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		<title>Russell, Bertrand -- Conquest of Happiness, Part 2, ch. 17 &#8220;The Happy Man&#8221; (1930)</title>
		<link>https://wist.info/russell-bertrand/81984/</link>
		<comments>https://wist.info/russell-bertrand/81984/#respond</comments>
		<pubDate>Wed, 11 Feb 2026 17:46:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Russell, Bertrand]]></category>
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		<category><![CDATA[self-denial]]></category>
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		<description><![CDATA[In fact the whole antithesis between self and the rest of the world, which is implied in the doctrine of self-denial, disappears as soon as we have any genuine interest in persons or things outside ourselves. Through such interests a man comes to feel himself part of the stream of life, not a hard separate [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In fact the whole antithesis between self and the rest of the world, which is implied in the doctrine of self-denial, disappears as soon as we have any genuine interest in persons or things outside ourselves. Through such interests a man comes to feel himself part of the stream of life, not a hard separate entity like a billiard-ball, which can have no relation with other such entities except that of collision.</p>
<br><b>Bertrand Russell</b> (1872-1970) English mathematician and philosopher<br><i>Conquest of Happiness</i>, Part 2, ch. 17 &#8220;The Happy Man&#8221; (1930) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.222834/page/n249/mode/2up?q=%22whole+antithesis+between%22" target="_blank">Source</a>)
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		<title>Marlowe, Christopher -- The Tragicall History of the Life and Death of Doctor Faustus, Act 1, sc. 3 (sc.  3), l.  317ff (1594; 1604 &#8220;A&#8221; text)</title>
		<link>https://wist.info/marlowe-christopher/81618/</link>
		<comments>https://wist.info/marlowe-christopher/81618/#respond</comments>
		<pubDate>Thu, 22 Jan 2026 23:43:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Marlowe, Christopher]]></category>
		<category><![CDATA[damnation]]></category>
		<category><![CDATA[deprivation]]></category>
		<category><![CDATA[heaven]]></category>
		<category><![CDATA[hell]]></category>
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		<description><![CDATA[FAUSTUS: Where are you damn’d? MEPHISTOPHILIS: In hell. FAUSTUS: How comes it, then, that thou art out of hell? MEPHISTOPHILIS: Why, this is hell, nor am I out of it Think&#8217;st thou that I, who saw the face of God, And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">FAUSTUS: Where are you damn’d?</p>
<p class="hangingindent">MEPHISTOPHILIS: In hell.</p>
<p class="hangingindent">FAUSTUS: How comes it, then, that thou art out of hell?</p>
<p class="hangingindent">MEPHISTOPHILIS: Why, this is hell, nor am I out of it<br />
Think&#8217;st thou that I, who saw the face of God,<br />
And tasted the eternal joys of heaven,<br />
Am not tormented with ten thousand hells,<br />
In being depriv&#8217;d of everlasting bliss?</p>
<p></p>
<br><b>Christopher "Kit" Marlowe</b> (1564-1593) English dramatist and poet<br><i>The Tragicall History of the Life and Death of Doctor Faustus</i>, Act 1, sc. 3 (sc.  3), l.  317ff (1594; 1604 &#8220;A&#8221; text) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.03.0010%3Ascene%3D3#:~:text=Fau.%0AWhere,of%20everlasting%20bliss%3F" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The 1594 (1616) "B" text has the <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.03.0011%3Aact%3D1%3Ascene%3D3#:~:text=Faust.%0AWhere,of%20everlasting%20bliss%3F">same dialog</a> (l. 299ff).
						</span>
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		<title>Millay, Edna St. Vincent -- Poem (1921-10-31), &#8220;The Philosopher,&#8221; st. 1, Ainslee&#8217;s Magazine, Vol. 48, No. 3</title>
		<link>https://wist.info/millay-edna-st-vincent/80361/</link>
		<comments>https://wist.info/millay-edna-st-vincent/80361/#respond</comments>
		<pubDate>Thu, 13 Nov 2025 22:16:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Millay, Edna St. Vincent]]></category>
		<category><![CDATA[bereavement]]></category>
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		<description><![CDATA[And what are you that, missing you, I should be kept awake As many nights as there are days With weeping for your sake? First collected in A Few Figs from Thistles (1922).]]></description>
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			<content:encoded><![CDATA[<p>And what are you that, missing you,<br />
<span class="tab">I should be kept awake<br />
As many nights as there are days<br />
<span class="tab">With weeping for your sake?</span></span></p>
<br><b>Edna St. Vincent Millay</b> (1892-1950) American poet<br>Poem (1921-10-31), &#8220;The Philosopher,&#8221; st. 1, <i>Ainslee&#8217;s</i> Magazine, Vol. 48, No. 3 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/sim_ainslees_1921-11_48_3/page/152/mode/2up?q=%22what+are+you+that%2C+missing%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://archive.org/details/AFewFigsFromThistles1921/page/n23/mode/2up?q=%22should+be+kept+awake%22">First collected</a> in <i>A Few Figs from Thistles</i> (1922).




						</span>
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		<title>Millay, Edna St. Vincent -- &#8220;Ebb,&#8221; The Nation (UK), Vol. 27, No. 4 (1920-04-24)</title>
		<link>https://wist.info/millay-edna-st-vincent/79593/</link>
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		<pubDate>Thu, 09 Oct 2025 22:41:18 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Millay, Edna St. Vincent]]></category>
		<category><![CDATA[breaking up]]></category>
		<category><![CDATA[drying up]]></category>
		<category><![CDATA[dwindling]]></category>
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		<description><![CDATA[I know what my heart is like Since your love died: It is like a hollow ledge Holding a little pool Left there by the tide, A little tepid pool, Drying inward from the edge. Collected in Second April (1921).]]></description>
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			<content:encoded><![CDATA[<p>I know what my heart is like<br />
<span class="tab">Since your love died:<br />
It is like a hollow ledge<br />
Holding a little pool<br />
<span class="tab">Left there by the tide,<br />
<span class="tab">A little tepid pool,<br />
Drying inward from the edge.</span></span></span></p>
<br><b>Edna St. Vincent Millay</b> (1892-1950) American poet<br>&#8220;Ebb,&#8221; <i>The Nation</i> (UK), Vol. 27, No. 4 (1920-04-24) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/sim_nation-and-athenaeum_1920-04-24_27_4/page/112/mode/2up?q=%22tepid+pool%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://www.google.com/books/edition/Second_April/ss0SAAAAYAAJ?hl=en&gbpv=1&dq=%22second+april%22+millay&printsec=frontcover">Collected</a> in <i>Second April</i> (1921).
						</span>
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		<title>Joubert, Joseph -- Pensées [Thoughts], ch. 14 &#8220;Des Gouvernements [On Governments],&#8221; ¶  31 (1793; 1850 ed.) [tr. Attwell (1896), ¶ 199]</title>
		<link>https://wist.info/joubert-joseph/76888/</link>
		<comments>https://wist.info/joubert-joseph/76888/#respond</comments>
		<pubDate>Tue, 10 Jun 2025 17:09:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Joubert, Joseph]]></category>
		<category><![CDATA[decay]]></category>
		<category><![CDATA[deliberation]]></category>
		<category><![CDATA[gradualism]]></category>
		<category><![CDATA[incrementalism]]></category>
		<category><![CDATA[loosening]]></category>
		<category><![CDATA[patience]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[undermining]]></category>
		<category><![CDATA[wear]]></category>

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		<description><![CDATA[Imitate time. It destroys slowly. It undermines, wears, loosens, separates. It does not uproot. [Imitez le temps: il détruit tout avec lenteur; il mine, il use, il déracine, il détache, et n’arrache pas.] (Source (French)). Alternate translations: Imitate time: it destroys every thing slowly; it undermines, it wears away, it detaches, it does not wrench. [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Imitate time. It destroys slowly. It undermines, wears, loosens, separates. It does not uproot.</p>
<p><em>[Imitez le temps: il détruit tout avec lenteur; il mine, il use, il déracine, il détache, et n’arrache pas.]</em></p>
<br><b>Joseph Joubert</b> (1754-1824) French moralist, philosopher, essayist, poet<br><i>Pensées [Thoughts]</i>, ch. 14 <i>&#8220;Des Gouvernements</i> [On Governments],&#8221; ¶  31 (1793; 1850 ed.) [tr. Attwell (1896), ¶ 199] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/pensesjoubert00joubgoog/page/n92/mode/2up?q=%22imitate+time%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://archive.org/details/pensesessaisma01joubuoft/page/340/mode/2up?q=%22Imitez+le+temps%22">Source (French)</a>). Alternate translations:<br><br>

<blockquote>Imitate time: it destroys every thing slowly; it undermines, it wears away, it detaches, it does not wrench.<br>
[tr. <a href="https://archive.org/details/JoubertSomeThoughts/page/n111/mode/2up?q=%22imitate+TIME%22">Calvert</a> (1866), ch. 12]  </blockquote><br>

<blockquote>Let time be your example; it destroys everything slowly; it undermines, wears out, uproots, detaches, and never tears away.<br>
[tr. <a href="https://archive.org/details/joubertaselecti00lyttgoog/page/n160/mode/2up?q=%22time+be+your%22">Lyttelton</a> (1899), ch. 13, ¶ 10]</blockquote><br>

<blockquote>Imitate time. It destroys slowly. It eats away, it uses up, it uproots, it detaches and does not rip apart.<br>
[tr. <a href="https://archive.org/details/translations0000unse_s5s8/page/30/mode/2up?q=%22imitate+time%22">Auster</a> (1983), 1793 entry] </blockquote><br>						</span>
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		<title>Byron, George Gordon, Lord -- Childe Harold&#8217;s Pilgrimage, Canto 3, st.  113 (1816)</title>
		<link>https://wist.info/byron/76282/</link>
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		<pubDate>Mon, 21 Apr 2025 18:28:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
		<category><![CDATA[difference]]></category>
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		<description><![CDATA[I have not loved the World, nor the World me; I have not flattered its rank breath, nor bowed To its idolatries a patient knee, Nor coined my cheek to smiles, &#8212; nor cried aloud In worship of an echo: in the crowd They could not deem me one of such &#8212; I stood Among [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I have not loved the World, nor the World me;<br />
<span class="tab">I have not flattered its rank breath, nor bowed<br />
<span class="tab">To its idolatries a patient knee,<br />
<span class="tab">Nor coined my cheek to smiles, &#8212; nor cried aloud<br />
<span class="tab">In worship of an echo: in the crowd<br />
<span class="tab">They could not deem me one of such &#8212; I stood<br />
<span class="tab">Among them, but not of them &#8212; in a shroud<br />
<span class="tab">Of thoughts which were not their thoughts, and still could,<br />
Had I not filed my mind, which thus itself subdued.</p>
<br><b>George Gordon, Lord Byron</b> (1788-1824) English poet<br><i>Childe Harold&#8217;s Pilgrimage</i>, Canto 3, st.  113 (1816) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Lord_Byron_(ed._Coleridge,_Prothero)/Poetry/Volume_2/Childe_Harold%27s_Pilgrimage/Canto_III#:~:text=I%20have%20not%20loved%20the%20World%2C%20nor%20the%20World%20me%3B,could%2C%0AHad%20I%20not%20filed%20my%20mind%2C%20which%20thus%20itself%20subdued." target="_blank">Source</a>)
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		<title>Austen, Jane -- Letter (1817-02-20) to Fanny Austen-Knight</title>
		<link>https://wist.info/austen-jane/75699/</link>
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		<pubDate>Mon, 17 Mar 2025 17:19:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Austen, Jane]]></category>
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		<description><![CDATA[I would recommend to her and Mr. D. the simple regimen of separate rooms. On Fanny&#8217;s aunt, Mrs. Sophia Deedes, having birthed an eighteenth child.]]></description>
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			<content:encoded><![CDATA[<p>I would recommend to her and Mr. D. the simple regimen of separate rooms.</p>
<br><b>Jane Austen</b> (1775-1817) English author<br>Letter (1817-02-20) to Fanny Austen-Knight 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Jane_Austen_and_Marriage/sYXksZIRkT0C?hl=en&gbpv=1&bsq=%22mr%20d%20the%20simple%20regimen%20of%20separate%20rooms%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

On Fanny's aunt, Mrs. Sophia Deedes, having birthed an eighteenth child.

						</span>
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		<title>Antrim, Minna -- Sweethearts and Beaux (1905)</title>
		<link>https://wist.info/antrim-minna/74843/</link>
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		<pubDate>Mon, 17 Feb 2025 21:25:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Antrim, Minna]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[apart]]></category>
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		<description><![CDATA[Separations are the tonics of Love, but beware of overdoses. See Propertius.]]></description>
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			<content:encoded><![CDATA[<p>Separations are the tonics of Love, but beware of overdoses.</p>
<br><b>Minna Antrim</b> (1861-1950) American epigrammatist, writer<br><i>Sweethearts and Beaux</i> (1905) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Sweethearts_and_Beaux/33M6AQAAIAAJ?hl=en&gbpv=1&bsq=%22tonics%20of%20love%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="/propertius/6952/">Propertius</a>.						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Barrie, James -- Peter Pan, Act 1 (1904, pub. 1928)</title>
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		<pubDate>Tue, 28 Jan 2025 18:49:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Barrie, James]]></category>
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		<description><![CDATA[PETER: You mustn’t touch me. WENDY: Why? PETER: No one must ever touch me. WENDY: Why? PETER: I don’t know. (He is never touched by any one in the play.) These lines are not in Barrie&#8217;s novelization, Peter and Wendy (1911).]]></description>
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			<content:encoded><![CDATA[<p>PETER: You mustn’t touch me.<br />
WENDY: Why?<br />
PETER: No one must ever touch me.<br />
WENDY: Why?<br />
PETER: I don’t know.<br />
<span class="tab"><span class="tab"><span class="tab"><i>(He is never touched by any one in the play.)</i></span></span></span></p>
<br><b>J. M. Barrie</b> (1860-1937) Scottish novelist and dramatist [James Matthew Barrie]<br><i>Peter Pan</i>, Act 1 (1904, pub. 1928) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Peter_Pan;_or,_the_Boy_Who_Would_Not_Grow_Up/Act_1#:~:text=PETER.%20You%20mustn%E2%80%99t,the%20play.)" target="_blank">Source</a>)
										<br><br><span class="cite">
						

These lines are not in Barrie's novelization, <i><a href="https://en.wikisource.org/wiki/Peter_and_Wendy_(1911)/Chapter_3">Peter and Wendy</a></i> (1911).						</span>
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		<title>Catullus -- Carmina #  76, ll. 17-20 [tr. MacNaghten (1925)]</title>
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		<pubDate>Wed, 04 Dec 2024 21:34:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Catullus]]></category>
		<category><![CDATA[break up]]></category>
		<category><![CDATA[breaking up]]></category>
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		<category><![CDATA[ending]]></category>
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		<description><![CDATA[&#8216;Tis hard to end a years-long love to-day; &#8216;Tis hard, achieve it then as best you may; This victory win, this only safety trust, Say not you cannot or you can &#8212; you must . &#160; [Difficile est longum subito deponere amorem; Difficile est, verum hoc qua libet efficias. Una salus haec est, hoc est [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>&#8216;Tis hard to end a years-long love to-day;<br />
<span class="tab">&#8216;Tis hard, achieve it then as best you may;<br />
This victory win, this only safety trust,<br />
<span class="tab">Say not you cannot or you can &#8212; you must .<br />
&nbsp;<br />
<em>[Difficile est longum subito deponere amorem;<br />
Difficile est, verum hoc qua libet efficias.<br />
Una salus haec est, hoc est tibi pervincendum;<br />
Hoc facias, sive id non pote sive pote.]</em></span></span></p>
<br><b>Catullus</b> (c. 84 BC – c. 54 BC) Latin poet [Gaius Valerius Catullus]<br>Carmina #  76, ll. 17-20 [tr. MacNaghten (1925)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=uc1.$b267122&seq=147&q1=%22year-long+love%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

On the need to break up with unfaithful Lesbia, his longtime love.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0003%3Apoem%3D76#:~:text=difficile%20est%20longum%20subito%20deponere%20amorem%3B%0Adifficile%20est%2C%20verum%20hoc%20qua%20libet%20efficias.%0Auna%20salus%20haec%20est%2C%20hoc%20est%20tibi%20pervincendum%3B%0Ahoc%20facias%2C%20sive%20id%20non%20pote%20sive%20pote.">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>At once to quench an ancient flame, I own,<br>
<span class="tab">Is truly hard; but still no efforts spare;<br>
On this thy peace depends, on this alone;<br>
<span class="tab">Then possible, or not, o conquer there!<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t6154g976&seq=393&q1=%22at+once+to+quench%22">Nott</a> (1795), # 73 "To Himself"]</blockquote><br>

<blockquote>'Tis hard to lay long-cherish'd love aside;<br>
<span class="tab">'Tis hard at once. But 'tis your only plan;<br>
'Tis all your hope. This love must be defied;<br>
<span class="tab">Nor think you cannot, but assert you can.<br>
[tr. <a href="https://www.google.com/books/edition/The_Poems_of_Caius_Valerius_Catullus_Tra/kkjntjX5d14C?hl=en&gbpv=1&bsq=%22hard%20to%20lay%22">Lamb</a> (1821), "The Lover's Petition (To Himself)"]</blockquote><br>

<blockquote>'Tis hard at once to fling a love away,<br>
<span class="tab">That has been cherish'd with the faith of years.<br>
'Tis hard -- but 'tis thy duty. Come what may,<br>
<span class="tab">Crush every record of its joys, its fears!<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.31175007358511&seq=54&q1=%22hard+at+once%22">T. Martin</a> (1861), "Remorse"]</blockquote><br>

<blockquote>'Tis hard to quench at once a long-nursed love;<br>
<span class="tab">'Tis hard -- but do it howsoe'er you may;<br>
It is your only chance -- our courage prove --<br>
<span class="tab">Easy or difficult -- you must obey.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t1hh7rq7f&seq=165&q1=%22hard+to+quench%22">Cranstoun</a> (1867), "To Himself. The Lover's Petition", st. 4]</blockquote><br>

<blockquote>What? it is hard long love so lightly to leave in a moment?<br>
<span class="tab">Hard; yet abides this one duty, to do it: obey.<br>
Here lies safety alone, one victory must not fail thee.<br>
<span class="tab">One last stake to be lost haply, perhaps to be won.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/18867/pg18867-images.html#:~:text=What%3F%20it%20is,to%20be%20won.">Ellis</a> (1871)]</blockquote><br>

<blockquote>Difficult 'tis indeed long Love to depose of a sudden,<br>
Difficult 'tis, yet do e'en as thou deem to be best.<br>
This be thy safe-guard sole; this conquest needs to be conquered;<br>
This thou must do, thus act, whether thou cannot or can.<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0005%3Apoem%3D76#:~:text=Difficult%20%27tis%20indeed%20long%20Love%20to%20depose%20of%20a%20sudden%2C%0ADifficult%20%27tis%2C%20yet%20do%20e%27en%20as%20thou%20deem%20to%20be%20best.%0AThis%20be%20thy%20safe%2Dguard%20sole%3B%20this%20conquest%20needs%20to%20be%20conquered%3B%0AThis%20thou%20must%20do%2C%20thus%20act%2C%20whether%20thou%20cannot%20or%20can.">Burton</a> (1893), "In Self-Gratulation"]</blockquote><br>

<blockquote>It is difficult suddenly to set aside a love of long standing; it is difficult, this is true, no matter how you do it. This is your one salvation, this you must fight to the finish; you must do it, whether it is possible or impossible.<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0006%3Apoem%3D76#:~:text=It%20is%20difficult%20suddenly%20to%20set%20aside%20a%20love%20of%20long%20standing%3B%20it%20is%20difficult%2C%20this%20is%20true%2C%20no%20matter%20how%20you%20do%20it.%20This%20is%20your%20one%20salvation%2C%20this%20you%20must%20fight%20to%20the%20finish%3B%20you%20must%20do%20it%2C%20whether%20it%20is%20possible%20or%20impossible">Smithers</a> (1894)]</blockquote><br>

<blockquote>'Tis hard to lay aside at will<br>
<span class="tab">The love of years, -- and yet, I trow,<br>
What men erewhile have borne may still;<br>
<span class="tab">Be borne, though hard, and shall be now.<br>
Borne, ay, and done -- done, whatsoe'er<br>
<span class="tab">The pain of doing. Here for me,<br>
Lies the sole refuge from despair,<br>
<span class="tab">And the end of all this misery. <br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t6h132d4q&seq=93&q1=%22hard+to+lay+aside%22">Harman</a> (1897), "The Soliloquy of Catullus"]</blockquote><br>

<blockquote>It is difficult suddenly to lay aside a long-standing love. It is difficult; but you should accomplish it, one way or another. This is the only safety, this you must carry through, this you are to do, whether it is possible or impossible.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=coo.31924074296397&seq=149&q1=%22it+is+difficult+suddenly%22">Warre Cornish</a> (1904)]</blockquote><br>

<blockquote>It is not easy, at a moment's notice, to lay aside a life-long love. It is not easy; but yo must do so, what way you can: this is our one salvation and must be attained by you: possible or impossible, do it you must.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t4hm54w4w&seq=217&q1=%22moment%27s+notice%22">Stuttaford</a> (1912)]</blockquote><br>

<blockquote>It is difficult suddenly to lay aside a long-cherished love. It is difficult; but you should accomplish it, one way or another. This is the only safety, this you must carry through, this you are to do, whether it is possible or impossible.<br>
[tr. <a href="https://archive.org/details/L006CatullusPoemsTibullusPervigiliumVeneris/page/n171/mode/2up?q=%22long-cherished+love%22">Warre Cornish</a> (Loeb) (1913)]</blockquote><br>

<blockquote>What can't be done, I still must do --<br>
Forget, if I would live life through.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t4pk0h310&seq=72&q1=%22i+still+must+do.%22">Stewart</a> (1915)]</blockquote><br>

<blockquote>And though 'tis hard to cast a long-worn chain,<br>
<span class="tab">Choose any means, but freedom gain.<br>
'Tis safety's only chance, then hold it fast<br>
<span class="tab">And do th'impossible at last!<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.$b311029&seq=60&q1=%22long-worn+chain%22">Symons-Jeune</a> (1923)]</blockquote><br>

<blockquote>Forbear, while heaven frowns, to fume and fret.<br>
<span class="tab">Steel your firm courage to escape her sway.<br>
"'Tis hard," you say, "so quickly to forget,"<br>
<span class="tab">'Tis hard; but with a will there is a way.<br>
Here is your chance: this victory you must win:<br>
<span class="tab">Whether you can nor no, the attempt begin.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.32106015467548&seq=125&q1=%22quickly+to+forget%22">Wright</a> (1926), "The Poet's Prayer"]</blockquote><br>

<blockquote>For it is hard, hard to throw aside years lived in poisonous love that has tainted your brain<br>
and must end.<br>
If this seems impossible now, you must rise <br>
to salvation.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.32106015467548&seq=125&q1=%22quickly+to+forget%22">Gregory</a> (1931)] </blockquote><br>

<blockquote>It's hard to break off with someone you've loved such a long time:<br>
it's hard, but you have to do it, somehow or another.<br>
Your only chance is to get out from under this sickness, <br>
no matter whether or not you think you're able.<br>
[tr. <a href="https://www.google.com/books/edition/The_Poems_of_Catullus/y_HafujaJM4C?hl=en&gbpv=1&bsq=%22it%27s%20hard%20to%20break%22">C. Martin</a> (1979)]</blockquote><br>

<blockquote>It’s difficult to suddenly let go of a former love,<br>
it’s difficult, but it would gratify you to do it:<br>
That’s your one salvation. That’s for you to prove,<br>
for you to try, whether you can or not.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/Catullus.php#anchor_Toc531846802:~:text=It%E2%80%99s%20difficult%20to,can%20or%20not.">Kline</a> (2001), "Past Kindness: to the Gods"]</blockquote><br>

<blockquote>It is difficult to suddenly put down a long love<br>
It is difficult, but you should do this in whatever way is pleasing<br>
This is the one safety this must be overcome by you<br>
Do this whether it is possible or not possible<br>
[tr. <a href="https://en.wikibooks.org/wiki/The_Poetry_of_Gaius_Valerius_Catullus/76">Wikibooks</a> (2017)]</blockquote><br>

<blockquote>It is difficult to suddenly put away a long love<br>
It is difficult, but you must effect this in some way or other:<br>
it is the one salvation, this must be conquered by you<br>
You must do this, whether it is impossible or possible.<br>
[tr. <a href="https://en.wikisource.org/wiki/Translation:Catullus_76#:~:text=It%20is%20difficult%20to%20suddenly%20put%20away%20a%20long%20love%0AIt%20is%20difficult%2C%20but%20you%20must%20effect%20this%20in%20some%20way%20or%20other%3A%0Ait%20is%20the%20one%20salvation%2C%20this%20must%20be%20conquered%20by%20you%0AYou%20must%20do%20this%2C%20whether%20it%20is%20impossible%20or%20possible.">Wikisource</a> (2018)]</blockquote><br>						</span>
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		<title>Viorst, Judith -- Necessary Losses, Introduction (1986)</title>
		<link>https://wist.info/viorst-judith/71828/</link>
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		<pubDate>Mon, 09 Sep 2024 14:58:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Viorst, Judith]]></category>
		<category><![CDATA[age]]></category>
		<category><![CDATA[change]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[loss]]></category>
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		<description><![CDATA[When we think of loss we think of the loss, through death, of people we love. But loss is a far more encompassing theme in our life. For we lose not only through death, but also by leaving and being left, by changing and letting go and moving on. And our losses include not only [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When we think of loss we think of the loss, through death, of people we love. But loss is a far more encompassing theme in our life. For we lose not only through death, but also by leaving and being left, by changing and letting go and moving on. And our losses include not only our separations and departures from those we love, but our conscious and unconscious losses of romantic dreams, impossible expectations, illusions of freedom and power, illusions of safety &#8212; and the loss of our own younger self, the self that thought it would always be unwrinkled and invulnerable and immortal. </p>
<br><b>Judith Viorst</b> (b. 1931) American writer, journalist, psychoanalysis researcher<br><i>Necessary Losses</i>, Introduction (1986) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/necessarylosses0000vior/page/n17/mode/2up?q=%22not+only+through+death%22" target="_blank">Source</a>)
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		<title>Saint-Exupery, Antoine -- Citadelle [The Wisdom of the Sands], ch.  46 (1948) [tr. Gilbert (1950)]</title>
		<link>https://wist.info/saint-exupery-antoine-de/64401/</link>
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		<pubDate>Fri, 03 Nov 2023 13:58:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Saint-Exupery, Antoine]]></category>
		<category><![CDATA[connection]]></category>
		<category><![CDATA[giving]]></category>
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		<description><![CDATA[Where the heart is in the giving, there is no question of goods that are being traded thriftily. In giving, you throw a bridge across the chasm of your solitude.]]></description>
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			<content:encoded><![CDATA[<p>Where the heart is in the giving, there is no question of goods that are being traded thriftily. In giving, you throw a bridge across the chasm of your solitude.</p>
<br><b>Antoine de Saint-Exupéry</b> (1900-1944) French writer, aviator<br><i>Citadelle [The Wisdom of the Sands]</i>, ch.  46 (1948) [tr. Gilbert (1950)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/wisdomofsands0000anto/page/146/mode/2up?q=%22across+the+chasm%22" target="_blank">Source</a>)
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		<title>Shakespeare, William -- Romeo and Juliet, Act 2, sc. 2, l. 199ff (2.2.199-200) (c. 1594)</title>
		<link>https://wist.info/shakespeare-william/56938/</link>
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		<pubDate>Wed, 02 Nov 2022 16:02:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[delay]]></category>
		<category><![CDATA[farewell]]></category>
		<category><![CDATA[leave-taking]]></category>
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		<description><![CDATA[JULIET: Good night, good night. Parting is such sweet sorrow That I shall say &#8220;Good night&#8221; till it be morrow.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">JULIET: Good night, good night. Parting is such sweet sorrow<br />
That I shall say &#8220;Good night&#8221; till it be morrow.</p>
<p></p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Romeo and Juliet</i>, Act 2, sc. 2, l. 199ff (2.2.199-200) (c. 1594) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/romeo-and-juliet/entire-play/#:~:text=with%20much%20cherishing.-,Good%20night%2C%20good%20night.%20Parting%20is%20such%20sweet,%C2%A0That%20I%20shall%20say%20%E2%80%9CGood%20night%E2%80%9D%20till%20it%20be%20morrow.,-%E2%8C%9CShe%C2%A0exits" target="_blank">Source</a>)
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		<title>Maugham, W. Somerset -- The Moon and Sixpence, ch. 42 (1919)</title>
		<link>https://wist.info/maugham-william-somerset/55087/</link>
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		<pubDate>Tue, 02 Aug 2022 04:06:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Maugham, W. Somerset]]></category>
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		<description><![CDATA[Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unknown by them. We are like people living in a country whose language they know so little that, with all manner of beautiful and profound things to say, they are condemned to the banalities of the conversation manual. Their brain is seething with ideas, and they can only tell you that the umbrella of the gardener’s aunt is in the house.</p>
<br><b>W. Somerset Maugham</b> (1874-1965) English novelist and playwright [William Somerset Maugham]<br><i>The Moon and Sixpence</i>, ch. 42 (1919) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.168540/page/n219/mode/2up?q=%22tower+of+brass%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Wilbur, Richard -- &#8220;Some Opposites,&#8221; Opposites (1973)</title>
		<link>https://wist.info/wilbur-richard/54926/</link>
		<comments>https://wist.info/wilbur-richard/54926/#respond</comments>
		<pubDate>Thu, 21 Jul 2022 17:30:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilbur, Richard]]></category>
		<category><![CDATA[alone]]></category>
		<category><![CDATA[couple]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[relationship]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[unity]]></category>

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		<description><![CDATA[What is the opposite of two? A lonely me, a lonely you.]]></description>
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			<content:encoded><![CDATA[<p>What is the opposite of <i>two? </i><br />
<i>A lonely me, a lonely you.</i></p>
<br><b>Richard Wilbur</b> (1921-2017) American poet, literary translator<br>&#8220;Some Opposites,&#8221; <i>Opposites</i> (1973) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Oxford_Book_of_Children_s_Verse_in_A/B2N2CAAAQBAJ?hl=en&gbpv=1&dq=richard+wilbur+%22opposite+of+two%22&pg=PA271&printsec=frontcover" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Butcher, Jim -- Peace Talks (2020)</title>
		<link>https://wist.info/butcher-jim/52224/</link>
		<comments>https://wist.info/butcher-jim/52224/#respond</comments>
		<pubDate>Mon, 21 Mar 2022 16:54:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Butcher, Jim]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[secrets]]></category>
		<category><![CDATA[separation]]></category>

		<guid isPermaLink="false">https://wist.info/?p=52224</guid>
		<description><![CDATA[Fear is a prison. But when you combine it with secrets, it becomes especially toxic, vicious. It puts us all into solitary, unable to hear one another clearly.]]></description>
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			<content:encoded><![CDATA[<p>Fear is a prison. But when you combine it with secrets, it becomes especially toxic, vicious. It puts us all into solitary, unable to hear one another clearly.</p>
<br><b>Jim Butcher</b> (b. 1971) American author<br><i>Peace Talks</i> (2020) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Peace_Talks/90XEDwAAQBAJ?hl=en&gbpv=1&bsq=%22fear%20is%20a%20prison%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Snicket, Lemony -- The Beatrice Letters (2006)</title>
		<link>https://wist.info/snicket-lemony/46304/</link>
		<comments>https://wist.info/snicket-lemony/46304/#respond</comments>
		<pubDate>Wed, 24 Mar 2021 14:39:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Snicket, Lemony]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[parted]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[togetherness]]></category>

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		<description><![CDATA[I never want to be away from you again, except at work, in the restroom, or when one of us is at a movie the other does not want to see.]]></description>
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			<content:encoded><![CDATA[<p>I never want to be away from you again, except at work, in the restroom, or when one of us is at a movie the other does not want to see.</p>
<br><b>Lemony Snicket</b> (b. 1970) American author, screenwriter, musician (pseud. for Daniel Handler)<br><i>The Beatrice Letters</i> (2006) 
								]]></content:encoded>
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		<title>Elizabeth II -- Address to the Nation (5 Apr 2020)</title>
		<link>https://wist.info/elizabeth-ii/46235/</link>
		<comments>https://wist.info/elizabeth-ii/46235/#respond</comments>
		<pubDate>Wed, 17 Mar 2021 18:26:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Elizabeth II]]></category>
		<category><![CDATA[encouragement]]></category>
		<category><![CDATA[endurance]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[hope]]></category>
		<category><![CDATA[optimism]]></category>
		<category><![CDATA[reunion]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[We should take comfort that while we may have more still to endure, better days will return: we will be with our friends again; we will be with our families again; we will meet again. On the COVID-19 Pandemic. The last line is an allusion to the famous WWII song.]]></description>
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			<content:encoded><![CDATA[<p>We should take comfort that while we may have more still to endure, better days will return: we will be with our friends again; we will be with our families again; we will meet again.</p>
<br><b>Elizabeth II</b> (b. 1926) Queen of the United Kingdom and the Commonwealth realms<br>Address to the Nation (5 Apr 2020) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.youtube.com/watch?v=bP_hNq6-0S8" target="_blank">Source</a>)
										<br><br><span class="cite">
						

On the COVID-19 Pandemic. The last line is an allusion to <a href="https://wist.info/parker-ross/46105/">the famous WWII song</a>.						</span>
					]]></content:encoded>
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		<title>Stekel, Wilhelm -- Marriage at the Crossroads (1931)</title>
		<link>https://wist.info/stekel-wilhelm/44067/</link>
		<comments>https://wist.info/stekel-wilhelm/44067/#respond</comments>
		<pubDate>Wed, 04 Nov 2020 21:36:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stekel, Wilhelm]]></category>
		<category><![CDATA[candor]]></category>
		<category><![CDATA[dividing]]></category>
		<category><![CDATA[healing]]></category>
		<category><![CDATA[honesty]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[openness]]></category>
		<category><![CDATA[relationship]]></category>
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		<description><![CDATA[Candor is always a double-edged sword; it may heal or it may separate.]]></description>
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			<content:encoded><![CDATA[<p>Candor is always a double-edged sword; it may heal or it may separate.</p>
<br><b>Wilhelm Stekel</b> (1868-1940) Austrian physician, psychologist<br><i>Marriage at the Crossroads</i> (1931) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Marriage_at_the_Crossroads/5NEGAAAAMAAJ?hl=en&gbpv=1&bsq=%22candor%20is%20always%20a%20double-edged%22" target="_blank">Source</a>)
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		<title>Connolly, Cyril -- &#8220;Writers and Society, 1940-3&#8221; (1943), The Condemned Playground (1946)</title>
		<link>https://wist.info/connolly-cyril/42607/</link>
		<comments>https://wist.info/connolly-cyril/42607/#respond</comments>
		<pubDate>Fri, 17 Jul 2020 19:37:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Connolly, Cyril]]></category>
		<category><![CDATA[alone]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[hidden]]></category>
		<category><![CDATA[journey]]></category>
		<category><![CDATA[muse]]></category>
		<category><![CDATA[path]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[solitary]]></category>
		<category><![CDATA[writing]]></category>

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		<description><![CDATA[In relation to his public, the artist of to-day [&#8230;] walks at first with his companions, till one day he falls through a hole in the brambles, and from that moment is following the dark rapids of an underground river which may sometimes flow so near the surface that the laughing picnic parties are heard [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In relation to his public, the artist of to-day [&#8230;] walks at first with his companions, till one day he falls through a hole in the brambles, and from that moment is following the dark rapids of an underground river which may sometimes flow so near the surface that the laughing picnic parties are heard above, only to re-immerse itself in the solitude of the limestone and carry him along its winding tunnel, until it gushes out through the misty creeper-hung cave which he has always believed to exist, and sets him back in the sun. </p>
<br><b>Cyril Connolly</b> (1903-1974) English intellectual, literary critic and writer.<br>&#8220;Writers and Society, 1940-3&#8221; (1943), <i>The Condemned Playground</i> (1946) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Horizon/pm0EAAAAMAAJ?hl=en&gbpv=1&bsq=%22following%20the%20dark%20rapids%22" target="_blank">Source</a>)
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		<title>Valéry, Paul -- &#8220;Moralités&#8221; (1932), Tel Quel 1 (1941)</title>
		<link>https://wist.info/valery-paul/41768/</link>
		<comments>https://wist.info/valery-paul/41768/#respond</comments>
		<pubDate>Mon, 18 May 2020 16:26:20 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Valéry, Paul]]></category>
		<category><![CDATA[alone]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[partner]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[solitude]]></category>

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		<description><![CDATA[God created man and, finding him not sufficiently alone, gave him a companion to make him feel his solitude more keenly.]]></description>
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			<content:encoded><![CDATA[<p>God created man and, finding him not sufficiently alone, gave him a companion to make him feel his solitude more keenly.</p>
<br><b>Paul Valéry</b> (1871-1945) French poet, critic, author, polymath<br>&#8220;Moralités&#8221; (1932), <i>Tel Quel 1</i> (1941) 
								]]></content:encoded>
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		<title>Emerson, Ralph Waldo -- &#8220;Napoleon; or, The Man of the World,&#8221; Representative Men, Lecture 6 (1850)</title>
		<link>https://wist.info/emerson-ralph-waldo/40598/</link>
		<comments>https://wist.info/emerson-ralph-waldo/40598/#respond</comments>
		<pubDate>Tue, 11 Feb 2020 16:48:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Emerson, Ralph Waldo]]></category>
		<category><![CDATA[exclusivity]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[property]]></category>
		<category><![CDATA[public good]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[value]]></category>
		<category><![CDATA[worth]]></category>

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		<description><![CDATA[As long as our civilization is essentially one of property, of fences, of exclusiveness, it will be mocked by delusions. Our riches will leave us sick; there will be bitterness in our laughter; and our wine will burn our mouth. Only that good profits which we can taste with all doors open, and which serves [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>As long as our civilization is essentially one of property, of fences, of exclusiveness, it will be mocked by delusions. Our riches will leave us sick; there will be bitterness in our laughter; and our wine will burn our mouth. Only that good profits which we can taste with all doors open, and which serves all men.</p>
<br><b>Ralph Waldo Emerson</b> (1803-1882) American essayist, lecturer, poet<br>&#8220;Napoleon; or, The Man of the World,&#8221; <i>Representative Men</i>, Lecture 6 (1850) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Representative_Men/qEQLAAAAIAAJ?hl=en&gbpv=1&pg=PA258&printsec=frontcover&bsq=%22property%20of%20fences%22" target="_blank">Source</a>)
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		<title>~Other -- Carl Walter, Grand Prize winner, &#8220;Dr. Mardy’s Quotes of the Week&#8221; Marriage Metaphor Competition (2015)</title>
		<link>https://wist.info/other/39380/</link>
		<comments>https://wist.info/other/39380/#respond</comments>
		<pubDate>Thu, 11 Apr 2019 00:50:30 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[~Other]]></category>
		<category><![CDATA[independence]]></category>
		<category><![CDATA[interdependence]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[metaphor]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[A great marriage is like two trees standing tall, side by side. Their branches intertwine so beautifully, so gracefully, they almost become one, yet they remain two. Standing together, they are strong, beautiful and better able to withstand the high winds of storms that come now and then. They are separate living things, yet so [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>A great marriage is like two trees standing tall, side by side. Their branches intertwine so beautifully, so gracefully, they almost become one, yet they remain two. Standing together, they are strong, beautiful and better able to withstand the high winds of storms that come now and then. They are separate living things, yet so interdependent, growing more beautifully entwined year after year. Providing shade, comfort, and safety for each other and all who walk their way. </p>
<br>(Other Authors and Sources)<br>Carl Walter, Grand Prize winner, &#8220;Dr. Mardy’s Quotes of the Week&#8221; Marriage Metaphor Competition (2015) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.drmardy.com/dmdmq/m?s[]=two%trees" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Welch, John -- Board of Education of Cincinnati v. Minor, Ohio Supreme Court (1872)</title>
		<link>https://wist.info/welch-john/38815/</link>
		<comments>https://wist.info/welch-john/38815/#respond</comments>
		<pubDate>Tue, 04 Sep 2018 23:12:42 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Welch, John]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[church and state]]></category>
		<category><![CDATA[civil religion]]></category>
		<category><![CDATA[despotism]]></category>
		<category><![CDATA[divine law]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[theocracy]]></category>

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		<description><![CDATA[When Christianity asks the aid of government beyond mere impartial protection, it denies itself. Its laws are divine, and not human. Its essential interests lie beyond the reach and range of human governments. United with government, religion never rises above the merest superstition; united with religion, government never rises above the merest despotism; and all [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>When Christianity asks the aid of government beyond mere impartial protection, it denies itself. Its laws are divine, and not human. Its essential interests lie beyond the reach and range of human governments. United with government, religion never rises above the merest superstition; united with religion, government never rises above the merest despotism; and all history shows us that the more widely and completely they are separated, the better it is for both.</p>
<br><b>John Welch</b> (1805-1891) American politician, jurist<br><i>Board of Education of Cincinnati v. Minor,</i> Ohio Supreme Court (1872) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=jz6a_UaJwywC&pg=RA1-PA248&lpg=RA1-PA248&dq#v=onepage&q&f=false" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>King, Martin Luther -- &#8220;Keep Moving from This Mountain,&#8221; Spelman College (10 Apr 1960)</title>
		<link>https://wist.info/king-martin-luther/37955/</link>
		<comments>https://wist.info/king-martin-luther/37955/#respond</comments>
		<pubDate>Fri, 08 Sep 2017 21:23:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Martin Luther]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[democracy]]></category>
		<category><![CDATA[segregation]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[Segregation is a cancer in the body politic which must be removed before our democratic health can be realized. The underlying philosophy of segregation is diametrically opposed to the underlying philosophy of democracy and Christianity and all the sophisms of the logicians cannot make them lie down together. King used many of these phrases in [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Segregation is a cancer in the body politic which must be removed before our democratic health can be realized. The underlying philosophy of segregation is diametrically opposed to the underlying philosophy of democracy and Christianity and all the sophisms of the logicians cannot make them lie down together.</p>
<br><b>Martin Luther King, Jr.</b> (1929-1968) American clergyman, civil rights leader, social activist, preacher<br>&#8220;Keep Moving from This Mountain,&#8221; Spelman College (10 Apr 1960) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://kinginstitute.stanford.edu/king-papers/documents/keep-moving-mountain-address-spelman-college-10-april-1960" target="_blank">Source</a>)
										<br><br><span class="cite">
						

King used many of these phrases in other speeches and sermons during this period.						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>~Proverbs and Sayings -- English proverb</title>
		<link>https://wist.info/proverbs/37870/</link>
		<comments>https://wist.info/proverbs/37870/#comments</comments>
		<pubDate>Wed, 30 Aug 2017 00:33:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[~Proverbs and Sayings]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[neighbor]]></category>
		<category><![CDATA[proximity]]></category>
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		<category><![CDATA[temptation]]></category>

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		<description><![CDATA[Absence and a friendly neighbor washes away love. See Propertius.]]></description>
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			<content:encoded><![CDATA[<p>Absence and a friendly neighbor washes away love.</p>
<br><b>Proverbs, Sayings, and Adages</b><br>English proverb 
														<br><br><span class="cite">
						

See <a href="/propertius/6952/">Propertius</a>.						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Johnson, Samuel -- Essay (1758-09-23), The Idler, No.  23</title>
		<link>https://wist.info/johnson-samuel/37697/</link>
		<comments>https://wist.info/johnson-samuel/37697/#respond</comments>
		<pubDate>Wed, 09 Aug 2017 00:22:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Johnson, Samuel]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[affection]]></category>
		<category><![CDATA[break]]></category>
		<category><![CDATA[friendship]]></category>
		<category><![CDATA[intermission]]></category>
		<category><![CDATA[love]]></category>
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		<description><![CDATA[Friendship, like love, is destroyed by long absence, though it may be increased by short intermissions. See Propertius.]]></description>
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			<content:encoded><![CDATA[<p>Friendship, like love, is destroyed by long absence, though it may be increased by short intermissions.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote.png"><img alt="" fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote.png" alt="" width="1345" height="831" class="aligncenter size-full wp-image-37700" srcset="https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote.png 1345w, https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote-300x185.png 300w, https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote-768x475.png 768w, https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote-1024x633.png 1024w, https://wist.info/wp/wp-content/uploads/2017/08/Johnson-friendship-like-love-destroyed-long-absence-increased-short-intermissions-wist_info-quote-60x37.png 60w" sizes="(max-width: 1345px) 100vw, 1345px" /></a></p>
<br><b>Samuel Johnson</b> (1709-1784) English writer, lexicographer, critic<br>Essay (1758-09-23), <i>The Idler</i>, No.  23 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/ramblerandidler00johnuoft/page/n403/mode/2up?q=%22friendship%2C+like+love%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="/propertius/6952/">Propertius</a>.

						</span>
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		<title>Cowper, William -- &#8220;Hope, like the short-lived ray that gleams awhile&#8221;</title>
		<link>https://wist.info/cowper-william/37634/</link>
		<comments>https://wist.info/cowper-william/37634/#comments</comments>
		<pubDate>Wed, 02 Aug 2017 00:28:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Cowper, William]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[despair]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[hope]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[Absence from whom we love is worse than death, And frustrate hope severer than despair.]]></description>
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			<content:encoded><![CDATA[<p>Absence from whom we love is worse than death,<br />
And frustrate hope severer than despair.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2017/08/Cowper-Absence-love-worse-than-death-frustrates-hope-severer-than-despair-wist_info-quote.png"><img alt="" decoding="async" src="https://wist.info/wp/wp-content/uploads/2017/08/Cowper-Absence-love-worse-than-death-frustrates-hope-severer-than-despair-wist_info-quote.png" alt="" width="624" height="594" class="aligncenter size-full wp-image-37640" srcset="https://wist.info/wp/wp-content/uploads/2017/08/Cowper-Absence-love-worse-than-death-frustrates-hope-severer-than-despair-wist_info-quote.png 624w, https://wist.info/wp/wp-content/uploads/2017/08/Cowper-Absence-love-worse-than-death-frustrates-hope-severer-than-despair-wist_info-quote-300x286.png 300w, https://wist.info/wp/wp-content/uploads/2017/08/Cowper-Absence-love-worse-than-death-frustrates-hope-severer-than-despair-wist_info-quote-60x57.png 60w" sizes="(max-width: 624px) 100vw, 624px" /></a></p>
<br><b>William Cowper</b> (1731-1800) English poet<br>&#8220;Hope, like the short-lived ray that gleams awhile&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/stream/poeticalworksofw00cowpuoft#page/476/mode/2up/search/%22absence+from+whom%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Bowen, Elizabeth -- The Death of the Heart (1938)</title>
		<link>https://wist.info/bowen-elizabeth/37298/</link>
		<comments>https://wist.info/bowen-elizabeth/37298/#respond</comments>
		<pubDate>Wed, 21 Jun 2017 00:41:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bowen, Elizabeth]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[immediacy]]></category>
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		<category><![CDATA[memory]]></category>
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		<description><![CDATA[The heart may think it knows better: the senses know that absence blots people out. See Propertius.]]></description>
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			<content:encoded><![CDATA[<p>The heart may think it knows better: the senses know that absence blots people out. </p>
<br><b>Elizabeth Bowen</b> (1899-1973) Irish author<br><i>The Death of the Heart</i> (1938) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=-YsrAAAAYAAJ&dq=bowen+%22death+of+the+heart%22&focus=searchwithinvolume&q=%22absence+blots%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="/propertius/6952/">Propertius</a>.						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Longfellow, Henry Wadsworth -- &#8220;The Fire of Drift-Wood&#8221;, l. 13 in The Seaside and the Fireside (1850)</title>
		<link>https://wist.info/longfellow-henry-wadsworth/35617/</link>
		<comments>https://wist.info/longfellow-henry-wadsworth/35617/#respond</comments>
		<pubDate>Fri, 18 Nov 2016 01:15:50 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Longfellow, Henry Wadsworth]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[old friends]]></category>
		<category><![CDATA[past]]></category>
		<category><![CDATA[reunion]]></category>
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		<description><![CDATA[We spake of many a vanished scene, Of what we once had thought and said, Of what had been, and might have been, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>We spake of many a vanished scene,<br />
Of what we once had thought and said,<br />
Of what had been, and might have been,<br />
And who was changed, and who was dead;<br />
And all that fills the hearts of friends,<br />
When first they feel, with secret pain,<br />
Their lives thenceforth have separate ends,<br />
And never can be one again. </p>
<br><b>Henry Wadsworth Longfellow</b> (1807-1882) American poet<br>&#8220;The Fire of Drift-Wood&#8221;, l. 13 in <i>The Seaside and the Fireside</i> (1850) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Huxley, Aldous -- Ends and Means, &#8220;Ethics&#8221; (1937)</title>
		<link>https://wist.info/huxley-aldous/33003/</link>
		<comments>https://wist.info/huxley-aldous/33003/#respond</comments>
		<pubDate>Tue, 15 Mar 2016 19:14:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Huxley, Aldous]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[disharmony]]></category>
		<category><![CDATA[disunity]]></category>
		<category><![CDATA[evil]]></category>
		<category><![CDATA[good]]></category>
		<category><![CDATA[harmony]]></category>
		<category><![CDATA[meme]]></category>
		<category><![CDATA[morality]]></category>
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		<category><![CDATA[unity]]></category>

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		<description><![CDATA[Good is that which makes for unity; Evil is that which makes for separateness.]]></description>
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			<content:encoded><![CDATA[<p>Good is that which makes for unity; Evil is that which makes for separateness.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2016/03/Huxley-good-unity-evil-separateness-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/03/Huxley-good-unity-evil-separateness-wist_info-quote.jpg" alt="Huxley - good unity evil separateness - wist_info quote" width="605" height="280" class="aligncenter size-full wp-image-33015" srcset="https://wist.info/wp/wp-content/uploads/2016/03/Huxley-good-unity-evil-separateness-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2016/03/Huxley-good-unity-evil-separateness-wist_info-quote-300x139.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Aldous Huxley</b> (1894-1963) English novelist, essayist and critic<br><i>Ends and Means</i>, &#8220;Ethics&#8221; (1937) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Aesop -- Fables [Aesopica], &#8220;The Four Oxen and the Lion&#8221; (6th C BC) [tr. Jacobs (1894)]</title>
		<link>https://wist.info/aesop/24654/</link>
		<comments>https://wist.info/aesop/24654/#respond</comments>
		<pubDate>Wed, 26 Mar 2014 12:06:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Aesop]]></category>
		<category><![CDATA[association]]></category>
		<category><![CDATA[cooperation]]></category>
		<category><![CDATA[division]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[solidarity]]></category>
		<category><![CDATA[strength]]></category>
		<category><![CDATA[together]]></category>
		<category><![CDATA[unity]]></category>

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		<description><![CDATA[United we stand, divided we fall. Alternate translation: &#8220;The quarrels of friends are the opportunities of foes.&#8221; [tr. James (1848), &#8220;The Lion and the Bulls&#8221;] Alternate translation: &#8220;Union is strength.&#8221; [tr. Townsend (1887), &#8220;The Lion and the Three Bulls&#8221;]]]></description>
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			<content:encoded><![CDATA[<p>United we stand, divided we fall.</p>
<br><b>Aesop</b> (620?-560? BC) Legendary Greek storyteller<br><i>Fables [Aesopica]</i>, &#8220;The Four Oxen and the Lion&#8221; (6th C BC) [tr. Jacobs (1894)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Fables_of_%C3%86sop_(Jacobs)/The_Four_Oxen_and_the_Lion#:~:text=United%20we%20stand%2C%20divided%20we%20fall." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Alternate translation: "The quarrels of friends are the opportunities of foes." [tr. <a href="https://www.google.com/books/edition/Aesop_s_Fables/cQwqAAAAYAAJ?hl=en&gbpv=1&dq=aesop%20%22vain%20to%20expect%20our%20prayers%22&pg=PA198&printsec=frontcover&bsq=%22quarrels%20of%20friends%22">James</a> (1848), "The Lion and the Bulls"]<br><br>


Alternate translation: "Union is strength." [tr. <a href="https://en.wikisource.org/wiki/Three_Hundred_%C3%86sop%27s_Fables/The_Lion_and_the_Three_Bulls#:~:text=his%20own%20leisure.-,Union%20is%20strength,-.">Townsend</a> (1887), "The Lion and the Three Bulls"] 


						</span>
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		<title>Friedman, Thomas -- &#8220;Tinted Windows,&#8221; New York Times (23 Jun 1997)</title>
		<link>https://wist.info/friedman-thomas/23457/</link>
		<comments>https://wist.info/friedman-thomas/23457/#respond</comments>
		<pubDate>Thu, 09 Jan 2014 13:42:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Friedman, Thomas]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[ghetto]]></category>
		<category><![CDATA[inequality]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[plutocracy]]></category>
		<category><![CDATA[poor]]></category>
		<category><![CDATA[poverty]]></category>
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		<category><![CDATA[wealth]]></category>

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		<description><![CDATA[Never trust a country where the rich live behind high walls and tinted windows. That is a place that is not prospering as one country. That is a place where the rich not only say, &#8220;I don&#8217;t want you to see how I live,&#8221; but &#8220;I don&#8217;t want to see how you live.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>Never trust a country where the rich live behind high walls and tinted windows. That is a place that is not prospering as one country. That is a place where the rich not only say, &#8220;I don&#8217;t want you to see how I live,&#8221; but &#8220;I don&#8217;t want to see how you live.&#8221;</p>
<br><b>Thomas Friedman</b> (b. 1953) American journalist, columnist, author<br>&#8220;Tinted Windows,&#8221; <i>New York Times</i> (23 Jun 1997) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>King, Martin Luther -- Stride Toward Freedom, ch.  2 &#8220;Montgomery Before the Protest&#8221; (1958)</title>
		<link>https://wist.info/king-martin-luther/17936/</link>
		<comments>https://wist.info/king-martin-luther/17936/#respond</comments>
		<pubDate>Fri, 11 May 2012 10:22:27 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Martin Luther]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[hatred]]></category>
		<category><![CDATA[integration]]></category>
		<category><![CDATA[neighbor]]></category>
		<category><![CDATA[segregation]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[unknown]]></category>

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		<description><![CDATA[Men often hate each other because they fear each other; they fear each other because they don&#8217;t know each other; they don&#8217;t know each other because they can not communicate; they can not communicate because they are separated.]]></description>
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			<content:encoded><![CDATA[<p>Men often hate each other because they fear each other; they fear each other because they don&#8217;t know each other; they don&#8217;t know each other because they can not communicate; they can not communicate because they are separated.</p>
<br><b>Martin Luther King, Jr.</b> (1929-1968) American clergyman, civil rights leader, social activist, preacher<br><i>Stride Toward Freedom</i>, ch.  2 &#8220;Montgomery Before the Protest&#8221; (1958) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/stridetowardfree00king/page/32/mode/2up?q=%22Men+often+hate+each+other%22" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Herbert, George -- Jacula Prudentum, or Outlandish Proverbs, Sentences, &#038;c. (compiler), #  141 (1640 ed.)</title>
		<link>https://wist.info/herbert-george/10729/</link>
		<comments>https://wist.info/herbert-george/10729/#respond</comments>
		<pubDate>Thu, 29 Apr 2010 12:08:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Herbert, George]]></category>
		<category><![CDATA[caution]]></category>
		<category><![CDATA[fence]]></category>
		<category><![CDATA[hedge]]></category>
		<category><![CDATA[love your neighbor]]></category>
		<category><![CDATA[neighbor]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[Love your neighbour, yet pull not downe your hedge. See Matthew.]]></description>
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			<content:encoded><![CDATA[<p>Love your neighbour, yet pull not downe your hedge.</p>
<br><b>George Herbert</b> (1593-1633) Welsh priest, orator, poet.<br><i>Jacula Prudentum, or Outlandish Proverbs, Sentences, &#038;c.</i> (compiler), #  141 (1640 ed.) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/worksofgeorgeher030204mbp/page/324/mode/2up?q=%22Love+your+neighbour+yet%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See <a href="/bible-nt/10341/">Matthew</a>.

						</span>
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		<title>Auden, W. H. -- &#8220;Stop All the Clocks [Funeral Blues],&#8221; st. 3 (1936)</title>
		<link>https://wist.info/auden-w-h/9501/</link>
		<comments>https://wist.info/auden-w-h/9501/#respond</comments>
		<pubDate>Wed, 20 Jan 2010 13:51:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Auden, W. H.]]></category>
		<category><![CDATA[bereavement]]></category>
		<category><![CDATA[elegy]]></category>
		<category><![CDATA[funeral]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[loss]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[requiem]]></category>
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		<description><![CDATA[He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last forever: I was wrong. This stanza is not in the original version of the poem, for the verse play The Ascent of F6 (1936) [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>He was my North, my South, my East and West,<br />
My working week and my Sunday rest,<br />
My noon, my midnight, my talk, my song;<br />
I thought that love would last forever: I was wrong.</p>
<br><b>W. H. Auden</b> (1907-1973) Anglo-American poet [Wystan Hugh Auden]<br>&#8220;Stop All the Clocks [Funeral Blues],&#8221; st. 3 (1936) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://allpoetry.com/funeral-blues#:~:text=He%20was%20my%20North%2C%20my%20South%2C%20my%20East%20and%20West%2C%0AMy%20working%20week%20and%20my%20Sunday%20rest%2C%0AMy%20noon%2C%20my%20midnight%2C%20my%20talk%2C%20my%20song%3B%0AI%20thought%20that%20love%20would%20last%20forever%3A%20I%20was%20wrong." target="_blank">Source</a>)
										<br><br><span class="cite">
						


This stanza is not in the <a href="https://archive.org/details/in.ernet.dli.2015.46584/page/n89/mode/2up?q=%22all+the+clocks%22">original version of the poem</a>, for the verse play <i>The Ascent of F6</i> (1936) (with Christopher Isherwood). <br><br> 

Instead, it appears in the revised cabaret song that Auden wrote in 1937-1938. It is this latter version, less tied to the play, that is commonly collected, and that gained popularity  when recited in the film <i>Four Weddings and a Funeral</i> (1994).

						</span>
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		<title>Hemingway, Ernest -- Death in the Afternoon, ch. 11 (1932)</title>
		<link>https://wist.info/hemingway-ernest/8336/</link>
		<comments>https://wist.info/hemingway-ernest/8336/#respond</comments>
		<pubDate>Wed, 19 Aug 2009 15:10:49 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hemingway, Ernest]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[happy ending]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[mortality]]></category>
		<category><![CDATA[separation]]></category>
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		<description><![CDATA[There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her. If two people love each other there can be no happy end to it.]]></description>
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			<content:encoded><![CDATA[<p>There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her. If two people love each other there can be no happy end to it.</p>
<br><b>Ernest Hemingway</b> (1899-1961) American writer<br><i>Death in the Afternoon</i>, ch. 11 (1932) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.459824/page/n109/mode/2up?q=%22no+lonelier+man%22" target="_blank">Source</a>)
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		<title>Propertius -- Elegies, Book 2, Elegy 33, l.  41ff (2.33.41-44) [tr. Moore (1870); 3.25]</title>
		<link>https://wist.info/propertius/6952/</link>
		<comments>https://wist.info/propertius/6952/#comments</comments>
		<pubDate>Thu, 26 Mar 2009 10:48:05 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Propertius]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[affection]]></category>
		<category><![CDATA[boredom]]></category>
		<category><![CDATA[desire]]></category>
		<category><![CDATA[heart]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[possession]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[Yet loneliness shall weary thee, and still Love torture thee with longings nought can fill. Absence makes passion&#8217;s tide have double sway, Possession cloys the love of every day. [Nulla tamen lecto recipit se sola libenter: Est quiddam, quod vos quaerere cogat Amor. Semper in absentes felicior aestus amantes: Elevat assiduos copia longa viros.] This [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Yet loneliness shall weary thee, and still<br />
Love torture thee with longings nought can fill.<br />
<span class="tab">Absence makes passion&#8217;s tide have double sway,<br />
Possession cloys the love of every day.</p>
<p><em>[Nulla tamen lecto recipit se sola libenter:<br />
<span class="tab">Est quiddam, quod vos quaerere cogat Amor.<br />
Semper in absentes felicior aestus amantes:<br />
<span class="tab">Elevat assiduos copia longa viros.]</span></span></em></span></p>
<br><b>Propertius</b> (50-16 BC) Roman elegiac poet [Sextus Propertius]<br><i>Elegies</i>, Book 2, Elegy 33, l.  41ff (2.33.41-44) [tr. Moore (1870); 3.25] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_elegies_of_Propertius_tr_into_Engl_v/3GQCAAAAQAAJ?hl=en&gbpv=1&bsq=%22double%20sway%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This quote (the third line) appears to be the origin of the English proverb, "Absence makes the heart grow fonder."  The first use of those exact words appear to be from a song by T. H. Bayly, "Isle of Beauty, Fare Thee Well" (1826?). For more discussion of the origin (and variants) of that phrase see <a href="https://english.stackexchange.com/questions/139744/who-is-the-author-of-absence-makes-the-heart-grow-fonder" title="etymology - Who is the author of &quot;Absence makes the heart grow fonder&quot;? - English Language &amp; Usage Stack Exchange">etymology - Who is the author of &quot;Absence makes the heart grow fonder&quot;? - English Language &amp; Usage Stack Exchange</a>.<br><br>

Not surprisingly, the idea of absence increasing (or decreasing) ardor is a a frequently discussed theme. See <a href="https://wist.info/montaigne-michel-de/84773/">Montaigne</a> (1587); <a href="https://wist.info/proverbs/37870/">English Proverb</a>; <a href="https://wist.info/cervantes-miguel-de/37551/">Cervantes</a> (1605); <a href="https://wist.info/rabutin-roger/801/">Rabutin</a> (1660); <a href="https://wist.info/la-rochefoucauld-francois/2384/">La Rochefoucauld</a> (1678); <a href="https://wist.info/johnson-samuel/37697/">Johnson</a> (1758); <a href="https://wist.info/mirabeau-victor-de/42400/">Mirabeau</a> (1770); <a href="https://wist.info/ouida/37905/">Ouida</a> (1878); <a href="https://wist.info/antrim-minna/74843/">Antrim</a> (1905); <a href="https://wist.info/other/38028/">Shaw</a> (1931); <a href="https://wist.info/bowen-elizabeth/37298/">Bowen</a> (1938); <a href="https://wist.info/stark-freya-madeline/38092/">Stark</a> (1953).<br><br>

Propertius' elegies, as handed down, are something of a mess, and the assignment to them in particular books has been of sharp debate.  This passage is currently considered a fragment, connected to 2.33 (and called 2.33A, or 2.33B, or 2.33C by different translators); similarly, the line numbering is sometimes carried across the entire 2.33, other times broken between the fragments. This fragmentary nature is also why the two couplets here appear in different order between different translations.<br><br>

Nineteenth Century sources, based on the manuscript traditions of the time, assign this as 3.25.<br><br>

(<a href="https://www.thelatinlibrary.com/prop2.html#33a:~:text=nulla%20tamen%20lecto%20recipit%20se%20sola%20libenter%3A%0A%C2%A0%C2%A0%C2%A0%C2%A0est%20quiddam%2C%20quod%20vos%20quaerere%20cogat%20Amor.%0Asemper%20in%20absentis%20felicior%20aestus%20amantis%3A%0A%C2%A0%C2%A0%C2%A0%C2%A0elevat%20assiduos%20copia%20longa%20viros.">Source (Latin)</a>). Other translations:<br><br>


<blockquote>Yet loath to bed her way lone maiden wends,<br>
<span class="tab">Love keeps her brooding o'er forbidden joys;<br>
More deeply yearns the heart for absent friends:<br>
<span class="tab">Even of the leal [loyal] the long possession cloys.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.32044010369999&seq=374&q1=%22loath+to+bed%22">Cranstoun</a> (1875); 3.25]</blockquote><br>

<blockquote>But no one retires with good will to her solitary couch. There is something that Love forces you to miss. There is always a more favourable disposition towards absent lovers; long possession lowers the value even of the devoted. <br>
[tr. <a href="https://archive.org/details/elegies00prop/page/70/mode/2up?q=%22always+a+more%22">Gantillon</a> (1884);  3.25]</blockquote><br>

<blockquote><span class="tab">No woman takes herself cheerfully to bed alone though: there is something which Love makes you fain to look for.<br>
<span class="tab">Desire always burns kindlier toward absent lovers: long plenty of opportunity makes cheap the never-failing suitor.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t83j3gr9k&seq=104&q1=%22burns+kindlier%22">Phillimore</a> (1906); 2.33]</blockquote><br>

<blockquote>Yet no woman ever betakes her willingly to a lonely bed; there is a somewhat that Love compels all to seek. Woman's heart is kinder always towards absent lovers; long possession takes from the worth of the persistent wooer.<br>
[tr. <a href="https://archive.org/details/LoebClassicalLibraryL018/page/n185/mode/2up?q=%22absent+lovers%22">Butler</a> (Loeb) (1912); 2.33]</blockquote><br>




<blockquote>No woman's bed is by her own choice lonely;<br>
love marks the goal toward wich all men must strive;<br>
the restless heart swings toward the absent lover.<br>
It is not constancy keeps love live.<br>
[tr. <a href="https://archive.org/details/poemsofpropertiu0000unse_a4j4/page/110/mode/2up?q=%22no+woman%27s+bed%22">Carrier</a> (1963); 2.33]</blockquote><br>

<blockquote>Yet no girl likes to retire to a lonely bed;<br>
They all, at Love's insistance, look for something more.<br>
For the lover who's missing the tide of passion runs strong;<br>
The length of his tenure serves to diminish<br>
The constant lover.<br>
[tr. <a href="https://archive.org/details/propertius-elegies-musker.txt/page/123/mode/2up?q=%22yet+no+girl+likes%22">Musker</a> (1972); 2.33B]</blockquote><br>

<blockquote>Woman's heart is ever fonder towards an absent lover: long possession lessens the appeal of the persistent wooer. Yet no woman willingly retires to bed alone: there is something which Love compels you all to seek.<br>
[tr. <a href="https://archive.org/details/elegiespropertiu0000prop/page/208/mode/2up?q=%22towards+an+absent+lover%22">Goold</a> (Loeb) (1990); frag. 2.33C]</blockquote><br>



<blockquote>Passion is always warmer towards absent lovers; <br>
<span class="tab">Availability cheapens men-in-waiting. <br>
Still, no girl likes retiring to a lonely bed; <br>
<span class="tab">At love's insistence you all miss something else.<br>
[tr. <a href="https://archive.org/details/poems0000prop_b2d5/page/68/mode/2up?q=%22passion+is+always%22">Lee</a> (1992); 2.33B]</blockquote><br>




<blockquote>No girl ever willingly goes to bed alone: something there is desire leads us all to search for.  Passion is often greater in absent lovers: endless presence reduces the man who’s always around.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/PropertiusBkTwo.php#anchor_Toc201112290:~:text=No%20girl%20ever%20willingly%20goes%20to%20bed%20alone%3A%20something%20there%20is%20desire%20leads%20us%20all%20to%20search%20for.%20Passion%20is%20often%20greater%20in%20absent%20lovers%3A%20endless%20presence%20reduces%20the%20man%20who%E2%80%99s%20always%20around.">Kline</a> (2001); 2.33A]</blockquote><br>



<blockquote>Passion helps the absent lover: long persistence <br>
<span class="tab">elevates the assiduous man.<br>
No man gladly goes to bed alone, for Amor<br>
<span class="tab">gives us something all must seek. <br>
[tr. <a href="https://www.ocasopress.com/pdf/sextus_propertius_elegies_translation.pdf#page=193">Holcombe</a> (2009); frag. 2.33C]</blockquote><br> 


						</span>
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		<title>Adams, Samuel -- Speech, State House, Philadelphia (1776-08-01)</title>
		<link>https://wist.info/adams-samuel/6207/</link>
		<comments>https://wist.info/adams-samuel/6207/#respond</comments>
		<pubDate>Tue, 19 Aug 2008 09:15:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Adams, Samuel]]></category>
		<category><![CDATA[control]]></category>
		<category><![CDATA[domination]]></category>
		<category><![CDATA[freedom]]></category>
		<category><![CDATA[greed]]></category>
		<category><![CDATA[liberty]]></category>
		<category><![CDATA[lickspittle]]></category>
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		<description><![CDATA[If ye love wealth better than liberty, the tranquility of servitude than the animated contest of freedom &#8212; go home from us in peace. We ask not your counsels or arms. Crouch down and lick the hands which feed you. May your chains sit lightly upon you, and may posterity forget that you were our [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>If ye love wealth better than liberty, the tranquility of servitude than the animated contest of freedom &#8212; go home from us in peace. We ask not your counsels or arms. Crouch down and lick the hands which feed you. May your chains sit lightly upon you, and may posterity forget that you were our countrymen!</p>
<br><b>Samuel Adams</b> (1722-1803) American revolutionary, statesman<br>Speech, State House, Philadelphia (1776-08-01) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://nationalcenter.org/ncppr/2001/11/03/samuel-adams-advocates-american-independence-1776/#:~:text=If%20ye%20love%20wealth%20better%20than%20liberty%2C%20the%20tranquillity%20of%20servitude%20than%20the%20animating%20contest%20of%20freedom%E2%80%93go%20from%20us%20in%20peace.%20We%20ask%20not%20your%20counsels%20or%20arms.%20Crouch%20down%20and%20lick%20the%20hands%20which%20feed%20you.%20May%20your%20chains%20sit%20lightly%20upon%20you%2C%20and%20may%20posterity%20forget%20that%20ye%20were%20our%20countrymen!" target="_blank">Source</a>)
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		<title>Butler, Samuel -- (Attributed)</title>
		<link>https://wist.info/butler-samuel/793/</link>
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		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Butler, Samuel]]></category>
		<category><![CDATA[departure]]></category>
		<category><![CDATA[farewell]]></category>
		<category><![CDATA[goodbye]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[travel]]></category>

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		<description><![CDATA[Going away: I can generally bear the separation, but I don&#8217;t like the leave-taking.]]></description>
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			<content:encoded><![CDATA[<p>Going away:  I can generally bear the separation, but I don&#8217;t like the leave-taking.</p>
<br><b>Samuel Butler</b> (1835-1902) English novelist, satirist, scholar<br>(Attributed) 
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		<title>Tolkien, J.R.R. -- The Lord of the Rings, Vol. 1: The Fellowship of the Ring, Book 1, ch.  3 &#8220;Three Is Company&#8221; [Gildor, to Frodo] (1954)</title>
		<link>https://wist.info/tolkien-jrr/3883/</link>
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		<pubDate>Sun, 01 Feb 2004 18:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tolkien, J.R.R.]]></category>
		<category><![CDATA[barrier]]></category>
		<category><![CDATA[fence]]></category>
		<category><![CDATA[hermit]]></category>
		<category><![CDATA[isolationism]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[wall]]></category>
		<category><![CDATA[world]]></category>

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		<description><![CDATA[The wide world is all about you: you can fence yourselves in, but you cannot for ever fence it out.]]></description>
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			<content:encoded><![CDATA[<p>The wide world is all about you: you can fence yourselves in, but you cannot for ever fence it out.</p>
<br><b>J.R.R. Tolkien</b> (1892-1973) English writer, fabulist, philologist, academic [John Ronald Reuel Tolkien]<br><i>The Lord of the Rings, Vol. 1: The Fellowship of the Ring</i>, Book 1, ch.  3 &#8220;Three Is Company&#8221; [Gildor, to Frodo] (1954) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/fellowshipofring0000tolk_o5y1/page/82/mode/2up?q=%22wide+world+is+all%22" target="_blank">Source</a>)
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		<title>La Rochefoucauld, Francois -- Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims], ¶276 (1665-1678) [tr. Stevens (1939)]</title>
		<link>https://wist.info/la-rochefoucauld-francois/2384/</link>
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		<pubDate>Sun, 01 Feb 2004 18:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[La Rochefoucauld, Francois]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[fire]]></category>
		<category><![CDATA[flames]]></category>
		<category><![CDATA[love]]></category>
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		<description><![CDATA[Absence weakens ordinary passions, but inflames great ones, as the wind extinguishes a candle, but fans a fire. [L’absence diminue les médiocres passions, et augmente les grandes, comme le vent éteint les bougies et allume le feu.] Present in the 1st (1665) edition. The manuscript reads: L’absence fait que les médiocres passions diminuent, et que [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Absence weakens ordinary passions, but inflames great ones, as the wind extinguishes a candle, but fans a fire.</p>
<p><em>[L’absence diminue les médiocres passions, et augmente les grandes, comme le vent éteint les bougies et allume le feu.]</em></p>
<br><b>François VI, duc de La Rochefoucauld</b> (1613-1680) French epigrammatist, memoirist, noble<br><i>Réflexions ou sentences et maximes morales [Reflections; or Sentences and Moral Maxims]</i>, ¶276 (1665-1678) [tr. Stevens (1939)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Maxims_of_Fran%C3%A7ois_Duc_de_La_Rochef/MhZEAAAAYAAJ?hl=en&gbpv=1&printsec=frontcover&bsq=%22absence%20weakens%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Present in the <a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#cite_ref-456:~:text=allume%20le%20feu.-,(%C3%A9d.%201*.),-CCLXXVII">1st (1665) edition</a>. The <a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#cite_note-456:~:text=L%E2%80%99absence%20fait%20que%20les%20m%C3%A9diocres%20passions%20diminuent%2C%20et%20que%20les%20grandes%20croissent%2C%20comme%20le%20vent%20%C3%A9teint%E2%80%A6%20(Manuscrit.)">manuscript</a> reads:<br><br>

<blockquote><em>L’absence fait que les médiocres passions diminuent, et que les grandes croissent, comme le vent éteint les bougies et allume le feu.</em></blockquote><br>

See <a href="https://wist.info/rabutin-roger/801/">Bussy-Rabutin</a> (1660), and a related theme from <a href="https://wist.info/propertius/6952/">Propertius</a> (c. 20 BC). <br><br>

(<a href="https://fr.wikisource.org/wiki/%C5%92uvres_de_La_Rochefoucauld_-_T.1/R%C3%A9flexions_ou_sentences_et_maximes_morales#:~:text=L%E2%80%99absence%20diminue%20les%20m%C3%A9diocres%20passions%2C%20et%20augmente%20les%20grandes%2C%20comme%20le%20vent%20%C3%A9teint%5B446%5D%20les%20bougies%2C%20et%20allume%20le%20feu.">Source (French)</a>). Other translations:<br><br>

<blockquote>Absence cools Moderate Passions, and Enflames Violent ones; Just as the Wind blows out Candles, but Kindles Fires.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A49601.0001.001/1:6.277?rgn=div2;view=fulltext">Stanhope</a> (1694), ¶277; (<a href="https://archive.org/details/moralmaximsrefle00larouoft/page/86/mode/2up?q=absence">1706</a>), ¶276]</blockquote><br>

<blockquote>Absence destroys small passions, and increases great ones; as the wind extinguishes tapers, and kindles fires.<br>
[pub. <a href="https://archive.org/details/maximsandmoralr00rochgoog/page/n105/mode/2up?q=fires">Donaldson</a> (1783), ¶334; ed. <a href="https://archive.org/details/maximsmoralrefle00larouoft/page/94/mode/2up">Lepoittevin-Lacroix</a> (1797), ¶257]</blockquote><br>

<blockquote>Absence destroys small passions, and increases great ones; the wind extinguishes tapers, and kindles fires.<br>
[ed. <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.32044019833292&view=2up&seq=82&skin=2021&q1=absence">Carvill</a> (1835), ¶295]</blockquote><br>

<blockquote>Absence diminishes moderate passions and increases great ones, as the wind extinguishes tapers and adds fury to fire.<br>
[ed. <a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33433075829600&view=2up&seq=131&skin=2021&q1=absence">Gowens</a> (1851), ¶286] </blockquote><br>

<blockquote>Absence extinguishes small passions and increases great ones, as the wind will blow out a candle, and blow in a fire.<br>
[tr. <a href="https://gutenberg.org/files/9105/9105-h/9105-h.htm#:~:text=Absence%20extinguishes%20small%20passions%20and%20increases%20great%20ones%2C%20as%20the%20wind%20will%20blow%20out%20a%20candle%2C%20and%20blow%20in%20a%20fire.">Bund/Friswell</a> (1871), ¶276] </blockquote><br>

<blockquote>The same wind snuffs candles yet kindles fires; so, where absence kills a little love, it fans a great one.<br>
[tr. <a href="https://www.google.com/books/edition/Maxims_of_Le_Duc_de_La_Rochefoucauld/eq89AQAAMAAJ?hl=en&gbpv=1&bsq=%22absence%20kills%22">Heard</a> (1917), ¶284]</blockquote><br>

<blockquote>Absence diminishes small loves and increases great ones, as the wind blows out the candle and blows up the bonfire.<br>
[tr. <a href="https://archive.org/details/maximsofducdelar0000laro/page/86/mode/2up?q=276">FitzGibbon</a> (1957), ¶276] </blockquote><br>

<blockquote>Absence weakens lukewarm feelings but intensifies great ones, as wind snuffs out candles but feeds fire.<br>
[tr. <a href="https://archive.org/details/maximsoflarochef00laro/page/86/mode/2up?q=%22absence+weakens%22">Kronenberger</a> (1959), ¶276]</blockquote><br>

<blockquote>Absence lessens moderate passions and intensifies great ones, as the wind blows out a candle but fans up a fire.<br>
[tr. <a href="https://archive.org/details/maxims0000laro/page/70/mode/2up?q=%22276+absence%22">Tancock</a> (1959), ¶276]</blockquote><br>

<blockquote>Absence diminishes mediocre passions and increases great ones, as the wind blows out candles and fans fire.<br>
<a href="https://archive.org/details/familiarquotatio0000unse_m9v7/mode/2up?q=%22Absence+diminishes+mediocre+passions%22">Bartlett's</a> (1980), ¶276; < <a href="https://archive.org/details/regulus1973newt/page/138/mode/2up?q=%22Absence+diminishes+mediocre+passions%22">1973</a>?)]</blockquote><br>

<blockquote>Absence diminishes moderate passions and magnifies great ones, as the wind blows out candles but kindles fire.<br>
[tr. <a href="https://thomaswhichello.com/a-translation-of-reflections-or-sentences-and-moral-maxims-by-francois-de-la-rochefoucauld/#:~:text=Absence%20diminishes%20moderate%C2%A0passions%20and%20magnifies%20great%20ones%2C%20as%20the%20wind%20blows%20out%20candles%20but%20kindles%20fire.">Whichello</a> (2016) ¶276]</blockquote><br>						</span>
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		<title>Bussy-Rabutin, Roger -- Histoire amoureuse des Gaules, &#8220;Maximes d&#8217;amour [Maxims of Love]&#8221; (1660)</title>
		<link>https://wist.info/rabutin-roger/801/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bussy-Rabutin, Roger]]></category>
		<category><![CDATA[absence]]></category>
		<category><![CDATA[apart]]></category>
		<category><![CDATA[fire]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[passion]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[Absence is to love what wind is to fire; It extinguishes the small, it enkindles the great. [L&#8217;absence est a l&#8217;amour ce qu&#8217;est au feu le vent; Il eteint le petit, il allume le grand.] See La Rochefoucauld (1665), and in a similar theme, Propertius.]]></description>
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			<content:encoded><![CDATA[<p>Absence is to love what wind is to fire;<br />
It extinguishes the small, it enkindles the great.</p>
<p><em>[L&#8217;absence est a l&#8217;amour ce qu&#8217;est au feu le vent;<br />
Il eteint le petit, il allume le grand.]</em></p>
<br><b>Roger de Rabutin, Comte de Bussy</b> (1618-1693) French soldier, libertine, writer [a.k.a. Roger Bussy-Rabutin]<br><i>Histoire amoureuse des Gaules</i>, <i>&#8220;Maximes d&#8217;amour</i> [Maxims of Love]&#8221; (1660) 
														<br><br><span class="cite">
						

See <a href="https://wist.info/la-rochefoucauld-francois/2384/">La Rochefoucauld</a> (1665), and in a similar theme, <a href="/propertius/6952/">Propertius</a>.						</span>
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		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 1 &#8220;Inferno,&#8221; Canto  3, l.  34ff (3.34-42) [Virgil] (1309) [tr. Binyon (1943)]</title>
		<link>https://wist.info/dante-alighieri-poet/399/</link>
		<comments>https://wist.info/dante-alighieri-poet/399/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
		<category><![CDATA[amorality]]></category>
		<category><![CDATA[cowardice]]></category>
		<category><![CDATA[disloyalty]]></category>
		<category><![CDATA[exile]]></category>
		<category><![CDATA[inaction]]></category>
		<category><![CDATA[lukewarm]]></category>
		<category><![CDATA[neutrality]]></category>
		<category><![CDATA[pusillanimity]]></category>
		<category><![CDATA[self-interest]]></category>
		<category><![CDATA[separation]]></category>
		<category><![CDATA[shunning]]></category>
		<category><![CDATA[timidity]]></category>
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		<description><![CDATA[These miserable ways The forlorn spirits endure of those who spent Life without infamy and without praise. They are mingled with that caitiff rabblement Of the angels, who rebelled not, yet avowed To God no loyalty, on themselves intent. Heaven chased them forth, lest, being there, they cloud Its beauty, and the deep Hell refuses [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab">These miserable ways<br />
<span class="tab">The forlorn spirits endure of those who spent<br />
<span class="tab">Life without infamy and without praise.<br />
They are mingled with that caitiff rabblement<br />
<span class="tab">Of the angels, who rebelled not, yet avowed<br />
<span class="tab">To God no loyalty, on themselves intent.<br />
Heaven chased them forth, lest, being there, they cloud<br />
<span class="tab">Its beauty, and the deep Hell refuses them,<br />
<span class="tab">For, beside these, the wicked might be proud.</p>
<p><em><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">[Questo misero modo<br />
<span class="tab">tegnon l’anime triste di coloro<br />
<span class="tab">che visser sanza ’nfamia e sanza lodo.<br />
Mischiate sono a quel cattivo coro<br />
<span class="tab">de li angeli che non furon ribelli<br />
<span class="tab">né fur fedeli a Dio, ma per sé fuoro.<br />
Caccianli i ciel per non esser men belli,<br />
<span class="tab">né lo profondo inferno li riceve,<br />
<span class="tab">ch’alcuna gloria i rei avrebber d’elli.]</span></span></span></span></span></span></span></span></span></span></span></em></span></span></span></span></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265-1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 1 <i>&#8220;Inferno,&#8221;</i> Canto  3, l.  34ff (3.34-42) [Virgil] (1309) [tr. Binyon (1943)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/portabledante00dant/page/14/mode/2up?q=%22miserable+ways%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

This passage is likely the basis for John F. Kennedy's famous paraphrase, which he credited to Dante:<br><br>

<blockquote>The hottest places in hell are reserved for those who in a period of moral crisis maintain their neutrality.</blockquote><br>

That was originally written (and ascribed to Dante) by Henry Powell Spring in 1944. JFK used it multiple times, including in a speech as President in Germany a few days before his famous "Ich bin ein Berliner" speech. (More info on this paraphrase <a href="https://quoteinvestigator.com/2015/01/14/hottest/">here</a>.)<br><br>

Dante (and, thus, Dante's cosmos) judges based on action. Thus he ranks those who would not act, pusillanimous neutrals both earthly and heavenly, as worse than even those who have acted for evil ends, and the first whose punishment we get to see. Though they committed no evil acts, they also failed to commit good ones, allowing evil to flourish. Even the tortured denizens of Hell would consider themselves their betters, thus their not being allowed in that infernal realm. Rejecting Heaven and Hell, they are blocked from either. While undergoing some corporal punishment, far worse is that, having stood only for themselves, they are robbed of their identity, nameless for all eternity (ll. 46-51).<br><br>

Compare this sentiment to Revelation 3:15-16:<br><br>

<blockquote>I know thy works, that thou art neither cold nor hot: I would thou wert cold or hot. So then because thou art lukewarm, and neither cold nor hot, I will spue thee out of my mouth.</blockquote><br>

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Inferno/Canto_III#:~:text=Questo%20misero%20modo,rei%20avrebber%20d%E2%80%99elli">Source (Italian)</a>). Alternate translations:<br><br>

<blockquote>These doleful Beings, he reply'd, have liv'd<br>
In Indolence, without or blame or praise.<br>
Angels are mix'd with this unhappy band,<br>
Who neither Rebels, nor yet faithful were<br>
To God, but liv'd sequestered by themselves.<br>
These Heavn' discarded for being too remiss,<br>
Nor did e'en Hell this lukewarm herd receive;<br>
That Favour might not to the damnn'd be shewn.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno_of_Dante_Translated/1ARcAAAAQAAJ?hl=en&gbpv=1&bsq=%22doleful%20Beings%22">Rogers</a> (1782), ll. 30-37]</blockquote><br>

<blockquote>Behold th' ignoble sons of sloth and shame,<br>
Who scorn'd alike the voice of praise and blame,<br>
<span class="tab">Nor dreaded punishment, nor sought reward.<br>
Mingled they march with that degen'rate brood,<br>
Who when the Rebel of the sky withstood<br>
<span class="tab">His sov'reign Lord, aloof their squadrons held:<br>
Viewing with selfish eye the fierce debate,<br>
Till, from the confines of the heav'nly state,<br>
<span class="tab">Trembling they saw the rebel host expell'd.<br>
Nor bore the victor-Lord the alien race,<br>
But straight, the foul pollution to efface,<br>
<span class="tab">Hurl'd them indignant from the bounds of light:<br>
This frontier then the dastard crew receiv'd,<br>
Nor deeply damn'd, altho' of bliss bereav'd,<br>
<span class="tab">And doom'd to wander on the verge of night';<br>
They suffer here, lest yon' more guilty train<br>
of crimes unequal, doom'd to equal pain,<br>
<span class="tab">Blaspheming Heavn'n, should make their impious boast.<br>
[tr. <a href="https://archive.org/details/divinacommediaof01dantuoft/page/110/mode/2up?q=%22floth+and+fhame%22">Boyd</a> (1802), st. 8-11] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This miserable fate<br>
<span class="tab">Suffer the wretched souls of those, who liv'd<br>
<span class="tab">Without or praise or blame, with that ill band<br>
Of angels mix'd, who nor rebellious prov'd<br>
<span class="tab">Nor yet were true to God, but for themselves<br>
<span class="tab">Were only.  From his bounds Heaven drove them forth,<br>
Not to impair his lustre, nor the depth<br>
<span class="tab">Of Hell receives them, lest th' accursed tribe<br>
<span class="tab">Should glory thence with exultation vain.<br>
[tr. <a href="https://www.gutenberg.org/files/8789/8789-h/8789-h.htm#link3:~:text=He%20thus%20to,with%20exultation%20vain.%22">Cary</a> (1814)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">The miserable crew <br>
<span class="tab">Of souls now lingers in this piteous mood,<br>
<span class="tab">To whom, alive, nor blame nor praise was due.<br>
Commingled are they with that caitiff brood <br>
<span class="tab">Of angel natures, which nor dared rebel, <br>
<span class="tab">Nor yet kept faith, but selfish ends pursued.<br>
Them, not to be less fair, must heaven expel, <br>
<span class="tab">Nor the abyss receive, lest their dispraise <br>
<span class="tab">Redound for glory to the sons of hell.<br>
[tr. <a href="https://archive.org/details/infernodanteali02daymgoog/page/n24/mode/2up?q=%22miserable+crew%22">Dayman</a> (1843)]</blockquote><br>

<blockquote><span class="tab">This miserable mode the dreary souls of those sustain, who lived without blame, and without praise.<br>
<span class="tab">They are mixed with that caitiff choire of the angels, who were not rebellious nor were faithful to God; but were for themselves.<br>
<span class="tab">Heaven chased them forth to keep its beauty from impair; and deep Hell receives them not, for the wicked wouild have some glory over them.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno/WqpEAAAAYAAJ?hl=en&gbpv=1&bsq=%22miserable%20mode%22">Carlyle</a> (1849)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This miserable lot<br>
<span class="tab">Possess the souls of those whose living days<br>
<span class="tab">Passed not with infamy, nor yet with praise.<br>
Immingled they are in the caitiff choir<br>
<span class="tab">Of neutral angels, for themselves that stood -- <br>
<span class="tab">Neither rebelled nor loyal were to God.<br>
The heavens have chased them, for they'd sully heaven --<br>
<span class="tab">The infernal depths receive them not, because<br>
<span class="tab">No glory can the wicked have by those.<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/10/mode/2up?q=%22miserable+lot%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This state of misery is held<br>
<span class="tab">By the sad spirits of those, who in their lives<br>
<span class="tab">Knew neither act of infamy nor praise.<br>
And they are mingl'd with the wicked choir<br>
<span class="tab">Of Angels who, not rebels to their God,<br>
<span class="tab">Were yet not faithful, knowing but themselves;<br>
Cast forth that Heav'n's pure beauty be not stain'd,<br>
<span class="tab">nto Hell's gloomy depths permitted not<br>
<span class="tab">Lest they be cause of glory to the lost.<br>
[tr. <a href="https://www.google.com/books/edition/A_Translation_of_Dante_s_Inferno/dzvcz2MMLLMC?hl=en&gbpv=1&bsq=%22state%20of%20misery%22">Johnston</a> (1867)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This miserable mode<br>
<span class="tab">⁠Maintain the melancholy souls of those<br>
⁠<span class="tab">Who lived withouten infamy or praise.<br>
Commingled are they with that caitiff choir<br>
<span class="tab">⁠Of Angels, who have not rebellious been,<br>
<span class="tab">⁠Nor faithful were to God, but were for self.<br>
The heavens expelled them, not to be less fair;<br>
<span class="tab">⁠Nor them the nethermore abyss receives,<br>
<span class="tab">⁠For glory none the damned would have from them.<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_1/Canto_3#:~:text=And%20he%20to%20me%3A%20%22This,damned%20would%20have%20from%20them.%22">Longfellow</a> (1867)]</blockquote><br>

<blockquote>This wretched fashion keep the sorry souls of those who lived without infamy and without praise. They are mingled with that caitiff band of the angels who were not rebel, nor were faithful to God, but were for themselves. Heaven chased them, that it should not be less fair, nor does the deep hell receive them, since the damned would have some boasting of them.<br>
[tr. <a href="https://archive.org/details/dli.granth.92729/page/30/mode/2up?q=%22wretched+fashion%22">Butler</a> (1885)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">After this fashion drear<br>
<span class="tab">These wretched souls their after-life pursue<br>
<span class="tab">Who both from infamy and praise lived clear. <br>
Mingled they are with that contemptible crew<br>
<span class="tab">Of angels who would not rebellion dare,<br>
<span class="tab">Not faithful Godwards, to themselves but true. <br>
Heaven drove them out, lest it might be less fair, <br>
<span class="tab">Neither received them deepest Hell's domain, <br>
<span class="tab">That from them, evil should no glory share.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/10/mode/2up?q=%22fashion+drear%22">Minchin</a> (1885)]</blockquote><br>

<blockquote>This miserable measure the wretched souls maintain of those who lived without infamy and without praise. Mingled are they with that caitiff choir of the angels, who were not rebels, nor were faithful to God, but were for themselves. The heavens chased them out in order to be not less beautiful, nor doth the depth of Hell receive them, because the damned would have some glory from them.<br>
[tr. <a href="https://www.gutenberg.org/files/1995/1995-h/1995-h.htm#cantoI.III:~:text=And%20he%20to%20me%2C%20%E2%80%9CThis,have%20some%20glory%20from%20them.%E2%80%9D">Norton</a> (1892)]</blockquote><br>

<blockquote>Such hapless state the joyless souls of those sustain, who lived their lives untouched by either infamy or praise. They are huddled together with that base crew of angels who rose not in revolt, nor kept their faith with God, but were for self alone. Heaven drave them out that its brightness might remain undimmed; nor doth the depth of Hell receive them, for the damned would glory over them.<br>
[tr. <a href="https://archive.org/details/comedydantealig00sullgoog/page/n28/mode/2up?q=%22such+hapless+state%22">Sullivan</a> (1893)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This miserable condition <br>
<span class="tab">Keeps the sad souls of those who in their lifetime <br>
<span class="tab">Were without infamy and without praises; <br>
Commingled are they with that caitiff chorus <br>
<span class="tab">Of angels who aforetime were not rebels. <br>
<span class="tab">Nor faithful were to God, but stood as neutral. <br>
Heaven drave them forth lest they should mar its beauty;<br>
<span class="tab">Nor doth the lower depth of hell receive them, <br>
<span class="tab">Since that from them the damned would gain some glory.<br>
[tr. <a href="https://archive.org/details/infernodanteali00grifgoog/page/n28/mode/2up?q=%22miserable+condition%22">Griffith</a> (1908)]</blockquote><br>

<blockquote>This miserable state is borne by the wretched souls of those who lived without disgrace and without praise. They are mixed with that caitiff choir of the angels who were not rebels, nor faithful to God, but were for themselves. The heavens drove them forth, not to be less fair, and the depth of Hell does not receive them, lest the wicked have some glory over them.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/7I7_cvKw8xkC?hl=en&gbpv=1&bsq=%22this%20miserable%20state%22">Sinclair</a> (1939)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This dismal company<br>
<span class="tab">Of wretched spirits thus find their guerdon due<br>
<span class="tab">Whose lives knew neither praise nor infamy;<br>
They're mingled with that caitiff angel-crew<br>
<span class="tab">Who against God rebelled not, nor to Him<br>
<span class="tab">Were faithful, but to self alone were true;<br>
Heaven cast them forth -- their presence there would dim<br>
<span class="tab">The light; deep Hell rejects so base a herd,<br>
<span class="tab">Lest sin should boast itself because of them.<br>
[tr. <a href="https://archive.org/details/divinecomedy00peng/page/86/mode/2up?q=%22dismal+company%22">Sayers</a> (1949)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">These are the nearly soulless<br>
<span class="tab">whose lives concluded neither blame nor praise.<br>
They are mixed here with that despicable corps<br>
<span class="tab">of angels who were neither for God nor Satan,<br>
<span class="tab">but only for themselves. The High Creator<br>
scourged them from Heaven for its perfect beauty,<br>
<span class="tab">and Hell will not receive them since the wicked<br>
<span class="tab">might feel some glory over them.<br>
[tr. <a href="https://archive.org/details/infernoverserend00dantrich/page/42/mode/2up?q=%22nearly+soulless%22">Ciardi</a> (1954), ll. 32-39] </blockquote><br>

<blockquote>Such is the miserable condition of the sorry souls of those who lived without infamy and without praise. They are mingled with that base band of angels who were neither rebellious nor faithful to God, but stood apart. The heavens drive them out, so as not to be less beautiful; and deep Hell does not receive them, lest the wicked have some glory over them.<br>
[tr. <a href="https://archive.org/details/inferno0000dant/page/n37/mode/2up?q=%22sorry+souls%22">Singleton</a> (1970)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This wretched state of being<br>
<span class="tab">is the fate of those sad souls who lived a life<br>
<span class="tab">but lived it with no blame and with no praise.<br>
They are mixed with that repulsive choir of angels<br>
<span class="tab">neither faithful nor unfaithful to their God,<br>
<span class="tab">but undecided in their neutrality.<br>
Heaven, to keep its beauty, cast them out,<br>
<span class="tab">but even hell itself would not receive them<br>
<span class="tab">for fear the wicked there might glory over them.<br>
[tr. <a href="https://archive.org/details/dantesinferno00dant/page/20/mode/2up?q=%22wretched+state%22">Musa</a> (1971)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This miserable way<br>
<span class="tab">is taken by the sorry souls of those<br>
<span class="tab">who lived without disgrace and without praise.<br>
They now commingle with the coward angels,<br>
<span class="tab">the company of those who were not rebels<br>
<span class="tab">nor faithful to their God, but stood apart.<br>
The heavens, that their beauty not be lessened,<br>
<span class="tab">have cast them out, nor will deep Hell receive them --<br>
<span class="tab">even the wicked cannot glory in them.<br>
[tr. <a href="https://archive.org/details/lccn_83048678/page/22/mode/2up?q=%22miserable+way%22">Mandelbaum</a> (1980)] </blockquote><br>

<blockquote><span class="tab"><span class="tab">That is the manner of existence<br>
<span class="tab">Endured by the sad souls of those who lived<br>
<span class="tab">Without occasion for infamy or praise.<br>
They are mixed with that abject squadron of angels<br>
<span class="tab">Who did not think it worth their while to rebel<br>
<span class="tab">Or to be faithful to God, but were for themselves.<br>
Heaven chased them out, so as not to become less beautiful,<br>
<span class="tab">And the depths of hell also rejected them,<br>
<span class="tab">Lest the evil might find occasion to glory over them.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/56/mode/2up?q=%22manner+of+existence%22">Sisson</a> (1981)] </blockquote><br>

<blockquote><span class="tab">This is the sorrowful state of souls unsure,<br>
Whose lives earned neither honor nor bad fame.<br>
<span class="tab">And they are mingled with angels of that base sort<br>
<span class="tab">Who, neither rebellious to God nor faithful to Him,<br>
Chose neither side, but kept themselves apart --<br>
<span class="tab">Now Heaven expels them, not to mar its splendor,<br>
<span class="tab">And Hell rejects them, lest the wicked of heart<br>
Take glory over them.<br>
[tr. <a href="https://archive.org/details/infernoofdantene00dant/page/18/mode/2up?q=%22souls+unsure%22">Pinsky</a> (1994), ll. 30-37]</blockquote><br>

<blockquote><span class="tab">This wretched measure is kept by the miserable souls who lived without infamy and without praise.<br>
<span class="tab">They are mixed with that cowardly chorus of angels who were not rebels yet were not faithful to God, but were for themselves.<br>
<span class="tab">The heavens reject them so as not to be less beautiful, nor does deep Hell receive them, for the wicked would have some glory over them.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0001dant_u1l7/page/56/mode/2up?q=%22wretched+measure%22">Durling</a> (1996)] </blockquote><br>

<blockquote>This is the miserable mode in which those exist, who lived without praise, without blame. They are mixed in with the despised choir of angels, those not rebellious, not faithful to God, but for themselves. Heaven drove them out, to maintain its beauty, and deep Hell does not accept them, lest the evil have glory over them.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantInf1to7.php#anchor_Toc64090919:~:text=This%20is%20the,glory%20over%20them.">Kline</a> (2002)]</blockquote><br>



<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This awful habitat is given <br>
<span class="tab">over to the "so-so souls" who, when they lived, <br>
<span class="tab">were neither cold nor hot.<br>
They share this region with a retinue <br>
<span class="tab">of neutral angels, those who neither were for God <br>
<span class="tab">nor Satan, but for you-know-who.<br>
To keep its reputation from impair, <br>
<span class="tab">Heaven expelled them; they were barred from Hell,<br>
<span class="tab">in case in case the wicked thought themselves more fair."<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno_of_Dante_Alighieri/B8DHyhZK8ZQC?hl=en&gbpv=1&bsq=%22awful%20habitat%22">Carson</a> (2002)]</blockquote><br>




<blockquote>This baleful condition is one, he said<br>
<span class="tab">that grips those souls whose lives, contemptibly,<br>
<span class="tab">were void alike of honor and ill fame.<br>
These all co-mingle with a noisome choir<br>
<span class="tab">of angels who -- not rebels, yet not true<br>
<span class="tab">to God -- existed for themselves alone.<br>
To keep their beauty whole, the Heavens spurned them.<br>
<span class="tab">Nor would the depths of Hell receive them in,<br>
<span class="tab">lest truly wicked souls boast over them.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant_l7y1/page/12/mode/2up?q=%22baleful+condition%22">Kirkpatrick</a> (2006)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This miserable state is borne<br>
<span class="tab">by the wretched souls of those who lived<br>
<span class="tab">without disgrace yet without praise.<br>
They intermingle with that wicked band<br>
<span class="tab">of angels, not rebellious and not faithful<br>
<span class="tab">to God, who held themselves apart.<br>
Loath to impair its beauty, Heaven casts them out,<br>
<span class="tab">and the depth of Hell does not receive them<br>
<span class="tab">lest on their account the evil angels gloat.<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?LANG=2&INP_POEM=Inf&INP_SECT=3&INP_START=34&INP_LEN=9">Hollander/Hollander</a> (2007)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">This is how the vilest,<br>
<span class="tab">Sorriest souls have lived their lives,<br>
<span class="tab">Neither disgraced nor ever once admired.<br>
Mixed among them are souls thrown from on high,<br>
<span class="tab">Angels who neither joined the Devil's rebellion<br>
<span class="tab">Nor stood with God. They simply stayed to the side.<br>
Heaven rejected them as ugly, and Hell<br>
<span class="tab">Refused to let them in its deeper parts,<br>
<span class="tab">Outshining demons if the Devil let them dwell there.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22how%20the%20vilest%22">Raffel</a> (2010)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Their pride to have no prejudice,<br>
Seeking no praise for fear of taking blame,<br>
They were for nothing, nor were they against:<br>
They made no waves and so they made no name.<br>
Now their neutrality is recompense,<br>
For here there is no cautious holding back:<br>
Voices once circumspect are now incensed<br>
And raise to make each other's eardrums crack<br>
Thus they are joined to that self-seeking squad<br>
Of angels fitted neither to rebel<br>
Against, nor put their heartfelt faith in, God --<br>
Hunted from Heaven and locked out of Hell<br>
Because the perfect sky would brook no blur,<br>
And in the lower depths the rebels prized<br>
The glory won from being what they were,<br>
Not the nonentities that they despised.<br>
[tr. <a href="https://archive.org/details/inferno0000dant_y2l4/page/14/mode/2up?q=%22have+no+prejudice%22">James</a> (2013), ll. 44-59]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Bach, Richard -- Illusions: The Adventures of a Reluctant Messiah, ch. 18, epigraph (1977)</title>
		<link>https://wist.info/bach-richard/1270/</link>
		<comments>https://wist.info/bach-richard/1270/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Bach, Richard]]></category>
		<category><![CDATA[farewell]]></category>
		<category><![CDATA[friends]]></category>
		<category><![CDATA[good-bye]]></category>
		<category><![CDATA[reunion]]></category>
		<category><![CDATA[separation]]></category>

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		<description><![CDATA[Don&#8217;t be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>Don&#8217;t be dismayed at good-byes.<br />
A farewell is necessary before you can meet again.<br />
And meeting again, after moments or lifetimes,<br />
is certain for those who are friends.</p>
<br><b>Richard Bach</b> (b. 1936) American writer<br><i>Illusions: The Adventures of a Reluctant Messiah</i>, ch. 18, epigraph (1977) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/illusions0000bach/page/132/mode/2up?q=%22dismayed%22" target="_blank">Source</a>)
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