I love being with people. But I need a script, a role, something that will help me overcome my fears of rejection and shame. Most religions and belief systems provide a blueprint for some sort of community. And the religion’s leaders model a way of being. For example, in my book Choke, a character enacts his own death and resurrection every night — as does the narrator in Fight Club. Here’s Jesus, allowing himself to look terrible in front of his peers. That’s the biggest purpose of religious gathering: permission to look terrible in public.
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
“Those burnt tongue moments–Chuck Palahniuk in interview”, Interview by Andrew Lawless, Three Monkeys (May 2005)
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Quotations by:
Palahniuk, Chuck
Trust me, the being-dead part is much easier than the dying part. If you can watch much television, then being dead will be a cinch. Actually, watching television and surfing the Internet are really excellent practice for being dead.
What makes earth feel like Hell is our expectation that it should feel like Heaven.
An artist’s job is to make order out of chaos. You collect details, look for a pattern, and organize. You make sense out of senseless facts. You puzzle together bits of everything. You shuffle and reorganize. Collage. Montage. Assemble.
There are a lot of things we don’t want to know about the people we love.
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Fight Club ch. 13 (1996)
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On a long enough time line, the survival rate for everyone will drop to zero.
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Fight Club, ch. 2 (1997)
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The phrase also shows up later in the book, in ch. 24: "On a long enough time line, everyone's survival rate drops to zero."
In the 1999 movie adaptation (screenplay by Jim Uhls), the Narrator's line is "On a long enough time line the survival rate for everyone drops to zero."
This is your life, and it’s ending one minute at a time.
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Fight Club, ch. 3 (1996)
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People in France have a phrase: “Spirit of the Stairway.” In French: Esprit d’Escalier. It means that moment when you find the answer but it’s too late. So you’re at a party and someone insults you. You have to say something. So, under pressure, with everybody watching, you say something lame. But the moment you leave the party …
As you start down the stairway, then — magic. You come up with the perfect thing you should’ve said. The perfect crippling put down.
That’s the Spirit of the Stairway.
The trouble is, even the French don’t have a phrase for the stupid things you actually do say under pressure. Those stupid, desperate things you actually think or do.
When did the future switch from being a promise to being a threat?
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Invisible Monsters (1999)
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Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Invisible Monsters, ch. 1 (1999)
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Experts in ancient Greek culture say that people back then didn’t see their thoughts as belonging to them. When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love.
Now people hear a commercial for sour cream potato chips and rush out to buy them, but now they call this free will.
At least the ancient Greeks were being honest.
Everything is funnier in retrospect, funnier and prettier and cooler. You can laugh at anything from far enough away.
Chuck Palahniuk (b. 1962) American novelist and freelance journalist
Stranger Than Fiction: True Stories, “Consolation Prizes” (2004)
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The first step — especially for young people with energy and drive and talent, but not money — the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.