It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men. And he speaks not in private grunts and mutterings but in the public language of the dictionary, of literary tradition, and of the street. Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product’s something that, though it may not be for everybody, is about everybody.
Richard Wilbur (1921-2017) American poet, literary translator
Acceptance Speech, National Book Award (1957)
Quotations about:
poet
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When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.
Richard Wilbur (1921-2017) American poet, literary translator
Acceptance Speech, National Book Award (1957)
Such in the Landes of our world is the poet’s stance;
When he receives no wound, his treasure he’ll retain.
With such deep cut mankind his heart must also lance,
To make him spill his verse, his gold tears’ gushing rain![Le poète est ainsi dans les Landes du monde.
Lorsqu’il est sans blessure, il garde son trésor.
Il faut qu’il ait au cœur une entaille profonde
Pour épancher ses vers, divines larmes d’or!]Théophile Gautier (1811-1872) French poet, writer, critic
“The Pine of Landes [Le Pin des Landes]”, l. 13ff (1840)
(Source)
The metaphor is of a poet as one of the pine trees used in the reforestation of the Landes of Gascogne, having its sap harvested for turpentine. (Source (French)). Alternate translation:
Landes-like, the poet with his poetry,
Unwounded, holds his treasure well controlled.
But he must bear a deep heart-gash if he
Would spread his verses' heavenly tears of gold!
[tr. Shapiro (2011)]
To be a poet at twenty is to be twenty; to be a poet at forty is to be a poet.
Eugène Delacroix (1799-1863) French painter [Ferdinand Victor Eugène Delacroix]
(Attributed)
All those men who are preeminent in philosophy or politics or poetry or the other arts are clearly melancholic.
Aristotle (384-322 BC) Greek philosopher
Problems [Problemata], Book 30, Q. 1 / 953a [tr. @sentantiq (2018)]
(Source)
Possibly one of the sources of a famous misattributed Aristotle quotation by Seneca the Younger.
Alternate translation: "All those who have become eminent in philosophy or politics or poetry or the arts are clearly of an atrabilious temperament." [tr. Forster (1927)]
PHILINTE: A gentleman may be respected still,
Whether he writes a sonnet well or ill.
That I dislike his verse should not offend him;
In all that touches honor, I commend him;
He’s noble, brave, and virtuous — but I fear
He can’t in truth be called a sonneteer.”On peut être honnête homme, et faire mal des vers,
Ce n’est point à l’honneur que touchent ces matières,
Je le tiens galant homme en toutes les manières,
Homme de qualité, de mérite et de cœur,
Tout ce qu’il vous plaira, mais fort méchant auteur.Molière (1622-1673) French playwright, actor [stage name for Jean-Baptiste Poquelin]
Le Misanthrope, Act 4, sc. 1, ll. 1144-48 (1666) [tr. Wilbur (1954)]
(Source)
Alt. trans.:
- "A man can be a gentleman and make bad verses. Such matters do not touch his honor, and I hold him to be a gallant man in every other way; a man of quality, of courage, deserving of anything you please, but -- a bad writer." [tr. Wormeley (1894)]
- "A man may be / A perfect gentleman, and write poor verse. / These matters do not raise the point of honor. / I hold him a true man in all respects, / Brave, worthy, noble, anything you will, / But still, a wretched writer." [tr. Page (1913)]
- "Anyone may be an honorable man, and yet write verse badly." [Bartlett]
business business business
grind grind grind
what a life for a man
that might have been a poetDon Marquis (1878-1937) American journalist and humorist
“pete the parrot and shakespeare,” archy and mehtabel (1927)
(Source)
If you only write when inspired, you may be a fairly decent poet, but you’ll never be a novelist.
Neil Gaiman (b. 1960) British fabulist
(Attributed)
Poets have tried to describe Ankh-Morpork. They have failed. Perhaps it’s the sheer zestful vitality of the place, or maybe it’s just that a city with a million inhabitants and no sewers is rather robust for poets, who prefer daffodils and no wonder. So let’s just say that Ankh-Morpork is as full of life as an old cheese on a hot day, as loud as a curse in a cathedral, as bright as an oil slick, as colorful as a bruise and as full of activity, industry, bustle and sheer exuberant busyness as a dead dog on a termite mound.
Poets have been mysteriously silent on the subject of cheese.
Gilbert Keith Chesterton (1874-1936) English journalist and writer
“Cheese,” Alarms and Discursions (1911)
Poets are like proverbs: you can always find one to contradict another.
[Les poëtes sont comme les proverbes : l’un est toujours là pour contredire l’autre.]
Jules Verne (1828-1905) French novelist, poet, playwright
The Survivors of the Chancellor, ch. 5 “An Unusual Route” (1875)
(Source)
To have great poets, there must be great audiences, too.
Walt Whitman (1819-1892) American poet
Specimen Days and Collect, “Ventures, on an Old Theme,” closing paragraph (1882)
Sir, I admit your gen’ral Rule
That every Poet is a Fool;
But you yourself may serve to show it.
That ever Fool is not a Poet.Alexander Pope (1688-1744) English poet
“Epigram from the French” (1732)
Seven cities warr’d for Homer, being dead;
Who, living, had no roof to shroud his head.Thomas Heywood (1570s-1641) English playwright, actor, author
The Hierarchie of the Blesed Angells (1635)
As we can learn from every man or woman or child around us when, touched and moved, they tell of something they loved or hated this day, yesterday, or some other day long past. At a given moment, the fuse, after sputtering wetly, flares and the fireworks begin. Oh, it’s limping crude hard work for many, with language in their way. But I have heard farmers tell about their very first wheat crop on their first farm after moving from another state, and if it wasn’t Robert Frost talking, it was his cousin, five times removed. I have heard locomotive engineers talk about America in the tones of Thomas Wolfe who rode our country with his style as they ride it in their steel. I have heard mothers tell of the long night with their firstborn when they were afraid that they and the baby might die. And I have heard my grandmother speak of her first ball when she was seventeen. And they were all, when their souls grew warm, poets.
Ray Bradbury (1920-2012) American writer, futurist, fabulist
“How to Keep and Feed a Muse,” Zen in the Art of Writing (1989)
Poetry demands a man with special gift for it, or else one with a touch of madness in him; the former can easily assume the required mood, and the latter may be actually beside himself with emotion.
[διὸ εὐφυοῦς ἡ ποιητική ἐστιν ἢ μανικοῦ: τούτων γὰρ οἱ μὲν εὔπλαστοι οἱ δὲ ἐκστατικοί εἰσιν.]
Aristotle (384-322 BC) Greek philosopher
Poetics [Περὶ ποιητικῆς, De Poetica], ch. 17 / 1455a.33 (c. 335 BC) [tr. Bywater (1909)]
(Source)
Original Greek. Fyfe (below) notes μανικός to mean "genius to madness near allied," and adds "Plato held that the only excuse for a poet was that he couldn't help it." A possible source of Seneca's "touch of madness" attribution to Aristotle. Alternate translations:
Poetry implies either a happy gift of nature or a strain of madness. In the one case a man can take the mould of any character; in the other, he is lifted out of his proper self.
[tr. Butcher (1895)]
Poetry is the work for the finely constituted or the hysterical; for the hysterical are impressionable, whereas the finely constituted are liable to outbursts.
[tr. Margoliouth (1911); whiles this seems backward, Margoliouth further explains in his footnote.]
Poetry needs either a sympathetic nature or a madman, the former being impressionable and the latter inspired.
[tr. Fyfe (1932)]
Hence the poetic art belongs either to a naturally gifted person or an insane one, since those of the former sort are easily adaptable and the latter are out of their senses.
[tr. Sachs (2006)]
In order to write tragic poetry, you must be either a genius who can adapt himself to anything, or a madman who lets himself get carried away.
[tr. Kenny (2013)]