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	<title>WIST Quotations</title>
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		<title>Roosevelt, Eleanor -- Column (1958-11-05), &#8220;My Day&#8221;</title>
		<link>https://wist.info/roosevelt-eleanor/81798/</link>
		<comments>https://wist.info/roosevelt-eleanor/81798/#respond</comments>
		<pubDate>Tue, 03 Feb 2026 17:23:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Roosevelt, Eleanor]]></category>
		<category><![CDATA[appreciation]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art appreciation]]></category>
		<category><![CDATA[art education]]></category>
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		<description><![CDATA[The appreciation of many things in which we are not proficient ourselves but which we have learned to enjoy is one of the important things to cultivate in modern education. The arts in every field — music, drama, sculpture, painting — we can learn to appreciate and enjoy. We need not be artists, but we [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The appreciation of many things in which we are not proficient ourselves but which we have learned to enjoy is one of the important things to cultivate in modern education. The arts in every field — music, drama, sculpture, painting — we can learn to appreciate and enjoy. We need not be artists, but we should be able to appreciate the work of artists.</p>
<br><b>Eleanor Roosevelt</b> (1884–1962) First Lady of the US (1933–1945), politician, diplomat, activist<br>Column (1958-11-05), &#8220;My Day&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www2.gwu.edu/~erpapers/myday/displaydocedits.cfm?_y=1958&_f=md004268#:~:text=The%20appreciation%20of,work%20of%20artists." target="_blank">Source</a>)
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		<title>Watterson, Bill -- Calvin and Hobbes (1990-10-14)</title>
		<link>https://wist.info/watterson-bill/81669/</link>
		<comments>https://wist.info/watterson-bill/81669/#respond</comments>
		<pubDate>Tue, 27 Jan 2026 22:29:56 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Watterson, Bill]]></category>
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		<description><![CDATA[HOBBES: Van Gogh would’ve sold more than one painting if he’d put tigers in them.]]></description>
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			<content:encoded><![CDATA[<p><a href="https://wist.info/wp/wp-content/uploads/2026/01/calvin-hobbes-1990-10-14-excerpt.jpg"><img data-dominant-color="b2a493" data-has-transparency="false" style="--dominant-color: #b2a493;" fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2026/01/calvin-hobbes-1990-10-14-excerpt.jpg" alt="calvin &amp; hobbes - 1990-10-14" title="calvin &amp; hobbes - 1990-10-14" width="258" height="223" class="alignright size-full wp-image-81670 not-transparent" /></a></p>
<p class="hangingindent">HOBBES: Van Gogh would’ve sold more than one painting if he’d put tigers in them.</p>
<p></p>
<br><b>Bill Watterson</b> (b. 1958) American cartoonist<br><i>Calvin and Hobbes</i> (1990-10-14) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gocomics.com/calvinandhobbes/1990/10/14" target="_blank">Source</a>)
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		<title>Gerassi, Fernando -- (Attributed)</title>
		<link>https://wist.info/gerassi-fernando/80385/</link>
		<comments>https://wist.info/gerassi-fernando/80385/#respond</comments>
		<pubDate>Tue, 18 Nov 2025 04:34:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gerassi, Fernando]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[creativity]]></category>
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		<category><![CDATA[meaning of life]]></category>
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		<description><![CDATA[I once asked him why he stopped a particular series of his paintings. You know, he would start a type of painting and keep doing more and more of them until he made one that he thought was the best of the series, and it always was, and then he stopped, and started another series. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I once asked him why he stopped a particular series of his paintings. You know, he would start a type of painting and keep doing more and more of them until he made one that he thought was the best of the series, and it always was, and then he stopped, and started another series. Why stop, I asked him. &#8220;Dead end,&#8221; he answered. But Stepha [Fernando&#8217;s wife] once gave me a better explanation: &#8220;Your father tries to find God through his paintings. When he realizes that a particular visual concept he&#8217;s pushing will not get him there, he stops and tries a new concept.&#8221; So one day I asked him if he believed in God, or at least did he think he could ever find God. He answered, No, of course not, then added, I remember very clearly, &#8220;There is no God but the purpose of life is to find him.&#8221;</p>
<br><b>Fernando Gerassi</b> (1899-1974) Turkish-Spanish-American artist<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/SartreJeanPaulLiteraryAndPhilosophicalEssaysCollier1962/Sartre%2C%20Jean-Paul%20-%20Talking%20with%20Sartre%20%5Bed.%20Gerassi%5D%20%28Yale%2C%202009%29/page/82/mode/2up?q=%22no+god+but+the+purpose%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

John Gerassi, his son, discussing Fernando during an interview with his friend, Jean-Paul Sartre.						</span>
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		<title>Banksy -- Wall and Piece, &#8220;Rats&#8221; (2005)</title>
		<link>https://wist.info/banksy/76706/</link>
		<comments>https://wist.info/banksy/76706/#respond</comments>
		<pubDate>Wed, 21 May 2025 16:07:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Banksy]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[interpretation]]></category>
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		<description><![CDATA[I&#8217;d been painting rats for three years before someone said &#8220;that&#8217;s clever it&#8217;s an anagram of art&#8221; and I had to pretend I&#8217;d known that all along.]]></description>
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			<content:encoded><![CDATA[<p>I&#8217;d been painting rats for three years before someone said &#8220;that&#8217;s clever it&#8217;s an anagram of art&#8221; and I had to pretend I&#8217;d known that all along.</p>
<br><b>Banksy</b> (b. 1974?) England-based pseudonymous street artist, political activist, film director 
<br><i>Wall and Piece</i>, &#8220;Rats&#8221; (2005) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/banksy-wall-and-piece-2005/page/88/mode/1up" target="_blank">Source</a>)
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		<title>Thoreau, Henry David -- A Week on the Concord and Merrimack Rivers, &#8220;Wednesday&#8221; (1849)</title>
		<link>https://wist.info/thoreau-henry-david/72653/</link>
		<comments>https://wist.info/thoreau-henry-david/72653/#respond</comments>
		<pubDate>Thu, 24 Oct 2024 19:50:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Thoreau, Henry David]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[exercise]]></category>
		<category><![CDATA[fancy]]></category>
		<category><![CDATA[fascination]]></category>
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		<category><![CDATA[world]]></category>

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		<description><![CDATA[This world is but canvass to our imaginations.]]></description>
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			<content:encoded><![CDATA[<p>This world is but canvass to our imaginations.</p>
<br><b>Henry David Thoreau</b> (1817-1862) American philosopher and writer<br><i>A Week on the Concord and Merrimack Rivers</i>, &#8220;Wednesday&#8221; (1849) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/A_Week_on_the_Concord_and_Merrimack_Rivers/Wednesday#:~:text=This%20world%20is%20but%20canvass%20to%20our%20imaginations" target="_blank">Source</a>)
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		<title>Martin, Steve -- L. A. Story (1991)</title>
		<link>https://wist.info/martin-steve/71260/</link>
		<comments>https://wist.info/martin-steve/71260/#respond</comments>
		<pubDate>Mon, 12 Aug 2024 17:43:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martin, Steve]]></category>
		<category><![CDATA[abstract art]]></category>
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		<description><![CDATA[FRANK: What do you do for a living, Rollie? ROLAND: I deal in English paintings. FRANK: Abstract or realistic? ROLAND: Depends on which way you look at them, I suppose. (Source (Video))]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">FRANK: What do you do for a living, Rollie?</p>
<p class="hangingindent">ROLAND: I deal in English paintings.</p>
<p class="hangingindent">FRANK: Abstract or realistic?</p>
<p class="hangingindent">ROLAND: Depends on which way you look at them, I suppose.</p>
<p></p>
<br><b>Steve Martin</b> (b. 1945) American comedian, actor, writer, producer, musician<br><i>L. A. Story</i> (1991) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.imdb.com/title/tt0102250/quotes/?item=qt0307523&ref_=ext_shr_lnk" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://youtu.be/kAFeOE3wmEs?si=FXjJuA0qAiXIjecN&t=13">Source (Video</a>))



						</span>
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		<title>La Bruyere, Jean de -- The Characters [Les Caractères], ch.  1 &#8220;Of Works of the Mind [Des Ouvrages de l&#8217;Esprit],&#8221; §   7 (1.7) (1688) [tr. Stewart (1970)]</title>
		<link>https://wist.info/la-bruyere-jean-de/70975/</link>
		<comments>https://wist.info/la-bruyere-jean-de/70975/#respond</comments>
		<pubDate>Tue, 30 Jul 2024 17:48:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Bruyere, Jean de]]></category>
		<category><![CDATA[amateur]]></category>
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		<category><![CDATA[dullness]]></category>
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		<category><![CDATA[mediocrity]]></category>
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		<description><![CDATA[There are certain things in which mediocrity is intolerable: poetry, music, painting, public eloquence. What torture it is to hear a frigid speech being pompously declaimed, of second-rate verse spoken with all a bad poet’s bombast! &#160; [Il y a de certaines choses dont la médiocrité est insupportable: la poésie, la musique, la peinture, le [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">There are certain things in which mediocrity is intolerable: poetry, music, painting, public eloquence.<br />
<span class="tab">What torture it is to hear a frigid speech being pompously declaimed, of second-rate verse spoken with all a bad poet’s bombast!<br />
&nbsp;<br />
<span class="tab"><em>[Il y a de certaines choses dont la médiocrité est insupportable: la poésie, la musique, la peinture, le discours public.<br />
<span class="tab">Quel supplice que celui d&#8217;entendre déclamer pompeusement un froid discours, ou prononcer de médiocres vers avec toute l&#8217;emphase d&#8217;un mauvais poète!]</span></em></span></span></span></p>
<br><b>Jean de La Bruyère</b> (1645-1696) French essayist, moralist<br><i>The Characters [Les Caractères]</i>, ch.  1 &#8220;Of Works of the Mind <i>[Des Ouvrages de l&#8217;Esprit],&#8221;</i> §   7 (1.7) (1688) [tr. Stewart (1970)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/characters00labr/page/24/mode/2up?q=%22what+torture%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/cache/epub/17980/pg17980-images.html#LES_CARACTERES_OU_LES_MOEURS_DE_CE_SIECLE:~:text=Il%20y%20a%20de,l%27emphase%20d%27un%20mauvais%20po%C3%A8te!">Source (French)</a>). Alternate translations:<br><br>

<blockquote><span class="tab">Several things are insupportable if they are but indifferent, as Poetry, Music, Painting and Public Speeches.<br> 
<span class="tab">'Tis the worst punishment in the world to hear a dull Declamation deliver'd with Pomp and Solemnity, and bad Verses rehears'd with the Emphasis of a wretched Poet.<br>
[<a href="https://quod.lib.umich.edu/e/eebo/A47658.0001.001/1:5.1?rgn=div2;view=fulltext#:~:text=Several%20things%20are,a%20wretched%20Poet.">Bullord</a> ed. (1696)]</blockquote><br>

<blockquote><span class="tab">Somethings are insupportable if they are but indifferent, as Poetry, Musick, Painting, and Publick Speeches. <br>
<span class="tab">What a Punishment is it to hear a cold Declamation deliver'd with Pomp and Solemnity, and indifferent Verses repeated with all the Emphasis of a bad Poet!<br>
[<a href="https://archive.org/details/worksmonsieurde00rowegoog/page/n17/mode/2up?q=%22Poetry%2C+Mu%5Eck%2C+Painting%2C%22">Curll</a> ed. (1713)]</blockquote><br>

<blockquote><span class="tab">Some things won't bear a Mediocrity, as Poetry, Musick, Painting and Oratory. <br>
<span class="tab">What a cruel Torture is it to hear a dull Declamation delivered with Pomp and Solemnity, or bad Verses rehearsed with the Emphasis of a wretched Poet!<br>
[<a href="https://archive.org/details/worksmonsdelabr00rowegoog/page/n23/mode/2up?q=%22Some+things+won%27tbearaMediocrity%2CasPoetry%5E%22">Browne</a> ed. (1752)]</blockquote><br>

<blockquote>In certain things mediocrity is unbearable, as in poetry, music, painting, and eloquence. How we are tortured when we hear a dull soliloquy delivered in a pompous tone, or indifferent verses read with all the emphasis of a wretched poet!<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/46633/pg46633-images.html#Page_7:~:text=In%20certain%20things%20mediocrity%20is%20unbearable%2C%20as%20in%20poetry%2C%20music%2C%20painting%2C%20and%20eloquence.%20How%20we%20are%20tortured%20when%20we%20hear%20a%20dull%20soliloquy%20delivered%20in%20a%20pompous%20tone%2C%20or%20indifferent%20verses%20read%20with%20all%20the%20emphasis%20of%20a%20wretched%20poet!">Van Laun</a> (1885)]</blockquote><br>

<blockquote>There are some things that will not bear mediocrity; poetry, music, painting, oratory.<br>
[tr. <a href="https://www.google.com/books/edition/La_Bruy%C3%A8re_and_Vauvenargues/ru7qAAAAMAAJ?hl=en&gbpv=1&bsq=%22there%20are%20some%20things%22">Lee</a> (1903)]</blockquote><br>
						</span>
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		<title>Goncourt, The Brothers -- Idées et sensations (1866)</title>
		<link>https://wist.info/goncourt-brothers/48999/</link>
		<comments>https://wist.info/goncourt-brothers/48999/#respond</comments>
		<pubDate>Tue, 28 Sep 2021 16:54:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Goncourt, The Brothers]]></category>
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		<description><![CDATA[A painting in a museum probably hears more foolish remarks than anything else in the world . [Ce qui entend le plus de bêtises dans le monde est peut-être un tableau de musée.] Often mis-cited to just Edmond. Alternate translations: &#8220;A painting in a museum hears more ridiculous opinions than anything else in the world.&#8221; [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>A painting in a museum probably hears more foolish remarks than anything else in the world .</p>
<p><em>[Ce qui entend le plus de bêtises dans le monde est peut-être un tableau de musée.]</em></p>
<br><b>The Brothers Goncourt</b> - Edmond (1822-96) & Jules (1830-70), French writers [a.k.a. J.E. de Goncourt]<br><i>Idées et sensations</i> (1866) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Id%C3%A9es_et_sensations/AqQGAAAAQAAJ?hl=en&gbpv=1&dq=goncourt%20Id%C3%A9es%20et%20sensations&pg=PP9&printsec=frontcover&bsq=%22tableau%20de%20mus%C3%A9e%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Often mis-cited to just Edmond. Alternate translations:

<ul>
	<li>"A painting in a museum hears more ridiculous opinions than anything else in the world."</li>

	<li>"What hears the most stupid remarks in the world is perhaps a painting in a museum." [<a href="https://www.google.com/books/edition/Manet/rENbDwAAQBAJ?hl=en&gbpv=1&dq=goncourt%20%22painting%20in%20a%20museum%22&pg=PT56&printsec=frontcover&bsq=goncourt%20%22painting%20in%20a%20museum%22">Source</a>]</li>

	<li>"Perhaps what hears the most nonsense in the world is a museum painting." [<a href="https://translate.google.com/?sl=fr&tl=en&text=Ce%20qui%20entend%20le%20plus%20de%20b%C3%AAtises%20dans%20le%20monde%20est%20peut-%C3%AAtre%20un%20tableau%20de%20mus%C3%A9e.&op=translate">Source</a>]</li></ul>



						</span>
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		<title>Sinclair, Upton -- Mammonart, ch. 2 &#8220;Who Owns the Artists?&#8221; (1925)</title>
		<link>https://wist.info/sinclair-upton/42306/</link>
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		<pubDate>Thu, 02 Jul 2020 20:46:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Sinclair, Upton]]></category>
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		<description><![CDATA[All art is propaganda. It is universally and inescapably propaganda; sometimes unconsciously, but often deliberately, propaganda. As commentary on the above, we add, that when artists or art critics make the assertion that art excludes propaganda, what they are saying is that their kind of propaganda is art, and other kinds of propaganda are not [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><em>All art is propaganda. It is universally and inescapably propaganda; sometimes unconsciously, but often deliberately, propaganda.</em></p>
<p>As commentary on the above, we add, that when artists or art critics make the assertion that art excludes propaganda, what they are saying is that their kind of propaganda is art, and other kinds of propaganda are not art. Orthodoxy is my doxy, and heterodoxy is the other fellow&#8217;s doxy.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/07/Sinclair-All-art-is-propaganda.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/07/Sinclair-All-art-is-propaganda.png" alt="" width="800" height="565" class="aligncenter size-full wp-image-42307" srcset="https://wist.info/wp/wp-content/uploads/2020/07/Sinclair-All-art-is-propaganda.png 800w, https://wist.info/wp/wp-content/uploads/2020/07/Sinclair-All-art-is-propaganda-300x212.png 300w, https://wist.info/wp/wp-content/uploads/2020/07/Sinclair-All-art-is-propaganda-768x542.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Upton Sinclair</b> (1878-1968) American writer, journalist, activist, politician<br><i>Mammonart</i>, ch. 2 &#8220;Who Owns the Artists?&#8221; (1925) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015011815670&view=1up&seq=21&q1=%22art%20is%20propaganda%22" target="_blank">Source</a>)
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		<title>Maslow, Abraham -- Toward a Psychology of Being (1968 ed.)</title>
		<link>https://wist.info/maslow-abraham/35219/</link>
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		<pubDate>Wed, 28 Sep 2016 01:48:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[A first-rate soup is more creative than a second-rate painting.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>A first-rate soup is more creative than a second-rate painting.</p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/09/Maslow-first-rate-soup-creative-wist_info-quote.jpg" alt="maslow-first-rate-soup-creative-wist_info-quote" width="605" height="295" class="aligncenter size-full wp-image-35225" srcset="https://wist.info/wp/wp-content/uploads/2016/09/Maslow-first-rate-soup-creative-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/09/Maslow-first-rate-soup-creative-wist_info-quote-300x146.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/09/Maslow-first-rate-soup-creative-wist_info-quote-60x29.jpg 60w" sizes="(max-width: 605px) 100vw, 605px" /></p>
<br><b>Abraham Maslow</b> (1908-1970) American psychologist<br><i>Toward a Psychology of Being</i> (1968 ed.) 
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		<title>Reynolds, Joshua -- (Attributed)</title>
		<link>https://wist.info/reynolds-joshua/25790/</link>
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		<pubDate>Tue, 17 Jun 2014 12:36:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Reynolds, Joshua]]></category>
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		<description><![CDATA[A room hung with pictures is a room hung with thoughts.Quoted in Bolster&#8217;s Quarterly Magazine (Jul 1827)]]></description>
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			<content:encoded><![CDATA[<p>A room hung with pictures is a room hung with thoughts.</p>
<br><b>Joshua Reynolds</b> (1723-1792) British painter, critic<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://books.google.com/books?id=VtoRAAAAYAAJ&pg=PA251" target="_blank">Source</a>)
										<br><br><span class="cite">
						Quoted in <em>Bolster's Quarterly Magazine</em> (Jul 1827)						</span>
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		<title>Emerson, Ralph Waldo -- Essay (1860), &#8220;Wealth,&#8221; The Conduct of Life, ch.  3</title>
		<link>https://wist.info/emerson-ralph-waldo/25144/</link>
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		<pubDate>Mon, 21 Apr 2014 22:28:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture, or philosophy, he makes a bad husband and an ill provider. Based on a course of lectures, &#8220;The Conduct of Life,&#8221; delivered in Pittsburg (1851-03).]]></description>
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			<content:encoded><![CDATA[<p>Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture, or philosophy, he makes a bad husband and an ill provider.</p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>Essay (1860), &#8220;Wealth,&#8221; <i>The Conduct of Life</i>, ch.  3 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://quod.lib.umich.edu/e/emerson/4957107.0006.001/1:9?rgn=div1;view=fulltext#:~:text=Art%20is%20a%20jealous%20mistress%2C%20and%20if%20a%20man%20have%20a%20genius%20for%20painting%2C%20poetry%2C%20music%2C%20architecture%20or%20philosophy%2C%20he%20makes%20a%20bad%20husband%20and%20an%20ill%20provider" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Based on a course of lectures, "The Conduct of Life," delivered in Pittsburg (1851-03).
						</span>
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		<title>Stern, G. B. -- Paris France, Part I (1940)</title>
		<link>https://wist.info/stern-g-b/8041/</link>
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		<pubDate>Tue, 21 Jul 2009 12:04:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[One of the pleasant things those of us who write or paint do is to have the daily miracle. It does come.]]></description>
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			<content:encoded><![CDATA[<p>One of the pleasant things those of us who write or paint do is to have the daily miracle. It does come.</p>
<p></font></p>
<br><b>G. B. Stern</b> (1890-1973) British writer [Gladys Bronwyn Stern]<br><i>Paris France</i>, Part I (1940) 
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