Dissents speak to a future age. It’s not simply to say, “My colleagues are wrong and I would do it this way.” But the greatest dissents do become court opinions and gradually over time their views become the dominant view. So that’s the dissenter’s hope: that they are writing not for today but for tomorrow.
Ruth Bader Ginsburg (1933-2020) American lawyer and jurist, Supreme Court Justice (1993-2020)
“Ruth Bader Ginsburg and Malvina Harlan,” interview by Nina Totenberg, NPR (2002-05-02)
(Source)
Speaking of Justice John Marshall Harlan and his lone dissent in Civil Rights Cases, 109 U.S. 3 (1883), where the Supreme Court struck down the Civil Rights Act of 1875. Ginsburg was being interviewed for her role in getting a long-lost memoir by Malvina Harlan, the Justice's wife, published as a book.
Quotations about:
message
Note not all quotations have been tagged, so Search may find additional quotes on this topic.
It is enough that the language one uses gets the point across.
[辭、達而已矣]
[辞达而已矣]Confucius (c. 551- c. 479 BC) Chinese philosopher, sage, politician [孔夫子 (Kǒng Fūzǐ, K'ung Fu-tzu, K'ung Fu Tse), 孔子 (Kǒngzǐ, Chungni), 孔丘 (Kǒng Qiū, K'ung Ch'iu)]
The Analects [論語, 论语, Lúnyǔ], Book 15, verse 41 (15.41) (6th C. BC – AD 3rd C.) [tr. Lau (1979)]
(Source)
Currently identified as 15.41; older sources use the Legge numbering, as noted below. (Source (Chinese) 1, 2). Alternate translations:
In language it is simply required that it convey the meaning.
[tr. Legge (1861), 15.40]
In speaking, perspicuity is all that is needed.
[tr. Jennings (1895)], 15.40]
Language should be intelligible and nothing more.
[tr. Ku Hung-Ming (1898), 15.40]
In language, perspicuity is everything.
[tr. Soothill (1910), 15.40]
Words should be used simply for conveying the meaning, ornateness is not their aim.
[tr. Soothill (1910), alternate. 15.40]
Problem of style? Get the meaning across and then STOP.
[tr. Pound (1933), 15.40]
In official speeches all that matters is to get one's meaning through.
[tr. Waley (1938), 15.40]
Expressiveness is the only principle of language.
[tr. Lin Yutang (1938)]
It is enough that one’s words express fully one’s thought.
[tr. Ware (1950)]
In words, the purpose is simply to get one's point across.
[tr. Dawson (1993)]
Words are merely for communication.
[tr. Leys (1997)]
As long as speech conveys the idea, it suffices.
[tr. Huang (1997)]
It is enough that the words can express the meanings.
[tr. Cai/Yu (1998), #425]
In expressing oneself, it is simply a matter of getting the point across.
[tr. Ames/Rosemont (1998)]
The words should reach their goal, and nothing more.
[tr. Brooks/Brooks (1998)]
Language is insight itself.
[tr. Hinton (1998)]
Words should convey their point, and leave it at that.
[tr. Slingerland (2003)]
With words it is enough if they get the meaning across.
[tr. Watson (2007)]
The sole purpose of a language is to communicate messages and ideas. That is all.
[tr. Li (2020), 15.42]
Once abandon that firm ground, once plead that history has a “message” or that history has a “social responsibility” (to produce good Marxists or good Imperialists or good citizens) there is no logical escape from the censor and the Index, the OGPU and the Gestapo.
A. J. P. Taylor (1906-1990) British historian, journalist, broadcaster [Alan John Percivale Taylor]
“The Historian,” Manchester Guardian (5 Aug 1938)
(Source)
All art is propaganda. It is universally and inescapably propaganda; sometimes unconsciously, but often deliberately, propaganda.
As commentary on the above, we add, that when artists or art critics make the assertion that art excludes propaganda, what they are saying is that their kind of propaganda is art, and other kinds of propaganda are not art. Orthodoxy is my doxy, and heterodoxy is the other fellow’s doxy.
Upton Sinclair (1878-1968) American writer, journalist, activist, politician
Mammonart, ch. 2 “Who Owns the Artists?” (1925)
(Source)
Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.
Daniel Barenboim (b. 1942) Argentine-Israeli pianist and conductor
Quoted in the International Herald Tribune (20 Jan 1989)
The above is sometimes cited to his collaborative dialog with Edward Said, Parallels and Paradoxes (2002), but the passage there is slightly different: "I think that every great work of art has two faces: one toward its own time and one toward eternity."
If you are silent about your pain, they’ll kill you and say you enjoyed it.
Zora Neale Hurston (1891-1960) American writer, folklorist, anthropologist
(Attributed)
Language exerts hidden power, like the moon on the tides.
Rita Mae Brown (b. 1944) American author, playwright
Starting from Scratch, Part 3 “The Work,” “The Passive Voice, or The Secret Agent” (1989)
(Source)
Every man hears only what he understands.
Johann Wolfgang von Goethe (1749-1832) German poet, statesman, scientist
The Maxims and Reflections of Goethe, #385 [tr. Saunders (1892)]
Half the world is composed of people who have something to say and can’t, and the other half who have nothing to say and keep on saying it.
Robert Frost (1874-1963) American poet
(Attributed)
They say you shouldn’t shoot the messenger, but no one warns you how much you’ll want to.
Books may preach when the author cannot, when the author may not, when the author dares not, yes, and which is more, when the author is not.
Thomas Brooks (1608-1680) English Puritan divine, writer
Heaven on Earth (1654)
Consider not so much who speaks, as what is spoken.
Thomas Fuller (1654-1734) English physician, preacher, aphorist, writer
Introductio ad Prudentiam, Vol. 1, # 109 (1725)
(Source)
No sinner is ever saved after the first twenty minutes of a sermon.
Mark Twain (1835-1910) American writer [pseud. of Samuel Clemens]
Hannibal Courier-Post (6 Mar 1835)
What I like in a good author isn’t what he says, but what he whispers.
Logan Pearsall Smith (1865-1946) American-English essayist, editor, anthologist
Afterthoughts, “Arts and Letters” (1931)
But every writer, especially every novelist, has a “message”, whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda. Neither Dickens himself nor the majority of Victorian novelists would have thought of denying this. On the other hand, not all propaganda is art.
Put the argument into a concrete shape, into an image — some hard phrase, round and solid as a ball, which they can see and handle and carry home with them — and the cause is half-won.
Ralph Waldo Emerson (1803-1882) American essayist, lecturer, poet
“Eloquence,” Society and Solitude (1870)
In every election in American history both parties have their clichés. The party that has the clichés that ring true wins.
Newt Gingrich (b. 1943) American politician [Newton Leroy Gingrich]
International Herald Tribune, Paris (1 Aug 1988)
Every child comes with the message that God is not yet tired of the man.
Rabindranath Tagore (1861-1941) Indian Bengali poet, philosopher [a.k.a. Rabi Thakur, Kabiguru]
Stray Birds (1916)
Alt. trans.: "Every child comes with the message that God is not yet discouraged of man."
Let us be silent, — so we may hear the whisper of the gods.
Ralph Waldo Emerson (1803-1882) American essayist, lecturer, poet
“Friendship,” Essays: First Series (1841)
Sometimes misquoted as "whispers of the gods."