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- Dave on The Odyssey [Ὀδύσσεια], Book 6, l. 180ff [Odysseus to Nausicaa] (c. 700 BC) [tr. Rieu (1946)]
- Richard McBroom on “What I Believe,” Forum and Century (Oct 1930)
- Marcus Aurelius - (Spurious) | WIST on Meditations, Book 2, #11 [tr. Gill (2014)]
- Richard McBroom on “What I Believe,” Forum and Century (Oct 1930)
- Elizabeth II - Address to the Nation (5 Apr 2020) | WIST on “We’ll Meet Again” (1939) [with Hughie Charles]
- Pratchett, Terry - The Last Hero (2001) | WIST on Gnomologia: Adages and Proverbs, #3366 (1732)
- King, Stephen - On Writing, ch. 12 (2000) | WIST on In “Ten Rules for Writing Fiction,” The Guardian (20 Feb 2010)
- King, Stephen - On Writing, ch. 12 (2000) | WIST on On the Art of Writing, Lecture 12 “On Style,” Cambridge University (28 Jan 1914)
- Richard McBroom on “What I Believe,” Forum and Century (Oct 1930)
- Phillips, Wendell - "Mobs and Education," Speech, Twenty-Eighth Congregational Society, Boston (16 Dec 1860) | WIST on “The Boston Mob,” speech, Antislavery Meeting, Boston (21 Oct 1855)
Quotations about literature
Note that not all quotations have been tagged, so the Search function may find additional quotations on this topic.
Just erotic. Nothing kinky. It’s the difference between using a feather and using a chicken.
There are books one needs maturity to enjoy, just as there are books an adult can come on too late to savor.
Phyllis McGinley (1905-1978) American author, poet
“The Consolations of Illiteracy,” Saturday Review (1 Aug 1953)
(Source)
Reprinted in The Province of the Heart (1959).
I’m not sure why it happened, and I’m not certain at all when it happened, but at some point, wanting a happy ending became uncool. Maybe it’s the relentless (and again, highly flawed) criticism that “such things aren’t realistic.” To which my response is, so the fuck what? It’s call fiction. If you want real, step outside.
This ideal University of Life … would never take the importance of culture for granted. It would know that culture is kept alive by a constant respectful questioning — not by an excessive and snobbish attitude of respect. Therefore, rather than leaving it hanging why one was reading Anna Karenina or Madame Bovary, an ideal course covering nineteenth-century literature would ask plainly “What is it that adultery ruins in a marriage?” Students in the ideal University of Life would end up knowing much the same material as their colleagues in other institutions, they would simply have learned it under a very different set of headings.
Alain de Botton (b. 1969) Swiss-British author
“Reclaiming the Intellectual Life for Posterity,” Liberal Education (Spring 2009)
(Source)
The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what’s cool. And that works all the way from the external trappings to the level of metaphor, subtext, and the way one uses words. In other words, I happen not to think that full-plate armor and great big honking greatswords are cool. I don’t like ’em. I like cloaks and rapiers. So I write stories with a lot of cloaks and rapiers in ’em, ’cause that’s cool.
All of your scholarship, all your study of Shakespeare and Wordsworth would be vain if at the same time you did not build your character and attain mastery over your thoughts and your actions.
I am always for getting a boy forward in his learning; for that is a sure good. I would let him at first read any English book which happens to engage his attention; because you have done a great deal when you have brought him to have entertainment from a book. He’ll get better books afterwards.
If you would understand your own age, read the works of fiction produced in it. People in disguise speak freely.
In a very real sense, people who have read good literature have lived more than people who cannot or will not read. […] It is not true that we have only one life to live; if we can read, we can live as many more lives and as many kinds of lives as we wish.
Consider what you have in the smallest chosen library. A company of the wisest and wittiest men that could be picked out of all civil countries, in a thousand years, have set in best order the results of their learning and wisdom. The men themselves were hid and inaccessible, solitary, impatient of interruption, fenced by etiquette; but the thought which they did not uncover to their bosom friend is here written out in transparent words to us, the strangers of another age.
The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men’s hearts of the hearts of men centuries dead.
Why are not more gems from our early prose writers scattered over the country by the periodicals? Selections are so far from preventing the study of the entire authors that they promote it. Who could read the extracts which Lamb has given from Fuller, without wishing to read more of the old Prebendary? But great old books of the great old authors are not in every body’s reach; and though it is better to know them thoroughly than to know them only here and there, yet it is a good work to give a little to those who have neither time nor means to get more. Let every bookworm, when, in any fragrant, scarce old tome, he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it the widest circulation that newspapers and magazines, penny and halfpenny, can afford.
Hartley Coleridge (1796-1849) English poet, biographer, essayist, teacher
Biographia Borealis: or, Lives of Distinguished Northerns, “Roger Ascham” (1833)
(Source)
Speaking of the practice of including brief extracts -- quotations -- from famous authors in magazines and newspapers to fill up columns or create a break between stories. Ironically, this extracted quotation -- slightly paraphrased -- was widely circulated in the mid-late 19th and early 20th Century misattributed to his father, Samuel Taylor Coleridge, or simply labeled as "Coleridge" without citation, leading to the same confusion.
Usually quoted more succinctly as: "Why are not more gems from our great authors scattered over the country? Great books are not in everybody's reach; and though it is better to know them thoroughly, than to know them only here and there; yet it is a good work to give a little to those who have neither time nor means to get more. Let every bookworm, when in any fragrant, scarce old tome he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it."
No matter how poor I am; no matter though the prosperous of my own time will not enter my obscure dwelling; if the sacred writers will enter and take up their abode under my roof, if Milton will cross my threshold to sing to me of Paradise; and Shakespeare to open to me the worlds of imagination and the workings of the human heart, and Franklin to enrich me with his practical wisdom, I shall not pine for want of intellectual companionship, and I may become a cultivated man though excluded from what is called the best society in the place where I live.
Life without literature is a life reduced to penury. It expands you in every way. It illuminates what you’re doing. It shows you possibilities you haven’t thought of. It enables you to live the lives of other people than yourself. It broadens you, it makes you more human. It makes life enjoyable.
M. H. Abrams (b. 1912) American literary critic [Meyer (Mike) Howard Abrams]
“Built to Last,” interview with Stephen Greenblatt, The New York Times: Sunday Book Review (23 Aug 2012)
(Source)
Achilles exists only through Homer. Take away the art of writing from this world, and you will probably take away its glory.
In the old times, women did not get their lives written, though I don’t doubt many of them were much better worth writing than the men’s.
Most people ignore most poetry because most poetry ignores most people.
Adrian Mitchell (1932-2008) English poet, novelist, playwright
Poems, Preface (1964)
Books are good enough in their own way, but they are a mighty bloodless substitute for life.
A person who won’t read has no advantage over one who can’t read.
Mark Twain (1835-1910) American writer [pseud. of Samuel Clemens]
(Spurious)
First attributed to Twain in 1945, but not found in his works. Earliest appearances of the quote date back to 1910, but are unattributed. It's often attributed to Abigail Van Buren (Dear Abby), but she didn't say it until 1966. See here for more information. Variants:
- "Who can see the barely perceptible line between the man who can not read at all and the man who does not read at all? The literate who can, but does not, read, and the illiterate who neither does nor can? [Original form.]
- "The person who does not read has no advantage over the person who cannot read." ["Dear Abby", 19 Oct 1966]
- "The man who doesn't read good books has no advantage over the man who can't read them."
It is reasonable to assume that, by and large, what is not read now will not be read, ever. It is also reasonable to assume that practically nothing that is read now will be read later. Finally, it is not too far-fetched to imagine a future in which novels are not read at all.
There is nothing which can better deserve your patronage, than the promotion of Science and Literature. Knowledge is in every country the surest basis of publick happiness.
If more politicians knew poetry, and more poets knew politics, I am convinced the world would be a little better place in which to live.
John F. Kennedy (1917-1963) US President (1961-63)
Speech, Harvard University (14 Jun 1956)
(Source)
You read something which you thought only happened to you, and you discover that it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that he is alone. This is why art is important. Art would not be important if life were not important, and life is important.
James Baldwin (1924-1987) American novelist, playwright, activist
“An interview with James Baldwin” by Studs Terkel (1961), in Conversations With James Baldwin (1989)
See also this related quotation.
Sure it’s simple, writing for kids. Just as simple as bringing them up. All you do is take all the sex out, and use little short words, and little dumb ideas, and don’t be too scary and be sure there’s a happy ending. Right? Nothing to it. Write down. Right on. If you do all that you might even write Jonathan Livingstone Seagull and make twenty million dollars and have every adult in America reading your book.
But you won’t have every kid in America reading your book. They will look at it, with their clear, cold, beady little eyes, and they will put it down, and they will go away. Kids will devour vast amounts of garbage (and it is good for them) but they are not like adults; they have not yet learned to eat plastic.
KEATING: We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
C.S. Lewis (1898-1963) English writer and scholar [Clive Staples Lewis]
“On Three Ways of Writing for Children,” lecture, Library Association Bournemouth Conference (29 Apr – 2 May 1952)
(Source)
Reprinted in On Stories (1966). Referencing 1 Corinthians 13:11.
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Topics: commentary, fiction, literature, polemic, writing
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