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- “Wealth and Poverty,” speech, National… (8,037)
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- Nobel prize acceptance speech (10 Dec 1962) (4,895)
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- 24-Feb-21 - "Mobs and Education," Speech, Twenty-Eighth Congregational Society, Boston (16 Dec 1860) | WIST on “The Boston Mob,” speech, Antislavery Meeting, Boston (21 Oct 1855).
- 22-Feb-21 - Letter (1860) | WIST on Areopagitica: a Speech for the Liberty of Unlicensed Printing (1644).
- 21-Feb-21 - "What I Believe," Forum and Century (Oct 1930) | WIST on Memoirs of William Miller, quoted in Life (2 May 1955).
- 21-Feb-21 - "What I Believe," Forum and Century (Oct 1930) | WIST on Letter, unsent (1927).
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- 13-Feb-21 - tweet: the case of anti-cytokine therapy for Covid-19 – Med-stat.info on “The Divine Afflatus,” New York Evening Mail (16 Nov 1917).
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Quotations about drama
Note that not all quotations have been tagged, so the Search function may find additional quotations on this topic.
Great art is as irrational as great music. It is mad with its own loveliness.
One does not go to the theater to see life and nature; one goes to see the particular way in which life and nature happen to look to a cultivated, imaginative and entertaining man who happens, in turn, to be a playwright.
George Jean Nathan (1892-1958) American editor and critic
The Critic and the Drama, ch. 2 (1922)
(Source)
Political campaigns tend to be exercises in progressive degeneration. The steady increase, week after week, in excitement and strain and weariness produces an oversimplification of issues, an over dramatization of alternatives, a growing susceptibility to extreme and catastrophic statements. Candidates find themselves shouting things in the fall that they would never dream of whispering in the summer.
Arthur M. Schlesinger, Jr. (1917-2007) American historian, author, social critic
The Age of Roosevelt, ch. 33, sec. 8 (1960)
(Source)
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
But because we grew up surrounded by big dramatic story arcs in books and movies, we think our lives are supposed to be filled with huge ups and downs! So people pretend there is drama where there is none.
Acting is merely the art of keeping a large group of people from coughing.
Christopher Columbus discovered the West Indies, and Alexander Graham Bell invented the telephone. We do not call their achievements creations because they are not personal enough. The West Indies were there all the time; and as for the telephone, we feel that Bell’s ingenious thought was somehow not fundamental. The groundwork was there, and if not Bell then someone else would have stumbled on the telephone almost as accidentally as on the West Indies.
By contrast, we feel that Othello is genuinely a creation. This is not because Othello came out of a clear sky; it did not. There were Elizabethan dramatists before William Shakespeare, and without them he could not have written as he did. Yet within their tradition Othello remains profoundly personal; and though every element in the play has been a theme of other poets, we know that the amalgam of these elements is Shakespeare’s; we feel the presence of his single mind. The Elizabethan drama would have gone on without Shakespeare, but no one else would have written Othello.
I am weary of reading Newspapers. The Times are so full of Events, the whole Drama of the World is such a Tragedy that I am weary of the Spectacle.
I have observed that in comedies the best actor plays the droll, while some scrub rogue is made the fine gentleman or hero. Thus it is in the farce of life. Wise men spend their time in mirth, ’tis only fools who are serious.
The pleasure arising from an extraordinary agitation of the mind is frequently so great as to stifle humanity; hence arises the entertainment of the common people at executions, and of the better sort at tragedies.
Making a film means, first of all, to tell a story. … What is drama, after all, but life with the dull bits cut out?