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		<title>Faulkner, William -- &#8220;The Art of Fiction,&#8221; Interview by Jean Stein, Paris Review #12 (Spring 1956)</title>
		<link>https://wist.info/faulkner-william/62163/</link>
		<comments>https://wist.info/faulkner-william/62163/#respond</comments>
		<pubDate>Mon, 24 Jul 2023 15:20:58 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Faulkner, William]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[learning]]></category>
		<category><![CDATA[make mistakes]]></category>
		<category><![CDATA[technique]]></category>
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		<description><![CDATA[Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error.]]></description>
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			<content:encoded><![CDATA[<p>Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. </p>
<br><b>William Faulkner</b> (1897–1962) American novelist<br>&#8220;The Art of Fiction,&#8221; Interview by Jean Stein, <i>Paris Review</i> #12 (Spring 1956) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.theparisreview.org/interviews/4954/william-faulkner-the-art-of-fiction-no-12-william-faulkner" target="_blank">Source</a>)
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		<title>Connolly, Cyril -- Enemies of Promise, Part 1, ch. 3 &#8220;The Challenge of the Mandarins&#8221; (1938)</title>
		<link>https://wist.info/connolly-cyril/52555/</link>
		<comments>https://wist.info/connolly-cyril/52555/#respond</comments>
		<pubDate>Tue, 05 Apr 2022 20:08:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Connolly, Cyril]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[literature]]></category>
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		<description><![CDATA[Literature is the art of writing something that will be read twice; journalism what will be grasped at once, and they require separate techniques.]]></description>
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			<content:encoded><![CDATA[<p>Literature is the art of writing something that will be read twice; journalism what will be grasped at once, and they require separate techniques.</p>
<br><b>Cyril Connolly</b> (1903–1974) English intellectual, literary critic and writer.<br><i>Enemies of Promise</i>, Part 1, ch. 3 &#8220;The Challenge of the Mandarins&#8221; (1938) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Enemies_of_Promise/7QzhQ7fXBIoC?hl=en&gbpv=1&bsq=%22will%20be%20read%20twice%22" target="_blank">Source</a>)
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		<title>Casals, Pablo -- Joys and Sorrows, ch. 5 (1970) [with Albert E. Kahn]</title>
		<link>https://wist.info/casals-pablo/50972/</link>
		<comments>https://wist.info/casals-pablo/50972/#respond</comments>
		<pubDate>Thu, 20 Jan 2022 22:47:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Casals, Pablo]]></category>
		<category><![CDATA[cello]]></category>
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		<description><![CDATA[I have always regarded technique as a means, not an end in itself. One must, of course, master techniques; at the same time, one must not become enslaved by it &#8212; one must understand that the purpose of technique is to transmit the inner meaning, the message, of the music. The most perfect technique is [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I have always regarded technique as a means, not an end in itself. One must, of course, master techniques; at the same time, one must not become enslaved by it &#8212; one must understand that the purpose of technique is to transmit the inner meaning, the message, of the music. The most perfect technique is that which is not noticed at all.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2022/01/Casals-The-most-perfect-technique-is-that-which-is-not-noticed-at-all-wist.info-quote.png"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2022/01/Casals-The-most-perfect-technique-is-that-which-is-not-noticed-at-all-wist.info-quote.png" alt="Casals - The most perfect technique is that which is not noticed at all - wist.info quote" width="800" height="580" class="aligncenter size-full wp-image-50974" srcset="https://wist.info/wp/wp-content/uploads/2022/01/Casals-The-most-perfect-technique-is-that-which-is-not-noticed-at-all-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2022/01/Casals-The-most-perfect-technique-is-that-which-is-not-noticed-at-all-wist.info-quote-300x218.png 300w, https://wist.info/wp/wp-content/uploads/2022/01/Casals-The-most-perfect-technique-is-that-which-is-not-noticed-at-all-wist.info-quote-768x557.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Pablo Casals</b> (1876–1973) Spanish cellist, conductor, composer<br><i>Joys and Sorrows</i>, ch. 5 (1970) [with Albert E. Kahn] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://pdfcoffee.com/casals-joys-and-sorrows-pdf-free.html#:~:text=I%20have%20always%20regarded%20technique,is%20not%20noticed%20at%20all." target="_blank">Source</a>)
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		<title>Flaubert, Gustave -- Letter to Louise Colet (12 Aug 1846)</title>
		<link>https://wist.info/flaubert-gustave/41096/</link>
		<comments>https://wist.info/flaubert-gustave/41096/#respond</comments>
		<pubDate>Thu, 19 Mar 2020 17:25:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Flaubert, Gustave]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artwork]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[emotion]]></category>
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		<description><![CDATA[One must not always think that feeling is everything. Art is nothing without form.]]></description>
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			<content:encoded><![CDATA[<p>One must not always think that feeling is everything. Art is nothing without form.</p>
<br><b>Gustave Flaubert</b> (1821–1880) French writer, novelist<br>Letter to Louise Colet (12 Aug 1846) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=W3SG1hJSArIC&newbks=0&lpg=PP1&dq=flaubert%20letter%20%22always%20think%20that%20feeling%22&pg=RA4-PR82#v=onepage&q=%22always%20think%20that%20feeling%22&f=false" target="_blank">Source</a>)
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		<title>Barth, John -- &#8220;An Interview with John Barth,&#8221; by Alan Prince and Ian Carruthers, Prism (Spring 1968)</title>
		<link>https://wist.info/barth-john/40953/</link>
		<comments>https://wist.info/barth-john/40953/#respond</comments>
		<pubDate>Thu, 12 Mar 2020 19:10:01 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Barth, John]]></category>
		<category><![CDATA[ability]]></category>
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		<category><![CDATA[expertise]]></category>
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		<description><![CDATA[My feeling about technique in art is that it has about the same value as technique in love-making. That is to say, on the one hand, heartfelt ineptitude has its appeal and, on the other hand, so does heartless skill; but what you want is passionate virtuosity. The quotation from the interview (originally credited only [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>My feeling about technique in art is that it has about the same value as technique in love-making. That is to say, on the one hand, heartfelt ineptitude has its appeal and, on the other hand, so does heartless skill; but what you want is passionate virtuosity.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2020/03/Barth-passionate-virtuosity-wist_info-quote.png"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2020/03/Barth-passionate-virtuosity-wist_info-quote.png" alt="John Barth - Passionate Virtuosity" title="John Barth - Passionate Virtuosity" width="800" height="575" class="aligncenter size-full wp-image-40957" srcset="https://wist.info/wp/wp-content/uploads/2020/03/Barth-passionate-virtuosity-wist_info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2020/03/Barth-passionate-virtuosity-wist_info-quote-300x216.png 300w, https://wist.info/wp/wp-content/uploads/2020/03/Barth-passionate-virtuosity-wist_info-quote-768x552.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>John Barth</b> (1930–2024) American writer<br>&#8220;An Interview with John Barth,&#8221; by Alan Prince and Ian Carruthers, <i>Prism</i> (Spring 1968) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://ruccs.rutgers.edu/images/personal-alan-prince/hold/barth-interview.pdf" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The quotation from the interview (<a href="https://ruccs.rutgers.edu/prince#:~:text=Prince%2C%20Alan%2C%20and%20Ian,have%20done%20the%20rest.">originally credited only to Prince</a>) was also included in the <a href="https://archive.org/details/lostinfunhouse0000bart/page/n1/mode/2up?q=%22passionate+virtuosity%22">inside dust cover</a> of Barth's short story collection, <i>Lost in the Funhouse</i> (1968), and is sometimes cited to that book.<br><br>

The longer quote was paraphrased to the form in the graphic above <a href="https://www.google.com/books/edition/Passionate_Virtuosity/V22rENqOydAC?hl=en&gbpv=1&dq=barth%20%22art%20as%20in%20lovemaking%22&pg=PP4&printsec=frontcover&bsq=barth%20%22art%20as%20in%20lovemaking%22">on the dust cover</a> of Charles B. Harris, <i>Passionate Virtuosity: The Fiction of John Barth</i> (1983):<br><br>

<blockquote>In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.</blockquote><br>

Harris later <a href="https://www.google.com/books/edition/Passionate_Virtuosity/V22rENqOydAC?hl=en&gbpv=1&bsq=%22love-making%22">gives the full quotation</a> inside his book. <br><br>

Also used by Barth in "<a href="https://classic.esquire.com/article/1972/6/1/dunyazadiad#:~:text=Heartfelt%20ineptitude%20has%20its%20appeal%2C%20Dunyazade%3B%20so%20does%20heartless%20skill.%20But%20what%20you%20want%20is%20passionate%20virtuosity.">Dunyazadiad</a>," <i>Esquire</i> (1972-07-01), reprinted in  <i><a href="https://archive.org/details/chimera0000john/page/32/mode/2up?q=%22heartfelt+ineptitude%22">Chimera</a></i> (1972):<br><br>

<blockquote>Heartfelt ineptitude has its appeal, Dunyazade; so does heartless skill. But what you want is passionate virtuosity.</blockquote><br>



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		<title>Asimov, Isaac -- Interview (1988) by Bill Moyers, A World of Ideas, PBS TV (1988-10-22)</title>
		<link>https://wist.info/asimov-isaac/34218/</link>
		<comments>https://wist.info/asimov-isaac/34218/#respond</comments>
		<pubDate>Tue, 14 Jun 2016 19:38:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Asimov, Isaac]]></category>
		<category><![CDATA[knowledge]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[philosophy]]></category>
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		<category><![CDATA[science]]></category>
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		<category><![CDATA[truth]]></category>

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		<description><![CDATA[Science doesn&#8217;t purvey absolute truth. Science is a mechanism. It&#8217;s a way of trying to improve your knowledge of nature. It&#8217;s a system for testing your thoughts against the universe and seeing whether they match. And this works, not just for the ordinary aspects of science, but for all of life. I should think people [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Science doesn&#8217;t purvey absolute truth. Science is a mechanism. It&#8217;s a way of trying to improve your knowledge of nature. It&#8217;s a system for testing your thoughts against the universe and seeing whether they match. And this works, not just for the ordinary aspects of science, but for all of life. I should think people would want to know that what they know is truly what the universe is like, or at least as close as they can get to it.</p>
<br><b>Isaac Asimov</b> (1920–1992) Russian-American author, polymath, biochemist<br>Interview (1988) by Bill Moyers, <i>A World of Ideas</i>, PBS TV (1988-10-22) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/worldofideasconv00moye/page/270/mode/2up?q=purvey" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://youtu.be/TBR_xSFx7FA?si=SW44ndKtjfh_DVBD&t=1230">Source (Video)</a>)<br><br>

<a href="https://www.imdb.com/title/tt37503258/?ref_=ttep_ep">Part 2</a> of the interview (the first half aired 1988-10-17). Collected in Bill Moyers, <i>A World of Ideas</i> (1989).

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