Quotations by Forster, E. M.


The only books that influence us are those for which we are ready, and which have gone a little farther down our particular path than we have yet got ourselves.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“A Book that Influenced Me,” Two Cheers for Democracy (1951)
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There is fascism, leading only into the blackness which it has chosen as its symbol, into smartness and yapping out of orders, and self-righteous brutality, into social as well as international war. It means change without hope. Our immediate duty — in that tinkering which is the only useful form of action in our leaky old tub — our immediate duty is to stop it ….

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“Notes on the Way,” Time and Tide (10 June 1934)
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Reprinted in The Prince's Tale and Other Uncollected Writings (1998)
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Think before you speak is criticism’s motto; speak before you think, creation’s.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“The Raison d’E’tre of Criticism in the Arts,” Two Cheers for Democracy (1951)
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Love is a great force in private life; it is indeed the greatest of all things: but love in public affairs simply does not work. It has been tried again and again: by the Christian civilisations of the Middle Ages, and also by the French Revolution, a secular movement which reasserted the Brotherhood of Man. And it has always failed. The idea that nations should love one another, or that business concerns or marketing boards should love one another, or that a man in Portugal, say, should love a man in Peru of whom he has never heard—it is absurd, it is unreal, worse, it is dangerous. It leads us into perilous and vague sentimentalism. “Love is what is needed,” we chant, and then sit back and the world goes on as before. The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilisation, something much less dramatic and emotional is needed, namely, tolerance.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“The Unsung Virtue of Tolerance,” radio broadcast (Jul 1941)
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Published as "Tolerance," Two Cheers for Democracy (1951)
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I hate the idea of causes, and if I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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Sometimes misquoted as: "If I had to choose between betraying my country and betraying my friend, I hope I should have the decency to betray my country."
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Tolerance, good temper and sympathy — they are what matter really, and if the human race is not to collapse they must come to the front before long.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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One must be fond of people and trust them if one is not to make a mess of life, and it is therefore essential that they should not let one down. They often do. The moral of which is that I must, myself, be as reliable as possible, and this I try to be. But reliability is not a matter of contract — that is the main difference between the world of personal relationships and the world of business relationships. It is a matter for the heart, which signs no documents. In other words, reliability is impossible unless there is a natural warmth. Most men possess this warmth, though they often have bad luck and get chilled. Most of them, even when they are politicians, want to keep faith. And one can, at all events, show one’s own little light here, one’s own poor little trembling flame, with the knowledge that it is not the only light that is shining in the darkness, and not the only one which the darkness does not comprehend.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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There lies at the back of every creed something terrible and hard for which the worshipper may one day be required to suffer.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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Democracy is not a beloved Republic really, and never will be. But it is less hateful than other contemporary forms of government, and to that extent it deserves our support. It does start from the assumption that the individual is important, and that all types are needed to make a civilization. It does not divide its citizens into the bossers and the bossed — as an efficiency-regime tends to do. The people I admire most are those who are sensitive and want to create something or discover something, and do not see life in terms of power, and such people get more of a chance under a democracy than elsewhere. They found religions, great or small, or they produce literature and art, or they do disinterested scientific research, or they may be what is called “ordinary people”, who are creative in their private lives, bring up their children decently, for instance, or help their neighbours. All these people need to express themselves; they cannot do so unless society allows them liberty to do so, and the society which allows them most liberty is a democracy.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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Whether Parliament is either a representative body or an efficient one is questionable, but I value it because it criticizes and talks, and because its chatter gets widely reported. So two cheers for Democracy: one because it admits variety and two because it permits criticism. Two cheers are quite enough: there is no occasion to give three.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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I realize that all society rests upon force. But all the great creative actions, all the decent human relations, occur during the intervals when force has not managed to come to the front. These intervals are what matter. I want them to be as frequent and as lengthy as possible, and I call them “civilization”.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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Some people idealize force and pull it into the foreground and worship it, instead of keeping it in the background as long as possible. I think they make a mistake, and I think that their opposites, the mystics, err even more when they declare that force does not exist. I believe that it exists, and that one of our jobs is to prevent it from getting out of its box. It gets out sooner or later, and then it destroys us and all the lovely things which we have made. But it is not out all the time, for the fortunate reason that the strong are so stupid.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
“What I Believe,” The Nation (16 Jul 1938)
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Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, “I do enjoy myself,” or, “I am horrified,” we are insincere. “As far as I feel anything, it is enjoyment, horror” — it’s no more than that, really, and a perfectly adjusted organism would be silent.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
A Passage to India, ch. 14 (1924)
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Life never gives us what we want at the moment that we consider appropriate. Adventures do occur, but not punctually.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
A Passage to India, ch. 3 (1924)
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There’s enough sorrow in the world, isn’t there, without trying to invent it.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
A Room with a View, ch 2 (1908)
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Life is easy to chronicle, but bewildering to practice.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
A Room with a View, ch. 14 (1908)
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Our life on earth is, and ought to be, material and carnal. But we have not yet learned to manage our materialism and carnality properly; they are still entangled with the desire for ownership.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Abinger Harvest: A Miscellany, “My Wood” (1927)
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Those who prepared for all the emergencies of life beforehand may equip themselves at the expense of joy.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Howard’s End, ch. 7 (1910)
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You confuse what’s important with what’s impressive.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Maurice (w. 1914, pub. 1971)
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I suggest that the only books that influence us are those for which we are ready, and which have gone a little farther down our particular path than we have yet got ourselves.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Two Cheers for Democracy (1951)
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The only books that influence us are those for which we are ready, and which have gone a little farther down our particular path than we have yet got ourselves.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Two Cheers for Democracy, “A Book That Influenced Me” (1951)
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We are willing enough to praise freedom when she is safely tucked away in the past and cannot be a nuisance. In the present, amidst dangers whose outcome we cannot foresee, we get nervous about her, and admit censorship.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Two Cheers for Democracy, “The Tercentenary of the Areopagitica” (1951)
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I believe in aristocracy though – If that is the right word, and a democrat may use it. Not an aristocracy of power, based upon rank and influence, but an aristocracy of the sensitive, the considerate and the plucky. Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and choas. Thousands of them perish in obscurity, a few are great names. They are sensitive to others as well as for themselves, they are considerate without being fussy, their pluck is not swankiness, but the power to endure, and they can take a joke.

E. M. Forster (1879-1970) English novelist, essayist, critic, librettist [Edward Morgan Forster]
Two Cheers for Democracy, “What I Believe” (1938)
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