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	<title>WIST Quotations</title>
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		<title>Roosevelt, Theodore -- Speech (1910-04-23), &#8220;Citizenship in a Republic [The Man in the Arena],&#8221; Sorbonne, Paris</title>
		<link>https://wist.info/roosevelt-theodore/73247/</link>
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		<pubDate>Thu, 05 Dec 2024 23:52:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Roosevelt, Theodore]]></category>
		<category><![CDATA[amorality]]></category>
		<category><![CDATA[decency]]></category>
		<category><![CDATA[extremist]]></category>
		<category><![CDATA[idealist]]></category>
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		<category><![CDATA[impossibility]]></category>
		<category><![CDATA[indecency]]></category>
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		<category><![CDATA[practicality]]></category>
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		<description><![CDATA[The worth of the ideal must be largely determined by the success with which it can in practice be realized. We should abhor the so-called &#8220;practical&#8221; men whose practicality assumes the shape of that peculiar baseness which finds its expression in disbelief in morality and decency, in disregard of high standards of living and conduct. [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>The worth of the ideal must be largely determined by the success with which it can in practice be realized. We should abhor the so-called &#8220;practical&#8221; men whose practicality assumes the shape of that peculiar baseness which finds its expression in disbelief in morality and decency, in disregard of high standards of living and conduct. Such a creature is the worst enemy of the body politic. But only less desirable as a citizen is his nominal opponent and real ally, the man of fantastic vision who makes the impossible better forever the enemy of the possible good.</p>
<br><b>Theodore Roosevelt</b> (1858–1919) American politician, statesman, conservationist, writer; US President (1901–09)<br>Speech (1910-04-23), &#8220;Citizenship in a Republic [The Man in the Arena],&#8221; Sorbonne, Paris 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.presidency.ucsb.edu/documents/address-the-sorbonne-paris-france-citizenship-republic#:~:text=the%20worth%20of,the%20possible%20good." target="_blank">Source</a>)
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		<title>~Other -- Alan Benner (Attributed)</title>
		<link>https://wist.info/other/33006/</link>
		<comments>https://wist.info/other/33006/#respond</comments>
		<pubDate>Tue, 15 Mar 2016 19:06:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[~Other]]></category>
		<category><![CDATA[detail-oriented]]></category>
		<category><![CDATA[niggling]]></category>
		<category><![CDATA[nit-picker]]></category>
		<category><![CDATA[obsessive-compulsive]]></category>
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		<description><![CDATA[Perfectionist: One who takes infinite pains and gives them to others.]]></description>
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			<content:encoded><![CDATA[<p>Perfectionist: One who takes infinite pains and gives them to others.</p>
<br>(Other Authors and Sources)<br>Alan Benner (Attributed) 
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		<title>Valéry, Paul -- &#8220;Au sujet du &#8216;Cimetière marin,&#039;&#8221; La Nouvelle Revue Française (Mar 1933)</title>
		<link>https://wist.info/valery-paul/3981/</link>
		<comments>https://wist.info/valery-paul/3981/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Valéry, Paul]]></category>
		<category><![CDATA[abandonment]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artwork]]></category>
		<category><![CDATA[completion]]></category>
		<category><![CDATA[perfection]]></category>
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		<description><![CDATA[In the eyes of those lovers of perfection, a work is never finished &#8212; a word that for them has no sense &#8212; but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In the eyes of those lovers of perfection, a work is never finished &#8212; a word that for them has no sense &#8212; but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.</p>
<p><em>[Aux yeux de ces amateurs d’inquiétude et de perfection, un ouvrage n’est jamais achevé, – mot qui pour eux n’a aucun sens, – mais abandonné ; et cet abandon, qui le livre aux flammes ou au public (et qu’il soit l’effet de la lassitude ou de l’obligation de livrer) est une sorte d’accident, comparable à la rupture d’une réflexion, que la fatigue, le fâcheux ou quelque sensation viennent rendre nulle.]</em></p>
<br><b>Paul Valéry</b> (1871–1945) French poet, critic, author, polymath<br>&#8220;Au sujet du &#8216;Cimetière marin,'&#8221; <i>La Nouvelle Revue Française</i> (Mar 1933) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.gallimard.fr/Catalogue/GALLIMARD/La-Nouvelle-Revue-Francaise-1909-1943/La-Nouvelle-Revue-Francaise228" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Often rendered as: "A poem is never finished, only abandoned."<br><br>

Alt. trans.: "In the eyes of those who anxiously seek perfection, a work is never truly completed -- a word that for them has no sense -- but abandoned; and this abandonment, of the book to the fire or to the public, whether due to weariness or to a need to deliver it for publication, is a sort of accident, comparable to the letting-go of an idea that has become so tiring or annoying that one has lost all interest in it." [tr. Maggio]<br><br>

In the same vein, in "Recollections," Valery wrote: "A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations."<br><br>

Also attributed to W. H. Auden, Oscar Wilde, and Jean Cocteau, For more discussion of the origin of this phrase, see <a href="https://quoteinvestigator.com/2019/03/01/abandon/">here</a>.
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		<title>Shakespeare, William -- King Lear, Act 1, sc. 4, l. 369 (1.4.369) (1606)</title>
		<link>https://wist.info/shakespeare-william/3527/</link>
		<comments>https://wist.info/shakespeare-william/3527/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[fix]]></category>
		<category><![CDATA[haste]]></category>
		<category><![CDATA[hubris]]></category>
		<category><![CDATA[improve]]></category>
		<category><![CDATA[improvement]]></category>
		<category><![CDATA[overreach]]></category>
		<category><![CDATA[perfectionist]]></category>
		<category><![CDATA[ruin]]></category>
		<category><![CDATA[rush]]></category>
		<category><![CDATA[surpass]]></category>

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		<description><![CDATA[ALBANY: Striving to better, oft we mar what&#8217;s well.]]></description>
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			<content:encoded><![CDATA[<p>ALBANY: Striving to better, oft we mar what&#8217;s well.</p>
<br><b>William Shakespeare</b> (1564–1616) English dramatist and poet<br><i>King Lear</i>, Act 1, sc. 4, l. 369 (1.4.369) (1606) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/king-lear/entire-play/#:~:text=Striving%20to%20better%2C%20oft%20we%20mar%20what%E2%80%99s%20well." target="_blank">Source</a>)
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