- WIST is my personal collection of quotations, curated for thought, amusement, turn of phrase, historical significance, or sometimes just (often-unintentional) irony.
WIST currently holds 19,787 quotations by 3,081 authors. Please feel free to browse and borrow.
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Aristotle • Bacon, Francis • Bible • Bierce, Ambrose • Billings, Josh • Butcher, Jim • Chesterfield (Lord) • Chesterton, Gilbert Keith • Churchill, Winston • Cicero, Marcus Tullius • Einstein, Albert • Eisenhower, Dwight David • Emerson, Ralph Waldo • Franklin, Benjamin • Fuller, Thomas (1654) • Gaiman, Neil • Galbraith, John Kenneth • Gandhi, Mohandas • Goethe, Johann von • Hazlitt, William • Heinlein, Robert A. • Hoffer, Eric • Homer • Huxley, Aldous • Ingersoll, Robert Green • Jefferson, Thomas • Johnson, Samuel • Kennedy, John F. • King, Martin Luther • La Rochefoucauld, Francois • Lewis, C.S. • Lincoln, Abraham • Martial • Mencken, H.L. • Orwell, George • Pratchett, Terry • Roosevelt, Eleanor • Roosevelt, Theodore • Russell, Bertrand • Shakespeare, William • Shaw, George Bernard • Sophocles • Tolkien, J.R.R. • Twain, Mark • Wilde, Oscar- Only the 45 most quoted authors are shown above. Full author list.
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action age America beauty belief change character courage death democracy education ego error evil faith fear freedom future God government happiness history human nature humanity integrity liberty life love morality perspective politics power pride progress reality religion science society success truth virtue war wealth wisdom writing- I've been adding topics since 2014, so not all quotes have been given one. Full topic list.
Popular Quotables
- “Wealth and Poverty,” speech, National… (10,376)
- Agamemnon, ll. 175-183 [tr. Johnston (2007)] (6,712)
- “The Lesson for Today,” A Witness Tree (1942) (6,278)
- “The Triumph of Stupidity” (10 May 1933) (5,688)
- Nobel prize acceptance speech (10 Dec 1962) (4,970)
- “Tips for Teens,” Social Studies (1981) (4,878)
- Letter to Clara Rilke (1 Jan 1907) (4,656)
- “On The Conduct of Life” (1822) (4,637)
- Republic, Book 1, 347c (4,315)
- “A Cult of Ignorance,” Newsweek (21 Jan 1980) (4,306)
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- More quotes by Cicero, Marcus Tullius on The Problems of Philosophy, ch. 2 “The Existence of Matter” (1912)
- More quotes by Cicero, Marcus Tullius on Discourse on Method [Discours de la méthode], Part 2 (1637) [tr. Cottingham, Stoothoff (1985)]
- More quotes by Cicero, Marcus Tullius on The Imitation of Christ, Book 3, ch. 12, sec. 2 (c. 1418)
- More quotes by Cicero, Marcus Tullius on Heauton Timoroumenos [The Self-Tormentor], Act 4, sc. 5, l. 48 (l. 796)
- om on “Reflections on Monogamy,” Prejudices (1919-27)
- More quotes by Bullock, Christopher on Letter to Jean-Baptiste Leroy (13 Nov 1789)
- More quotes by Aristotle on The Iliad [Ἰλιάς], Book 9, l. 63ff (9.63-64) [Nestor] (c. 750 BC) [tr. Pope (1715-20)]
- More quotes by Ingersoll, Robert Green on Inaugural Address (20 Jan 1961) [with Ted Sorensen]
- More quotes by Ingersoll, Robert Green on Speech, Republican National Convention (7 Jun 1916)
- More quotes by Ingersoll, Robert Green on “In Our Youth Our Hearts Were Touched With Fire,” Memorial Day address, Keene, New Hampshire (30 May 1884)
Quotations about interpretation
Note that not all quotations have been tagged, so the Search function may find additional quotations on this topic.
The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.
Richard Wilbur (1921-2017) American poet, literary translator
“The Bottles Become New, Too” (1953), Responses: Prose Pieces, 1953-1976 (1976)
(Source)
Originally published in Quarterly Review of Literature, Vol. 7, No. 3 (1953).
KEATING: When you read, don’t just consider what the author thinks, consider what you think.
In the popular imagination, the belief persists that history involves little more than reconstruction, a retelling of the past “as it actually was.” But historical understanding involves far more than mere empiricism; it demands a readiness to draw back from the facts to reflect on their significance and their interconnection.
Peter E, Gordon (b. 1966) American intellectual historian
“Why Historical Analogy Matters,” New York Review of Books (7 Jan 2020)
(Source)
Our task as historians is to make past conflicts live again; not to lament the verdict or to wish for a different one. It bewildered me when my old master A. F. Pribram, a very great historian, said in the nineteen-thirties: “It is still not decided whether the Habsburg monarchy could have found a solution for its national problems.” How can we decide about something that did not happen? Heaven knows, we have difficulty enough in deciding what did happen. Events decided that the Habsburgs had not found a solution for their national problems; that is all we know or need to know. Whenever I read the phrase: “whether so-and-so acted rightly must be left for historians to decide,” I close the book; the writer has moved from history to make-believe.
A. J. P. Taylor (1906-1990) British historian, journalist, broadcaster [Alan John Percivale Taylor]
Trouble Makers: Dissent Over Foreign Policy 1792-1939 (1957)
(Source)
History is not another name for the past, as many people imply. It is the name for stories about the past.
When I hear scientists say, “The data speak for themselves,” I cringe. Data never speak.
Andrew J. Hoffman (b. 1961) American environmental scientist, sustainable enterprise scholar
“Taking On Climate Skepticism as a Field of Study,” Interview by Felicity Barringer, New York Times (9 Apr 2011)
(Source)
One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.
George Jean Nathan (1892-1958) American editor and critic
The Critic and the Drama, ch. 2 (1922)
(Source)
Injustice often arises also through chicanery, that is, through an over-subtle and even fraudulent construction of the law. This it is that gave rise to the now familiar saw, “More law, less justice.”
[Existunt etiam saepe iniuriae calumnia quadam et nimis callida sed malitiosa iuris interpretatione. Ex quo illud “summum ius summa iniuria” factum est iam tritum sermone proverbium.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Officiis [On Duties; On Moral Duty; The Offices], Book 1, ch. 10 (1.10) / sec. 33 (44 BC) [tr. Miller (1913)]
(Source)
(Source (Latin)). Alternate translations:
But another great spring from which injuries arise, is some quirk or cavil, and an oversubtle and malicious interpretation of the laws; from whence that saying, "The height of justice is the height of roguery," is now become a daily and common proverb among us.
[tr. Cockman (1699)]
Injustice is often done by artful evasions, and from a too shrewd, but malicious interpretation of the laws. Hence the proverb, "the strictest justice is the greatest injury," has become quite familiar in conversation.
[tr. McCartney (1798)]
Very often wrongs arise through a quirk, and through a too artful but fraudulent construction of the law. Hence, "the rigour of law is the rigour of injustice," is a saying that has now passed into a proverb.
[tr. Edmonds (1865)]
There are, also, wrongs committed by a sort of chicanery, which consists in a too subtle, and thus fraudulent, interpretation of the right. Hence comes the saying: The extreme of right is the extreme of wrong.
[tr. Peabody (1883)]
A common form of injustice is chicanery, that is, an over-subtle, in fact a fraudulent construction of the law. Hence the hackneyed proverb: "The greatest right is the greatest wrong."
[tr. Gardiner (1899)]
A perversion of justice, some extremely clever but harmful interpretation of a statute, also is a frequent cause of wrongdoing. Hence we have the saying, "Extreme legality is the worst law," a proverb become a cliche by daily use.
[tr. Edinger (1974)]
See Terence.
I have regarded you, not as a novelist, but as an historian; for it is my considered opinion, unshaken at 85, that records of fact are not history. They are only annals, which cannot become historical until the artist-poet-philosopher rescues them from the unintelligible chaos of their actual occurrence and arranges them in works of art.
When people ask me what has happened in my long lifetime I do not refer them to the newspaper files and to the authorities, but to your novels. They object that the people in your books never existed; that their deeds were never done and their sayings never uttered. I assure them that they were, except that Upton Sinclair individualized and expressed them better than they could have done, and arranged their experiences, which as they actually occurred were as unintelligible as pied type, in significant and intelligible order.
The lesson of History is rarely learned by the actors themselves.
James A. Garfield (1831-1881) US President (1881), lawyer, lay preacher, educator
Letter to Professor Demmon (16 Dec 1871)
(Source)
The Bible has been interpreted to justify such evil practices as, for example, slavery, the slaughter of prisoners of war, the sadistic murders of women believed to be witches, capital punishment for hundreds of offenses, polygamy, and cruelty to animals. It has been used to encourage belief in the grossest superstition and to discourage the free teaching of scientific truths. We must never forget that both good and evil flow from the Bible. It is therefore not above criticism.
Steve Allen (1922-2000) American composer, entertainer, and wit.
More Steve Allen on the Bible, Religion, and Morality, Introduction (1993)
(Source)
An artist’s job is to make order out of chaos. You collect details, look for a pattern, and organize. You make sense out of senseless facts. You puzzle together bits of everything. You shuffle and reorganize. Collage. Montage. Assemble.
What you don’t understand you can make mean anything.
A work of art does not answer questions: it provokes them; and its essential meaning is in the tension between their contradictory answers.
Leonard Bernstein (1918-1990) American conductor, composer, author, music lecturer, pianist
“A Sabbatical Report,” sec. 1, New York Times (24 Oct 1965)
(Source)
Reprinted in The Infinite Variety of Music (1966)
There is no “True.” There are only ways of perceiving.
Gustave Flaubert (1821-1880) French writer, novelist
Letter to Léon Hennique (3 Feb 1880) [tr. Steegmuller (1982)]
(Source)
It should be quite unnecessary to point the moral; the right telling of the story should be sufficient. Do not moralize, but let the facts produce their own moral in the child’s mind.
Bertrand Russell (1872-1970) English mathematician and philosopher
Education and the Good Life, ch. 11 (1926)
(Source)
So you end up with divergent sects reading from subtly different versions of the same book — which in turn is a third-generation translation of something which might have been the original codification of an oral tradition — and all convinced that their interpretation overrides such minor obstacles as observable reality. Which still wouldn’t be a problem except that some of the readers think the books are an instruction manual rather than a set of educational parables, a blueprint instead of a metaphor.
“What’s the play about?”
“Nobody seems to know.”
“What do the actors say it’s about?”
“They don’t know,” Susan said. She was as close to embarrassed as she gets.
“The actors don’t know what it’s about?”
“No.”
“How about the Director?”
“Lou says that a play is not required to be about anything.”
“And it runs how long?”
“Four and a half hours with an intermission.” Susan smiled encouragingly. “It’s very controversial,” she said.
“Excellent,” I said. “Maybe a fight will break out.”
Don’t express your ideas too clearly. Most people think little of what they understand, and venerate what they do not.
[No allanarse sobrado en el concepto. Los más no estiman lo que entienden, lo que no perciben lo veneran. Las cosas, para que se estiman, han de costar; será celebrado cuando no fuese entendido.]
Baltasar Gracián y Morales (1601-1658) Spanish Jesuit priest, writer, philosopher
The Art of Worldly Wisdom [Oráculo Manual y Arte de Prudencia], § 253 (1647) [tr. Maurer (1982)]
Alt. trans.: "Do not Explain overmuch. Most men do not esteem what they understand, and venerate what they do not see. ... Many praise a thing without being able to tell why, if asked. The reason is that they venerate the unknown as a mystery, and praise it because they hear it praised." [tr. Jacobs (1892)]
I shut my eyes in order to see.
If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family Anatidae on our hands.
To establish the facts is always in order, and is indeed the first duty of the historian; but to suppose that the facts, once established in all their fullness, will “speak for themselves” is an illusion.
Carl L. Becker (1873-1945) American historian
“Everyman His Own Historian” (3), speech, American Historical Association, Minneapolis (29 Dec 1931)
(Source)
Since history is not an objective reality, but only an imaginative reconstruction of vanished events, the pattern that appears useful or agreeable to one generation is never entirely so to the next.
Carl L. Becker (1873-1945) American historian
The Heavenly City of the Eighteenth-Century Philosophers (1932)
(Source)
All worthy work is open to interpretations the author did not intend. Art isn’t your pet — it’s your kid. It grows up and talks back to you.
Joss Whedon (b. 1964) American screenwriter, author, producer [Joseph Hill Whedon]
“I Am Joss Wedon — AMA,” Reddit (10 Apr 2012)
(Source)
On fan fiction and academic analysis.
Writing gives you the illusion of control, and then you realize it’s just an illusion, that people are going to bring their own stuff into it.
There is no surer way to misread any document than to read it literally; in every interpretation we must pass between Scylla and Charybdis; and I certainly do not wish to add to the barrels of ink that have been spent in logging the route. As nearly as we can, we must put ourselves in the place of those who uttered the words, and try to divine how they would have dealt with the unforeseen situation; and, although their words are by far the most decisive evidence of what they would have done, they are by no means final.
Learned Hand (1872-1961) American jurist
Guiseppi v. Walling, 144 F.2d 608, 624 (2d Cir. 1944) [concurring]
(Source)
We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand.
[Todos sabemos que el arte no es verdad. El arte es una mentira que no acerca a la verdad, al menos, a aquella verdad que se nos da para entendar.]
Pablo Picasso (1881-1973) Spanish painter and sculptor
“Picasso Speaks: A Statement by the Artist,” interview with Marius de Zayas, The Arts (May 1923)
(Source)
Discussing cubism. Translated in Quote Magazine (21 Sep 1958) as "Art is not truth; art is the lie which makes us see the truth."
Men are disturbed, not by things, but by the principles and notions which they form concerning things.