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	<title>WIST Quotations</title>
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		<title>Howell, James -- Paroimiographia [Παροιμιογραφία]: Proverbs, or, Old Sayed Sawes &#038; Adages, &#8220;English Proverbs&#8221; (1659) [compiler]</title>
		<link>https://wist.info/howell-james/82798/</link>
		<comments>https://wist.info/howell-james/82798/#respond</comments>
		<pubDate>Wed, 25 Mar 2026 15:04:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Howell, James]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[discovery]]></category>
		<category><![CDATA[finding]]></category>
		<category><![CDATA[grab]]></category>
		<category><![CDATA[grope]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[reach]]></category>
		<category><![CDATA[search]]></category>
		<category><![CDATA[surprise]]></category>
		<category><![CDATA[unseen]]></category>

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		<description><![CDATA[He that gropes in the dark, finds that which he would not.]]></description>
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			<content:encoded><![CDATA[<p>He that gropes in the dark, finds that which he would not.</p>
<br><b>James Howell</b> (c. 1594–1666) Welsh historian and writer<br><i>Paroimiographia [Παροιμιογραφία]: Proverbs, or, Old Sayed Sawes &#038; Adages</i>, &#8220;English Proverbs&#8221; (1659) [compiler] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=njp.32101037070743&seq=639&q1=groaps" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Billings, Josh -- Josh Billings&#8217; Farmer&#8217;s Allminax, 1871-06 (1871 ed.)</title>
		<link>https://wist.info/billings-josh/82355/</link>
		<comments>https://wist.info/billings-josh/82355/#respond</comments>
		<pubDate>Thu, 26 Feb 2026 18:40:08 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Billings, Josh]]></category>
		<category><![CDATA[belief]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[disbelief]]></category>
		<category><![CDATA[faith]]></category>
		<category><![CDATA[hidden things]]></category>
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		<description><![CDATA[The man who wont beleave enny thing he kant see, aint so wize az a mule, for they will kick at a thing in the dark. [The man who won&#8217;t believe anything he can&#8217;t see, ain&#8217;t so wise as a mule, for they will kick at a thing in the dark.]]]></description>
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			<content:encoded><![CDATA[<p>The man who wont beleave enny thing he kant see, aint so wize az a mule, for they will kick at a thing in the dark.</p>
<p>[The man who won&#8217;t believe anything he can&#8217;t see, ain&#8217;t so wise as a mule, for they will kick at a thing in the dark.]</p>
<br><b>Josh Billings</b> (1818-1885) American humorist, aphorist [pseud. of Henry Wheeler Shaw]<br><i>Josh Billings&#8217; Farmer&#8217;s Allminax</i>, 1871-06 (1871 ed.) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://gutenberg.org/cache/epub/40191/pg40191-images.html#:~:text=gourd%2C%20are%20up%2C-,and%20gittin,-." target="_blank">Source</a>)
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		<title>Brecht, Bertholt -- Poem (1938 ca.), &#8220;To Those Born Later [An die Nachgeborenen],&#8221; sec. 1, Svendborger Gedichte (1939) [tr. Willet / Manheim / Fried (1976)]</title>
		<link>https://wist.info/brecht-berthold/82197/</link>
		<comments>https://wist.info/brecht-berthold/82197/#respond</comments>
		<pubDate>Tue, 17 Feb 2026 18:17:32 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brecht, Bertholt]]></category>
		<category><![CDATA[bad times]]></category>
		<category><![CDATA[complicity]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[ignorance]]></category>
		<category><![CDATA[retreat]]></category>
		<category><![CDATA[silence]]></category>
		<category><![CDATA[terror]]></category>
		<category><![CDATA[withdrawal]]></category>

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		<description><![CDATA[Truly, I live in dark times! The guileless word is folly. A smooth forehead Suggests insensitivity. The man who laughs Has simply not yet had The terrible news. &#8211; What kind of times are they, when A talk about trees is almost a crime Because it implies silence about so many horrors? That man there [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Truly, I live in dark times!<br />
The guileless word is folly. A smooth forehead<br />
Suggests insensitivity. The man who laughs<br />
Has simply not yet had<br />
The terrible news.<br />
&#8211;<br />
What kind of times are they, when<br />
A talk about trees is almost a crime<br />
Because it implies silence about so many horrors?<br />
That man there calmly crossing the street<br />
Is already perhaps beyond the reach of his friends<br />
Who are in need?</p>
<p><em>[Wirklich, ich lebe in finsteren Zeiten!<br />
Das arglose Wort ist töricht. Eine glatte Stirn<br />
Deutet auf Unempfindlichkeit hin. Der Lachende<br />
Hat die furchtbare Nachricht<br />
Nur noch nicht empfangen.<br />
&#8211;<br />
Was sind das für Zeiten, wo<br />
Ein Gespräch über Bäume fast ein Verbrechen ist<br />
Weil es ein Schweigen über so viele Untaten einschließt!<br />
Der dort ruhig über die Straße geht<br />
Ist wohl nicht mehr erreichbar für seine Freunde<br />
Die in Not sind?]</em></p>
<br><b>Bertolt Brecht</b> (1898-1956) German poet, playwright, director, dramaturgist<br>Poem (1938 ca.), &#8220;To Those Born Later [An die Nachgeborenen],&#8221; sec. 1, <i>Svendborger Gedichte</i> (1939) [tr. Willet / Manheim / Fried (1976)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/poems191319560000brec/page/318/mode/2up?q=%22guileless+word+is+folly%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Also translated as "To Those Who Follow in Our Wake" and "To Later Generations." Written while Brecht had left Germany for Denmark ("crossing the street").<br><br>

An <a href="https://www.youtube.com/watch?v=NoGWhZfDuDM">audio recording of the poem by Brecht</a>.<br><br>

(<a href="https://harpers.org/2008/01/brecht-to-those-who-follow-in-our-wake/#:~:text=Wirklich%2C%20ich%20lebe,in%20Not%20sind%3F">Source (German)</a>). Other translations:<br><br>

<blockquote>Truly, I live in dark times<br>
The innocent word is suspect.<br>
An unwrinkled forehead<br>
suggests insensitivity.<br>
He who laughs<br>
simply has not heard<br>
the terrible news.<br>
-<br>
What times are these when<br>
a conversation about trees<br>
is almost a crime <br>
because it includes<br>
so much silence<br>
about so many outrages!<br>
[tr. <a href="https://archive.org/details/coevolutionquart00unse_16/page/94/mode/2up?q=%22innocent+word%22">Lettau</a> (1978)]</blockquote><br>

<blockquote>Truly, I live in dark times!<br>
An artless word is foolish. A smooth forehead<br>
Points to insensitivity. He who laughs<br>
Has not yet received<br>
The terrible news.<br>
-<br>
What times are these, in which<br>
A conversation about trees is almost a crime<br>
For in doing so we maintain our silence about so much wrongdoing!<br>
And he who walks quietly across the street,<br>
Passes out of the reach of his friends<br>
Who are in danger?<br>
[tr. <a href="https://harpers.org/2008/01/brecht-to-those-who-follow-in-our-wake/#:~:text=Truly%2C%20I%20live,are%20in%C2%A0danger%3F">Horton</a> (2008)]</blockquote><br>

<blockquote>Really, I live in dark times!<br>
Innocent words are foolish. A smooth brow<br>
Betrays insensitivity. Anyone left laughing<br>
Simply has not yet heard<br>
The terrible news.<br>
-<br>
What are these for times, where<br>
A discussion about trees is almost a crime<br>
Because it involves a silence about so many misdeeds!<br>
He there peacefully crossing the street<br>
Is probably no longer reachable for his friends<br>
Who are in need?<br>
[tr. <a href="https://iranian.com/main/blog/soosan-khanoom/favorite-poems.html#:~:text=Translation%20by%20Arden,are%20in%20need%3F">Rienas</a> (2009)]</blockquote><br>

<blockquote>Really, I live in dark times!<br>
Innocent words are foolish. An unfurrowed brow<br>
Indicates apathy. He who laughs<br>
Just hasn’t yet received<br>
The terrible news.<br>
-<br>
What times are these, in which<br>
A conversation about trees is almost a crime<br>
Because it implies silence about so many misdeeds!<br>
He who quietly crosses the street<br>
Is probably no longer within reach of his friends<br>
Who are in need?<br>
[tr. <a href="https://terencerenaud.com/2016/11/09/a-poem-for-dark-times/#:~:text=Really%2C%20I%20live,are%20in%20need%3F">Renaud</a> (2016)]</blockquote><br>

<blockquote>Truly, I live in dark times!<br>
Innocent words are foolish. A smooth forehead<br>
shows insensitivity. The guy laughing <br>
has just not received<br>
the terrible news yet.<br>
-<br>
What kind of times are these, where<br>
talking about trees is almost a crime<br>
when it means silence about so many atrocities!<br>
That man calmly crossing the street<br>
is probably no longer reachable by his friends<br>
who need help.</blockquote><br>
						</span>
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		<title>Watterson, Bill -- Calvin and Hobbes (1989-04-23)</title>
		<link>https://wist.info/watterson-bill/81539/</link>
		<comments>https://wist.info/watterson-bill/81539/#respond</comments>
		<pubDate>Tue, 20 Jan 2026 22:40:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Watterson, Bill]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[distraction]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[night]]></category>

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		<description><![CDATA[CALVIN: I think nighttime is dark so you can imagine your fears with less distraction.]]></description>
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			<content:encoded><![CDATA[<p><a href="https://wist.info/wp/wp-content/uploads/2026/01/calvin-hobbes-1989-04-23-excerpt.jpg" target="_blank"><img data-dominant-color="d1ccc9" data-has-transparency="false" style="--dominant-color: #d1ccc9;" fetchpriority="high" decoding="async" src="https://wist.info/wp/wp-content/uploads/2026/01/calvin-hobbes-1989-04-23-excerpt-300x291.jpg" alt="calvin &amp; hobbes 1989-04-23 excerpt" width="300" height="291" class="alignright size-medium wp-image-81540 not-transparent" srcset="https://wist.info/wp/wp-content/uploads/2026/01/calvin-hobbes-1989-04-23-excerpt-300x291.jpg 300w, https://wist.info/wp/wp-content/uploads/2026/01/calvin-hobbes-1989-04-23-excerpt.jpg 722w" sizes="(max-width: 300px) 100vw, 300px" /></a></p>
<p class="hangingindent">CALVIN: I think nighttime is dark so you can imagine your fears with less distraction.</p>
<p></p>
<br><b>Bill Watterson</b> (b. 1958) American cartoonist<br><i>Calvin and Hobbes</i> (1989-04-23) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gocomics.com/calvinandhobbes/1989/04/23" target="_blank">Source</a>)
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		<title>Carlin, George -- Book (2004), When Will Jesus Bring the Pork Chops?, &#8220;Bits and Pieces&#8221;</title>
		<link>https://wist.info/carlin-george/80063/</link>
		<comments>https://wist.info/carlin-george/80063/#respond</comments>
		<pubDate>Wed, 29 Oct 2025 17:38:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carlin, George]]></category>
		<category><![CDATA[complaining]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[enlightenment]]></category>
		<category><![CDATA[illumination]]></category>
		<category><![CDATA[lack]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[shortage]]></category>
		<category><![CDATA[supplies]]></category>

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		<description><![CDATA[They say rather than cursing the darkness, one should light a candle. They don&#8217;t mention anything about cursing a lack of candles. (Source (Audio)). Referring to the quotation by W. L. Watkinson.]]></description>
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			<content:encoded><![CDATA[<p>They say rather than cursing the darkness, one should light a candle. They don&#8217;t mention anything about cursing a lack of candles.</p>
<br><b>George Carlin</b> (1937-2008) American comedian<br>Book (2004), <i>When Will Jesus Bring the Pork Chops?</i>, &#8220;Bits and Pieces&#8221; 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/whenwilljesusbri0000carl_s8z2/page/106/mode/2up?q=%22lack+of+candles%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://youtu.be/YqLnVx21M54?si=kWtIg5qPwp7PSP6F&t=10427">Source (Audio)</a>). Referring to the quotation by <a href="/watkinson-w-l/79925/">W. L. Watkinson</a>.
						</span>
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		<title>Watkinson, W L -- Sermon (1907), &#8220;The Invincible Strategy,&#8221; The Supreme Conquest and other Sermons Preached in America, Sermon 14</title>
		<link>https://wist.info/watkinson-w-l/79925/</link>
		<comments>https://wist.info/watkinson-w-l/79925/#respond</comments>
		<pubDate>Wed, 22 Oct 2025 23:29:11 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Watkinson, W L]]></category>
		<category><![CDATA[beacon]]></category>
		<category><![CDATA[candle]]></category>
		<category><![CDATA[complaining]]></category>
		<category><![CDATA[cursing]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[enlightenment]]></category>
		<category><![CDATA[illumination]]></category>
		<category><![CDATA[light]]></category>

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		<description><![CDATA[It is better to light a candle than to curse the darkness. The sermon was written around Romans 12:21 (&#8220;Be not overcome of evil, but overcome evil with good.&#8221;). Often attributed as a Chinese proverb, or a quotation from Confucius or Eleanor Roosevelt. For more information on this quote&#8217;s origin and variations, see: Quote Origin: [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It is better to light a candle than to curse the darkness.</p>
<br><b>W. L. Watkinson</b> (1838-1925) English Methodist minister and preacher [William Lonsdale Watkinson]<br>Sermon (1907), &#8220;The Invincible Strategy,&#8221; <i>The Supreme Conquest and other Sermons Preached in America</i>, Sermon 14 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Supreme_Conquest/U4sOAAAAIAAJ?hl=en&gbpv=1&bsq=%22light%20a%20candle%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

The sermon was written around <a href="/bible-nt/15586/">Romans 12:21</a> ("Be not overcome of evil, but overcome evil with good.").<br><br>

Often attributed as a Chinese <a href="/author/proverbs/">proverb</a>, or a quotation from <a href="/author/confucius/">Confucius</a> or <a href="/author/roosevelt-eleanor/">Eleanor Roosevelt</a>.<br><br>

For more information on this quote's origin and variations, see:<ul>
	<li><a href="https://quoteinvestigator.com/2017/03/19/candle/" title="Quote Origin: Better to Light a Candle Than to Curse the Darkness – Quote Investigator®">Quote Origin: Better to Light a Candle Than to Curse the Darkness – Quote Investigator®</a></li>
	<li><a href="https://professorbuzzkill.com/2017/06/19/eleanor-roosevelt-candle-qnq/#:~:text=This%20may%20be%20one%20of,your%20pipe%20and%20smoke%20it" title="Eleanor Roosevelt: &quot;It's Better to Light a Candle than to Curse the Darkness.&quot; Quote or No Quote? Professor Buzzkill" rel="noopener">Eleanor Roosevelt: &quot;It's Better to Light a Candle than to Curse the Darkness.&quot; Quote or No Quote? Professor Buzzkill</a></li></ul>

See also <a href="/kennedy-john/25388/">Kennedy</a> (1960), <a href="/pratchett-terry/43771/">Pratchett</a> (1993), and <a href="/carlin-george/80063/">Carlin</a> (2004).						</span>
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		<title>Gaiman, Neil -- Neverwhere, ch. 14 (1996)</title>
		<link>https://wist.info/gaiman-neil/77204/</link>
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		<pubDate>Fri, 27 Jun 2025 17:00:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[afterlife]]></category>
		<category><![CDATA[chill]]></category>
		<category><![CDATA[coldness]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[death]]></category>

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		<description><![CDATA[The Marquis de Carabas looked up at him. His eyes were very white in the moonlight. And he whispered, “What’s it like being dead? It’s very cold, my friend. Very dark, and very cold.”]]></description>
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			<content:encoded><![CDATA[<p>The Marquis de Carabas looked up at him. His eyes were very white in the moonlight. And he whispered, “What’s it like being dead? It’s very cold, my friend. Very dark, and very cold.”</p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br><i>Neverwhere</i>, ch. 14 (1996) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/neverwhereauthor0000gaim_k6d4/page/284/mode/2up?q=%22very+dark+and+very+cold%22" target="_blank">Source</a>)
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		<title>Euripides -- Hecuba [Hekabe; Ἑκάβη], l.  831ff (c. 424 BC) [tr. Coleridge (1938)]</title>
		<link>https://wist.info/euripides/76380/</link>
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		<pubDate>Tue, 29 Apr 2025 17:31:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Euripides]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[joy]]></category>
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		<description><![CDATA[HECUBA: For from darkness and the endearments of the night mortals have their keenest joys. [ἙΚΆΒΗ: ἐκ τοῦ σκότου τε τῶν τε νυκτερησίων φίλτρων μεγίστη γίγνεται βροτοῖς χάρις.] Reminding a reluctant Agamemnon that he&#8217;s been sleeping with her daughter, Cassandra, to enlist him in avenging the death of her son, Polydorus. This passage of the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">HECUBA: For from darkness and the endearments of the night mortals have their keenest joys.</p>
<p></p>
<p class="hangingindent">[ἙΚΆΒΗ: ἐκ τοῦ σκότου τε τῶν τε νυκτερησίων<br />
φίλτρων μεγίστη γίγνεται βροτοῖς χάρις.]</p>
<p></p>
<br><b>Euripides</b> (485?-406? BC) Greek tragic dramatist<br><i>Hecuba</i> [Hekabe; Ἑκάβη], l.  831ff (c. 424 BC) [tr. Coleridge (1938)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0098%3Acard%3D812#:~:text=For%20from%20darkness%20and%20the%20endearments%20of%20the%20night%20mortals%20have%20their%20keenest%20joys." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Reminding a reluctant Agamemnon that he's been sleeping with her daughter, Cassandra, to enlist him in avenging the death of her son, Polydorus. <br><br>

This passage of the text is elided in some translations. Where present, it is sometimes noted as a speculated or fragmentary insertion.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0097%3Acard%3D812#:~:text=%E1%BC%90%CE%BA%20%CF%84%CE%BF%E1%BF%A6%20%CF%83%CE%BA%CF%8C%CF%84%CE%BF%CF%85%20%CF%84%CE%B5%20%CF%84%E1%BF%B6%CE%BD%20%CF%84%CE%B5%20%CE%BD%CF%85%CE%BA%CF%84%CE%B5%CF%81%CE%B7%CF%83%CE%AF%CF%89%CE%BD%0A%CF%86%CE%AF%CE%BB%CF%84%CF%81%CF%89%CE%BD%20%CE%BC%CE%B5%CE%B3%CE%AF%CF%83%CF%84%CE%B7%20%CE%B3%CE%AF%CE%B3%CE%BD%CE%B5%CF%84%CE%B1%CE%B9%20%CE%B2%CF%81%CE%BF%CF%84%CE%BF%E1%BF%96%CF%82%20%CF%87%CE%AC%CF%81%CE%B9%CF%82.">Source (Greek)</a>). Alternate translations: <br><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">In the soul of man<br>
The endearments of the night, by darkness veil'd,<br>
Create the strongest interest.<br>
[tr. <a href="https://archive.org/details/nineteentragedi01wodhgoog/page/36/mode/2up?q=%22In+the+soul+of+man%22">Wodhull</a> (1809)]</blockquote><br>

<blockquote>For from the secret shade, and from night's joys, the greatest delight is wont to spring to mortals.<br>
[tr. <a href="https://topostext.org/work/38#:~:text=For%20from%20the%20secret%20shade%2C%20and%20from%20night%27s%20joys%2C%20the%20greatest%20delight%20is%20wont%20to%20spring%20to%20mortals.">Edwards</a> (1826)] </blockquote><br>

<blockquote>For of the darkness and the night's love-spells<br>
Cometh on men the chiefest claim for thank.<br>
[tr. <a href="https://en.wikisource.org/wiki/Tragedies_of_Euripides_(Way)/Hecuba#:~:text=For%20of%20the%20darkness%20and%20the%20night%27s%20love%2Dspells%0ACometh%20on%20men%20the%20chiefest%20claim%20for%20thank.">Way</a> (Loeb) (1894)]</blockquote><br>

<blockquote>I know how men adore the dark of night. <br>
[tr. <a href="https://www.google.com/books/edition/Hecuba/mRZLAQAAQBAJ?hl=en&gbpv=1&bsq=%22i%20know%20how%20men%20adore%22">McGuinness</a> (2004)]</blockquote><br>

<blockquote>The greatest benefit to humans springs from the night and the delights of love within it.<br>
[tr. <a href="https://bacchicstage.wordpress.com/euripides/hekabe-aka-hecuba/#:~:text=The%20greatest%20benefit%20to%20humans%20springs%20from%20the%20night%20and%20the%20delights%20of%20love%20within%20it.">Theodoridis</a> (2007)]</blockquote><br>						</span>
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		<title>Taylor, Barbara Brown -- Learning to Walk in the Dark, ch.  1 (2014)</title>
		<link>https://wist.info/taylor-barbara-brown/75723/</link>
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		<pubDate>Tue, 18 Mar 2025 17:59:14 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Taylor, Barbara Brown]]></category>
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		<description><![CDATA[At home we read Pinocchio instead. We read Black Beauty, Doctor Dolittle, Little Women, The Adventures of Huckleberry Finn. What I learned about darkness from stories, I learned from books like these &#8212; and also from the unedited works of the Brothers Grimm and Hans Christian Andersen. According to a recent article in the New [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">At home we read <i>Pinocchio</i> instead. We read <i>Black Beauty, Doctor Dolittle, Little Women, The Adventures of Huckleberry Finn.</i> What I learned about darkness from stories, I learned from books like these &#8212; and also from the unedited works of the Brothers Grimm and Hans Christian Andersen.<br />
<span class="tab">According to a recent article in the <i>New York Times,</i> few parents expose their children to those works in the original these days, and some of their reasons make sense. Who wants children growing up with the idea that stepmothers are wicked, ugly people are evil, women can get by on their beauty, and princesses are all white? At the same time, I worry about children who grow up thinking that every story has a happy ending and no one gets permanently hurt along the way.</p>
<br><b>Barbara Brown Taylor</b> (b. 1951) American minister, academic, author<br><i>Learning to Walk in the Dark</i>, ch.  1 (2014) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Learning_to_Walk_in_the_Dark/0WqmDwAAQBAJ?hl=en&gbpv=1&pg=PA30" target="_blank">Source</a>)
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		<title>Stevenson, Robert Louis -- Poem (1885), &#8220;Bed in Summer,&#8221; st. 1, A Child&#8217;s Garden of Verses</title>
		<link>https://wist.info/stevenson-robert-louis/74093/</link>
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		<pubDate>Fri, 17 Jan 2025 15:15:52 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
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		<description><![CDATA[In winter I get up at night And dress by yellow candle-light. In summer quite the other way, I have to go to bed by day.]]></description>
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			<content:encoded><![CDATA[<p>In winter I get up at night<br />
<span class="tab">And dress by yellow candle-light.<br />
In summer quite the other way,<br />
<span class="tab">I have to go to bed by day.</p>
<br><b>Robert Louis Stevenson</b> (1850–1894) Scottish essayist, novelist, poet<br>Poem (1885), &#8220;Bed in Summer,&#8221; st. 1, <i>A Child&#8217;s Garden of Verses</i> 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/A_Child%27s_Garden_of_Verses/Bed_in_Summer#:~:text=N%20winter%20I%20get%20up%20at%20night%0AAnd%20dress%20by%20yellow%20candle%2Dlight.%0AIn%20summer%2C%20quite%20the%20other%20way%2C%0AI%20have%20to%20go%20to%20bed%20by%20day." target="_blank">Source</a>)
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		<title>Carlyle, Thomas -- Past and Present, Book 4, ch.  8 &#8220;The Didactic&#8221; (1843)</title>
		<link>https://wist.info/carlyle-thomas/73642/</link>
		<comments>https://wist.info/carlyle-thomas/73642/#respond</comments>
		<pubDate>Fri, 27 Dec 2024 00:58:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Carlyle, Thomas]]></category>
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		<description><![CDATA[As dark misery settles down on us, and our refuges of lies fall in pieces one after one, the hearts of men, now at last serious, will turn to refuges of truth. The eternal stars shine out again, so soon as it is dark enough. More discussion of this imagery and quotation here: Quote Origin: [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>As dark misery settles down on us, and our refuges of lies fall in pieces one after one, the hearts of men, now at last serious, will turn to refuges of truth. The eternal stars shine out again, so soon as it is dark enough.</p>
<br><b>Thomas Carlyle</b> (1795-1881) Scottish essayist and historian<br><i>Past and Present</i>, Book 4, ch.  8 &#8220;The Didactic&#8221; (1843) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/13534/pg13534-images.html#:~:text=As%20dark%20misery%20settles%20down%20on%20us%2C%20and%20our%20refuges%20of%20lies%20fall%20in%20pieces%20one%20after%20one%2C%20the%20hearts%20of%20men%2C%20now%20at%20last%20serious%2C%20will%20turn%20to%20refuges%20of%20truth.%20The%20eternal%20stars%20shine%20out%20again%2C%20so%20soon%20as%20it%20is%20dark%20enough." target="_blank">Source</a>)
										<br><br><span class="cite">
						

More discussion of this imagery and quotation here: <a href="https://quoteinvestigator.com/2015/01/19/stars-shine/" title="Quote Origin: The Eternal Stars Shine Out Again, So Soon As It Is Dark Enough – Quote Investigator®">Quote Origin: The Eternal Stars Shine Out Again, So Soon As It Is Dark Enough – Quote Investigator®</a>.						</span>
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		<title>Hugo, Victor -- Les Misérables, Part 1 &#8220;Fantine,&#8221; Book  1 &#8220;An Upright Man,&#8221; ch.  4  (1.1.4) [Bishop Myriel] (1862) [tr. Wilbour (1862)]</title>
		<link>https://wist.info/hugo-victor/73189/</link>
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		<pubDate>Mon, 02 Dec 2024 20:46:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Hugo, Victor]]></category>
		<category><![CDATA[blame]]></category>
		<category><![CDATA[crime]]></category>
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		<description><![CDATA[If the soul is left in darkness, sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness. &#160; [Cette âme est pleine d&#8217;ombre, le péché s&#8217;y commet. Le coupable n&#8217;est pas celui qui y fait le péché, mais celui qui y a fait l&#8217;ombre.] (Source [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>If the soul is left in darkness, sins will be committed. The guilty one is not he who commits the sin, but he who causes the darkness.<br />
&nbsp;<br />
<em>[Cette âme est pleine d&#8217;ombre, le péché s&#8217;y commet. Le coupable n&#8217;est pas celui qui y fait le péché, mais celui qui y a fait l&#8217;ombre.]</em></p>
<br><b>Victor Hugo</b> (1802-1885) French writer<br><i>Les Misérables</i>, Part 1 &#8220;Fantine,&#8221; Book  1 &#8220;An Upright Man,&#8221; ch.  4  (1.1.4) [Bishop Myriel] (1862) [tr. Wilbour (1862)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.43835/page/n27/mode/2up?q=%22left+in+darkness%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

(<a href="https://fr.wikisource.org/wiki/Les_Mis%C3%A9rables/Tome_1/Livre_1/04#:~:text=Cette%20%C3%A2me%20est%20pleine%20d%E2%80%99ombre%2C%20le%20p%C3%A9ch%C3%A9%20s%E2%80%99y%20commet.%20Le%20coupable%20n%E2%80%99est%20pas%20celui%20qui%20fait%20le%20p%C3%A9ch%C3%A9%2C%20mais%20celui%20qui%20fait%20l%E2%80%99ombre.">Source (French)</a>). Alternate translations:<br><br>

<blockquote>This soul is full of darkness, and sin is committed, but the guilty person is not the man who commits the sin, but he who produces the darkness.<br>
[tr. <a href="https://archive.org/details/lesmiserables0000vict_z1p0/page/n41/mode/2up?q=%22this+soul+is+full%22">Wraxall</a> (1862)]</blockquote><br>

<blockquote>This soul is full of shadow; sin is therein committed. The guilty one is not the person who has committed the sin, but the person who has created the shadow.<br>
[tr. <a href="https://en.wikisource.org/wiki/Les_Mis%C3%A9rables/Volume_1/Book_First/Chapter_4#:~:text=This%20soul%20is%20full%20of%20shadow%3B%20sin%20is%20therein%20committed.%20The%20guilty%20one%20is%20not%20the%20person%20who%20has%20committed%20the%20sin%2C%20but%20the%20person%20who%20has%20created%20the%20shadow.">Hapgood</a> (1887)]</blockquote><br>

<blockquote>The soul in darkness sins, but the real sinner is he who caused the darkness.<br>
[tr. <a href="https://archive.org/details/lesmiserables0000tran/page/30/mode/2up?q=%22the+soul+in+darkness%22">Denny</a> (1976)]</blockquote><br>

<blockquote>If the soul is left in darkness, sins will be committed. The guilty one is not he who commits the sin, but the one who causes the darkness.<br>
[tr. <a href="https://archive.org/details/lesmisrabl1987hugo/page/14/mode/2up?q=%22left+in+darkness%22">Wilbour/Fahnestock/MacAfee</a> (1987)]</blockquote><br>

<blockquote>In any benighted soul -- that's where sin will be committed. It's not he who commits the sin that's to blame, but he who causes the darkness to prevail.<br>
[tr. <a href="https://www.google.com/books/edition/Les_Miserables/dyKMDQAAQBAJ?hl=en&gbpv=1&bsq=%22in%20any%20benighted%20soul%22">Donougher</a> (2013)] </blockquote><br>
						</span>
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		<title>Shakespeare, William -- Macbeth, Act 3, sc. 2, l.  58ff (3.2.58-60) (1606)</title>
		<link>https://wist.info/shakespeare-william/72797/</link>
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		<pubDate>Tue, 05 Nov 2024 00:05:55 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
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		<description><![CDATA[MACBETH: Good things of day begin to droop and drowse, While night&#8217;s black agents to their preys do rouse.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">MACBETH: Good things of day begin to droop and drowse,<br />
While night&#8217;s black agents to their preys do rouse.</p>
<p></p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Macbeth</i>, Act 3, sc. 2, l.  58ff (3.2.58-60) (1606) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.folger.edu/explore/shakespeares-works/macbeth/read/#:~:text=Good%C2%A0things%C2%A0of,%C2%A0rouse." target="_blank">Source</a>)
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		<title>Shakespeare, William -- Macbeth, Act 1, sc. 4, l.  57ff (1.4.57-58) (1606)</title>
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		<pubDate>Mon, 19 Aug 2024 21:28:19 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
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		<description><![CDATA[MACBETH:Stars, hide your fires; Let not light see my black and deep desires.]]></description>
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			<content:encoded><![CDATA[<p class="hangingindent">MACBETH:<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Stars, hide your fires;<br />
Let not light see my black and deep desires.</p>
<p></p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Macbeth</i>, Act 1, sc. 4, l.  57ff (1.4.57-58) (1606) 
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		<title>Pasternak, Boris -- &#8220;Nobel Prize [Нобелевская Премия]&#8221; st. 4 (1959) [tr. Stallworthy/France (1982)]</title>
		<link>https://wist.info/pasternak-boris/70372/</link>
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		<pubDate>Tue, 02 Jul 2024 21:21:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pasternak, Boris]]></category>
		<category><![CDATA[change]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[good and evil]]></category>
		<category><![CDATA[light]]></category>
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		<category><![CDATA[triumph]]></category>
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		<description><![CDATA[Even so, one step from my grave, I believe that cruelty, spite, The powers of darkness will in time Be crushed by the spirit of light. [Но и так, почти у гроба, Верю я, придет пора &#8212; Силу подлости и злобы Одолеет дух добра.] On his persecution for winning the 1958 Nobel Prize for Literature [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Even so, one step from my grave,<br />
I believe that cruelty, spite,<br />
The powers of darkness will in time<br />
Be crushed by the spirit of light.</p>
<p>[Но и так, почти у гроба,<br />
Верю я, придет пора &#8212;<br />
Силу подлости и злобы<br />
Одолеет дух добра.]</p>
<br><b>Boris Pasternak</b> (1890-1960) Russian poet, novelist, and literary translator<br>&#8220;Nobel Prize [Нобелевская Премия]&#8221; st. 4 (1959) [tr. Stallworthy/France (1982)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/selectedpoems0000past_y9g3/page/154/mode/2up?q=%22one+step+from+my+grave%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

On his persecution for winning the <a href="https://www.nobelprize.org/prizes/literature/1958/summary/">1958 Nobel Prize for Literature</a> for <i>Doctor Zhivago,</i> which had been condemned by the Communist Party and the Soviet government. The poem was not published until <i>Selected Poems</i> (1983).<br><br>

This upbeat ending is how the poem officially ends. Two more, darker, stanzas were attached to the manuscript by Pasternak, but it is unclear if they were meant to be added (and, if so, where), or if Pasternak ever wanted the poem published.<br><br>

(<a href="https://linguafennica.wordpress.com/2017/12/31/the-nobel-prize-%D0%BD%D0%BE%D0%B1%D0%B5%D0%BB%D0%B5%D0%B2%D1%81%D0%BA%D0%B0%D1%8F-%D0%BF%D1%80%D0%B5%D0%BC%D0%B8%D1%8F-boris-pasternak/#:~:text=%D0%9D%D0%BE%20%D0%B8%20%D1%82%D0%B0%D0%BA%2C%20%D0%BF%D0%BE%D1%87%D1%82%D0%B8%20%D1%83%20%D0%B3%D1%80%D0%BE%D0%B1%D0%B0%2C%0A%D0%92%D0%B5%D1%80%D1%8E%20%D1%8F%2C%20%D0%BF%D1%80%D0%B8%D0%B4%D0%B5%D1%82%20%D0%BF%D0%BE%D1%80%D0%B0%20%E2%80%93%0A%D0%A1%D0%B8%D0%BB%D1%83%20%D0%BF%D0%BE%D0%B4%D0%BB%D0%BE%D1%81%D1%82%D0%B8%20%D0%B8%20%D0%B7%D0%BB%D0%BE%D0%B1%D1%8B%0A%D0%9E%D0%B4%D0%BE%D0%BB%D0%B5%D0%B5%D1%82%20%D0%B4%D1%83%D1%85%20%D0%B4%D0%BE%D0%B1%D1%80%D0%B0.">Source (Russian)</a>). Alternate translations:<br><br>

<blockquote>Even now, at the edge of the tomb,<br>
I believe in the virtuous fate, --<br>
And the spirit of goodness will soon<br>
overcome all the malice and hate.<br>
[tr. <a href="https://ruverses.com/boris-pasternak/nobel-prize/3483/#:~:text=Even%20now%2C%20at%20the%20edge%20of%20the%20tomb%2C%0AI%20believe%20in%20the%20virtuous%20fate%2C%20%E2%80%94%0AAnd%20the%20spirit%20of%20goodness%20will%20soon%0Aovercome%20all%20the%20malice%20and%20hate.">Kneller</a>]</blockquote><br>

<blockquote>But even as my grave awaits,<br>
the time will come. I've believed --<br>
The forces of meanness and hate<br>
will be vanquished by the spirit of good.<br>
[tr. <a href="https://ruverses.com/boris-pasternak/nobel-prize/4704/#:~:text=But%20even%20as%20my%20grave%20awaits%2C%0Athe%20time%20will%20come.%20I%27ve%20believed%20%E2%80%94%0AThe%20forces%20of%20meanness%20and%20hate%0Awill%20be%20vanquished%20by%20the%20spirit%20of%20good.">Mager</a>]</blockquote><br>

<blockquote>Yet, as I approach my passing,<br>
I believe the day is near,<br>
When the heart of good surpasses<br>
rage and baseness -- even here.<br>
[tr. <a href="https://linguafennica.wordpress.com/2017/12/31/the-nobel-prize-%D0%BD%D0%BE%D0%B1%D0%B5%D0%BB%D0%B5%D0%B2%D1%81%D0%BA%D0%B0%D1%8F-%D0%BF%D1%80%D0%B5%D0%BC%D0%B8%D1%8F-boris-pasternak/#:~:text=Yet%2C%20as%20I%20approach%20my%20passing%2C%0AI%20believe%20the%20day%20is%20near%2C%0AWhen%20the%20heart%20of%20good%20surpasses%0ARage%20and%20baseness%20%E2%80%93%20even%20here.">Moreton</a>]</blockquote><br>

<blockquote>Even in my dying hour<br>
I believe it still stronger:<br>
Malice will be overpowered<br>
By the spirit of Good Will. <br>
[tr. <a href="https://ruverses.com/boris-pasternak/nobel-prize/10822/#:~:text=Even%20in%20my%20dying%20hour%0AI%20believe%20it%20still%20stronger%3A%0AMalice%20will%20be%20overpowered%0ABy%20the%20spirit%20of%20Good%20Will.%C2%A0">Astrakhan</a>]</blockquote><br>

						</span>
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		<title>Horace -- Odes [Carmina], Book 1, #  9, l.  15ff (1.9.15-24) (23 BC) [tr. Kline (2015)]</title>
		<link>https://wist.info/horace/70105/</link>
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		<pubDate>Fri, 21 Jun 2024 22:34:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Horace]]></category>
		<category><![CDATA[assignation]]></category>
		<category><![CDATA[coyness]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[evening]]></category>
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		<category><![CDATA[love]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[romance]]></category>
		<category><![CDATA[shadows]]></category>
		<category><![CDATA[tryst]]></category>
		<category><![CDATA[youth]]></category>

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		<description><![CDATA[Don’t spurn sweet love, my child, and don’t you be neglectful of the choir of love, or the dancing feet, while life is still green, and your white-haired old age is far away with all its moroseness. Now, find the Campus again, and the squares, soft whispers at night, at the hour agreed, and the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Don’t spurn sweet love,<br />
my child, and don’t you be neglectful<br />
of the choir of love, or the dancing feet,<br />
while life is still green, and your white-haired old age<br />
is far away with all its moroseness. Now,<br />
find the Campus again, and the squares,<br />
soft whispers at night, at the hour agreed,<br />
and the pleasing laugh that betrays her, the girl<br />
who’s hiding away in the darkest corner,<br />
and the pledge that’s retrieved from her arm,<br />
or from a lightly resisting finger.<br />
&nbsp;<br />
<span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><em>[Nec dulcis amores<br />
sperne puer neque tu choreas,<br />
donec virenti canities abest<br />
morosa. Nunc et campus et areae<br />
lenesque sub noctem susurri<br />
conposita repetantur hora,<br />
nunc et latentis proditor intumo<br />
gratus puellae risus ab angulo<br />
pignusque dereptum lacertis<br />
aut digito male pertinaci.]</em></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
<br><b>Horace</b> (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]<br><i>Odes [Carmina]</i>, Book 1, #  9, l.  15ff (1.9.15-24) (23 BC) [tr. Kline (2015)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.poetryintranslation.com/PITBR/Latin/HoraceOdesBkI.php#:~:text=don%E2%80%99t%20spurn%20sweet,lightly%20resisting%20finger." target="_blank">Source</a>)
										<br><br><span class="cite">
						

"To Thaliarchus." (<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0024%3Abook%3D1%3Apoem%3D9#:~:text=nunc%20et%20campus,male%20pertinaci.">Source (Latin)</a>). Alternate translations:<br><br>

<blockquote>Till testy Age gray Hairs shall snow<br>
<span class="tab">Upon thy Head, lose Mask, nor Show:<br>
Soft whispers now delight<br>
<span class="tab">At a set hour by Night:<br>
And Maids that gigle to discover<br>
<span class="tab">Where they are hidden to a Lover;<br>
And Bracelets or some toy<br>
<span class="tab">Snatcht from the willing Coy.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A44478.0001.001/1:6?rgn=div1;view=fulltext#:~:text=Soft%20whispers%20now,the%20willing%20Coy.">Fanshaw</a> (Brome (1666))] </blockquote><br>

<blockquote>Secure those golden early joys,<br>
<span class="tab">That youth unsoured with sorrow bears,<br>
Ere withering time the taste destroys,<br>
<span class="tab">With sickness and unwieldy years.<br>
For active sports, for pleasing rest,<br>
This is the time to be possest;<br>
<span class="tab">The best is but in season best.<br>
The appointed hour of promised bliss,<br>
<span class="tab">The pleasing whisper in the dark,<br>
The half unwilling willing kiss,<br>
<span class="tab">The laugh that guides thee to the mark;<br>
When the kind nymph would coyness feign,<br>
And hides but to be found again;<br>
<span class="tab">These, these are joys the gods for youth ordain.<br>
[tr. <a href="https://www.gutenberg.org/files/54361/54361-h/54361-h.htm#Page_344:~:text=Secure%20those%20golden,for%20youth%20ordain.">Dryden</a> (c. 1685)]</blockquote><br>

<blockquote>Whilst Thou art green, and gay, and Young,<br>
<span class="tab">E're dull Age comes, and strength decays,<br>
Let mirth, and humor, dance, and song<br>
<span class="tab">Be all the trouble of thy days.<br>
The Court, the Mall, the Park, and Stage,<br>
<span class="tab">With eager thoughts of Love pursue;<br>
Gay Evening whispers fit thy Age,<br>
<span class="tab">And be to Assignation true.<br>
Now Love to hear the hiding Maid,<br>
<span class="tab">Whom Youth hath fir'd, and Beauty charms<br>
By her own tittering laugh betray'd,<br>
<span class="tab">And forc'd into her Lover's Arms.<br>
Go dally with thy wanton Miss,<br>
<span class="tab">And from the Willing seeming Coy,<br>
Or force a Ring, or steal a Kiss;<br>
<span class="tab">For Age will come, and then farewell to joy.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A44471.0001.001/1:5?rgn=div1;view=fulltext#:~:text=The%20Court%2C%20the,farewel%20to%20joy.">Creech</a> (1684)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Sport in life's young spring,<br>
<span class="tab">Nor scorn sweet love, nor merry dance,<br>
While years are green, while sullen eld<br>
<span class="tab">Is distant. Now the walk, the game,<br>
The whisper'd talk at sunset held,<br>
<span class="tab">Each in its hour, prefer their claim.<br>
Sweet too the laugh, whose feign'd alarm<br>
<span class="tab">The hiding-place of beauty tells,<br>
The token, ravish'd from the arm<br>
<span class="tab">Or finger, that but ill rebels.<br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0025%3Abook%3D1%3Apoem%3D9#:~:text=Now%20the%20walk%2C%20the%20game%2C%0AThe%20whisper%27d%20talk%20at%20sunset%20held%2C%0AEach%20in%20its%20hour%2C%20prefer%20their%20claim.%0ASweet%20too%20the%20laugh%2C%20whose%20feign%27d%20alarm%0AThe%20hiding%2Dplace%20of%20beauty%20tells%2C%0AThe%20token%2C%20ravish%27d%20from%20the%20arm%0AOr%20finger%2C%20that%20but%20ill%20rebels.">Conington</a> (1872)]</blockquote><br>

<blockquote>Nor disdain, being a young fellow, pleasant loves, nor dances, as long as ill-natured hoariness keeps off from your blooming age.  Now let both the Campus Martius and the public walks, and soft whispers at the approach of evening be repeated at the appointed hour: now, too, the delightful laugh, the betrayer of the lurking damsel from some secret corner, and the token ravished from her arms or fingers, pretendingly tenacious of it.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_works_of_Horace/First_Book_of_Odes#:~:text=Now%20let%20both,tenacious%20of%20it.">Smart/Buckley</a> (1853)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Let beauty's glance <br>
Engage thee, and the merry dance,<br>
<span class="tab">Nor deem such pleasures vain!<br>
Gloom is for age. Young hearts should glow<br>
<span class="tab">With fancies bright and free,<br>
Should court the crowded walk, the show,<br>
And at dim eve love's murmurs low<br>
<span class="tab">Beneath the trysting tree;<br>
The laugh from the sly corner, where<br>
<span class="tab">Our girl is hiding fast,<br>
The struggle for the lock of hair,<br>
The half well pleased, half angry air,<br>
<span class="tab">The yielded kiss at last.<br>
[tr. <a href="https://archive.org/details/odesofhoracetran00horarich/page/50/mode/2up?q=%22Younor+hearts+should%22">Martin</a> (1864)]</blockquote><br>

<blockquote>Spurn not, thou, who art young, dulcet loves; <br>
<span class="tab">Spurn not, thou, choral dances and song<br>
While the hoar-frost morose keeps aloof from thy verdure.<br>
Thine the sports of the Campus, the gay public gardens; <br>
<span class="tab">Thine at twilight the words whispered low; <br>
<span class="tab"><span class="tab">Each in turn has its own happy hour:<br>
And thine the sweet laugh of the girl -- which betrays her <br>
Hiding slyly within the dim nook of the threshold, <br>
<span class="tab">And the love-token snatched from the wrist, <br>
<span class="tab"><span class="tab">Or the finger's not obstinate hold.<br>
[tr. <a href="https://archive.org/details/odesandepodesho05horagoog/page/72/mode/2up?q=%22Thine+the+sports+of%22">Bulwer-Lytton</a> (1870)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Youth must not spurn <br>
Sweet loves, nor yet the dance forsake,<br>
While grudging Age thy prime shall spare.<br> 
The Plain, the Squares, be now thy care, <br>
And lounges, dear at nightfall, where <br>
<span class="tab">By concert love may whisper 'Hist!'<br>
From inner nook a winsome smile <br>
Betrays the girl that sculks the while, <br>
And keepsakes, deftly filched by guile <br>
<span class="tab">From yielding finger, or from wrist.<br>
[tr. <a href="https://archive.org/details/a587951400horauoft/page/n31/mode/2up?q=%22While+grudging+Age%22">Gladstone</a> (1894)]</blockquote><br>

<blockquote>Nor, while thy vigour lasts, despise thou <br>
<span class="tab">Pleasures of love, nor the joys of dancing.<br>
While the moroseness due to advancing age <br>
Whitens not yet thy head, let the walks and park <br>
<span class="tab">And gentle whispers heard at nightfall <br>
<span class="tab"><span class="tab">Each be repeated at fitting seasons.<br>
Now, too, the pleasant laughter be heard, that tells <br>
How lurking beauty hides in the corner-nook, <br>
<span class="tab">And token ravish'd from the arm, or <br>
<span class="tab"><span class="tab">Finger, that daintily seems unwilling.<br>
[tr. <a href="https://archive.org/details/odesofhoraceinen00horarich/page/10/mode/2up?q=%22Nor%2C+while+thy+vigour%22">Phelps</a> (1897)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Being but yet a youth, contemn<br>
<span class="tab"><span class="tab">Neither the sweets of love nor of the dance, <br>
While from your bloom crabbed greyness holds aloof. <br>
Now let the Campus and the city squares,<br>
<span class="tab">And whispers low, be sought at nightfall,<br>
<span class="tab"><span class="tab">On the appointed hour of tryst;<br>
And now the fascinating laugh from some recess <br>
Secluded, the betrayer of a maid<br>
<span class="tab">In hiding, and the pledge snatched off <br>
<span class="tab"><span class="tab">An arm or finger ill retaining it.<br>
[tr. <a href="https://archive.org/details/cu31924026490726/page/n99/mode/2up?q=%22Being+but+yet%22">Garnsey</a> (1907)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Spurn not the dance,<br>
<span class="tab">Or in sweet loves to bask,<br>
While surly age mars not thy morning's flower.<br>
Seek now the athlete's training field or court;<br>
<span class="tab">See gentle lovers' whispered sport,<br>
<span class="tab"><span class="tab">At nightfalls's trysted hour;<br>
Seek the gay laught that from her ambush borne<br>
Betrays the merry maiden huddled warm,<br>
<span class="tab">And forfeit from her hand or arm<br>
<span class="tab"><span class="tab">Half given, half playful torn.<br>
[tr. <a href="https://archive.org/details/horacescompletew00hora/page/10/mode/2up">Marshall</a> (1908)]</blockquote><br>

<blockquote>Nor in thy youth neglect sweet love nor dances, whilst life is still in its bloom and crabbed age is far away! Now let the Campus be sought and the squares, with low whispers at the trysting-hour as night draws on, and the merry tell-tale laugh of maiden hiding in farthest comer, and the forfeit snatched from her arm or finger that but feigns resistance.<br>
[tr. <a href="https://archive.org/details/in.ernet.dli.2015.98705/page/n55/mode/2up?q=%22Nor+in+thy+youth+neglect%22">Bennett</a> (Loeb) (1912)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Scorn not, while still<br>
<span class="tab">A boy, sweet loves; scorn not the dance. <br>
Life in its Spring, and crabbed eld<br>
<span class="tab">Far off -- that is the time; then hey <br>
For Park, Square, whispered concerts held<br>
<span class="tab">At a set hour at close of day: <br>
For the sweet laugh whose soft alarm<br>
<span class="tab">Tells in what nook the maid lies hid: <br>
For the love-token snatched from arm,<br>
<span class="tab">Of fingers that but half-forbid.<br>
[tr. <a href="https://archive.org/details/odesofhoracemills00horaiala/page/18/mode/2up?q=%22scorn+not%2C+while+still%22">Mills</a> (1924)]</blockquote><br>
  
<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Now that you're young, and peevish<br>
Grey hairs are still far distant, attend to the <br>
Dance-floor, the heart's sweet business; for now is the <br>
<span class="tab">Right time for midnight assignations,<br>
<span class="tab"><span class="tab">whispers and murmurs in Rome's piazzas<br>
And fields, and soft, low laughter that gives away<br>
The girl who plays love's games in a hiding-place --<br>
<span class="tab">Off comes a ring coaxed down an arm or<br>
<span class="tab"><span class="tab">Pulled from a faintly resisting finger.<br>
[tr. <a href="https://archive.org/details/odesofhorace0000hora/page/34/mode/2up?q=%22young+and+peevish%22">Michie</a> (1963)] </blockquote><br>

<blockquote>Take love while you're young and you can,<br>
Laugh, dance,<br>
Before time takes your chances<br>
Away. Stroll where baths, where theaters<br>
Bring Romans to walk, to talk, where whispers<br>
Flit through the darkness as lovers meet,<br>
And girls laugh from hidden corners,<br>
Happy as favors<br>
Are snatched in the darkness, laugh<br>
And pretend to say no.<br>
[tr. <a href="https://archive.org/details/essentialhoraceo0000hora/page/10/mode/2up?q=%22take+love+while%22">Raffel</a> (1983)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">While you're still young,<br>
And while morose old age is far away,<br>
There's love, there are parties, there's dancing and there's music,<br>
There are young people out in the city squares together<br>
As evening comes on, there are whispers of lovers, there's laughter.<br>
[tr. <a href="https://archive.org/details/odesofhorace00hora_1/page/28/mode/2up?q=%22While+you%27re+still+young%22">Ferry</a> (1997)]</blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">Do not disdain, boy, sweet love; and dance<br>
<span class="tab">while you are yet in bloom, and crabbed age far away.<br>
Now frequent the Campus Martius<br>
and public ways, and pizzas where soft whispers <br>
<span class="tab">are repeated at the trysting hour<br>
<span class="tab"><span class="tab">and where the suffocated laughter of a girl<br>
lurking in a corner reveals<br>
secret betrayal and the forfeit<br>
<span class="tab">snatched away from a wrist<br>
<span class="tab"><span class="tab">or from a finger, scarcely resisting.<br>
[tr. <a href="https://archive.org/details/completeodessati0000hora/page/16/mode/2up?q=%22do+not+disdain+boy%22">Alexander</a> (1999)] </blockquote><br>

<blockquote><span class="tab"><span class="tab"><span class="tab"><span class="tab"><span class="tab">And while you're young don't scorn<br>
sweet love affairs and dances,<br>
so long as crabbed old age is far from<br>
your vigor. Now let the playing field and the<br>
public squares and soft whisperings at nightfall<br>
(the appointed hour) be your pursuits;<br>
now too the sweet laughter of a girl hiding<br>
in a secret corner, which gives her away,<br>
and a pledge snatched from her wrists<br>
or her feebly resisting finger.<br>
[tr. <a href="https://en.wikisource.org/wiki/Translation:Odes_(Horace)/Book_I/9#:~:text=and%20while%20you%27re,feebly%20resisting%20finger.">Wikisource</a> (2021)]</blockquote><br>						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Rothfuss, Patrick -- The Name of the Wind, ch. 43 &#8220;The Flickering Way&#8221; (2007)</title>
		<link>https://wist.info/rothfuss-patrick/59681/</link>
		<comments>https://wist.info/rothfuss-patrick/59681/#respond</comments>
		<pubDate>Thu, 23 Mar 2023 15:19:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Rothfuss, Patrick]]></category>
		<category><![CDATA[anger]]></category>
		<category><![CDATA[darkness]]></category>
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		<category><![CDATA[sea]]></category>
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		<description><![CDATA[There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.]]></description>
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			<content:encoded><![CDATA[<p>There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.</p>
<br><b>Patrick Rothfuss</b> (b. 1973) American author<br><i>The Name of the Wind</i>, ch. 43 &#8220;The Flickering Way&#8221; (2007) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/nameofwindthekin00patr/page/318/mode/2up?q=%22three+things+all+wise%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Gibran, Kahlil -- Sand and Foam (1946)</title>
		<link>https://wist.info/gibran-kahlil/52239/</link>
		<comments>https://wist.info/gibran-kahlil/52239/#respond</comments>
		<pubDate>Tue, 22 Mar 2022 14:30:28 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gibran, Kahlil]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[dawn]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[redemption]]></category>
		<category><![CDATA[safety]]></category>
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		<description><![CDATA[One may not reach the dawn save by the path of the night.]]></description>
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			<content:encoded><![CDATA[<p>One may not reach the dawn save by the path of the night.</p>
<br><b>Kahlil Gibran</b> (1883-1931) Lebanese-American poet, writer, painter [Gibran Khalil Gibran]<br><i>Sand and Foam</i> (1946) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/in.ernet.dli.2015.219068/page/n19/mode/2up?q=%22path+of+the+night%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Taylor, Barbara Brown -- Learning to Walk in the Dark, ch.  6 (2014)</title>
		<link>https://wist.info/taylor-barbara-brown/50119/</link>
		<comments>https://wist.info/taylor-barbara-brown/50119/#respond</comments>
		<pubDate>Fri, 03 Dec 2021 18:18:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Taylor, Barbara Brown]]></category>
		<category><![CDATA[birth]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[rebirth]]></category>
		<category><![CDATA[resurrection]]></category>
		<category><![CDATA[tomb]]></category>
		<category><![CDATA[womb]]></category>

		<guid isPermaLink="false">https://wist.info/?p=50119</guid>
		<description><![CDATA[As many years as I have been listening to Easter sermons, I have never heard anyone talk about that part. Resurrection is always announced with Easter lilies, the sound of trumpets, bright streaming light. But it did not happen that way. If it happened in a cave, it happened in complete silence, in absolute darkness, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>As many years as I have been listening to Easter sermons, I have never heard anyone talk about that part. Resurrection is always announced with Easter lilies, the sound of trumpets, bright streaming light. But it did not happen that way. If it happened in a cave, it happened in complete silence, in absolute darkness, with the smell of damp stone and dug earth in the air. Sitting deep in the heart of Organ Cave, I let this sink in: new life starts in the dark. Whether it is a seed in the ground, a baby in the womb, or Jesus in the tomb, it starts in the dark.</p>
<br><b>Barbara Brown Taylor</b> (b. 1951) American minister, academic, author<br><i>Learning to Walk in the Dark</i>, ch.  6 (2014) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Learning_to_Walk_in_the_Dark/0WqmDwAAQBAJ?hl=en&gbpv=1&bsq=%22As%20many%20years%20as%20I%20have%20been%20listening%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Taylor, Barbara Brown -- Learning to Walk in the Dark, Introduction (2014)</title>
		<link>https://wist.info/taylor-barbara-brown/49679/</link>
		<comments>https://wist.info/taylor-barbara-brown/49679/#respond</comments>
		<pubDate>Fri, 12 Nov 2021 16:02:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Taylor, Barbara Brown]]></category>
		<category><![CDATA[anxiety]]></category>
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		<description><![CDATA[“Darkness” is shorthand for anything that scares me &#8212; that I want no part of &#8212; either because I am sure that I do not have the resources to survive it or because I do not want to find out. The absence of God is in there, along with the fear of dementia and the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">“Darkness” is shorthand for anything that scares me &#8212; that I want no part of &#8212; either because I am sure that I do not have the resources to survive it or because I do not want to find out. The absence of God is in there, along with the fear of dementia and the loss of those nearest and dearest to me. So is the melting of polar ice caps, the suffering of children, and the nagging question of what it will feel like to die. If I had my way, I would eliminate everything from chronic back pain to the fear of the devil from my life and the lives of those I love &#8212; if I could just find the right night-lights to leave on.<br />
<span class="tab">At least I think I would. The problem is this: when, despite all my best efforts, the lights have gone off in my life (literally or figuratively, take your pick), plunging me into the kind of darkness that turns my knees to water, nonetheless I have not died. The monsters have not dragged me out of bed and taken me back to their lair. The witches have not turned me into a bat. Instead, I have learned things in the dark that I could never have learned in the light, things that have saved my life over and over again, so that there is really only one logical conclusion. I need darkness as much as I need light.</p>
<br><b>Barbara Brown Taylor</b> (b. 1951) American minister, academic, author<br><i>Learning to Walk in the Dark</i>, Introduction (2014) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Learning_to_Walk_in_the_Dark/0WqmDwAAQBAJ?hl=en&gbpv=1&dq=taylor%20%22need%20darkness%20as%20much%20as%20I%20need%20light%22&pg=PP1&printsec=frontcover&bsq=%22need%20darkness%20as%20much%20as%20I%20need%20light%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Fuller, Thomas (1654) -- Gnomologia: Adages and Proverbs (compiler), # 3743 (1732)</title>
		<link>https://wist.info/fuller-thomas-1654/49576/</link>
		<comments>https://wist.info/fuller-thomas-1654/49576/#respond</comments>
		<pubDate>Fri, 05 Nov 2021 16:41:38 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fuller, Thomas (1654)]]></category>
		<category><![CDATA[darkness]]></category>
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		<description><![CDATA[One cloud is enough to eclipse all the sun.]]></description>
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			<content:encoded><![CDATA[<p>One cloud is enough to eclipse all the sun.</p>
<br><b>Thomas Fuller</b> (1654-1734) English physician, preacher, aphorist, writer<br><i>Gnomologia: Adages and Proverbs</i> (compiler), # 3743 (1732) 
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		<title>Sarton, May -- &#8220;The Invocation to Kali,&#8221; Part 5, Poetry (Feb 1971)</title>
		<link>https://wist.info/sarton-may/48508/</link>
		<comments>https://wist.info/sarton-may/48508/#respond</comments>
		<pubDate>Tue, 24 Aug 2021 16:49:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Sarton, May]]></category>
		<category><![CDATA[birth]]></category>
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		<category><![CDATA[light]]></category>

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		<description><![CDATA[Without darkness, nothing comes to birth, As without light, nothing flowers.]]></description>
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			<content:encoded><![CDATA[<p>Without darkness, nothing comes to birth,<br />
As without light, nothing flowers.</p>
<br><b>May Sarton</b> (1912-1995) Belgian-American poet, novelist, memoirist [pen name of Eleanore Marie Sarton]<br>&#8220;The Invocation to Kali,&#8221; Part 5, <i>Poetry</i> (Feb 1971) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.poetryfoundation.org/poetrymagazine/browse?volume=117&issue=5&page=37" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>McFee, William -- Casuals of the Sea, Book 1, ch. 4 (1916)</title>
		<link>https://wist.info/mcfee-william/47209/</link>
		<comments>https://wist.info/mcfee-william/47209/#respond</comments>
		<pubDate>Fri, 04 Jun 2021 15:38:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[McFee, William]]></category>
		<category><![CDATA[darkness]]></category>
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		<description><![CDATA[It is so much easier to tell intimate things in the dark.]]></description>
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			<content:encoded><![CDATA[<p>It is so much easier to tell intimate things in the dark.</p>
<br><b>William McFee</b> (1881-1966) English writer<br><i>Casuals of the Sea</i>, Book 1, ch. 4 (1916) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Casuals_of_the_Sea/ByhFAAAAIAAJ?hl=en&gbpv=1&pg=PA21&printsec=frontcover&bsq=%22intimate%20things%22" target="_blank">Source</a>)
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		<title>Pratchett, Terry -- Discworld No. 15, Men at Arms (1993)</title>
		<link>https://wist.info/pratchett-terry/43771/</link>
		<comments>https://wist.info/pratchett-terry/43771/#respond</comments>
		<pubDate>Tue, 20 Oct 2020 14:45:59 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[complaint]]></category>
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		<category><![CDATA[direct action]]></category>
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		<description><![CDATA[Sometimes it&#8217;s better to light a flamethrower than to curse the darkness.]]></description>
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			<content:encoded><![CDATA[<p>Sometimes it&#8217;s better to light a flamethrower than to curse the darkness.</p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br>Discworld No. 15, <i>Men at Arms</i> (1993) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/menatarmsnovelof00prat/mode/2up?q=%22better+to+light+a+flamethrower%22" target="_blank">Source</a>)
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		<title>Pratchett, Terry -- Discworld No. 21, Jingo (1997)</title>
		<link>https://wist.info/pratchett-terry/43230/</link>
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		<pubDate>Tue, 15 Sep 2020 14:04:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[desert]]></category>
		<category><![CDATA[emptiness]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[night]]></category>
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		<description><![CDATA[Night poured over the desert. It came suddenly, in purple. In the clear air, the stars drilled down out of the sky, reminding any thoughtful watcher that it is in the deserts and high places that religions are generated. When men see nothing but bottomless infinity over their heads they have always had a driving [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Night poured over the desert. It came suddenly, in purple. In the clear air, the stars drilled down out of the sky, reminding any thoughtful watcher that it is in the deserts and high places that religions are generated. When men see nothing but bottomless infinity over their heads they have always had a driving and desperate urge to find someone to put in the way.</p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br>Discworld No. 21, <i>Jingo</i> (1997) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/isbn_9780061059063/page/292/mode/2up?q=%22night+poured%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Connolly, Cyril -- &#8220;Writers and Society, 1940-3&#8221; (1943), The Condemned Playground (1946)</title>
		<link>https://wist.info/connolly-cyril/42607/</link>
		<comments>https://wist.info/connolly-cyril/42607/#respond</comments>
		<pubDate>Fri, 17 Jul 2020 19:37:03 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Connolly, Cyril]]></category>
		<category><![CDATA[alone]]></category>
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		<category><![CDATA[hidden]]></category>
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		<description><![CDATA[In relation to his public, the artist of to-day [&#8230;] walks at first with his companions, till one day he falls through a hole in the brambles, and from that moment is following the dark rapids of an underground river which may sometimes flow so near the surface that the laughing picnic parties are heard [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>In relation to his public, the artist of to-day [&#8230;] walks at first with his companions, till one day he falls through a hole in the brambles, and from that moment is following the dark rapids of an underground river which may sometimes flow so near the surface that the laughing picnic parties are heard above, only to re-immerse itself in the solitude of the limestone and carry him along its winding tunnel, until it gushes out through the misty creeper-hung cave which he has always believed to exist, and sets him back in the sun. </p>
<br><b>Cyril Connolly</b> (1903-1974) English intellectual, literary critic and writer.<br>&#8220;Writers and Society, 1940-3&#8221; (1943), <i>The Condemned Playground</i> (1946) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Horizon/pm0EAAAAMAAJ?hl=en&gbpv=1&bsq=%22following%20the%20dark%20rapids%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Lyte, Henry Francis -- &#8220;Abide with Me&#8221; (1847)</title>
		<link>https://wist.info/lyte-henry-francis/40113/</link>
		<comments>https://wist.info/lyte-henry-francis/40113/#respond</comments>
		<pubDate>Thu, 16 Jan 2020 21:35:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Lyte, Henry Francis]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[prayer]]></category>

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		<description><![CDATA[Abide with me: fast falls the eventide; The darkness deepens; Lord, with me abide.]]></description>
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			<content:encoded><![CDATA[<p>Abide with me: fast falls the eventide;<br />
The darkness deepens; Lord, with me abide.</p>
<br><b>Henry Francis Lyte</b> (1793-1847) English divine and hymnist<br>&#8220;Abide with Me&#8221; (1847) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Abide_with_Me/9OEHAAAAQAAJ" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Pratchett, Terry -- Discworld No. 11, Reaper Man (1991)</title>
		<link>https://wist.info/pratchett-terry/39487/</link>
		<comments>https://wist.info/pratchett-terry/39487/#respond</comments>
		<pubDate>Fri, 31 May 2019 19:09:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Pratchett, Terry]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[speed]]></category>
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		<category><![CDATA[unknown]]></category>

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		<description><![CDATA[Light thinks it travels faster than anything but it is wrong. No matter how fast light travels it finds the darkness has always got there first, and is waiting for it.]]></description>
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			<content:encoded><![CDATA[<p>Light thinks it travels faster than anything but it is wrong. No matter how fast light travels it finds the darkness has always got there first, and is waiting for it.</p>
<br><b>Terry Pratchett</b> (1948-2015) English author<br>Discworld No. 11, <i>Reaper Man</i> (1991) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/deathtrilogy0000prat/page/446/mode/2up?q=%22faster+than+anything%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Herrick, Robert -- &#8220;No Difference i&#8217; th&#8217; Dark,&#8221; Hesperides, #  864 (1648)</title>
		<link>https://wist.info/herrick-robert/37599/</link>
		<comments>https://wist.info/herrick-robert/37599/#comments</comments>
		<pubDate>Fri, 28 Jul 2017 01:11:25 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Herrick, Robert]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[lovemaking]]></category>
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		<category><![CDATA[rank]]></category>

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		<description><![CDATA[Night makes no difference &#8216;twixt the priest and clerk; Joan as my lady is as good i&#8217; th&#8217; dark.]]></description>
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			<content:encoded><![CDATA[<p>Night makes no difference &#8216;twixt the priest and clerk;<br />
Joan as my lady is as good i&#8217; th&#8217; dark.</p>
<br><b>Robert Herrick</b> (1591-1674) English poet<br>&#8220;No Difference i&#8217; th&#8217; Dark,&#8221; <i>Hesperides</i>, #  864 (1648) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.gutenberg.org/cache/epub/22421/pg22421-images.html#:~:text=Night%20makes%20no%20difference,good%20i%27%20th%27%20dark." target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Johnson, George Clayton -- Twilight Zone, 3×16 “Nothing in the Dark”, closing narration (5 Jan 1962)</title>
		<link>https://wist.info/johnson-george-clayton/37286/</link>
		<comments>https://wist.info/johnson-george-clayton/37286/#comments</comments>
		<pubDate>Mon, 19 Jun 2017 23:57:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Johnson, George Clayton]]></category>
		<category><![CDATA[darkness]]></category>
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		<category><![CDATA[illumination]]></category>
		<category><![CDATA[lights]]></category>
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		<description><![CDATA[There is nothing in the dark that isn&#8217;t there when the lights are on. Often attributed to Rod Serling, who read the narration and produced the show.]]></description>
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			<content:encoded><![CDATA[<p>There is nothing in the dark that isn&#8217;t there when the lights are on.</p>
<br><b>George Clayton Johnson</b> (1929-2015) American writer<br><i>Twilight Zone</i>, 3×16 “Nothing in the Dark”, closing narration (5 Jan 1962) 
														<br><br><span class="cite">
						

Often attributed to Rod Serling, who read the narration and produced the show.						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Scalzi, John -- Zoe&#8217;s Tale (2008)</title>
		<link>https://wist.info/scalzi-john/35216/</link>
		<comments>https://wist.info/scalzi-john/35216/#respond</comments>
		<pubDate>Wed, 28 Sep 2016 01:47:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Scalzi, John]]></category>
		<category><![CDATA[alive]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[forest]]></category>
		<category><![CDATA[night]]></category>
		<category><![CDATA[terror]]></category>

		<guid isPermaLink="false">http://wist.info/?p=35216</guid>
		<description><![CDATA[If you ever want to feel like you&#8217;re on the verge of total, abject bowel-releasing terror, try making your way a klick or two out of a forest, at night, with the certain feeling you&#8217;re being hunted. It makes you feel alive, it really does, but not in a way you want to feel alive.]]></description>
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			<content:encoded><![CDATA[<p>If you ever want to feel like you&#8217;re on the verge of total, abject bowel-releasing terror, try making your way a klick or two out of a forest, at night, with the certain feeling you&#8217;re being hunted. It makes you feel alive, it really does, but not in a way you want to feel alive.</p>
<br><b>John Scalzi</b> (b. 1969) American writer<br><i>Zoe&#8217;s Tale</i> (2008) 
								]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Newman, John -- &#8220;Lead, Kindly Light&#8221; (16 Jun 1833)</title>
		<link>https://wist.info/newman-john-henry/29235/</link>
		<comments>https://wist.info/newman-john-henry/29235/#respond</comments>
		<pubDate>Tue, 05 May 2015 13:26:37 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Newman, John]]></category>
		<category><![CDATA[blind]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[faith]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[guidance]]></category>
		<category><![CDATA[leader]]></category>
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		<category><![CDATA[present]]></category>
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		<description><![CDATA[Lead, kindly Light, amid the encircling gloom, Lead Thou me on; The night is dark, and I am far from home; Lead Thou me on! Keep Thou my feet; I do not ask to see The distant scene; &#8212; one step enough for me.]]></description>
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			<content:encoded><![CDATA[<p>Lead, kindly Light, amid the encircling gloom,<br />
Lead Thou me on;<br />
The night is dark, and I am far from home;<br />
Lead Thou me on!<br />
Keep Thou my feet; I do not ask to see<br />
The distant scene; &#8212; one step enough for me.</p>
<br><b>John Henry Newman</b> (1801-1890) English prelate, Catholic Cardinal, theologian<br>&#8220;Lead, Kindly Light&#8221; (16 Jun 1833) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/The_Works_of_Cardinal_Newman_Letters_and/3U1FAQAAMAAJ?hl=en&gbpv=1&dq=john%20newman%20%22'I%20do%20not%20ask%20to%20see%20The%20distant%20scene%3B%20one%20step%20enough%20for%20me.%22&pg=PA359&printsec=frontcover&bsq=%22I%20do%20not%20ask%20to%20see%20The%20distant%20scene%3B%20one%20step%20enough%20for%20me.%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Byron, George Gordon, Lord -- &#8220;She Walks in Beauty,&#8221; st. 1 (1814), Hebrew Melodies (1815)</title>
		<link>https://wist.info/byron/27857/</link>
		<comments>https://wist.info/byron/27857/#respond</comments>
		<pubDate>Wed, 31 Dec 2014 18:31:12 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Byron, George Gordon, Lord]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[night]]></category>

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		<description><![CDATA[She walks in beauty, like the night Of cloudless climes and starry skies; And all that&#8217;s best of dark and bright Meet in her aspect and her eyes: Thus mellow&#8217;d to that tender light Which heaven to gaudy day denies.]]></description>
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			<content:encoded><![CDATA[<p>She walks in beauty, like the night<br />
<span class="tab">Of cloudless climes and starry skies;<br />
And all that&#8217;s best of dark and bright<br />
<span class="tab">Meet in her aspect and her eyes:<br />
Thus mellow&#8217;d to that tender light<br />
<span class="tab">Which heaven to gaudy day denies.</p>
<br><b>George Gordon, Lord Byron</b> (1788-1824) English poet<br>&#8220;She Walks in Beauty,&#8221; st. 1 (1814), <i>Hebrew Melodies</i> (1815) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Works_of_Lord_Byron_(ed._Coleridge,_Prothero)/Poetry/Volume_3/Hebrew_Melodies/She_walks_in_Beauty#:~:text=She%20walks%20in%20Beauty%2C%20like,Heaven%20to%20gaudy%20day%20denies.
" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Gaiman, Neil -- Neverwhere, ch.  4 (1996)</title>
		<link>https://wist.info/gaiman-neil/25922/</link>
		<comments>https://wist.info/gaiman-neil/25922/#respond</comments>
		<pubDate>Thu, 03 Jul 2014 12:14:15 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Gaiman, Neil]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[fear]]></category>
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		<description><![CDATA[Richard looked at the woman in leather. &#8220;Is there anything, really, to be scared of?&#8221; &#8220;Only the night on the bridge,&#8221; she said. &#8220;The kind in armor?&#8221; &#8220;The kind that comes when the day is over.&#8221;]]></description>
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			<content:encoded><![CDATA[<p><span class="tab">Richard looked at the woman in leather. &#8220;Is there anything, really, to be scared of?&#8221;<br />
<span class="tab">&#8220;Only the night on the bridge,&#8221; she said.<br />
<span class="tab">&#8220;The kind in armor?&#8221;<br />
<span class="tab">&#8220;The kind that comes when the day is over.&#8221;</p>
<br><b>Neil Gaiman</b> (b. 1960) British author, screenwriter, fabulist<br><i>Neverwhere</i>, ch.  4 (1996) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/neverwhere0000gaim_e9c1/page/90/mode/2up?q=%22looked+at+the+woman+in+leather%22" target="_blank">Source</a>)
				]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Butcher, Jim -- Turn Coat, ch. 40 (2009)</title>
		<link>https://wist.info/butcher-jim/23151/</link>
		<comments>https://wist.info/butcher-jim/23151/#respond</comments>
		<pubDate>Tue, 10 Dec 2013 12:51:40 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Butcher, Jim]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[fear]]></category>
		<category><![CDATA[monster]]></category>
		<category><![CDATA[mystery]]></category>
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		<category><![CDATA[terror]]></category>

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		<description><![CDATA[There&#8217;s power in the night. There&#8217;s terror in the darkness. Despite all our accumulated history, learning, and experience, we remember. We remember times when we were too small to reach the light switch on the wall, and when the darkness itself was enough to make us cry out in fear. Get a good ways out [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>There&#8217;s power in the night. There&#8217;s terror in the darkness. Despite all our accumulated history, learning, and experience, we remember. We remember times when we were too small to reach the light switch on the wall, and when the darkness itself was enough to make us cry out in fear. Get a good ways out from civilization &#8212; say, miles and miles away on a lightless lake &#8212; and the darkness is there, waiting. Twilight means more than just time to call the children in from playing outside. Fading light means more than just the end of another day. Night is when terrible things emerge from their sleep and seek soft flesh and hot blood. Night is when unseen beings with no regard for what our people have built and no place in what we have deemed the natural order look in at our world from outside, and think dark and alien thoughts. And sometimes, just sometimes, they do things.</p>
<br><b>Jim Butcher</b> (b. 1971) American author<br><i>Turn Coat</i>, ch. 40 (2009) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Turn_Coat/4oePh1JaOFQC?hl=en&gbpv=1&bsq=%22lightless%20lake%22" target="_blank">Source</a>)
				]]></content:encoded>
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		<title>Kubler-Ross, Elisabeth -- (Attributed)</title>
		<link>https://wist.info/kubler-ross-elisabeth/21378/</link>
		<comments>https://wist.info/kubler-ross-elisabeth/21378/#respond</comments>
		<pubDate>Mon, 10 Jun 2013 11:59:35 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Kubler-Ross, Elisabeth]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[inner beauty]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[people]]></category>
		<category><![CDATA[troubles]]></category>

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		<description><![CDATA[People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within. Attributed to her by the Elisabeth Kübler-Ross Foundation. The quotation is often cited to Jim Clemmer, The Leader&#8217;s Digest (2003), but Clemmer [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>People are like stained-glass windows. They sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light from within.</p>
<br><b>Elisabeth Kübler-Ross</b> (1926-2004) Swiss-American psychiatrist, author<br>(Attributed) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.ekrfoundation.org/elisabeth-kubler-ross/quotes/#:~:text=%E2%80%9CPeople%20are%20like%20stained%2Dglass%20windows.%20They%20sparkle%20and%20shine%20when%20the%20sun%20is%20out%2C%20but%20when%20the%20darkness%20sets%20in%2C%20their%20true%20beauty%20is%20revealed%20only%20if%20there%20is%20a%20light%20from%20within.%E2%80%9D" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Attributed to her by the Elisabeth Kübler-Ross Foundation.<br><br> 

The quotation is often cited to Jim Clemmer, <em><a href="https://archive.org/details/leadersdigesttim0000clem/page/84/mode/2up?q=stained-glass">The Leader's Digest</a></em> (2003), but Clemmer simply attributes it to Kübler-Ross. I have been unable to find an primary source.

						</span>
					]]></content:encoded>
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		<title>King, Martin Luther -- Strength To Love, ch.  5 &#8220;Loving Your Enemies,&#8221; sec. 2 (1963)</title>
		<link>https://wist.info/king-martin-luther/17767/</link>
		<comments>https://wist.info/king-martin-luther/17767/#respond</comments>
		<pubDate>Fri, 20 Apr 2012 14:26:24 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Martin Luther]]></category>
		<category><![CDATA[cycle]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[destruction]]></category>
		<category><![CDATA[evil]]></category>
		<category><![CDATA[hatred]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[retribution]]></category>
		<category><![CDATA[violence]]></category>
		<category><![CDATA[war]]></category>

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		<description><![CDATA[Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction [&#8230;] The chain reaction of evil &#8212; hate begetting hate, wars producing more wars &#8212; must be broken, or [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction [&#8230;] The chain reaction of evil &#8212; hate begetting hate, wars producing more wars &#8212; must be broken, or we shall be plunged into the dark abyss of annihilation.</p>
<br><b>Martin Luther King, Jr.</b> (1929-1968) American clergyman, civil rights leader, social activist, preacher<br><i>Strength To Love</i>, ch.  5 &#8220;Loving Your Enemies,&#8221; sec. 2 (1963) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/strengthtolove00king/page/44/mode/2up?q=%22drive+out+darkness%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

See also <a href="https://wist.info/king-martin-luther/5635/">this</a>.						</span>
					]]></content:encoded>
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Tolkien, J.R.R. -- The Lord of the Rings, Vol. 3: The Return of the King, Book 6, ch.  2 &#8220;The Land of Shadow&#8221; (1954)</title>
		<link>https://wist.info/tolkien-jrr/15494/</link>
		<comments>https://wist.info/tolkien-jrr/15494/#respond</comments>
		<pubDate>Tue, 23 Aug 2011 12:43:26 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tolkien, J.R.R.]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[hope]]></category>
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		<category><![CDATA[shadow]]></category>
		<category><![CDATA[star]]></category>

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		<description><![CDATA[There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach.</p>
<br><b>J.R.R. Tolkien</b> (1892-1973) English writer, fabulist, philologist, academic [John Ronald Reuel Tolkien]<br><i>The Lord of the Rings, Vol. 3: The Return of the King</i>, Book 6, ch.  2 &#8220;The Land of Shadow&#8221; (1954) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/returnoftheking0000unse/page/900/mode/2up?q=%22cloud-wrack%22" target="_blank">Source</a>)
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		<title>Tolkien, J.R.R. -- The Lord of the Rings, Vol. 1: The Fellowship of the Ring, Book 1, ch. 11 &#8220;A Knife in the Dark&#8221; [Sam] (1954)</title>
		<link>https://wist.info/tolkien-jrr/14596/</link>
		<comments>https://wist.info/tolkien-jrr/14596/#respond</comments>
		<pubDate>Tue, 10 May 2011 12:37:58 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Tolkien, J.R.R.]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[fall]]></category>
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		<description><![CDATA[Gil-galad was an Elven-king. Of him the harpers sadly sing: the last whose realm was fair and free between the Mountains and the Sea. His sword was long, his lance was keen, his shining helm afar was seen; the countless stars of heaven&#8217;s field were mirrored in his silver shield. But long ago he rode [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p><em>Gil-galad was an Elven-king.<br />
Of him the harpers sadly sing:<br />
the last whose realm was fair and free<br />
between the Mountains and the Sea.</em></p>
<p><em>His sword was long, his lance was keen,<br />
his shining helm afar was seen;<br />
the countless stars of heaven&#8217;s field<br />
were mirrored in his silver shield.</em></p>
<p><em>But long ago he rode away<br />
and where he dwelleth none can say;<br />
for into darkness fell his star<br />
in Mordor where the shadows are.</em></p>
<br><b>J.R.R. Tolkien</b> (1892-1973) English writer, fabulist, philologist, academic [John Ronald Reuel Tolkien]<br><i>The Lord of the Rings, Vol. 1: The Fellowship of the Ring</i>, Book 1, ch. 11 &#8220;A Knife in the Dark&#8221; [Sam] (1954) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://archive.org/details/fellowshipofring0000tolk_o5y1/page/180/mode/2up?q=%22gil-galad+was%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Sam says he was taught it by Bilbo, who claimed to have written it. Aragorn corrects him, saying it is part of a lay called "The Fall of Gil-galad," though Bilbo appears to have translated it from the Elvish.						</span>
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		<title>Rogers, Will -- Column (1923-06-10), &#8220;Weekly Article: Mr. Ford and Other Political Self-Starters&#8221; [No. 26]</title>
		<link>https://wist.info/rogers-will/8997/</link>
		<comments>https://wist.info/rogers-will/8997/#respond</comments>
		<pubDate>Wed, 18 Nov 2009 16:16:29 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Rogers, Will]]></category>
		<category><![CDATA[corruption]]></category>
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		<description><![CDATA[More men have been elected between Sundown and Sunup than were ever elected between Sunup and Sundown. Collected in The Illiterate Digest (1924).]]></description>
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			<content:encoded><![CDATA[<p>More men have been elected between Sundown and Sunup than were ever elected between Sunup and Sundown.</p>
<br><b>Will Rogers</b> (1879-1935) American humorist<br>Column (1923-06-10), &#8220;Weekly Article: Mr. Ford and Other Political Self-Starters&#8221; [No. 26] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Will_Rogers_Weekly_Articles_The_Harding/oT1bAAAAMAAJ?gbpv=1&bsq=%22sundown%20and%20sunup%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

<a href="https://www.google.com/books/edition/The_Illiterate_Digest/4YKnj4e6HTcC?hl=en&gbpv=1&bsq=%22sundown%20and%20sunup%22">Collected</a> in <i>The Illiterate Digest</i> (1924).

						</span>
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		<title>Fuller, Thomas (1608) -- A Pisgah-Sight of Palestine,  ii. xi (1650)</title>
		<link>https://wist.info/fuller-thomas-1608/7141/</link>
		<comments>https://wist.info/fuller-thomas-1608/7141/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 12:47:31 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Fuller, Thomas (1608)]]></category>
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		<description><![CDATA[It is always darkest just before the Day dawneth.]]></description>
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			<content:encoded><![CDATA[<p>It is always darkest just before the Day dawneth.</p>
<br><b>Thomas Fuller</b> (1608-1661) English churchman, historian<br><i>A Pisgah-Sight of Palestine</i>,  ii. xi (1650) 
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Straczynski, J. Michael "Joe" -- Babylon 5, 1&#215;13 &#8220;Signs and Portents&#8221; (8 May 1994)</title>
		<link>https://wist.info/straczynski-joe/6512/</link>
		<comments>https://wist.info/straczynski-joe/6512/#respond</comments>
		<pubDate>Mon, 17 Nov 2008 12:44:48 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Straczynski, J. Michael "Joe"]]></category>
		<category><![CDATA[awakening]]></category>
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		<description><![CDATA[IVANOVA: I&#8217;ve always had a hard time getting up when it&#8217;s dark outside. SINCLAIR: But in space, it&#8217;s always dark. IVANOVA: I know. I know.]]></description>
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			<content:encoded><![CDATA[<p>IVANOVA: I&#8217;ve always had a hard time getting up when it&#8217;s dark outside.<br />
SINCLAIR: But in space, it&#8217;s always dark.<br />
IVANOVA: I know. I know.</p>
<br><b>J. Michael (Joe) Straczynski</b> (b. 1954) American screenwriter, producer, author [a/k/a "JMS"]<br><i>Babylon 5</i>, 1&#215;13 &#8220;Signs and Portents&#8221; (8 May 1994) 
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		<title>Nietzsche, Friedrich -- Jenseits von Gut und Böse [Beyond Good and Evil], Aphorism 146 (1886) [tr. Hollingdale (1973, 1990)]</title>
		<link>https://wist.info/nietzsche-friedrich/5952/</link>
		<comments>https://wist.info/nietzsche-friedrich/5952/#respond</comments>
		<pubDate>Tue, 10 Jun 2008 10:27:53 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Nietzsche, Friedrich]]></category>
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		<description><![CDATA[He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss, the abyss gazes also into you. [Wer mit Ungeheuern kämpft, mag zusehn, dass er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss, the abyss gazes also into you.</p>
<p><em>[Wer mit Ungeheuern kämpft, mag zusehn, dass er nicht dabei zum Ungeheuer wird. Und wenn du lange in einen Abgrund blickst, blickt der Abgrund auch in dich hinein.]</em></p>
<br><b>Friedrich Nietzsche</b> (1844-1900) German philosopher and poet<br><i>Jenseits von Gut und Böse [Beyond Good and Evil]</i>, Aphorism 146 (1886) [tr. Hollingdale (1973, 1990)] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Beyond_Good_and_Evil/pQqWigp1pv0C?hl=en&gbpv=1&bsq=146" target="_blank">Source</a>)
										<br><br><span class="cite">
						

Alternate translations:<br><br>

<blockquote>He who fights with monsters should be careful lest he thereby becomes a monster. And if thou gaze long into an abyss, the abyss will also gaze into thee.<br>
[tr. <a href="https://en.wikisource.org/wiki/Beyond_Good_and_Evil/Chapter_IV#:~:text=He%20who%20fights%20with%20monsters%20should%20be%20careful%20lest%20he%20thereby%20become%20a%20monster.%20And%20if%20thou%20gaze%20long%20into%20an%20abyss%2C%20the%20abyss%20will%20also%20gaze%20into%20thee.">Zimmern</a> (1906)] </blockquote><br>

<blockquote>Whoever fights monsters should see to it that in the process he does not become a monster. And when you look long into an abyss, the abyss also looks into you.<br>
[tr. <a href="https://www.google.com/books/edition/Beyond_Good_and_Evil/P_xvDwAAQBAJ?hl=en&gbpv=1&dq=nietzsche%20%22beyond%20good%20and%20evil%22&pg=PR12&printsec=frontcover&bsq=%22whoever%20fights%20monsters%22">Kaufmann</a> (1966)]</blockquote><br>


						</span>
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		<title>King, Martin Luther -- Where Do We Go from Here: Chaos or Community? (1967)</title>
		<link>https://wist.info/king-martin-luther/5635/</link>
		<comments>https://wist.info/king-martin-luther/5635/#respond</comments>
		<pubDate>Wed, 13 Feb 2008 10:34:17 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[King, Martin Luther]]></category>
		<category><![CDATA[darkness]]></category>
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		<description><![CDATA[The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you may murder the hater, but you do not [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you may murder the hater, but you do not murder hate. In fact, violence merely increases hate. So it goes. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate: only love can do that.</p>
<br><b>Martin Luther King, Jr.</b> (1929-1968) American clergyman, civil rights leader, social activist, preacher<br><i>Where Do We Go from Here: Chaos or Community?</i> (1967) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://www.google.com/books/edition/Where_Do_We_Go_from_Here/ka4TcURYXy4C?hl=en&gbpv=1&bsq=%22ultimate%20weakness%20of%20violence%22&pg=PT4&printsec=frontcover" target="_blank">Source</a>)
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		<title>Goethe, Johann von -- Gotz von Berlichingen, I, 24 (1773)</title>
		<link>https://wist.info/goethe-johann/4897/</link>
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		<pubDate>Tue, 06 Jul 2004 22:02:33 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Goethe, Johann von]]></category>
		<category><![CDATA[contrast]]></category>
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		<description><![CDATA[Where there is much light, the shadows are deepest. [Wo viel Licht is, ist starker Schatten.]]]></description>
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			<content:encoded><![CDATA[<p>Where there is much light, the shadows are deepest.</p>
<p><em>[Wo viel Licht is, ist starker Schatten.]</em></p>
<br><b>Johann Wolfgang von Goethe</b> (1749-1832) German poet, statesman, scientist<br><i>Gotz von Berlichingen</i>, I, 24 (1773) 
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		<title>Shakespeare, William -- Twelfth Night, Act 4, sc. 2, l.  44 (4.2.44) (1601)</title>
		<link>https://wist.info/shakespeare-william/3539/</link>
		<comments>https://wist.info/shakespeare-william/3539/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[ignorance]]></category>
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		<description><![CDATA[FOOL: There is no darkness but ignorance.]]></description>
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			<content:encoded><![CDATA[<p>FOOL: There is no darkness but ignorance.</p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Twelfth Night</i>, Act 4, sc. 2, l.  44 (4.2.44) (1601) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/twelfth-night/entire-play/#:~:text=there%20is%20no%20darkness,%C2%A0but%20ignorance" target="_blank">Source</a>)
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		<title>Holmes, Oliver Wendell, Sr. -- Article (1858-04), &#8220;The Autocrat of the Breakfast-Table,&#8221; Atlantic Monthly</title>
		<link>https://wist.info/holmes-sr-oliver-wendell/1935/</link>
		<comments>https://wist.info/holmes-sr-oliver-wendell/1935/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Holmes, Oliver Wendell, Sr.]]></category>
		<category><![CDATA[bigotry]]></category>
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		<description><![CDATA[I made a comparison at table some time since, which has often been quoted, and received many compliments. It was that of the mind of a bigot to the pupil of the eye; the more light you pour on it, the more it contracts. Often trimmed/paraphrased to &#8220;The mind of a bigot is like the [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>I made a comparison at table some time since, which has often been quoted, and received many compliments. It was that of the mind of a bigot to the pupil of the eye; the more light you pour on it, the more it contracts. </p>
<br><b>Oliver Wendell Holmes, Sr.</b> (1809-1894) American poet, essayist, scholar<br>Article (1858-04), &#8220;The Autocrat of the Breakfast-Table,&#8221; <i>Atlantic Monthly</i> 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/The_Atlantic_Monthly/Volume_1/Number_6/The_Autocrat_of_the_Breakfast-Table#:~:text=the%20mind%20of%20a%20bigot%20to%20the%20pupil%20of%20the%20eye%3B%20the%20more%20light%20you%20pour%20on%20it%2C%20the%20more%20it%20contracts." target="_blank">Source</a>)
										<br><br><span class="cite">
						

Often trimmed/paraphrased to "The mind of a bigot is like the pupil of the eye; the more light you pour upon it, the more it will contract." Frequently misattributed to his son, Oliver Wendell Holmes, Jr.<br><br>

The Autocrat himself correctly comments that <a href="https://archive.org/details/in.ernet.dli.2015.24573/page/n547/mode/2up?q=pupil">a similar phrase appears</a> in Thomas Moore, Preface to the poems "Corruption" and "Intolerance": <br><br>

<blockquote>The minds of some of our statesmen, like the pupil of the human eye, contract themselves the more the stronger light there is shed upon them.</blockquote><br>

The Autocrat goes on to note, "When a person of fair character for literary honesty uses an image such as another has employed before him, the presumption is, that he has struck upon it independently, or unconsciously recalled it, supposing it his own."<br><br>

<a href="https://www.google.com/books/edition/The_Breakfast_table_Series/hORDAAAAYAAJ?hl=en&gbpv=1&bsq=%22bigot%20to%20the%20pupil%22">Collected</a> in <i>The Autocrat of the Breakfast Table</i>, ch. 6 (1858)<br><br>						</span>
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		<title>Plutarch -- Morals [Moralia], &#8220;Conjugal Precepts&#8221; #46</title>
		<link>https://wist.info/plutarch/3179/</link>
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		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Plutarch]]></category>
		<category><![CDATA[alike]]></category>
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		<description><![CDATA[When the candles are out, all women are fair. Alt. trans.: &#8220;All women are alike when the lamp is put out.&#8221;]]></description>
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			<content:encoded><![CDATA[<p>When the candles are out, all women are fair.</p>
<br><b>Plutarch</b> (AD 46-127) Greek historian, biographer, essayist [Mestrius Plutarchos]<br><i>Morals [Moralia],</i> &#8220;Conjugal Precepts&#8221; #46 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="http://www.gutenberg.org/files/23639/23639-h/23639-h.htm#Page_70" target="_blank">Source</a>)
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Alt. trans.: "All women are alike when the lamp is put out."


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