WIST Quotations

Doyle, Arthur Conan -- Story (1890-02), “The Sign of the Four,” ch. 1 [Holmes], Lippincott’s Monthly Magazine, Vol. 45 (US) / 1 (UK)

Dave — Thu, 09 Apr 2026 18:57:28 +0000

Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid.

Arthur Conan Doyle (1859–1930) British writer and physician
Story (1890-02), “The Sign of the Four,” ch. 1 [Holmes], Lippincott’s Monthly Magazine, Vol. 45 (US) / 1 (UK)
(Source)

Critiquing Watson's writing in A Study in Scarlet (1887). More on Euclid's Fifth Proposition here.

The original publication, and Doyle's manuscript (along with many other iterations across media) use "The Sign of the Four" as the title, while others (including the first book publications) use "The Sign of Four." The five-word form is used most commonly in the story, but the four-word form does show up. (More info.)

Published in novel form as The Sign of Four (1890-10).

Joyce, James -- In Arthur Power, Conversations with James Joyce (1974)

Dave — Tue, 04 May 2021 18:02:41 +0000

In realism you get down to facts on which the world is based; that sudden reality which smashes romanticism into a pulp. What makes most people’s lives unhappy is some disappointed romanticism, some unrealizable or misconceived ideal. In fact you may say that idealism is the ruin of man, and if we lived down to fact, as primitive man had to do, we would be better off. That is what we were made for. Nature is quite unromantic. It is we who put romance into her, which is a false attitude, an egotism, absurd like all egotism.

James Joyce (1882–1941) Irish writer, poet
In Arthur Power, Conversations with James Joyce (1974)

Bowen, Elizabeth -- Pictures and Conversations, ch. 1 (1975)

Dave — Mon, 10 Aug 2020 14:52:15 +0000

As a novelist, I cannot occupy myself with “characters,” or at any rate central ones, who lack panache, in one or another sense, who would be incapable of a major action or a major passion, or who have not a touch of the ambiguity, the ultimate unaccountability, the enlarging mistiness of persons “in history.” History, as more austerely I now know it, is not romantic. But I am.

Elizabeth Bowen (1899–1973) Irish author
Pictures and Conversations, ch. 1 (1975)
(Source)

Rowling, Jo -- “The Fringe Benefits of Failure and the Importance of Imagination,” Commencement Address, Harvard (5 Jun 2008)

Dave — Mon, 18 Aug 2014 12:29:31 +0000

I cannot criticize my parents for hoping that I would never experience poverty. They had been poor themselves, and I have since been poor. And I quite agree with them that it is not an ennobling experience. Poverty entails fear, and stress, and sometimes depression. It means a thousand petty humiliations and hardships. Climbing out of poverty by your own efforts, that is something on which to pride yourself. But poverty itself is romanticized only by fools.

Joanne "Jo" Rowling (b. 1965) British novelist [writes as J. K. Rowling and Robert Galbraith]
“The Fringe Benefits of Failure and the Importance of Imagination,” Commencement Address, Harvard (5 Jun 2008)
(Source)