A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
Gilbert Keith Chesterton (1874-1936) English journalist and writer
Heretics, ch. 15 “On Smart Novelists and the Smart Set” (1905)
(Source)
Quotations about:
writing
Note not all quotations have been tagged, so Search may find additional quotes on this topic.
It doesn’t have to make sense, it just has to sound like it does.
Elmore Leonard (1925-2013) American novelist and screenwriter
(Attributed)
Thinking is the activity I love best, and writing to me is simply thinking through my fingers. I can write up to 18 hours a day. Typing 90 words a minute, I’ve done better than 50 pages a day. Nothing interferes with my concentration. You could put an orgy in my office and I wouldn’t look up — well, maybe once or twice.
Isaac Asimov (1920-1992) Russian-American author, polymath, biochemist
(Attributed)
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can’t attach more than secondary importance to it. The puzzle isn’t so interesting to me as the behavior of the detective attacking it.
Dashiell Hammett (1894-1961) American author, screenwriter, political activist
Interview with Helen Herbert Foster, “House Burglary Poor Trade,” Brooklyn Eagle Magazine (Oct 1929)
(Source)
The profit of books is according to the sensibility of the reader. The profoundest thought or passion sleeps as in a mine, until an equal mind and heart finds and publishes it.
Ralph Waldo Emerson (1803-1882) American essayist, lecturer, poet
“Quotation and Originality,” Letters and Social Aims (1876)
An occasional glance at the obituary column of The Times has suggested to me that the sixties are very unhealthy; I have long thought that it would exasperate me to die before I had written this book, and so it seemed to me that I had better set about it at once. When I have finished it I can face the future with serenity, for I shall have rounded off my life’s work.
W. Somerset Maugham (1874-1965) English novelist and playwright [William Somerset Maugham]
The Summing Up, ch. 3 (1938)
Never does a man portray his own character more vividly than in his manner of portraying another’s.
Jean Paul Richter (1763-1825) German writer, art historian, philosopher, littérateur [Johann Paul Friedrich Richter; pseud. Jean Paul]
Titan, “Twenty-Eighth Jubilee” (1800-03)
Hasten slowly, and without losing heart,
Put your work twenty times upon the anvil.[Hâtez-vous lentement ; et, sans perdre courage,
Vingt fois sur le métier remettez votre ouvrage.]
Nicolas Boileau-Despréaux (1636-1711) French poet and critic
The Art of Poetry [L’Art Poétique], Canto 1, l. 171 (1674)
Often the fear of one evil leads us into a worse.
[Souvent la peur d’un mal nous conduit dans un pire.]
Nicolas Boileau-Despréaux (1636-1711) French poet and critic
The Art of Poetry [L’Art Poétique], Canto 1, l. 64 (1674)
(Source)
(Source (French)).
Though this sounds like a profound philosophical comment, in reality it refers to writers overcompensating for problems in their work. Soame (1892) translates this and the following line thus:
A verse was weak, you turn it much too strong.
And grow obscure for fear you should be long.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
Raymond Chandler (1888-1959) American novelist
Atlantic Monthly (12 Dec 1945)
Brevity is the sister of talent.
Anton Pavlovich Chekhov (1860-1904) Russian playwright and writer
Letter to Alexander Chekhov (11 Apr 1889)
The more an idea is developed, the more concise becomes its expression; the more a tree is pruned, the better is the fruit.
Alfred Bougeard (1815-1882) French writer
(Attributed)
In J. De Finod (ed., tr.) A Thousand Flashes of French Wit, Wisdom, and Wickedness (1881).
There’s a great power in words, if you don’t hitch too many of them together.
Josh Billings (1818-1885) American humorist, aphorist [pseud. of Henry Wheeler Shaw]
(Attributed)
Quoted in Donald Day, Uncle Sam's Uncle Josh (1972 ed., 1st pub. 1953).
There are three difficulties in authorship: to write anything worth the publishing, to find honest men to publish it, and to get sensible men to read it.
Charles Caleb "C. C." Colton (1780-1832) English cleric, writer, aphorist
Lacon: or, Many Things in Few Words, Preface (1820)
(Source)
Writing, when properly managed, (as you may be sure I think mine is) is but a different name for conversation.
Laurence Sterne (1713-1786) Anglo-Irish novelist, Anglican clergyman
Tristam Shandy, Book 2, ch. 11 (1760-1767)
The monuments of wit and learning are more durable than the monuments of power, or of the hands. For have not the verses of Homer continued twenty-five hundred years or more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, cities have been decayed and demolished?
Francis Bacon (1561-1626) English philosopher, scientist, author, statesman
Essex’s Device (1595)
Digressions, incontestably, are the sunshine; — & they are the life, the soul of reading; — take them out of this book for instance, — you might as well take the book along with them.
Laurence Sterne (1713-1786) Anglo-Irish novelist, Anglican clergyman
Tristam Shandy, Book 1, ch. 22 (1760-1767)
I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood.
Audre Lorde (1934-1992) American writer, feminist, civil rights activist
“The Transformation of Silence into Language and Action,” speech, Modern Language Association (28 Dec 1977)
(Source)
Nothin’g sa’ys q’uality fantas’y l’ike misuse’d apos’tro’phes.
James Nicoll (b. 1961) Canadian reviewer, editor
“SFBC 1999 June,” rec.arts.sf.written, Usenet (11 Feb 2004)
(Source)
Review of James Clemens's Wit'ch Storm.
The critics of blogs cite their lack of professionalism. Piffle. The dirty little secret of journalism is that it isn’t really a profession. It’s a craft. All you need is a telephone and a conscience, and you’re all set. You get better at it merely by doing it — which is why fancy journalism schools are, to my mind, such a waste of time.
Andrew Sullivan (b. 1963) Anglo-American author, editor, journalist, blogger
“A Blogger’s Creed”, Time (27 Sep 2004)
It is impossible to discourage the real writers — they don’t give a damn what you say, they’re going to write.
Sinclair Lewis (1885-1951) American novelist, playwright
(Attributed)
One word after another.
That’s the only way that novels get written and, short of elves coming in the night and turning your jumbled notes into Chapter Nine, it’s the only way to do it.
So keep on keeping on. Write another word and then another.Neil Gaiman (b. 1960) British author, screenwriter, fabulist
“Pep Talk from Neil Gaiman,” National Novel Writing Month (2011)
(Source)
What nobody tells people who are beginners, and I really wish someone had told this to me, is that […] all of us who do creative work, we get into it, and we get into because we have good taste. […] But you get into this thing […] and there’s a gap. For the first couple of years that you’re making stuff, what you’re making isn’t so good. It’s not that great. It’s really not that great. It’s trying to be good, it has ambition to be good, but it’s not quite that good. But your taste, the thing that got you into the game, your taste is still killer. And your taste is good enough that you can tell that what you’re making is kind of a disappointment to you. That you can tell it’s still sort of crappy. A lot of people never get past that phase. A lot of people at that point, they quit. […] The thing I want to tell you is, everybody goes through that. […] It’s totally normal. And the most important possible thing you can do is do a lot of work. Do a huge volume of work. Put yourself on a deadline so that every week or every month you know you’re going to finish one story. […] Because it’s only by actually going through a volume of work that you’re going to catch up and close that gap. And the work you’re making will be as good as your ambitions. […] It’s going to take you awhile. It’s normal to take a while. You just have to fight your way through that.
Ira Glass (b. 1959) American report, radio personality, producer
“This American Life,” Public Radio International (Aug 2009)
(Source)
I have one word to say upon the subject of profound writers, who are grown very numerous of late; and I know very well the judicious world is resolved to list me in that number. I conceive therefore, as to the business of being profound, that it is with writers as with wells — a person with good eyes may see to the bottom of the deepest, provided any water be there: and often when there is nothing in the world at the bottom besides dryness and dirt, though it be but a yard and a-half under-ground, it shall pass, however, for wondrous deep upon no wiser reason than because it is wondrous dark.
Jonathan Swift (1667-1745) English writer and churchman
A Tale of a Tub (1704)
I know I was writing stories when I was five. I don’t know what I did before that. Just loafed, I suppose.
P. G. Wodehouse (1881-1975) Anglo-American humorist, playwright and lyricist [Pelham Grenville Wodehouse]
“The Art of Fiction #60,” interview with Gerald Clarke, The Paris Review (Winter 1975)
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Each writer is born with a repertory company in his head. Shakespeare has perhaps twenty players, and Tennessee Williams has about five, and Samuel Beckett one — and maybe a clone of that one. I have ten or so, and that’s a lot. As you get older, you become more skillful at casting them.
Gore Vidal (1925-2012) American novelist, dramatist, critic
Time (17 Apr 1978)
Don’t write so you can be understood. Write so that you cannot be misunderstood.
Quintilian (39-90) Roman orator [Marcus Fabius Quintilianus]
De Institutione Oratoria, Book 8, ch. 2, l. 24
Alt. trans.: "We should not write so that it is possible for [the reader] to understand us, but so that it is impossible for him to misunderstand us."
Also attributed to Epictetus, Francis Bacon, Robert Louis Stevenson, Ralph Waldo Emerson, and William Taft.
You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing and dance, and write poems and suffer and understand, for all that is life.
Jiddu Krishnamurti (1895-1986) Indian philosopher, mystic, orator
Think on These Things, Part 1, ch. 3 (1963)
(Source)
We all die. The goal isn’t to live forever, the goal is to create something that will.
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Diary [Grace] (2003)
Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.
Mark Twain (1835-1910) American writer [pseud. of Samuel Clemens]
Following the Equator, ch. 15, epigraph, “Pudd’nhead Wilson’s New Calendar” (1897)
(Source)
Sometimes paraphrased, "Why shouldn't truth be stranger than fiction? Fiction, after all, has to make sense." More on this quotation and its variants here.
How do you finish them? You finish them. There’s no magic answer, I’m afraid. This is how you do it: you sit down at the keyboard and you put one word after another until it’s done. It’s that easy, and that hard.
Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Blog entry (2004-05-02), “Pens, Rules, Finishing Things, and Why Stephin Merritt is not Grouchy”
(Source)
On finishing stories.
The best time for planning a book is while you’re doing the dishes.
Agatha Christie (1890-1976) English writer
(Attributed)
There are three rules for writing a novel. Unfortunately, no one knows what they are.
W. Somerset Maugham (1874-1965) English novelist and playwright [William Somerset Maugham]
(Attributed)
The earliest (uncited) attribution is from 1977. More discussion here.
The hardest part is starting to write.
Michael Crichton (1942-2008) American author, producer, director, and screenwriter
(Attributed)
Immature poets imitate; mature poets steal.
T. S. Eliot (1888-1965) American-British poet, critic, playwright [Thomas Stearns Eliot]
“Philip Massinger,” The Sacred Wood (1920)
It is certain that I cannot always distinguish my own thoughts from those I read, because what I read becomes the very substance and text of my mind.
Helen Keller (1880-1968) American author and lecturer
(Attributed)
After being accused of plagiarism. In James R. Kincaid, "Purloined Letters," New Yorker (20 Jan 1997)
Write while the heat is in you. When the farmer burns a hole in his yoke, he carries the hot iron quickly from the fire to the wood, for every moment is less effectual to penetrate (pierce) it. It must be used instantly or it is useless. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.
Henry David Thoreau (1817-1862) American philosopher and writer
Journal (10 Feb 1852)
If you steal from one author, it’s plagiarism; if you steal from many, it’s research.
Wilson Mizner (1876-1933) American screenwriter and wit
In Alva Johnson, The Legendary Mizners, ch. 4 (1953)
Books are the carriers of civilization. Without books, history is silent, literature, dumb, science crippled, thought and speculation at a standstill. Without books, the development of civilization would have been impossible. The are engines of change (as the poet said), windows on the world, and lighthouses erected in the sea of time. They are companions, teachers, magicians, bankers of the treasures of the mind. Books are humanity in print.
Barbara W. Tuchman (1912-1989) American historian and author
“The Book,” Lecture, Library of Congress (17 Oct 1979)
(Source)
Reprinted in Authors' League Bulletin (Nov-Dec 1979)
Poetry is to prose as dancing is to walking.
John Wain (1925-1994) English poet, novelist, critic
Radio broadcast, BBC, London (13 Jan 1976)
Songwriting is about getting the demon out of me. It’s like being possessed. You try to go to sleep, but the song won’t let you. So you have to get up and make it into something, and then you’re allowed to sleep. It’s always in the middle of the bloody night, or when you’re half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is.
John Lennon (1940-1980) English rock musician, singer, songwriter
Interview, Playboy (Sep 1980)
Creativity is merely a plus name for regular activity; the ditchdigger, dentist, and artist go about their tasks in much the same way, and any activity becomes creative when the doer cares about doing it right, or better.
I loved coming to the US in 1992, mostly because I loved the idea that freedom of speech was paramount. I still do. With all its faults, the US has Freedom of Speech. The First Amendment states that you can’t be arrested for saying things the government doesn’t like. You can say what you like, write what you like, and know that the remedy to someone saying or writing or showing something that offends you is not to read it, or to speak out against it. I loved that I could read and make my own mind up about something.
Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Blog entry (2008-12-01), “Why defend freedom of icky speech?”
(Source)
So, why do you write these strong female characters?
Because you’re still asking me that question.
Joss Whedon (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]
Equality Now Tribute Address (15 May 2006)
(Source)
Next to doing things that deserve to be written, there is nothing that gets a man more credit, or gives him more pleasure, than to write things that deserve to be read.
Lord Chesterfield (1694-1773) English statesman, wit [Philip Dormer Stanhope]
Letter to his son, #44 (1740?)
(Source)
The enemy of art is the absence of limitations.
Orson Welles (1915-1985) American writer, director, actor
Comment to Henry Jaglom
Quoted by Jaglom in his essay "The Independent Filmmaker" in Jason E. Quire, ed. The Movie Business Book (1992). See here for more information. Sometimes paraphrased in reverse ("The absence of limitations is the enemy of art").
The reason that fiction is more interesting than any other form of literature, to those who really like to study people, is that in fiction the author can really tell the truth without humiliating himself.
Eleanor Roosevelt (1884-1962) First Lady of the US (1933-45), politician, diplomat, activist
(Attributed)
Books may preach when the author cannot, when the author may not, when the author dares not, yes, and which is more, when the author is not.
Thomas Brooks (1608-1680) English Puritan divine, writer
Heaven on Earth (1654)
We may have an excellent Ear in Musick, without being able to perform in any kind. We may judge well of Poetry, without being Poets, or possessing the least of a Poetick Vein: But we can have no tolerable Notion of Goodness, without being tolerably good.
Anthony Cooper, 3rd Earl of Shaftesbury (1671-1713) English politician and philosopher
Characteristicks of Men, Manners, Opinions, Times, Vol. 1, “A Letter Concerning Enthusiasm” (1711)
Journalism is a good place for any writer to start — the retelling of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.
I began my talk by saying that I had not written my plays for purposes of discussion. At once, I felt a ripple of panic run through the hall. I suddenly realised why. To everyone present, discussion was the whole point of drama. That was why the faculty had been endowed — that was why all those buildings had been put up! I had undermined the entire reason for their existence.
Tom Stoppard (b. 1937) Czech-English playwright and screenwriter
In Kenneth Tynan, “Tom Stoppard,” The New Yorker (19 Dec 1977)
Don’t panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce … Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there’s prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.
Sarah Waters (b. 1966) Welsh novelist
In “Ten Rules for Writing Fiction,” The Guardian (20 Feb 2010)
(Source)
You know that sickening feeling of inadequacy and over-exposure you feel when you look upon your own empurpled prose? Relax into the awareness that this ghastly sensation will never, ever leave you, no matter how successful and publicly lauded you become. It is intrinsic to the real business of writing and should be cherished.
Will Self (b. 1961) English author, journalist, television personality
In “Ten Rules for Writing Fiction,” The Guardian (20 Feb 2010)
(Source)
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don’t just stick there scowling at the problem. But don’t make telephone calls or go to a party; if you do, other people’s words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.
Hilary Mantel (b. 1952) English writer
In “Ten Rules for Writing Fiction,” The Guardian (20 Feb 2010)
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