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		<title>Horace -- Epistles [Epistularum, Letters], Book 2, ep.  3 &#8220;Art of Poetry [Ars Poetica; To the Pisos],&#8221; l.  99ff (2.3.99-100) (19 BC) [tr. Palmer Bovie (1959)]</title>
		<link>https://wist.info/horace/83176/</link>
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		<pubDate>Fri, 03 Apr 2026 19:00:43 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Horace]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[charm]]></category>
		<category><![CDATA[craft]]></category>
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		<description><![CDATA[It isn&#8217;t enough for poems to be things of beauty: Let them stun the hearer and lead his heart where they will. [Non satis est pulchra esse poemata; dulcia sunto Et, quocumque uolent, animum auditoris agunto.] One of the most famous lines in the Ars Poetica. (Source (Latin)). Other translations: Not lore enough in Poesis, [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>It isn&#8217;t enough for poems to be things of beauty:<br />
Let them <span style="font-variant: small-caps;">stun</span> the hearer and lead his heart where they will.</p>
<p><em>[Non satis est pulchra esse poemata; dulcia sunto<br />
Et, quocumque uolent, animum auditoris agunto.]</em></p>
<br><b>Horace</b> (65–8 BC) Roman poet, satirist, soldier, politician [Quintus Horatius Flaccus]<br><i>Epistles [Epistularum, Letters]</i>, Book 2, ep.  3 &#8220;Art of Poetry <i>[Ars Poetica;</i> To the Pisos],&#8221; l.  99ff (2.3.99-100) (19 BC) [tr. Palmer Bovie (1959)] 
						<br><br><span class="cite">
						

One of the most famous lines in the <em>Ars Poetica</em>.<br><br>

(<a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0064%3Acard%3D99#:~:text=non%20satis%20est,auditoris%20agunto.">Source (Latin)</a>). Other translations:<br><br>

<blockquote>Not lore enough in Poesis, let them be sweetlye fynde,<br>
And let them leade to where them liste the hearers plyante mynde.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo/A03670.0001.001/1:6?rgn=div1;view=fulltext#:~:text=Not%20lore%20enough,hearers%20plyante%20mynde.">Drant</a> (1567)]</blockquote><br>

<blockquote>Tis not enough the labouring Muse affords<br>
Her Poëms beauty, but a sweet delight,<br>
To worke the hearers minds, still to the plight.<br>
[tr. <a href="https://quod.lib.umich.edu/e/eebo2/B14092.0001.001/1:9?rgn=div1;view=fulltext#:~:text=Tis%20not%20enough,to%20the%20plight.">Jonson</a> (1640); l. 140ff]</blockquote><br>

<blockquote>He that would have Spectators share his Grief,<br>
Must write not only well, but movingly,<br>
And raise Mens Passions to what height he will.<br>
[tr. <a href="https://en.wikisource.org/wiki/Horace%27s_Art_of_Poetry_(1680,_Roscommon)/Of_the_Art_of_Poetry#:~:text=He%20that%20would,height%20he%20will">Roscommon</a> (1680)]</blockquote><br>

<blockquote>'Tis not enough, ye writers, that ye charm<br>
With ease and elegance; a play should warm<br>
With soft concernment; should possess the soul,<br>
And, as it wills, the listening crowd controul.<br>
[tr. <a href="https://archive.org/details/satiresepistlesi00hora/page/282/mode/2up?q=%22enough+ye+writers%22">Francis</a> (1747)]</blockquote><br>

<blockquote>'Tis not enough that Plays are polish'd, chaste,<br>
Or trickt in all the harlotry of taste,<br>
They must have <i>passion</i> too; beyond controul<br>
Transporting where they please the hearer's soul.<br>
[tr. <a href="https://www.gutenberg.org/cache/epub/9175/pg9175-images.html#:~:text=%27Tis%20not%20enough%20that%20Plays%20are%20polish%27d%2C%20chaste%2C%0A%C2%A0%C2%A0Or%20trickt%20in%20all%20the%20harlotry%20of%20taste%2C%0A%C2%A0%C2%A0They%20must%20have%20passion%20too%3B%20beyond%20controul%0A%C2%A0%C2%A0Transporting%20where%20they%20please%20the%20hearer%27s%20soul.">Coleman</a> (1783)]</blockquote><br>


<blockquote>It is not enough for poems to be fine; they must charm, and draw the mind of the listener at will.<br>
[tr. <a href="https://archive.org/details/completeworksofh0000casp_g2w3/page/400/mode/2up?q=%22poems+to+be+fine%22">Blakeney</a> (1828)]</blockquote><br>


<blockquote>'Tis not enough that poetry combine<br>
All fancy's charms in every sounding line:<br>
Empassion'd let her be, and melt at will<br>
The soul to pity or with horror thrill.<br>
[tr. <a href="https://www.google.com/books/edition/The_Epodes_Satires_and_Epistles_of_Horac/TPgDAAAAQAAJ?hl=en&gbpv=1&bsq=%22poetry%20combine%22">Howes</a> (1845)]</blockquote><br>

<blockquote>It is not enough that poems be beautiful; let them be tender and affecting, and bear away the soul of the auditor whithersoever they please. <br>
[tr. <a href="https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.02.0065%3Acard%3D99#:~:text=It%20is%20not%20enough%20that%20poems%20be%20beautiful%3B1%20let%20them%20be%20tender%20and%20affecting%2C%20and%20bear%20away%20the%20soul%20of%20the%20auditor%20whithersoever%20they%20please.">Smart/Buckley</a> (1853)] </blockquote><br>

<blockquote>Mere grace is not enough: a play should thrill<br>
The hearer's soul, and move it at its will.<br>
[tr. <a href="https://en.wikisource.org/wiki/The_Satires,_Epistles_%26_Art_of_Poetry_of_Horace/Ars_Poetica#:~:text=Mere%20grace%20is,at%20its%20will.">Conington</a> (1874)]</blockquote><br>

<blockquote>Fine things won't make a drama: it must thrill <br>
The hearers' souls, and sway them at its will.<br>
[tr. <a href="https://archive.org/details/worksofhorace02horauoft/page/380/mode/2up?q=%22fine+things+won%27t%22">Martin</a> (1881)]</blockquote><br>

<blockquote>Nor is it enough that poems possess beauty in the construction. They must please and, in whatsoever direction they will, send there the feelings of the auditors.<br>
[tr. <a href="https://www.google.com/books/edition/The_Works_of_Horace/-f8pAAAAYAAJ?hl=en&gbpv=1&bsq=%22possess%20beauty%22">Elgood</a> (1893)]  </blockquote><br>

<blockquote>Not enough is it for poems to have beauty: they must have charm, and lead the hearer's soul where they will.<br>
[tr. <a href="https://archive.org/details/satiresepistlesa00horauoft/page/458/mode/2up?q=%22poems+to+have%22">Fairclough</a> (Loeb) (1926)]</blockquote><br>

<blockquote>It isn't enough to make lines pretty; they must move,<br>
and affect the hearer's soul exactly as the poet wants.<br>
[tr. <a href="https://archive.org/details/horacessatiresep0000hora/page/86/mode/2up?q=%22make+lines+pretty%22">Fuchs</a> (1977)]</blockquote><br>

<blockquote>Poems (oh)<br>
<span class="tab">can be (oh)<br>
<span class="tab"><span class="tab">so <i>beautiful</i><br>
And (oh) so dull.<br>
Poets need charm, too, to seduce our minds.<br>
[tr. <a href="https://archive.org/details/essentialhoraceo0000hora/page/242/mode/2up?q=%22poems+oh+can%22">Raffel</a> (1983 ed.)]</blockquote><br>

<blockquote>Sheer abstract beauty isn't enough in a poem;<br>
Its language must so persuade the listener<br>
And act upon his soul that he'll respond<br>
As the poem intends.<br>
[tr. <a href="https://archive.org/details/epistlesofhorace0000hora/page/158/mode/2up?q=%22sheer+abstract%22">Ferry</a> (2001)] </blockquote><br>

<blockquote>Correctness is not enough in a poem; it must be attractive,<br>
leading the listener's emotions in whatever way it wishes.<br>
[tr. <a href="https://archive.org/details/satiresofhoracep00hora/page/122/mode/2up?q=%22correctness+is%22">Rudd</a> (2005 ed.)]</blockquote><br>

<blockquote>It’s not enough for poems to have beauty: they must have<br>
Charm, leading their hearer’s heart wherever they wish.<br>
[tr. <a href="https://www.poetryintranslation.com/PITBR/Latin/HoraceArsPoetica.php#anchor_Toc98156242:~:text=It%E2%80%99s%20not%20enough,wherever%20they%C2%A0wish.">Kline</a> (2015)]</blockquote><br>						</span>
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		<title>Wilcox, Ella Wheeler -- Poem (1906), &#8220;The Word,&#8221; st. 2, New Thought Pastels</title>
		<link>https://wist.info/wilcox-ella-wheeler/73357/</link>
		<comments>https://wist.info/wilcox-ella-wheeler/73357/#respond</comments>
		<pubDate>Wed, 11 Dec 2024 18:00:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Wilcox, Ella Wheeler]]></category>
		<category><![CDATA[emotion]]></category>
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		<description><![CDATA[You may choose your word like a connoisseur, And polish it up with art, But the word that sways, and stirs, and stays, Is the word that comes from the heart.]]></description>
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			<content:encoded><![CDATA[<p>You may choose your word like a connoisseur,<br />
<span class="tab">And polish it up with art,<br />
But the word that sways, and stirs, and stays,<br />
<span class="tab">Is the word that comes from the heart.</p>
<br><b>Ella Wheeler Wilcox</b> (1850–1919) American author, poet, temperance advocate, spiritualist<br>Poem (1906), &#8220;The Word,&#8221; st. 2, <i>New Thought Pastels</i> 
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		<title>Chesterfield (Lord) -- Letter to his son, #155 (1 Jul 1748)</title>
		<link>https://wist.info/chesterfield-lord/56454/</link>
		<comments>https://wist.info/chesterfield-lord/56454/#respond</comments>
		<pubDate>Mon, 10 Oct 2022 16:48:22 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chesterfield (Lord)]]></category>
		<category><![CDATA[courtesy]]></category>
		<category><![CDATA[knowledge]]></category>
		<category><![CDATA[manners]]></category>
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		<description><![CDATA[But remember, that manners must adorn knowledge, and smooth its way through the world. Like a great rough diamond, it may do very well in a closet by way of curiosity, and also for its intrinsic value; but it will never be worn, nor shine, if it is not polished.]]></description>
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			<content:encoded><![CDATA[<p>But remember, that manners must adorn knowledge, and smooth its way through the world. Like a great rough diamond, it may do very well in a closet by way of curiosity, and also for its intrinsic value; but it will never be worn, nor shine, if it is not polished.</p>
<br><b>Lord Chesterfield</b> (1694–1773) English statesman, wit [Philip Dormer Stanhope]<br>Letter to his son, #155 (1 Jul 1748) 
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		<title>Chesterfield (Lord) -- Letter to his son, #118 (6 Mar 1747)</title>
		<link>https://wist.info/chesterfield-lord/28268/</link>
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		<pubDate>Mon, 09 Feb 2015 14:28:51 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Chesterfield (Lord)]]></category>
		<category><![CDATA[appearance]]></category>
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		<description><![CDATA[Virtue and learning, like gold, have their intrinsic value: but if they are not polished, they certainly lose a great deal of their lustre; and even polished brass will pass upon more people than rough gold.]]></description>
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			<content:encoded><![CDATA[<p>Virtue and learning, like gold, have their intrinsic value: but if they are not polished, they certainly lose a great deal of their lustre; and even polished brass will pass upon more people than rough gold. </p>
<br><b>Lord Chesterfield</b> (1694–1773) English statesman, wit [Philip Dormer Stanhope]<br>Letter to his son, #118 (6 Mar 1747) 
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		<title>Michelangelo -- (Attributed)</title>
		<link>https://wist.info/michelangelo/2811/</link>
		<comments>https://wist.info/michelangelo/2811/#respond</comments>
		<pubDate>Sun, 01 Feb 2004 16:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Michelangelo]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[details]]></category>
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		<category><![CDATA[perfection]]></category>
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		<category><![CDATA[trifle]]></category>

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		<description><![CDATA[Trifles make perfection, and perfection is no trifle. The first appearance of this attribution is in C. C. Colton, Lacon: Or, Many Things in Few Words, Vol. 1, § 168 (1820), with no citation as to where he found it (if he did not make it up himself).]]></description>
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			<content:encoded><![CDATA[<p>Trifles make perfection, and perfection is no trifle.</p>
<br><b>Michelangelo</b> (1475–1564) Italian artist, architect, poet [Michelangelo di Lodovico Buonarroti Simoni]<br>(Attributed) 
						<br><br><span class="cite">
						

The first appearance of this attribution is in <a href="https://wist.info/author/colton-charles-caleb/">C. C. Colton</a>, <em><a href="https://www.google.com/books/edition/Lacon_Or_Many_Things_in_Few_Words/PHMlAAAAMAAJ?hl=en&gbpv=1&bsq=trifle">Lacon: Or, Many Things in Few Words,</em> Vol. 1, § 168</a> (1820), with no citation as to where he found it (if he did not make it up himself).


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