &#8220;The Individual versus the Citizen&#8221; (1932) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.224374/page/24/mode/2up?q=%22all+the+governments%22" target="_blank">Source</a>)
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		<title>L'Engle, Madeleine -- Speech (1983-11-16), &#8220;Dare To Be Creative,&#8221; Lecture, Library of Congress, Washington, DC</title>
		<link>https://wist.info/lengle-madeleine/83734/</link>
		<comments>https://wist.info/lengle-madeleine/83734/#respond</comments>
		<pubDate>Wed, 29 Apr 2026 20:57:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[L'Engle, Madeleine]]></category>
		<category><![CDATA[books]]></category>
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		<description><![CDATA[How dreary to spend your time counting dirty words, but not reading the book. And how revealing of the person who is counting. We do find what we look for.]]></description>
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			<content:encoded><![CDATA[<p>How dreary to spend your time counting dirty words, but not reading the book. And how revealing of the person who is counting. We do find what we look for.</p>
<br><b>Madeleine L'Engle</b> (1918–2007) American writer<br>Speech (1983-11-16), &#8220;Dare To Be Creative,&#8221; Lecture, Library of Congress, Washington, DC 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/micro_IA41152932_0045/page/29/mode/1up?q=%22how+dreary%22" target="_blank">Source</a>)
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		<title>L'Engle, Madeleine -- Speech (1983-11-16), &#8220;Dare To Be Creative,&#8221; Lecture, Library of Congress, Washington, DC</title>
		<link>https://wist.info/lengle-madeleine/83277/</link>
		<comments>https://wist.info/lengle-madeleine/83277/#respond</comments>
		<pubDate>Wed, 08 Apr 2026 21:50:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[L'Engle, Madeleine]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[book banning]]></category>
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		<description><![CDATA[Someone sent me a clipping from a daily newspaper containing a list of ten books to be removed from library shelves because of their pornographic content. On the list was one of C. S. Lewis&#8217;s Narnia books. Also on the list was my book A Wind in the Door. I am totally baffled and frankly [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Someone sent me a clipping from a daily newspaper containing a list of ten books to be removed from library shelves because of their pornographic content. On the list was one of C. S. Lewis&#8217;s Narnia books. Also on the list was my book <em>A Wind in the Door</em>. I am totally baffled and frankly fascinated. This is the first time C. S. Lewis and I have been listed together as writers of pornography. I don’t know whether to laugh or cry.</p>
<br><b>Madeleine L'Engle</b> (1918–2007) American writer<br>Speech (1983-11-16), &#8220;Dare To Be Creative,&#8221; Lecture, Library of Congress, Washington, DC 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/micro_IA41152932_0045/page/15/mode/1up?q=%22list+of+ten+books%22" target="_blank">Source</a>)
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		<title>Atwood, Margaret -- The Handmaid&#8217;s Tale, ch. 34 (1986)</title>
		<link>https://wist.info/atwood-margaret/79863/</link>
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		<pubDate>Mon, 20 Oct 2025 23:49:58 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Atwood, Margaret]]></category>
		<category><![CDATA[deflation]]></category>
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		<category><![CDATA[humanizing]]></category>
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		<description><![CDATA[There is something powerful in the whispering of obscenities, about those in power. There&#8217;s something delightful about it, something naughty, secretive, forbidden, thrilling. It&#8217;s like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt with.]]></description>
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			<content:encoded><![CDATA[<p>There is something powerful in the whispering of obscenities, about those in power. There&#8217;s something delightful about it, something naughty, secretive, forbidden, thrilling. It&#8217;s like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt with. </p>
<br><b>Margaret Atwood</b> (b. 1939) Canadian writer, literary critic, environmental activist<br><i>The Handmaid&#8217;s Tale</i>, ch. 34 (1986) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/handmaidstale0000atwo/page/222/mode/2up?q=%22whispering+of+obscenities%22" target="_blank">Source</a>)
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		<title>Orwell, George -- Essay (1941-09), &#8220;The Art of Donald McGill,&#8221; Horizon Magazine</title>
		<link>https://wist.info/orwell-george/79475/</link>
		<comments>https://wist.info/orwell-george/79475/#respond</comments>
		<pubDate>Fri, 03 Oct 2025 15:07:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Orwell, George]]></category>
		<category><![CDATA[dirty jokes]]></category>
		<category><![CDATA[humor]]></category>
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		<category><![CDATA[morality]]></category>
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		<description><![CDATA[A dirty joke is not, of course, a serious attack upon morality, but it is a sort of mental rebellion, a momentary wish that things were otherwise. So also with all other jokes, which always centre round cowardice, laziness, dishonesty or some other quality which society cannot afford to encourage.]]></description>
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			<content:encoded><![CDATA[<p>A dirty joke is not, of course, a serious attack upon morality, but it is a sort of mental rebellion, a momentary wish that things were otherwise. So also with all other jokes, which always centre round cowardice, laziness, dishonesty or some other quality which society cannot afford to encourage. </p>
<br><b>George Orwell</b> (1903–1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]<br>Essay (1941-09), &#8220;The Art of Donald McGill,&#8221; <i>Horizon</i> Magazine 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/the-art-of-donald-mcgill/#:~:text=A%20dirty%20joke%20is%20not%2C%20of%20course%2C%20a%20serious%20attack%20upon%20morality%2C%20but%20it%20is%20a%20sort%20of%20mental%20rebellion%2C%20a%20momentary%20wish%20that%20things%20were%20otherwise.%20So%20also%20with%20all%20other%20jokes%2C%20which%20always%20centre%20round%20cowardice%2C%20laziness%2C%20dishonesty%20or%20some%20other%20quality%20which%20society%20cannot%20afford%20to%20encourage." target="_blank">Source</a>)
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		<title>Carlin, George -- Show (1972-05-27), Class Clown, Santa Monica Civic Auditorium, Santa Monica, California</title>
		<link>https://wist.info/carlin-george/78100/</link>
		<comments>https://wist.info/carlin-george/78100/#respond</comments>
		<pubDate>Wed, 30 Jul 2025 18:43:10 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carlin, George]]></category>
		<category><![CDATA[censorship]]></category>
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		<description><![CDATA[There are four hundred thousand words in the English language, and there are seven of them you can&#8217;t say on television. What a ratio that is: 399,993 to 7. They must really be bad; they&#8217;d have to be outrageous to be separated from a group that large! &#8220;All of you over here. You seven? BAD [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">There are four hundred thousand words in the English language, and there are seven of them you can&#8217;t say on television. What a ratio that is: 399,993 to 7. They must really be bad; they&#8217;d have to be outrageous to be separated from a group that large! &#8220;All of you over here. You seven? BAD WORDS.&#8221; That&#8217;s what they told us they were, remember? &#8220;That&#8217;s a bad word!&#8221; No bad words; bad thoughts, bad intentions &#8230; and words.<br />
<span class="tab">You know the seven, don&#8217;t you, that you can&#8217;t say on television? <em>Shit, piss, fuck, cunt, cocksucker, motherfucker,</em> and <em>tits</em>. Those are the heavy seven. Those are the ones that will infect your soul, curve your spine, and keep the country from winning the war.</span></span></p>
<br><b>George Carlin</b> (1937–2008) American comedian<br>Show (1972-05-27), <i>Class Clown</i>, Santa Monica Civic Auditorium, Santa Monica, California 
														<br><br><span class="cite">
						

(<a href="https://youtu.be/j7YDCXS5gc4?si=EHef52ENDWBL7slW&t=2513">Source (Audio)</a>)<br><br>

Carlin's famous "Seven Words" sketch -- which led to his arrest at some venues where he performed it.						</span>
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		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 1 &#8220;Inferno,&#8221; Canto 25, l.   1ff (25.1-6) (1320) [tr. Sayers (1949)]</title>
		<link>https://wist.info/dante-alighieri-poet/61219/</link>
		<comments>https://wist.info/dante-alighieri-poet/61219/#respond</comments>
		<pubDate>Fri, 16 Jun 2023 20:46:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
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		<description><![CDATA[This said, the thief lifted his hands on high, Making the figs with both his thumbs, and shrieking: &#8220;The fico for Thee, God! take that, say I!&#8221; At once I liked the snakes; for one came sneaking About his throat, and wreathed itself around As though to say: &#8220;I will not have thee speaking.&#8221; [Al [&#8230;]]]></description>
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			<content:encoded><![CDATA[<figure id="attachment_73685" aria-describedby="caption-attachment-73685" style="width: 300px" class="wp-caption alignright"><a href="https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-scaled.jpg"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-300x236.jpg" alt="dore inferno 24 thieves" title="dore inferno 24 thieves" width="300" height="236" class="size-medium wp-image-73685" srcset="https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-300x236.jpg 300w, https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-1024x805.jpg 1024w, https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-768x603.jpg 768w, https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-1536x1207.jpg 1536w, https://wist.info/wp/wp-content/uploads/2023/06/Dore-Inferno-24-thieves-2048x1609.jpg 2048w" sizes="(max-width: 300px) 100vw, 300px" /></a><figcaption id="caption-attachment-73685" class="wp-caption-text">Dore &#8211; Inferno, Canto 24 &#8211; Thieves (1890)</figcaption></figure>
<p>This said, the thief lifted his hands on high,<br />
<span class="tab">Making the figs with both his thumbs, and shrieking:<br />
<span class="tab">&#8220;The <em>fico</em> for Thee, God! take that, say I!&#8221;<br />
At once I liked the snakes; for one came sneaking<br />
<span class="tab">About his throat, and wreathed itself around<br />
<span class="tab">As though to say: &#8220;I will not have thee speaking.&#8221;</p>
<p><em>[Al fine de le sue parole il ladro<br />
<span class="tab">le mani alzò con amendue le fiche,<br />
<span class="tab">gridando: &#8220;Togli, Dio, ch’a te le squadro!&#8221;.<br />
Da indi in qua mi fuor le serpi amiche,<br />
<span class="tab">perch’una li s’avvolse allora al collo,<br />
<span class="tab">come dicesse ’Non vo’ che più diche’.]</span></span></span></span></em></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265–1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 1 <i>&#8220;Inferno,&#8221;</i> Canto 25, l.   1ff (25.1-6) (1320) [tr. Sayers (1949)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/divinecomedy00peng/page/226/mode/2up?q=%22the+fico%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

In Circle 8, the 7th Bolgia, where thieves are tormented by snakes. After chatting with Dante, one of the damned souls makes obscene gestures toward God.<br><br> 

The "fig" is <a href="https://en.wikipedia.org/wiki/Fig_sign">generally thought</a> to be poking the thumb between the index and middle finger, a gesture still found around the Mediterranean and Latin America, and carries the same sentiment as flipping someone off. The precise gesture is debated (with relish) by Dante scholars, all of whom agree at the very least that it is a naughty one.<br><br>

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Inferno/Canto_XXV#:~:text=Al%20fine%20de,che%20pi%C3%B9%20diche%E2%80%99%3B">Source (Italian)</a>). Other translations:<br><br>

<blockquote>When thus the Thief had spoken, he his hands<br>
Lifted aloft with mocking signs, and cried;<br>
"See these, O God, for pointed they're to you."<br>
The Serpents now were to me friends become;<br>
For one entiwn'd  himself about this neck, <br>
As if he'd say, You shall not more blaspheme.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno_of_Dante_Translated/1ARcAAAAQAAJ?hl=en&gbpv=1&bsq=%22thus%20the%20thief%22">Rogers</a> (1782)]</blockquote><br>

<blockquote>Sternly he ceas'd, with execrations dire; <br>
And, loud blaspheming Heav'n's Eternal Sire,<br>
<span class="tab">He rais'd his ruffian hands, and dare his wrath! <br>
But soon a spiny snake his members binds, <br>
Another round his vocal passage winds,<br>
<span class="tab">And stops with many a fold the felon's breath.<br>
[tr. <a href="https://archive.org/details/divinacommediaof01dantuoft/page/298/mode/2up?q=%22OTERNLY+he+ceas%27d%2C%22">Boyd</a> (1802), st. 1] </blockquote><br>

<blockquote>When he had spoke, the sinner rais’d his hands<br>
Pointed in mockery, and cried: “Take them, God!<br>
I level them at thee!” From that day forth<br>
The serpents were my friends; for round his neck<br>
One of then rolling twisted, as it said,<br>
“Be silent, tongue!”<br>
[tr. <a href="https://www.gutenberg.org/files/8789/8789-h/8789-h.htm#cantoI.25:~:text=When%20he%20had%20spoke%2C%20the%20sinner%20rais%E2%80%99d%20his%20hands%0APointed%20in%20mockery%2C%20and%20cried%3A%20%E2%80%9CTake%20them%2C%20God!%0AI%20level%20them%20at%20thee!%E2%80%9D%20From%20that%20day%20forth%0AThe%20serpents%20were%20my%20friends%3B%20for%20round%20his%20neck%0AOne%20of%20then%20rolling%20twisted%2C%20as%20it%20said%2C%0A%E2%80%9CBe%20silent%2C%20tongue!%E2%80%9D">Cary</a> (1814)]</blockquote><br>

<blockquote>The plunderer ceased, and twisting both his thumbs<br> 
Between the fingers, tossed his hands on high, <br>
Crying, "Take mine homage, God, to thee it comes!"<br>
Thenceforth befriended me the serpent fry. <br>
For one around his neck that moment twined.<br> 
As it had said, "None other word will I<br>
From him."<br>
[tr. <a href="https://archive.org/details/infernodanteali02daymgoog/page/n166/mode/2up?q=%22The+plunderer+ceased%2C%22">Dayman</a> (1843)]</blockquote><br>

<blockquote><span class="tab">At the conclusion of his words, the thief raised up his hands with both the figs, shouting: "Take <i>them</i>, God, for at thee I aim them!"<br>
<span class="tab">From this time forth, the serpents were my friends; for one of them then coiled itself about his neck, as if saying: "Thou shalt speak no farther!"<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno/WqpEAAAAYAAJ?hl=en&gbpv=1&bsq=%22both%20the%20figs%22">Carlyle</a> (1849)]</blockquote><br>

<blockquote>And when his words were ended, there the thief<br>
Upraises his hands in mockery on high --<br>
"Take them, O God! I level them at thee."<br>
Henceforth the serpent race and I were friends;<br>
One, at the point, his neck entwining o'er,<br>
As if -- "I do not wish thee to say more."<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/110/mode/2up?q=%22there+the+thief%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote>He spoke, and when he ended then the thief<br>
<span class="tab">His hands uplifted, and with sign obscene,<br>
<span class="tab">Exclaim'd -- "Thus I defy thee, oh, thou God!"<br>
Henceforth as friends I held that serpent brood,<br>
<span class="tab">For one of them coil'd instant round his neck,<br>
<span class="tab">As if he would have said -- "Speak thou no more!"<br>
[tr. <a href="https://www.google.com/books/edition/A_Translation_of_Dante_s_Inferno/dzvcz2MMLLMC?hl=en&gbpv=1&bsq=%22he%20spoke%20and%20when%22">Johnston</a> (1867)]</blockquote><br>

<blockquote>At the conclusion of his words, the thief<br>
<span class="tab">Lifted his hands aloft with both the figs,<br>
<span class="tab">⁠Crying: "Take that, God, for at thee I aim them."<br>
From that time forth the serpents were my friends;<br>
<span class="tab">⁠For one entwined itself about his neck <br>
⁠<span class="tab">As if it said: "I will not thou speak more"<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_1/Canto_25#:~:text=A,thou%20speak%20more%22">Longfellow</a> (1867)]</blockquote><br>

<blockquote>At the end of his speech the robber raised his hands with both their figs, crying, 'Take them, God, for at thee I show them.' From that time to this have the serpents been my friends, seeing that one wound itself then about his neck, as though it said: 'I will not that thou say more.'<br>
[tr. <a href="https://archive.org/details/cu31924060237603/page/n313/mode/2up?q=%22speech+the+robber%22">Butler</a> (1885)]</blockquote><br>

<blockquote>When he had closed his speech the robber there<br>
<span class="tab">Raised his clenched fingers with the thumb thrust through, <br>
<span class="tab">Shouting: "God take him, him to thee I bare." <br>
Then did the serpents prove my guardians true, <br>
<span class="tab">For one entwined himself around his neck. <br>
<span class="tab">As though it said. Thou shalt not speak anew.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/92/mode/2up?q=%22When+he+had+closed+his+speech%22">Minchin</a> (1885)]</blockquote><br>

<blockquote>At the end of his words the thief raised his hands with both the figs, crying, “Take that, God! for at thee I square them.” Thenceforth the serpents were my friends, for then one coiled around his neck, as if it said, “I will not that thou say more.”<br>
[tr. <a href="https://www.gutenberg.org/files/1995/1995-h/1995-h.htm#cantoI.XXV:~:text=At%20the%20end%20of%20his%20words%20the%20thief%20raised%20his%20hands%20with%20both%20the%20figs%2C%5B1%5D%20crying%2C%20%E2%80%9CTake%20that%2C%20God!%20for%20at%20thee%20I%20square%20them.%E2%80%9D%20Thenceforth%20the%20serpents%20were%20my%20friends%2C%20for%20then%20one%20coiled%20around%20his%20neck%2C%20as%20if%20it%20said%2C%20%E2%80%9CI%20will%20not%20that%20thou%20say%20more%2C%E2%80%9D">Norton</a> (1892)] </blockquote><br>

<blockquote><span class="tab">His words came to an end, the thief held both his hands aloft with scornful gesture, the while he cried aloud: " Take it, God, for it is at Thee I aim it."<br>
<span class="tab">From thenceforth were the snakes my friends, for at that moment one of them entwined himself about his neck, as if to say," 'Tis not my will that thou shouldst utter more."<br>
[tr. <a href="https://archive.org/details/comedydantealig00sullgoog/page/n142/mode/2up?q=%22both+his+hands+aloft%22">Sullivan</a> (1893)]</blockquote><br>

<blockquote>When he had made an end of words, the robber <br>
<span class="tab">Upraised his hands with both the figs of insult, <br>
<span class="tab">Crying out: "Take it, God, at thee I square them."<br>
Serpents have been endeared to me thenceforward; <br>
<span class="tab">For on his neck one coiled itself that moment, <br>
<span class="tab">As who should say: "I let thee not speak further."<br>
[tr. <a href="https://archive.org/details/infernodanteali00grifgoog/page/n174/mode/2up?q=figs">Griffith</a> (1908)]</blockquote><br>

<blockquote>At the end of his words the thief lifted up his hands with both the figs, crying, "Take that, God, for at Thee I square them!" From that time forth the serpents were my friends, for one coiled itself then about his neck, as if to say: I will not have thee say more."<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/7I7_cvKw8xkC?hl=en&gbpv=1&bsq=%22both%20the%20figs%22">Sinclair</a> (1939)]</blockquote><br>

<blockquote>When he had made an end, the thief exclaimed, <br>
<span class="tab">Raising his hands with both the figs on high:<br>
<span class="tab">"Take thou them, God; at thee, at thee they are aimed."<br>
Thenceforth the serpents were no enemy<br>
<span class="tab">To me; for round his neck, as if it hissed<br>
<span class="tab"><i>Thou speak'st no more!</i> one coiled and clung thereby.<br>
[tr. <a href="https://archive.org/details/portabledante00dant/page/132/mode/2up?q=figs">Binyon</a> (1943)]</blockquote><br>

<blockquote>When he had finished, the thief -- to his disgrace -- <br>
<span class="tab">raised his hands with both fists making figs, <br>
<span class="tab">and cried: "Here, God! I throw them in your face!"<br>
Thereat the snakes became my friends, for one <br>
<span class="tab">coiled itself about the wretch's neck <br>
<span class="tab">as if it were saying: "You shall not go on!"<br>
[tr. <a href="https://archive.org/details/infernoverserend00dantrich/page/212/mode/2up?q=%22when+he+had+finished%22">Ciardi</a> (1954)] </blockquote><br>

<blockquote>At the end of his words the thief raised up his hands with both the figs, crying, “Take them, God, for I aim them at you!” From this time forth the serpents were my friends, for one then coiled itself about his neck, as if it said, “You shall say no more.”<br>
[tr. <a href="https://archive.org/details/inferno0000dant/page/n269/mode/2up?q=figs">Singleton</a> (1970)]</blockquote><br>

<blockquote>When he had finished saying this, the thief <br>
<span class="tab">shaped his fists into figs and raised them high <br>
<span class="tab">and cried: "Here, God, I've shaped them just for you!" <br>
From then on all those snakes became my friends, <br>
<span class="tab">for one of them at once coiled round his neck <br>
<span class="tab">as if to say, "That's all you're going to say."<br>
[tr. <a href="https://archive.org/details/dantesinferno00dant/page/204/mode/2up?q=figs">Musa</a> (1971)]</blockquote><br>

<blockquote>When he had finished with his words, the thief <br>
<span class="tab">raised high his fists with both figs cocked and cried: <br>
<span class="tab">“Take that, o God; I square them off for you!”<br>
From that time on, those serpents were my friends, <br>
<span class="tab">for one of them coiled then around his neck, <br>
<span class="tab">as if to say, “I'll have you speak no more."<br>
[tr. <a href="https://archive.org/details/lccn_83048678/page/226/mode/2up?q=figs">Mandelbaum</a> (1980)]</blockquote><br>

<blockquote>When he had finished speaking the thief <br>
<span class="tab">Raised both his hands, making obscene gestures, <br>
<span class="tab">And called out: ‘There you are God, so much for you!’<br>
From that moment the serpents were my friends, <br>
<span class="tab">Because one of them wound about his neck <br>
<span class="tab">As if to say: ‘I want you to say no more.'<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/150/mode/2up?q=%22when+he+had+finished%22">Sisson</a> (1981)]</blockquote><br>

<blockquote>The thief held up his hands when he was through,<br>
<span class="tab">And "God," he cried, making the fig with both --<br>
<span class="tab">"Take these: I aim them squarely up at you!"<br>
The serpents were my friends from that time forth.<br>
<span class="tab">For then one coiled itself about his neck<br>
<span class="tab">As if to say, "That's all then, from your mouth."<br>
[tr. <a href="https://archive.org/details/infernoofdantene00dant/page/206/mode/2up?q=%22making+the+fig%22">Pinsky</a> (1994)]</blockquote><br>

<blockquote><span class="tab">At the end of his words the thief raised his hands with both the figs, crying: “Take them, God, I’m aiming at you!”<br>
<span class="tab">From then on snakes have been my friends, because one of them wrapped itself around his neck, as if to say “I won’t let him say more.”<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0001dant_u1l7/page/380/mode/2up?q=%22from+then+on%22">Durling</a> (1996)]</blockquote><br>

<blockquote>At the end of his speech, the thief raised his hands, both making the fig, the obscene gesture, with thumb between fingers, shouting: ‘Take this, God, I aim it at you.’ From that moment the snakes were my friends, since one of them coiled itself round his neck, as if hissing: ‘You will not be able to speak again.’<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantInf22to28.php#anchor_Toc64099314:~:text=the%20end%20of,to%20speak%20again.%E2%80%99">Kline</a> (2002)]</blockquote><br>

<blockquote>His words now reached their end. And then the robber <br>
<span class="tab">hoisted hands on high -- a fig-fuck formed in each -- <br>
<span class="tab">and screamed: "Take that! I'm aiming, God, at you!"<br>
From that point on, the serpents were my friends. <br>
<span class="tab">For one entwined its length around his neck <br>
<span class="tab">as if to say: "I'd have him speak no more."<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant_l7y1/page/110/mode/2up?q=%22fig-fuck%22">Kirkpatrick</a> (2006)]</blockquote><br>

<blockquote>Then, making the figs with both his thumbs,<br>
the thief raised up his fists and cried:<br>
'Take that, God! It's aimed at you!'<br>
From that time on the serpents were my friends,<br>
for one of them coiled itself around his neck<br>
as if to say, 'Now you shall speak no more.'<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?LANG=2&INP_POEM=Inf&INP_SECT=25&INP_START=1&INP_LEN=6">Hollander/Hollander</a> (2007)]</blockquote><br>

<blockquote>His words thrown down, the thief held up his hands,<br>
<span class="tab">Making an obscene gesture with both his thumbs<br>
<span class="tab">And crying: "For you, O God, I aim this at you!"<br>
And then I began to like the snakes, for one<br>
<span class="tab">Of them was quickly coiling around his neck,<br>
<span class="tab">As if saying" "You've talked as much as you're allowed to."<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22obscene%20gesture%22">Raffel</a> (2010)] </blockquote><br>

<blockquote>The thief raised both his hands when he said this, <br>
Two fingers up from each, the figs: and cried <br>
“You get it, God? You know what you can kiss?” <br>
From then on, all the snakes were on my side, <br>
For one looped round his neck, as if to say <br>
“You've said enough.”<br>
[tr. <a href="https://archive.org/details/inferno0000dant_y2l4/page/128/mode/2up?q=figs">James </a>(2013)]</blockquote><br>						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Jackson, Holbrook -- The Fear of Books, Part 2, ch. 1 (1932)</title>
		<link>https://wist.info/jackson-holbrook/60940/</link>
		<comments>https://wist.info/jackson-holbrook/60940/#respond</comments>
		<pubDate>Wed, 31 May 2023 13:56:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Jackson, Holbrook]]></category>
		<category><![CDATA[advertisement]]></category>
		<category><![CDATA[attraction]]></category>
		<category><![CDATA[book burning]]></category>
		<category><![CDATA[censorship]]></category>
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		<description><![CDATA[History proves there is no better advertisement for a book than to condemn it for obscenity. Forbidden fruits have unique flavors, and the bounds of suppression create new limits of desire.]]></description>
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			<content:encoded><![CDATA[<p>History proves there is no better advertisement for a book than to condemn it for obscenity. Forbidden fruits have unique flavors, and the bounds of suppression create new limits of desire.</p>
<br><b>Holbrook Jackson</b> (1874–1948) English journalist, editor, author<br><i>The Fear of Books</i>, Part 2, ch. 1 (1932) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/fearofbooksholbr00jack/page/34/mode/2up?q=%22History+proves+there%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Fry, Stephen -- &#8220;Trefusis on Any Questions,&#8221; Loose Ends, BBC Radio 4 (c. 1987)</title>
		<link>https://wist.info/fry-stephen/60746/</link>
		<comments>https://wist.info/fry-stephen/60746/#respond</comments>
		<pubDate>Wed, 10 May 2023 19:51:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fry, Stephen]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[language]]></category>
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		<category><![CDATA[offense]]></category>
		<category><![CDATA[words]]></category>

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		<description><![CDATA[These poor afflicted creatures spend their time with an ear against the speaker counting occurrences of the word bugger. If I had a large amount of money I should certainly found a hospital for those whose grip upon the world is so tenuous that they can be severely offended by words and phrases and yet [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>These poor afflicted creatures spend their time with an ear against the speaker counting occurrences of the word <i>bugger</i>. If I had a large amount of money I should certainly found a hospital for those whose grip upon the world is so tenuous that they can be severely offended by words and phrases and yet remain all unoffended by the injustice, violence and oppression that howls daily about our ears.</p>
<br><b>Stephen Fry</b> (b. 1957)  British actor, writer, comedian<br>&#8220;Trefusis on <i>Any Questions</i>,&#8221; <i>Loose Ends</i>, BBC Radio 4 (c. 1987) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/paperweight00step/page/60/mode/2up?q=%22large+amount+of+money%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Reprinted in <i>Paperweight</i> (1992).						</span>
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		<title>Black, Hugo -- Ginzburg v. United States, 383 U.S. 463, 482 (1966) [dissent]</title>
		<link>https://wist.info/black-hugo/60320/</link>
		<comments>https://wist.info/black-hugo/60320/#respond</comments>
		<pubDate>Thu, 13 Apr 2023 21:38:06 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Black, Hugo]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[first amendment]]></category>
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		<description><![CDATA[I find it difficult to see how talk about sex can be placed under the kind of censorship the Court here approves without subjecting our society to more dangers than we can anticipate at the moment. It was to avoid exactly such dangers that the First Amendment was written and adopted. For myself I would [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I find it difficult to see how talk about sex can be placed under the kind of censorship the Court here approves without subjecting our society to more dangers than we can anticipate at the moment. It was to avoid exactly such dangers that the First Amendment was written and adopted. For myself I would follow the course which I believe is required by the First Amendment, that is, recognize that sex at least as much as any other aspect of life is so much a part of our society that its discussion should not be made a crime. </p>
<br><b>Hugo Black</b> (1886–1971) American politician and jurist, US Supreme Court Justice (1937–71)<br><i>Ginzburg v. United States</i>, 383 U.S. 463, 482 (1966) [dissent] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://supreme.justia.com/cases/federal/us/383/463/#:~:text=I%20find%20it,made%20a%20crime." target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Flynt, Larry -- Sex, Lies &#038; Politics: The Naked Truth (2004)</title>
		<link>https://wist.info/flynt-larry/49552/</link>
		<comments>https://wist.info/flynt-larry/49552/#respond</comments>
		<pubDate>Thu, 04 Nov 2021 16:23:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Flynt, Larry]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[nudity]]></category>
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		<description><![CDATA[If the human body is obscene, complain to the manufacturer!]]></description>
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			<content:encoded><![CDATA[<p>If the human body is obscene, complain to the manufacturer!</p>
<br><b>Larry Flynt</b> (1942–2021) American publisher and pornographer<br><i>Sex, Lies &#038; Politics: The Naked Truth</i> (2004) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Sex_Lies_Politics/WGmoaeFe1zwC?hl=en&gbpv=1&dq=flynt%20%22sex%2C%20lies%20%26%20politics%22&pg=PP3&printsec=frontcover&bsq=%22complain%20to%20the%20manufacturer%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>~Other -- &#8220;Dance Called the Waltz,&#8221; The Times of London, 2nd printing (16 Jul 1816)</title>
		<link>https://wist.info/other/46366/</link>
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		<pubDate>Mon, 29 Mar 2021 18:27:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[~Other]]></category>
		<category><![CDATA[contact]]></category>
		<category><![CDATA[corruption]]></category>
		<category><![CDATA[dancing]]></category>
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		<description><![CDATA[We remark with pain that the indecent foreign dance called the Waltz was introduced (we believe, for the first time) at the English Court on Friday last. This is a circumstance which ought not to be passed over in silence. National morals depend on national habits: and it is quite sufficient to cast one’s eyes [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>We remark with pain that the indecent foreign dance called the Waltz was introduced (we believe, for the first time) at the English Court on Friday last. This is a circumstance which ought not to be passed over in silence. National morals depend on national habits: and it is quite sufficient to cast one’s eyes on the voluptuous intertwining of the limbs, and close compressure of the bodies, in this dance, to see that it is far indeed removed from the modest reserve which has hitherto been considered distinctive of English females. So long as this obscene display was confined to prostitutes and adulteresses, we did not think it deserving of notice; but now that it is attempted to be forced on the respectable classes of society by the evil example of their superiors, we feel it a duty to warn every parent against exposing his daughter to so foul a contagion. <em>Amicus Plato sed mogis amica veritas</em>. We pay a due deference to our superiors in rank, but we owe a higher duty to morality. We know not how it has happened (probably by the recommendation of some worthless and ignorant French dancing-master) that so indecent a dance now has for the first time been exhibited at the English court; but the novelty is one deserving of severe reprobation, and we trust it will never again be tolerated in any moral English society.</p>
<br>(Other Authors and Sources)<br>&#8220;Dance Called the Waltz,&#8221; <i>The Times of London</i>, 2nd printing (16 Jul 1816) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.branchcollective.org/?ps_articles=cheryl-a-wilson-the-arrival-of-the-waltz-in-england-1812" target="_blank">Source</a>)
										<br><br><span class="cite">
						

After the "introduction" of the waltz at a London Ball given by the Prince Regent. The dance had actually been present in London dance studios since 1812, and waltz music had come across from Europe earlier than that.<br><br>

The Latin means "Plato I love, but I love Truth more," attributed to Aristotle, <em>Nicomachean Ethics</em>, 1096a.15.

						</span>
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		<title>Nash, Ogden -- &#8220;Invocation,&#8221; New Yorker (Jan 1930)</title>
		<link>https://wist.info/nash-ogden/43312/</link>
		<comments>https://wist.info/nash-ogden/43312/#respond</comments>
		<pubDate>Fri, 18 Sep 2020 18:28:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Nash, Ogden]]></category>
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		<description><![CDATA[Senator Smoot is an institute Not to be bribed with pelf; He guards our homes from erotic tomes By reading them all himself. Nash&#8217;s poem was about US Senator Reed Smoot (R-Utah) (1862-1941), who had announced an effort in his tariff bill to ban the importation of pornography, leading to headlines of &#8220;Smoot Smites Smut.&#8221; [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Senator Smoot is an institute<br />
Not to be bribed with pelf;<br />
He guards our homes from erotic tomes<br />
By reading them all himself.</p>
<br><b>Ogden Nash</b> (1902–1971) American poet<br>&#8220;Invocation,&#8221; <i>New Yorker</i> (Jan 1930) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.theregister.com/2001/02/23/smoot_can_you_handle/" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Nash's poem was about US Senator Reed Smoot (R-Utah) (1862-1941), who had announced an effort in his tariff bill to ban the importation of pornography, leading to headlines of "Smoot Smites Smut." The bill went on to become the Smoot-Hawley Tariff, passed in June 1930.						</span>
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		<title>Porter, Cole -- &#8220;Anything Goes&#8221; (1934)</title>
		<link>https://wist.info/porter-cole/41525/</link>
		<comments>https://wist.info/porter-cole/41525/#respond</comments>
		<pubDate>Thu, 30 Apr 2020 23:00:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Porter, Cole]]></category>
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		<description><![CDATA[Good authors, too, who once knew better words Now only use four-letter words Writing prose. Anything goes!]]></description>
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			<content:encoded><![CDATA[<p>Good authors, too, who once knew better words<br />
Now only use four-letter words<br />
Writing prose.<br />
Anything goes!</p>
<br><b>Cole Porter</b> (1891–1964) American composer and songwriter<br>&#8220;Anything Goes&#8221; (1934) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Porter, Cole -- &#8220;Anything Goes&#8221; (1934)</title>
		<link>https://wist.info/porter-cole/35991/</link>
		<comments>https://wist.info/porter-cole/35991/#respond</comments>
		<pubDate>Thu, 19 Jan 2017 19:51:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Porter, Cole]]></category>
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		<guid isPermaLink="false">http://wist.info/?p=35991</guid>
		<description><![CDATA[In olden days, a glimpse of stocking Was looked on as something shocking, But now, God knows, Anything goes.]]></description>
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			<content:encoded><![CDATA[<p>In olden days, a glimpse of stocking<br />
Was looked on as something shocking,<br />
But now, God knows,<br />
Anything goes.</p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/01/Porter-anything-goes-wist_info-quote.png" alt="porter-anything-goes-wist_info-quote" width="720" height="450" class="aligncenter size-full wp-image-35997" srcset="https://wist.info/wp/wp-content/uploads/2017/01/Porter-anything-goes-wist_info-quote.png 720w, https://wist.info/wp/wp-content/uploads/2017/01/Porter-anything-goes-wist_info-quote-300x188.png 300w, https://wist.info/wp/wp-content/uploads/2017/01/Porter-anything-goes-wist_info-quote-60x38.png 60w" sizes="(max-width: 720px) 100vw, 720px" /></p>
<br><b>Cole Porter</b> (1891–1964) American composer and songwriter<br>&#8220;Anything Goes&#8221; (1934) 
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		<title>Lehrer, Tom -- &#8220;In His Own Words: On Life, Lyrics and Liberals,&#8221; Washington Post (3 Jan 1982)</title>
		<link>https://wist.info/lehrer-tom/35548/</link>
		<comments>https://wist.info/lehrer-tom/35548/#respond</comments>
		<pubDate>Fri, 04 Nov 2016 03:09:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lehrer, Tom]]></category>
		<category><![CDATA[change]]></category>
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		<description><![CDATA[As for language, almost everything goes now. That is not to say that verbal taboos have disappeared, but merely that they have shifted somewhat. In my youth, for example, there were certain words you couldn&#8217;t say in front of a girl; now you can say them, but you can&#8217;t say &#8220;girl.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>As for language, almost everything goes now. That is not to say that verbal taboos have disappeared, but merely that they have shifted somewhat. In my youth, for example, there were certain words you couldn&#8217;t say in front of a girl; now you can say them, but you can&#8217;t say &#8220;girl.&#8221;</p>
<br><b>Tom Lehrer</b> (b. 1928) American mathematician, satirist, songwriter<br>&#8220;In His Own Words: On Life, Lyrics and Liberals,&#8221; <i>Washington Post</i> (3 Jan 1982) 
								]]></content:encoded>
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		<title>Asimov, Isaac -- The Gods Themselves, Sec. 3, ch. 12 (1972)</title>
		<link>https://wist.info/asimov-isaac/34537/</link>
		<comments>https://wist.info/asimov-isaac/34537/#respond</comments>
		<pubDate>Wed, 20 Jul 2016 04:15:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Asimov, Isaac]]></category>
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		<description><![CDATA[You know that prudery is only the other side of prurience. The words are even on the same page in the dictionary.]]></description>
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			<content:encoded><![CDATA[<p>You <i>know</i> that prudery is only the other side of prurience. The words are even on the same page in the dictionary.</p>
<br><b>Isaac Asimov</b> (1920–1992) Russian-American author, polymath, biochemist<br><i>The Gods Themselves</i>, Sec. 3, ch. 12 (1972) 
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		<title>Douglas, William O. -- Roth v. United States, 354 U.S. 476, 513, dissenting opinion (1957)</title>
		<link>https://wist.info/douglas-william-o/33896/</link>
		<comments>https://wist.info/douglas-william-o/33896/#respond</comments>
		<pubDate>Tue, 24 May 2016 13:28:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Douglas, William O.]]></category>
		<category><![CDATA[censorship]]></category>
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		<description><![CDATA[Thus, if the First Amendment guarantee of freedom of speech and press is to mean anything in this field, it must allow protests even against the moral code that the standard of the day sets for the community. In other words, literature should not be suppressed merely because it offends the moral code of the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Thus, if the First Amendment guarantee of freedom of speech and press is to mean anything in this field, it must allow protests even against the moral code that the standard of the day sets for the community. In other words, literature should not be suppressed merely because it offends the moral code of the censor.</p>
<br><b>William O. Douglas</b> (1898–1980) American jurist, US Supreme Court justice (1939–75)<br><i>Roth v. United States</i>, 354 U.S. 476, 513, dissenting opinion (1957) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://supreme.justia.com/cases/federal/us/354/476/#:~:text=Thus%2C%20if%20the,of%20the%20censor." target="_blank">Source</a>)
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		<title>Edlund, Ben -- Firefly, 1&#215;07 &#8220;Jaynestown&#8221; (18 Oct 2002)</title>
		<link>https://wist.info/edlund-ben/29630/</link>
		<comments>https://wist.info/edlund-ben/29630/#respond</comments>
		<pubDate>Thu, 11 Jun 2015 13:06:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Edlund, Ben]]></category>
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		<description><![CDATA[SIMON: I swear &#8212; when it&#8217;s appropriate. KAYLEE: Simon, the whole point of swearing is that it ain&#8217;t appropriate.]]></description>
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			<content:encoded><![CDATA[<p>SIMON: I swear &#8212; when it&#8217;s appropriate.</p>
<p>KAYLEE: Simon, the whole point of swearing is that it <i>ain&#8217;t</i> appropriate.</p>
<br><b>Ben Edlund</b> (b. 1968) American cartoonist, writer, producer<br><i>Firefly</i>, 1&#215;07 &#8220;Jaynestown&#8221; (18 Oct 2002) 
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		<title>Gaiman, Neil -- Blog entry (2008-12-01), &#8220;Why defend freedom of icky speech?&#8221;</title>
		<link>https://wist.info/gaiman-neil/28034/</link>
		<comments>https://wist.info/gaiman-neil/28034/#comments</comments>
		<pubDate>Mon, 19 Jan 2015 14:21:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[censorship]]></category>
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		<description><![CDATA[The Law is a blunt instrument. It&#8217;s not a scalpel. It&#8217;s a club. If there is something you consider indefensible, and there is something you consider defensible, and the same laws can take them both out, you are going to find yourself defending the indefensible. See Dershowitz.]]></description>
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			<content:encoded><![CDATA[<p>The Law is a blunt instrument. It&#8217;s not a scalpel. It&#8217;s a club. If there is something you consider indefensible, and there is something you consider defensible, and the same laws can take them both out, you are going to find yourself defending the indefensible.</p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br>Blog entry (2008-12-01), &#8220;Why defend freedom of icky speech?&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://journal.neilgaiman.com/2008/12/why-defend-freedom-of-icky-speech.html#:~:text=the%20law%20is%20a%20blunt%20instrument.%20it's%20not%20a%20scalpel.%20it's%20a%20club.%20if%20there%20is%20something%20you%20consider%20indefensible%2C%20and%20there%20is%20something%20you%20consider%20defensible%2C%20and%20the%20same%20laws%20can%20take%20them%20both%20out%2C%20you%20are%20going%20to%20find%20yourself%20defending%20the%20indefensible.i" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="https://wist.info/dershowitz-alan/47123/">Dershowitz</a>.						</span>
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		<title>Butcher, Jim -- Grave Peril (2001)</title>
		<link>https://wist.info/butcher-jim/26142/</link>
		<comments>https://wist.info/butcher-jim/26142/#respond</comments>
		<pubDate>Tue, 22 Jul 2014 12:46:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Butcher, Jim]]></category>
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		<description><![CDATA[&#8220;Holy shit,&#8221; I breathed. &#8220;Hellhounds.&#8221; &#8220;Harry,&#8221; Michael said sternly. &#8220;You know I hate it when you swear.&#8221; &#8220;You&#8217;re right. Sorry. Holy shit,&#8221; I breathed, &#8220;heckhounds.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>&#8220;Holy shit,&#8221; I breathed. &#8220;Hellhounds.&#8221;<br />
&#8220;Harry,&#8221; Michael said sternly. &#8220;You know I hate it when you swear.&#8221;<br />
&#8220;You&#8217;re right. Sorry. Holy shit,&#8221; I breathed, &#8220;heckhounds.&#8221;</p>
<br><b>Jim Butcher</b> (b. 1971) American author<br><i>Grave Peril</i> (2001) 
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		<title>Gaiman, Neil -- Blog entry (2008-12-01), &#8220;Why defend freedom of icky speech?&#8221;</title>
		<link>https://wist.info/gaiman-neil/6641/</link>
		<comments>https://wist.info/gaiman-neil/6641/#respond</comments>
		<pubDate>Tue, 30 Dec 2008 12:26:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[censorship]]></category>
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		<category><![CDATA[free speech]]></category>
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		<description><![CDATA[You ask, What makes it worth defending? and the only answer I can give is this: Freedom to write, freedom to read, freedom to own material that you believe is worth defending means you&#8217;re going to have to stand up for stuff you don&#8217;t believe is worth defending, even stuff you find actively distasteful, because [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>You ask, <em>What makes it worth defending?</em> and the only answer I can give is this: Freedom to write, freedom to read, freedom to own material that you believe is worth defending means you&#8217;re going to have to stand up for stuff you don&#8217;t believe is worth defending, even stuff you find actively distasteful, because laws are big blunt instruments that do not differentiate between what you like and what you don&#8217;t, because prosecutors are humans and bear grudges and fight for re-election, because one person&#8217;s obscenity is another person&#8217;s art. Because if you <em>don&#8217;t</em> stand up for the stuff you don&#8217;t like, when they come for the stuff you do like, you&#8217;ve already lost.</p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br>Blog entry (2008-12-01), &#8220;Why defend freedom of icky speech?&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://journal.neilgaiman.com/2008/12/why-defend-freedom-of-icky-speech.html#:~:text=You%20ask,lost.The" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Russell, Bertrand -- Look, &#8220;What They Are Saying&#8221; (1954-02-23)</title>
		<link>https://wist.info/russell-bertrand/5790/</link>
		<comments>https://wist.info/russell-bertrand/5790/#respond</comments>
		<pubDate>Tue, 22 Apr 2008 12:37:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
		<category><![CDATA[bureaucrat]]></category>
		<category><![CDATA[censor]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[judge]]></category>
		<category><![CDATA[magistrate]]></category>
		<category><![CDATA[obscenity]]></category>

		<guid isPermaLink="false">http://wist.info/wp/?p=5790</guid>
		<description><![CDATA[Obscenity is whatever happens to shock some elderly and ignorant magistrate. This column was a regular feature quoting notable comments by notable people. The actual source of the quotation, presumably made around this time, is unknown.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>Obscenity is whatever happens to shock some elderly and ignorant magistrate.</p>
<br><b>Bertrand Russell</b> (1872–1970) English mathematician and philosopher<br><i>Look</i>, &#8220;What They Are Saying&#8221; (1954-02-23) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/sim_look_1954-02-23_18_4/page/26/mode/2up?q=%22elderly+and+ignorant+magistrate%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This column was a regular feature quoting notable comments by notable people. The actual source of the quotation, presumably made around this time, is unknown.

						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Legman, Gershon -- Love &#038; Death: A Study in Censorship (1949)</title>
		<link>https://wist.info/legman-gershon/2422/</link>
		<comments>https://wist.info/legman-gershon/2422/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Legman, Gershon]]></category>
		<category><![CDATA[censorship]]></category>
		<category><![CDATA[erotica]]></category>
		<category><![CDATA[obscenity]]></category>
		<category><![CDATA[pornography]]></category>
		<category><![CDATA[prurience]]></category>
		<category><![CDATA[sex]]></category>
		<category><![CDATA[sexuality]]></category>
		<category><![CDATA[violence]]></category>

		<guid isPermaLink="false">http://wist.info/wp/?p=2422</guid>
		<description><![CDATA[Murder is a crime. Describing murder is not. Sex is not a crime. Describing sex is.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>Murder is a crime. Describing murder is not.<br />
Sex is not a crime. Describing sex <em>is</em>.</p>
<br><b>Gershon Legman</b> (1917–1999) American writer<br><i>Love &#038; Death: A Study in Censorship</i> (1949) 
								]]></content:encoded>
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