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		<title>Brilliant, Ashleigh -- Pot-Shots, #3273</title>
		<link>https://wist.info/brilliant-ashleigh/46704/</link>
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		<pubDate>Fri, 23 Apr 2021 21:26:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brilliant, Ashleigh]]></category>
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		<description><![CDATA[More books have resulted from somebody&#8217;s need to write than from anybody&#8217;s need to read.]]></description>
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			<content:encoded><![CDATA[<p>More books have resulted from somebody&#8217;s need to write than from anybody&#8217;s need to read.</p>
<br><b>Ashleigh Brilliant</b> (b. 1933) Anglo-American epigramist, aphorist, cartoonist<br><i>Pot-Shots</i>, #3273 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Poetics/pFYlIO671Z0C?hl=en&gbpv=1&dq=aristotle%20poetics&pg=PA28&printsec=frontcover&bsq=%22poetry%20utters%22" target="_blank">Source</a>)
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		<title>Weil, Simone -- Gravity and Grace [La Pesanteur et la Grâce], &#8220;Beauty&#8221; (1947) [ed. Thibon] [tr. Crawford/von der Ruhr (1952)]</title>
		<link>https://wist.info/weil-simone/41890/</link>
		<comments>https://wist.info/weil-simone/41890/#respond</comments>
		<pubDate>Thu, 28 May 2020 20:44:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Weil, Simone]]></category>
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		<description><![CDATA[A work of art has an author and yet, when it is perfect, it has something which is essentially anonymous about it.]]></description>
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			<content:encoded><![CDATA[<p>A work of art has an author and yet, when it is perfect, it has something which is essentially anonymous about it. </p>
<br><b>Simone Weil</b> (1909–1943) French philosopher<br><i>Gravity and Grace [La Pesanteur et la Grâce]</i>, &#8220;Beauty&#8221; (1947) [ed. Thibon] [tr. Crawford/von der Ruhr (1952)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/gravitygrace0000weil/page/148/mode/2up?q=%22has+an+author%22" target="_blank">Source</a>)
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		<title>De Botton, Alain -- The Consolations of Philosophy, ch. 5 &#8220;Consolation for a Broken Heart&#8221; (2000)</title>
		<link>https://wist.info/de-botton-alain/38601/</link>
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		<pubDate>Thu, 12 Apr 2018 15:46:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[De Botton, Alain]]></category>
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		<description><![CDATA[The greatest works of art speak to us without knowing of us.]]></description>
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			<content:encoded><![CDATA[<p>The greatest works of art speak to us without knowing of us.</p>
<br><b>Alain de Botton</b> (b. 1969) Swiss-British author<br><i>The Consolations of Philosophy</i>, ch. 5 &#8220;Consolation for a Broken Heart&#8221; (2000) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://books.google.com/books?id=xYbjJIRVMAkC&lpg=PP1&dq=isbn%3A0679779175&pg=PP1#v=onepage&q=%22art%20speak%22&f=false" target="_blank">Source</a>)
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		<title>Shelley, Percy Bysshe -- &#8220;A Defence of Poetry&#8221; (1821-03, pub. 1840)</title>
		<link>https://wist.info/shelley-percy-bysshe/32317/</link>
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		<pubDate>Tue, 26 Jan 2016 17:57:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasure of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.]]></description>
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			<content:encoded><![CDATA[<p>A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasure of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2016/01/Shelley-The-great-instrument-of-moral-good-is-the-imagination-wist.info-quote.png"><img fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2016/01/Shelley-The-great-instrument-of-moral-good-is-the-imagination-wist.info-quote.png" alt="shelley the great instrument of moral good is the imagination wist.info quote" width="800" height="500" class="aligncenter size-full wp-image-68894" srcset="https://wist.info/wp/wp-content/uploads/2016/01/Shelley-The-great-instrument-of-moral-good-is-the-imagination-wist.info-quote.png 800w, https://wist.info/wp/wp-content/uploads/2016/01/Shelley-The-great-instrument-of-moral-good-is-the-imagination-wist.info-quote-300x188.png 300w, https://wist.info/wp/wp-content/uploads/2016/01/Shelley-The-great-instrument-of-moral-good-is-the-imagination-wist.info-quote-768x480.png 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<br><b>Percy Bysshe Shelley</b> (1792–1822) English poet<br>&#8220;A Defence of Poetry&#8221; (1821-03, pub. 1840) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.poetryfoundation.org/articles/69388/a-defence-of-poetry#:~:text=A%20man%2C%20to%20be%20greatly,by%20acting%20upon%20the%20cause." target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Aristotle -- Poetics [Περὶ ποιητικῆς, De Poetica], ch.  9 / 1451b.5 (c. 335 BC) [tr. Kenny (2013)]</title>
		<link>https://wist.info/aristotle/13795/</link>
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		<pubDate>Mon, 07 Feb 2011 15:36:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Aristotle]]></category>
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		<description><![CDATA[Poetry is more philosophical and more serious than history; poetry utters universal truths, history particular statements. [διὸ καὶ φιλοσοφώτερον καὶ σπουδαιότερον ποίησις ἱστορίας ἐστίν: ἡ μὲν γὰρ ποίησις μᾶλλον τὰ καθόλου, ἡ δ᾽ ἱστορία τὰ καθ᾽ ἕκαστον λέγει.] Original Greek. Other translations: Poetry, therefore, is a more philosophical and a higher thing than history: for [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Poetry is more philosophical and more serious than history; poetry utters universal truths, history particular statements.</p>
<p>[διὸ καὶ φιλοσοφώτερον καὶ σπουδαιότερον ποίησις ἱστορίας ἐστίν: ἡ μὲν γὰρ ποίησις μᾶλλον τὰ καθόλου, ἡ δ᾽ ἱστορία τὰ καθ᾽ ἕκαστον λέγει.]</p>
<br><b>Aristotle</b> (384–322 BC) Greek philosopher<br><i>Poetics [Περὶ ποιητικῆς, De Poetica]</i>, ch.  9 / 1451b.5 (c. 335 BC) [tr. Kenny (2013)] 
														<br><br><span class="cite">
						

<a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0055%3Asection%3D1451b#text_main:~:text=%CE%B4%CE%B9%E1%BD%B8%20%CE%BA%CE%B1%E1%BD%B6%20%CF%86%CE%B9%CE%BB%CE%BF%CF%83%CE%BF%CF%86%CF%8E%CF%84%CE%B5%CF%81%CE%BF%CE%BD%20%CE%BA%CE%B1%E1%BD%B6%20%CF%83%CF%80%CE%BF%CF%85%CE%B4%CE%B1%CE%B9%CF%8C%CF%84%CE%B5%CF%81%CE%BF%CE%BD%20%CF%80%CE%BF%CE%AF%CE%B7%CF%83%CE%B9%CF%82,%CE%B4%E1%BE%BD%20%E1%BC%B1%CF%83%CF%84%CE%BF%CF%81%CE%AF%CE%B1%20%CF%84%E1%BD%B0%20%CE%BA%CE%B1%CE%B8%E1%BE%BD%20%E1%BC%95%CE%BA%CE%B1%CF%83%CF%84%CE%BF%CE%BD%20%CE%BB%CE%AD%CE%B3%CE%B5%CE%B9.">Original Greek</a>. Other translations:<br><br>

<blockquote>Poetry, therefore, is a more philosophical and a higher thing than history: for poetry tends to express the universal, history the particular.<br> 
[tr. <a href="https://en.wikisource.org/wiki/The_Poetics_translated_by_S._H._Butcher/Whole_text#Part_IX:~:text=Poetry%2C%20therefore%2C%20is%20a%20more%20philosophical,the%20universal%2C%20history%20the%20particular.%20By">Butcher</a> (1895)]</blockquote><br>

<blockquote>Poetry is something more philosophic and of graver import than history, since its statements are of the nature rather of universals, whereas those of history are singulars.<br>
[tr. <a href="https://www.gutenberg.org/files/6763/6763-h/6763-h.htm#link2H_4_0011:~:text=Hence%20poetry%20is%20something%20more%20philosophic,whereas%20those%20of%20history%20are%20singulars.">Bywater</a> (1909)]</blockquote><br>

<blockquote>Poetry is the more scientific and the higher class; for it generalizes rather, whereas history particularizes.<br>
[tr. <a href="https://babel.hathitrust.org/cgi/pt?id=coo.31924027090749&view=2up&seq=175&q1=%22more%20scientific%22">Margoliouth</a> (1911)]</blockquote><br>

<blockquote>Poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.<br>
[tr. <a href="http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0056%3Asection%3D1451b#text_main:~:text=For%20this%20reason%20poetry%20is%20something,truths%20while%20history%20gives%20particular%20facts.">Fyfe</a> (1932)]</blockquote><br>

<blockquote>Poetry is more philosophical and more serious than history; in fact, poetry speaks more of universals, whereas history of particulars.<br>
[tr. Halliwell (1986)]</blockquote><br>

<blockquote>Poetry is a more philosophical and more serious thing than history: poetry tends to speak of universals, history of particulars.<br>
[tr. <a href="https://www.google.com/books/edition/Aristotle_Poetics/WDNnt77p72sC?hl=en&gbpv=1&dq=aristotle%20poetics&pg=PA12&printsec=frontcover&bsq=%22more%20philosophical%20and%20more%20serious%22">Janko</a> (1987), sec. 3.2.3]</blockquote><br>

<blockquote>Poetry is more philosophical and more serious than history; poetry tends to speak of universals, history of particulars.<br>
[tr. <a href="https://www.google.com/books/edition/Aristotle_Poetics/WDNnt77p72sC?hl=en&gbpv=1&pg=PA12&printsec=frontcover">Janko</a> (1987), sec. 3.2.3]</blockquote><br>

<blockquote>Poetry is more speculative and more serious business than history: for poetry deals more with universals, history with particulars.<br>
[tr. <a href="https://www.google.com/books/edition/Aristotle_s_Poetics/14gTwJMEl7UC?hl=en&gbpv=1&dq=aristotle%20poetics&pg=PA11&printsec=frontcover&bsq=%22for%20poetry%20deals%20more%22">Whalley</a> (1997)]</blockquote><br>

<blockquote>Poetry is a more philosophical and more serious thing than history, since poetry speaks more of things that are universal, and history of things that are particular.<br>
[tr. <a href="https://www.google.com/books/edition/Poetics/5lkwBQAAQBAJ?hl=en&gbpv=1&bsq=%22for%20this%20reason%20too%20poetry%22&pg=PA17&printsec=frontcover">Sachs</a> (2006)]</blockquote><br>

<blockquote>Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.<br>
[tr. Unknown]</blockquote><br>						</span>
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		<title>Twain, Mark -- Last written note</title>
		<link>https://wist.info/twain-mark/8413/</link>
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		<pubDate>Fri, 28 Aug 2009 12:32:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Twain, Mark]]></category>
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		<description><![CDATA[Death, the only immortal who treats us all alike, whose pity and whose peace and whose refuge are for all &#8212; the soiled and the pure, the rich and the poor, the loved and the unloved. Recorded by A. Paine (his literary executor), Mark Twain: A Biography, Vol III, Part 2, ch. 293 (1912).]]></description>
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			<content:encoded><![CDATA[<p>Death, the only immortal who treats us all alike, whose pity and whose peace and whose refuge are for all &#8212; the soiled and the pure, the rich and the poor, the loved and the unloved.</p>
<p><a href="https://wist.info/wp/wp-content/uploads/2009/08/Twain-death-wist_info-quote.jpg"><img decoding="async" src="https://wist.info/wp/wp-content/uploads/2009/08/Twain-death-wist_info-quote.jpg" alt="Twain - death - wist_info quote" width="605" height="344" class="aligncenter size-full wp-image-31840" srcset="https://wist.info/wp/wp-content/uploads/2009/08/Twain-death-wist_info-quote.jpg 605w, https://wist.info/wp/wp-content/uploads/2009/08/Twain-death-wist_info-quote-300x171.jpg 300w" sizes="(max-width: 605px) 100vw, 605px" /></a></p>
<br><b>Mark Twain</b> (1835–1910) American writer [pseud. of Samuel Clemens]<br>Last written note 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://ebooks.adelaide.edu.au/t/twain/mark/paine/chapter293.html" target="_blank">Source</a>)
										<br><br><span class="cite">
						<p>Recorded by A. Paine (his literary executor), <em>Mark Twain: A Biography</em>, Vol III, Part 2, ch. 293 (1912).</p>						</span>
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