- WIST is my personal collection of quotations, curated for thought, amusement, turn of phrase, historical significance, or sometimes just (often-unintentional) irony.
Please feel free to browse and borrow.
- 18,077 quotes and counting ...
Quote Search
Authors
Topic Cloud
action age America author beauty belief change character death democracy education ego error evil faith fear freedom future God government happiness history humanity integrity leadership liberty life love morality perspective politics power pride progress reality religion science society success truth virtue war wealth wisdom writing- I've been adding topics since 2014, so not all quotes have been given one. Full topic list.
WISTish
- * Visual quotes (graphics, memes) only
Popular Quotables
- “Wealth and Poverty,” speech, National… (8,066)
- Agamemnon, ll. 175-183 [tr. Johnston (2007)] (6,095)
- “The Lesson for Today,” A Witness Tree (1942) (5,985)
- “The Triumph of Stupidity” (10 May 1933) (5,160)
- Nobel prize acceptance speech (10 Dec 1962) (4,896)
- “On The Conduct of Life” (1822) (4,413)
- “In Search of a Majority,” Speech,… (3,955)
- “Get a Knife, Get a Dog, but Get Rid of… (3,766)
- Letter to Clara Rilke (1 Jan 1907) (3,640)
- “A Cult of Ignorance,” Newsweek (21 Jan 1980) (3,546)
Most Quoted Authors
Author Cloud
Adams, John • Bacon, Francis • Bible • Bierce, Ambrose • Billings, Josh • Butcher, Jim • Chesterfield (Lord) • Chesterton, Gilbert Keith • Churchill, Winston • Cicero, Marcus Tullius • Einstein, Albert • Eisenhower, Dwight David • Emerson, Ralph Waldo • Franklin, Benjamin • Fuller, Thomas (1654) • Gaiman, Neil • Galbraith, John Kenneth • Gandhi, Mohandas • Hazlitt, William • Heinlein, Robert A. • Hoffer, Eric • Huxley, Aldous • Ingersoll, Robert Green • Jefferson, Thomas • Johnson, Lyndon • Johnson, Samuel • Kennedy, John F. • King, Martin Luther • La Rochefoucauld, Francois • Lewis, C.S. • Lincoln, Abraham • Mencken, H.L. • Orwell, George • Pratchett, Terry • Roosevelt, Eleanor • Roosevelt, Theodore • Russell, Bertrand • Seneca the Younger • Shakespeare, William • Shaw, George Bernard • Stevenson, Adlai • Stevenson, Robert Louis • Twain, Mark • Watterson, Bill • Wilde, Oscar- Only the 45 most quoted authors are shown above. Full author list.
Recent Feedback
- 24-Feb-21 - "Mobs and Education," Speech, Twenty-Eighth Congregational Society, Boston (16 Dec 1860) | WIST on “The Boston Mob,” speech, Antislavery Meeting, Boston (21 Oct 1855).
- 22-Feb-21 - Letter (1860) | WIST on Areopagitica: a Speech for the Liberty of Unlicensed Printing (1644).
- 21-Feb-21 - "What I Believe," Forum and Century (Oct 1930) | WIST on Memoirs of William Miller, quoted in Life (2 May 1955).
- 21-Feb-21 - "What I Believe," Forum and Century (Oct 1930) | WIST on Letter, unsent (1927).
- 20-Feb-21 - "What I Believe," Forum and Century (Oct 1930) | WIST on Remark (Winter 1927).
- 13-Feb-21 - tweet: the case of anti-cytokine therapy for Covid-19 – Med-stat.info on “The Divine Afflatus,” New York Evening Mail (16 Nov 1917).
Recent Trackbacks
- "Mobs and Education," Speech, Twenty-Eighth Congregational Society, Boston (16 Dec 1860) | WIST: Phillips,...
- Letter (1860) | WIST: Andrew, John A.
- "What I Believe," Forum and Century (Oct 1930) | WIST: Einstein, Albert
- "What I Believe," Forum and Century (Oct 1930) | WIST: Einstein, Albert
- "What I Believe," Forum and Century (Oct 1930) | WIST: Einstein, Albert
Quotations about artist
Note that not all quotations have been tagged, so the Search function may find additional quotations on this topic.
Most artists, ashamed of their need for encouragement, try to carry their work to term like a secret pregnancy. … We bunker in with our projects, beleaguered by our loneliness and the terrible secret that we carry: We need friends to our art. We need them as desperately as friends to our hearts. Our projects, after all, are our brainchildren, and what they crave is a loving extended family, a place where “How’d it go today?” can refer to a turn at the keys or the easel as easily as a turn in the teller’s cage.”
Julia Cameron (b. 1948) American teacher, author, filmmaker, journalist
“Taking Heart,” The Sound of Paper (2005)
(Source)
The wretched Artist himself is alternatively the lowest worm that ever crawled when no fire is in him: or the loftiest God that ever sang when the fire is going.
Caitlin Thomas (1913-1994) British author, wife of Dylan Thomas [née Macnamara]
Not Quite Posthumous Letter to My Daughter (1963)
(Source)
Beauty, like truth and goodness, is a quality that may in one sense be predicated of all great art, but the deliberate attempt to beautify can, in itself, only weaken the creative energy. Beauty in art is like happiness in morals: it may accompany the act, but it cannot be the goal of the act, just as one cannot “pursue happiness,” but only something else that may give happiness.
Northrop Frye (1912-1991) Canadian literary critic and literary theorist
Anatomy of Criticism, “Mythical Phase: Symbol as Archetype” (1957)
(Source)
It is the artists who make the true value of the world, though at times they may have to starve to do it. They are like earthworms, turning up the soil so things can grow, eating dirt so that the rest of us may eat green shoots.
The writer’s only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the “Ode on a Grecian Urn” is worth any number of old ladies.
William Faulkner (1897-1962) American novelist
“The Art of Fiction,” Interview by Jean Stein, Paris Review #12 (Spring 1956)
(Source)
An artist is a creature driven by demons. He doesn’t know why they chose him and he’s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.
William Faulkner (1897-1962) American novelist
“The Art of Fiction,” Interview by Jean Stein, Paris Review #12 (Spring 1956)
(Source)
In relation to his public, the artist of to-day […] walks at first with his companions, till one day he falls through a hole in the brambles, and from that moment is following the dark rapids of an underground river which may sometimes flow so near the surface that the laughing picnic parties are heard above, only to re-immerse itself in the solitude of the limestone and carry him along its winding tunnel, until it gushes out through the misty creeper-hung cave which he has always believed to exist, and sets him back in the sun.
Cyril Connolly (1903-1974) English intellectual, literary critic and writer.
“Writers and Society, 1940-3” (1943), The Condemned Playground (1946)
(Source)
An artist cannot speak about his art any more than a plant can discuss horticulture.
If the artist does not throw himself into his work as Curtius sprang into the gulf, as a soldier leads a forlorn hope without a moment’s thought, and if when he is in the crater he does not dig as a miner does when the earth has fallen in on him; if he contemplates the difficulties before him instead of conquering them one by one, like the lovers in fairy tales, who to win their princesses overcome ever-new enchantments, the work remains incomplete; it perishes in the studio where creativeness becomes impossible, and the artist looks on the suicide of his own talent.
[Si l’artiste ne se précipite pas dans son oeuvre, comme Curtius dans le gouffre, comme le soldat dans la redoute, sans réfléchir; et si, sans ce cratère, il ne travaille pas comme le mineur enfoui sous un éboulement: s’il contemple enfin les difficultés au lieu de las vaincre une à une, à l’example de ces amoureux des féeries, qui pour obtenir leurs princesses, combattaient des enchantements renaissants, l’oeuvre reste inachevée, elle périt au fond de l’atelier où la production devient impossible, et l’artiste assiste au suicide de son talent.]
Honoré de Balzac (1799-1850) French novelist, playwright
Cousin Betty [La Cousine Bette] (1846) [tr. Waring (1899)]
(Source)
Curtius is the young Roman patrician, Marcus Curtius. In 362 BC, a chasm opened up in Rome's forum, and soothsayers proclaimed it could only be filled by Rome's greatest treasure. Curtius mounted his horse and leapt into the chasm, which then closed over him.
Alt. trans.:
- "If the artist does not throw himself into his work, like Curtius into the gulf beneath the Forum, like a soldier against a fortress, without hesitation, and if, in that crater, he does not work like a miner under a fall of rock, if, in short, he envisages the difficulties instead of conquering them one-by-one, following the examples of lovers in fairy-tales who, to win their princesses, struggle against recurring enchantments, the work remains unfinished, it expires in the studio, wher production remains impossible and the artist looks on at the suicide of his own talent." [tr. Raphael (1992)]
- "If the artist does not fling himself, without reflecting, into his work, as Curtius flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent." [Source]
- Original French.
A work of art has an author and yet, when it is perfect, it has something which is essentially anonymous about it.
In art, there are only two types of people: revolutionaries and plagiarists. And in the end, doesn’t the revolutionary’s work become official, once the State takes it over?
Paul Gauguin (1848-1903) French painter [Eugène Henri Paul Gauguin]
Letter in Le Soir (25 Apr 1895)
Collected in Daniel Guérin, ed., The Writings of a Savage (1996) [tr. Levieux].
Often given as "Art is either plagiarism or revolution," or sometimes "Art is either a revolutionist or a plagiarist." This is often cited from James Huneker, The Pathos of Distance (1913), but there it is given as a paraphrase: "Paul Gauguin has said that in art one is either a plagiarist or a revolutionary."
(Huneker's book elsewhere contains the parallel paraphrase, "Paul Gauguin has said that all artists are either revolutionists or reactionists.")
TANNER: The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art.
George Bernard Shaw (1856-1950) British playwright and critic
Man and Superman, Act 1 (1903)
(Source)
An intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way.
The art object is always passive in relation to its audience. It is alarmingly active, however, in relation to its creator. Far from being like a receptacle in which you, the artist, drop your ideas, and far from being like a lump of clay which you pummel until it fits your notion of an ashtray, the art object is more like an enthusiastic and ill-trained Labrador retriever which yanks you into traffic.
Annie Dillard (b. 1945) American author
Living by Fiction (1983)
(Source)
Often paraphrased, "Art is like an ill-trained Labrador retriever that drags you out into traffic."
I think the author who speaks about his own books is almost as bad as a mother who talks about her own children.
Benjamin Disraeli (1804-1881) English politician and author
Speech, Banquet to Lord Rector, University of Glasgow (19 Nov 1870)
(Source)
The greatest works of art speak to us without knowing of us.
Alain de Botton (b. 1969) Swiss-British author
The Consolations of Philosophy, ch. 5 “Consolation for a Broken Heart” (2000)
(Source)
I suppose we think euphemistically that all writers write because they have something to say that is truthful and honest and pointed and important. And I suppose I subscribe to that, too. But God knows when I look back over thirty years of professional writing, I’m hard-pressed to come up with anything that’s important. Some things are literate, some things are interesting, some things are classy, but very damn little is important.
Rod Serling (1924-1975) American screenwriter, playwright, television producer, narrator
“Rod Serling: The Facts of Life,” Interview with Linda Brevelle (4 Mar 1975)
(Source)
If you have a good idea, get it out there. For every idea I’ve realized, I have ten I sat on for a decade till someone else did it first. Write it. Shoot it. Publish it. Crochet it, sauté it, whatever. MAKE.
Joss Whedon (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]
“Dollhouse’s Joss Whedon Answers Your Questions,” Hulu Blog (9 Mar 2009)
(Source)
I shut my eyes in order to see.
When I was introduced to art school, everybody was 20, 22, and 25 years old. Many of them had graduated from college. So there I was, and I was about half their height. And I looked at these guys and I thought, “I can’t compete with these birds!” So at the end of the first week I went home. I was so disillusioned. I was a failure at 15. So my uncle, who lived with us occasionally, came up and he said, “You look awful. You look like something the dog had under the front porch. What’s the matter?” “I can’t compete with these guys at school. They draw like Leonardo da Vinci. I’ll never catch up with them.” I felt like it was the end of the world for me. I could draw a little bit. But I couldn’t keep up with the big guys. So I suddenly blurted out and I said, “You can’t make a racehorse out of a pig!” And my uncle looked at me very gently, and he patted me on the knee, and he said, “No. But you can make a very fast pig.” And I realized that’s what it was really all about. I could only be as good as I could be, whatever my limits were. And I learned a second thing: creative work is never competitive.
Chuck Jones (1912-2002) American animator, screenwriter, producer, and director
Interview with Tom Sito, Archive of American Television (17 Jun 1998)
(Source)
If the world were clear, art would not exist.
JOYCE: An artist is the magician put among men to gratify — capriciously — their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist’s touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships —– and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes — husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer.
The pain passes, but the beauty remains.
Pierre-Auguste Renoir (1841-1919) French Impressionist artist
(Attributed, 1919)
(Source)
Quoted in Sisley Huddleston, Paris Salons, Cafés, Studios (1928). When asked by a young Henri Matisse why he still painted when suffering from painful, twisting arthritis in his hands.
The truth is, as every one knows, that the great artists of the world are never Puritans, and seldom even ordinarily respectable. No virtuous man — that is, virtuous in the Y.M.C.A. sense — has ever painted a picture worth looking at, or written a symphony worth hearing, or a book worth reading.
Dead he is not, but departed — for the artist never dies.
Think before you speak is criticism’s motto; speak before you think, creation’s.
Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.
Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.
Neil Gaiman (b. 1960) British fabulist
Commencement address, University of the Arts, Philadelphia (2012)
(Source)
I have come to believe that a great teacher is a great artist and that there are as few as there are any other great artists. It might even be the greatest of the arts since the medium is the human mind and spirit.