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		<title>Shakespeare, William -- Hamlet, Act 5, sc. 2, l. 389ff (5.2.389-395) (c. 1600)</title>
		<link>https://wist.info/shakespeare-william/82444/</link>
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		<pubDate>Mon, 02 Mar 2026 17:49:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[conclusion]]></category>
		<category><![CDATA[dying]]></category>
		<category><![CDATA[silence]]></category>
		<category><![CDATA[tale]]></category>

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		<description><![CDATA[HAMLET: O, I die, Horatio! The potent poison quite o’ercrows my spirit. I cannot live to hear the news from England. But I do prophesy th’ election lights On Fortinbras; he has my dying voice. So tell him, with th’ occurrents, more and less, Which have solicited &#8212; the rest is silence. [Dies.] Just before [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">HAMLET: <span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">O, I die, Horatio!<br />
The potent poison quite o’ercrows my spirit.<br />
I cannot live to hear the news from England.<br />
But I do prophesy th’ election lights<br />
On Fortinbras; he has my dying voice.<br />
So tell him, with th’ occurrents, more and less,<br />
Which have solicited &#8212; the rest is silence.<br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><i>[Dies.]</i></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
<p></p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Hamlet</i>, Act 5, sc. 2, l. 389ff (5.2.389-395) (c. 1600) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.folger.edu/explore/shakespeares-works/hamlet/read/#:~:text=This%C2%A0warlike%C2%A0volley.-,HAMLET,%C2%A0Which%C2%A0have%C2%A0solicited%E2%80%94the%C2%A0rest%C2%A0is%C2%A0silence.,-%E2%9F%A8O%2C%C2%A0O" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Just before Fortinbras and the English ambassadors enter.<br><br>

In the First Folio, Hamlet moans, "O, O, O, O!" just before dying.						</span>
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		<title>Kesey, Ken -- One Flew Over the Cuckoo&#8217;s Nest, Part 1 (1962)</title>
		<link>https://wist.info/kesey-ken/78904/</link>
		<comments>https://wist.info/kesey-ken/78904/#respond</comments>
		<pubDate>Wed, 17 Sep 2025 17:07:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kesey, Ken]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[narrator]]></category>
		<category><![CDATA[reality]]></category>
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		<category><![CDATA[truth]]></category>

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		<description><![CDATA[But it&#8217;s the truth even if it didn&#8217;t happen.]]></description>
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			<content:encoded><![CDATA[<p>But it&#8217;s the truth even if it didn&#8217;t happen.</p>
<br><b>Ken Kesey</b> (1935-2001) American novelist, essayist, countercultural figure<br><i>One Flew Over the Cuckoo&#8217;s Nest</i>, Part 1 (1962) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/oneflewovercucko0000unse_g6g9/page/8/mode/2up?q=%22the+truth+even%22" target="_blank">Source</a>)
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		<title>Euripides -- Electra [Ἠλέκτρα], l.  743ff, Antistrophe 2 (c. 420 BC) [tr. Wilson (2016)]</title>
		<link>https://wist.info/euripides/73726/</link>
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		<pubDate>Tue, 31 Dec 2024 18:30:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Euripides]]></category>
		<category><![CDATA[cautionary tale]]></category>
		<category><![CDATA[divine punishment]]></category>
		<category><![CDATA[divine wrath]]></category>
		<category><![CDATA[fable]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[gods]]></category>
		<category><![CDATA[myth]]></category>
		<category><![CDATA[religion]]></category>
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		<category><![CDATA[warning]]></category>

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		<description><![CDATA[CHORUS: But fairy tales that scare us humans are useful for religion. [ΧΟΡΟΣ: φοβεροὶ δὲ βροτοῖσι μῦ- θοι κέρδος πρὸς θεῶν θεραπεί- αν.] Following recounting of a story in which Zeus made the sun move backwards in the sky to punish Thyestes for his treachery. (Source (Greek)). Alternate translations: Fresh strength is added to religion&#8217;s [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">CHORUS: But fairy tales that scare us humans<br />
are useful for religion.</p>
<p></p>
<p class="hangingindent">[ΧΟΡΟΣ: φοβεροὶ δὲ βροτοῖσι μῦ-<br />
θοι κέρδος πρὸς θεῶν θεραπεί-<br />
αν.]</p>
<p></p>
<br><b>Euripides</b> (485?-406? BC) Greek tragic dramatist<br><i>Electra</i> [Ἠλέκτρα], l.  743ff, Antistrophe 2 (c. 420 BC) [tr. Wilson (2016)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Greek_Plays/P5O5DAAAQBAJ?hl=en&gbpv=1&dq=%22fairy+tales+that+scare+us+humans%22&pg=PA614&printsec=frontcover" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Following <a href="https://johnstoniatexts.x10host.com/euripides/electrahtml.html#n17:~:text=Thyestes%20and%20Atreus,shrine%20was%20located.">recounting of a story</a> in which Zeus made the sun move backwards in the sky to punish Thyestes for his treachery.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0095%3Acard%3D737#:~:text=%CF%86%CE%BF%CE%B2%CE%B5%CF%81%CE%BF%E1%BD%B6%20%CE%B4%E1%BD%B2%20%CE%B2%CF%81%CE%BF%CF%84%CE%BF%E1%BF%96%CF%83%CE%B9,%CE%B1%CE%BD.">Source (Greek)</a>). Alternate translations: <br><br>

<blockquote>Fresh strength is added to religion's base <br>
By fables which man's breast with terror fill.<br>
[tr. <a href="https://archive.org/details/nineteentragedi02wodhgoog/page/282/mode/2up?q=%22but+tales+like+these%22">Wodhull</a> (1809)] </blockquote><br>

<blockquote>But tales that frighten men are profitable for service to the gods.<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0096%3Acard%3D737#:~:text=But%20tales%20that%20frighten%20men%20are%20profitable%20for%20service%20to%20the%20gods">Coleridge</a> (1891)]</blockquote><br>

<blockquote>But stories terrible to mortals are a gain for the worship of the gods.<br>
[tr. <a href="https://www.google.com/books/edition/The_tragedies_of_Euripides_literally_tr/xdkNAAAAQAAJ?hl=en&gbpv=1&bsq=%22stories%20terrible%22">Buckley</a> (1892)] </blockquote><br>

<blockquote>Yet it may be the tale liveth, soul-affraying,<br>
To bow us to Godward in lowly obeying.<br>
[tr. <a href="https://en.wikisource.org/wiki/Tragedies_of_Euripides_(Way)/Electra#:~:text=Yet%20it%20may%20be%20the%20tale%20liveth%2C%20soul%2Daffraying%2C%0ATo%20bow%20us%20to%20Godward%20in%20lowly%20obeying.">Way</a> (1896)] </blockquote><br>

<blockquote>Once, men told the tale, and trembled;<br>
<span class="tab">Fearing God.<br>
[tr. <a href="https://en.wikisource.org/wiki/Electra_(Murray)/Text#:~:text=Once%2C%20men%20told%20the%20tale%2C%20and%20trembled%3B%0A%0AFearing%20God">Murray</a> (1905)]</blockquote><br>

<blockquote>Such shocking myths are for the good of men, to frighten them into believing in the gods.<br>
[tr. <a href="https://bacchicstage.wordpress.com/euripides/elektra-aka-electra/#:~:text=Such%20shocking%20myths%20are%20for%20the%20good%20of%20men%2C%20to%20frighten%20them%20into%20believing%20in%20the%20gods.">Theodoridis</a> (2006)] </blockquote><br>

<blockquote>But tales which terrify mankind<br>
are profitable and serve the gods.<br>
[tr. <a href="https://johnstoniatexts.x10host.com/euripides/electrahtml.html#:~:text=But%20tales%20which%20terrify%20mankind%0Aare%20profitable%20and%20serve%20the%20gods.">Johnston</a> (2009)] </blockquote><br>						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 3 &#8220;Paradiso,&#8221; Canto  1, l.   4ff (1.4-12) (1320) [tr. Sayers/Reynolds (1962)]</title>
		<link>https://wist.info/dante-alighieri-poet/69278/</link>
		<comments>https://wist.info/dante-alighieri-poet/69278/#respond</comments>
		<pubDate>Fri, 10 May 2024 20:39:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
		<category><![CDATA[comprehension]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[heaven]]></category>
		<category><![CDATA[ineffability]]></category>
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		<category><![CDATA[memory]]></category>
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		<description><![CDATA[Within that heav&#8217;n which most receives His light Was I, and saw such things as man nor knows Nor skills to tell, returning from that height; For when our intellect is drawing close To its desire, its paths are so profound That memory cannot follow where it goes. Yet now, of that blest realm, whate&#8217;er [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Within that heav&#8217;n which most receives His light<br />
<span class="tab">Was I, and saw such things as man nor knows<br />
<span class="tab">Nor skills to tell, returning from that height;<br />
For when our intellect is drawing close<br />
<span class="tab">To its desire, its paths are so profound<br />
<span class="tab">That memory cannot follow where it goes.<br />
Yet now, of that blest realm, whate&#8217;er is found<br />
<span class="tab">Here in my mind still treasured and possessed<br />
<span class="tab">Must set the strain for all my song to sound.<br />
&nbsp;<br />
<em>[Nel ciel che più de la sua luce prende<br />
<span class="tab">fu’ io, e vidi cose che ridire<br />
<span class="tab">né sa né può chi di là sù discende;<br />
perché appressando sé al suo disire,<br />
<span class="tab">nostro intelletto si profonda tanto,<br />
<span class="tab">che dietro la memoria non può ire.<br />
Veramente quant’io del regno santo<br />
<span class="tab">ne la mia mente potei far tesoro,<br />
<span class="tab">sarà ora materia del mio canto.]</span></span></span></span></span></span></em></span></span></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265-1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 3 <i>&#8220;Paradiso,&#8221;</i> Canto  1, l.   4ff (1.4-12) (1320) [tr. Sayers/Reynolds (1962)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/comedyofdanteali0000dant/page/52/mode/2up?q=%22within+that+heav%27n+which%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Dante breaks the fourth wall again, to apologize for how little he can remember of the ineffable glories of Heaven (which works out to an entire book's worth).<br><br>

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Paradiso/Canto_I#:~:text=Nel%20ciel%20che,12">Source (Italian)</a>). Alternate translations:<br><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">In daring drains <br>
I sing, admitted to the lofty fanes,<br>
<span class="tab">Fill'd with the Glory of th' Eternal One.<br>
There saw I things beyond Creation's bourne. <br>
Which none who from her flaming bounds return<br>
<span class="tab">Can tell, when soaring Thought is launch'd so far <br>
In Being's vast Abyss, that Mem'ry fails. <br>
Nor dares pursue, altho' with crowded sails<br>
<span class="tab">She tries the Voyage o'er th' eternal Bar.<br>
But some small remnant of that heav'nly Spoil, <br>
From that strange Voyage won with arduous toil,<br>
<span class="tab">To her dear native soil, the Muse shall bear.<br>
[tr. <a href="https://archive.org/details/divinacommediaof03dantuoft/page/30/mode/2up?q=%22canto+the+first%22#:~:text=as%20he%20wills%2C-,in%20daring%20drains,-I%20fmg%2C">Boyd</a> (1802), st. 1-3] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">In heav’n,<br>
<span class="tab">That largeliest of his light partakes, was I,<br>
<span class="tab">Witness of things, which to relate again<br>
Surpasseth power of him who comes from thence;<br>
<span class="tab">For that, so near approaching its desire<br>
<span class="tab">Our intellect is to such depth absorb’d,<br>
That memory cannot follow. Nathless all,<br>
<span class="tab">That in my thoughts I of that sacred realm<br>
<span class="tab">Could store, shall now be matter of my song.<br>
[tr. <a href="https://www.gutenberg.org/files/8799/8799-h/8799-h.htm#cantoIII.1:~:text=In%20heav%E2%80%99n%2C,of%20my%20song.">Cary</a> (1814)]</blockquote><br>

<blockquote>In heaven, that drinks the deepest of the light,<br>
<span class="tab">Was I, and saw what to recount to sense<br>
<span class="tab">He knows not how, nor can, who comes from thence;<br>
Because, approaching nearer its desire,<br>
<span class="tab">Dives intellect to such a depth profound<br>
<span class="tab">That memory fails, and cannot go beyond<br>
In truth of that dominion's power, whate'er <br>
<span class="tab">I can find room to treasure in my mind,   <br>
<span class="tab">Be now the subject in my song enshrined.<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/322/mode/2up?q=%22in+heaven+that+drinks%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote>Within that heaven which most his light receives<br>
<span class="tab">Was I, and things beheld which to repeat<br>
<span class="tab">Nor knows, nor can, who from above descends;<br>
Because in drawing near to its desire<br>
<span class="tab">Our intellect ingulphs itself so far,<br>
<span class="tab">That after it the memory cannot go.<br>
Truly whatever of the holy realm<br>
<span class="tab">I had the power to treasure in my mind<br>
<span class="tab">Shall now become the subject of my song.<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_3/Canto_1#:~:text=Within%20that%20heaven,of%20my%20song.">Longfellow</a> (1867)] </blockquote><br>

<blockquote>In the heaven which receives most of His light was I, and I beheld things which whoso descends thence has neither knowledge nor power to tell again, seeing that as it draws near to its desire our understanding plunges so deep, that the memory cannot go after it. Howbeit, so much of the holy realm as I could treasure up within my mind shall now be matter for my lay.<br>
[tr. <a href="https://archive.org/details/paradisedanteal00aliggoog/page/n22/mode/2up?q=%22in+the+heaven+which%22">Butler</a> (1885)] </blockquote><br>

<blockquote>In the sky which most partaketh of his light<br>
<span class="tab">Was I, and things I saw, which to repeat <br>
<span class="tab">Knows not, and cannot whoe'er leaves that height. <br>
Because approaching to its yearned-for seat<br>
<span class="tab">The intellect deep diveth there so long<br>
<span class="tab">That memory behind it cannot fleet. <br>
Of what to the holy kingdom doth belong<br>
<span class="tab">Which I had power to treasure in my mind,<br>
<span class="tab">Truly shall now be subject of my song.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/262/mode/2up?q=%22in+the+sky+which%22">Minchin</a> (1885)]</blockquote><br>

<blockquote>In the heaven that receives most of its light I have been, and have seen things which he who descends from thereabove neither knows how nor is able to recount; because, drawing near to its own desire, our understanding enters so deep, that the memory cannot follow. Truly whatever of the Holy Realm I could treasure up in my mind shall now be the theme of my song.<br>
[tr. <a href="https://www.gutenberg.org/files/1997/1997-h/1997-h.htm#cantoIII.I:~:text=In%20the%20heaven,of%20my%20song.">Norton</a> (1892)] </blockquote><br>

<blockquote><span class="tab">In that heaven which most receiveth of his light, have I been ; and have seen things which whoso descendeth from up there hath nor knowledge nor power to re-tell; <br>
<span class="tab">because, as it draweth nigh to its desire, our intellect sinketh so deep, that memory cannot go back upon the track. <br>
<span class="tab">Nathless, whatever of the holy realm I had the power to treasure in my memory, shall now be matter of my song.<br>
[tr. <a href="https://archive.org/details/paradisoofdante00dant/page/2/mode/2up?q=%22In+that+heaven%22">Wicksteed</a> (1899)] </blockquote><br>

<blockquote>I was in the heaven that most receives His light and I saw things which he that descends from it has not the knowledge or the power to tell again; for our intellect, drawing near to its desire, sinks so deep that memory cannot follow it. Nevertheless, so much of the holy kingdom as I was able to treasure in my mind shall now be matter of my song.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0000dant/page/18/mode/2up?q=%22i+was+in+the+heaven%22">Sinclair</a> (1939)]</blockquote><br>

<blockquote>In that heaven which partakes most of His light <br>
<span class="tab">I have been, and have beheld such things as who<br>
<span class="tab">Comes down thence has no wit nor power to write; <br>
Such depth our understanding deepens to<br>
<span class="tab">When it draws near unto its longing's home<br>
<span class="tab">That memory cannot backward with it go.<br>
Nevertheless what of the blest kingdom<br>
<span class="tab">Could in my memory, for its treasure, stray<br>
<span class="tab">Shall now the matter of my song become.<br>
[tr. <a href="https://archive.org/details/portabledante00dant/page/366/mode/2up?q=%22in+that+heaven+which%22">Binyon</a> (1943)]</blockquote><br>

<blockquote>I have been in that Heaven of His most light, <br>
<span class="tab">and what I saw, those who descend from there <br>
<span class="tab">lack both the knowledge and the power to write.<br>
For as our intellect draws near its goal <br>
<span class="tab">it opens to such depths of understanding <br>
<span class="tab">as memory cannot plumb within the soul. <br>
Nevertheless, whatever portion time <br>
<span class="tab">still leaves me of the treasure of that kingdom <br>
<span class="tab">shall now become the subject of my rhyme.<br>
[tr. <a href="https://archive.org/details/paradisoverseren00dant/page/24/mode/2up?q=%22i+have+been+in+that+heaven%22">Ciardi</a> (1970)]</blockquote><br>

<blockquote>I have been in the heaven that most receives of his light, and have seen things which whoso descends from up there has niehter the knowledge nor the power to relate, because, as draws near to its desire, our intellect enters so deep that memory cannot go back upon the track. Nevertheless, so much of the holy kingdom as I could treasure up in my mind shall now be the matter of my song.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy_III_Paradiso_Vol_III_P/4Q48EAAAQBAJ?hl=en&gbpv=1&bsq=%22i%20have%20been%20in%20the%22">Singleton</a> (1975)] </blockquote><br>

<blockquote>I have been in the heaven which takes most of his light, <br>
<span class="tab">And I have seen things which cannot be told, <br>
<span class="tab">Possibly, by anyone who comes down from up there;<br>
Because, approaching the object of its desires, <br>
<span class="tab">Our intellect is so deeply absorbed <br>
<span class="tab">That memory cannot follow it all the way.<br>
Nevertheless, what I was able to store up<br>
<span class="tab">Of that holy kingdom, in my mind,<br>
<span class="tab">Will now be the matter of my poem.<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/350/mode/2up?q=%22i+have+been+in+the+heaven%22">Sisson</a> (1981)] </blockquote><br>

<blockquote>I was within the heaven that receives more <br>
<span class="tab">of His light; and I saw things that he <br>
<span class="tab">who from that height descends, forgets or can <br>
not speak; for nearing its desired end, <br>
<span class="tab">our intellect sinks into an abyss <br>
<span class="tab">so deep that memory fails to follow it. <br>
Nevertheless, as much as I, within <br>
<span class="tab">my mind, could treasure of the holy kingdom <br>
<span class="tab">shall now become the matter of my song. <br>
[tr. <a href="https://archive.org/details/paradiso0000dant_k1w9/page/2/mode/2up?q=%22less+i+was+within+the+heaven%22">Mandelbaum</a> (1984)]</blockquote><br>

<blockquote>I have been in His brightest shining heaven <br>
<span class="tab">and seen such things that no man, once returned <br>
<span class="tab">from there, has wit or skill to tell about;<br>
for when our intellect draws near its goal <br>
<span class="tab">and fathoms to the depths of its desire, <br>
<span class="tab">the memory is powerless to follow;<br>
but still, as much of Heaven’s holy realm <br>
<span class="tab">as I could store and treasure in my mind <br>
<span class="tab">shall now become the subject of my song. <br>
[tr. <a href="https://archive.org/details/dantesparadise0000dant/page/n13/mode/2up?q=%22i+have+been+in+his+brightest%22">Musa</a> (1984)]</blockquote><br>

<blockquote><span class="tab">In the heaven that receives most of his light have I been, and I have seen things that one who comes down from there cannot remember and cannot utter, <br>
<span class="tab">for as it draws near to its desire, our intellect goes so deep that the memory cannot follow it. <br>
<span class="tab">Nevertheless, as much of the holy kingdom as I was able to treasure up in my mind will now become the matter of my song.<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0000dant_e4e9/page/22/mode/2up?q=%22in+the+heaven+that%22">Durling</a> (2011)] </blockquote><br>

<blockquote><span class="tab">I have been in that Heaven that knows his light most, and have seen things, which whoever descends from there has neither power, nor knowledge, to relate: because as our intellect draws near to its desire, it reaches such depths that memory cannot go back along the track.<br>
<span class="tab">  Nevertheless, whatever, of the sacred regions, I had power to treasure in my mind, will now be the subject of my labour.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantPar1to7.php#:~:text=I%20have%20been,of%20my%20labour.">Kline</a> (2002)]</blockquote><br>

<blockquote>High in that sphere which takes from Him most light<br> 
<span class="tab">I was -- I was! -- and saw things there that no one <br>
<span class="tab">who descends knows how or ever can repeat. <br>
For, drawing near to what it most desires, <br>
<span class="tab">our intellect so sinks into the deep <br>
<span class="tab">no memory can follow it that far. <br>
As much, though, truly of that holy realm <br>
<span class="tab">as I could keep as treasure in my mind <br>
<span class="tab">will now become the substance of my song.<br>
[tr. <a href="https://archive.org/details/divinecomedy3par0000dant/page/n87/mode/2up?q=%22high+in+that+sphere%22">Kirkpatrick</a> (2007)]</blockquote><br>

<blockquote>I was in that heaven which receives<br>
<span class="tab">more of His light. He who comes down from there<br>
<span class="tab">can neither know nor tell what he has seen,<br>
for, drawing near to its desire,<br>
<span class="tab">so deeply is our intellect immersed<br>
<span class="tab">that memory cannot follow after it.<br>
Nevertheless, as much of the holy kingdom<br>
<span class="tab">as I could store as treasure in my mind<br>
<span class="tab">shall now become the subject of my song.<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?INP_POEM=Par&INP_SECT=1&INP_START=4&INP_LEN=9&LANG=0">Hollander/Hollander</a> (2007)] </blockquote><br>

<blockquote>And though I saw where most of His brightness falls,<br>
<span class="tab">What I have seen cannot be represented<br>
<span class="tab">Here, for those who have entered Heaven, and descended,<br>
Have come so close to what our minds desire<br>
<span class="tab">They sink far in, and bury their knowledge, their power,<br>
<span class="tab">So deep that memory cannot recover<br>
A thing. But I will try, truly, to present<br>
<span class="tab">Whatever remains in my mind of that holy kingdom<br>
<span class="tab">And make it the substance of this song I will sing.<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22and%20though%20I%20saw%22">Raffel</a> (2010)]</blockquote><br>

<blockquote>I was in the heaven that gets more of its rays<br>
<span class="tab">And saw things that those who come down<br>
<span class="tab">From on high can’t grasp or else can’t say,<br>
Because nearing what one wants,<br>
<span class="tab">Our intellect is so overcome<br>
<span class="tab">That our memory is left behind.<br>
Even so, as much of the Holy Kingdom<br>
<span class="tab">As my mind could hold on to<br>
<span class="tab">Will now be the subject of my song.<br>
[tr. <a href="https://imagejournal.org/article/paradiso-canto-i/#:~:text=I%20was%20in,of%20my%20song.">Bang</a> (2021)]</blockquote><br>
						</span>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Tuchman, Barbara -- &#8220;Can History Be Served Up Hot?&#8221; New York Times (8 Mar 1964)</title>
		<link>https://wist.info/tuchman-barbara/29088/</link>
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		<pubDate>Tue, 21 Apr 2015 23:44:54 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tuchman, Barbara]]></category>
		<category><![CDATA[history]]></category>
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		<description><![CDATA[The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.</p>
<br><b>Barbara W. Tuchman</b> (1912-1989) American historian and author<br>&#8220;Can History Be Served Up Hot?&#8221; <i>New York Times</i> (8 Mar 1964) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.nytimes.com/1964/03/08/can-history-be-served-up-hot.html" target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Stoppard, Tom -- Travesties. Act 1 (1974)</title>
		<link>https://wist.info/stoppard-tom/27079/</link>
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		<pubDate>Fri, 03 Oct 2014 11:41:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Stoppard, Tom]]></category>
		<category><![CDATA[art]]></category>
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		<description><![CDATA[JOYCE: An artist is the magician put among men to gratify &#8212; capriciously &#8212; their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>JOYCE: An artist is the magician put among men to gratify &#8212; capriciously &#8212; their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist&#8217;s touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships —&#8211; and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes &#8212; husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer.</p>
<br><b>Tom Stoppard</b> (1937-2025) Czech-English playwright and screenwriter<br><i>Travesties</i>. Act 1 (1974) 
														<br><br><span class="cite">
						

 Stoppard called this "the most important" speech in the play.
						</span>
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