In all such oaths we are not to attend to the mere form of words, but the true design and intention of them.
[Semper autem in fide quid senseris, non quid dixeris, cogitandum.]
Marcus Tullius Cicero (106-43 BC) Roman orator, statesman, philosopher
De Officiis [On Duties; On Moral Duty; The Offices], Book 1, ch. 13 (1.13) / sec. 40 (44 BC) [tr. Cockman (1699)]
(Source)
(Source (Latin)). Alternate translations:In obligations of faith, it is the meaning always, not the words that are to be considered.
[tr. McCartney (1798)]In a promise, what you thought, and not what you said, is always to be considered.
[tr. Edmonds (1865)]In a promise, what you mean, not what you say, is always to be taken into account.
[tr. Peabody (1883)]A promise must be kept not merely in the letter, but in the spirit.
[ed. Harbottle (1906)]In the matter of a promise one must always consider the meaning and not the mere words.
[tr. Miller (1913)]You should always, in a matter of trust, think of what you mean, not of what you say.
[tr. Edinger (1974)]
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What I like in a good author isn’t what he says, but what he whispers.
Logan Pearsall Smith (1865-1946) American-English essayist, editor, anthologist
Afterthoughts, “Arts and Letters” (1931)
But every writer, especially every novelist, has a “message”, whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda. Neither Dickens himself nor the majority of Victorian novelists would have thought of denying this. On the other hand, not all propaganda is art.
