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	<title>WIST Quotations</title>
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		<title>Meir, Golda -- Interview (1972-11) by Oriana Fallaci, Ms. (1973-04)</title>
		<link>https://wist.info/meir-golda/62760/</link>
		<comments>https://wist.info/meir-golda/62760/#respond</comments>
		<pubDate>Thu, 24 Aug 2023 23:43:46 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Meir, Golda]]></category>
		<category><![CDATA[crying]]></category>
		<category><![CDATA[emotion]]></category>
		<category><![CDATA[feelings]]></category>
		<category><![CDATA[laughing]]></category>
		<category><![CDATA[laughter]]></category>
		<category><![CDATA[repression]]></category>
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		<category><![CDATA[stoicism]]></category>

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		<description><![CDATA[I’ve always felt sorry for people afraid of feeling, of sentimentality, of emotion, who conceal what they feel and are unable to weep with their whole heart. Because those who do not know how to weep with their whole heart don&#8217;t know how to laugh either. Answering to the charge that she is hard and [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I’ve always felt sorry for people afraid of feeling, of sentimentality, of emotion, who conceal what they feel and are unable to weep with their whole heart. Because those who do not know how to weep with their whole heart don&#8217;t know how to laugh either.</p>
<br><b>Golda Meir</b> (1898-1978) Russian-American-Israeli politician, teacher; Prime Minister of Israel (1969-1974)<br>Interview (1972-11) by Oriana Fallaci, <i>Ms.</i> (1973-04) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Ms_Magazine/3rMbAQAAMAAJ?hl=en&gbpv=1&bsq=%22weep%20with%20their%20whole%20heart%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Answering to the charge that she is hard and inflexible, countering that she is very sensitive and feeling in most matters.<br><br>

The full interview was reprinted in Fallaci, <i><a href="https://archive.org/details/interviewwithhis0000fall/page/116/mode/2up?q=%22i%27ve+always+felt+sorry%22&view=theater">Interview with History</a></i>, ch. 4 "Golda Meir" (1974) [tr. Shepley (1976)], but slightly rephrased:<br><br>

<blockquote>I’ve always felt sorry for people who are afraid of their feelings, of their emotions, and who hide what they feel and can’t cry wholeheartedly. Because anyone who can’t cry wholeheartedly can’t laugh wholeheartedly either.</blockquote><br>

Was this re-edited (and in which instance?), or is it a matter of different translation? It's unclear in what language the interview was conducted, but the original edition of the book <em>(<a href="https://archive.org/details/intervistaconlas0000oria/page/138/mode/2up?q=%22sempre+fatto+pena%22">Intervista con la Storia</a>)</em> was in Italian, Fallaci's native language, which gave the passage as follow:<br><br>

<blockquote><em>A me ha sempre fatto pena la gente che ha paura dei sentimenti, delle emozioni, e nasconde quello che prova e non sa piangere con tutto il cuore. Perché chi non sa piangere con tutto il cuore non sa nemmeno ridere a gola spiegata.</em></blockquote>






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		<title>Robinson, Roxana -- &#8220;The Writer&#8217;s Life,&#8221; Authors Guild Bulletin (Winter 2015)</title>
		<link>https://wist.info/robinson-roxana/54773/</link>
		<comments>https://wist.info/robinson-roxana/54773/#respond</comments>
		<pubDate>Thu, 14 Jul 2022 15:58:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Robinson, Roxana]]></category>
		<category><![CDATA[compassion]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[sentimentality]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[The idea of compassion has become unfashionable. It’s gotten confused with sentimentality, though you English majors know the difference: sentimentality is emotion without responsibility; compassion is the recognition of shared humanity. Chalk and cheese. Sentimentality is superficial, easy listening that does nothing to expand our understanding. Compassion is quite different. Risky and exigent, it puts [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The idea of compassion has become unfashionable. It’s gotten confused with sentimentality, though you English majors know the difference: sentimentality is emotion without responsibility; compassion is the recognition of shared humanity. Chalk and cheese. Sentimentality is superficial, easy listening that does nothing to expand our understanding. Compassion is quite different. Risky and exigent, it puts you inside someone else. This is one of literature’s greatest strengths</p>
<br><b>Roxana Robinson</b> (b. 1946) American novelist and biographer<br>&#8220;The Writer&#8217;s Life,&#8221; <i>Authors Guild Bulletin</i> (Winter 2015) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.authorsguild.org/industry-advocacy/the-writers-life-by-roxana-robinson/#:~:text=the%20idea%20of,literature%E2%80%99s%20greatest%20strengths." target="_blank">Source</a>)
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		<title>James, William -- The Principles of Psychology, Vol. 1, ch. 4 &#8220;Habit&#8221; (1890)</title>
		<link>https://wist.info/james-william/38138/</link>
		<comments>https://wist.info/james-william/38138/#respond</comments>
		<pubDate>Mon, 23 Oct 2017 23:22:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[James, William]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[bravery]]></category>
		<category><![CDATA[courage]]></category>
		<category><![CDATA[dreamer]]></category>
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		<description><![CDATA[There is no more contemptible type of human character that that of the nerveless sentimentalist and dreamer, who spends his life in a weltering sea of sensibility and emotion, but who never does a manly concrete deed. This chapter originally published in Popular Science Monthly (Feb 1887).]]></description>
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			<content:encoded><![CDATA[<p>There is no more contemptible type of human character that that of the nerveless sentimentalist and dreamer, who spends his life in a weltering sea of sensibility and emotion, but who never does a manly concrete deed.</p>
<br><b>William James</b> (1842-1910) American psychologist and philosopher<br><i>The Principles of Psychology,</i> Vol. 1, ch. 4 &#8220;Habit&#8221; (1890) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=lbtE-xb5U-oC&dq=william%20james%20principles%20of%20psychology%20volume%201&pg=PA125#v=onepage&q=contemptible&f=false" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This chapter originally published in <i>Popular Science Monthly</i> (Feb 1887).						</span>
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		<title>King, Martin Luther -- Sermon (1957-11-17), &#8220;Loving Your Enemies,&#8221; Dexter Avenue Baptist Church, Montgomery</title>
		<link>https://wist.info/king-martin-luther/37336/</link>
		<comments>https://wist.info/king-martin-luther/37336/#respond</comments>
		<pubDate>Sat, 01 Jul 2017 01:38:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Martin Luther]]></category>
		<category><![CDATA[agape]]></category>
		<category><![CDATA[compassion]]></category>
		<category><![CDATA[emotions]]></category>
		<category><![CDATA[goodwill]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[love your enemy]]></category>
		<category><![CDATA[love your neighbor]]></category>
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		<description><![CDATA[In the final analysis, love is not this sentimental something that we talk about. It&#8217;s not merely an emotional something. Love is creative, understanding goodwill for all men. It is the refusal to defeat any individual. When you rise to the level of love, of its great beauty and power, you seek only to defeat [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In the final analysis, love is not this sentimental something that we talk about. It&#8217;s not merely an emotional something. Love is creative, understanding goodwill for all men. It is the refusal to defeat any individual. When you rise to the level of love, of its great beauty and power, you seek only to defeat evil systems. Individuals who happen to be caught up in that system, you love, but you seek to defeat the system.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/06/King-love-is-not-this-sentimental-something-that-we-talk-about-defeat-the-system-wist_info-quote.png"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/06/King-love-is-not-this-sentimental-something-that-we-talk-about-defeat-the-system-wist_info-quote.png" alt="King - Loving Your Enemies" width="970" height="590" class="aligncenter size-full wp-image-37344" srcset="https://wist.info/wp/wp-content/uploads/2017/06/King-love-is-not-this-sentimental-something-that-we-talk-about-defeat-the-system-wist_info-quote.png 970w, https://wist.info/wp/wp-content/uploads/2017/06/King-love-is-not-this-sentimental-something-that-we-talk-about-defeat-the-system-wist_info-quote-300x182.png 300w, https://wist.info/wp/wp-content/uploads/2017/06/King-love-is-not-this-sentimental-something-that-we-talk-about-defeat-the-system-wist_info-quote-768x467.png 768w, https://wist.info/wp/wp-content/uploads/2017/06/King-love-is-not-this-sentimental-something-that-we-talk-about-defeat-the-system-wist_info-quote-60x36.png 60w" sizes="(max-width: 970px) 100vw, 970px" /></a></p>
<br><b>Martin Luther King, Jr.</b> (1929-1968) American clergyman, civil rights leader, social activist, preacher<br>Sermon (1957-11-17), &#8220;Loving Your Enemies,&#8221; Dexter Avenue Baptist Church, Montgomery 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-church#:~:text=In%20the%20final,defeat%20the%20system." target="_blank">Source</a>)
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		<title>Smith, Logan Pearsall -- More Trivia, &#8220;Last Words&#8221; (1934)</title>
		<link>https://wist.info/smith-logan-pearsall/36242/</link>
		<comments>https://wist.info/smith-logan-pearsall/36242/#respond</comments>
		<pubDate>Thu, 09 Feb 2017 21:12:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Smith, Logan Pearsall]]></category>
		<category><![CDATA[change]]></category>
		<category><![CDATA[henoed]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[past]]></category>
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		<description><![CDATA[Am I the person who used to wake in the middle of the night and laugh with the joy of living? Who worried about the existence of God, and danced with young ladies till long after daybreak? Who sang &#8220;Auld Lang Syne&#8221; and howled with sentiment, and more than once gazed at the full moon [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Am I the person who used to wake in the middle of the night and laugh with the joy of living? Who worried about the existence of God, and danced with young ladies till long after daybreak? Who sang &#8220;Auld Lang Syne&#8221; and howled with sentiment, and more than once gazed at the full moon through a blur of great, romantic tears? </p>
<br><b>Logan Pearsall Smith</b> (1865-1946) American-English essayist, editor, anthologist<br><i>More Trivia</i>, &#8220;Last Words&#8221; (1934) 
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		<title>McEwan, Ian -- &#8220;Only love and then oblivion,&#8221; The Guardian (15 Sep 2001)</title>
		<link>https://wist.info/mcewan-ian/34719/</link>
		<comments>https://wist.info/mcewan-ian/34719/#respond</comments>
		<pubDate>Wed, 10 Aug 2016 03:09:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McEwan, Ian]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[There was really only one thing for her to say, those three words that all the terrible art, the worst pop songs and movies, the most seductive lies, can somehow never cheapen. I love you.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>There was really only one thing for her to say, those three words that all the terrible art, the worst pop songs and movies, the most seductive lies, can somehow never cheapen. <em>I love you.</em></p>
<p><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/08/McEwan-I-love-you-wist_info-quote.jpg" alt="McEwan - I love you - wist_info quote" width="605" height="494" class="aligncenter size-full wp-image-34723" srcset="https://wist.info/wp/wp-content/uploads/2016/08/McEwan-I-love-you-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/08/McEwan-I-love-you-wist_info-quote-300x245.jpg 300w, https://wist.info/wp/wp-content/uploads/2016/08/McEwan-I-love-you-wist_info-quote-60x49.jpg 60w" sizes="(max-width: 605px) 100vw, 605px" /></p>
<br><b>Ian McEwan</b> (b. 1948) English novelist and screenwriter<br>&#8220;Only love and then oblivion,&#8221; <i>The Guardian</i> (15 Sep 2001) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.theguardian.com/world/2001/sep/15/september11.politicsphilosophyandsociety2" target="_blank">Source</a>)
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		<title>Whedon, Joss -- Firefly, 1&#215;01 &#8220;Serenity&#8221; (pilot) (20 Dec 2002)</title>
		<link>https://wist.info/whedon-joss/28504/</link>
		<comments>https://wist.info/whedon-joss/28504/#respond</comments>
		<pubDate>Thu, 05 Mar 2015 14:20:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Whedon, Joss]]></category>
		<category><![CDATA[backstabbing]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[even chance]]></category>
		<category><![CDATA[fair]]></category>
		<category><![CDATA[fair chance]]></category>
		<category><![CDATA[fairness]]></category>
		<category><![CDATA[gruff]]></category>
		<category><![CDATA[honor]]></category>
		<category><![CDATA[murder]]></category>
		<category><![CDATA[sentimentality]]></category>

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		<description><![CDATA[SIMON: I&#8217;m trying to put this as delicately as I can. How do I know you won&#8217;t kill me in my sleep? MAL: You don&#8217;t know me, son, so let me explain this to you once: If I ever kill you, you&#8217;ll be awake, you&#8217;ll be facing me, and you&#8217;ll be armed. SIMON: Are you [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>SIMON: I&#8217;m trying to put this as delicately as I can. How do I know you won&#8217;t kill me in my sleep?<br />
MAL: You don&#8217;t know me, son, so let me explain this to you once: If I ever kill you, you&#8217;ll be awake, you&#8217;ll be facing me, and you&#8217;ll be armed.<br />
SIMON: Are you always this sentimental?<br />
MAL: I had a good day.</p>
<br><b>Joss Whedon</b> (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]<br><i>Firefly</i>, 1&#215;01 &#8220;Serenity&#8221; (pilot) (20 Dec 2002) 
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		<title>Brophy, Brigid -- Unlived Life</title>
		<link>https://wist.info/brophy-brigid/886/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brophy, Brigid]]></category>
		<category><![CDATA[cruelty]]></category>
		<category><![CDATA[excuse]]></category>
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		<description><![CDATA[Whenever people say &#8220;we mustn&#8217;t be sentimental,&#8221; you can take it they are about to do something cruel. And if they add, &#8220;we must be realistic,&#8221; they mean they are going to make money out of it.]]></description>
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			<content:encoded><![CDATA[<p>Whenever people say &#8220;we mustn&#8217;t be sentimental,&#8221; you can take it they are about to do something cruel.  And if they add, &#8220;we must be realistic,&#8221; they mean they are going to make money out of it.</p>
<br><b>Brigid Brophy</b> (1929-1995) Anglo-Irish writer, novelist, playwright<br><i>Unlived Life</i> 
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