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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Bible, Vol. 1. Old Testament -- Book 22b. Sirach (Ecclesiasticus) 27: 4ff (Sir 27:4–7) [tr. NRSV (2021 ed.)]</title>
		<link>https://wist.info/bible-ot/85167/</link>
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		<pubDate>Tue, 28 Jul 2026 17:57:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bible, Vol. 1. Old Testament]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[conversation]]></category>
		<category><![CDATA[feelings]]></category>
		<category><![CDATA[praiseworthiness]]></category>
		<category><![CDATA[reason]]></category>
		<category><![CDATA[self-expression]]></category>
		<category><![CDATA[speaking]]></category>
		<category><![CDATA[speech]]></category>
		<category><![CDATA[talking]]></category>
		<category><![CDATA[test]]></category>
		<category><![CDATA[trial]]></category>

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		<description><![CDATA[When a sieve is shaken, the refuse appears; so does a person’s waste when he speaks. The kiln tests the potter’s vessels, and the test of a person is in his conversation. Its fruit discloses the cultivation of a tree; so does speech the thoughts of the human mind. Do not praise anyone before he [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When a sieve is shaken, the refuse appears;<br />
<span class="tab">so does a person’s waste when he speaks.<br />
The kiln tests the potter’s vessels,<br />
<span class="tab">and the test of a person is in his conversation.<br />
Its fruit discloses the cultivation of a tree;<br />
<span class="tab">so does speech the thoughts of the human mind.<br />
Do not praise anyone before he speaks,<br />
<span class="tab">for this is the way people are tested.</p>
<p>[Ἐν σείσματι κοσκίνου διαμένει κοπρία,<br />
<span class="tab">οὕτως σκύβαλα ἀνθρώπου ἐν λογισμῷ αὐτοῦ.<br />
σκεύη κεραμέως δοκιμάζει κάμινος,<br />
<span class="tab">καὶ πειρασμὸς ἀνθρώπου ἐν διαλογισμῷ αὐτοῦ.<br />
γεώργιον ξύλου ἐκφαίνει ὁ καρπὸς αὐτοῦ,<br />
<span class="tab">οὕτως λόγος ἐνθυμήματος καρδίας ἀνθρώπου.<br />
πρὸ λογισμοῦ μὴ ἐπαινέσῃς ἄνδρα·<br />
<span class="tab">οὗτος γὰρ πειρασμὸς ἀνθρώπων]</span></span></span></span></span></span></span></span></p>
<br><b>The Bible (The Old Testament)</b> (14th - 2nd C BC) Judeo-Christian sacred scripture [Tanakh, Hebrew Bible], incl. the Apocrypha (Deuterocanonicals) <br>Book 22b. <i>Sirach (Ecclesiasticus)</i> 27: 4ff (Sir 27:4–7) [tr. NRSV (2021 ed.)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.biblegateway.com/passage/?search=sirach%2027%3A4-7&version=NRSVUE" target="_blank">Source</a>)
										<br><br><span class="cite">
						

More on the history and acceptance of this Apocryphal book <a href="https://en.wikipedia.org/wiki/Book_of_Sirach">here</a> and <a href="https://archive.org/details/thejerusalembible1966/page/1034/mode/2up">here</a>.<br><br>

(<a href="https://tips.translation.bible/tip_verse/sir-274/">Source (Greek)</a>). Alternate translations:<br><br>

<blockquote><span class="tab">As when one sifteth with a sieve, the refuse remaineth; so the filth of man in his talk.<br>
<span class="tab">The furnace proveth the potter's vessels; so the trial of man is in his reasoning.<br>
<span class="tab">The fruit declareth if the tree have been dressed; so is the utterance of a conceit in the heart of man.<br>
<span class="tab">Praise no man before thou hearest him speak; for this is the trial of men.<br>
[tr. <a href="https://www.kingjamesbibleonline.org/Ecclesiasticus-Chapter-27/#4">KJV</a> (1611)]</blockquote><br>

<blockquote>As when one sifteth with a sieve, the dust will remain: <br>
<span class="tab">so will the perplexity of a man in his thoughts.<br>
The furnace trieth the potter's vessels, <br>
<span class="tab">and the trial of affliction just men.<br>
Be the dressing of a tree sheweth the fruit thereof, <br>
<span class="tab">so a word out of the thought of the heart of man.<br>
Praise not a man before he speaketh, <br>
<span class="tab">for this is the trial of men.<br>
[tr. <a href="https://www.biblegateway.com/passage/?search=sirach%2027%3A5-8&version=DRA">DRA</a> (1899), 27:5–8]</blockquote><br>

<blockquote>In a shaken sieve the rubbish is left behind, <br>
<span class="tab">so too the defects of a man appear in his talk.<br>
The kiln tests the work of the potter, <br>
<span class="tab">the test of a man is in his conversation.<br>
The orchard where the tree grows is judged on the quality of its fruit, <br>
<span class="tab">similarly a man's words betray what he feels.<br>
Do not praise a man before he has spoken, <br>
<span class="tab">since this is the test of men.<br>
[tr. <a href="https://www.seraphim.my/bible/jb/JB-OT28%20SIRACH%20(GK).htm#:~:text=27%3A4%20In,test%20of%20men.">JB</a> (1966)]</blockquote><br>

<blockquote>In a shaken sieve the rubbish is left behind, <br>
<span class="tab">so too the defects of a person appear in speech.<br>
The kiln tests the work of the potter, <br>
<span class="tab">the test of a person is in conversation.<br>
The orchard where the tree grows is judged by its fruit, <br>
<span class="tab">similarly words betray what a person feels.<br>
Do not praise anyone who has not yet spoken, <br>
<span class="tab">since this is where people are tested.<br>
[tr. <a href="https://www.bibliacatolica.com.br/en/new-jerusalem-bible/ecclesiasticus/27/#:~:text=4.,people%20are%20tested.">NJB</a> (1985)]</blockquote><br>

<blockquote>Your talk shows your faults; it is like a sieve that separates out the rubbish. The way you think shows your character just as surely as a kiln shows any flaws in the pottery being fired. You can tell how well a tree has been cared for by the fruit it bears, and you can tell a person's feelings by the way he expresses himself. Never praise anyone before you hear him talk; that is the real test.<br>
[tr. <a href="https://www.biblegateway.com/passage/?search=sirach%2027%3A4-7&version=GNT">GNT</a> (1992 ed.)]</blockquote><br>

<blockquote>When a sieve is shaken,<br>
rubbish remains behind;<br>
<span class="tab">so in the process of reasoning,<br>
<span class="tab">a person’s flaws appear.<br>
A kiln tests a potter’s jars,<br>
<span class="tab">and decision making tests a person.<br>
A tree’s fruit reveals<br>
how well it has been cultivated.<br>
<span class="tab">In the same way, reasoning makes plain<br>
<span class="tab">a person’s thoughts.<br>
Don’t praise people<br>
until after they present an argument,<br>
<span class="tab">for this is how people are tested.<br>
[tr. <a href="https://www.biblegateway.com/passage/?search=sirach%2027%3A4-7&version=CEB">CEB</a> (2011)]</blockquote><br>
						</span>
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		<title>Hugo, Victor -- The Man Who Laughs [L&#8217;Homme qui rit; The Laughing Man; By Order of the King], Part 1, Book  2, ch.  4 (1.2.4) (1869) [tr. Unknown (1869)]</title>
		<link>https://wist.info/hugo-victor/84972/</link>
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		<pubDate>Mon, 13 Jul 2026 21:32:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
		<category><![CDATA[inner self]]></category>
		<category><![CDATA[mind]]></category>
		<category><![CDATA[monologue]]></category>
		<category><![CDATA[self-expression]]></category>
		<category><![CDATA[soliloquy]]></category>
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		<description><![CDATA[Soliloquy is the smoke exhaled by the inmost fires of the soul. [Le monologue est la fumée des feux intérieurs de l’esprit.] The same wording was used in the Authorized translation (1871). (Source (French)). Other translations: Monologue is the smoke of the internal fires of the soul. [tr. Hapgood (1888); Phillips (1894)] The monologue is [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Soliloquy is the smoke exhaled by the inmost fires of the soul.</p>
<p><em>[Le monologue est la fumée des feux intérieurs de l’esprit.]</em></p>
<br><b>Victor Hugo</b> (1802–1885) French writer, journalist, human rights activist, politician<br><i>The Man Who Laughs [L&#8217;Homme qui rit; The Laughing Man; By Order of the King]</i>, Part 1, Book  2, ch.  4 (1.2.4) (1869) [tr. Unknown (1869)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_man_who_laughs_Claude_Gueux/hVNCAQAAMAAJ?hl=en&gbpv=1&bsq=%22smoke%20exhaled%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The <a href="https://en.wikisource.org/wiki/The_Man_Who_Laughs_(Estes_and_Lauriat_1869)/Chapter_13#:~:text=Soliloquy%20is%20the%20smoke%20exhaled%20by%20the%20inmost%20fires%20of%20the%20soul.">same wording</a> was used in the Authorized translation (1871).<br><br>

(<a href="https://fr.wikisource.org/wiki/L%E2%80%99Homme_qui_rit_(%C3%A9d._1907)/I-Livre_deuxi%C3%A8me#:~:text=Le%20monologue%20est%20la%20fum%C3%A9e%20des%20feux%20int%C3%A9rieurs%20de%20l%E2%80%99esprit.">Source (French)</a>). Other translations:<br><br>

<blockquote>Monologue is the smoke of the internal fires of the soul.<br>
[tr. <a href="https://archive.org/details/worksofvictorhu01hugo/page/n105/mode/2up?q=%22internal+fires%22">Hapgood</a> (1888); <a href="https://archive.org/details/bwb_T5-DIA-128_1/page/n157/mode/2up?q=%22internal+fires%22">Phillips</a> (1894)]  </blockquote><br>

<blockquote>The monologue is the smoke of the inner fires of the mind.<br>
[tr. <a href="https://www.google.com/books/edition/The_Man_Who_Laughs/NcrhEAAAQBAJ?hl=en&gbpv=1&bsq=%22the%20monologue%22">Lavelle</a> (2003)]</blockquote><br>						</span>
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		<title>Millay, Edna St. Vincent -- &#8220;The Poet and His Book,&#8221; st.  6, Second April (1921)</title>
		<link>https://wist.info/millay-edna-st-vincent/80179/</link>
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		<pubDate>Fri, 07 Nov 2025 05:29:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Millay, Edna St. Vincent]]></category>
		<category><![CDATA[afterlife]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[legacy]]></category>
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		<category><![CDATA[poet]]></category>
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		<description><![CDATA[Stranger, pause and look; From the dust of ages Lift this little book, Turn the tattered pages, Read me, do not let me die! Search the fading letters, finding Steadfast in the broken binding All that once was I!]]></description>
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			<content:encoded><![CDATA[<p>Stranger, pause and look;<br />
<span class="tab">From the dust of ages<br />
Lift this little book,<br />
<span class="tab">Turn the tattered pages,<br />
Read me, do not let me die!<br />
<span class="tab">Search the fading letters, finding<br />
<span class="tab">Steadfast in the broken binding<br />
All that once was I!</p>
<br><b>Edna St. Vincent Millay</b> (1892-1950) American poet<br>&#8220;The Poet and His Book,&#8221; st.  6, <i>Second April</i> (1921) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Second_April/C80qAAAAYAAJ?hl=en&gbpv=1&bsq=%22stranger%20pause%22" target="_blank">Source</a>)
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		<title>Bradbury, Ray -- Zen in the Art of Writing, Preface (1994)</title>
		<link>https://wist.info/bradbury-ray/79865/</link>
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		<pubDate>Tue, 21 Oct 2025 00:08:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bradbury, Ray]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[composing]]></category>
		<category><![CDATA[creation]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[music]]></category>
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		<description><![CDATA[So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.]]></description>
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			<content:encoded><![CDATA[<p>So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.</p>
<br><b>Ray Bradbury</b> (1920-2012) American writer, futurist, fabulist<br><i>Zen in the Art of Writing</i>, Preface (1994) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Zen_in_the_Art_of_Writing/WCLMDgAAQBAJ?hl=en&gbpv=1&dq=ray+bradbury+%22revitalize+us+amidst+it+all%22&pg=PT11&printsec=frontcover" target="_blank">Source</a>)
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		<title>McLaughlin, Mignon -- The Second Neurotic&#8217;s Notebook, ch.  9 (1966)</title>
		<link>https://wist.info/mclaughlin-mignon/78053/</link>
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		<pubDate>Mon, 28 Jul 2025 21:12:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McLaughlin, Mignon]]></category>
		<category><![CDATA[affluence]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[message]]></category>
		<category><![CDATA[money]]></category>
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		<description><![CDATA[When you let money speak for you, it drowns out anything else you meant to say.]]></description>
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			<content:encoded><![CDATA[<p>When you let money speak for you, it drowns out anything else you meant to say.</p>
<br><b>Mignon McLaughlin</b> (1913-1983) American journalist and author<br><i>The Second Neurotic&#8217;s Notebook</i>, ch.  9 (1966) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/secondneuroticsn00mcla/page/74/mode/2up?q=%22money+speak%22" target="_blank">Source</a>)
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		<title>Fromm, Erich -- The Art of Loving, ch. 2, sec. 1 (1956)</title>
		<link>https://wist.info/fromm-erich/64013/</link>
		<comments>https://wist.info/fromm-erich/64013/#respond</comments>
		<pubDate>Fri, 20 Oct 2023 14:17:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fromm, Erich]]></category>
		<category><![CDATA[gift]]></category>
		<category><![CDATA[giving]]></category>
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		<description><![CDATA[Giving is more joyous than receiving, not because it is a deprivation, but because in the act of giving lies the expression of my aliveness.]]></description>
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			<content:encoded><![CDATA[<p>Giving is more joyous than receiving, not because it is a deprivation, but because in the act of giving lies the expression of my aliveness.</p>
<br><b>Erich Fromm</b> (1900-1980) American psychoanalyst and social philosopher<br><i>The Art of Loving</i>, ch. 2, sec. 1 (1956) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/artofloving0000from/page/22/mode/2up?q=%22giving+is+more+joyous%22" target="_blank">Source</a>)
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		<title>Goethe, Johann von -- Elective Affinities [Die Wahlverwandtschaften], Part 2, ch. 5, &#8220;From Ottilie&#8217;s Journal [Aus Ottiliens Tagebuche]&#8221; (1809) [tr. Hollingdale (1971)]</title>
		<link>https://wist.info/goethe-johann/57498/</link>
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		<pubDate>Mon, 05 Dec 2022 17:09:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Goethe, Johann von]]></category>
		<category><![CDATA[actions]]></category>
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		<description><![CDATA[Behavior is a mirror in which everyone displays his own image. [Das Betragen ist ein Spiegel in welchem jeder sein Bild zeigt.] (Source (German)). Alternate translation: Behavior is a mirror in which every one shows his image. [Niles ed. (1872)]]]></description>
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			<content:encoded><![CDATA[<p>Behavior is a mirror in which everyone displays his own image.</p>
<p><em>[Das Betragen ist ein Spiegel in welchem jeder sein Bild zeigt.]</em></p>
<br><b>Johann Wolfgang von Goethe</b> (1749-1832) German poet, statesman, scientist<br><i>Elective Affinities [Die Wahlverwandtschaften]</i>, Part 2, ch. 5, &#8220;From Ottilie&#8217;s Journal <i>[Aus Ottiliens Tagebuche]&#8221;</i> (1809) [tr. Hollingdale (1971)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/electiveaffiniti00goet/page/194/mode/2up?q=mirror" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://archive.org/details/diewahlverwandts0000goet/page/166/mode/2up?q=%22Betragen+ist+ein+Spiegel%22">Source (German)</a>). Alternate translation:<br><br>

<blockquote>Behavior is a mirror in which every one shows his image.<br>
[<a href="https://www.google.com/books/edition/Goethe_s_Elective_Affinities/4D8qAAAAYAAJ?hl=en&gbpv=1&bsq=%22behavior%20is%20a%20mirror%22">Niles</a> ed. (1872)]</blockquote><br>						</span>
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		<title>McLuhan, Marshall -- The Medium is the Massage: An Inventory of Effects (1967) [with Quentin Fiore]</title>
		<link>https://wist.info/mcluhan-marshall/56063/</link>
		<comments>https://wist.info/mcluhan-marshall/56063/#respond</comments>
		<pubDate>Wed, 21 Sep 2022 17:40:13 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McLuhan, Marshall]]></category>
		<category><![CDATA[acceptance]]></category>
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		<description><![CDATA[Art is anything you can get away with. More discussion of this quotation: Art Is Anything You Can Get Away With – Quote Investigator.]]></description>
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			<content:encoded><![CDATA[<p>Art is anything you can get away with.</p>
<br><b>Marshall McLuhan</b> (1911-1980) Canadian philosopher, communication theorist, educator<br><i>The Medium is the Massage: An Inventory of Effects</i> (1967) [with Quentin Fiore] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/mediumismassagei0000mclu/page/132/mode/2up" target="_blank">Source</a>)
										<br><br><span class="cite">
						

More discussion of this quotation: <a href="https://quoteinvestigator.com/2022/08/10/art-anything/">Art Is Anything You Can Get Away With – Quote Investigator</a>.

						</span>
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		<title>Tarkovsky, Andrei -- Sculpting in Time (1986) [tr. Hunter-Blair]</title>
		<link>https://wist.info/tarkovsky-andrei/56014/</link>
		<comments>https://wist.info/tarkovsky-andrei/56014/#respond</comments>
		<pubDate>Mon, 19 Sep 2022 17:51:36 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tarkovsky, Andrei]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake.</p>
<br><b>Andrei Tarkovsky</b> (1932-1986)  Russian film director, screenwriter, film theorist [Андрей Арсеньевич Тарковский]<br><i>Sculpting in Time</i> (1986) [tr. Hunter-Blair] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Sculpting_in_Time/u-HRWkL6vnAC?hl=en&gbpv=1&bsq=%22art%20is%20born%22" target="_blank">Source</a>)
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		<title>Schulman, Tom -- Dead Poets Society (1989)</title>
		<link>https://wist.info/schulman-tom/54383/</link>
		<comments>https://wist.info/schulman-tom/54383/#comments</comments>
		<pubDate>Fri, 01 Jul 2022 14:09:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Schulman, Tom]]></category>
		<category><![CDATA[individuality]]></category>
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		<description><![CDATA[KEATING: Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to find it at all. Thoreau said, &#8220;Most men lead lives of quiet desperation.&#8221; Don&#8217;t be resigned to that. Break out! Break out! See Thoreau.]]></description>
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			<content:encoded><![CDATA[<p>KEATING: Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to find it at all. Thoreau said, &#8220;Most men lead lives of quiet desperation.&#8221; Don&#8217;t be resigned to that. Break out! Break out! </p>
<br><b>Tom Schulman</b> (b. 1951) American screenwriter, director<br><i>Dead Poets Society</i> (1989) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.dailyscript.com/scripts/dead_poets_final.html#:~:text=Boys%2C%20you%20must%20strive%20to%20find,resigned%20to%20that.%20Break%20out!" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="https://wist.info/thoreau-henry-david/12539/">Thoreau</a>.						</span>
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		<title>Connolly, Cyril -- &#8220;Miscellany: Last Words,&#8221; The New Statesman (25 Feb 1933)</title>
		<link>https://wist.info/connolly-cyril/52414/</link>
		<comments>https://wist.info/connolly-cyril/52414/#respond</comments>
		<pubDate>Tue, 29 Mar 2022 17:44:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Connolly, Cyril]]></category>
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		<description><![CDATA[Better to write for yourself and have no public, than to write for the public and have no self.]]></description>
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			<content:encoded><![CDATA[<p>Better to write for yourself and have no public, than to write for the public and have no self.</p>
<br><b>Cyril Connolly</b> (1903-1974) English intellectual, literary critic and writer.<br>&#8220;Miscellany: Last Words,&#8221; <i>The New Statesman</i> (25 Feb 1933) 
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		<title>Mencken, H. L. -- &#8220;The Fringes of Lovely Letters,&#8221; Prejudices: Fifth Series (1926)</title>
		<link>https://wist.info/mencken-hl/50784/</link>
		<comments>https://wist.info/mencken-hl/50784/#respond</comments>
		<pubDate>Wed, 12 Jan 2022 14:59:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Mencken, H. L.]]></category>
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		<description><![CDATA[An author, like any other so-called artist, is a man in whom the normal vanity of all men is so vastly exaggerated that he finds it a sheer impossibility to hold it in. His overpowering impulse is to gyrate before his fellow men, flapping his wings and emitting defiant yells. This being forbidden by the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>An author, like any other so-called artist, is a man in whom the normal vanity of all men is so vastly exaggerated that he finds it a sheer impossibility to hold it in. His overpowering impulse is to gyrate before his fellow men, flapping his wings and emitting defiant yells. This being forbidden by the police of all civilized countries, he takes it out by putting his yells on paper. Such is the thing called self-expression.</p>
<br><b>H. L. Mencken</b> (1880-1956) American writer and journalist [Henry Lewis Mencken]<br>&#8220;The Fringes of Lovely Letters,&#8221; <i>Prejudices: Fifth Series</i> (1926) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Mencken_Chrestomathy/2Q19hMwsNgYC?hl=en&gbpv=1&dq=mencken+%22emitting+defiant+yells%22&pg=PA466&printsec=frontcover" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Arendt, Hannah -- Life of the Mind, Vol. 1 &#8220;Thinking,&#8221; Part 1, ch.  4 &#8220;Body and soul; soul and mind&#8221; (1977)</title>
		<link>https://wist.info/arendt-hannah/44578/</link>
		<comments>https://wist.info/arendt-hannah/44578/#respond</comments>
		<pubDate>Thu, 03 Dec 2020 19:29:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Arendt, Hannah]]></category>
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		<description><![CDATA[The emotions I feel are no more meant to be shown in their unadulterated state than the inner organs by which we live. Originally printed as an essay (1977-11-14), &#8220;Thinking &#8212; I,&#8221; The New Yorker (1977-11-21).]]></description>
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			<content:encoded><![CDATA[<p>The emotions I feel are no more <em>meant</em> to be shown in their unadulterated state than the inner organs by which we live.</p>
<br><b>Hannah Arendt</b> (1906-1975) German-American philosopher, political theorist<br><i>Life of the Mind</i>, Vol. 1 &#8220;Thinking,&#8221; Part 1, ch.  4 &#8220;Body and soul; soul and mind&#8221; (1977) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/lifeofmind01aren/page/32/mode/2up?q=%22inner+organs+by%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Originally <a href="https://www.newyorker.com/magazine/1977/11/21/thinkingi#:~:text=the%20emotions%20I%20feel%20are%20no%20more%20meant%20to%20be%20shown%20in%20their%20unadulterated%20state%20than%20are%20the%20inner%20organs%20by%20which%20we%20live.">printed as an essay</a> (1977-11-14), "Thinking -- I," <i>The New Yorker</i> (1977-11-21).




 
						</span>
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		<title>Chomsky, Noam -- &#8220;An Eight Point Brief for LEV (Lesser Evil Voting)&#8221; (2016-06-15) [with John Halle]</title>
		<link>https://wist.info/chomsky-noam/43802/</link>
		<comments>https://wist.info/chomsky-noam/43802/#respond</comments>
		<pubDate>Wed, 21 Oct 2020 15:16:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chomsky, Noam]]></category>
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		<description><![CDATA[Another point of disagreement [over Lesser Evil Voting] is not factual but involves the ethical/moral principle [&#8230;] sometimes referred to as the &#8220;politics of moral witness.&#8221; Generally associated with the religious left, secular leftists implicitly invoke it when they reject LEV on the grounds that &#8220;a lesser of two evils is still evil.&#8221; Leaving aside [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Another point of disagreement [over Lesser Evil Voting] is not factual but involves the ethical/moral principle [&#8230;] sometimes referred to as the &#8220;politics of moral witness.&#8221; Generally associated with the religious left, secular leftists implicitly invoke it when they reject LEV on the grounds that &#8220;a lesser of two evils is still evil.&#8221; Leaving aside the obvious rejoinder that this is exactly the point of lesser evil voting &#8212; i.e. to do less evil, what needs to be challenged is the assumption that voting should be seen a form of individual self-expression rather than as an act to be judged on its likely consequences. [&#8230;]  The basic moral principle at stake is simple: not only must we take responsibility for our actions, but the consequences of our actions for others are a far more important consideration than feeling good about ourselves.</p>
<br><b>Noam Chomsky</b> (b. 1928) American linguist and activist<br>&#8220;An Eight Point Brief for LEV (Lesser Evil Voting)&#8221; (2016-06-15) [with John Halle] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://johnhalle.com/hallechomsky-an-eight-point-brief-for-lev-lesser-evil-voting/#post-1065:~:text=Another%20point%20of%20disagreement%20is%20not,consideration%20than%20feeling%20good%20about%20ourselves." target="_blank">Source</a>)
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		<title>McCourt, Frank -- Angela&#8217;s Ashes (1996)</title>
		<link>https://wist.info/mccourt-frank/43158/</link>
		<comments>https://wist.info/mccourt-frank/43158/#respond</comments>
		<pubDate>Thu, 10 Sep 2020 21:55:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McCourt, Frank]]></category>
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		<description><![CDATA[Sing your song. Dance your dance. Tell your tale. Also included in the dedication to Teacher Man (2006).]]></description>
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			<content:encoded><![CDATA[<p>Sing your song. Dance your dance. Tell your tale.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote.png"><img alt="" fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote.png" alt="" width="800" height="520" class="aligncenter size-full wp-image-43161" srcset="https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote-300x195.png 300w, https://wist.info/wp/wp-content/uploads/2020/09/McCourt-Sing-your-song.-Dance-your-dance.-Tell-your-tale-wist.info-quote-768x499.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Frank McCourt</b> (1930-2009) Irish-American teacher and writer<br><i>Angela&#8217;s Ashes</i> (1996) 
														<br><br><span class="cite">
						

Also <a href="https://www.google.com/books/edition/Teacher_Man/YhgcwJ1L-s0C?hl=en&gbpv=1&bsq=%22dance%20your%20dance%22">included</a> in the dedication to <i>Teacher Man</i> (2006).

						</span>
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		<title>Bowen, Elizabeth -- Letter to Graham Greene, quoted in Why Do I Write? (1948)</title>
		<link>https://wist.info/bowen-elizabeth/42942/</link>
		<comments>https://wist.info/bowen-elizabeth/42942/#respond</comments>
		<pubDate>Mon, 24 Aug 2020 16:40:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bowen, Elizabeth]]></category>
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		<description><![CDATA[I am sure that in nine out of ten cases the original wish to write is the wish to make oneself felt &#8230; the non-essential writer never gets past that wish. Ellipses in the original.]]></description>
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			<content:encoded><![CDATA[<p>I am sure that in nine out of ten cases the original wish to write is the wish to make oneself felt &#8230; the non-essential writer never gets past that wish.</p>
<br><b>Elizabeth Bowen</b> (1899-1973) Irish author<br>Letter to Graham Greene, quoted in <i>Why Do I Write?</i> (1948) 
														<br><br><span class="cite">
						

Ellipses in the original.						</span>
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		<title>Stevenson, Robert Louis -- Essay (1888-09), &#8220;A Letter to a Young Gentleman who Proposes to Embrace the Career of Art,&#8221; Scribner&#8217;s Magazine, Vol. 4, No. 3</title>
		<link>https://wist.info/stevenson-robert-louis/22629/</link>
		<comments>https://wist.info/stevenson-robert-louis/22629/#respond</comments>
		<pubDate>Wed, 09 Oct 2013 12:15:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stevenson, Robert Louis]]></category>
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		<description><![CDATA[To know what you like is the beginning of wisdom and of old age. Youth is wholly experimental. The essence and charm of that unquiet and delightful epoch is ignorance of self as well as ignorance of life. These two unknowns the young man brings together again and again, now in the airiest touch, now [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>To know what you like is the beginning of wisdom and of old age. Youth is wholly experimental. The essence and charm of that unquiet and delightful epoch is ignorance of self as well as ignorance of life. These two unknowns the young man brings together again and again, now in the airiest touch, now with a bitter hug; now with exquisite pleasure, now with cutting pain; but never with indifference, to which he is a total stranger, and never with that near kinsman of indifference, contentment.</p>
<br><b>Robert Louis Stevenson</b> (1850–1894) Scottish essayist, novelist, poet<br>Essay (1888-09), &#8220;A Letter to a Young Gentleman who Proposes to Embrace the Career of Art,&#8221; <i>Scribner&#8217;s Magazine</i>, Vol. 4, No. 3 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=uc1.b5290324&seq=391&q1=%22to+know+what+you+like%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://gutenberg.org/cache/epub/614/pg614-images.html#page182:~:text=To%20know%20what,of%20indifference%2C%20contentment.">Collected</a> in <i>Across the Plains</i>, ch. 10 (1892).
						</span>
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		<title>Watterson, Bill -- Calvin and Hobbes (1995-01-09)</title>
		<link>https://wist.info/watterson-bill/4089/</link>
		<comments>https://wist.info/watterson-bill/4089/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Watterson, Bill]]></category>
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		<description><![CDATA[INSTRUCTIONS: &#8220;1. Explain Newton&#8217;s First Law of Motion in your own words.&#8221; CALVIN: (writing, after a moment of inspiration) Yakka foob mog. Grug pubbawup zink wattoom gazork. Chumble spuzz.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">INSTRUCTIONS:   &#8220;1. Explain Newton&#8217;s First Law of Motion in your own words.&#8221;</p>
<p class="hangingindent">CALVIN:  <i>(writing, after a moment of inspiration)</i> Yakka foob mog.  Grug pubbawup zink wattoom gazork.  Chumble spuzz.</p>
<p></p>
<p><a href="https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1995-01-09.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1995-01-09.png" alt="calvin &amp; hobbes 1995 01 09" title="calvin &amp; hobbes 1995 01 09" width="901" height="293" class="aligncenter size-full wp-image-73336" srcset="https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1995-01-09.png 901w, https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1995-01-09-300x98.png 300w, https://wist.info/wp/wp-content/uploads/2004/02/Calvin-Hobbes-1995-01-09-768x250.png 768w" sizes="(max-width: 901px) 100vw, 901px" /></a></p>
<br><b>Bill Watterson</b> (b. 1958) American cartoonist<br><i>Calvin and Hobbes</i> (1995-01-09) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gocomics.com/calvinandhobbes/1995/01/09" target="_blank">Source</a>)
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