History proves there is no better advertisement for a book than to condemn it for obscenity. Forbidden fruits have unique flavors, and the bounds of suppression create new limits of desire.
Holbrook Jackson (1874-1948) English journalist, editor, author
The Fear of Books, Part 2, ch. 1 (1932)
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And the worst commercial of any, bar none, is the dramatized doctor-pitchman in a white medical coat who juggles test tubes and ponderously exhorts you to do what his “patients” do. Perhaps this is the natural evolution of the old traveling snake-oil shows, but then, at least, the hucksters did sleight of hand and a few buck-and-wings before launching into the pitch.
Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
Patterns, Introduction (1957)
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I don’t really believe there exists a “good” form of commercial. There are some that are less distasteful than others, but at best they’re intrusive. And even in the most absolutely palatable form, they thrust a cleaver into the overall effect of a television drama — and they do it three times during its all too brief playing, and even more during the 90-minute shows.
Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
Patterns, Introduction (1957)
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