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With St. Paul it is quite different. He is a saint without a luminous halo. His personal characteristics are too distinct and too human to make idealisation easy. For this reason he has never been the object of popular devotion. Shadowy figures like St. Joseph and St. Anne have been divinised and surrounded with picturesque legends; but St. Paul has been spared the honour or the ignominy of being coaxed and wheedled by the piety of paganised Christianity. No tender fairy-tales are attached to his cult; he remains for us what he was in the flesh. It is even possible to feel an active dislike for him.

William Ralph Inge (1860-1954) English prelate [Dean Inge]
“St. Paul” (1914), Outspoken Essays: First Series (1914)
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Added on 15-Jun-20 | Last updated 15-Jun-20
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DENNIS: Listen, strange women lyin’ in ponds distributin’ swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.

Monty Python (contemp.) British comedy troupe
Monty Python and the Holy Grail (1975)
Added on 13-May-16 | Last updated 13-May-16
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JOYCE: An artist is the magician put among men to gratify — capriciously — their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist’s touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships —– and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes — husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer.

Tom Stoppard (b. 1937) Czech-English playwright and screenwriter
Travesties. Act 1 (1974)

Stoppard called this "the most important" speech in the play.
Added on 3-Oct-14 | Last updated 3-Oct-14
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