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	<title>WIST Quotations</title>
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		<title>Howell, James -- Paroimiographia [Παροιμιογραφία]: Proverbs, or, Old Sayed Sawes &#038; Adages, &#8220;English Proverbs&#8221; (1659) [compiler]</title>
		<link>https://wist.info/howell-james/83382/</link>
		<comments>https://wist.info/howell-james/83382/#respond</comments>
		<pubDate>Wed, 15 Apr 2026 17:20:34 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Howell, James]]></category>
		<category><![CDATA[cruelty]]></category>
		<category><![CDATA[cutting]]></category>
		<category><![CDATA[fighting words]]></category>
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		<description><![CDATA[Words cutt more than swords. A common proverbial concept before and after. See also the Bible, Shakespeare (1590), Shakespeare (1598), Herbert (1640), Franklin (1744), Irving (1820), Lowell (1914), Sarton (1973), Fry (1997), Ginott (2003).]]></description>
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			<content:encoded><![CDATA[<p>Words cutt more than swords.</p>
<br><b>James Howell</b> (c. 1594–1666) Welsh historian and writer<br><i>Paroimiographia [Παροιμιογραφία]: Proverbs, or, Old Sayed Sawes &#038; Adages</i>, &#8220;English Proverbs&#8221; (1659) [compiler] 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://babel.hathitrust.org/cgi/pt?id=njp.32101037070743&seq=639&q1=%22vvORDS+cutt%22" target="_blank">Source</a>)
										<br><br><span class="cite">
						

A common proverbial concept before and after.  See also the <a href="https://wist.info/bible-ot/5926/">Bible</a>, <a href="https://wist.info/shakespeare-william/37567/">Shakespeare</a> (1590), <a href="https://wist.info/shakespeare-william/21110/">Shakespeare</a> (1598), <a href="https://wist.info/herbert-george/36229/">Herbert</a> (1640), <a href="https://wist.info/franklin-benjamin/35980/">Franklin</a> (1744), <a href="https://wist.info/irving-washington/36292/">Irving</a> (1820), <a href="https://wist.info/lowell-amy/37423/">Lowell</a> (1914), <a href="https://wist.info/sarton-may/49502/">Sarton</a> (1973), <a href="https://wist.info/fry-stephen/64144/">Fry</a> (1997), <a href="https://wist.info/ginott-haim/68361/">Ginott</a> (2003).






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		<title>Malory, Thomas -- Le Morte d&#8217;Arthur, Book  1, ch. 25 (1485)</title>
		<link>https://wist.info/malory-thomas/43232/</link>
		<comments>https://wist.info/malory-thomas/43232/#respond</comments>
		<pubDate>Tue, 15 Sep 2020 14:16:23 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Malory, Thomas]]></category>
		<category><![CDATA[Excalibur]]></category>
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		<description><![CDATA[So they rode till they came to a lake, the which was a fair water and broad, and in the midst of the lake Arthur was ware of an arm clothed in white samite, that held a fair sword in that hand.]]></description>
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			<content:encoded><![CDATA[<p>So they rode till they came to a lake, the which was a fair water and broad, and in the midst of the lake Arthur was ware of an arm clothed in white samite, that held a fair sword in that hand.</p>
<br><b>Thomas Malory</b> (c. 1415-1471) English writer<br><i>Le Morte d&#8217;Arthur</i>, Book  1, ch. 25 (1485) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Le_Morte_d%27Arthur/Volume_I/Book_I/Chapter_XXV#CHAPTER_XXV:~:text=So%20they%20rode%20till%20they%20came,a%20fair%20sword%20in%20that%20hand." target="_blank">Source</a>)
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                <!-- DCH Modify the title to give the category (quote author) at the beginning of it. -->
		<title>Malory, Thomas -- Le Morte d&#8217;Arthur, Book  1, ch.  5 (1485)</title>
		<link>https://wist.info/malory-thomas/43054/</link>
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		<pubDate>Tue, 01 Sep 2020 14:25:07 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Malory, Thomas]]></category>
		<category><![CDATA[king]]></category>
		<category><![CDATA[prophecy]]></category>
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		<description><![CDATA[And when matins and the first mass was done, there was seen in the churchyard, against the high altar, a great stone four square, like unto a marble stone; and in midst thereof was like an anvil of steel a foot on high, and therein stuck a fair sword naked by the point, and letters [&#8230;]]]></description>
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			<content:encoded><![CDATA[<p>And when matins and the first mass was done, there was seen in the churchyard, against the high altar, a great stone four square, like unto a marble stone; and in midst thereof was like an anvil of steel a foot on high, and therein stuck a fair sword naked by the point, and letters there were written in gold about the sword that said thus:—Whoso pulleth out this sword of this stone and anvil, is rightwise king born of all England. </p>
<br><b>Thomas Malory</b> (c. 1415-1471) English writer<br><i>Le Morte d&#8217;Arthur</i>, Book  1, ch.  5 (1485) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://en.wikisource.org/wiki/Le_Morte_d%27Arthur/Volume_I/Book_I/Chapter_V#CHAPTER_V:~:text=And%20when%20matins%20and%20the%20first,rightwise%20king%20born%20of%20all%20England." target="_blank">Source</a>)
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		<title>Brust, Steven -- The Paths of the Dead (2002)</title>
		<link>https://wist.info/brust-steven/36514/</link>
		<comments>https://wist.info/brust-steven/36514/#respond</comments>
		<pubDate>Fri, 17 Mar 2017 19:24:39 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Brust, Steven]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[enjoyment]]></category>
		<category><![CDATA[literary theory]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[reader]]></category>
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		<description><![CDATA[The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what&#8217;s cool. And that works all the way from the external trappings to the level of metaphor, subtext, and the [&#8230;]]]></description>
        <!-- DCH Insert author info (category description) then (Source) and then put the extra info (MORE) below that. -->
			<content:encoded><![CDATA[<p>The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what&#8217;s cool. And that works all the way from the external trappings to the level of metaphor, subtext, and the way one uses words. In other words, I happen not to think that full-plate armor and great big honking greatswords are cool. I don&#8217;t like &#8217;em. I like cloaks and rapiers. So I write stories with a lot of cloaks and rapiers in &#8217;em, &#8217;cause that&#8217;s cool.</p>
<br><b>Steven Brust</b> (b. 1955) American writer, systems programmer<br><i>The Paths of the Dead</i> (2002) 
														<br><br><span class="cite">
						

In the essay "Some Notes Toward Two Analyses of Auctorial Method and Voice" by Teresa Nielsen Hayden.						</span>
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		<title>Shakespeare, William -- Hamlet, Act 2, sc. 2, l. 366ff (2.2.366) (c. 1600)</title>
		<link>https://wist.info/shakespeare-william/3537/</link>
		<comments>https://wist.info/shakespeare-william/3537/#comments</comments>
		<pubDate>Sun, 01 Feb 2004 19:00:00 +0000</pubDate>
		<dc:creator>Dave</dc:creator>
				<category><![CDATA[Shakespeare, William]]></category>
		<category><![CDATA[force]]></category>
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		<description><![CDATA[ROSENCRANTZ: Many wearing rapiers are afraid of goosequills.]]></description>
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			<content:encoded><![CDATA[<p>ROSENCRANTZ: Many wearing rapiers are afraid of goosequills.</p>
<br><b>William Shakespeare</b> (1564-1616) English dramatist and poet<br><i>Hamlet</i>, Act 2, sc. 2, l. 366ff (2.2.366) (c. 1600) 
									<br>&nbsp;&nbsp;&nbsp;&nbsp;(<a href="https://shakespeare.folger.edu/shakespeares-works/hamlet/entire-play/#:~:text=many%20wearing%20rapiers%20are%20afraid%0A%C2%A0of%20goose%20quills" target="_blank">Source</a>)
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