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		<title>Horace -- Epistles [Epistularum, Letters], Book 2, ep.  3 &#8220;Art of Poetry [Ars Poetica; To the Pisos],&#8221; l. 101ff (2.3.101-103) (19 BC) [tr. Conington (1874)]</title>
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		<pubDate>Fri, 10 Apr 2026 16:23:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Horace]]></category>
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		<description><![CDATA[Smiles are contagious; so are tears; to see Another sobbing, brings a sob from me. No, no, good Peleus; set the example, pray, And weep yourself; then weep perhaps I may. [Ut ridentibus adrident, ita flentibus adflent humani voltus. Si vis me flere, dolendum est primum ipsi tibi: tum tua me infortunia laedent, Telephe vel [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Smiles are contagious; so are tears; to see<br />
Another sobbing, brings a sob from me.<br />
No, no, good Peleus; set the example, pray,<br />
And weep yourself; then weep perhaps I may.</p>
<p><em>[Ut ridentibus adrident, ita flentibus adflent<br />
humani voltus. Si vis me flere, dolendum est<br />
primum ipsi tibi: tum tua me infortunia laedent,<br />
Telephe vel Peleu.]</em></p>
<br><b>Horace</b> (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]<br><i>Epistles [Epistularum, Letters]</i>, Book 2, ep.  3 &#8220;Art of Poetry <i>[Ars Poetica;</i> To the Pisos],&#8221; l. 101ff (2.3.101-103) (19 BC) [tr. Conington (1874)] 
						<br><br><span class="cite">
						

<a href="https://archive.org/details/worksofhorace02horauoft/page/380/mode/2up?q=%22Telephus%2C+King+of+Mysia%22">Telephus</a> and <a href="https://en.wikipedia.org/wiki/Peleus#In_Athenian_tragedy">Peleus</a> were mythic figures in well-known Greek tragedies. The advice is offered up to those who write of or act/declaim the roles of such characters.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0064%3Acard%3D99#:~:text=ut%20ridentibus%20adrident%2C%20ita%20flentibus%20adflent%0Ahumani%20voltus.%20si%20vis%20me%20flere%2C%20dolendum%20est%0Aprimum%20ipsi%20tibi%3A%20tum%20tua%20me%20infortunia%20laedent%2C%0ATelephe%20vel%20Peleu%3B">Source (Latin)</a>). Other translations:<br><br>

<blockquote>The cheares of men as these will smerke on those that use to smyle:<br>
So are theye wrinchd, when theye do weepe and chaungd within a whyle.<br>
If thou wouldste have me weepe for the firste muste thou pensyfe be.<br>
Thy harmes shall hitte me, when I spy that they have harmed thee.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A03670.0001.001/1:6?rgn=div1;view=fulltext#:~:text=If%20thou%20wouldste,haue%20harmed%20the.">Drant</a> (1567)]</blockquote><br>

<blockquote>To worke the hearers minds, still to the plight.<br>
Mens count'nances, with such as laugh, are prone<br>
To laughter: so they grieve with those that mone:<br>
If thou wouldst have mee weep, bee thou first dround<br>
Thy selfe in tears, then me thy harms will wound,<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo2/B14092.0001.001/1:9?rgn=div1;view=fulltext#:~:text=If%20thou%20wouldst,harms%20will%20wound%2C">Jonson</a> (1640); l. 145ff]</blockquote><br>

<blockquote>We Weep and Laugh as we see others doe,<br>
He only makes me sad who shews the way,<br>
And first is sad himself, then (Telephus)<br>
I feel the weight of your Calamities,<br>
And fancy all your miseries my Own.<br>
[tr. <a href="https://en.wikisource.org/wiki/Horace%27s_Art_of_Poetry_(1680,_Roscommon)/Of_the_Art_of_Poetry#:~:text=He%20only%20makes,miseries%20my%20Own">Roscommon</a> (1680)]</blockquote><br>

<blockquote>With them, who laugh, our social joy appears; <br>
With them, who mourn, we sympathise in tears;<br>
If you would have me weep, begin the strain, <br>
Then I shall feel your sorrows, feel your pain.<br>
[tr. <a href="https://archive.org/details/satiresepistlesi00hora/page/282/mode/2up?q=%22have+me+weep%22">Francis</a> (1747)]</blockquote><br>

<blockquote>With those that smile, our face in smiles appears;<br>
With those that weep, our cheeks are bath'd in tears:<br>
To make <i>me</i> grieve, be first <i>your</i> anguish shown,<br>
And I shall feel your sorrows like my own.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/9175/pg9175-images.html#:~:text=To%20make%20me%20grieve%2C%20be%20first%20your%20anguish%20shown%2C%0A%C2%A0%C2%A0And%20I%20shall%20feel%20your%20sorrows%20like%20my%20own.">Coleman</a> (1783)]</blockquote><br>

<blockquote>From face to face as smiles contagious creep,<br>
so weeps the according eye with those that weep.<br>
Who claims my tears, must first display his own;<br>
Then shall I catch his pangs and share his moan.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epodes_Satires_and_Epistles_of_Horac/TPgDAAAAQAAJ?hl=en&gbpv=1&bsq=%22claims%20my%20tears%22">Howes</a> (1845)]</blockquote><br>

<blockquote>As the human countenance smiles on those that smile, so does it sympathize with those that weep. If you would have me weep you must first express the passion of grief yourself; then, Telephus or Peleus, your misfortunes hurt me.<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0065%3Acard%3D99#:~:text=If%20you%20would%20have%20me%20weep%20you%20must%20first%20express%20the%20passion%20of%20grief%20yourself%3B%20then%2C%20Telephus%20or%20Peleus%2C%20your%20misfortunes%20hurt%20me">Smart/Buckley</a> (1853)] </blockquote><br>

<blockquote>A face all smiles makes other faces smile,<br>
A face all tears will tears from others wile.<br>
Unless, then, in your voice a sob I hear, <br>
You will not wring from me a single tear.<br>
[tr. <a href="https://archive.org/details/worksofhorace02horauoft/page/380/mode/2up?q=%22single+tear%22">Martin</a> (1881)]</blockquote><br>

<blockquote>As human countenances laugh with those who laugh so they weep with those who weep. If you desire me to weep, O Telephus or Peleus, yourself must first lead the way; then you thrill through me.<br>
[tr. <a href="https://www.google.com/books/edition/The_Works_of_Horace/-f8pAAAAYAAJ?hl=en&gbpv=1&bsq=%22human%20countenances%22">Elgood</a> (1893)] </blockquote><br>

<blockquote>As men's faces smile on those who smile, so they respond to those who weep. If you would have me weep, you must first feel grief yourself: then, O Telephus or Peleus, will your misfortunes hurt me.<br>
[tr. <a href="https://archive.org/details/satiresepistlesa00horauoft/page/458/mode/2up?q=%22men%27s+faces+smile%22">Fairclough</a> (Loeb) (1926)]</blockquote><br>

<blockquote>As the human face answers a smile with a smile, so does it wait upon tears; if you would have me weep, you must first of all feel grief yourself; then and not till then will your misfortunes, Telephus or Peleus, touch me.<br>
[tr. <a href="https://archive.org/details/completeworksofh0000casp_g2w3/page/400/mode/2up?q=%22all+feel+grief%22">Blakeney</a>; ed. Kraemer (1936)]</blockquote><br>

<blockquote>A man’s face is wreathed in smiles when he sees someone smile;<br>
It twists when he sees someone cry; if you expect <i>me</i> <br>
To burst into tears, you have to feel sorrow yourself.<br>
Then your woes will fasten on me, O Telephus, Peleus.<br>
[tr. <a href="https://archive.org/details/satiresanndepist0000hora/page/274/mode/2up?q=%22a+man%27s+face%22">Palmer Bovie</a> (1959)]</blockquote><br>

<blockquote>Just as laughter inspires laughter, tears bring tears<br>
to human faces; if you want my tears, you first must<br>
weep yourself. Then your agonies will hurt me too.<br>
[tr. <a href="https://archive.org/details/horacessatiresep0000hora/page/86/mode/2up?q=%22laughter+inspires%22">Fuchs</a> (1977)]</blockquote><br>

<blockquote>We smile when we see smiling, weep at tears:<br>
Ask me to sob<br>
<span class="tab"><span class="tab">when you can sob<br>
<span class="tab"><span class="tab"><span class="tab"><span class="tab">yourself -- <br>
Then (ah) tragic heroes are tragic<br>
(To me).<br>
[tr. <a href="https://archive.org/details/essentialhoraceo0000hora/page/242/mode/2up?q=%22see+smiling%22">Raffel</a> (1983 ed.)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Men smile if the language smiles;<br>
They weep if the language truly weeps. If you<br>
Desire to hear me weep, you must truly grieve,<br>
O Peleus or Telephus, and I<br>
Grieve as if I suffered your cause of grief.    <br>        
[tr. <a href="https://archive.org/details/epistlesofhorace0000hora/page/158/mode/2up?q=%22men+smile%22">Ferry</a> (2001)] </blockquote><br>

<blockquote>When a person smiles, people's faces smile in return;<br>
when he weeps, they show concern. Before you can move me to tears,<br>
you must grieve yourself. Only then will your woes distress me.<br>
[tr. <a href="https://archive.org/details/satiresofhoracep00hora/page/124/mode/2up?q=%22person+smiles%22">Rudd</a> (2005 ed.)]</blockquote><br>

<blockquote>As the human face smiles at a smile, so it echoes<br>
Those who weep: if you want to move me to tears<br>
You must first grieve yourself: then Peleus or Telephus<br>
Your troubles might pain me.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/HoraceArsPoetica.php#anchor_Toc98156242:~:text=As%20the%20human,might%20pain%20me">Kline</a> (2015)]</blockquote><br>						</span>
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		<title>Millay, Edna St. Vincent -- Poem (1921-10-31), &#8220;The Philosopher,&#8221; st. 1, Ainslee&#8217;s Magazine, Vol. 48, No. 3</title>
		<link>https://wist.info/millay-edna-st-vincent/80361/</link>
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		<pubDate>Thu, 13 Nov 2025 22:16:41 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Millay, Edna St. Vincent]]></category>
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		<description><![CDATA[And what are you that, missing you, I should be kept awake As many nights as there are days With weeping for your sake? First collected in A Few Figs from Thistles (1922).]]></description>
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			<content:encoded><![CDATA[<p>And what are you that, missing you,<br />
<span class="tab">I should be kept awake<br />
As many nights as there are days<br />
<span class="tab">With weeping for your sake?</span></span></p>
<br><b>Edna St. Vincent Millay</b> (1892–1950) American poet<br>Poem (1921-10-31), &#8220;The Philosopher,&#8221; st. 1, <i>Ainslee&#8217;s</i> Magazine, Vol. 48, No. 3 
						<br><br><span class="cite">
						

<a href="https://archive.org/details/AFewFigsFromThistles1921/page/n23/mode/2up?q=%22should+be+kept+awake%22">First collected</a> in <i>A Few Figs from Thistles</i> (1922).




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		<title>Fuller, Thomas (1654) -- Introductio ad Prudentiam, Vol. 2, # 2023 (1727)</title>
		<link>https://wist.info/fuller-thomas-1654/77873/</link>
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		<pubDate>Wed, 23 Jul 2025 15:11:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Assist the afflicted with something real, if thou canst: As for Tears they are but Water, what good can they do?]]></description>
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			<content:encoded><![CDATA[<p>Assist the afflicted with something real, if thou canst: As for Tears they are but Water, what good can they do?</p>
<br><b>Thomas Fuller</b> (1654–1734) English physician, preacher, aphorist, writer<br><i>Introductio ad Prudentiam</i>, Vol. 2, # 2023 (1727) 
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		<title>La Bruyere, Jean de -- The Characters [Les Caractères], ch.  1 &#8220;Of Works of the Mind [Des Ouvrages de l&#8217;Esprit],&#8221; §  50 (1.50) (1688) [tr. Van Laun (1885)]</title>
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		<pubDate>Tue, 03 Oct 2023 21:38:02 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[What is the reason that we laugh so freely in a theatre but are ashamed to weep? Is it less natural to be melted by what excites pity than to burst into laughter at what is comical? [&#8230;] It is not thought odd to hear a whole theatre ring with laughter at some passage of [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>What is the reason that we laugh so freely in a theatre but are ashamed to weep? Is it less natural to be melted by what excites pity than to burst into laughter at what is comical? [&#8230;]  It is not thought odd to hear a whole theatre ring with laughter at some passage of a comedy, but, on the contrary, it implies that it was funny, and very naturally performed; therefore the extreme restraint every one puts on himself not to shed tears and the affected laughter with which one tries to disguise them, clearly prove that the natural result of lofty tragedy should be to make us all weep without concealment and publicly, and without any other hindrance than wiping our eyes.</p>
<p><em>[D&#8217;où vient que l&#8217;on rit si librement au théâtre, et que l&#8217;on a honte d&#8217;y pleurer? Est-il moins dans la nature de s&#8217;attendrir sur le pitoyable que d&#8217;éclater sur le ridicule? [&#8230;] Comme donc ce n&#8217;est point une chose bizarre d&#8217;entendre s&#8217;élever de tout un amphithéâtre un ris universel sur quelque endroit d&#8217;une comédie, et que cela suppose au contraire qu&#8217;il est plaisant et très naïvement exécuté, aussi l&#8217;extrême violence que chacun se fait à contraindre ses larmes, et le mauvais ris dont on veut les couvrir prouvent clairement que l&#8217;effet naturel du grand tragique serait de pleurer tous franchement et de concert à la vue l&#8217;un de l&#8217;autre, et sans autre embarras que d&#8217;essuyer ses larmes, outre qu&#8217;après être convenu de s&#8217;y abandonner.]</em></p>
<br><b>Jean de La Bruyère</b> (1645–1696) French essayist, moralist<br><i>The Characters [Les Caractères]</i>, ch.  1 &#8220;Of Works of the Mind <i>[Des Ouvrages de l&#8217;Esprit],&#8221;</i> §  50 (1.50) (1688) [tr. Van Laun (1885)] 
						<br><br><span class="cite">
						

(<a href="https://www.gutenberg.org/cache/epub/17980/pg17980-images.html#Des_ouvrages_de_lesprit:~:text=tr%C3%A8s%20bons%20ouvrages.-,50%20(IV),-D%27o%C3%B9%20vient%20que">Source (French)</a>). Other translations:<br><br>

<blockquote>What's the reason that we laugh so freely, and are asham'd to weep at the Theatre? Is Nature less subjects to be soften'd by pity, than to burst forth at what is Comical? [...] We must suppose 'tis the natural effect of a good Tragedy, to make us Weep freely in sight of the whole Audience, without any other trouble than drying our Eyes, and wiping our Faces. It being no more ridiculous to be seen Weeping, than to be heard to Laugh by the whole Theatre: On the contrary, we then conclude there was something acted very pleasantly, and to the life; and the restraint a man puts on him∣self to hide his tears, by an affected Grimace, plainly demonstrates that he ought not to resist the main design of a Tragedy, but give way to his Passions, and discover em as openly, and with as much confidence, as at a Comedy.<br>
[<a href="https://quod.lib.umich.edu/e/eebo/A47658.0001.001?rgn=main;view=fulltext#:~:text=What%27s%20the%20reason,a%20Co%E2%88%A3medy">Bullord</a> ed. (1696)]</blockquote><br>

<blockquote>What is the reason we laugh so freely, but are asham'd to weep at the Theatre? Is Nature less subject to be soften'd by Pity, than to burst out into Laughter at what is Comical? [...] As therefore 'tis thought no odd thing to hear the whole Amphitheatre ring with an Universal Laughter, at some passage of a Comedy; butr on the contrary, implies something was pleasantly said, and naturally perform';d; so the extreme violence which every one offers to himself in constraining his Tears, and disguising ;em with affected Grimaces, clealry prove that the Natural Effect of good Tragedy is to make us weep with all freedom, and in concert, in another's sight, and wihtout any other disturbance than wiping our Eyes.<br>
[<a href="https://archive.org/details/worksmonsieurde00rowegoog/page/n31/mode/2up?q=laughter">Curll</a> ed. (1713)] </blockquote><br>

<blockquote>Why is it that we laugh so freely at the theatre and yet are ashamed to weep there? Is it less natural to be moved by what is pitiful than to be amused by what is ridiculous? [...] Since then it is no unusual thing to hear a whole theatre break into unanimous laughter at some passage in a comedy, since this implies, on the contrary, that it is amusing and extremely life-like, so the extreme violence we do to our feelings by restraining our tears, and the false laughter with which we try to conceal them, clearly proves that the natural effect of great tragedy should be to make us all weep quite openly, with one accord, in one another’s presence, with no further concern than to wipe our eyes.<br>
[tr. <a href="https://archive.org/details/characters00labr/page/34/mode/2up?q=laughter">Stewart</a> (1970), "Of Books"]</blockquote><br>
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		<title>Dante Alighieri -- The Divine Comedy [Divina Commedia], Book 1 &#8220;Inferno,&#8221; Canto 20, l.  25ff (20.25-30) (1309) [tr. Johnston (1867)]</title>
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		<pubDate>Fri, 26 May 2023 16:31:47 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Dante Alighieri]]></category>
		<category><![CDATA[arrogance]]></category>
		<category><![CDATA[compassion]]></category>
		<category><![CDATA[divine judgment]]></category>
		<category><![CDATA[divine justice]]></category>
		<category><![CDATA[divine punishment]]></category>
		<category><![CDATA[hell]]></category>
		<category><![CDATA[piety]]></category>
		<category><![CDATA[pity]]></category>
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		<description><![CDATA[Surely I wept, leaning upon a ledge Of the rough rock, so that my escort said, &#8220;Art thou then weak and foolish like the rest? Here lives true piety when pity dies. But who more wicked than the man who yields To sorrow place where judgment is divine!&#8221; [Certo io piangea, poggiato a un de’ [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Surely I wept, leaning upon a ledge<br />
<span class="tab">Of the rough rock, so that my escort said,<br />
<span class="tab">&#8220;Art thou then weak and foolish like the rest?<br />
Here lives true piety when pity dies.<br />
<span class="tab">But who more wicked than the man who yields<br />
<span class="tab">To sorrow place where judgment is divine!&#8221;</p>
<p><em>[Certo io piangea, poggiato a un de’ rocchi<br />
<span class="tab">del duro scoglio, sì che la mia scorta<br />
<span class="tab">mi disse: &#8220;Ancor se&#8217; tu de li altri sciocchi?<br />
Qui vive la pietà quand’è ben morta;<br />
<span class="tab">chi è più scellerato che colui<br />
<span class="tab">che al giudicio divin passion comporta?]</span></span></span></span></em></span></span></span></span></p>
<br><b>Dante Alighieri</b> (1265–1321) Italian poet<br><i>The Divine Comedy [Divina Commedia]</i>, Book 1 <i>&#8220;Inferno,&#8221;</i> Canto 20, l.  25ff (20.25-30) (1309) [tr. Johnston (1867)] 
						<br><br><span class="cite">
						

Virgil chides Dante for weeping over the fate of the damned in the third circle, fourth bolgia, who themselves are also weeping. <br><br> 

Maybe. There are a lot of scholarly debates over some of the wording and pronoun references here. Some translators play off the word <i>pietà</i> meaning both "pity" and "piety" in Italian. It's also possible that, rather than the final lines condemning Dante for letting his compassion defy an acceptance of God's judgment, they refer to the sinful arrogance of fortune-tellers (the group being punished here) in believing they can question or change God's decrees for the future. <br><br>

(<a href="https://it.wikisource.org/wiki/Divina_Commedia/Inferno/Canto_XX#:~:text=Certo%20io%20piangea,divin%20passion%20comporta%3F">Source (Italian)</a>). Other translations:<br><br>

<blockquote>Leaning against the rock, I so great grief<br>
Express'd, that thus my Guide to me apply'd;<br>
Are you among the weak to be arrang'd?<br>
When without life, 'tis here Compassion lives.<br>
Who can more wicked be estem'd than He<br>
Who thinks that the divine Decrees are wrong.<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno_of_Dante_Translated/1ARcAAAAQAAJ?hl=en&gbpv=1&bsq=%22Leaning%20againft%22">Rogers</a> (1782), l. 22ff]</blockquote><br>

<blockquote>Their laboring reins the falling tear bedew'd, <br>
<span class="tab">Deep struck with sympathetic woe I stood,<br>
<span class="tab">'Till thus the Bard my slumb'ring reason woke: -- <br>
"Dar'st thou the sentence of thy God arraign; <br>
<span class="tab">Or with presumptuous tears his doom profane?<br>
<span class="tab">Say, can thy tears his righteous doom revoke?<br>
[tr. <a href="https://archive.org/details/divinacommediaof01dantuoft/page/260/mode/2up?q=%22Their+laboring+reins%22">Boyd</a> (1802), st. 5]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab">Against a rock<br>
<span class="tab">I leant and wept, so that my guide exclaim’d:<br>
<span class="tab">“What, and art thou too witless as the rest?<br>
Here pity most doth show herself alive,<br>
<span class="tab">When she is dead. What guilt exceedeth his,<br>
<span class="tab">Who with Heaven’s judgment in his passion strives?<br>
[tr. <a href="https://www.gutenberg.org/files/8789/8789-h/8789-h.htm#cantoI.20:~:text=Against%20a%20rock%0AI%20leant%20and%20wept%2C%20so%20that%20my%20guide%20exclaim%E2%80%99d%3A%0A%E2%80%9CWhat%2C%20and%20art%20thou%20too%20witless%20as%20the%20rest%3F%0AHere%20pity%20most%20doth%20show%20herself%20alive%2C%0AWhen%20she%20is%20dead.%20What%20guilt%20exceedeth%20his%2C%0AWho%20with%20Heaven%E2%80%99s%20judgment%20in%20his%20passion%20strives%3F">Cary</a> (1814)]</blockquote><br>

<blockquote>Certes I wept so, leaning toward a breast <br>
Of that hard shelf, mine escort chiding said: <br>
"Why wilt thou yet be foolish as the rest?<br>
Here pity best hath life when wholly dead: <br>
<span class="tab">What guiltier wretch than he whose grief avowed <br>
Impugns Almighty Judgment?<br>
[tr. <a href="https://archive.org/details/infernodanteali02daymgoog/page/n264/mode/2up?q=%22certes+I+wept%22">Dayman</a> (1843)]</blockquote><br>

<blockquote><span class="tab">Certainly I wept, leaning on one of the rocks of the hard cliff, so that my Escort said to me: "Art thou, too, like the other fools?<br>
<span class="tab">"Here pity lives when it is altogether dead. Who more impious than he that sorrows at God's judgment?"<br>
[tr. <a href="https://www.google.com/books/edition/The_Inferno/WqpEAAAAYAAJ?hl=en&gbpv=1&bsq=%22certainly%20i%20wept%22">Carlyle</a> (1849)]</blockquote><br>

<blockquote>Sore I lamented, leaning on a rock,<br>
<span class="tab">A rough-planed crag, until my guide addressed <br>
<span class="tab">The words -- "Are you, too, foolish like the rest?<br>
Here Pity is alive, e'en when quite dead.<br>
<span class="tab">And what can be more wicked than the man<br>
<span class="tab">Who 'gainst heaven's justice in his passion ran.<br>
[tr. <a href="https://archive.org/details/comedyofdanteal00dant/page/86/mode/2up?q=%22sore+I+lamented%22">Bannerman</a> (1850)]</blockquote><br>

<blockquote>Truly I wept, leaning upon a peak<br> ⁠
<span class="tab">⁠Of the hard crag, so that my Escort said<br>
<span class="tab">⁠To me: "Art thou, too, of the other fools?<br>
Here pity lives when it is wholly dead;<br>
<span class="tab">⁠Who is a greater reprobate than he<br>
<span class="tab">⁠Who feels compassion at the doom divine?<br>
[tr. <a href="https://en.wikisource.org/wiki/Divine_Comedy_(Longfellow_1867)/Volume_1/Canto_20#:~:text=Truly%20I%20wept,the%20doom%20divine%3F">Longfellow</a> (1867)]</blockquote><br>

<blockquote>Of a truth I began to weep leaning against one of the rocks of the hard cliff, so that my Escort said to me: "Art thou yet among the other foolish ones? Here pity lives when it is right dead. Who is more wicked than he who brings passion to the judgement of God?"<br>
[tr. <a href="https://archive.org/details/cu31924060237603/page/n255/mode/2up?q=%22Of+a+truth+I%22">Butler</a> (1885)] </blockquote><br>

<blockquote>Surely I wept, supported on a rise<br>
<span class="tab">Of that fire-hardened rock, so that my guide<br>
<span class="tab">Said to me: "Thou too 'mongst the little wise?<br>
Here Pity lives alone, when it hath died.<br>
<span class="tab">Who is the greater scelerate than he<br>
<span class="tab">Who lets his passion 'gainst God's judgment bide?"<br>
[tr. <a href="https://archive.org/details/divinecomedyofda00dantrich/page/74/mode/2up?q=%22surely+i+wept%22">Minchin</a> (1885)]</blockquote><br>

<blockquote>Truly I wept, leaning on one of the rocks of the hard crag, so that my Guide said to me, “Art thou also one of the fools? Here pity liveth when it is quite dead. Who is more wicked than he who feels compassion at the Divine Judgment?"<br>
[tr. <a href="https://www.gutenberg.org/files/1995/1995-h/1995-h.htm#cantoI.XX:~:text=Truly%20I%20wept,the%20Divine%20Judgment%3F">Norton</a> (1892)] </blockquote><br>

<blockquote>I wept indeed, leaning against a rock on the stony ridge, so overcome, that my Guide said to me: "Art thou too like the other fools? Here pity liveth but when it is truly dead. Who is more lost to righteousness than he whose pity is awakened at the decree of God?"<br>
[tr. <a href="https://archive.org/details/comedydantealig00sullgoog/page/n114/mode/2up?q=%22i+wept+indeed%22">Sullivan</a> (1893)]</blockquote><br>

<blockquote>Certain, I wept, supported on a comer<br> 
<span class="tab">Of the hard spur, so freely that my escort <br>
<span class="tab">Said to me : "Art thou still among the simple?<br>
Here piety lives when wholly dead is pity. <br>
<span class="tab">Who is than he more desperately wicked <br>
<span class="tab">Who to the doom divine doth bring compassion?<br>
[tr. <a href="https://archive.org/details/infernodanteali00grifgoog/page/n140/mode/2up?q=%22certain+i+wept%22">Griffith</a> (1908)]</blockquote><br>

<blockquote>I wept indeed, leaning on one of the rocks of the rugged ridge, so that my Escort said to me: "Art thou too as witless as the rest? Here pity lives when it is quite dead. Who is more guilty than he that makes the divine counsel subject to his will?"<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy_of_Dante_Alighieri/c8ZKnRirTNUC?hl=en&gbpv=1&bsq=%22i%20wept%20indeed%22">Sinclair</a> (1939)]</blockquote><br>

<blockquote>Truly I wept, leant up against the breast <br>
<span class="tab">Of the hard granite, so that my Guide said: <br>
<span class="tab">"Art thou then still so foolish, like the rest?<br>
Here pity lives when it is rightly dead. <br>
<span class="tab">What more impiety can he avow <br>
<span class="tab">Whose heart rebelleth at God's judgment dread?<br>
[tr. <a href="https://archive.org/details/portabledante00dant/page/106/mode/2up?q=%22truly+i+wept%22">Binyon</a> (1943)]</blockquote><br>

<blockquote>Truly I wept, leaned on the pinnacles<br>
<span class="tab">Of the hard rock; until my guide said, "Why!<br>
<span class="tab">And art thou too like all the other fools?<br>
Here pity, or here piety, must die<br>
<span class="tab">If the other lives; who's wickeder than one<br>
<span class="tab">That's agonized by God's high equity?"<br>
[tr. <a href="https://archive.org/details/divinecomedy00peng/page/194/mode/2up?q=wept">Sayers</a> (1949)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab">Certainly,<br>
I wept. I leaned agianst the jagged face<br>
<span class="tab">of a rock and wept so that my Guide said: "Still?<br>
<span class="tab">Still like the other fools? There is no place<br>
for pity here. Who is more arrogant<br>
<span class="tab">within his soul, who is more impious<br>
<span class="tab">than one who dares to sorrow at God's judgment?<br>
[tr. <a href="https://archive.org/details/infernoverserend00dantrich/page/174/mode/2up?q=%22i+wept%22">Ciardi</a> (1954)] </blockquote><br>

<blockquote>Truly I wept, leaning on one of the rocks of the hard crag, so that my guide said to me, “Are you even yet among the other fools? Here pity lives when it is altogether dead. Who is more impious than he who sorrows at God’s judgment?"<br>
[tr. <a href="https://archive.org/details/inferno0000dant/page/n215/mode/2up?q=%22truly+i+wept%22">Singleton</a> (1970)]</blockquote><br>

<blockquote>Indeed I did weep, as I leaned my body <br>
<span class="tab">against a jut of rugged rock. My guide: <br>
<span class="tab">  "So you are still like all the other fools? <br>
In this place piety lives when pity is dead, <br>
<span class="tab">for who could be more wicked than that man <br>
<span class="tab">who tries to bend divine will to his own! <br>
[tr. <a href="https://archive.org/details/dantesinferno00dant/page/164/mode/2up?q=%22indeed+i+did+weep%22">Musa</a> (1971)]</blockquote><br>

<blockquote>Of course I wept, leaning against a rock<br>
<span class="tab">along that rugged ridge, so that my guide <br>
<span class="tab">told me: “Are you as foolish as the rest?<br>
Here pity only lives when it is dead: <br>
<span class="tab">for who can be more impious than he<br>
<span class="tab">who links God's judgment to passivity?<br>
[tr. <a href="https://archive.org/details/lccn_83048678/page/178/mode/2up?q=%22of+course+i+wept%22">Mandelbaum</a> (1980)] </blockquote><br>

<blockquote>I certainly wept, supported on one of the rocks <br>
<span class="tab">  Of the projecting stone, so that my escort <br>
<span class="tab">Said to me: "Are you too like the other fools?<br>
Here pity is alive when it is dead: <br>
<span class="tab">Who is more criminal than he who suffers <br>
<span class="tab">Because he does not like the divine judgement?<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant/page/128/mode/2up?q=%22i+certainly+wept%22">Sisson</a> (1981)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab">Truly I wept,<br>
Leaning on an outcrop of that rocky site,<br>
<span class="tab">And my master spoke to me: "Do you suppose<br>
<span class="tab">You are above with the other fools even yet?<br>
Here, pity lives when it is dead to these.<br>
<span class="tab">Who could be more impious than one who'd dare<br>
<span class="tab">To sorrow at the judgment God decrees?"<br>
[tr. <a href="https://archive.org/details/infernoofdantene00dant/page/158/mode/2up?q=%22leaning+on+an+outcrop%22">Pinsky</a> (1994)]</blockquote><br>

<blockquote><span class="tab">Surely I wept, leaning on one of the rocks of the hard ridge, so that my guide said to me: “Are you still one of the other fools?<br>
<span class="tab">Here pity lives when it is quite dead: who is more wicked than one who brings passion to God’s judgment?"<br>
[tr. <a href="https://archive.org/details/divinecomedyofda0001dant_u1l7/page/304/mode/2up?q=%22surely+i+wept%22">Durling</a> (1996)]</blockquote><br>

<blockquote>Truly, I wept, leaning against one of the rocks of the solid cliff, so that my guide said to me: "Are you like other fools, as well? Pity is alive here, where it is best forgotten. Who is more impious than one who bears compassion for God’s judgement?"<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Italian/DantInf15to21.php#anchor_Toc64094718:~:text=Truly%2C%20I%20wept%2C%20leaning%20against%20one%20of%20the%20rocks%20of%20the%20solid%20cliff%2C%20so%20that%20my%20guide%20said%20to%20me%3A%20%E2%80%98Are%20you%20like%20other%20fools%2C%20as%20well%3F%20Pity%20is%20alive%20here%2C%20where%20it%20is%20best%20forgotten.%20Who%20is%20more%20impious%20than%20one%20who%20bears%20compassion%20for%20God%E2%80%99s%20judgement%3F%E2%80%99">Kline</a> (2002)] </blockquote><br>

<blockquote>Of this, be sure: that, leaning on a spur<br>
<span class="tab">of that unyielding cliff, I wept. "Are you,"<br>
<span class="tab">my escort said, "like them, an idiot still?<br>
Here pity lives where pity's truth is dead.<br>
<span class="tab">Who is more impious, more scarred with sin<br>
<span class="tab">than one who pleads compassion at God's throne?"<br>
[tr. <a href="https://archive.org/details/divinecomedy0000dant_l7y1/page/86/mode/2up?q=wept">Kirkpatrick</a> (2006)] </blockquote><br>

<blockquote>Yes, I wept, leaning against a spur<br>
<span class="tab">of the rough crag, so that my escort said:<br>
<span class="tab">"Are you still witless as the rest?<br>
Here piety lives when pity is quite dead.<br>
<span class="tab">Who is more impious than one who thinks<br>
<span class="tab">that God shows passion in His judgment?"<br>
[tr. <a href="https://dante.princeton.edu/cgi-bin/dante/campuscgi/mpb/GetCantoSection.pl?LANG=2&INP_POEM=Inf&INP_SECT=20&INP_START=25&INP_LEN=6">Hollander/Hollander</a> (2007)] </blockquote><br>

<blockquote>O yes, I wept, leaning for support on one<br>
<span class="tab">Of the solid rocks in the reef, making my guide<br>
<span class="tab">Say this: "You're still one of the stupid ones?<br>
Down here, the only living pity is dead.<br>
<span class="tab">Is anyone more wicked than the man<br>
<span class="tab">Regretting the righteous judgment decreed by God?"<br>
[tr. <a href="https://www.google.com/books/edition/The_Divine_Comedy/WZyBj-s9PfsC?hl=en&gbpv=1&bsq=%22o%20yes%20i%20wept%22">Raffel</a> (2010)] </blockquote><br>

<blockquote>I wept indeed, held up in my surprise<br>
By one rock of the ridge. My Escort said:<br>
"You're witless as the rest? Here pity dwells,<br>
But only when it's absolutely dead.<br>
Who is more guilty than he who by spells<br>
And mysteries makes it seem as if divine<br>
Judgment were subject to his will?"<br>
[tr. <a href="https://archive.org/details/inferno0000dant_y2l4/page/102/mode/2up?q=%22i+wept+indeed%22">James</a> (2013)]</blockquote><br>						</span>
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		<title>Martial -- Epigrams [Epigrammata], Book  1, epigram  33 (1.33) (AD 85-86) [tr. Pott &#038; Wright (1921)]</title>
		<link>https://wist.info/martial/59138/</link>
		<comments>https://wist.info/martial/59138/#respond</comments>
		<pubDate>Fri, 03 Mar 2023 22:11:18 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Martial]]></category>
		<category><![CDATA[crying]]></category>
		<category><![CDATA[facade]]></category>
		<category><![CDATA[grief]]></category>
		<category><![CDATA[grieving]]></category>
		<category><![CDATA[mourning]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[pretence]]></category>
		<category><![CDATA[weeping]]></category>

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		<description><![CDATA[She weeps not for her sire if none be near, In company she calls up many a tear. True mourners would not have their sorrows known, For grief of heart will choose to weep alone. [Amissum non flet cum sola est Gellia patrem, Si quis adest, iussae prosiliunt lacrimae. Non luget quisquis laudari, Gellia, quaerit, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>She weeps not for her sire if none be near,<br />
<span class="tab">In company she calls up many a tear.<br />
True mourners would not have their sorrows known,<br />
<span class="tab">For grief of heart will choose to weep alone.</p>
<p><em>[Amissum non flet cum sola est Gellia patrem,<br />
Si quis adest, iussae prosiliunt lacrimae.<br />
Non luget quisquis laudari, Gellia, quaerit,<br />
Ille dolet vere, qui sine teste dolet.]</em></span></span></p>
<br><b>Martial</b> (AD c.39-c.103) Spanish Roman poet, satirist, epigrammatist [Marcus Valerius Martialis]<br><i>Epigrams [Epigrammata]</i>, Book  1, epigram  33 (1.33) (AD 85-86) [tr. Pott &#038; Wright (1921)] 
						<br><br><span class="cite">
						

"On Gellia." (<a href="http://data.perseus.org/citations/urn:cts:latinLit:phi1294.phi002.perseus-lat1:1.33">Source (Latin)</a>). Other translations:<br><br>

<blockquote>Gellia ne'er mourns her father's loss,<br>
<span class="tab">When no one's by to see,<br>
but yet her soon commanded tears<br>
<span class="tab">Flow in society:<br>
To weep for praise is but a feigned moan;<br>
<span class="tab">He grieves most truly, that does grieve alone.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_Martial/LzXgAAAAMAAJ?hl=en&gbpv=1&bsq=%22xxxiii.%20on%20gellia%22">Fletcher</a> (1656)] </blockquote><br>

<blockquote>When all alone, your tears withstand;<br>
<span class="tab">In company, can floods command.<br>
Who mourns for fashion, bids us mark;<br>
<span class="tab">Who mourns indeed, mourns in the dark.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_Martial/LzXgAAAAMAAJ?hl=en&gbpv=1&bsq=%22xxxiii.%20on%20gellia%22">Killigrew</a> (1695)]</blockquote><br>

<blockquote>Gellia alone, alas! can never weep,<br>
<span class="tab">Though her fond father perish'd in the deep;<br>
With company the tempest all appears<br>
<span class="tab">And beauteous Gellia's e'en dissolved in tears.<br>
Through public grief though Gellia aims at praise,<br>
<span class="tab">'Tis private sorrow which must merit raise.<br>
[<i><a href="https://www.google.com/books/edition/The_Epigrams_of_Martial/LzXgAAAAMAAJ?hl=en&gbpv=1&bsq=%22xxxiii.%20on%20gellia%22">Gentleman's Magazine</a></i> (1736)]</blockquote><br>

<blockquote>Her father dead! -- Alone no grief she knows;<br>
<span class="tab">Th' obedient tear at every visit flows.<br>
No mourner he, who must with praise be fee'd!<br>
<span class="tab">But he, who mourns in secret, mourns indeed.<br>
[tr. <a href="https://www.google.com/books/edition/Select_Epigrams_of_Martial/guUNAAAAYAAJ?hl=en&gbpv=1&bsq=%22HER%20FATHER%20DEAD%22">Hay</a> (1755), 1.34]</blockquote><br>

<blockquote>Sire-reft, alone, poor Gellia weeps no woe:<br>
<span class="tab">In company she bids the torrent flow.<br>
they cannot grieve, who to be seen, can cry:<br>
<span class="tab">Theirs is the grief, who without witness sigh.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epigrams_of_M_Val_Martial/vksOAAAAQAAJ?gbpv=1&bsq=%22sire-reft%22">Elphinston</a> (1782), Book 6, Part 3, ep. 1]</blockquote><br>

<blockquote>Gellia, when she is alone, does not lament the loss of her father. If any one be present, her bidden tears gush forth. A person does not grieve who seeks for praise; his is real sorrow who grieves without a witness.<br>
[tr. <a href="https://archive.org/details/martialmoderns00mart/page/124/mode/2up?q=gellia">Amos</a> (1858), #95 "Feigned Tears"]</blockquote><br>

<blockquote>Gellia does not mourn for her deceased father, when she is alone; but if any one is present, obedient tears spring forth. He mourns not, Gellia, who seeks to be praised; he is the true mourner, who mourns without a witness.<br>
[tr. <a href="https://www.tertullian.org/fathers/martial_epigrams_book01.htm#:~:text=Gellia%20does%20not%20mourn%20for%20her%20deceased%20father%2C%20when%20she%20is%20alone%3B%20but%20if%20any%20one%20is%20present%2C%20obedient%20tears%20spring%20forth.%20He%20mourns%20not%2C%20Gellia%2C%20who%20seeks%20to%20be%20praised%3B%20he%20is%20the%20true%20mourner%2C%20who%20mourns%20without%20a%20witness.">Bohn's Classical</a> (1859)]</blockquote><br>

<blockquote>He grieves not much who grieves to merit praise;<br>
His grief is real who grieves in solitude.<br>
[ed. <a href="https://www.google.com/books/edition/Dictionary_of_Quotations_classical/TPENAAAAYAAJ?hl=en&gbpv=1&bsq=%22grieves%20not%20much%22">Harbottle</a> (1897)]</blockquote><br>

<blockquote>Gellia weeps not while she is alone for her lost father; is any one be present, her tears leap forth at her bidding. He does not lament who looks, Gellia for praise;' he truly sorrows who sorrows unseen.<br>
[tr. <a href="https://www.google.com/books/edition/Epigrams/w4ZfAAAAMAAJ?hl=en&gbpv=1&bsq=%22Gellia%20weeps%22">Ker</a> (1919)]</blockquote><br>

<blockquote>Gellia, alone, ne'er weeps her sire at all;<br>
<span class="tab">In company the bidden tears down fall.<br>
True grief is not for admiration shown.<br>
<span class="tab">He only weeps indeed, who weeps alone.<br>
[tr. <a href="https://www.google.com/books/edition/Martial_s_Epigrams/g35fAAAAMAAJ?gbpv=1&bsq=%22gellia,%20alone%22">Francis & Tatum</a> (1924), #18, 1.32]</blockquote><br>



<blockquote>When alone, Gellia never cries for the father she lost.<br>
If someone is with her, tears well up in her eyes,<br>
as if ordered to fall in. If some one looks for praise,<br>
he is not in mourning, Gellia.<br>
He truly mourns<br>
who mourns<br>
alone.<br>
[tr. <a href="https://archive.org/details/epigramsofmartia0000mart_q2h6/page/48/mode/2up?q=gellia">Bovie</a> (1970)]</blockquote><br>





<blockquote>In private she mourns not the late-lamented;<br>
<span class="tab">If someone's by her tears leap forth on call.<br>
Sorry, my dear, is not so easily rented.<br>
<span class="tab">They are true tears that without witness fall.<br>
[tr. <a href="https://archive.org/details/martialinenglish00mart/page/322/mode/2up?q=%22private+she+mourns%22">Cunningham</a> (1971)]</blockquote><br>

<blockquote>Gellia does not cry for her lost father when she's by herself, but if she has company, out spring the tears to order. Gellia, whoever seeks credit for mourning is no mourner. He truly grieves who grieves without witnesses.<br>
[tr. <a href="https://dokumen.pub/martial-epigrams-spectacles-books-1-5-1-0674995554-9780674995550.html#:~:text=Gellia%20does%20not%20cry%20for%20her%20lost%20father%20when%20she%27s%20by%20herself%2C%20but%20if%20she%20has%20company%2C%20out%20spring%20the%20tears%20to%20order.%20Gellia%2C%20whoever%20seeks%20credit%20for%20mourning%20is%20no%20mourner.%20He%20truly%20grieves%20who%20grieves%20without%20witnesses.">Shackleton Bailey</a> (1993)]</blockquote><br>

<blockquote>Gellia's mourning for her father?<br>
<span class="tab">If by herself she doesn't bother.<br>
But when she sees that company lurks<br>
<span class="tab">She opens up the waterworks.<br>
She just wants praise for grief that's shown;<br>
<span class="tab">They truly grieve who weep alone.<br>
[tr. <a href="https://books.google.com/books?vid=ISBN6101057747">Ericsson</a> (1995)]</blockquote><br>

<blockquote>When Janet is sequestered, out of view,<br>
<span class="tab">Then never for her father's death she cries.<br>
But let some viewers come, just one or two,<br>
<span class="tab">Then tears dramatically flood her eyes.<br>
We know from this how sad in fact she's been:<br>
<span class="tab">It is not grief that's only grieved when seen.<br>
[tr. <a href="https://www.google.com/books/edition/Martial_s_Epigrams/13X80r3_zQIC?hl=en&gbpv=1&printsec=frontcover&bsq=1.33">Wills</a> (2007)]</blockquote><br>

<blockquote>Gellia doesn't weep for her dead father<br>
<span class="tab">when she's alone, but tears pour on command<br>
if someone comes. Who courts praise isn't mourning --<br>
<span class="tab">he truly grieves who grieves with none at hand.<br>
[tr. <a href="https://archive.org/details/selectedepigrams0000mart_b6d3/page/4/mode/2up?q=gellia">McLean</a> (2014)] </blockquote><br>

<blockquote>Alone, Gellia never weeps over her father's death;<br>
if someone's there, her tears burst forth at will.<br>
Mourning that looks for praise, Gellia, is not grief:<br>
true sorrow grieves unseen.<br>
[tr. <a href="https://www.google.com/books/edition/Epigrams_of_Martial/fZWq0MP5XQUC?hl=en&gbpv=1&dq=jim+powell+%22alone,+gellia%22&pg=PA73&printsec=frontcover">Powell</a>]</blockquote><br>
						</span>
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		<title>Euripides -- Andromeda [Ανδρομέδα], frag. 119 (TGF) (412 BC)</title>
		<link>https://wist.info/euripides/55489/</link>
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		<pubDate>Tue, 16 Aug 2022 20:44:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Euripides]]></category>
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		<description><![CDATA[Cry with me; for sharing tears with others is relief in hardship. [συνάλγησον, ὡς ὁ κάμνων δακρύων μεταδοὺς ἔχει χουφότητα μόχϑων.] Nauck frag. 119, Barnes frag. 51, Musgrave frag. 22. (Source (Greek)). Other translation. Come, let us weep together; for the unhappy Find social tears their poignant griefs assuage. [tr. Wodhull (1809)]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Cry with me;<br />
for sharing tears with others is relief in hardship.</p>
<p>[συνάλγησον, ὡς ὁ κάμνων<br />
δακρύων μεταδοὺς ἔχει<br />
χουφότητα μόχϑων.] </span></span></span></span></span></p>
<br><b>Euripides</b> (485?-406? BC) Greek tragic dramatist<br><i>Andromeda</i> [Ανδρομέδα], frag. 119 (TGF) (412 BC) 
						<br><br><span class="cite">
						

<a href="https://archive.org/details/tragicorumgraeco00naucuoft/page/394/mode/2up?q=%22119+%CE%B2%CE%BD%CE%BD%CE%AC%CE%BB%CE%B3%CE%B7%CE%B0%CE%BF%CE%BD%22">Nauck frag. 119</a>, Barnes frag. 51, Musgrave frag. 22. (<a href="https://archive.org/details/tragicorumgraec00nauc/page/314/mode/2up?q=119">Source (Greek)</a>). Other translation.<br><br>

<blockquote>Come, let us weep together; for the unhappy<br>
Find social tears their poignant griefs assuage.<br>
[tr. <a href="https://archive.org/details/nineteentragedi02wodhgoog/page/n380/mode/2up?q=%22weep+together%22">Wodhull</a> (1809)]</blockquote>

						</span>
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		<title>Byron, George Gordon, Lord -- The Two Foscari, Act 4, sc. 1 [Loredano] (1821)</title>
		<link>https://wist.info/byron/31801/</link>
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		<pubDate>Thu, 10 Dec 2015 15:51:16 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
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		<description><![CDATA[Sorrow preys upon Its solitude, and nothing diverts it From its sad visions of the other world Than calling it at moments back to this. The busy have no time for tears.]]></description>
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			<content:encoded><![CDATA[<p>Sorrow preys upon<br />
Its solitude, and nothing diverts it<br />
From its sad visions of the other world<br />
Than calling it at moments back to this.<br />
The busy have no time for tears.</p>
<br><b>George Gordon, Lord Byron</b> (1788–1824) English poet<br><i>The Two Foscari</i>, Act 4, sc. 1 [Loredano] (1821) 
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		<title>Wilcox, Ella Wheeler -- Poem (1883-02-25), &#8220;Solitude,&#8221; ll. 1-4, New York Sun</title>
		<link>https://wist.info/wilcox-ella-wheeler/21764/</link>
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		<pubDate>Mon, 15 Jul 2013 14:11:57 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[Laugh and the world laughs with you, Weep and you weep alone; For the sad old earth must borrow its mirth, But has trouble enough of its own. Possibly the most famous of Wilcox&#8217; works, these are the first four lines (the only ones anyone remembers) of three eight-line stanzas. Wilcox was paid $5 by [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Laugh and the world laughs with you,<br />
<span class="tab">Weep and you weep alone;<br />
For the sad old earth must borrow its mirth,<br />
<span class="tab">But has trouble enough of its own. </span></span></p>
<br><b>Ella Wheeler Wilcox</b> (1850–1919) American author, poet, temperance advocate, spiritualist<br>Poem (1883-02-25), &#8220;Solitude,&#8221; ll. 1-4, <i>New York Sun</i> 
						<br><br><span class="cite">
						

Possibly the most famous of Wilcox' works, these are the first four lines (the only ones anyone remembers) of three eight-line stanzas.  Wilcox was paid $5 by the <i>Sun</i>.<br><br>

Wilcox' original title was "The Way of the World," but the <i>Sun</i> editor changed it to "Solitude."  She kept that new title when it was collected into <i><a href="https://en.wikisource.org/wiki/Poems_of_Passion/Solitude#:~:text=Laugh%2C%20and%20the%20world%20laughs%20with%20you%3B%0A%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0Weep%2C%20and%20you%20weep%20alone%3B%0AFor%20the%20sad%20old%20earth%20must%20borrow%20its%20mirth%2C%0A%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0%C2%A0But%20has%20trouble%20enough%20of%20its%20own.">Poems of Passion</a></i> (1883). 
						</span>
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		<title>Byron, George Gordon, Lord -- Don Juan, Canto  4, st. 4 (1821)</title>
		<link>https://wist.info/byron/775/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
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		<description><![CDATA[And if I laugh at any mortal thing, &#8216;Tis that I may not weep.]]></description>
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			<content:encoded><![CDATA[<p>And if I laugh at any mortal thing,<br />
&#8216;Tis that I may not weep.</p>
<br><b>George Gordon, Lord Byron</b> (1788–1824) English poet<br><i>Don Juan</i>, Canto  4, st. 4 (1821) 
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