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Splash page of All Star Comics #8 (Dec/Jan 1941/42)At last, in a world torn by the hatred and wars of men, appears a woman to whom the problems and feats of men are mere child’s play — a woman whose identity is known to none, but whose sensational feats are outstanding in a fast-moving world! With a hundred times the agility and strength of our best male athletes and strongest wrestlers, she appears as though from nowhere to avenge an injustice or right a wrong! As lovely as Aphrodite — as wise as Athena — with the speed of Mercury and the strength of Hercules — she is known only as Wonder Woman, but who she is, or whence she came, nobody knows!
William Moulton Marston (1893-1947) American psychologist, writer [pen name Charles Moulton]
“Introducing Wonder Woman,” All Star Comics #8 (25 Oct 1941) [with artist Harry G. Peter]
First appearance of the comic book character Wonder Woman.
In the end, I saw Superman not as a superhero or even a science fiction character, but as a story of Everyman. We’re all Superman in our own adventures. We have our own Fortresses of Solitude we retreat to, with our own special collections of valued stuff, our own super-pets, our own Bottle Cities that we feel guilty for neglecting. We have our own peers and rivals and bizarre emotional or moral tangles to deal with.
Grant Morrison (b. 1960) Scottish comic book writer and playwright
“All Star Memories: Grant Morrison on All Star Superman, Part 1,” Interview with Zack Smith, Newsarama.com (21 Oct 2008)
(Source)
This is a purely a personal bias but the desire to compel fantasy worlds to conform to the allegedly superior rules of grim reality can feel to me like a form of memetic colonialism I’ve generally found distasteful ….
Grant Morrison (b. 1960) Scottish comic book writer and playwright
“SUPERMAN and THE AUTHORITY annotations Pt 2,” blog entry (16 Feb 2022)
(Source)
Using Superman’s greatest vulnerability against him — that he is powerless to resist how he is written — to deliberately misrepresent the intentions of his creators or portray him in a way that would best suit some other character strikes me as an oddly blinkered refusal on the part of otherwise imaginative people to even try to conceive what might go on in the mind and motivations of a fictional paragon created to do the right thing with no thought for his own safety.
Grant Morrison (b. 1960) Scottish comic book writer and playwright
“SUPERMAN and THE AUTHORITY annotations Pt 2,” blog entry (16 Feb 2022)
(Source)
I questioned the desire to attribute the worst aspects of human behaviour to characters whose only useful function, as I see it, aside from simply entertaining young people and anyone else who fancies an uplifting holiday in a storybook world far from the grinding monotony of pessimism and disillusion, is to provide a primary-coloured cartoon taste of how we all might be if we had the wit and the will and the self-sacrifice it takes to privilege our best selves and loftiest aspirations over our base instincts. While that great day is unlikely to happen any time soon in any halfway-familiar real world, why not let comic book universes be playgrounds for the kind of utopian impulses that have in the past brought out the best in us?
Grant Morrison (b. 1960) Scottish comic book writer and playwright
“SUPERMAN and THE AUTHORITY annotations Pt 2,” blog entry (16 Feb 2022)
(Source)
To undermine the fundamental appeal of superheroes like Superman and Supergirl by re-casting them as anti-heroes at best or outright monsters — dragging imaginary childhood paragons off their pedestals to reinforce a fairly facile point about the tendency of real world heroes to exhibit feet of clay — struck me and strikes me still as imaginatively lazy.
Grant Morrison (b. 1960) Scottish comic book writer and playwright
“SUPERMAN and THE AUTHORITY annotations Pt 2,” blog entry (16 Feb 2022)
(Source)
I think any argument that states that comics (or radio or film or a musical or the novel or insert your favourite medium here…) by its nature trivialises its subject matter is foolish, shortsighted, dim, lazy and wrong. You can say, “This is a bad comic.” You can’t say, “This is bad because it’s a comic.”
Neil Gaiman (b. 1960) British author, screenwriter, fabulist
Blog entry (2008-02-21), “Coraline Trailer”
(Source)
CALVIN: I’ve noticed that comic book superheroes usually fight evil maniacs with grandiose plans to destroy the world. Why don’t superheroes go after more subtle, realistic bad guys?
HOBBES: Yeah, the superhero could attend council meetings and write letters to the editor, and stuff.
CALVIN: Hmmm … I think I see the problem.
HOBBES: “Quick! To the Bat-Fax!”
Bill Watterson (b. 1958) American cartoonist Calvin and Hobbes (1992-11-08)
(Source)
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