WIST Quotations

La Bruyere, Jean de -- The Characters [Les Caractères], ch. 1 “Of Works of the Mind [Des Ouvrages de l’Esprit],” § 58 (1.58) (1688) [tr. Stewart (1970)]

Dave — Tue, 05 Mar 2024 23:56:37 +0000

There is this disadvantage to be endured in reading books by members of some party or faction, that they do not always give us the truth. Facts are distorted, opposing points of view are not stated with sufficient force or with complete accuracy; and the most longsuffering reader must tire at last of such a great number of harsh and insulting terms used against one another by these earnest men, who make a personal quarrel out of a doctrinal point or a disputed fact. The peculiar thing about these works is that they deserve neither the prodigious vogue they enjoy for a while nor the profound neglect into which they lapse when, passions and divisions having died down, they become like last year’s almanacs.

[L’on a cette incommodité à essuyer dans la lecture des livres faits par des gens de parti et de cabale, que l’on n’y voit pas toujours la vérité. Les faits y sont déguisés, les raisons réciproques n’y sont point rapportées dans toute leur force, ni avec une entière exactitude; et, ce qui use la plus longue patience, il faut lire un grand nombre de termes durs et injurieux que se disent des hommes graves, qui d’un point de doctrine ou d’un fait contesté se font une querelle personnelle. Ces ouvrages ont cela de particulier qu’ils ne méritent ni le cours prodigieux qu’ils ont pendant un certain temps, ni le profond oubli où ils tombent lorsque, le feu et la division venant à s’éteindre, ils deviennent des almanachs de l’autre année.]

Jean de La Bruyère (1645-1696) French essayist, moralist
The Characters [Les Caractères], ch. 1 “Of Works of the Mind [Des Ouvrages de l’Esprit],” § 58 (1.58) (1688) [tr. Stewart (1970)]
(Source)

Some translators suggests this references polemical writings between the Jesuits and Jansenists.

(Source (French)). Alternate translations:

We have this disadvantage in reading Books written by Men of Party and Cabal: We seldom meet with the Truth in 'em; Actions are there disguised, the reasons of both sides are not alledg'd with all their force, nor with an entire exactness. He who has the greatest patience must read abundance of hard, injurious reflexions on the gravest men, with whom the Writer has some personal quarrel about a point of Doctrine, or matter of Controversie. These Books are particular in this, that they deserve not the prodigious Sale they find at their first appearance, nor the profound Oblivion that attends 'em after∣wards: When the fury and division of these Authors cease, they are forgotten, like an Almanack out of date.
[Bullord ed. (1696)]

We have this Inconveniency in reading Books written by Men of Party and Cabal, we seldom meet Truth in them; Actions are there disguis'd, the Reasons of both sides not alledg'd with all their force, nor with an entire exactness. He who has the greatest Patience, must read abundance of hard and scurrilous Reflections on the gravest Men, who make a personal Quarrel about a Point of Doctrine, or Matter of Controversy. These Books are particular in this, that they deserve not the prodigious Sale they find at their first appearance, nor the profound Oblivion which attends 'em afterwards. When the Fury and Division of Parties cease, they are forgotten like Almanacks out of date.
[Curll ed. (1713)]

This is the certain disadvantage of reading Books written by Men of Party and Cabal, Truth is not in them; Actions are disguised, the Reasons of both sides are not alledged with all their force, nor with an entire exactness. And, what no patience can bear, he must read abundance of scurrilous Reflections tost to and fro by grave Men, making a personal Quarrel about a Point of Doctrine, or controverted Fact. These Books are particular in this, that they deserve not the prodigious Sale they find at their first appearance, nor the profound Oblivion that attends them afterwards: When the Ebullitions of Parties subside, they are forgotten like an Almanack out of date.
[Browne ed. (1752)]

The disadvantage of reading books written by people belonging to a certain party or a certain set is that they do not always contain the truth. Facts are disguised, the arguments on both sides are not brought forward in all their strength, nor are they quite accurate; and what wears out the greatest patience is that we must read a large number of harsh and scurrilous reflections, tossed to and fro by serious-minded men, who consider themselves personally insulted when any point of doctrine or any doubtful matter is controverted. Such works possess this peculiarity, that they neither deserve the prodigious success they have for a certain time, nor the profound oblivion into which they fall afterwards, when the rage and contention have ceased, and they become like almanacks out of date.
[tr. Van Laun (1885)]

Hand, Learned -- “Sources of Tolerance,” speech, University of Pennsylvania Law School (1930-06)

Dave — Thu, 12 Oct 2023 19:16:00 +0000

Historians may be dogmatists, I know, though not so often now as when history was dogma. At least you will perhaps agree that even a smattering of history and especially of letters will go far to dull the edges of uncompromising conviction. No doubt one may quote history to support any cause, as the devil quotes scripture; but modern history is not a very satisfactory side-arm in political polemics; it grows less and less so.

Learned Hand (1872-1961) American jurist
“Sources of Tolerance,” speech, University of Pennsylvania Law School (1930-06)
(Source)

Collected in The Spirit of Liberty (1953).

Tarkovsky, Andrei -- Sculpting in Time (1986) [tr. Hunter-Blair]

Dave — Mon, 03 Oct 2022 20:30:14 +0000

Never try to convey your idea to the audience — it is a thankless and senseless task. Show them life, and they’ll find within themselves the means to assess and appreciate it.

Andrei Tarkovsky (1932-1986) Russian film director, screenwriter, film theorist [Андрей Арсеньевич Тарковский]
Sculpting in Time (1986) [tr. Hunter-Blair]

Bowen, Elizabeth -- “Truth and Fiction,” BBC Radio (Oct 1956)

Dave — Mon, 13 Jul 2020 15:06:14 +0000

If a theme or idea is too near the surface, the novel becomes simply a tract illustrating an idea.

Elizabeth Bowen (1899-1973) Irish author
“Truth and Fiction,” BBC Radio (Oct 1956)
(Source)

Serling, Rod -- “The Challenge of the Mass Media to the 20th Century Writer,” Speech, Library of Congress (15 Jan 1968)

Dave — Mon, 01 May 2017 22:10:00 +0000

The writer’s role is to menace the public’s conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.

Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
“The Challenge of the Mass Media to the 20th Century Writer,” Speech, Library of Congress (15 Jan 1968)

Orwell, George -- Essay (1946-04), “Politics and the English Language,” Horizon Magazine

Dave — Tue, 25 Apr 2017 20:21:56 +0000

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? And he will probably ask himself two more: Could I put it more shortly? Have I said anything that is avoidably ugly?
But you are not obliged to go to all this trouble. You can shirk it by simply throwing your mind open and letting the ready-made phrases come crowding in. They will construct your sentences for you — even think your thoughts for you, to a certain extent — and at need they will perform the important service of partially concealing your meaning even from yourself.
It is at this point that the special connection between politics and the debasement of language becomes clear.

George Orwell (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]
Essay (1946-04), “Politics and the English Language,” Horizon Magazine
(Source)

Bradbury, Ray -- Interview, Playboy (1996)

Dave — Mon, 12 May 2014 16:05:38 +0000

Science fiction is also a great way to pretend you are writing about the future when in reality you are attacking the recent past and the present.

Ray Bradbury (1920-2012) American writer, futurist, fabulist
Interview, Playboy (1996)
(Source)

Orwell, George -- Essay (1939), “Charles Dickens,” sec. 5, Inside the Whale (1940-03-11)

Dave — Thu, 26 Feb 2009 10:42:52 +0000

But every writer, especially every novelist, has a “message”, whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda. Neither Dickens himself nor the majority of Victorian novelists would have thought of denying this. On the other hand, not all propaganda is art.

George Orwell (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]
Essay (1939), “Charles Dickens,” sec. 5, Inside the Whale (1940-03-11)
(Source)

See Sinclair.