When censorship intrudes on art, it becomes the subject; the art becomes “censored art,” and that is how the world sees and understands it. The censor labels the work immoral, or blasphemous, or pornographic, or controversial, and those words are forever hung like albatrosses around the necks of those cursed mariners, the censored works. The attack on the work does more than define the work; in a sense, for the general public, it becomes the work.
Quotations about:
framing
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Defenceless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification. Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers. People are imprisoned for years without trial, or shot in the back of the neck or sent to die of scurvy in Arctic lumber camps: this is called elimination of unreliable elements. Such phraseology is needed if one wants to name things without calling up mental pictures of them.
George Orwell (1903-1950) English journalist, essayist, writer [pseud. of Eric Arthur Blair]
Essay (1946-04), “Politics and the English Language,” Horizon Magazine
(Source)
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
One would expect people to remember the past and to imagine the future. But in fact, when discoursing or writing about history, they imagine it in terms of their own experience, and when trying to gauge the future they cite supposed analogies from the past: till, by a double process of repetition, they imagine the past and remember the future.
Lewis B. Namier (1888-1960) Polish-British historian
“Symmetry and Repetition” (1941), Conflicts: Studies in Contemporary History (1942)
A problem well stated is a problem half-solved.
Charles F. Kettering (1876-1958) American inventor, engineer, researcher, businessman
(Attributed)
Sometimes attributed to John Dewey.
Don’t let them tell us stories. Don’t let them say of the man sentenced to death “He is going to pay his debt to society,” but: “They are going to cut off his head.” It looks like nothing. But it does make a little difference.
Albert Camus (1913-1960) Algerian-French novelist, essayist, playwright
“Entre oui et non,” in L’Envers et l’endroit (1937)
Translated as "Between Yes and No", in World Review (Mar 1950).
