- WIST is my personal collection of quotations, curated for thought, amusement, turn of phrase, historical significance, or sometimes just (often-unintentional) irony.
WIST currently holds 19,779 quotations by 3,081 authors. Please feel free to browse and borrow.
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Quotations about poetry
Note that not all quotations have been tagged, so the Search function may find additional quotations on this topic.
I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet’s, the writer’s, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
William Faulkner (1897-1962) American novelist
Speech, Nobel Banquet, Stockholm (10 Dec 1950)
(Source)
Faulkner received the 1949 Nobel Prize for Literature.
His poetry seems to please the critics, and because it is plain-spoken, rhymes and scans, it pleases human beings as well.
Isaac Asimov (1920-1992) Russian-American author, polymath, biochemist
Familiar Poems Annotated, “Robert Frost, ‘Fire and Ice'” (1977)
(Source)
Once considered an art form that called for talent, or at least a craft that called for practice, a poem now needs only sincerity. Everyone, we’re assured, is a poet. Writing poetry is good for us. It expresses our inmost feelings, which is wholesome. Reading other people’s poems is pointless since those aren’t our own inmost feelings.
Barbara Holland (1933-2010) American author
Wasn’t the Grass Greener?: A Curmudgeon’s Fond Memories, “Poetry” (1999)
(Source)
To be a poet at twenty is to be twenty; to be a poet at forty is to be a poet.
Eugène Delacroix (1799-1863) French painter [Ferdinand Victor Eugène Delacroix]
(Attributed)
Vacerra likes no bards but those of old —
Only the poets dead are poets true!
Really, Vacerra — may I make so bold? —
It’s not worth dying to be liked by you.[Miraris veteres, Vacerra, solos
nec laudas nisi mortuos poetas.
Ignoscas petimus, Vacerra: tanti
non est, ut placeam tibi, perire.]Martial (AD c.39-c.103) Spanish Roman poet, satirist, epigrammatist [Marcus Valerius Martialis]
Epigrams [Epigrammata], Book 8, epigram 69 (8.69) [tr. Duff (1929)]
(Source)
Original Latin. Alternate translations:
The ancients all your veneration have:
You like no poet on this side of the grave.
Yet, pray, excuse me; if to pleases you, I
Can hardly think it worth my while to die.
[tr. Hay (1755)]
Vacerra! you admire only the ancients; your praise is restricted to the deceased poets. Pardon me, Vacerra, if I do not think your praise of so much value as to die for it.
[tr. Amos (1858)]
You admire, Vacerra, only the poets of old, and praise only those who are dead. Pardon me, I beseech you, Vacerra, it I think death too high a price to pay for your praise.
[tr. Bohn's Classical (1859)]
You admire, Vacerra, the ancients alone, and praise none but dead poets. Your pardon, pray, Vacerra: it is not worth my while, merely to please you, to die.
[tr. Ker (1919)]
Vacerra, you admire the ancients only
and praise no poets but those here no more.
I beg that you will pardon me, Vacerra,
but pleasing you is not worth dying for.
[tr. McLean (2014)]
Deceased authors thou admir'st alone,
And only praisest poets dead and gone:
Vacerra, pardon me, I will not buy
Thy praise so dear, as for the same to die.
[tr. Fuller]
You puff the poets of other days,
The living you deplore.
Spare me the accolade: your praise
Is not worth dying for.
[tr. Fitts]
You praise long-dead authors rapturously;
the living ones you savage or ignore,
but since your praise can’t grant immortality
I really don’t think it’s worth dying for.
[tr. Clark]
You pine for bards of old
and poets safely cold.
Excuse me for ignoring your advice,
but good reviews from you aren’t worth the price.
[tr. Juster]
More books have resulted from somebody’s need to write than from anybody’s need to read.
Ashleigh Brilliant (b. 1933) Anglo-American writer, epigramist, cartoonist
Pot-Shots, #3273
(Source)
If poetry is like an orgasm, an academic can be likened to someone who studies the passion-stains on the bedsheets.
Irving Layton (1912-2006) Romanian-Canadian poet [b. Israel Pincu Lazarovitch]
“Obs II,” The Whole Bloody Bird (1969)
(Source)
Histories make men wise; poets, witty; the mathematics, subtle; natural philosophy, deep; moral, grave; logic and rhetoric, able to contend.
Francis Bacon (1561-1626) English philosopher, scientist, author, statesman
“Of Studies,” Essays, No. 50 (1625)
(Source)
Fine natures are like fine poems; a glance at the first two lines suffices for a guess into the beauty that waits you, if you read on.
Edward George Bulwer-Lytton (1803-1873) English novelist and politician
My Novel, or Varieties in English Life (1853)
Poets have been mysteriously silent on the subject of cheese.
Gilbert Keith Chesterton (1874-1936) English journalist and writer
“Cheese,” Alarms and Discursions (1911)
There is no Frigate like a Book
To take us Lands away,
Nor any Coursers like a Page
Of prancing poetry.Emily Dickinson (1830-1886) American poet
“There is no frigate like a book” (c. 1873)
No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader.
I am very sure that any man of common understanding may, by proper culture, care, attention and labor, make himself whatever he pleases, except a great poet.
Lord Chesterfield (1694-1773) English statesman, wit [Philip Dormer Stanhope]
Letter to his son (9 Oct 1746)
Sir, I admit your gen’ral Rule
That every Poet is a Fool;
But you yourself may serve to show it.
That ever Fool is not a Poet.Alexander Pope (1688-1744) English poet
“Epigram from the French” (1732)
Poetry is to prose as dancing is to walking.
John Wain (1925-1994) English poet, novelist, critic
Radio broadcast, BBC, London (13 Jan 1976)
We may have an excellent Ear in Musick, without being able to perform in any kind. We may judge well of Poetry, without being Poets, or possessing the least of a Poetick Vein: But we can have no tolerable Notion of Goodness, without being tolerably good.
Anthony Cooper, 3rd Earl of Shaftesbury (1671-1713) English politician and philosopher
Characteristicks of Men, Manners, Opinions, Times, Vol. 1, “A Letter Concerning Enthusiasm” (1711)
I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
Virginia Woolf (1882-1941) English modernist writer [b. Adeline Virginia Stephen]
A Room of One’s Own, ch. 3 (1929)
Life is a journey. Time is a river. The door is ajar.
Jim Butcher (b. 1971) American author
Dead Beat (2005)
With a view to poetry, an impossible thing that is believable is preferable to an unbelievable thing that is possible.
[πρός τε γὰρ τὴν ποίησιν αἱρετώτερον πιθανὸν ἀδύνατον ἢ ἀπίθανον καὶ δυνατόν.]
Aristotle (384-322 BC) Greek philosopher
Poetics [Περὶ ποιητικῆς, De Poetica], ch. 24 / 1461b.11 (c. 335 BC) [tr. Sachs (2006)]
(Source)
Original Greek. Alternate translations:
- "The poet should prefer probable impossibilities to improbable possibilities." [tr. Butcher (1895)]
- "A likely impossibility is always preferable to an unconvincing possibility." [tr. Bywater (1909)]
- "You should prefer a plausible impossibility to an unconvincing possibility." [tr. Margoliouth (1911)]
- "For poetic effect a convincing impossibility is preferable to that which is unconvincing though possible." [tr. Fyfe (1932)]
- "Probable impossibilities are preferable to implausible possibilities." [tr. Halliwell (1986)]
- "In relation to the needs of the composition, a believable impossibility is preferable to an unbelievable possibility." [tr. Janko (1987)]
- "With respect to the requirement of art, the probable impossible is always preferable to the improbable possible."
- "For the purposes of poetry a convincing impossibility is preferable to an unconvincing possibility."
Poetry demands a man with special gift for it, or else one with a touch of madness in him; the former can easily assume the required mood, and the latter may be actually beside himself with emotion.
[διὸ εὐφυοῦς ἡ ποιητική ἐστιν ἢ μανικοῦ: τούτων γὰρ οἱ μὲν εὔπλαστοι οἱ δὲ ἐκστατικοί εἰσιν.]
Aristotle (384-322 BC) Greek philosopher
Poetics [Περὶ ποιητικῆς, De Poetica], ch. 17 / 1455a.33 (c. 335 BC) [tr. Bywater (1909)]
(Source)
Original Greek. Fyfe (below) notes μανικός to mean "genius to madness near allied," and adds "Plato held that the only excuse for a poet was that he couldn't help it." A possible source of Seneca's "touch of madness" attribution to Aristotle. Alternate translations:
Poetry implies either a happy gift of nature or a strain of madness. In the one case a man can take the mould of any character; in the other, he is lifted out of his proper self.
[tr. Butcher (1895)]
Poetry is the work for the finely constituted or the hysterical; for the hysterical are impressionable, whereas the finely constituted are liable to outbursts.
[tr. Margoliouth (1911); whiles this seems backward, Margoliouth further explains in his footnote.]
Poetry needs either a sympathetic nature or a madman, the former being impressionable and the latter inspired.
[tr. Fyfe (1932)]
Hence the poetic art belongs either to a naturally gifted person or an insane one, since those of the former sort are easily adaptable and the latter are out of their senses.
[tr. Sachs (2006)]
In order to write tragic poetry, you must be either a genius who can adapt himself to anything, or a madman who lets himself get carried away.
[tr. Kenny (2013)]
Poetry is more philosophical and more serious than history; poetry utters universal truths, history particular statements.
[διὸ καὶ φιλοσοφώτερον καὶ σπουδαιότερον ποίησις ἱστορίας ἐστίν: ἡ μὲν γὰρ ποίησις μᾶλλον τὰ καθόλου, ἡ δ᾽ ἱστορία τὰ καθ᾽ ἕκαστον λέγει.]
Aristotle (384-322 BC) Greek philosopher
Poetics [Περὶ ποιητικῆς, De Poetica], ch. 9 / 1451b.5 (c. 335 BC) [tr. Kenny (2013)]
Original Greek. Alternate translations:
Poetry, therefore, is a more philosophical and a higher thing than history: for poetry tends to express the universal, history the particular.
[tr. Butcher (1895)]
Poetry is something more philosophic and of graver import than history, since its statements are of the nature rather of universals, whereas those of history are singulars.
[tr. Bywater (1909)]
Poetry is the more scientific and the higher class; for it generalizes rather, whereas history particularizes.
[tr. Margoliouth (1911)]
Poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.
[tr. Fyfe (1932)]
Poetry is more philosophical and more serious than history; in fact, poetry speaks more of universals, whereas history of particulars.
[tr. Halliwell (1986)]
Poetry is a more philosophical and more serious thing than history: poetry tends to speak of universals, history of particulars.
[tr. Janko (1987), sec. 3.2.3]
Poetry is more philosophical and more serious than history; poetry tends to speak of universals, history of particulars.
[tr. Janko (1987), sec. 3.2.3]
Poetry is more speculative and more serious business than history: for poetry deals more with universals, history with particulars.
[tr. Whalley (1997)]
Poetry is a more philosophical and more serious thing than history, since poetry speaks more of things that are universal, and history of things that are particular.
[tr. Sachs (2006)]
Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.
[tr. Unknown]
In my religion there would be no exclusive doctrine; all would be love, poetry and doubt.
Cyril Connolly (1903-1974) English intellectual, literary critic and writer.
The Unquiet Grave (1945)
KEATING: We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
